Trancework and Journeying

Trancework and Journeying

Author:   RuneWolf   

I came to Paganism directly through the practice of “core shamanism, ” so trancework was a foundation stone of my spiritual practice even before I consciously thought of myself as Pagan, and it remains so to this day. It is the third leg of the cauldron, so to speak, in my communication with the Gods, especially my Patron, the other two being prayer and meditation. I personally see these three practices as separate and distinct, although they are quite similar in many respects and overlap considerably in my practice.

Meditation, to me, is just plain ol’ Eastern-style void-stillness meditation, and I use it to give myself a break when the chatter of Talking Self gets to be too much. I use it to wind down the “rat wheel, ” to reestablish my spiritual equilibrium and to center and ground out the toxic energies we so often encounter—and accumulate—in the workaday world. I have been known to “slide sideways” from meditation into a spontaneous journey, but I do consider meditation a discipline, much like regular exercise, and when I set aside time to meditate, I try to stay focused on just that practice.

Prayer, for me, is nothing more or less than talking directly to the Gods. I have regular times – morning and evening, for instance—when I pray, but I don’t limit my contact with Deity just to those times. Depending on what’s happening in my life, I may be in prayer pretty much all day long, and I talk to the Gods “just as if” They were right there in the room—or the car!—with me, because in my understanding of reality, They are. Sometimes They answer, sometimes They don’t, but They are always there, and They always hear.

Journeying is what I do when I want to meet the Gods “face to face, ” in Their own Realm, and the majority of my journeys have been very vivid and very powerful. I have always been a very visually-oriented individual, and I conceptualize in pictures. So the imagery of journeying comes very naturally and powerfully to me, and it’s only a small step from there to incorporate sound and texture. The subjective realities of my journeys are so immediate, that I react physically to my surroundings—I’m told by observers that I “twitch” during journeys, as my physical body attempts to mimic the responses and movements of my Otherworld form.

Initially, I was concerned that small details—and sometimes large ones!—appeared to be inconsistent between one journey and the next, or even during the same journey. My Patron advised me that this was a matter of experience. Our minds, conditioned to this reality, have to adapt to the sensory input of the Otherworlds, and apparent inconsistencies in the appearance, texture, smell or whatever of Otherworld localities and entities is due to this process of adaptation. Over time, with practice and repetitive journeys to the same destination(s), our perceptions grow more acute, more vivid and more stable—if such a word can apply to the Otherworlds.

The other side of the trancework coin is “invoking for possession, ” or “channeling” Deity. I don’t normally trance in this manner, as the sensation of Someone co-habiting my body is unsettling to me. It can also be a dangerous practice, I’m told, although I have never had any unpleasant consequences myself, aside from the aforementioned discomfort. Indeed, on the three occasions I have invoked for possession, the sensations have been nothing short of ecstatic and transcendental. Perhaps the danger lies in that; I might easily get hooked on the “buzz” of channeling!

In all seriousness, invoking for possession is something to be attempted only with a foundation of experience in other forms of trancing, and with expert and caring guidance and companionship in this realm.

To prepare for trancework, I normally create some form of sacred space, usually a simple circle, invoking the Spirits of place and my other Allies to watch over my physical form while I am away. This is my “launching pad, ” and ensures that I have a safe point of departure and return, and also serves as a “homing beacon” when I’m journeying deep into the Otherworld.

I usually take a few minutes to stretch and massage out any kinks or stiffness that I may have physically. I also take time to consciously set aside any intellectual or emotional issues that may not have to do with the purpose of the upcoming journey, but which may create unwanted “static.”

After a few years of experience, I have found that simple breathing techniques, coupled with the appropriate visualizations, are enough to induce the trance and begin the journey. I have always used the cave/passage or well/pool theme as my entrance into the Otherworlds—lately I favor the well, as Brighid is becoming an increasingly important part of my life. For deep journeys, or when I’m having trouble “launching, ” I use a simple single-beat drumming CD. I prefer the CD as it doesn’t have the hiss that a tape does. Live drumming would be great, but I don’t usually have access to a drummer.

Of course, it always helps to take the phone off the hook, put up the “Do Not Disturb” sign, and so forth; the fewer distractions the better. And I try not to journey on a full stomach—I tend to slip from “journey” to “dream, ” and while that isn’t necessarily a bad thing, I might not get done what I wanted to do!

On returning, I take time to jot down a few notes, capturing the “high points, ” as it were, of the journey. I do this even if the impressions seem vivid and lasting, as things will sometimes become jumbled or fade in the most unexpected ways. After that, I often find a bit more stretching to be in order. As I have said, I respond physically to my journeys, and I have come back stiff and sore from particularly lively trips. I do a pretty typical grounding and centering before I release the sacred space, and then I make it a habit to have a light snack. I don’t usually eat heavily for at least half-an-hour to an hour after a journey, as I have found the effects unpleasant on one or two occasions.

One thing I practiced early on was “bailing out”—hitting the astral Panic Button and returning to normal consciousness at a moment’s notice. I practiced this to get used to the sensations—often unpleasant—of this kind of emergency exit, in the event I had to do so unexpectedly during a journey. I’ve never had to, but if I do, I believe I will be better able to handle the situation, having practiced on my own. Sort of like fire drills in school. One caution—I did my “fire drills” on my own; I would not recommend this! If possible, do these with a partner or teacher.

Journeying is, for me, a mystical, ecstatic practice. We often associate “ecstatic” with extravagant physical movements, but the physical stillness of a journey trance can mask incredibly powerful sensations. And I sometimes journey simply to experience that ecstasy, to replenish my internal reserves in a most emphatic way. I also use it to commune, in a very intimate and personal fashion, with Deity. I am not one of those who can “see” Deities and other Beings of Power in this realm. I can only do that when I journey to the Otherworld. So it is an affirmation, if you will, of the reality of Deity, and of the profundity of my relationship with Spirit. I can meet with the Gods in Their Realms, face to face, to question and learn, and sometimes just to socialize. It has been my experience that the Gods crave an intimate relationship with Their children, of a kind that cannot be experienced through the filter of dogma and liturgy, however “spontaneous” and “unstructured.” Just as Mom prefers a visit to a phone call, the Gods prefer to meet us “in the flesh, ” no matter how fervent our prayers or how reverent our ritual.

On those occasions when I have journeyed for the specific purpose of healing others, I can only say that it apparently did no harm to the subject of the healing. Was it “successful?” Did it “work?” That is difficult to quantify. Everyone I helped in such a fashion had been exploring every possible avenue for healing—if they hadn’t been, I wouldn’t have agreed to help. When we need healing, for whatever reason, I believe we must use every possible resource. To rely on one technique or body of knowledge to the exclusion of others is to limit the ways in which the Gods may help us. So I can’t say that my journeying alone, or the acupuncture alone, or the prayer alone, or the vitamins alone, or the chemicals alone, were what ultimately helped one person or another. I tend to think that everything positive we do for ourselves helps in some way. So I feel that, in journeying for those in need, I did indeed contribute to their wellness.

In Their Service…

RuneWolf

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Wiccan Shamanism

Wiccan Shamanism

by Selena Fox

typed by Lewis for P.A.N. 508-795-7628

Shamanism exists in tribal cultures around the world and has done so for centuries. Yet, in reading most anthropological texts on Shamanism, there is  little, if any reference made to shamanism in Europe. However Shamanism has existed among the peoples of Europe not only in ancient times, but also through  the present day. During the Middle Ages, the Old Ways largely disappeared from public view because of persecution. Yet they were not eradicated but took a  more underground existence. Today, there are some of us of European ancestry that are bringing Shamanic ways rooted in pre-Christian Europe back into the  light.

Wiccan Shamanism is a term I began using several years ago in an attempt to describe my own path of magick and spirituality in relation to the other forms  of Shamanism on the Planet. Wiccan Shamanism draws on the Old but it is not simply an attempt re-construction and revival of the Old Ways of tribal Europe.  Wiccan Shamanism blends both the Old and the New to suit the modern times in which we live. Although emphasis is on European symbology and traditions Wiccan  Shamanism is multi-cultural, incorporating ways of other healers and magick workers from many places and eras.

What follows is a glimpse into Wiccan Shamanism as I know it and practice it. While Jim, Dennis, and others who help with various aspects of CIRCLES work  may share many of these concepts, I speak here only for myself – for at the heart of this spiritual approach is the idea that each person must seek their own  connection with the Divine, within their own Self, rather than having me or anyone else do this for them. This is not a path of a leader with followers, but  a path where each becomes their own leader.

I call to the Powers of the Four Quarters — to Earth in the North which is the Realm of the Physical Body and Material Plane, to Air in the East which is  the Realm of Thoughts and Intellect, to Fire in the South which is the Realm of Will Power and Action, and Water in the West which is the Realm of Emotions  and Intuition. My Medicine Wheel is the Magick Circle which connects the Four Quarters. The sacred places I frequent include a high rock, a crystal clear  spring fed pool n a hidden valley and a circle of stones in a grove of Oak and Birch on a mound.

I am a channel between Planet Earth beneath my feet and the Heavens above my head. I become the World tree when I Shamanize, linking the transforming Dark  of the Underworld with the Awakening Light of the Upperworld.

I am the Crystal LIght that is at the Center of the Circle and is the fifth Element Spirit. I seek always to act out of MY own Inner Self which is at the  enter of MY being, for my Inner Self in the Balance of all the Elements, of my Female and Male sides, of my Lunar and Solar natures of my intellect and  intuition my Inner Self is my doorway into the realm where All is One.

I see the Circle of Life from the Center. I watch the Seasons change as the Wheel of the Year turns and I celebrate the 8 sabbats. I connect with the  dance of Night and Day, of Fair and Stormy Weathers, of the Waxing and Waning Moon. I see the cycle of Birth, Growth, Maturity, Death, and Rebirth in all of  Nature. I examine the cycles of my own life and of the lives of those who seek healing aid from me.

I am the traveler between the World of Daily Life and the Otherworld which is the land of Dreams, visions and Spirits. I am a Consciousness Explorer. the  Otherworldis as real and as important to me as the Day-to-Day World. I bridge the Worlds rather than seeking to dwell solely in one or the other. I journey  into the Otherworld for a reason — to bring back healing and knowledge to apply to Daily Life, helping others, myself and the Planet.

I see the Divine in all things. My friends and allies include not only humans but also plants, animals, rocks, winds, waters, fire, stars, and other life  forms. I commune with the Source some call “God” as both Mother Goddess and Father God, for both aspects are necessary for the Unity.

The main focus of my Shamanic work is Healing. I was called to this path as a young child in dreams and Out-of-Body experiences, but I didn’t begin my  work until my adult years when I started Healing myself. To do this I journeyed alone into the Pit of my Shadow Self and came face-to-face with my problems  and hang-ups; my doubts fears, disillusionments, rejections, angers and hurts; with all MY false self images. Words can not begin to express the misery, the  utter despair the powerlessness I felt during this time. Yet coming apart was essential; it enabled me to break through the barriers which I had formed and  let others form in my psyche that had kept me from being one with my True Self. In the deepest Darkness, I felt the Light of my own Inner Self beginning to  shine through. I focused on the Light and slowly emerged from the Pit, stronger and more integrated than ever before and with the power to heal others as  well as myself. As a result of this transformation process, my life’s work became clear. I now help others from their own pits of negativity and become  whole again.

Yet my work also extends to more than Humankind; it involves bringing Healing to the Planet as a whole. In my communing with the Land, I have heard the  cries of the Earth Mother, sorrowing over the self-centered, greedy, intolerant, and destructive behaviors of many of Her human children, who are polluting  the soils, water, and air; who are playing power games with nuclear fire; and who are polluting the spiritual atmosphere of the entire world with their  narrow-mindedness and hate. I am deeply concerned about survival — not of the Planet Herself for all the humans in the world can not destroy Her even with  all their weapons; She is too strong and powerful for that to happen. What I am concerned about is the survival of the human race. — will we annihilate  ourselves and many of the life forms around us, or will we wake up in time to see the larger picture, find and implement creative solutions to the worlds  problems, and enter a New Age of expanded consciousness?

The Balance of Life can be restored on Planet Earth; Harmony can be restored between humankind and other life forms; Love consciousness can increase and  be prevalent on the Earth. I, along with numerous other healers and ministers from a variety of spiritual traditions around the world today have responded to  the upset of Mother Earth by dedicating our lives to this Planetary Healing Work, each in our own way. It is this Great Work that underlies all the healing  and other things I do. It is the Heart of Wiccan Shamanism.

First published in fall 1984 “Circle Network News”;   © 1984, CIRCLE, Box 219, Mt. Horeb WI 53572 USA.

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Shaman, Priest, Priestess, Pastor, or Candlestick-Maker

Shaman, Priest, Priestess, Pastor, or Candlestick-Maker

Author:   Alfred Willowhawk, DMsc, RMT, CTM, Shaman   

Humans are always reaching for understanding. Whatever their religious, spiritual, or non-spiritual philosophy, we are always seeking to understand the world around us. In our pre-industrialized world, we sought these answers from individuals who seemed to have a better connection than the general population with unseen realms. They were sometimes called shamans, druids, priestesses or priests. Our post-industrialized world calls these individuals, pastors, priests, and guides. Many individuals of western religious frameworks may disagree with this contention. This article will demonstrate that the term used is really immaterial; after all, “a rose by any other name will smell as sweet”, thanks to Shakespeare.

What is a Shaman and why is the term so popular today? We acknowledge that the term “shaman” is not of Celtic or Western European origin. It is actually Siberian in origin but has come to be applied to any Otherworld “journeyer” who functions as a guide for his culture and people. It has also become associated with First Nations, indigenous peoples, and Native Americans. We are not attempting to appropriate the term as used by First Nations or Native Americans.

The term ‘’Otherworld is a uniquely Celtic word, which has similarities to the Underworld of Wiccan and other neo-pagan places. It is a real place, not made up in the head of a person, where the deities and personkind interact. It also overlaps the mundane or physical world. Today, most individuals of Celtic descent and practice call this the Faery Realm. This realm is the depository of all the archetypes of being. Interaction with individuals within this realm can bring forth the entire spectrum of emotional, spiritual, and physical responses. Whether one feels fear, joy, excitement, or any other emotion – the journey to the otherworld is always revealing.

As an individual spends time there, many aspects of oneself become apparent. Deceit is not tolerated there and is easily perceived. The oldest known story of the Celtic Otherworld is the Immram Curaig Maelduin Inso or the Voyage of Malduin’s Boat. It was first transcribed in the eighth or ninth century in its entirety. It visits the thirty-three islands of the Celtic Otherworld and serves as a lesson for any visitor.

In our 21st century time, most individuals seem blind to this world. The Shamanic practitioner, or shaman, as we define it above, serves as the medium through which individuals can receive messages, and assistance from the deities. In our course, The Shamanic Soul: Path to the Sacred Self”, we assist the individual to begin and foster the connection with the Otherworld and their deities. It is not actually necessary to use a shamanic practitioner to feel, see, and touch the Otherworld. Recognizing and interpreting what is seen there is best done with a knowledgeable individual who has studied the signs, portents, and events that are recorded in the “songs” of the pan Celtic world to facilitate the actual intent of these messages.

Among the Celts were members of their culture who journeyed to the Otherworld. They were the Mystics. They were one of four classes including Bards, Healers, and Warriors. The Mystics’ primary function was that of mediator between this world and the Otherworld – as such they meet the widely accepted definition of ‘Shaman’. The Celtic Mystic utilizes the gifts of the Bard and the Healer but acts primarily as a conduit for messages from the deities, spirit entities and ancestors.

The Celtic Mystic or Shamanic tradition was systematically wiped out by the encroachment of the Romans, and later the Christians. The tradition was further impacted by the Celtic Diaspora, which scattered Celts to Brittany, Gaul, Spain, and Asia Minor. The Celts were spread over much of what is now Europe and into Asia.

The term “mystic” has the unfortunate definition of “one who practices or believes in mysticism or a given form of mysticism” (from the Free On Line Dictionary) . “Mysticism” is further defined as “1. a. immediate consciousness of the transcendent or ultimate reality or God; b. The experience of such communion as described by mystics; 2. A belief in the existence of realities beyond perceptual or intellectual apprehension that are central to being and directly accessible by subjective experience.3. Vague, groundless speculation.” I think you can see our problem… Because the term “mystic” has an even less precise definition than the term “shaman”, we choose to use the term “shaman” because it is more commonly descriptive of what we do.

Therefore, like other Shamanic Traditions, because it is what Shamans do, we journey to the invisible spirit world as a medium or mediator for the purposes of healing, divination and to discern the needs of the Earth (see Gaea) and return to this world to guide our people. The imagery, deities and myths we employ in our practice is Celtic/Indo-European.

The definition of Shaman is both simple and complex. A shaman is “one who knows”. We expand this definition as follows: The Shaman is one who knows the world on multiple levels in which he/she lives. The Shaman knows his mind, his soul, his spirit, and his guide. The Shaman knows her culture, her people, her Goddess, her God. The Shaman knows his enemy and his friends; her protection is in knowing.

According to Cunning Folk and Familiar Spirits: Shamanistic Visionary Traditions in Early Modern British Witchcraft and Magic, Emma Wilby, 2006, Sussex Academic Press, “The shaman’s first encounter with his helping spirit is either deliberately cultivated or spontaneous. In tribal societies the deliberately cultivated initial encounter is based upon the rationale that an individual can only become a shaman if he obtains one or more spirit-helpers, and that therefore an aspirant shaman needs to work at magical techniques believed to encourage the appearance of such spirits. A survey of anthropological sources suggests that in tribal societies far more emphasis is place don the deliberately cultivated initial encounter than was the case in early modern Britain, although how far this difference is rooted in culture as opposed to the divergent circumstances under which information about these magical traditions has been gathered, is hard to determine.”

While we are eclectic in our approach to our shamanic practices, we are using our own ancestral and cultural history (Western European Celtic and Greco-Roman) . We do not practice any form of cultural appropriation or “plastic shaman ism”. We are NOT practicing some post-colonial cultural appropriation of First Nations shamanism. Any reference we make here or in our practice to First Nations culture, practices, spirits, shamans, guides, or deities is for historical and informational reference only and not an attempt to associate ourselves with First Nations Shamans. We welcome any criticism of our practice. We are always assessing and re-assessing our understanding of our calling.

It is our contention that shaman ism is “of the blood” — that is, one is born to a shamanic tradition and some crisis brings out the ability or burden or urgent need to practice shamanic journeying. This crisis can be in the form of an illness, disorder, mental or physical trauma. This vertiginous experience brings about the call of the Wounded Healer, which the shaman may have been experiencing for years, to the fore.

It is true that every individual has many woundings and our course The Warrior Within is designed to assist each individual to reach out and heal themselves, yet if one is called to be the Wounded Healer, then this serves as the point of recognition that he or she must accept and act upon his or her shamanic calling to heal him/herself and utilize these gifts to assist others in their healing or he/she will continue on in the illness, disorder, mental or physical trauma. These woundings, as stated above, usually take on a particular flavor and as Ms. Wilby states, “…he is usually alone at the time of his first meeting, and undergoing a period of intense physical and/or psychological stress. Often it is the naturally-occurring pressure of life which generate these stresses…’some great misfortune, dangerous or protracted illness, [or] sudden loss of family or property’ can bring an individual into contact with the spirits. As in early modern Britain, bereavement is often a powerful trigger.” (Pg 132)

The shaman utilizes the gifts and tools that they have developed in their own healing process to assist others in healing themselves. Therefore, for our purposes they are facilitators of self-healing and have the desire to assist others. As shamans we have the ability and/or responsibility to:

*Understand the roles that spirits play in the lives of our people.
* Cooperate with or control the spirits for the benefit of our people.
* Understand the spirits intentions as either good or evil or neutral.
* Use trance-inducing techniques such as singing, chanting, dancing, meditating, or drumming. (1.)
* Recognize and communicate with animals and animal spirits in their roles as messengers of the Otherworld.
* Enter the Otherworld on our own behalf or the behalf of our people.
* Deliver the messages from the Otherworld to our people.
* Guide our people in treating illness or sickness – be that in self-healing techniques, laying on of hands, or advising an individual to seek the consultation of a licensed medical practitioner. We do not claim or attempt to be the sole conduit of healing for our people and as such always insist that illnesses be treated by licensed medical practitioners.
* As Healers and Spiritual Guides, we DO NO HARM to our people.

The shaman then, serves as the conduit whereby individuals can, if they choose, access the other realms of beingness, or utilize the services of the shaman to go there for them. This is similar to the way that other western religious practitioners, priests, rabbis, pastors, seek guidance through meditation and prayer as well as intervention with the Christian god. A pastor will pray for intervention in their parishioners’ lives, and truly believe that the prayers are effective. The shaman does the same thing and has the same expectation.

The spiritual realms are much bigger and more open than we as mere mortals can understand. There is no exclusivity in access to God, Goddess, nature, higher power, etc. Every path is the same. Reach for the heavens and your highest best connection with all creatures of this and every other world. Do not allow your own view to become the One View – it doesn’t exist; a good thing too, as I for one would not like to live in a world that was restricted to my perceptions and understandings of the universe – it is SO much bigger than me.

Blessed Be and enjoy the journey!

_____________________________________

Footnotes:
1. We do not advocate, but accept the taking of mind-altering drugs to achieve trance-state.

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Banshee

Banshee 

The Banshee from the Irish bean sí (“woman of the side” or “woman of the faerie mounds”) is a female spirit in Irish mythology, usually seen as an omen of death and a messenger from the Otherworld. Her Scottish counterpart is the bean shith (also spelled bean-shidh) The asos sí (“people of the mounds”, “people of peace”) are variously believed to be the survivals of pre-Christian Gaelic deities, spirits of nature, or the ancestors. Some Theosophists and Celtic Christians have also referred to the aos sí as “fallen angels”. They are commonly referred to in English as “faeries”, and the banshee can also be described as a “fairy woman”.

In Irish legend, a banshee wails around a house if someone in the house is about to die. There are particular families who are believed to have Banshees attached to them, and whose cries herald the death of a member of that family. Traditionally, when a citizen of an Irish village died, a woman would sing a lament (in Irish: caoineadh, [ˈkiːnʲə] or [ˈkiːnʲuː], “caoin” meaning “to weep, to wail”) at their funeral. These women singers are sometimes referred to as “keeners” and the best keeners would be in much in demand. Legend has it that, for five great Gaelic families: the O’Gradys, the O’Neills, the O’Briens, the O’Connors, and the Kavanaghs, the lament would be sung by a fairy woman; having foresight, she would sing the lament when a family member died, even if the person had died far away and news of their death had not yet come, so that the wailing of the banshee was the first warning the household had of the death. In later versions the banshee might appear before the death and warn the family by wailing. When several banshees appeared at once, it indicated the death of someone great or holy. The tales sometimes recounted that the woman, though called a fairy, was a ghost, often of a specific murdered woman, or a woman who died in childbirth.

Banshees are frequently described as dressed in white or grey, and often having long, fair hair which they brush with a silver comb, a detail scholar Patricia Lysaght attributes to confusion with local mermaid myths. This comb detail is also related to the centuries-old traditional romantic Irish story that, if you ever see a comb lying on the ground in Ireland, you must never pick it up, or the banshees (or mermaids – stories vary), having placed it there to lure unsuspecting humans, will spirit such gullible humans away. Other stories portray banshees as dressed in green, red or black with a grey cloak.

Entering the Mouth of the Dragon

Entering the Mouth of the Dragon

This ritual, Entering the Mouth of the Dragon, will likely be one of the most interesting, enlightening experience of your magical career if you approach it with the right attitude. It is a ritual that can be repeated whenever you want, as many times as you wish. Since a magician on the ultimate spiritual path is constantly seeking and being initiated, a single initiation ceremony is not considered either adequate or a sign that nothing further is needed in the way of knowledge. Initiation must be a periodic, ongoing experience, a striving for greater contact with higher powers that has no end.

Many of the ancient pictures and carvings of humans being devoured by dragons may in fact be a symbol of initiation. It is difficult to know whether someone is entering or leaving the dragon’s mouth. To a dedicated magician, this path into other planes is well-worn; she/he never feels they have learned all there is to know. The magician follows the Otherworld path confident that she/he is not the first to do so, nor will she/he be the last. The magician is driven by an inner yearning for growth on all levels of her/his being.

The experiences gained during this meditation-type ritual can help you make changes in your life, pick up your spirits when you are down, provide you with new insight and goals. It will be rare that a magician comes out of the experience with nothing. Of course, if you put nothing of your energy into the experience, you are likely to get little in return. Remember dragons work as co-magicians only when there is an exchange of energy.

During this initiation ritual, you will be going in meditation into a huge cave shaped like the mouth of a dragon. This is best done on a Full Moon or bright noon. For 24 hours before the ceremony, try to remain aware and conscious of dragon power. You will find it flowing through all kinds of people, objects and happenings. Just before entering the ritual area for initiation, take a cleansing bath with at least some salt and perhaps a little dragon’s blood powder in the water. Be certain that you have your magical name chosen. Dress in your ritual apparel. Carry any selected magical jewelry to the altar; do not wear it until it has been consecrated.

Supplies: pentacle disk, dragon pentacle, water chalice with a little fresh water in it, dish of salt, wine chalice, black (left) and white (right) altar candles, sword, wand, incense burner, initiation or blessing incense, dragon’s blood and thyme, dragon mirror, gong or bell.

Set altar in the center facing east. Make certain that you will not be disturbed once you have cast the circle. This may mean silencing the telephone and hanging a “do not disturb” sign on the door. Instrumental music also helps to set the mood and mask background noises.

Begin the ritual by going to the east. With your sword in your power hand (the one with which you write), “draw” your magical circle on floor around your ritual area. Do this by pointing the sword at the floor and seeing great flames shooting from it. Move clockwise around the circle with this flame; end by overlapping it in the east. While drawing the circle, saying:

BY DRAGON POWER, THIS CIRCLE IS SEALED.

Return to the altar. Point the sword at the dragon pentacle and say:

DRAGONS OF SPIRIT, HIGHEST OF DRAGONS AND MOST POWERFUL, BLESS THIS ALTAR WITH YOUR FIRE. LET US BE ONE IN MAGICK, O DRAGONS GREAT AND WISE.

Set the water chalice on the pentacle. (The water used in the chalice is not to be confused with the water you collect from various watery power spots.) With the wand in your power hand, circle the chalice three times clockwise with the wand and say:

AIR, FIRE, EARTH, BRING POWER FORTH,

WATER OF LAND AND SEA, PURIFIED BE.

Hold the chalice high, say:

DRACONIS! DRACONIS! DRACONIS!

Sprinkle the water lightly around the circled area, beginning and ending in the east.

Set the dish of salt on the pentacle. Circle it three times clockwise with the wand and say:

WATER, AIR, FIRE, HEAR MY DESIRE.

SALT OF EARTH AND SEA, PURIFIED BE.

Sprinkle a few grains of salt to each corner of the altar. Circle the incense burner three times clockwise with the wand. Say:

FIRE OF DRAGONS, FIRE OF EARTH,

YOU ARE PURIFIED. BRING POWER FORTH.

Circle the incense and herbs three times clockwise with the wand. Say:

INCENSE MAGICKAL, INCENSE BOLD,

AWAKE THE DRAGONS, AS OF OLD.

I CALL YOU PURIFIED.

Put a small amount of incense onto the burning coals. Lift the burner by the chains and touch it lightly to the pentacle. Lift it high over the altar, say:

DRACONIS! DRACONIS! DRACONIS!

Then carry it clockwise around the circle, beginning and ending in the east. Return it to the altar.

Kneel before the altar with the sword in both hands. Mentally, dedicate yourself to the study of dragon magic. Project your interest and love of dragons as strongly as you can. Continue this for several minutes. Then rise and point the sword at the dragon pentacle and say:

BEHOLD, ALL DRAGONS AND RULERS OF DRAGONS,

I AM (magical name), A MAGICIAN WHO SEEKS DRAGON MAGICK.

WITH (name of sword) IN MY HAND, I ENTER THE REALMS OF THE DRAGONS.

NOT FOR PHYSICAL BATTLE, BUT FOR KNOWLEDGE AND POWER.

I GREET YOU, O DRAGONS, ANCIENT AND WISE, AND AWAIT YOUR BLESSING AND GUIDANCE.

Continue holding the sword outstretched until you feel the blessings of the dragons.

When the flowing power of the blessing has lessened, lower the sword. Still holding the sword in your power hand, take the dragon pentacle in your other hand and go to the east. Point the sword at the eastern position and hold up the dragon pentacle facing outward. Draw an invoking pentagram with the sword. Say:

FROM SAIRY’S (sair’-iss), RULER OF THE EASTERN DRAGONS FAIR,

COMES NOW THE WONDROUS POWER OF AIR.

Feel the power of Air entering your body. When the flow stops, go to the south. Hold up the pentacle again. Draw and invoking pentagram with the sword; say:

FROM FAFNIR (far’-near), RULER OF DRAGONS OF THE SOUTH,

COMES CLEANSING FIRE FROM DRAGON MOUTH.

Feel the power of Fire entering the body. When the flow stops go to the west. Again hold up the pentacle. Draw an invoking pentagram with the sword; say:

FROM NAELYAN (nail’-yon), RULER OF DRAGONS OF THE WEST,

COME THE POWER OF WATER, THREE TIMES BLEST.

Draw into yourself the power of Water. Go to the north. Hold up the pentacle. Draw an invoking pentagram with the sword; saying:

FROM GRAEL (grail), RULER OF DRAGONS OF THE NORTH,

THE POWER OF EARTH DOES NOW COME FORTH.

Draw into yourself the power of Earth. Return to the altar. Lay aside the sword and dragon pentacle. Add more dragon’s blood powder and thyme (or other appropriate incense) to the incense burner.

Lay any magical jewelry on the pentacle disk and touch it with the point of your sword. Say:

BY DRAGON POWER, I CALL YOU PURIFIED.

BY DRAGON FIRE, I CALL YOU BLESSED.

BY DRAGON MAGICK, I CALL YOU POWERFUL.

THROUGH DRAGON WISDOM, I WELCOME YOU.

Slowly pass the jewelry through the incense smoke. Then put it on.

Take up the mirror, the Eye of the Dragon. Hold it before you and gaze deeply into it. Picture yourself as a confident magician of dragon magic. Say:

I AM A SEEKER OF DRAGON KNOWLEDGE.

I COME WILLINGLY FOR INITIATION.

INTO THE MOUTH OF THE DRAGON I GO OF MY OWN FREE WILL.

WELCOME ME, DRAGONS OLD AND WISE.

DRACONIS! DRACONIS! DRACONIS!

Lay aside the mirror and sit before the altar. Either lay the sword across your knees or at your feet during this meditation.

Close your eyes and mentally see before you the mouth of a huge cave. It is shaped like the mouth of a dragon. Inside, from some deep terrestrial fire, comes a red glow. Long drops of stone hang around the opening like teeth. Enter the cave and follow the dim passageway deep into the Earth. After many twists and turns, you will enter a circular subterranean chamber with crystals embedded in the walls. A gem-encrusted altar stands in the center of the floor. On the altar is a jeweled chalice.

At the four cardinal points of the circular chamber you see deep pits or cracks in the floor. From these pits comes the red glow of fire from deep under the Earth. The chamber is lit by their light alone. Sometimes you see the shadowy forms of dragons around the dim edges of the chamber.

Stand before the altar and announce to the dragons that you have come for initiation. Be sure to call yourself by your magical name. You will feel power sent to from all sides by the half-seen dragons. Listen for any messages that they may give you.

Finally, you will hear the deep voice of a dragon saying, “Drink of the cup.” Visualize yourself lifting the heavy jeweled cup and drinking the contents. You will feel dragon magic coursing through your body, seeping into your bones. Thank the dragons, and follow the dim corridor upward until you reach the cave opening. Open your eyes and return to the here and now.

Rise and set the wine chalice on the pentacle. Circle it three times clockwise with the wand and say:

CUP OF POWER, CUP OF MIGHT,

DRAGON MAGICK, BE HERE THIS NIGHT.

Drink the wine, saving back some to be poured outside on the ground later as an offering to the dragons. (If it is not possible to pour the offering outside, leave it on the altar for about an hour.)

Now is an excellent time to chant and use free-form dancing. Invite the dragons to share in the raised energy and your joy of being a magician. Talk to them about your hopes and dreams. And listen to see if they have suggestions or words of encouragement for you. This is an opportunity for close friendship to be forged.

To close the ritual, take the sword and go to the east. Draw a banishing pentagram with the sword; say:

GO IN PEACE, DRAGONS OF THE EAST.

AND RETURN AGAIN IN THE RITUAL HOUR.

Go to the south. Draw a banishing pentagram with the sword; say:

GO IN PEACE, DRAGONS OF THE SOUTH.

AND RETURN AGAIN IN THE RITUAL HOUR.

Go to the west. Draw a banishing pentagram with the sword; say:

GO IN PEACE, DRAGONS OF THE WEST.

AND RETURN AGAIN IN THE RITUAL HOUR.

Finish by going to the north. Draw a banishing pentagram with the sword; say:

GO IN PEACE, DRAGONS OF THE NORTH.

AND RETURN AGAIN IN THE RITUAL HOUR.

Return to the altar. Raise both arms say:

FAREWELL TO YOU, O DRAGONS FAIR,

FIRE, WATER, EARTH AND AIR.

TOGETHER WE MAKE MAGICK WELL

BY POWER DEEP AND DRAGON SPELL.

IN PEACE GO NOW. RETURN ONCE MORE

TO TEACH ME MAGICK AND ANCIENT LORE.

DRACONIS! DRACONIS! DRACONIS!

Cut the circle with a backward sweep of the sword across the boundary line. Extinguish the altar candles. Clear the altar of all tools. You have now entered the mouth of the dragon and become an initiate into dragon magic. Being an initiate does not mean mastery of magic. An initiate is a beginner on the path.

Trancework and Journeying

Trancework and Journeying

Author:   RuneWolf   

I came to Paganism directly through the practice of “core shamanism, ” so trancework was a foundation stone of my spiritual practice even before I consciously thought of myself as Pagan, and it remains so to this day. It is the third leg of the cauldron, so to speak, in my communication with the Gods, especially my Patron, the other two being prayer and meditation. I personally see these three practices as separate and distinct, although they are quite similar in many respects and overlap considerably in my practice.

Meditation, to me, is just plain ol’ Eastern-style void-stillness meditation, and I use it to give myself a break when the chatter of Talking Self gets to be too much. I use it to wind down the “rat wheel, ” to reestablish my spiritual equilibrium and to center and ground out the toxic energies we so often encounter—and accumulate—in the workaday world. I have been known to “slide sideways” from meditation into a spontaneous journey, but I do consider meditation a discipline, much like regular exercise, and when I set aside time to meditate, I try to stay focused on just that practice.

Prayer, for me, is nothing more or less than talking directly to the Gods. I have regular times – morning and evening, for instance—when I pray, but I don’t limit my contact with Deity just to those times. Depending on what’s happening in my life, I may be in prayer pretty much all day long, and I talk to the Gods “just as if” They were right there in the room—or the car!—with me, because in my understanding of reality, They are. Sometimes They answer, sometimes They don’t, but They are always there, and They always hear.

Journeying is what I do when I want to meet the Gods “face to face, ” in Their own Realm, and the majority of my journeys have been very vivid and very powerful. I have always been a very visually-oriented individual, and I conceptualize in pictures. So the imagery of journeying comes very naturally and powerfully to me, and it’s only a small step from there to incorporate sound and texture. The subjective realities of my journeys are so immediate, that I react physically to my surroundings—I’m told by observers that I “twitch” during journeys, as my physical body attempts to mimic the responses and movements of my Otherworld form.

Initially, I was concerned that small details—and sometimes large ones!—appeared to be inconsistent between one journey and the next, or even during the same journey. My Patron advised me that this was a matter of experience. Our minds, conditioned to this reality, have to adapt to the sensory input of the Otherworlds, and apparent inconsistencies in the appearance, texture, smell or whatever of Otherworld localities and entities is due to this process of adaptation. Over time, with practice and repetitive journeys to the same destination(s), our perceptions grow more acute, more vivid and more stable—if such a word can apply to the Otherworlds.

The other side of the trancework coin is “invoking for possession, ” or “channeling” Deity. I don’t normally trance in this manner, as the sensation of Someone co-habiting my body is unsettling to me. It can also be a dangerous practice, I’m told, although I have never had any unpleasant consequences myself, aside from the aforementioned discomfort. Indeed, on the three occasions I have invoked for possession, the sensations have been nothing short of ecstatic and transcendental. Perhaps the danger lies in that; I might easily get hooked on the “buzz” of channeling!

In all seriousness, invoking for possession is something to be attempted only with a foundation of experience in other forms of trancing, and with expert and caring guidance and companionship in this realm.

To prepare for trancework, I normally create some form of sacred space, usually a simple circle, invoking the Spirits of place and my other Allies to watch over my physical form while I am away. This is my “launching pad, ” and ensures that I have a safe point of departure and return, and also serves as a “homing beacon” when I’m journeying deep into the Otherworld.

I usually take a few minutes to stretch and massage out any kinks or stiffness that I may have physically. I also take time to consciously set aside any intellectual or emotional issues that may not have to do with the purpose of the upcoming journey, but which may create unwanted “static.”

After a few years of experience, I have found that simple breathing techniques, coupled with the appropriate visualizations, are enough to induce the trance and begin the journey. I have always used the cave/passage or well/pool theme as my entrance into the Otherworlds—lately I favor the well, as Brighid is becoming an increasingly important part of my life. For deep journeys, or when I’m having trouble “launching, ” I use a simple single-beat drumming CD. I prefer the CD as it doesn’t have the hiss that a tape does. Live drumming would be great, but I don’t usually have access to a drummer.

Of course, it always helps to take the phone off the hook, put up the “Do Not Disturb” sign, and so forth; the fewer distractions the better. And I try not to journey on a full stomach—I tend to slip from “journey” to “dream, ” and while that isn’t necessarily a bad thing, I might not get done what I wanted to do!

On returning, I take time to jot down a few notes, capturing the “high points, ” as it were, of the journey. I do this even if the impressions seem vivid and lasting, as things will sometimes become jumbled or fade in the most unexpected ways. After that, I often find a bit more stretching to be in order. As I have said, I respond physically to my journeys, and I have come back stiff and sore from particularly lively trips. I do a pretty typical grounding and centering before I release the sacred space, and then I make it a habit to have a light snack. I don’t usually eat heavily for at least half-an-hour to an hour after a journey, as I have found the effects unpleasant on one or two occasions.

One thing I practiced early on was “bailing out”—hitting the astral Panic Button and returning to normal consciousness at a moment’s notice. I practiced this to get used to the sensations—often unpleasant—of this kind of emergency exit, in the event I had to do so unexpectedly during a journey. I’ve never had to, but if I do, I believe I will be better able to handle the situation, having practiced on my own. Sort of like fire drills in school. One caution—I did my “fire drills” on my own; I would not recommend this! If possible, do these with a partner or teacher.

Journeying is, for me, a mystical, ecstatic practice. We often associate “ecstatic” with extravagant physical movements, but the physical stillness of a journey trance can mask incredibly powerful sensations. And I sometimes journey simply to experience that ecstasy, to replenish my internal reserves in a most emphatic way. I also use it to commune, in a very intimate and personal fashion, with Deity. I am not one of those who can “see” Deities and other Beings of Power in this realm. I can only do that when I journey to the Otherworld. So it is an affirmation, if you will, of the reality of Deity, and of the profundity of my relationship with Spirit. I can meet with the Gods in Their Realms, face to face, to question and learn, and sometimes just to socialize. It has been my experience that the Gods crave an intimate relationship with Their children, of a kind that cannot be experienced through the filter of dogma and liturgy, however “spontaneous” and “unstructured.” Just as Mom prefers a visit to a phone call, the Gods prefer to meet us “in the flesh, ” no matter how fervent our prayers or how reverent our ritual.

On those occasions when I have journeyed for the specific purpose of healing others, I can only say that it apparently did no harm to the subject of the healing. Was it “successful?” Did it “work?” That is difficult to quantify. Everyone I helped in such a fashion had been exploring every possible avenue for healing—if they hadn’t been, I wouldn’t have agreed to help. When we need healing, for whatever reason, I believe we must use every possible resource. To rely on one technique or body of knowledge to the exclusion of others is to limit the ways in which the Gods may help us. So I can’t say that my journeying alone, or the acupuncture alone, or the prayer alone, or the vitamins alone, or the chemicals alone, were what ultimately helped one person or another. I tend to think that everything positive we do for ourselves helps in some way. So I feel that, in journeying for those in need, I did indeed contribute to their wellness.

In Their Service…

RuneWolf

THE STORY OF MABON

THE STORY OF MABON

Author Unknown

From the moment of the September Equinox, the Sun’s strength diminishes, until the moment of the Winter Solstice in December, when the Sun grows stronger and the days once again become longer than the nights…

During this time Mabon, Young Son, Divine Youth, Son of Light also disappears. He is taken at birth when only three nights old.

His Mother Modron laments…

With the help of the wisdom and the memory of the most ancient of living animals – (the Blackbird , the Stag, the Eagle, the Salmon, and the Owl), Mabon is eventually found. His seeker asks the ritual question of each totem animal: “Tell me if thou knowest aught of Mabon, the son of Modron, who was taken when three nights old from between his mother and the wall?”

All along, Mabon has been dwelling, a happy captive, in his mother Modron’s magical Otherworld / her womb. Modron is Gaurdian of the Otherworld, Protector, Healer, the Earth herself. Her womb is nurturing and enchanted, but also filled with challenges. Only in so powerful a place of renewable strength can Mabon be reborn as his Mother’s champion, the source of joy and Son of Light.

Once reborn Mabon’s light is drawn into the Earth, gathering strength and wisdom enough to become a new seed.

During this time we celebrate Mabon’s death and his return to Modron’s womb, where he will soon be reborn.

The Faeries roam this land and mournful
music fills the air this day, at this hour.
Modron, O! great Queen and Earth Mother,
we call you here to share your sorrow.

O! shadowed God, great son of Modron,
we plead your return from the mysterious world that keeps you.
The power of your brilliance is the joy of your mother.
Modron is Earth and the Mother we all attend.

Her bittersweet lament
nurtures your return to be born again and again.

The Wicca Book of Days for February 25 – The Sacred Salmon

The Wicca Book of Days for February 25

The Sacred Salmon

The zodiacal sign of Pisces, whose influence pervades this day, is represented by two fishes, species unspecified. In parts of northern and western Europe particularly, these symbolic fishes were envisaged as being salmon, a fish that was thought by the Celts to possess magick powers. Especially common in Scottish and Welsh waters, the salmon was believed to inhabit sacred wells – sources of the waters of mystical healing and knowledge – and to swim freely between this world and the Otherworld. Eating salmon would, it was thought, enable humans to absorb ts unearthly ability to see into the future, and make them more fertile.

In the Pink

Tap into the salmon’s wisdom today by wearing a salmon-pink scarf or garment. Alternatively, make a meal of the fish: wrap raw salmon pieces loosely in buttered foil, place them in a baking pan, and bake in a reheated over at 350*F for about 20 minutes.

Handfasting of the Lord and Lady

Handfasting of the Lord and Lady

By Terri Roessler

 

The Lord and Lady stood before the Celestial Altar,
Facing the High Priestess, who was seen but not seen,
heard but not heard,
the stars were Her gown, a nebula was Her cloak, and the Milky Way Her headdress,
swirling around Her head.

The Lord and Lady, were smiling shyly, for this was Imbolc,
The Sacred day,
The Joyous day,
The day that They would become one.

Around them in the circle
Stood Their children.
Witnessing Their wedding day.
Men, Women and Children,
Birds and Beasts,
Creatures imagined, and some unimagined,
Spirits and Angels,
Creatures of the Land and of the Sea,
The Fey in their multitude of Form,
And creatures of the Otherworld.
All happy to witness the handfasting of their Lord and Lady.

The children looked at the Lady in awe, Her bright face turned up to the Lord,
Multitudes of flowers in Her hair, faeries and butterflies daintily holding the ribbons away from Her face.

And at the Laughing God, decked in greenery, bearded and horned, smiling down on His Lady love.

The High Priestess, Her Awe-inspiring voice heard with the heart,
not with the ears,
did say to the children:

“Do any say nay?”

The hush was instant,
Breath indrawn.

She gazed at the children with Her terrible eyes,
The children looked down with respect and no little fear, not meeting Her eyes.

She turned back to the Lord and Lady,
at the beautiful eyes and the handsome face,
Her smile returned.

Suddenly, She held a cord.
The children’s breath let out, almost a sigh.

The Lord and Lady proffered Their wrists.
Wrapped around them almost instantly,
Was a cord, sparkling with all the colors of the rainbow, the Moon and the Sun.

“Then as the entire Universe as witness”
She said in a voice suddenly loud,
“I proclaim you Husband and Wife!”

The crowd cheered, throwing rose petals into the air.
The petals fell to the ground to be stepped on and release their pungent smell.

The Laughing God bent His Horned Head to the Lady’s mouth, eager to taste the sweetness there.
The Lady’s Eyes opened wide, His Passion a surprise.
The Laughing God’s eyes danced in response.

The Kiss ended.
They turned to the altar,
The Star Woman was gone, as They knew she would be.
They laughed happily and turned to the crowd,
Their sparkling eyes, taking in the sight of Their Children.

Smiling Their blessings to the crowd,
They too were gone.

The children turned their eyes towards the bright heavens,
And beheld the Laughing God and their Lady,
Dancing in the stars.
Somewhere in a nebula far, far away, the Star Woman laughed happily.
The Children danced too,
In joy, on the earth, in the sea, and in the skies. their faces aglow,
As the stardust fell down…..

Poem copyright © 1997 Terri Roessler