A Short Introduction to Celtic/Druid Ogham or Ogma Alphabet and How to Use it For Divination

The Celtic’s used a writing system called Ogham or sometimes spelled Ogma which dates hundreds of years BCE (Before the Current Era). Most of the time the credit for the alphabets origins are given to the Druid Priests. As only they could read the meanings of the “Ogham Staves” when they were thrown. The Ogham alphabet consists of 25 different symbols which in turn are associated with specific trees or shrubs.

The alphabet can either be written vertically or horizontally but the actual marking for the symbol or letter always appears on the same side and location on the straight line that all the symbols/letter stem off of.

The Ogham Staves are used as a form of divination. You can use them the same as you would Runes or Tarot cards. To make Ogham Staves they should be craved into a piece of the tree or shrub they are associated with, all 25 pieces of wood should be the exact same length and when possible diameter.

How to use the staves is simple you hold them together in both hands, and roll them on your palms while you ask your question of them (be sure to keep your question clear and concise). When you feel it is time and with the question firmly fixed in your mind you let the staves drop from about 4 to 6 inches off the ground. Those closest to you are the future, the middle ones are for the present, and those furthest away are read for the past which led up to the present which will lead into the future.

Here is a picture of the alphabet writing, name of symbol/letter, and which tree or shrub is associated to it:

Other examples of the alphabet:

Here is are the symbols/letters on the tree or shrub they are associated with:

Deosil and Withershins

When casting, dancing or chanting in a circle for ritual purposes. Wiccans refer to the direction described as either “deosil” or “Withershins.”  When “deosil” (comes from the Irish Gaelic meaning, “turn to the right) is specified, this means clockwise, the direction in which the Sun apparently moves in the Northern Hemisphere, and in which circles are usually cast for positive magick. “Withershins” (or widdershins”) whose roots are embedded in the German words wider (“against”) and Sinn (‘sense’), means counterclockwise, and this is the banishing direction used for negative magick.

Sunny Days

Maximize the power of a spell cast during Leo’s reign by practicing it on a Sunday, the weekday whose dedication to the Lion’s planetary ruler remains enshrined in many modern European languages, including English.

4 February Southern Hemisphere Custom Planetary Positions

The time for the Custom Planetary Positions is from the local time in Melbourne, Victoria, Australia 

4 February (3) 2021
09:00 pm GMT 8:00 AM AEDT
Zodiac: Tropical (Standard Western)

Sun:15 Aquarius 15
Moon:03 Scorpio 59
Mercury:24 Aquarius 51 Rx
Venus:02 Aquarius 52
Mars:14 Taurus 06
Jupiter:10 Aquarius 44
Saturn:05 Aquarius 37
Uranus:06 Taurus 54
Neptune:19 Pisces 22
Pluto:25 Capricorn 18

True Lunar Node:18 Gemini 11 Rx
Mean Lunar Node:17 Gemini 04 Rx

Lilith (Black Moon):11 Taurus 45

Chiron:06 Aries 02
Ceres:23 Pisces 31
Pallas:19 Aquarius 16
Juno:14 Sagittarius 02
Vesta:20 Virgo 27 Rx

Eris:23 Aries 30

Fire:3
Earth:5
Air:8
Water:3
Cardinal:3
Fixed:10
Mutable:6

 

If you need to calculate the planetary positions for a specific use and time, click on this link Currentplanetarypositions.com 

 To figure out GMT (Greenwich Mean Time) to your local time use this link  

For Your Local Time and Date 

WOTC and CL Websites and Coven’s Combined Logo

Untitled

I am going to use this as the combined logo for WOTC, Coven Life, and Heart’s Spirit Coven as all threes logo as part of a letterhead, places that ask for our logo online, etc.

I picked the Tree of Life because to me not only does it represent As Above, So Below but also how 2 separate websites are coming together as one through the Heart’s Spirit Coven. All who read and/or follow Witches of The Craft and Coven Life whether you practice as a Solitary or in a face to face pagan group are a student with Coven Life, etc you are welcome to join me and the rest of Heart’s Spirit Coven for Open Chats, Esbat and Sabbat celebration gatherings. We do not follow a pure Wiccan path but a path of many different traditions so we are a eclectic coven of Solitary Witches and students who come together for gatherings and to chat.

As you can see WOTC is in yellow for Sun light, Coven Life is in blue for Life Giving water, both of which nourish learning and work together to form Heart’s Spirit Coven and Coven Life’s Witchcraft School. Please let me know over the next week whether or not you like this as a logo or not. If not, please give me you suggestions on what you think a good logo would look like combining the 2 websites and coven

A Thought for Today

I pulled this from an older post because it fits with my post of yesterday.

We can help the most by showing society we are peaceful, loving people just like everyone should be.

We can help be leading by example living in harmony with Mother Earth and doing all we can to help her heal. Such as recycling anything we use that has that option, pick up others track including cigarette butts when out for a walk or hiking. Use earth friendly laundry soap, liquid fabric softener, dish soap, body soap (bar or gel), shampoo, paper products made at least in part with recycled paper.

We can help by saying hi or just smiling at people We walk pass or inter act with.

Please share your thoughts or things you already do to live in better harmony with all living things. Especially the talking humans who can really get under your skin.

Let’s Talk Witch – Pantheon Pathways

witchcraft

Pantheon Pathways

 

As Witches, we often draw upon the mythology of many different lands to find the god and goddess figures that we identify with most strongly. And while this can vary greatly from Witch to Witch (like everything else we do-hey, at least we are not a bunch of boring conformists), many of us are drawn to the pantheons (from the Greek “temple of the gods,” meaning the officially recognized gods of a particular people) of the Greek, Roman, Egyptian, and Celtic cultures, with a few Norse and Hindu gods thrown in for good measure.

It is interesting to see how much the gods from one culture resemble the gods in another. It makes sense, I suppose, when you consider that most Pagan peoples had the same interests as we do today: love, protection, prosperity, the moon, growing things, etc.

In addition, it is historically possible in many cases to follow the path that a god took from one culture to another. For instance, many of the Roman gods and goddesses were taken more or less directly from the Greeks who preceded them.

It is fine to focus on one pantheon or culture, but it is also okay to mix and match. The gods that want you will find you, that much is for sure.

 

 

Everyday Witch A to Z: An Amusing, Inspiring & Informative Guide to the Wonderful World of Witchcraft

Deborah Blake

 

Some Changes in Directions in Posts on Coven Life

Merry meet brothers and sisters. Since I no longer classify myself as pure Wiccan and as my pagan spiritual path encompasses other traditions as well, I feel it is time I step away from only posting things based upon Wiccan tradition. The reason for this is so I and my site can introduce other types of pagan spirituality both from modern and ancient times to those who take lessons from me will have a broader range of what pagans and witches can believe in. Also for anyone interested in learning more about different pagan spiritual paths.

A pagan spiritual path is also referred to as ‘ The Old Ways” The definition of Pagan is:

noun
1.

(no longer in technical use) one of a people or community observing a polytheistic religion, as the ancient Romans and Greeks.
2.

a member of a religious, spiritual, or cultural community based on the worship of nature or the earth; a neopagan.
3.

Disparaging and Offensive.

  1. (in historical contexts) a person who is not a Christian, Jew, or Muslim; a heathen.
  2. an irreligious or hedonistic person.
  3. an uncivilized or unenlightened person.
adjective
4.

of, relating to, or characteristic of pagans.
5.

Disparaging and Offensive.

  1. relating to the worship or worshipers of any religion that is neither Christian, Jewish, nor Muslim.
  2. irreligious or hedonistic.
  3. (of a person) uncivilized or unenlightened.

This came from http://dictionary.reference.com/browse/pagan If you want to know the origins or other information on the word just click on the link. You may find other definitions for the word pagan in different dictionaries, but this is the definition that I have been taught.

If there is an area of interest that I don’t post on and you would like me to please let me know and I will see what I can do. I won’t be posting daily horoscopes, runes, tarot cards or the other types of daily posts as seen on Witches of The Craft as Lady of the Abyss and her staff do a fantastic job covering those areas.

Let’s Talk Witch – The Eight Keys to Celtic Magic

Flower Graphics
Let’s Talk Witch – The Eight Keys to Celtic Magic

Every folk group has special traditions with regard to magical practice. To the contrary of trends in modern occultism these traditions are not merely windaw dressing on a universal pattern- the differences reflect real and often profound variations between and among traditions. In studying the Celtic traditions of magic certain unique themes occur which are worth pointing out. These themes help distinguish the Celtic traditions from others. If these themes are found inspiring, then the Celtic tradition is a place to explore them further in the environment of ideas which will lead the seeker to deeper findings along the same path.
1. Magic of the Head
NO other tradition, with the possible exception of the Slavic, is more focused on the human head (and brain) as the seat of magical powers. When one reads the ancient Irish tales one becomes aware of the degree to which the Celts were head hunters. The reason for this is that their magical physiology holds that the head is the seat of power- an honour. This a warrior attempts to steal from an enemy, and assume himself. Hence the ancient Irish were known to eat a portion of a slain enemy’s brain. The head-hunting practices of Irish fighters continued until the mid-19th century, when early Irish immigrants to North America fighting for the Confederacy were known to have hunted the heads of Union soldiers. (See Professor Grady McWhiney’s book Attack and Die.) Also, however, the heads of one’s own ancestors were to be preserved- and displayed at certain holy times. This “cult of the head” is conspicuous at the Celtic temple at Roquepertuse, which contains stone pillars with niches into which the heads of ancestral heroes were placed. This is without doubt also the ultimate origin of the “jack-o-lantern”the carved cephalomorphic gourd familiar in Halloween customs. It is thought by many that the myth of the head of Mimir, which informs the God Odin, is ultimately a Celtic influence.
2. Memory
Mimir means memory- and the exercise of memory in and of itself seems to have a magical importance for the Celts. This is a trait they share with the Aryans of the east. The Druidic training program is said to have consisted of twenty years of learning lore by memory. The exercise of this faculty for its own sake, beyond the ready access to information it provides to the subject is something the Celts seem to have especially appreciated. the ogham system was most certainly one of the practical tools used in this exercise. Poems and stories were among the things memorized.
3. Story-Telling
The stories recited by Celtic tellers of tales were not merely for entertainment- they were also not merely mythic tales in which the traditions of the people were encoded. Stories are actually said to have operative magical effects. It might be said that the hearing of a certain story would bring a number of years of good fortune, but the telling of a story would bring even more. (See Rees and Rees, The Celtic Heritage.)
4. Language and Music
No people seem more Iyrical than the Celts. The linkage between music (harmonics) and language (meaning) is strong. In the lore of magic this reaches its apex in operative techniques by which changes in the environment, or in the human mind, can actually be effected by means of musical strains alone. This is a theory explored by the Pythagoreans, but in the lore of the Celts it appears to have been an ancient traditional operative technique.
5. Inter-Dimensionality
No other traditional lore seems to have a better or more realistic understanding of the magical experience of inter-dimensionality. The regular interaction with the “otherworld” or the “underworld” is a common feature of Irish and Welsh mythic tales as well as folktales from the Celtic cultures. It is from these that the Arthurian legends inherit their “inter-dimensional” features- such as the Grail Castle appearing and disappearing from various “places” at various “times.” This mutual effect of one “world” upon another is reflected in the very grammar of the Celtic languages wherein one word, when juxtaposed to another for a specific grarnrnatical, syntactic and semantic purpose, will cause the latter word to change its shape (sound). For example the Irish word for “cow” is bo, and the word for “white” is ban, but to say “a white cow,” one must say, or write, bo bhan [pron. boh-vawn].
6. “Satirizing”
By the use of words – of poetry – the fili(“master poets”) were able to cause physical changes in the bodies of other individuals. This was done with “satire.” The fact that satirical verse has a patently humorous aspect is the essentially Celtic dimension here. Because Celtic kings could not rule if they suffered any physical defect or blemish, all the satirists had to do in order to depose a king was to, by means of a satirical verse, raise boils on his face. All would see the blemish, and his rule would be at an end.
7. Operative Fasting
Fasting for “spiritual” reasons is familiar throughout the world. To fast-really to starve the body – in order to make subjective changes is obvious. Celtic magicians could, however, “fast on” their enemies as an operative curse formula. By starving himself to near death the sorcerer can actually cause the death of his enemy. This technique is something entirely different from, though apparently related to, the use of fasting as a way to “protest” supposed injustices. This latter technique works only through the medium of information in the context of public morality, whereas the operative fasting of the ancient Celtic magicians worked in a mysterious way.
8. Magical Taboos
Again “taboos” – negative prohibitions against certain behaviours– and other behavioural sanctions are familiar in most religious traditions. The Irish gess [pron. gaysh] (plural gessa) is most often translated something like “taboo.” It is, however, something quite different from what is usually meant by this word. A gess, although usually a prohibition against behaviour, actually provides power to the individual. The more gessa that have been “put on” a person (usually by a sorcerer) the more danger recipients live with- but also the more power recipients have at their disposal. To have a gess is both a curse and a boon simultaneously.
These eight distinctive points of Celtic magic, being aspects which distinguish that tradition from others, should be focal points of research and practice in any program to develop a true magical renaissance of the Celtic tradition.

 

Author:

by Edred Thorsson

An Assue Wytch’s Book of Correspondences

February 18 – March 17: Celtic Tree Month of the Ash Tree

 February 18 – March 17

Celtic Tree Month of the Ash Tree

Those born under the Celtic tree astrology sign of the Ash are free thinkers. Imaginative, intuitive, and naturally artistic, you see the world in water-color purity. You have a tendency to moody and withdrawn at times, but that’s only because your inner landscape is in constant motion. You are in touch with your muse, and you are easily inspired by nature. Likewise, you inspire all that you associate with and people seek you out for your enchanting personality. Art, writing (especially poetry), science, and theology (spiritual matters) are areas that strongly interest you. Others may think you are reclusive, but in all honesty, you are simply immersed in your own world of fantastic vision and design. You are in a constant state of self-renewal and you rarely place a value on what others think about you. Ash signs partner well with Willow and Reed signs.

WHATS-YOUR-SIGN.COM

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About Those Born Under the Sign of the Ash Tree (Feb. 18 – Mar. 17)

About Those Born Under the Sign of the Ash Tree – The Enchanter

February 18 – March 17

Those born under the Celtic tree astrology sign of the Ash are free thinkers. Imaginative intuitive, and naturally artistic, you see the world in water-color purity. You have a tendency to moody and withdrawn at times, but that’s only because your inner landscape is in constant motion. You are in touch with your muse, and you are easily inspired by nature. Likewise, you inspire all that you associates with and people see out for your enchanting personality. Art, writing (especially poetry), science and theology (spiritual matters) are areas that strongly interest you. Others may think you are reclusive, but in all honesty, you are simply immersed in your own world of fantastic vision and desire. You are in a constant state of self-renewal and you rarely place a value on what others think about you. Ash signs partners well with Willow and Reed.

Source
Whats-Your.Sign.Com
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Setting Up Your Imbolc Altar

Setting Up Your Imbolc Altar

By , About.com

It’s Imbolc, and that’s the Sabbat where many Wiccans and Pagans choose to honor the Celtic goddess Brighid, in her many aspects. However, other than having a giant statue of Brighid on your altar, there are a number of ways you can set up for the season. Depending on how much space you have, you can try some or even all of these ideas — obviously, someone using a bookshelf as an altar will have less flexibility than someone using a table, but use what calls to you most.

Colors

Traditionally, the colors of red and white are associated with Brighid. The white is the color of the blanket of snow, and the red symbolizes the rising sun. In some traditions, the red is connected with the blood of life. Brighid is also tied to the color green, both for the green mantle she wears and for the life growing beneath the earth. Decorate your altar with a white cloth, and drape a swath of red across it. Add green candles in candleholders.

The Beginnings of New Life

Altar decor should reflect the theme of the Sabbat. Because Imbolc is a harbinger of spring, any plants that symbolize the new growth are appropriate. Add potted bulbs — don’t worry if they’re blooming yet — and spring flowers such as forsythia, crocus, daffodils, and snowdrops. If you don’t have much luck planting bulbs, think about making a Brighid’s crown as a centerpiece — it combines flowers and candles together.

Celtic Designs

Brighid is, after all, a goddess of the Celtic peoples, so it’s always appropriate to add some sort of Celtic design to your altar. Consider adding a Brighid’s cross6 or any other item incoporating Celtic knotwork. If you happen to have a Celtic cross, don’t worry about the fact that it’s also a Christian symbol — if it feels right on your altar, go ahead and add it.

Other Symbols of Brighid

  • Cauldrons or chalices — she’s often connected to sacred wells and springs
  • A small anvil or hammer — Brighid is the goddess of smithcraft
  • A Brighid corn doll and Priapic wand
  • Sacred animals such as cows, sheep or swans
  • A goddess statue
  • A book of poetry, or a poem you’ve written — Brighid is the patroness of poets
  • Faeries — in some traditions, Brighid is the sister of the Fae
  • Healing herbs — she’s often connected to healing rites
  • Lots of candles, or a cauldron with a small fire in it
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OIMELC – February 2

OIMELC – February 2

Down with Rosemary and so
Down with baies and mistletoe;
Down with Holly, live and all
Wherewith ys drest the Yuletide Hall;
That so the superstitious find No one least Branch there left behind;
For look, how many leaves there be
Neglected there, maids, trust to me,
So many goblins you shall see.
–Robert Herrick

Oimelc – Imbolc in the Saxon – marks the first stirring of life in the earth.
The Yule season originally ended at Oimelc. But with increasing organization and industrialization, increasing demands for labor and production, the holiday kept shrinking, first to the two weeks ending at Twelfth Night, then to a single week ending at New Year’s, then to a single day.

Oimelc begins a season of purification similar to that preceding Yule. It ends
at Ostara. No marriages, initiations or puberty rites should be celebrated
between Oimelc and Ostara.

The candles and torches at Oimelc signify the divine life-force awakening
dormant life to new growth.

THEMES

Growth of roots begin again. Bare branches begin to swell with leaf buds, and
growth appears at the tips of evergreen branches. The tools of agriculture are
being make ready for Spring.

Xian feasts of St. Brigid, and Celtic feast of Brigit, the maiden aspect of the
triple goddess and mother of Dagda. Her symbol is the white swan. A Roman feast of Bacchus and Ceres. The Lupercalia, a feast of Pan. The Nephelim or Titans, those offspring of human-divine unions said to have ruled Atlantis.

Grannus, a mysterious Celtic god whom the Romans identified with Apollo.

PURPOSE OF THE RITES

To awaken life in the Earth. Fire tires to strengthen the young Sun, to bring
the fertilizing, purifying, protective and vitalizing influence of fire to the
fields, orchards, domestic animals, and people. To drive away winter. To charm
candles for household use throughout the year.

FOLK CUSTOMS

The three functions of Oimelc – end of Yule, feast of candles or torches, and
beginning of a purificatory season – are divided by the Xian calendar among
Twelfth Night, Candlemas and Shrove Tuesday (Mardi Gras, Carnival). The customs of all three feasts are derived from Oimelc, with at most a thin Xian gloss.

Parades of giant figures (Titans?) in rural towns in France and at Mardi Gras
and Carnival celebrations. A figure representing the Spirit of Winter or Death,
sometime made of straw, sometimes resembling a snowman, is drowned, burnt or in once case, stuffed with fireworks and exploded. They symbol of Montreal’s Winter Carnival is the giant figure of Bonhomme di Neige (snowman).

Groundhog Day, Chinese New Year and St. Valentine’s Day customs.

The French provinces are so rich in Oimelc customs they cannot be listed here.
Refer to “The Golden Bough”.

Wassailing the trees: at midnight, carolers carry a bucket of ale, cider or
lamb’s wool in a torchlight procession through the orchards. The leader dips a
piece of toast in the drink and sedges it in the fork of each tree, with the
traditional cheer (variations exist) of: “Hats full, holes full, barrels full,
and the little heap under the stairs!”.

Who finds the bean in the Twelfth Night cake becomes king of the feast; who
finds the pea becomes queen – never mind the gender of the finders. Rag-bag
finery and gilt-paper crowns identify the king and queen. The rulers give
ridiculous orders to the guests, who must obey their every command. They are
waited on obsequiously, and everything they do is remarked and announced
admiringly and importantly: “The King drinks!”, “The Queen sneezes!” and
everyone politely imitates the ruler’s example.

SYMBOLIC DECORATIONS

Snowdrops are picked for vases, but otherwise no special decorative effects are
indicated. Go carnival, balloons and confetti.

SOCIAL ACTIVITIES

Parades, with showers of confetti, gala balls, masks, street dancing, mumming,
winter sports, ice and snow sculpture.

THE RITE

Dress in dark colors with much silver jewelry. Outdoors, after dark on the Even,
have the site arranged with a fire in the cauldron and the altar draped in
white, at the Northeast. The fire may be composed all or in part of Yule greens.

Go in a torchlight procession to the Circle. Include a stamping dance, possibly beating the ground with sticks, before the Invocation. The invocation may end with the calling of Hertha, a Teutonic goddess of the earth and the hearth. Call her name three times and at each call beat on the ground three times with the palms of both hands.

A figure representing Winter should be burned in the fire. Communion may consist of Sabbat Cakes or a Twelfth Night cake (there are many traditional recipes) and cider or wassail. A procession may leave the Circle for a time to wassail a nearby orchard. Couples may leap the bonfire. Supplies of candles brought by the coveners are blessed.

Boys puberty rites may be celebrated. These usually include mock plowing by the boys.

Close the Circle and go indoors for the feast.

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Invocation to Brid, Celtic Triple Goddess

Celtic & British Isles Graphics
Invocation to Brid, Celtic Triple Goddess

Brid, I call you.

Oh, Bright One! I call you.

Goddess of Fire, Healing, and Inspiration, Hear my cry.

Help me stand strong like the Rowan, that I may become your Brigand and rise up against the darkness.

Oh, Bright Arrow! Guide my judgment, protect me in my wanderings.

I will remember always—Brigantia

—-by Dettie Em Freefoot

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TREE MAGICK

TREE MAGICK

WILLOW FOR LOVE, OAK FOR STRENGTH
by Edain McCoy
(from the ’97 Llewellyn Magickal Almanac)

Many mystical and magical uses have been found for the thirteen trees which
symbolize the months of the Celtic lunar year, and it is likely, considering the
popularity of Celtic Paganism, that many more will be discovered. However you
choose to observe the lunar months, it can be helpful to first imbibe a magical
brew designed to attune your body and spirit to the occasion.

Following are the recipes for thirteen teas which will accomplish just that. The
measurements given are approximate, and for making one eight-ounce mug full you
should use no more than a single heaping teaspoon of dry herbs placed inside a
tea ball or cheesecloth strainer. All liquid measurements should be added to
taste. Allow the tea to steep at least two minutes, longer if you prefer a
stronger flavor. As always, when ingesting untried substances, be sure to test
for any allergic reactions first, and remember that no herbal preparation should
ever be taken over the long term without consulting an expert pharmacologist or
botanist.

Though very few of the recipes actually contain any part of the trees to which
they are attributed, they work quite well because their ingredients rely on
using herbs and juices which share magical affinities with the properties of the
tree. These properties are listed after the name of each tree so that, if you
choose to, you can make substitutions based upon this knowledge. Depending upon
the particular Celtic tradition you follow, the lunar year starts with either
the first new moon closest to Samhain or the one just before Yule.

BIRCH MOON
Matter of beginnings and children, purification.
3 parts ginger
1 part lemongrass
pinch of dill
splash of lemon juice

ROWAN MOON
Empowerment, clairvoyance, air magic, exorcism.
1 part valerian root
3 parts peppermint
pinch of eyebright
pinch of ginger

Editors note: Valerian is a powerful sedative that affects each person
differently. You may wish
to use a very small amount of this herb at first to determine how it affects
your body chemistry.

ASH MOON
Matters of the intellect, magic, healing.
2 parts angelica
½ part sage
½ part black cohosh
pinch of rosemary

WILLOW MOON
Matters of the Otherworld, healing, love, water magic, feminine mysteries.
2 parts willow bark
1 tablespoon vanilla extract
½ part dried apples or a splash of apple juice
pinch of rosemary

OAK MOON
Lust, strength, energy, endurance, fertility, fire magic, male mysteries.
1-1/2 parts white oak bark
½ part mint
½ part orange peel
pinch of cinnamon or nutmeg

HAZEL MOON
Manifestations, protection, healing, fertility.
2 parts ginseng
½ part mugwort
pinch of savory
slash of any noncitrus juice

ALDER MOON
Spirituality, wholeness of being.
1 part linden
1 part hibiscus
2 tablespoons of cream or milk
splash of cranberry juice

HAWTHORN MOON
Peace, sleep, dreams, prosperity, happiness.
1 part hawthorn
1 part catnip
½ part rue
½ part chamomile

HOLLY MOON
Matters of animals, magic, prophecy.
1 part kelp
½ part rose petals
½ part raspberry
pinch of yarrow

VINE MOON
Earth magic, sex magic, overcoming difficulties.
1 part blackberry
1 part dandelion
splash of currant wine or grape juice
pinch of hibiscus

IVY MOON
Healing, cooperation, binding.
1 part mullein
¼ part eucalyptus
½ part barberry

ELDER MOON
Exorcism, prosperity, astral travel. Finding faeries.
1 part ginko
1 part mugwort
1 part valerian (see note under Rowan Moon)
1 part spearmint
pinch of anise (may substitute extract)
pinch of allspice

REED MOON
Fertility, love, protection.
1 part red clover
1 part hyssop
1 part boneset
pinch of slippery elm

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Brighid’s Mantle – History and Lore

Brighid’s Mantle – History and Lore

By , About.com

Brighid is the Celtic goddess who is the keeper of the hearth, the deity who watches over nursing mothers and pregnant women, and who is the overseer of all things domestic. She is also connected to healing and wisdom. One commonly found symbol of Brighid is her green mantle, or cloak. In Gaelic, the mantle is known as the brat Bhride.

Although her origins are that of a Pagan goddess, at one point she became associated with Christianity and St. Brighid of Kildare. The legend has it that Brighid was the daughter of a Pictish chieftain who went to Ireland to learn from St. Patrick. In one story, the girl who later became St. Brighid went to the King of Leinster, and petitioned him for land so she could build an abbey. The King, who still held to the old Pagan practices of Ireland, told her he’d be happy to give her as much land as she could cover with her cloak. Naturally, her cloak grew and grew until it covered as much property as Brighid needed, and she got her abbey. Thanks to her roles as both a Pagan goddess and a Christian saint, Brighid is often seen as being of both worlds; a bridge between the old ways and the new.

In Celtic Pagan stories, Brighid’s mantle carries with it blessings and powers of healing. Many people believe that if you place a piece of cloth out upon your hearth at Imbolc, Brighid will bless it in the night. Use the same cloth as your mantle each year, and it will gain strength and power each time Brighid passes by. The mantle can be used to comfort and heal a sick person, and to provide protection for women in labor. A newborn baby can be wrapped in the mantle to help them sleep through the night without fussing.

To make a Brighid’s mantle of your own, find a piece of green cloth long enough to comfortably wrap around your shoulders. Leave it on your doorstep on the night of Imbolc, and Brighid will bless it for you. In the morning, wrap yourself in her healing energy.

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Brighid – Hearth Goddess of Ireland

Brighid – Hearth Goddess of Ireland

By , About.com

Origins of Brighid:

In Irish mythological cycles, Brighid (or Brighit), whose name is derived from the Celtic brig or “exalted one”, is the daughter of the Dagda, and therefore one of the Tuatha de Dannan. Her two sisters were also called Brighid, and were associated with healing and crafts. The three Brighids were typically treated as three aspects of a single deity, making her a classic Celtic triple goddess.

Patron and Protector:

Brighid was the patron of poets and bards, as well as healers and magicians. She was especially honored when it came to matters of prophecy and divination. She was honored with a sacred flame maintained by a group of priestesses, and her sanctuary at Kildare, Ireland, later became the home of the Christian variant of Brighid, St. Brigid of Kildare. Kildare is also the location of one of several sacred wells in the Celtic regions, many of which are connected to Brighid. Even today, it’s not uncommon to see ribbons and other offerings tied to trees near a well as a petition to this healing goddess.

Celebrating Brighid:

There are a variety of ways to celebrate the many aspects of Brighid at Imbolc. If you’re part of a group practice or a coven, why not try Honoring Brighid With a Group Ceremony? You can also incorporate prayers to Brighid into your rites and rituals for the season. Having trouble figuring out what direction you’re headed? Ask Brighid for assistance and guidance with a Brighid’s Crossroads Divination Ritual.

Brighid’s Many Forms:

In Britain, Brighid’s counterpart was Brigantia, a warlike figure of the Brigantes tribe near Yorkshire, England. She is similar to the Greek goddess Athena and the Roman Minerva. Later, as Christianity moved into the Celtic lands, St. Brigid was the daughter of a Pictish slave who was baptized by St. Patrick, and founded a community of nuns at Kildare.

In addition to her position as a goddess of magic, Brighid was known to watch over women in childbirth, and thus evolved into a goddess of hearth and home. Today, many Pagans and Wiccans honor her on February 2, which has become known as Imbolc or Candlemas.

Crafts to Honor Brighid:

In many Pagan traditions today, Brighid is celebrated with crafts that honor her role as the protector of the hearth. You can make a Brighid corn doll, as well as a Bride’s Bed for her to sleep in. Perhaps the best known decoration is the Brighid’s Cross, whose arms represent the place where a crossroads comes together, the space between light and dark.

Brighid and Imbolc:

Like many Pagan holidays, Imbolc has a Celtic connection, although it wasn’t celebrated in non-Gaelic Celtic societies. The early Celts celebrated a purification festival by honoring Brighid. In some parts of the Scottish Highlands, Brighid was viewed as a sister of Cailleach Bheur, a woman with mystical powers who was older than the land itself. In modern Wicca and Paganism, Brighid is sometimes viewed as the maiden aspect of the maiden/mother/crone cycle, although it might be more accurate for her to be the mother, given her connection with home and childbirth.

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Today Begins The Celtic Tree Month of Rowan

Celtic Tree Months

By , About.com

Rowan Moon: January 21 – February 17

The Rowan Moon is associated with Brighid, the Celtic goddess of hearth and home. Honored on February 1, at Imbolc, Brighid is a fire goddess who offers protection to mothers and families, as well as watching over the hearthfires. This is a good time of year to perform initiations (or, if you’re not part of a group, do a self-dedication). Known by the Celts as Luis (pronounced loush), the Rowan is associated with astral travel, personal power, and success. A charm carved into a bit of a Rowan twig will protect the wearer from harm. The Norsemen  were known to have used Rowan branches as rune staves of protection. In some countries, Rowan is planted in graveyards to prevent the dead from lingering around too long.

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Shaman, Priest, Priestess, Pastor, or Candlestick-Maker

Shaman, Priest, Priestess, Pastor, or Candlestick-Maker

Author:   Alfred Willowhawk, DMsc, RMT, CTM, Shaman   

Humans are always reaching for understanding. Whatever their religious, spiritual, or non-spiritual philosophy, we are always seeking to understand the world around us. In our pre-industrialized world, we sought these answers from individuals who seemed to have a better connection than the general population with unseen realms. They were sometimes called shamans, druids, priestesses or priests. Our post-industrialized world calls these individuals, pastors, priests, and guides. Many individuals of western religious frameworks may disagree with this contention. This article will demonstrate that the term used is really immaterial; after all, “a rose by any other name will smell as sweet”, thanks to Shakespeare.

What is a Shaman and why is the term so popular today? We acknowledge that the term “shaman” is not of Celtic or Western European origin. It is actually Siberian in origin but has come to be applied to any Otherworld “journeyer” who functions as a guide for his culture and people. It has also become associated with First Nations, indigenous peoples, and Native Americans. We are not attempting to appropriate the term as used by First Nations or Native Americans.

The term ‘’Otherworld is a uniquely Celtic word, which has similarities to the Underworld of Wiccan and other neo-pagan places. It is a real place, not made up in the head of a person, where the deities and personkind interact. It also overlaps the mundane or physical world. Today, most individuals of Celtic descent and practice call this the Faery Realm. This realm is the depository of all the archetypes of being. Interaction with individuals within this realm can bring forth the entire spectrum of emotional, spiritual, and physical responses. Whether one feels fear, joy, excitement, or any other emotion – the journey to the otherworld is always revealing.

As an individual spends time there, many aspects of oneself become apparent. Deceit is not tolerated there and is easily perceived. The oldest known story of the Celtic Otherworld is the Immram Curaig Maelduin Inso or the Voyage of Malduin’s Boat. It was first transcribed in the eighth or ninth century in its entirety. It visits the thirty-three islands of the Celtic Otherworld and serves as a lesson for any visitor.

In our 21st century time, most individuals seem blind to this world. The Shamanic practitioner, or shaman, as we define it above, serves as the medium through which individuals can receive messages, and assistance from the deities. In our course, The Shamanic Soul: Path to the Sacred Self”, we assist the individual to begin and foster the connection with the Otherworld and their deities. It is not actually necessary to use a shamanic practitioner to feel, see, and touch the Otherworld. Recognizing and interpreting what is seen there is best done with a knowledgeable individual who has studied the signs, portents, and events that are recorded in the “songs” of the pan Celtic world to facilitate the actual intent of these messages.

Among the Celts were members of their culture who journeyed to the Otherworld. They were the Mystics. They were one of four classes including Bards, Healers, and Warriors. The Mystics’ primary function was that of mediator between this world and the Otherworld – as such they meet the widely accepted definition of ‘Shaman’. The Celtic Mystic utilizes the gifts of the Bard and the Healer but acts primarily as a conduit for messages from the deities, spirit entities and ancestors.

The Celtic Mystic or Shamanic tradition was systematically wiped out by the encroachment of the Romans, and later the Christians. The tradition was further impacted by the Celtic Diaspora, which scattered Celts to Brittany, Gaul, Spain, and Asia Minor. The Celts were spread over much of what is now Europe and into Asia.

The term “mystic” has the unfortunate definition of “one who practices or believes in mysticism or a given form of mysticism” (from the Free On Line Dictionary) . “Mysticism” is further defined as “1. a. immediate consciousness of the transcendent or ultimate reality or God; b. The experience of such communion as described by mystics; 2. A belief in the existence of realities beyond perceptual or intellectual apprehension that are central to being and directly accessible by subjective experience.3. Vague, groundless speculation.” I think you can see our problem… Because the term “mystic” has an even less precise definition than the term “shaman”, we choose to use the term “shaman” because it is more commonly descriptive of what we do.

Therefore, like other Shamanic Traditions, because it is what Shamans do, we journey to the invisible spirit world as a medium or mediator for the purposes of healing, divination and to discern the needs of the Earth (see Gaea) and return to this world to guide our people. The imagery, deities and myths we employ in our practice is Celtic/Indo-European.

The definition of Shaman is both simple and complex. A shaman is “one who knows”. We expand this definition as follows: The Shaman is one who knows the world on multiple levels in which he/she lives. The Shaman knows his mind, his soul, his spirit, and his guide. The Shaman knows her culture, her people, her Goddess, her God. The Shaman knows his enemy and his friends; her protection is in knowing.

According to Cunning Folk and Familiar Spirits: Shamanistic Visionary Traditions in Early Modern British Witchcraft and Magic, Emma Wilby, 2006, Sussex Academic Press, “The shaman’s first encounter with his helping spirit is either deliberately cultivated or spontaneous. In tribal societies the deliberately cultivated initial encounter is based upon the rationale that an individual can only become a shaman if he obtains one or more spirit-helpers, and that therefore an aspirant shaman needs to work at magical techniques believed to encourage the appearance of such spirits. A survey of anthropological sources suggests that in tribal societies far more emphasis is place don the deliberately cultivated initial encounter than was the case in early modern Britain, although how far this difference is rooted in culture as opposed to the divergent circumstances under which information about these magical traditions has been gathered, is hard to determine.”

While we are eclectic in our approach to our shamanic practices, we are using our own ancestral and cultural history (Western European Celtic and Greco-Roman) . We do not practice any form of cultural appropriation or “plastic shaman ism”. We are NOT practicing some post-colonial cultural appropriation of First Nations shamanism. Any reference we make here or in our practice to First Nations culture, practices, spirits, shamans, guides, or deities is for historical and informational reference only and not an attempt to associate ourselves with First Nations Shamans. We welcome any criticism of our practice. We are always assessing and re-assessing our understanding of our calling.

It is our contention that shaman ism is “of the blood” — that is, one is born to a shamanic tradition and some crisis brings out the ability or burden or urgent need to practice shamanic journeying. This crisis can be in the form of an illness, disorder, mental or physical trauma. This vertiginous experience brings about the call of the Wounded Healer, which the shaman may have been experiencing for years, to the fore.

It is true that every individual has many woundings and our course The Warrior Within is designed to assist each individual to reach out and heal themselves, yet if one is called to be the Wounded Healer, then this serves as the point of recognition that he or she must accept and act upon his or her shamanic calling to heal him/herself and utilize these gifts to assist others in their healing or he/she will continue on in the illness, disorder, mental or physical trauma. These woundings, as stated above, usually take on a particular flavor and as Ms. Wilby states, “…he is usually alone at the time of his first meeting, and undergoing a period of intense physical and/or psychological stress. Often it is the naturally-occurring pressure of life which generate these stresses…’some great misfortune, dangerous or protracted illness, [or] sudden loss of family or property’ can bring an individual into contact with the spirits. As in early modern Britain, bereavement is often a powerful trigger.” (Pg 132)

The shaman utilizes the gifts and tools that they have developed in their own healing process to assist others in healing themselves. Therefore, for our purposes they are facilitators of self-healing and have the desire to assist others. As shamans we have the ability and/or responsibility to:

*Understand the roles that spirits play in the lives of our people.
* Cooperate with or control the spirits for the benefit of our people.
* Understand the spirits intentions as either good or evil or neutral.
* Use trance-inducing techniques such as singing, chanting, dancing, meditating, or drumming. (1.)
* Recognize and communicate with animals and animal spirits in their roles as messengers of the Otherworld.
* Enter the Otherworld on our own behalf or the behalf of our people.
* Deliver the messages from the Otherworld to our people.
* Guide our people in treating illness or sickness – be that in self-healing techniques, laying on of hands, or advising an individual to seek the consultation of a licensed medical practitioner. We do not claim or attempt to be the sole conduit of healing for our people and as such always insist that illnesses be treated by licensed medical practitioners.
* As Healers and Spiritual Guides, we DO NO HARM to our people.

The shaman then, serves as the conduit whereby individuals can, if they choose, access the other realms of beingness, or utilize the services of the shaman to go there for them. This is similar to the way that other western religious practitioners, priests, rabbis, pastors, seek guidance through meditation and prayer as well as intervention with the Christian god. A pastor will pray for intervention in their parishioners’ lives, and truly believe that the prayers are effective. The shaman does the same thing and has the same expectation.

The spiritual realms are much bigger and more open than we as mere mortals can understand. There is no exclusivity in access to God, Goddess, nature, higher power, etc. Every path is the same. Reach for the heavens and your highest best connection with all creatures of this and every other world. Do not allow your own view to become the One View – it doesn’t exist; a good thing too, as I for one would not like to live in a world that was restricted to my perceptions and understandings of the universe – it is SO much bigger than me.

Blessed Be and enjoy the journey!

_____________________________________

Footnotes:
1. We do not advocate, but accept the taking of mind-altering drugs to achieve trance-state.

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Deity of the Day – The Morrighan

Deity of the Day – the morrighan

 

The Morrighan – Celtic Goddess of War and Sovereignity

By Patti Wigington, About.com 

In Celtic mythology, the Morrighan is known as a goddess of battle and war. However, there’s a bit more to her than this. Also referred to as Morrígu, Morríghan, or Mor-Ríoghain, she is called the “washer at the ford,” because if a warrior saw her washing his armor in the stream, it meant he was to die that day. She is the goddess who determines whether or not you walk off the field of battle, or are carried off upon your shield. In later Irish folklore, this role would be delegated to the bain sidhe, who foresaw the death of members of a specific family or clan.

The Morrighan often appears in the form of a crow or raven, or is seen accompanied by a group of them. In the stories of the Ulster cycle, she is shown as a cow and a wolf as well. The connection with these two animals suggest that in some areas, she may have been connected to fertility and land.

In some legends, the Morrighan is considered a triune, or triple goddess, but there are a lot of inconsistencies to this. She often appears as a sister to the Badb and Macha. In some Neopagan traditions, she is portrayed in her role as destroyer, representing the Crone Aspect of the Maiden/Mother/Crone cycle, but this seems to be incorrect when one looks at her original Irish history. Some scholars point out that war specifically is not a primary aspect of the Morrighan, and that her connection to cattle presents her as a goddess of sovereignty. The theory is that she can be seen as a deity who guides or protects a king.

In modern literature, there has been some linking of the Morrighan to the character of Morgan Le Fay in the Arthurian legend. It appears, though, that this is more fanciful thinking than anything else. Although Morgan le Fay appears in the Vita Merlini in the twelfth century, a narrative of the life of Merlin by Geoffrey of Monmouth, it’s unlikely that there’s a connection to the Morrighan. Scholars point out that the name “Morgan” is Welsh, and derived from root words connected to the sea. “Morrighan” is Irish, and is rooted in words that are associated with “terror” or “greatness.” In other words, the names sound similar, but the relationship ends there.

There’s an excellent page with plenty of scholarly information on the Morrighan from Reverend Gwynarion Elessacar at http://www.elessacar.com/the_morrighan.php.