I am going to use this as the combined logo for WOTC, Coven Life, and Heart’s Spirit Coven as all threes logo as part of a letterhead, places that ask for our logo online, etc.
I picked the Tree of Life because to me not only does it represent As Above, So Below but also how 2 separate websites are coming together as one through the Heart’s Spirit Coven. All who read and/or follow Witches of The Craft and Coven Life whether you practice as a Solitary or in a face to face pagan group are a student with Coven Life, etc you are welcome to join me and the rest of Heart’s Spirit Coven for Open Chats, Esbat and Sabbat celebration gatherings. We do not follow a pure Wiccan path but a path of many different traditions so we are a eclectic coven of Solitary Witches and students who come together for gatherings and to chat.
As you can see WOTC is in yellow for Sun light, Coven Life is in blue for Life Giving water, both of which nourish learning and work together to form Heart’s Spirit Coven and Coven Life’s Witchcraft School. Please let me know over the next week whether or not you like this as a logo or not. If not, please give me you suggestions on what you think a good logo would look like combining the 2 websites and coven
I pulled this from an older post because it fits with my post of yesterday.
We can help the most by showing society we are peaceful, loving people just like everyone should be.
We can help be leading by example living in harmony with Mother Earth and doing all we can to help her heal. Such as recycling anything we use that has that option, pick up others track including cigarette butts when out for a walk or hiking. Use earth friendly laundry soap, liquid fabric softener, dish soap, body soap (bar or gel), shampoo, paper products made at least in part with recycled paper.
We can help by saying hi or just smiling at people We walk pass or inter act with.
Please share your thoughts or things you already do to live in better harmony with all living things. Especially the talking humans who can really get under your skin.
The Celtic’s used a writing system called Ogham or sometimes spelled Ogma which dates hundreds of years BCE (Before the Current Era). Most of the time the credit for the alphabets origins are given to the Druid Priests. As only they could read the meanings of the “Ogham Staves” when they were thrown. The Ogham alphabet consists of 25 different symbols which in turn are associated with specific trees or shrubs.
The alphabet can either be written vertically or horizontally but the actual marking for the symbol or letter always appears on the same side and location on the straight line that all the symbols/letter stem off of.
The Ogham Staves are used as a form of divination. You can use them the same as you would Runes or Tarot cards. To make Ogham Staves they should be craved into a piece of the tree or shrub they are associated with, all 25 pieces of wood should be the exact same length and when possible diameter.
How to use the staves is simple you hold them together in both hands, and roll them on your palms while you ask your question of them (be sure to keep your question clear and concise). When you feel it is time and with the question firmly fixed in your mind you let the staves drop from about 4 to 6 inches off the ground. Those closest to you are the future, the middle ones are for the present, and those furthest away are read for the past which led up to the present which will lead into the future.
Here is a picture of the alphabet writing, name of symbol/letter, and which tree or shrub is associated to it:
Other examples of the alphabet:
Here is are the symbols/letters on the tree or shrub they are associated with:
This is the first in a series of posts on the use and meanings of the Ogham alphabet and staves. I will also be posting an Ogham Symbol for the day starting Monday, August 13th both on here and on WOTC.
If you have questions about this topic please write to LAdy Beltane at firstname.lastname@example.org Please put Ogham Question in the “Subject line”
As Witches, we often draw upon the mythology of many different lands to find the god and goddess figures that we identify with most strongly. And while this can vary greatly from Witch to Witch (like everything else we do-hey, at least we are not a bunch of boring conformists), many of us are drawn to the pantheons (from the Greek “temple of the gods,” meaning the officially recognized gods of a particular people) of the Greek, Roman, Egyptian, and Celtic cultures, with a few Norse and Hindu gods thrown in for good measure.
It is interesting to see how much the gods from one culture resemble the gods in another. It makes sense, I suppose, when you consider that most Pagan peoples had the same interests as we do today: love, protection, prosperity, the moon, growing things, etc.
In addition, it is historically possible in many cases to follow the path that a god took from one culture to another. For instance, many of the Roman gods and goddesses were taken more or less directly from the Greeks who preceded them.
It is fine to focus on one pantheon or culture, but it is also okay to mix and match. The gods that want you will find you, that much is for sure.
Everyday Witch A to Z: An Amusing, Inspiring & Informative Guide to the Wonderful World of Witchcraft
Merry meet brothers and sisters. Since I no longer classify myself as pure Wiccan and as my pagan spiritual path encompasses other traditions as well, I feel it is time I step away from only posting things based upon Wiccan tradition. The reason for this is so I and my site can introduce other types of pagan spirituality both from modern and ancient times to those who take lessons from me will have a broader range of what pagans and witches can believe in. Also for anyone interested in learning more about different pagan spiritual paths.
A pagan spiritual path is also referred to as ‘ The Old Ways” The definition of Pagan is:
(no longer in technical use) one of a people or community observing a polytheistic religion, as the ancient Romans and Greeks.
a member of a religious, spiritual, or cultural community based on the worship of nature or the earth; a neopagan.
Disparaging and Offensive.
- (in historical contexts) a person who is not a Christian, Jew, or Muslim; a heathen.
- an irreligious or hedonistic person.
- an uncivilized or unenlightened person.
of, relating to, or characteristic of pagans.
Disparaging and Offensive.
- relating to the worship or worshipers of any religion that is neither Christian, Jewish, nor Muslim.
- irreligious or hedonistic.
- (of a person) uncivilized or unenlightened.
This came from http://dictionary.reference.com/browse/pagan If you want to know the origins or other information on the word just click on the link. You may find other definitions for the word pagan in different dictionaries, but this is the definition that I have been taught.
If there is an area of interest that I don’t post on and you would like me to please let me know and I will see what I can do. I won’t be posting daily horoscopes, runes, tarot cards or the other types of daily posts as seen on Witches of The Craft as Lady of the Abyss and her staff do a fantastic job covering those areas.
Let’s Talk Witch – The Eight Keys to Celtic Magic
Every folk group has special traditions with regard to magical practice. To the contrary of trends in modern occultism these traditions are not merely windaw dressing on a universal pattern- the differences reflect real and often profound variations between and among traditions. In studying the Celtic traditions of magic certain unique themes occur which are worth pointing out. These themes help distinguish the Celtic traditions from others. If these themes are found inspiring, then the Celtic tradition is a place to explore them further in the environment of ideas which will lead the seeker to deeper findings along the same path.
1. Magic of the Head
NO other tradition, with the possible exception of the Slavic, is more focused on the human head (and brain) as the seat of magical powers. When one reads the ancient Irish tales one becomes aware of the degree to which the Celts were head hunters. The reason for this is that their magical physiology holds that the head is the seat of power- an honour. This a warrior attempts to steal from an enemy, and assume himself. Hence the ancient Irish were known to eat a portion of a slain enemy’s brain. The head-hunting practices of Irish fighters continued until the mid-19th century, when early Irish immigrants to North America fighting for the Confederacy were known to have hunted the heads of Union soldiers. (See Professor Grady McWhiney’s book Attack and Die.) Also, however, the heads of one’s own ancestors were to be preserved- and displayed at certain holy times. This “cult of the head” is conspicuous at the Celtic temple at Roquepertuse, which contains stone pillars with niches into which the heads of ancestral heroes were placed. This is without doubt also the ultimate origin of the “jack-o-lantern”the carved cephalomorphic gourd familiar in Halloween customs. It is thought by many that the myth of the head of Mimir, which informs the God Odin, is ultimately a Celtic influence.
Mimir means memory- and the exercise of memory in and of itself seems to have a magical importance for the Celts. This is a trait they share with the Aryans of the east. The Druidic training program is said to have consisted of twenty years of learning lore by memory. The exercise of this faculty for its own sake, beyond the ready access to information it provides to the subject is something the Celts seem to have especially appreciated. the ogham system was most certainly one of the practical tools used in this exercise. Poems and stories were among the things memorized.
The stories recited by Celtic tellers of tales were not merely for entertainment- they were also not merely mythic tales in which the traditions of the people were encoded. Stories are actually said to have operative magical effects. It might be said that the hearing of a certain story would bring a number of years of good fortune, but the telling of a story would bring even more. (See Rees and Rees, The Celtic Heritage.)
4. Language and Music
No people seem more Iyrical than the Celts. The linkage between music (harmonics) and language (meaning) is strong. In the lore of magic this reaches its apex in operative techniques by which changes in the environment, or in the human mind, can actually be effected by means of musical strains alone. This is a theory explored by the Pythagoreans, but in the lore of the Celts it appears to have been an ancient traditional operative technique.
No other traditional lore seems to have a better or more realistic understanding of the magical experience of inter-dimensionality. The regular interaction with the “otherworld” or the “underworld” is a common feature of Irish and Welsh mythic tales as well as folktales from the Celtic cultures. It is from these that the Arthurian legends inherit their “inter-dimensional” features- such as the Grail Castle appearing and disappearing from various “places” at various “times.” This mutual effect of one “world” upon another is reflected in the very grammar of the Celtic languages wherein one word, when juxtaposed to another for a specific grarnrnatical, syntactic and semantic purpose, will cause the latter word to change its shape (sound). For example the Irish word for “cow” is bo, and the word for “white” is ban, but to say “a white cow,” one must say, or write, bo bhan [pron. boh-vawn].
By the use of words – of poetry – the fili(“master poets”) were able to cause physical changes in the bodies of other individuals. This was done with “satire.” The fact that satirical verse has a patently humorous aspect is the essentially Celtic dimension here. Because Celtic kings could not rule if they suffered any physical defect or blemish, all the satirists had to do in order to depose a king was to, by means of a satirical verse, raise boils on his face. All would see the blemish, and his rule would be at an end.
7. Operative Fasting
Fasting for “spiritual” reasons is familiar throughout the world. To fast-really to starve the body – in order to make subjective changes is obvious. Celtic magicians could, however, “fast on” their enemies as an operative curse formula. By starving himself to near death the sorcerer can actually cause the death of his enemy. This technique is something entirely different from, though apparently related to, the use of fasting as a way to “protest” supposed injustices. This latter technique works only through the medium of information in the context of public morality, whereas the operative fasting of the ancient Celtic magicians worked in a mysterious way.
8. Magical Taboos
Again “taboos” – negative prohibitions against certain behaviours– and other behavioural sanctions are familiar in most religious traditions. The Irish gess [pron. gaysh] (plural gessa) is most often translated something like “taboo.” It is, however, something quite different from what is usually meant by this word. A gess, although usually a prohibition against behaviour, actually provides power to the individual. The more gessa that have been “put on” a person (usually by a sorcerer) the more danger recipients live with- but also the more power recipients have at their disposal. To have a gess is both a curse and a boon simultaneously.
These eight distinctive points of Celtic magic, being aspects which distinguish that tradition from others, should be focal points of research and practice in any program to develop a true magical renaissance of the Celtic tradition.
by Edred Thorsson
An Assue Wytch’s Book of Correspondences
February 18 – March 17
Celtic Tree Month of the Ash Tree
Those born under the Celtic tree astrology sign of the Ash are free thinkers. Imaginative, intuitive, and naturally artistic, you see the world in water-color purity. You have a tendency to moody and withdrawn at times, but that’s only because your inner landscape is in constant motion. You are in touch with your muse, and you are easily inspired by nature. Likewise, you inspire all that you associate with and people seek you out for your enchanting personality. Art, writing (especially poetry), science, and theology (spiritual matters) are areas that strongly interest you. Others may think you are reclusive, but in all honesty, you are simply immersed in your own world of fantastic vision and design. You are in a constant state of self-renewal and you rarely place a value on what others think about you. Ash signs partner well with Willow and Reed signs.
About Those Born Under the Sign of the Ash Tree – The Enchanter
February 18 – March 17
Those born under the Celtic tree astrology sign of the Ash are free thinkers. Imaginative intuitive, and naturally artistic, you see the world in water-color purity. You have a tendency to moody and withdrawn at times, but that’s only because your inner landscape is in constant motion. You are in touch with your muse, and you are easily inspired by nature. Likewise, you inspire all that you associates with and people see out for your enchanting personality. Art, writing (especially poetry), science and theology (spiritual matters) are areas that strongly interest you. Others may think you are reclusive, but in all honesty, you are simply immersed in your own world of fantastic vision and desire. You are in a constant state of self-renewal and you rarely place a value on what others think about you. Ash signs partners well with Willow and Reed.