Setting Up Your Imbolc Altar

Setting Up Your Imbolc Altar

By ,

It’s Imbolc, and that’s the Sabbat where many Wiccans and Pagans choose to honor the Celtic goddess Brighid, in her many aspects. However, other than having a giant statue of Brighid on your altar, there are a number of ways you can set up for the season. Depending on how much space you have, you can try some or even all of these ideas — obviously, someone using a bookshelf as an altar will have less flexibility than someone using a table, but use what calls to you most.


Traditionally, the colors of red and white are associated with Brighid. The white is the color of the blanket of snow, and the red symbolizes the rising sun. In some traditions, the red is connected with the blood of life. Brighid is also tied to the color green, both for the green mantle she wears and for the life growing beneath the earth. Decorate your altar with a white cloth, and drape a swath of red across it. Add green candles in candleholders.

The Beginnings of New Life

Altar decor should reflect the theme of the Sabbat. Because Imbolc is a harbinger of spring, any plants that symbolize the new growth are appropriate. Add potted bulbs — don’t worry if they’re blooming yet — and spring flowers such as forsythia, crocus, daffodils, and snowdrops. If you don’t have much luck planting bulbs, think about making a Brighid’s crown as a centerpiece — it combines flowers and candles together.

Celtic Designs

Brighid is, after all, a goddess of the Celtic peoples, so it’s always appropriate to add some sort of Celtic design to your altar. Consider adding a Brighid’s cross6 or any other item incoporating Celtic knotwork. If you happen to have a Celtic cross, don’t worry about the fact that it’s also a Christian symbol — if it feels right on your altar, go ahead and add it.

Other Symbols of Brighid

  • Cauldrons or chalices — she’s often connected to sacred wells and springs
  • A small anvil or hammer — Brighid is the goddess of smithcraft
  • A Brighid corn doll and Priapic wand
  • Sacred animals such as cows, sheep or swans
  • A goddess statue
  • A book of poetry, or a poem you’ve written — Brighid is the patroness of poets
  • Faeries — in some traditions, Brighid is the sister of the Fae
  • Healing herbs — she’s often connected to healing rites
  • Lots of candles, or a cauldron with a small fire in it
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How to Phrase Your Tarot Question

How to Phrase Your Question

Get the most from your Tarot and I-Ching readings

Tarotcom Staff  Tarotcom Staff on the topics of tarot, i ching

It’s important to realize that if you ask the appropriate kind of questions, you will have a more satisfying Tarot or I-Ching experience. Readings work best when you are looking for greater insight, wise advice or an idea of which way the wind is blowing. They are NOT designed to answer questions asking for data or to give exact predictions about the future.

Consult the Tarot or I-Ching as if you were asking the advice of a wise friend or teacher, and expect to get a snapshot of what is going on in the present, at the time you are picking the cards. A great question is “What is happening with regard to (a situation or relationship),” while a not-so-good question to avoid is something specific like “Where should I go on vacation.”

You also may skip asking a question and just enter a subject (the name of a situation or person you are in relationship with) and Tarot cards can give you a spectacularly helpful reading as long as you are sincerely focused when you pick your cards or toss the coins.

How to Pull Off a Mixed Faith Handfasting Without Losing Your Mind

How to Pull Off a Mixed Faith Handfasting Without Losing Your Mind

by L. Lisa Lawrence

The scent of blooming flowers fills the air as warm gentle breezes caress her face. As she gazes around the circle, she sees the loving faces of her family, friends and circle members smiling with approval. After sipping mead from the same chalice, she and her groom receive a blessing and together they jump the broomstick, symbolizing their moving forward into their new life together. Then they share a passionate kiss while everyone cheers. As the couple head off to a special place created in the woods just for them to consummate their vows, the guests feast, joke and marvel at how perfectly everything went and how the Goddess blessed them with glorious, sunny weather for their Beltaine nuptials.

In the real world, more often it goes like this:

It’s pouring cold, freezing, horizontal rain, even though the forecast called for dry weather with sun breaks. Her family and covenmates are inside the circle, and members of the groom’s family (those who didn’t refuse to show up at all) are standing on the outskirts. Some are uncomfortable; others are downright disapproving, especially after seeing that strangely dressed man with the sword that they just know is used for ritual sacrifice. Some are still appalled at the fact that the “marriage” is only for a year and a day and can be renewed and formalized with all the legalities (or not) next year. She’s just discovered that the material she made her gown from is transparent when wet, guests are shivering, and the wind keeps blowing the candles out.

This second scenario demonstrates how mixed faith handfastings often turn out, but it doesn’t even begin to describe the controversy and stress involved in the planning that leads up to the event. One of my more memorable events as clergy involved a bride-to-be calling me three days before the wedding in tears, relating the tale of how she’s not sure she wants to marry the “worst man in the world” because his parents badgered him into putting the word God (and we’re not talking about one that wears horns) into the wedding vows.

Maggie came from a pagan family but didn’t want any religion at all in the wedding. Mark agreed to a nonreligious ceremony with pagan elements at the time the wedding was planned but caved in to pressure from his fundamentalist Christian parents at the last minute. Neither of them was willing to budge on their position.

I told Maggie, “You two can use different words. He can say `God,’ and you can say `community.'”

She stopped crying and said, “Really? We can do that?”

“Yes, dear, you can,” I replied calmly. “It’s your wedding, and you don’t have to say anything that you don’t want to.” Mark agreed and the wedding was back on. This was a warning, however, that once both families got together, things could get ugly.

What do you do when the bride comes from a nice pagan family and the groom’s parents are fundamentalist Christians? Aside from eloping, it’s not easy. Weddings are stressful in and of themselves, but when one side of the family has a deep rooted fear of the faith of the other, things need to be handled delicately.

Even for couples who share a spiritual path or philosophy, bringing two families together can be a disaster waiting to happen. I jokingly say that my specialty is the Dharma and Greg wedding, in which the spiritual paths, life experiences and values of each family appear to be diametrically opposed, and the in-laws have nothing in common and may even dislike, fear and mistrust each other. For those who aren’t familiar with the television show Dharma and Greg, it features an unlikely couple who got married after only knowing each other a few hours. She is a New Age Buddhist with pagan tendencies whose parents are hippies, and he is an attorney from a wealthy, conservative, uptight family. It makes good television for a reason, because nothing is ever going to run smoothly when two families like this are brought together.

There are several ways to approach the mixed faith handfasting, once you have gotten over the urge to avoid the whole potential fiasco by eloping:

  • The couple can hold two ceremonies, one for each of the families.
  • They can get married at the county courthouse and then host a reception.
  • The couple can say, “This is our faith, and if you don’t like it then you can just stay home.”
  • They can do their best to combine the elements that are important to them into one ceremony that will be meaningful and nonthreatening to all. If you’re bringing two families from very different backgrounds together, this last approach lays some excellent groundwork for all those holiday celebrations that are going to come up over the years.

When planning a handfasting of the last type, one of the first things I try to do is to find out what word the couple wants to use (or not use) for deity or greater power. It’s amazing the number of couples who agree on everything but this, so it’s best to get it out of the way. Many words can be used if a couple wishes to avoid religious arguments or offending anyone: Great Spirit, Great Mystery, Universe and Community are just a few examples. For those who wish to appease religious family members, “Mother-Father God” is often less threatening than “Goddess.” In Maggie and Mark’s wedding, they each used a word that was comfortable for them.

The next thing I ask the couple to think about is what elements of the ceremony are most important to them. There are many elements that can be included in a mixed faith ceremony, including binding the hands, exchanging rings, lighting a unity candle, sharing wine, mead or juice from a chalice and jumping a broomstick or bonfire — walking around the fire rather than jumping is recommended if the bride is wearing a long dress with a train.

Most of these elements can be explained as an “ancient tradition” from whatever part of the world the family is from. If any of us goes back far enough into our ancestry, we can find a pagan tradition to cite. For families of Celtic descent, there is always movie Braveheart, in which Mel Gibson and his bride had their hands bound together by a priest in front of a Celtic cross. If you need to, invoke Mel and say, “That’s the way Braveheart did it.”

Another good way to explain pagan elements is to say that they are Native American-styled. It’s funny, but for some people an action is threatening if a white person does it, but if it’s from another culture, it’s okay, especially if they’ve seen Dances With Wolves or other similar movies that show the beauty and spirituality of other cultures. Many fabulous earth-centered prayers and blessings are attributed to Native American cultures and can fit quite nicely into pagan or mixed faith weddings. Two important things to remember if you are borrowing something from another culture are not to claim the element as your own and to be respectful of it.

Once we get past the parts that are easy to explain or pass off as something other than overtly pagan, some others need to be considered. Most people are perfectly willing to stand in a circle and may even think it’s charming. But truly casting a circle may require some creativity. No matter what tradition the bride and groom may share, it’s likely that there are those who would be uncomfortable with a member of the wedding party walking around with an athamé to cast the circle (to them, it’s not a sacred tool, it’s a big scary dagger). A circle can be cast by spreading rose petals, corn meal or any other organic material. If the family that might be uncomfortable is from a Catholic background, all you need is some incense and candles and the circle can be cast by ritual procession.

The use of quarter altars and the calling of directions can often avoid threatening even the most conservative grandparents if you do it correctly. Having a woman in a flowing gown hold up a seashell towards the Puget Sound and wish the couple “all the blessings and bounty of the sea” is going to go over better with someone’s Southern Baptist grandmother than invoking the “guardians of the watchtowers of the west.” In one handfasting ceremony I facilitated, the couple went to each of the four directions, where a friend or family member stood and read something written to help guide them in their married life. The elements were there, but not overtly.

Believe it or not, even in this day and age, some people expect a “minister” to be a middle-aged or older male, not a couple or a woman. At Maggie and Mark’s wedding, people who thought I was a guest were laughing and joking with me before the final run-through. When I was introduced as the “minister,” more than one person was visibly shocked. As I stood there with my long red hair, long black robe (which didn’t look like the one the minister in the Methodist church I grew up in wore) and tree-of-life necklace, which I thought was conservative enough for this wedding, I wondered if they could tell what I was.

While the bride’s family and I stood there holding our breath, waiting for her to finish her thought, one woman began, “But you look so…” She finished: “…young to be a minister.” I laughed and sighed with relief. I had just turned 39 at the time and to be considered too young to perform a wedding was quite a compliment. Once she was assured that I was legally ordained and had done this many times before, everything was fine.

If their families are very fundamentalist, some couples will choose to veil the pagan aspects of the ceremony as much as possible to avoid any discomfort. Others will turn the event into a chance to educate the nonpagans in the group. If the pagan elements are very open, it’s a good idea for the couple to provide a small, printed guide that explains how and why things will be happening a certain way, such as: “We will be casting a circle to create sacred space.” “We will call upon the blessings and lessons of the four directions.” “We will be calling upon the masculine and feminine aspect of the divine to bless this union.” A little education goes a long way. If you think a specific family member might have difficulty, this guide can be mailed to them ahead of time with an invitation to call if they have any questions or concerns. The idea is to try to make everyone as comfortable as possible before the ceremony starts.

Making the guests physically comfortable is important as well. Make certain that chairs are available to elderly or disabled guests. If quarter altars are to be used, a chair can be placed on both sides of each altar. This not only provides seating that doesn’t impede ritual movement but can keep candles and other ritual tools from getting knocked off the altar. If you are holding an indoor ceremony and want to use sage instead of light incense, it is a good idea to check to see if any of the guests have allergies so that you don’t trigger an asthma attack.

Maggie and Mark’s ceremony concluded with them walking around the bonfire “in an ancient Celtic tradition symbolizing their leaving one life and entering into their new one together.” One of the older, conservative relatives came up to me afterward and said, “That was one of the most beautiful, meaningful weddings I’ve ever attended,” completely clueless to the fact that she had just participated in a pagan ritual performed by a witch. As the woman walked away, one of the bridesmaids winked at me knowingly, her pentacle barely peeking out from the neckline of her dress.

Both families were happy, and no one who would have been offended was any the wiser. The rain that fell before the wedding had moved on, and we marveled at how perfect the day was as we watched bubbles the guests had blown to celebrate the event float toward a spectacular sunset.

Lessons In Tarot – Lesson 8: The Question Reading


The Question Reading

In this lesson, you will finally learn how to do a full tarot reading for yourself. I describe a simple procedure you can use to explore a personal question. Having a procedure to follow is important in tarot work. When you follow the same steps over and over in a certain way, they help you center yourself in the moment. The details of the steps are not that important; in fact, you can change any of them if you wish. The goal is to maintain a spirit of mindfulness. Doing a reading with loving concentration will make your tarot practice very powerful.

Here is the procedure for a Question Tarot Reading.

Setting the Mood

Your first step is to create a conducive mood. Lesson 6 offers some suggestions on how to set up a pleasing environment. You can try these ideas, if you like. Focus on what will make you feel comfortable and secure.

When you are ready, sit down on the floor or at a table leaving some empty space in front of you. You should have your tarot cards and your question written on a piece of paper. At first, a full reading will probably take at least thirty to forty minutes. Try to arrange your affairs so you won’t be interrupted. With experience, you will be able to shorten this time, if you wish, but it is always better to feel unhurried.

Begin to relax and still your mind. Put aside your worries and concerns for now. (You can always get them back later!) Settle fully into the present moment. Take a few deep breaths, relax all your muscles and feel the quiet as you turn away from the outside world. Take as much time as you need for this calming process.

Asking Your Question

When you feel centered, take your cards out of their container. Hold them cupped in one hand while you place the other hand on top. Close your eyes and bring the cards into the circle of your energy.

Now, make an opening statement, if you wish. Some possibilities are:

  • a prayer
  • an affirmation
  • a description of how you are feeling
  • a simple hello to your Inner Guide

You can write a phrase to say every time, or you can speak spontaneously. It is more important to speak from your heart than to mouth an empty formula. Say your statement out loud, as sound adds energy and conviction.

Next, ask your question, either from memory or by reading it. Be sure to say your question exactly as you wrote it. One of the mysteries of the unconscious is that it is very literal; the cards you choose will often reflect the precise wording of your question.

Shuffling the Cards

Open your eyes and begin shuffling. It is important to shuffle the cards because this is how you sort through all the forms your reading could take and arrange at a subtle level the one you will receive.

There are a number of ways to shuffle the cards. Each method has its pros and cons. Choose one that is most comfortable for you. Certain methods mix the cards so some are right side up (upright) and some, upside-down (reversed). If this is your first reading, do not worry about reversed cards.

Concentrate on your question while you shuffle. Focus on the overall intent rather than the details. Don’t strain to stay fixed, but do keep the question in mind as much as you can.

Cutting the Cards

When you feel you have shuffled long enough, stop and place the cards face down in front of you with the short edge closest to you. Cut the deck as follows:

  1. Grab some number of cards from the pile.
  2. Drop this smaller pile to the left.
  3. Grab some part of this second pile and drop it further to the left.
  4. Regroup the cards into one pile in any fashion.

It’s best to regroup the cards in one quick motion. Don’t try to figure out which pile should go where. Just let your hand move where it will. The cut is an important finishing step that marks the end of the card-arranging stage. Once you have regrouped the cards, the pattern of the reading is fixed, and all that remains is to lay out the cards and see what they reveal.

Laying Out the Cards

Follow the steps for the spread you have chosen. If this is your first reading, use the Celtic Cross.

  1. Pick up the deck and hold it in one hand with the short edge closest to you.
  2. With your other hand, turn over the first card as you would the page of a book.
  3. Place this card in Position 1.
    (The position number corresponds to the placement order.)
  4. Turn over the second card, and place it in Position 2.
  5. Continue in this way until you have placed all the cards.
  6. Turn any reversed cards around if you are not using them.

Responding to the Cards

Pay attention to your reactions to each card as you lay it out. At first, you will not know or remember the usual meaning of a card. Your thoughts and feelings will be based mainly on the images. As you practice, your reactions will become more informed, but also more predictable. Try to keep some of your original openness as much as possible. Pay attention to any responses that seem unusual or out-of-place.

When all the cards are laid out, take a moment to respond to them as a whole. Do you get an overall impression? Do you have any new reactions? Jot down some of your thoughts, if you wish. Don’t worry if you can’t remember all of them. Just as with dreams, you will recall the most important. Try not to get too involved in your notes as that can break the flow of the reading. You simply want to capture a few ideas quickly.

Analyzing the Cards

In the beginning, use the section about individual cards in your Tarot Book till we get to covering individual cards here. Later, you can examine the cards on your own, but you may still find this section useful. (I use it myself from time to time!)

Begin your review with Position 1 and proceed in position order. Here are the suggested steps:

  1. Look up the card in the Card Section of the Tarot Book that came with your cards.
  2. Read through all the keywords and actions.
  3. Look for actions that make you say “Yes, that one really fits!” I experience a kind of jolt of recognition when I see one. Don’t shy away from actions that seem less pleasant. Trust your reactions, and reserve judgment until you’ve seen all the cards. Note any stray thoughts or “irrelevant” feelings that come to mind.

When you’ve considered each card, look for relationships between them. Apply the principles of interpretation.

You could ponder a reading for hours without running out of insights, but, of course, this isn’t practical or desirable. Do try to spend some time, however. Your reward will be equal to your effort.

Creating the Story

At some point, you need to pull everything together. I call this creating the story. Your story will help you understand your situation and give you guidance for the future – what you have been seeking all along.

I recommend that you create your story spontaneously. Once you have finished your card review, let that analytical approach go. It’s no longer appropriate. Your story will be more authentic if it arises freely from within. When you feel ready, simply begin speaking your story, saying whatever comes to mind. Use any notes you have to help, but don’t focus on them too much.

I encourage you to tell your story out loud. Writing is too slow, and just thinking your ideas is too vague. Your story will gather strength and power as it is spoken. If you begin to ramble or lose your train of thought, don’t be concerned. Simply pause, regroup and start again. As you practice, you will get better at speaking on the fly. You may want to tape your story. When you play back the tape, you will be amazed at what you hear. You will truly feel you are your own best tarot reader.

Writing the Summary Statement

Your story is done when your words slow down and stop naturally. Your next step is to distill the main theme of your story. What is the essence of your guidance? Ask yourself these questions:

  • What is the problem or conflict?
  • What is my role?
  • What does my Inner Guide want me to understand?
  • What is the projected outcome?
  • How do you feel about that?
  • Do I sense any recommendations for action?

What you are doing is forming the answer to your question. Before the reading, you posed a question that had meaning for you. Your Inner Guide has responded, and now you want to capture that wisdom in a form you can remember. Try to summarize your story in one or two sentences. Concentrate on the message in the cards and not the mechanics of your interpretation.

Finishing Up

The main event is over, but, as with any ceremony, there are a few final steps to take to end your reading and leave your cards ready for next time.

If you have not already done so, write down the cards you selected and their positions. It is easy to forget them. Then, clear the deck to remove all traces of the energy patterns of this reading. I clear a deck by scrambling the cards together gently. It reminds me of erasing letters in the sand with a sweep of my hand. You may enjoy this technique as well, but any shuffling method will do. Take a few moments now to clear your deck. Make sure the cards are face down or turned away from you. Stop when you feel you’ve shuffled long enough, and gather the cards together. Your deck is now ready for your next reading.

Before putting the cards away, hold them again for just a moment. Place your deck in one hand with the other hand on top, and close your eyes. Say what you feel you have learned from this reading. Express your gratitude to your Inner Guide for helping you via the tarot cards. Gratitude is a wonderful sentiment. It provides the ideal frame of mind in which to end your reading.

When you began, you initiated a cycle. You created meaning in the form of a reading, and now you have completed that cycle by returning the cards to their resting state.

Using What You Have Learned

The reading proper is over, but the inner work is just beginning. Your goal is to integrate what you have learned into your life in some way. If you don’t, your tarot practice will remain a beautiful pastime with no power to help you.

Decide on one or more actions you can take to put your guidance to work. You can reinforce what you’re doing now or make some changes, either radical or minor. Specific actions are usually more helpful than vague plans.

If you are keeping a journal, write down what you intend to do. Commit only to what you know you will actually carry out. I know how easy it is to lay out some cards, look at them briefly and then never think about that reading again, especially when your reaction is less than positive!

As the days go by, think about your reading and how it meshes with your life. Ask yourself these questions:

  • How meaningful was my story?
  • How well did the guidance fit?
  • Did I miss any clues?
  • Did I carry out an action, and, if so, what happened?
  • Did something unexpected occur?
  • Do my Daily Readings add anything?

You may be tempted to do another reading, but it’s probably best to wait until there are important changes in your situation. Assume that your first reading covers all you need to know. If you are puzzled about certain elements, mine your first reading for more insights. By going deeper, you will get closer to the heart of the matter.

Using what you have learned in a reading is probably the most important step – and the most difficult. It involves moving beyond playing with the cards. When you actually commit to integrating your tarot insights into your life, you have realized the true and lasting benefit to be gained from the cards.

This is my ideal tarot session, but, to be truthful, I don’t always follow it. Sometimes I linger over these steps, sometimes I neglect quite a few of them. I encourage you to adopt whatever procedure suits your interests and needs. If you don’t enjoy the cards, they’ll just gather dust on the shelf. The details aren’t that important; it’s the intention that counts!

Exercise – Lesson 8

The Question Reading

Exercise 8.1 – Doing a Question Reading

You are going to do a Celtic Cross Question Reading from start to finish. Follow the procedure outlined in lesson 8. You will need a question to be answered. You can use the question you wrote in Exercise 7.1 or write a new one. Interpret the cards as best you can using your intuition and the Card section of your Tarot Book and Celtic Cross Sections.

You may feel a little at sea this first time – not sure whether or not you’re doing everything right. Remember there is no one correct interpretation. What you see in the cards is right for you by definition, and, no matter what, you will come away with something of value. In future lessons, you will learn some principles of interpretation that will help you feel more confident. At that point, we’ll revisit this reading to see what else you can learn from it.

Lessons In Tarot – Lesson 4 (The Spread)


The Spread

A spread is a preset pattern for laying out the tarot cards. It defines how many cards to use, where each one goes, and what each one means. A spread is a template guiding the placement of the cards so they can shed light on a given topic. It is within this template that the meanings of the cards come together so beautifully.

 The most important feature of a spread is the fact that each position has a unique meaning that colors the interpretation of whatever card falls in that spot. For example, the Four of Pentacles stands for possessiveness, control, and blocked change. If this card were to fall in Position 4 of the Celtic Cross Spread (the “Past” position), you would look at how these qualities are moving out of your life. In Position 6 (the “Future”), you would instead view them as coming into your life – a quite different interpretation.

Tarot spreads can be any size or pattern. Rahdue’s Wheel includes all 78 cards and creates a vast tableau of one person’s life. A spread can also contain just one card. In lesson 5 I show how a one-card spread is useful for daily readings.

Most spreads contain between six and fifteen cards. This range is small enough to be manageable, but large enough to cover a topic in some depth. The pattern of a spread often forms a design that reflects its theme. For example, the Horoscope Spread is in the shape of the traditional circle that forms a person’s birth chart. The twelve cards of this spread correspond to the twelve houses of astrology.

When cards are related to each other in a spread, an entirely new level of meaning is created. Combinations appear, and a story line develops with characters, plots and themes. The weaving of a story from the cards in a spread is the most exciting and creative aspect of a tarot reading. It is an art, but there are many guidelines you can follow. I discuss these in later lessons and give examples of the story-making process.

In these lessons, I refer to just the Celtic Cross Spread. I think you will be able to concentrate more on developing your intuition if you stick to just one spread at first. Once you know the cards well and feel comfortable reading them, you can expand your tarot practice by exploring other layouts. Before you continue with the lessons, read over the Celtic Cross Section. We’ll be using this spread throughout the course.

Exercises – Lesson 4

The Spread

Exercise 4.1 – Celtic Cross Spread

Spend a few minutes looking at the Celtic Cross Section so you understand how it is set up. Don’t worry about memorizing anything. The goal is simply to get comfortable with the information.

Now, lay out ten cards of your choice using this spread. Read the page for each position one by one. Think about the meaning each card takes on because it falls in a certain position. You will learn more about this later, but just speculate for now.

Exercise 4.2 – Designing a Spread

You can design spreads yourself to suit your needs. Create for yourself now a three-card tarot spread. Follow these steps:

  • Draw a picture of the physical layout – where the cards should go.
  • Number the positions to show order of placement.
  • Write a short phrase or two describing the meaning of each position.


This is a basic three-card spread that covers events in time.

Here’s a spread to use when you belong to a three-person team and want to know the expectations of the members (including yourself). The cards form a “Y” with the tops facing inward. This pattern suggests a meeting of the minds.

The Celtic Cross

Here is one approach to interpreting the Celtic Cross.

  1. Look at the six cards of the Circle/Cross section. They show what is going on in your life at the moment of the reading. 
  2. Examine the cards in pairs, perhaps in the following order:
    • Look at Cards 1 and 2 to find out the central dynamic.
    • Look at Cards 3 and 5 to find out what is going on within you at different levels.
    • Look at Cards 4 and 6 to see how people and events are flowing through your life.

    From these six cards, create a description of your immediate situation. 

  3. Consider the Staff section of the spread, perhaps in this order:
    • Look at Cards 7 and 8 to find out how more about the relationship between you and your environment.
    • Look at Card 10 – the projected outcome. How do you feel about it? What does it say to you?


  4. Review the cards to discover the factors leading to the outcome. See if one card stands out as key. Also:
    • Compare the projected outcome (Card 10) to a possible alternative outcome (Card 5).
    • Consider how the near future (Card 6) contributes to the projected outcome (Card 10).
    • See if Card 9 tells you something you need to know. Do you have a hope or fear that is relevant?