Day: February 5, 2012

RITUAL TO FIND YOUR SPIRIT GUIDE

RITUAL TO FIND YOUR SPIRIT GUIDE

Items Needed
Altar Candle
Day Candle (Monday-white, Tuesday-red, Wednesday-purple, Thursday-blue,
Friday-green, Saturday-black, Sunday-yellow)
Offertory Candles – 3 Violet Candles
3 White Candles

Tools
Athame to inscribe candles
Crystal ball or clear glass of water

Incense
anise, cardamom, and coriander.

Oil
jasmine, lemon, rose and sandalwood

Timing
Best done during the Mercury hour of the day, although any hour should work.
Any moon phase is appropriate.

Preparation
Breathe deeply and build a ball of protective light around you. While soaking
in your ritual bath, meditate on the whole ritual: the steps you will take
and what you wish to say to your spirit guide when you make contact.

Ritual
Enter the circle in the Hour of Mercury. Light the incense. With the oil,
dress the Altar Candle and the Day candle while concentrating on the purpose
of the ritual. Light your Altar Candle and Day Candle and state your intent:

I am here to make contact with my Spirit Guide, and to acknowledge him or
her.

With your Athame, inscribe Violet Candle #1 with the word “Spirit.” Dress it
with oil. Light the Violet Candle #1, direct your energies into it and say:

Here do I light the first Lamp of Spirit.
May its light reach out across the barriers from this world to the next.
May it make contact with that World of Spirit into which we will eventually
enter.

Take your censer or incense wand and swing it around, sensing the whole area
around the altar while rhythmically repeating the word “Merge” and building
up energy to focus. Replace the censer and pick up Violet Candle #2.

Inscribe it with the word “Spirit” and dress it with oil. Put it back on the
altar, light it and say:

Here do I light the second Lamp of Spirit.
May its light also reach out across the barriers from this world to the next?
May it make contact with that World of Spirit and help spread the light,
illuminating the passageway between our worlds.

Again take the censer or incense wand and sense the entire area around while
chanting the word “Merge.” Build up your energy to focus. Take Violet Candle
#3, inscribe it with the word “Spirit,” dress it with oil, charge with your
energy, light it and say:

Here do I light the third Lamp of Spirit.
May the light from these three lamps blend and grow, dispelling all darkness
and lighting the way that my Spirit Guide may come to me and speak with me
here today.

Inscribe the three white candles with the word “Truth” and anoint each candle
with oil. Light the three candles in the order of 1, 2, 3, and say:

Here do I build Truth.

As these candles burn throughout this ritual, their power generating nothing
but truth in all that transpires between this world and the next. Through
these candles there is truth in all communications that come to me. Again
cense the altar area while chanting “Merge.” Replace the censer and continue
chanting. Sit comfortably while chanting, and gaze into the crystal ball, or
the clear glass of water. Continue chanting until you feel it is right to let
the chant taper off. Continue to quietly look into the crystal ball or glass,
not trying to picture anything. Keep your mind blank, so whatever comes will
appear and will come in it’s own free will. Gaze into the center of the
crystal, there is no need to try not to blink. Look into the crystal and
blink naturally. Try not to notice anything in your peripheral vision, just
the center of the crystal. Eventually a face or figure will appear. This may
take a long time, or it may appear almost immediately. If it doesn’t come at
all within approximately 20 minutes, abandon this attempt, extinguish the
candles in the order in which they were lit, leave the altar set up, and try
this ritual again in three days.

You should have results within a month at most. When a figure does appear,
ask if he/she is your Spirit Guide. You will hear an answer, you may not hear
it out loud, or even see the figures lips move, but you will be aware of the
answer. This is how most conversations will proceed. You will ask your
questions mentally (or out loud) and the answer will be clear inside your
mind. Ask if you have more than one Spirit Guide. If yes, ask them to appear
also. You may ask anything you wish to know, but it is better to establish a
connection first where your Spirit Guide may appear to you at any time, or at
specific times, so that you can converse with any other spirits through
him/her. When you have finished speaking with your guide, thank him/her, then
sit for a moment with your eyes closed, meditating on all that you have
learned. Extinguish the candles in reverse order to clear the circle.

Meet Your Spirit Guides

Meet Your Spirit Guides

Before retiring, or going to bed, spend a few minutes in bed relaxing. Just
focus on being relaxed. Be relaxed…
While relaxed, imagine a Veil in front of your eyes. A curtain, or a wall.
Imagine the Veil, or the wall, as being void, black. Accept the Veil, or the
wall. Do not be threatened by the Veil, because you are relaxed, and because
you know the Veil is an illusion, and serves purpose. You are still relaxed.
Then, you visualize the Veil (or wall) slowly lifting. You see the Veil lifting,
and you see stars, you see lights. You know you can see things you haven’t seen
before. You are still relaxed. When you are ready, you ask for Spirit to join
you. You ask Spirit to touch you, and to embrace you, because you are ready to
embrace Spirit. You know that Spirit is Divine Love, you know you are safe, you
know you are loved. You know you are ready to meet Spirit. Hold your hands out.
Let your fingertips feel the touch of Spirit. Know that when you are ready, you
can ask Spirit to embrace your arms; ask for Spirit to give you a huge hug. You
will feel it. Accept the love that is given to you, and know that you have
earned it, that the love is yours. You may feel many things. Electricity, and an
urge to cry, is what I felt, and great joy. There are many methods regarding
meeting your spirit guides. I met my guides in delayed stages. I had two human
guides and three critter guides. This is not “common” but is also not unheard-
of. What is common is for people to have two human guides. For those who study
critter-paths, I believe that they also have two human guides, but that they are
working more consciously with critter-wisdom, and therefore it is likely that
they have “critter-medicine”, and may actually have critter guides, as I do.
Names? Gender? These are generally the first two issues we would like to
distinguish within our guides. What I would recommend, as a matter of deduction,
is that you ask your inner voice, if your entity is Male or Female. You WILL
receive a definite impression. Lesson number one – learn to trust yourself. (I
like to ask the gender question first, as it’s an easy one-two, this or that
approach, and helps to distinguish our own emotional responses.) When it comes
to names, let your mind be open to receive impressions. When I first met Elmo,
my bear, I had a hard time believing that was his name, because I am a “serious”
person, I associated “Elmo” as being playful, and therefore antithetical to what
I thought his name should be. (Yet, I’ve learned a lot from Elmo, including “not
being so uptight” I also learned more about not judging a person – or entity –
by their name.) When I first met Garulf, as a spirit, I thought he had a
fascinating name. Weird name, dynamic personality. This was the label I hanged
on him. How was I to know Garulf was a fairly common, respectable name several
hundreds of years ago, in Denmark? How was I to know Garulf was actually a Soul
name, befitting him perfectly as a spirit, and as a person? So, in other words,
whatever name you get in meditation, or whatever, really is their name?
Sometimes, the names of your spirits will help you bust up your own
preconceptions of what names mean – or what roles people should play in your
lives. What it all really comes down to is trusting your impressions. If you can
do that (we salute you!), but more, you are already on a healthy journey of
rediscovery. Your spirits will help you find the way.

WHAT CAN ANIMAL GUIDES DO– AND HOW DO I WORK WITH THEM????

WHAT CAN ANIMAL GUIDES DO– AND HOW DO I WORK WITH THEM????

Animal guides can help you in many areas of you life whether they are of the
physical or astral plane.

They can help focus and raise the energy of a ritual or magickal circle.

They can protect you in your dreams, meditations and quests, as well as in the real world.

They can teach you how to take on their abilities through shapeshifting.

They can help you learn to take yourself less seriously (or more so if needed).

A guide can be your friend, confidant, sister, brother, teacher… They can be
playful, loving, protective and supportive. They will change and grow with you throughout your life.

You work with spirit guides the same way you work with anyone else, ask them for help, advice, or support, whatever you need. They will decide if they will do what you ask.

If it is for the best they will almost always help.

To talk with a guide, do a visualization in which you call to them.

They will come if they choose.

If they do not, try again later or try to work out the problem on your own.

If your guide is a physical one just talk with it. It will help if it chooses.

Talk with your guide. Ask it to teach you. Get to know your guide as you would get to know any close friend. Spend time with it.

You will learn how to work with it as you get to know each other, as you learn to become a team and understand each others needs.

Just remember to always, always, treat your guide with respect and gratitude for the help it gives.

DO YOU KNOW YOUR ANIMAL TOTEMS?

DO YOU KNOW YOUR ANIMAL TOTEMS?
The following is from Animal Speak by Ted Andrews

Begin the process of discovering your animal totems by examining the animals you have been most interested in & the times of your life that interest was piqued. Use the following questions to help determine which animals are probably totems to you in your life.

1. Which animal or bird has always fascinated you? (We are drawn to that which most resonates with us. Those animals which fascinate us have something to teach us.)

2. When you visit the zoo, which animal do you wish to visit the most or first?(esp. children)

3. What animal(s) do you see most frequently when you are out in nature? Have you had encounters with animals in the wild? (The animals we encounter, in their city environments or in the wild, have significance for us. We can learn from them, even if only about survival within that environment.)

4. Of all the animals in the world, which are you most interested in now? (Our interests in animals change. Yes, we usually have one or two that are lifetime, power animals, but others become prominent when there is something importance or specific to teach us.)

5. What animal most frightens you? (That which we fear the most is often
something we must learn to come to terms with. When we do that, it then becomes a power. Some shamans believe that fears will take the shape of animals, and only when we confront them without fear do their powers/medicine work for us instead of against us. Such an animal become a shadow totem.)

6. Have you ever been bitten or attacked by an animal? (Historically, if a
shaman survived an attack, it was believed that the animal was the shaman’s
spirit totem and the attack was the totem’s way of testing the shaman’s ability to handle the power.)

7. Do you have dreams with animals in them or are there animal dreams you have never forgotten? (This is especially important if the dreams are recurring or if at least the animal image in the dream is a recurring one. Children often dream of animals, & attention should be given to these animals. They will often reflect specific spirit totems of the child.)

Calling The Dragon

Calling The Dragon

This ritual is for exactly what it states calling the Dragon or Dragons to
project their presence with such clarity that there is no question of knowing
that they are here. A greater reason for calling a Dragon into stronger presence is the stronger the auric vibrations of such a creature within the circle the stronger the ritual and power sent into your motivation for the ritual. When you use the Dragon call and feel the presence of one or more Dragons it is important that they are treated with respect. Take time to get acquainted with them before asking their help. Remember most Dragons are beneficial and helpful, but all Draconic temperaments are extremely sensitive so treat them with the greatest respect.

Ritual of Calling

Notes: Perform during bright noon or the waxing Moon for increasing magick, with the Full Moon being strongest; during evening hours or the waning Moon for decreasing magick, with the New Moon being the strongest. Use this ritual in conjunction with any spellworking. This ceremony is primarily used to summon the Dragon for a manifestation whether it be the rare physical type or, more likely the sharpening of the inner sight.

Supplies: Pentacle disk; Dragon pentacle; water chalice with a little fresh
water in it; dish of salt; wine chalice; black (left) and white (right) altar
candles; sword; wand; incense burner; appropriate incense; dragon’s blood and mugwort; dragon mirror; gong or bell; staff; paper and pen to write down any messages.

Use the Basic Dragon Ritual up to the insertion point of necessary chants for
specific Spellworkings. Hold the sword in power hand and staff in the other
while standing facing the altar and tap the staff three times on the floor while holding the sword pointed at the Dragon Pentacle. Chant in tones that vibrate body:

Come Draconis! By Your All-consuming Breath, I summon you. (tap staff three times)By Your Piercing Gaze, I Summon You (tap staff three times)By Your Mighty Strength, I Summon You (tap staff three times)By Your Wisdom Ancient and Cunning, I Summon You (tap staff three times)By Your Magick Deep and Old, I Summon You (tap staff three times)Come, Draconis, To My Call!

Once done summoning the Dragons it will be possible to feel power being sent from all directions by the half-seen Dragons. Listen for any messages the dragons may have. The Dragons’ presence can be felt by a sudden temperature change, prickly feeling between the shoulder blades, unusual currents of air, and other phenomena. If the Dragons are pleased with the Magician they often sound a deep vibrating rumble, almost like a Giant Cat’s Purr.

Dragon Ritual of Making

Dragon Ritual of Making

Notes: For increasing Magick perform during bright Noon or the waxing Moon, with
the Full Moon being strongest. For decreasing during evening hours or the waning
Moon with the New Moon being the strongest. Use in conjunction with any ritual
for it is primarily to use Dragon Power and Magick for bringing desires into
being.

Supplies: Pentacle disk; Dragon pentacle; water chalice with a little fresh
water in it; dish of salt; wine chalice; black (left) and white (right) altar
candles; sword; wand; incense burner; appropriate incense; dragon’s blood and
mastic; dragon mirror; gong or bell; staff; any candles for spells; talisman
bags, etc. It is useful for concentration to plan exactly what is to be used
before beginning this ritual of Making.

Use the Basic Dragon Ritual up to the point of insertion of the necessary chants
for specific Spellworkings. Hold sword in power hand, the staff in the other.
While standing facing the Altar, hold the sword pointed to the Dragon pentacle
and chant five, seven, or nine times in tones that vibrate through the body:

By Glow Of Sun The Power’s Begun, By Moonbeam’s Light The Spell Is Right, To
Create Desire By Earth and Fire, Water, Air, Make Magick Fair. Powerful Charm
Of Making, Creative Magick Undertaking, Be Formed!

While chanting this, concentrate deeply upon drawing on the Dragon power, feel
the power being sent from all sides, listen for any messages from the Dragons
and write them down. Place the candle, talisman bag and contents, or whatever
you may be spelling, between the mirror and the Dragon Pentacle, making sure the
Dragon Pentacle is reflected in the mirror along with the objects. If using a
candle, light it and let it burn out completely in that position. If using a
Talisman bag or poppet (a small cloth doll, usually stuffed with herbs or cotton
soaked in the appropriate oil for the ritual) , leave it on the Altar overnight.
Continue with rest of the ritual.

Dragon Rituals

Dragon Rituals

 
 
After one or two visits to a dragon place, you can try a ritual. I rarely invite dragons into my indoor altar as they are so potent and the energies diffuse and so are best encountered in their natural environment. You can, however, cast a dragon ritual in your garden Equally, when working with dragon magick, I don’t cast a formal circle because dragon energies need lots of space to avoid spiritual overheating.
 
Dragon rituals should be carried out no more frequently than bi-monthly though there is nothing to stop you visiting a dragon place and absorbing the power weekly. I have a local dragon cave. When the tide is very low I sometimes sit here and work. Inside the cave is too small an area for spellcasting as the dragon energies need to be free.
 
Create chants or drum to tune in with the dragon energies. You can chant spontaneously during a ritual or write one that you use to call your dragon or to connect with a particular dragon site that you visit regularly.
 
If you wish, you can use a crystalline dragon’s egg in dragon spells as a focus for power, courage or abundance, and afterwards keep it on your garden altar or in the heart of your home. Light a red candle next to it once a week to keep the dragon power flowing.
 
A dragon’s egg is a white, opaque, very solid kind of rock crystal that resembles an egg. Alternatively, you can use two matching halves of a stone egg with tiny crystal embedded inside like a geode. Any agate egg or oval white stone can be substituted.
 
If you are lighting incense in the dragon place, use dragon’s blood. Use tarragon, the dragon’s herb of courage and power, to sprinkle as the earth element. This is also a good offering to leave for your dragon in her place. If there is a suitable spot near the rocks, you can plant a tiny tarragon seedling and add a new one whenever you visit.
 
Empower a dragon charm, ring or pendant by setting it in the centre of a spell. Re-empower it by wearing or carrying it when you visit your dragon place.
 
Face south for dragon spells and rituals. East will then be on your left instead of right hand though the actual direction does not change.
 
After a dragon spell or ritual, leave an offering of thanks. Dragons love gold, perhaps in the forms of a small earring or a small carnelian or bright red flowers.

Why Bother Cultivating the Cooperation and Companionship of Dragons?

Why Bother Cultivating the Cooperation and Companionship of Dragons?

Why bother cultivating the cooperation and companionship of dragons? Because their wisdom and elemental-type energies are unequaled, boundless. They have access, by means of their extremely long lives and unique thought-processes, to forgotten information and knowledge, especially in the field of magick. Dragon power also helps the magician to make personal, inner changes that may be necessary. Helping to remove past negative programming or self-destructive habits is well within the abilities of dragons; of course, the human involved must desire those changes. Dragon magick, like all magick, does not produce miraculous results without work. Dragons can create opportunities, provide encouragement and guidance, even back the magician into a figurative corner so that she/he must face problems and make decisions. But they will never, never do for you what you can and should do for yourself. Once befriended, dragons make excellent protectors, powerful fellow-magicians.

A true, knowledge-seeking magician weighs all possibilities for use in her/his magick, keeping what feels right to her/him and discarding the rest. Dragon magick is not for all. Dragon magick is only for the self-disciplined seeker who realizes the potential dangers, yet dares to communicate with and befriend this vast astral power of the ages. It is for the magician who is serious about changing her/his life and the living space around her/him. It is an asset for those who can give trust (not blindly, but with common sense), love and a desire for true friendship.

If you use dragon magick for unjustified purposes, or try to manipulate and control dragons, you can expect a terrific negative backlash. In the matters of self-protection or bringing justice down upon dangerous members of society. I have absolutely no second thoughts about employing dragons. As to manipulation and control, one simply does not do that with friends and co-magicians. Common sense tells you that such behavior will terminate the friendship and cause other magicians to cease their cooperation, perhaps even to work against you. If you prove a danger to dragons, they are likely to enspell you to such a point that your magick does not work.

“Dancing with Dragons”

D. J. Conway

What If You Have Attracted A Dragon or Dragons Who Make You Feel Uncomfortable?

What If You Have Attracted A Dragon or Dragons Who Make You Feel Uncomfortable?

What if you have attracted a dragon or dragons who make you feel uncomfortable? I have known this to occur with other spiritual guides, so I suppose it can also happen with dragons, although I have not personally experienced this. If a dragon make you uncomfortable, it is very likely that you are not ready yet to work with its energies. First, become clear in your own mind why you feel this discomfort. Perhaps the actual root of the discomfort is a bit of programming struggling to make itself felt and keep control over your activities. Perhaps the dragon’s coloring has triggered old conditionings. A black dragon produces this feeling in people who have been taught that dragons, and particularly black dragons, are evil. The further into the subconscious you dig, the more you are amazed at what is it there, controlling your thoughts and actions when you least expect it.

If you still feel uncomfortable, set aside a time for a brief meditation and mental conversation with the dragon. Explain carefully and politely that you are attempting to remedy the situation, but at this time you just do not feel that the two of you can work positively together. Project as much good will as you can. The dragon will understand. I have never known a dragon to stay where it is not welcome.

The first dragons I saw were the huge elemental ones who appeared one night about a week before we discovered that some bikers up the road were operating a meth lab. By the time the ATF forces, FBI, and local law enforcement descended upon the area, the dragons had put up very strong defenses around our property. At no time did we have any problems with the bikers. And, although some of their members shot it out with officials in another location, the arrests near us were quiet. After that, all colors and sizes of dragons made appearances, join in rituals and generally hanging around the house. They are still with us.

As your journey begins in dragon magick, go prepared for a fantastic voyage on which you can make new friends and magick-working partners, and you will be pleasantly surprised at the knowledge you will learn. Dance with the dragons in their endless round of energy, and feel all areas of what you want from the astral plane, and you may well (and very likely will) have an unprofitable journey filled with unpleasant experiences. Would-be conquering invaders have never been met with friendship, whatever plane of existence they were on. Exploring traders who were willing to listen and bargain a bit always had the most successful, profitable voyages of discovery. Travel into dragon country with caution, an open mind, and friendship in your heart. The journey will be well worth it.

“Dancing with Dragons”

D. J. Conway

So How Does One Go About Finding Dragons?

So How Does One Go About Finding Dragons?

 

So how does one go about finding dragons? You begin by learning as much about dragons and their magickal habits as possible. Then you look at your reasons for wishing to practice dragon magick with an objective and critical eye. When you feel comfortable with these steps, and only then, you begin building an atmosphere that will attract dragons. You perform certain actions that arouse their curiosity and will draw them to your vicinity. You beam a mental welcome, setting aside time and place to communicate with them on the astral level through mental visualization and speech. And you have to believe they exist, even if you cannot see them with your physical eyes or prove their existence to someone else.

You have to cast aside social taboos on “seeing” things and know with your heart that dragons do exist, if you wish to attract dragons. Mentally invite the dragons to make their presence known by thought or deed. Be sensitive and extra aware of what is occurring around you. Most dragons tend to be subtle in their first contacts with humans. They may choose to make an appearance in dreams or as flashes of movement seen in the peripheral vision. They may even forego these types of appearance to simply touch your psychic “feelings.”

Guardian dragons, the easiest to contact, often appear as little voices or faces and forms in the mind. Dragons may show up unannounced at any time, but especially during meditation or magickal rituals, either singly or several at a time. They love the power flow of ritual and will make an appearance just to bathe in the energy. They may well have been there all the time; you just did not notice them. Since dragons are masters of concealment that is not surprising.

These smaller dragons delight in sharing the vibrations of tarot and rune readings and other psychic practices. One of our guardian dragons likes to play with my crystal pendulum. He either pats it with a claw or mentally sends it spinning in nonsense directions. The only solution to using the pendulum is to let him tire of his game before attempting to get a reliable answer. He and his companions like to peer over my shoulder during tarot readings muttering their own interpretations all the while. One just has to be patient with them, as one would with a small, curious child.

You have to be willing to practice a great deal of patience, self-control, and self-discipline, learning to work with a specific set of magickal laws in order to consistently attract and elicit the help of dragons. As with all magickal procedures, nothing is cast in concrete but there are certain aspects of these procedures which cannot be eliminated or changed to any great extent without disturbing th flow of magickal power.

Not all dragons are of positive magick. I dislike using the words “good” or “evil,” because negative power is just as important to the existence of life as is positive power. Negative energies have nothing to do with evil, unless you have evil thoughts and intentions within yourself. And the Goddess knows that evil thoughts and intentions exist within those who are totally against magick! It is easy for people to understand what positive energy is and does. But negative energy has received a lot of bad press. Both positive and negative aspects of many things besides energy are needed to create, indeed for the universe to stay in existence.

What most people mean by using negative energy is the deliberate use of this type of power against another human. The magician realizes that sometimes, and after great deliberation of possible consequences and the true reasons behind her/his decision to use this type of energy, calling upon and sending forth negative energy can be justified. The best examples I can give of this are in the areas of rapists, child abusers, spouse beaters, drug dealers, dangerous fanatics, and serial killers. Allowing such evil to continue to exit unrestrained is potentially harmful to everyone. Working magick to get these offenders caught and punished is helpful to society as a whole in the final analysis. Even for these reasons, the magician must end the ritual with detached, unemotional involvement, an extremely difficult state of mind to reach.

Casting aside the magickal laws for working with dragon power is certain to get you into trouble. Even the most positive dragon is a wily beast who, like many humans, tend to look out for him/herself first. Dragons likely developed this attitude after trying to work with humans thousands of years ago and finding that puny mortals were unreliable, often treacherous, allies.

Your attitude toward the existence of dragons must be the first big step in preparation for meeting them. The power of dragons is a tremendous force, amplifying a magician’s ability to new heights.

“Dancing with Dragons”

D. J. Conway

Making Dragon Magick

Making Dragon Magick

 
 
Half-close your eyes as you sit outside or near caves or rocks. If the light is bright, you may see the swirling iridescent silver, purple, gold, green and blue of the dragon outline shimmering ahead. Let the image enclose and energize you and breathe slowly and regularly, allowing the warm, shimmering colors to flow in and out of your own energy field, your aura. If you see nothing externally allow the image to build up in your mind and superimpose it in your imagination on the scene.
 
You may see an image of the dragon and her fabulous treasures within the cave or see her flying upwards towards the sun. There is no danger in this for she is a spiritual force, experienced through the layers of countless millennia.
 
You may feel very warm as though close to a bonfire and see sparks or sunbeams dancing in the air all around.
 
When you are ready, close your eyes and gently push away with your hands palms outwards and upright. Allow the energies to move away, or you may sense them fading spontaneously as the dragon moves on.
 
Don’t ask for anything. The experience is enough and will help you to move with confidence and attract and spread the abundance you need.
 
Be sure to take a bottle of water to drink afterwards and splash on your hairline, brow, throat and wrists or palms to cool you down.
 
While you are still there, take time to write in your Book of Shadows. You may have heard words in your mind as you experienced the dragons power or they may come now and even if you are not normally poetic, the encounter will trigger off rich and vivid descriptions of flying with the dragon, the mysterious smoke-filled air within the cave and metallic colors of your dragon. If you open your eyes in the night before sleep the colors may reform.
 
Afterwards is a good time to explore the caves and rocks, if accessible. Even if you are crammed in a tourist party, you can sense your dragon and maybe the special place that you connected with in your visions and see the shimmering silver and purples reflected on the dark walls.

The Charm of Making

The Charm of Making

 
The Charm of Making could just as well be called the Charm of Manifestation into the Physical. It is rather like the finishing touches to spellworking. The concentration used solidifies your intentions into embryonic form in the spiritual realm where all creation begins. Without this solidification and seed-planting in the spiritual, nothing can manifest in the physical.
 
Notes: Perform during bright noon or the waxing Moon for increasing magick with the Full Moon being strongest; during evening hours or the waning Moon for decreasing magick, with the New Moon being strongest. Use in conjunction with any ritual. This ceremony is primarily to use dragon power and magick for bringing your desires into being.

Supplies: It is better to have a pentacle disk; dragon pentacles; water chalice with a little fresh water in it; dish of salt; wine chalice; black (left) and white (right) altar candles; sword; wand; incense burner; appropriate incense (such as prosperity or binding); dragon’s blood powder and mastic; dragon mirror; gong or bell; staff; any candles for spells, talisman bags, etc. It is useful for concentration to plan what exactly you want to use before beginning this ritual.

Use the Basic Dragon Ritual up to the point where you insert the necessary chants for specific spellworkings.

 
Hold the sword in your power hand, the staff in the other. Stand facing the altar and hold the sword pointed at the dragon pentacle. Chant five, seven or nine time in tones that vibrate through your body:
 
“BY GLOW OF SUN THE POWER’S BEGUN.
BY MOONBEAM’S LIGHT THE SPELL IS RIGHT,
TO CREATE DESIRE BY EARTH AND FIRE,
WATER, AIR, MAKE MAGICK FAIR.
POWERFUL CHARM OF MAKING, CREATIVE MAGICK UNDERTAKING.
BE FORMED!
 
While chanting this concentrate deeply upon drawing on the dragon power. You will feel power sent to you from all sides. Listen to any messages that the dragons give you.

Place the candle, talisman bag and contents or whatever you are spelling, between the mirror and the dragon pentacle. Make certain that the dragon pentacle is reflected in the mirror along with the objects. If using a candle, light it and let it burn out completely in that position. If using a talisman bag or poppet, leave it on the altar overnight.

Continue the rest of the ritual.

Dragon Power In Magick

Dragon Power In Magick

Working with dragons in magick is different in many ways from other magickal procedures, but not so different that you can disregard certain rules. You need to know how to practice visualization and self-discipline, ethics, absolute truthfulness with yourself, consistency of practice, and meditation. And there must be an exchange of energies while working, an absolute when working with dragons. All of these are important components of any magickal system.

Visualization begins with unlearning many so-called value systems shoved on us by other people, the most common of which is that use of the imagination and daydreaming are not productive and good. The imagination and daydreaming are a negative practice if they occupy most of your life and time; if you daydream about what you want to happen instead of planning and taking action, then you are avoiding responsibility. However, for any type of magick to become truly effective, you must learn how to vividly picture in your mind the event or result that you wish to happen. Once you firmly have the event or result in your mind, you perform your ritual and then release the mental energy for manifestation.

Self-discipline and ethics go together. A magician should not, for his/her own good, dabble in controlling other people or indulge in questionable personal behavior. Jealousy, envy, lust, greed, and anger should not control what a magician does during his/her rituals. In fact, these undesirable emotions should not control any part of a magician’s life. These intense emotions tend to cloud judgment, either bringing an emotional backlash on the magician or causing deliberate harm to others, which in itself brings an eventual backlash on the magician. Either way, it is not worth the misery.

A magician must sincerely desire what she/he is asking for in ritual. If it is half-hearted wish with little emotional intensity behind it, the dragons, or any other entities for that matter, will simply not be interested in helping. And do not think you can put one over on spiritual or astral plane entities because they can see straight through to the truth. The truth is never hidden from these creatures.

One of the worst things a magician can do is take something away from another person by means of magick. This includes health, property, life or freedom. Very often I find that beginning magicians want to control another’s decisions and life on the subject of love. Too often I heard that “I know so-and-so is the true love of my life, but they show no interest. How can I use magick to make them love me?” Forget it! The price is very high for doing this kind of manipulative magick! If they were meant to love you, they would already show interest. Obviously, they are not the love of your life except in your own mind. Any magician considering such a dark use of magick had better take a long, truthful look at their ulterior motives. If someone you were definitely not interested in started taking away your personal freedom to choose, how would you feel?

The second part of the use of magick is that the magician must release the emotions and desire after the ritual is finished. To constantly think about what you want accomplished after the ritual is ended binds the energies to you and they cannot manifest. To constantly talk about your desires, or to talk about the rituals you are performing to get them, will surely keep them from manifestation. To want something so much you can taste it and yet not care if you get it is a very difficult mood to cultivate. I have never known any magician who reached perfection in this area, but getting as close to it as possible is what is important.

There must be an exchange of energies between the physical, emotional, mental and spiritual planes for any spellworking to result in manifestation. Playing at ritual magick, particularly dragon magick, will not get you anywhere. Without mental concentration, physical working, emotional involvement, and intensity of purpose, in other words energies, dragons will not be interested in adding their vast energies to yours. No entity or companion, whether of this plane or another is gong to do all the work for nothing and let you sit on your hands. Dragons are attracted by the energies you raise during ritual, a kind of astral pay-off since they feed on this energy.

Belief in powers beyond yourself is important in any kind of magick. There is an old saying: “If you believe you can, or you believe you can’t, you’re right.” We may not understand how these powers and energies work: we may not be able to describe them to anyone else; we will not be able to prove “scientifically” what they are. But we maigicians know they exist. A magician believe in them because she/he sees the results of their use.

Every magician who wishes to be effective in ritual and manifestation, who desires to grow and expand in knowledge, sooner or later comes to the conclusion that magick is a very serious practice. They learn to set aside time for study and self-improvement through meditation. They practice what are commonly called the psychic arts: tarot, runes, the pendulum, crystal reading, dream analysis, and so on. They cultivate the senses, especially observation, which includes what is in both the physical and astral realm. They learn to read their own intuitive feelings and the vibrations of others.

“Dancing with Dragons”

D. J. Conway

Dragon Magick

Dragon Magick

 
 
Western and Eastern European and Scandinavian dragons are the true fire dragons. They are primarily guardians of gold, described as the life blood of the earth, and live in caves. The Oriental dragons are mainly air and water dragons, associated with life-giving rain, with winds and storms and with gems and pearls, through there are the fiery kinds as well, as seen in processions.
 
Dragon magick uses the spiritual power associated with fire-breathing dragons to protect your own particular treasures. These treasures might be tangible ones like your home or your family. Less tangibly, treasure to you might represent speaking the truth or receiving honesty from others, the power to develop your career or heaing powers, or the ability to love or gain knowledge. Dragon magick is also good way of manifesting prosperity in your life, not for its own sake but in order to have the resources to do all the things you want to – and so that you don’t need to worry and can bring happiness to others.
 
For despite their bad press in Christian times as symbols of the earth mother, dragons are essentially wise and noble. Of course, physical dragons don’t exist. By means of visualization however, you can build up a connection the huge energy field of the dragon that exist spiritually, the same way the love and altruism are real.
 
Fire dragons are variously described as possessing all or some of the following: eagles’ feet, bat-like wings, the front legs of a lion, a reptile or dinosaur’s head with a huge mouth and teeth from which smoke and fire pours, huge scales, the horns of an antelope, a soft underbelly and a spade-like snake or lizard-like tail that may being close to the head.
 
Smaller fire drakes, found in the myths of France and Germany, don’t have wings, but are red and have fiery breath. They live in caves with their great hoards, the riches of the earth.
 
According to Bulgarian dragon lore, the male dragon is the fiery one and is a benign protector of humans and the crops, in contrast to his watery and less well-disposed sister. In this tradition, dragons have three heads and wings.
 
The ruler of the fire dragons is called Fafnir, whose name comes from the Norse and German culture. He was once a dwarf but was transformed into a dragon because of his love of the treasures he created and the metals he forged. He was killed by Sigrid Volsungr or Siegfried who burned himself, licked his fingers and so absorbed the dragon’s power to commune with the birds.
 
This isn’t a straightforward legend and has a lot to do with the overcoming of the earlier earth goddess power as typified by the dragons. Therefore, Fafnir shouldn’t be thought of as a greedy dwarf who became a dragon to be slain, as in the patriarchal, monk-recorded legends. Rather, Fafnir is lord of the dragons, who guards from the greedy and insensitive the power of the hidden treasures, whether these be of the goddess or your own potential. So if you do include Fafnir in your dragon chants recall his wonderful craftsmanship and how he conserves the minerals of the earth – not a bad lesson for modern times.

Starting the Ceremony (Natural Magick)

Starting the Ceremony

(Natural Magick)

 

Light any altar candles. If it is a very simple altar and you are putting directional candles on the actual altar, the southern altar candle will serve as the elemental candle as well, so don’t light this one yet.

If others are present, stand in the center of your visualized or maybe stone-constructed circle and face your guests. Otherwise stand in the center of your visualized circle. Make a short spontaneous call for blessing on all present or on yourself if carrying out the ritual alone. Hold your wand or a pointed quartz crystal in your hand, circling it clockwise as you speak.

In a simple outdoor spell this opening blessing will serve as casting the circle if you picture light beams emanating from your wand to make a light circle round you and your altar space which rises into the sky and sinks down into the ground.

Use your own favorite greeting blessing or adapt one from an old Celtic blessing. You can say something like this:

Circle this place/hillside/garden/woodland/seashore, Mother/Father. Keep harm without, keep peace within. Circle this place, Father/Mother. Bless all who gather here this day.

The ‘all’ will, if you are working alone, include the nature essences and elemental guardians of the four quarters of the circle.

Generally, you will now want to cast a full circle of magickal power round the group, or round yourself and the altar if working alone.

Cast the circle with your wand, crystal point or the index finger of your power hand (the hand you write with). Always do this clockwise, starting in the north or east. This draws earth and sky energy to you.

If you want a more elaborate circle (you need not and can go straight on to opening the four quarters) make a triple circle to empower the magickal one you created.

If you were making these three circles, this would be the point at which you would light the candle of the south and any incense. Pre-heat the charcoal for loose incense as it takes about en minutes: a stick is instant. If you are using a sacred salt and water mix into the ritual or the circle casting, empower the mix now. You can use your wand to stir the salt and water together. For a special ritual, you would set the salt and water dishes on your pentacle.

Make the triple circles with three clockwise circles, one over the other or extending inwards, the first with the sacred salt and water mix (or just salt), the second with incense and the third with the directional candle of the south. If not using the salt water mix, substitute magickal water droplets for the candle to make the third circle. If there are other present, three of you can walk round in a complete circle, one following the other, or make a single triple-empowered circle starting in the northeast.

Put the wand in the south of the altar (some use the east as they regard the wand as an air tool).

If you are inviting the guardians of the directions you should now visit the four quarters moving in a clockwise direction. Greet each one in turn and ask for their appropriate power and protection. Again, start in the north but many practitioners work from the east.

Otherwise you and anyone present can simply face that direction and raise both arms in greeting (palms flat and uppermost). Visualize the elemental forces as they are in nature entering the circle. You would still be greeting the guardians as you face the different directions, just not actually be visiting the four quarters.

You can do elemental greeting even with just a small traveling or outdoor altar by picking up each of the elemental substances in turn and inviting the guardian of the element into your altar and your spell. Reverse the actions at the end of the ritual and thank them.

If you aren’t opening the quarters, light any directional candles now and then add some incense to the charcoal if you didn’t use incense to cast the triple circle.

If using an incense stick light this now from the nearest candle (again if not used for the circle casting).

If you want to, you can now invite the ancestors or a particular one who acts as your guardian spirit by facing the west and calling them. Some people strike the ground with their staff at this point.

Now invite the fey beings into the circle (turning to all four directions as you call them). It is a good idea and practice to do this every time you do an outdoor spell.

Finally, if you want to make your ritual real special, face south, open your arms wide and ask if any deities (you can name them) would bless your ritual.

The Five Stages of Spellcasting: Stage Five Moving to a Conclusion

The Five Stages of Spellcasting: Stage Five Moving to a Conclusion

 

Staging 5: Moving to a conclusion – grounding or internalizing the power

If you would like to incorporate cakes and ale into a spell or ritual, this would be the point at which you would first take the cakes on the dish. When you are working alone, this is a lovely part of a spell or ritual to help to connect you with the love all round you.

Raise the cakes on their plate (one for you and one for the birds if working alone) skywards away from the altar.

Then lower them to waist height in front of you, saying:

“May the abundance of the Mother and the bountifulness of the Father bless and nourish, sustain and protect me/you/us all my/your/our days.”

 

You can, if more than one person is present, choose one to hold the dish and another to bless the cakes by making either a pentagram or a cross over the dish as the words are spoken. You can, of course, do this alone with your power hand.

Put the plate in the center of the altar.

Now take the chalice or goblet in your receptive hand and your wand in your power hand and gently lower the tip of the wand so it almost touches the surface of the wine or juice. Say:

“As male to female, god to goddess, so in this wine/juice is joined power and love, strength and compassion, striving and acceptance.”

 

Return it to the center of the altar.

If more than one person is present, one can bless the cakes and another can bless the wine. The same people are usually chosen to carry out the blessings, but you may prefer to share the duties. Often the wand is held by a female and the cup by a male for the crossing of energies, but two women or men can carry out the ceremony.

You should then take the cakes, scatter a few crumbs on the ground (or in a dish indoors) and say:

“I return the gift to the earth mother in thanks for blessings received. Blessings be.”

 

After the ceremony feed the rest of this cake to the birds.

At this point if there were two people involved, you can offer each other a cake and then pass them round to anyone else present. Each person can say:

“Blessed be.”

 

Or add a blessing before eating.

You should then return the plate to the altar and take the wine, pouring a little on the ground and thanking mother earth again for her blessings. (Pour this offering into a dish if indoors and you can put the crumbs and liquid outside after the ceremony.)

Now drink or offer the drink to the other person who blessed the chalice. He or she will take a sip and offer it to you and to the other person who carried out the blessings, saying:

“Blessings be.”

 

If others are present, pass the cup round so each can take a sip, saying:

“Blessings be.”

 

And perhaps adding a blessing before passing it on.

The Five Stages of Spellcasting: An Alternative Stage 4

The Five Stages of Spellcasting: An Alternative Stage 4

 

 

If you are carrying out a healing spell or one for gentle love or letting go of sorrow, setting off psychic fireworks may seem a bit over the top.

Instead you may choose to infuse a healing herb mix with the power to relieve pain or exhaustion or infuse a dish of crystals so that they can afterwards be burned for peace in four directions. Gently directed power can be used to steer away in a psychic way someone who is making you unhappy.

“In a group celebration you may likewise not want to have everybody jumping up and down (it could certainly scare a baby at a blessing ceremony and a few elderly relatives at a hand fasting). You need instead to use the accumulated power and direct it into sanctity, whether that be the vows of a couple or of godparents. Or you might each make reflective wishes for the year ahead after the shouting of Happy New Year and banging of saucepan lids and blowing of whistles at a turning-of-the-year rite.”

Through the technique is straightforward it is like learning to do a hill start in a car – getting the clutch and accelerator in perfect balance so you can stay ready but motionless for as long as necessary.

When the power in your spell has built up to almost a climax instead of releasing it, hold it for a moment, keeping your movements and your voice steady and then begin to recite the words more slowly and more softly until your words fade through a whisper to silence and make your movements slower and gentler until your feet become still. The incense sticks, your hands or wand will likewise become still.

Point downward with smudge, incense sticks, wand or your hands toward the symbol at a 45-degree angle (slightly away if necessary so no ash falls on the symbol, herbs or crystals).

Push very gently, psychically holding your hands or sticks motionless, using words to make the power and light flow into the symbol. You may detect a rainbow aura or green light round the symbol.

When you feel the power ebbing, stand motionless and silent for a moment and then replace the wand, smudge or incense sticks in their place or holders or put your hands in front of you pointing downwards so any residual power can flow into the symbol or be used to heal the earth.

Leave the incense to burn through and whisper:

“May you be blessed.”

 

In a ritual this would be a good time for everyone to make personal offerings or quietly pass the symbol round and make low soft promises of practical ways you all personally will help to bring peace or work for the good of others. At a midwinter ceremony you would quietly, after the cry “The sun is born again,” light your candles one by one round the circle and make your own perhaps silent resolutions for bringing light back into your life and the world.

The Five Stages of Spellcasting: Stage Four

The Five Stages of Spellcasting: Stage Four

 

Stage 4: Release of Power

This stage will blur and merge naturally into the previous one if you trust yourself.

When the moment is right, raise the incense sticks and hold the upright and above you, calling for the release. Then plunge the incense sticks simultaneously into a bowl of sand. Do the same if you’re using the smudge with a final spiraling above your head (pretend you are using a lasso).

If you are just using your hands or a wand, raise your arms high either side of your head, then swing them down, one behind you and one in front of you to waist height in a slashing movement.

Picture yourself releasing the pressure within the cone and lighting the touch paper on the entire firework display. Picture that one of stars cascading into the night.

End the song with a final shout, the dance with a final clap and a leap. Then call out “The power is free.” The wish is mine’ or “The spell is done,” whatever feels right to express the culmination of the spell.

See spiraling rainbows of light shooting upwards lie rockets or hundreds of white doves, colored balloons or butterflies being released as the same moment into the air.

If working as a group, one person should be responsible for calling “Now’ or the drummer could give a huge band. In practice the synchronized energies will bring the climax into synchronicity. But it really doesn’t matter if some psychic fireworks go off a few seconds after the other, it just prolongs the joyous tensions.

The Five Stages of Spellcasting: Stage Three

The Five Stages of Spellcasting: Stage Three

 

Stage 3: Raising or increasing the power

This is the most active and powerful part of the spell, and involves building up the speed and intensity of the action you started in stage 2.

Raising the power is especially easy out of doors as you connect, especially if barefoot or wearing thin-soled shoes, with the natural spiraling energies or straighter ley flows beneath the earth.

Grass or sand near a river or seashore is also energized by the water flow, especially around the week of the new and full moons. On a safe beach you can dance through the shallows.

There are many ways of raising power, limited only by your imagination. When working alone and in a potent natural setting, perhaps at a power time like sunrise, you will sing, away or move quite without prompting or run along the beach or through long grass round in circles or spirals like a dog let off the leash. Watch children playing for inspiration.

Most effective is a combination of words or sound and movement in such a way that your conscious mind is carried along by the power, like riding a carousel when everything blues except for the music. The purpose of this stage is not only to empower the symbol but also to empower yourself, since you are the vehicle to carry the magickal energies from the thought (mental) and spiritual (astral) planes to actuality (earth). This is the same process used by shamans to trigger their out-of-body or out-of-everyday consciousness.

Enchant the symbol with a pair of lighted incense sticks, one held in each hand, a few centimeters/an inch above the symbol. Move the right one clockwise and the left on anticlockwise. Move them faster and faster and chant faster and faster in order to draw in all four elemental powers.

Increase the speed and intensity so the incense sticks cross and uncross over the symbol. As you move the sticks rhythmically, recite your elemental chant continuously.

Alternatively you can move your wand clockwise in flourishes or a spiral, a smudge stick in your power hand in huge circles allowing it to dictate its own pathway and shapes. You can move the other hand anticlockwise in rhythm if you want.

A very simple chant is:

Air, water, fire earth,

Bring, I ask, this wish to birth.

 

You can continue over and over again at increasing intensity and speed, adding variants or weaving your own simple four- or five-word chants, around the natural surroundings and the elemental associations.

Other spells chant include goddess names, the most popular being Isis, Astarte (Ass tart-ay), Diana, Hecate (Hekart tay), Demeter (Dem eat-er), Kali (Karly) and Innana (In-arn-a).

Isis is the Ancient Egyptian mother Goddess; Astarte is the supreme female divinity of the Phoenicians, Goddess of love and fertility, associate with the moon and all nature; Diana, the Graeco-Roman Goddess of the moon and hunt and queen of the witches; Hecate, the Ancient Greek Crone Goddess of the underworld and waning moon; Demeter, the Ancient Gree Corn mother; Kali, the Hindu creatrix/destroyer Goddess and Innana, the Sumerian fertility Queen of Heaven and Earth Goddess in the Middle East area of modern Iraq. Feel free to substitute your own goddesses/gods.

You could instead move round and round the altar or circle, chanting and clapping, while stepping, stamping or whirling and twirling. Sufi spiritual whirling dancing has been eagerly adopted by the New Age as a way of altering consciousness. Trust your feet to follow the spirals of the Earth energies.

You can add the beat of a hand drum using your hand or a striker or use a tambourine. We can all play these, without training or a natural ear for more formal music. Just let your hands and feet set the beat and if you chant along they all harmonize. The simpler and more repetitive words and actions, the better.

Move and chant until you feel that the power has reached its height, like revving a car with the hand brake on or a plane whose wheels are starting to life off the tarmac.

Through visualization, individuals and groups can create a cone of power with the circle as the base, picturing a mass of stars or swirls of rainbow light collecting a light cone above you. Imagine the cone getting higher and brighter as the apex gets taller and the cone denser with rainbow light. As you swirl you may even see it.

When the psychic power peaks in intensity it is released through the apex as shooting stars. Imagine yourself standing in the middle of a firework display.

The Five Stages of Spellcasting: Stage Two

The Five Stages of Spellcasting: Stage Two

 

You are now ready to begin endowing the symbol and spoken intention of the spell with power. Here you will use words, actions and visualization to build up this power within the physical symbol.

One of the most common methods of empowering the symbol is to pass it round or through the four elements in turn, so that power builds up within it.

Some practitioners start in the east with the incense. It does not matter as long as you are consistent. It depends whether you want to add your stability (north) at the beginning or end. Some prefer to start with stability and to end with the flowing waters of the west.

Begin with the salt in the north and make three clockwise circles of salt round the symbol, moving the circles outwards.

State again the purpose of the spell and then create an earth power chant, which should be spoken three times, visualizing at the same time what seem to be relevant earth powers. Visualize the power of the element in its natural form and then see that power entering you and meeting your own inner elemental power (like two rivers meeting). You can plan your chants in advance or just let them come spontaneously: they don’t have to rhyme. You can speak the chant as you make the circle, or afterwards for each of the four elements.

Next surround the symbol on the dish with three clockwise circles of incense smoke. Create an incense chant as you make the smoke circles over the salt ones. Afterwards you can also write the purpose of the spell in smoke over the symbol if you wish.

Repeat the process for fire with the candle or, if easier, circle the symbol on its dish clockwise over the candle of the south three times. Create a fire chant and again recite it three times.

Finally you are going to fill the symbol with the power of water in the same way. Make sure the water droplets are over the circles of salt and incense smoke (approximately). Again create a simple water power chant to be recited three times as you make the three water circles.