(One Person’s View Point) Goddesses and Gods – The main Celtic Gods and Goddesses

(The lists below name the more well known Irish Celtic gods and goddesses. There are lessor know ones as well.)

Who are the Celtic Gods and Celtic Goddesses?…

 

Table of Contents

1 Who are the Celtic Gods and Celtic Goddesses?

2 Celtic Deities vs Roman Deities

3 Who are the main Celtic Gods and Goddesses?

4 Celtic Gods and Goddesses in Irish Mythology

5 Irish Gods

6 Irish Goddesses

7 Celtic Deity Types

The names of Celtic gods and the names of Celtic goddesses that occur often in Celtic mythology are listed below.

List of Celtic Gods

Lugh – Celtic God of Justice and Mischief

The Dagda – Celtic God of Agriculture, Fertility and Seasons and King of the Gods

Aengus – Celtic God of Love, Youth, Summer and poetry

Manannan – Celtic God of the Sea

Cú Chullain – Demigod and Warrior Hero

Belenus – Celtic God of Fire

Donn – Celtic God of Death

Neit – Celtic God of War

List of Celtic Goddesses

Danu – Celtic Mother Goddess

The Morrigan – Celtic Goddess of War

Áine – Celtic Goddess of Love, Wealth and Sovereignty

Brigid – Celtic Goddess of Healing, Poetry and Blacksmithing

Flidas – Celtic Goddess of Cattle and Fertility

Bébinn – Celtic Goddess of Birth

Airmed – Celtic Goddess of Herbalism

Celtic Gods and Goddesses in Irish Mythology…

Click here or on the hyperlinks to read the rest of this article Source: letsgoireland.com

 

Apollo’s Devotional Chant for Inspiration

(YOU CAN COPY AND PASTE ANY SPELLS POSTED TO A DOCUMENT TO PRINT AND/OR SAVE ON YOUR COMPUTER FOR PERSONAL USE ONLY. You can find the origin of the spell by clicking on the hyperlink.)

Apollo’s Devotional Chant for Inspiration

In Greek and Roman mythology, Apollo is a standout god, born to Zeus and Leto and twin to the huntress Artemis. Over time, Apollo and the sun god Helios started to blend in people’s minds, similar to how Artemis got linked with Selene, the moon goddess. Despite this confusion in religious circles, myths and literature always kept Apollo and Helios, as well as Artemis and Selene, separate. The Etruscans also honored him as Aplu, showing Apollo’s wide-reaching influence in ancient cultures.

Light an orange candle during this devotional.

Incense for Apollo:

Frankincense, Vanilla, Cedar.

Offerings to Apollo:

Bay leaves, Olive oil, Wine, Sunflowers, Sunflower seeds.

In Greek mythology, Apollo is one of the most important and multifaceted Olympian gods.

The ideal of the young beardless, Apollo has been variously recognized as the god of truth and prophecy; archery; medicine and healing; music, poetry, healing, and more. In later times, Apollo became partially equated with Helios, the Sun god. But Apollo and Helios remained separated beings in literary and mythological texts. In Etruscan mythology he was known as Aplu.

Invoke Apollo’s power and bring inspiration, focus, concentration and creativity to your art, your new project or work. Use this chant as a morning ritual prayer, or combine it with a spell for good luck, healing, creativity and more.

Devotional text

Come blessed healer,

Bearing a golden lyre, generative, agrarian, Oracular one,

Wild, radiant divinity, lovely one, glorious son,

Cultivator of joy, whose arrows achieve their aim, mighty archer.

You who achieve from afar, prophet, holy one,

all-seeing eye bringing the light which shines on mortals,

Golden-haired, making clear oracular utterances,

Hear me with gracious soul as I pray on behalf of mankind.

Upon the blessed earth you look from above through the dark of night.

In the restful shadow of a night filled with stars,

You clearly see the root below and you arrange and support the boundary of all:

For the origin and completion are both in your care,

The cause of the blooming of all things,

with your resonant lyre you command the axis of the heavens,

Placing all in harmony, by which, indeed, you advance to the lowest pitch,

Elsewhere to the highest, at times playing in the Dorian mode,

Tempering all the poles you keep the tribes of living creatures distinct.

Let inspiration come to me.

Support my quest for creativity.

Make my imagination unlimited.

And my mind open to new ideas as I manifest my talents.

Let me surround myself with creative people.

So I can be in touch with my creative source.

Help me release any resistance to fully expressing my creativity.

Give me the time to think, to relax and focus.

Powerful spirit, express yourself in all possible ways.

Let inspiration flow so that I can easily express myself.

My creative work fills you with joy,

And anything can be my source of inspiration.

I promise to always look out for new experiences.

To recognize and overcome my limitations.

If you eliminate all mental blockages, remove barriers,

And any habits that oppress my inspiration.

Dear Apollo, come to me.

You have mingled harmony into the share of all mortal men,

Giving each an equal measure of winter and summer,

The highest three strings in the winter, the lowest in the summer,

The Dorian mode produces the lovely and blooming spring.

Thereupon the mortals celebrate and call you lord and

Pan, the two-horned God who sends the whistling winds,

Wherefore you form and bear the seal of the entire Cosmos.

Hear, happy one, the supplicating voices of the initiates and save them.

Gods – Ra Egyptian Sun God

Ra The Sun God of Egypt

The ancient Egyptians revered Ra as the god who created everything. Also known as the Sun God, Ra was a powerful deity and a central god of the Egyptian pantheon. The ancient Egyptians worshiped Ra more than any other god and pharaohs often connected themselves with Ra in their efforts to be seen as the earthly embodiment of the Sun God.

Ra Mythology

The ancient Egyptians believed that as the sun god, Ra’s role was to sail across the heavens during the day in his boat called the “Barque of Millions of Years.” In the morning when Ra emerged from the east, his boat was named, “Madjet” which meant “becoming strong.” By the end of the day the boat was called, “Semektet” which meant “becoming weak.” At the end of the day, it was believed that Ra died (swallowed by Nut) and sailed on to the underworld, leaving the moon in his place to light up the world. Ra was reborn at dawn the very next day. During his journey across the heavens during the day, he fought with his main enemy, an evil serpent named Apep, or also, The Lord of Chaos. In some stories, Ra, in the form of a cat named Mau, defeats the evil serpent, Apep. This is part of the reason why cats are so highly-revered in Egypt.

Ra created himself from the primordial chaos. He is also known as Re and Atum. His children are Shu, the God of Dry Air and Father of the Sky, and his twin sister Tefnut, the Goddess of Moisture and Wetness. As a lion-headed goddess, Tefnut is responsible for dew and freshness. Humans were created from Ra’s tears.

Although Ra was highly revered and devoutly worshiped by the ancient Egyptians, there is a story to suggest he eventually grew weak. In the Legend of Ra, Isis and the Snake, as Ra grew old, he dribbled saliva. Isis knew that Ra’s power was hidden in his secret name. Isis gathered Ra’s saliva and created a snake out of it. She set the snake in Ra’s path and it bit him. Isis wanted the power Ra had always enjoyed, but she knew she had to get him to tell her his secret name. Eventually, because of the pain he was in, Ra allowed Isis to “search through him” and in so doing, she healed him and Ra’s power was transferred over to her.

The Tree of Life is an important religious symbol to the Egyptians. The Tree of Life was located within Ra’s sun temple in Heliopolis and was considered sacred. The fruit that sprang from this tree was not available to humans, but only in aging-rituals reserved for pharaohs. The Tree of Life is also referred to as the mythical, sacred Ished tree. Eternal life came to those who ate the fruit from the Tree of Life.

Another important ancient Egyptian symbol connected to Ra is the “Bennu”. Bennu is the name of the bird that represented Ra’s soul. This bird is a phoenix and it was seated at the Tree of Life in Ra’s Sun Temple in Heliopolis. Inside the temple, on top of an obelisk, sat the Benben Stone. This pyramid-shaped stone served as a beacon to Bennu and is also an important ancient Egyptian religious symbol.

Worship of the Sun God

Solar temples were built for Ra but did not contain a statue of the god. Instead, they were created to be open to the sunlight that Ra represented. The earliest known temple built in honor of Ra exists in Heliopolis (what is now a Cairo suburb). This solar temple is known as “Benu-Phoenix” and is believed to have been erected in the exact spot where Ra emerged into creation.

Although Ra dates back to the second dynasty, he is not the oldest of the Egyptian gods. It wasn’t until the fifth dynasty that Ra became closely associated with the pharaoh. As the king and leader of Egypt, the pharaoh was seen as the human manifestation of Horus, so the two gods became connected. This new deity fusion was then referred to as “Ra-Horakhty” meaning Ra is Horus of the Horizon. Ra’s relationship with other gods did not stop there. As the powerful creator of mankind and the sun god, he also became associated with Atum to make “Atum-Ra.”

Fifth Dynasty and subsequent pharaohs were all known as “The son of Ra” and Ra became incorporated into every pharaoh’s name from then onward. During the Middle Kingdom, the new deity, Amun-Ra was formed. Amun was one of the gods who formed the Ogdoad (the assembly of eight gods who represented eight elements of creation).

The New Kingdom brought new heights of worship to Ra. Many tombs in the Valley of the Kings portray depictions of Ra and his journey through the underworld. During this time, many solar temples were built.

Eye of Ra

Present in the ancient Egyptian mythology is the Eye of Ra, shown as the sun disk with two ‘uraeus’ cobras coiled around it, next to the white and red crowns of Upper and Lower Egypt. Initially associated with Horus (similarly to the wadjet, the Eye of Horus), the Eye of Ra shifted positions in the myths, becoming both an extension of Ra’s power and a separate entity altogether.

Click here to learn more about The Eye of Ra

Ra God Facts

  • The ancient Egyptians worshiped Ra to such an extent above other gods that some historians have argued that ancient Egyptian religion was indeed a monotheistic one with Ra as the singular god.
  • Historians believe that the pyramids might represent rays of sunlight, further connecting the pharaohs with Ra, the sun god.
  • During Ra’s journey through the heavens he was accompanied by several other gods including Thoth, Horus, Hathor, Maat, Abtu, and Anet.
  • Nut, goddess of the sky and heavens, is sometimes referred to as Ra’s mother, because he emerges from her and is reborn every morning.
  • The morning manifestation of Ra is known as “Khepri the scarab God.”
  • The evening manifestation of Ra is known as the ram-headed god, Khnum.
  • The sacred cobra that encircled Ra’s crown symbolized royalty, sovereignty and divine authority.
  • The right eye of Ra represented the Sun; while the left eye of Ra represented the moon.
  • Ra is also closely associated with the Tree of Life myth, the Ben-Ben Stone and the Bennu Bird myths.
  • Ra’s glory came to an end during the time when the Roman’s conquered Egypt in 30BC.

Who is Ra?

Ra (pronounced ray) represents sunlight, warmth and growth. It was only natural that the ancient Egyptians would believe him to be the creator of the world, as well as part of him being represented in every other god. The ancient Egyptians believed that every god should illustrate some aspect of him, while Ra himself should also represent every god.

Ra’s Appearance

Ra was usually depicted in human form. He had a falcon head which is crowned with a sun disc. This sun disc was encircled by a sacred cobra named Uraeus. Ra has also been depicted as a man with the head of a beetle and also a human man with the head of a ram. The ancients also depicted Ra in full species form such as a serpent, heron, bull, lion, cat, ram, hawk, beetle, phoenix and others. His main symbol, however, is the sun disk.

Spell for Tomorrow – Ra Egyptian God of the Sun

(YOU CAN COPY AND PASTE ANY SPELLS POSTED TO A DOCUMENT TO PRINT AND/OR SAVE ON YOUR COMPUTER FOR PERSONAL USE ONLY. You can find the origin of the spell by clicking on the hyperlink.)

Set Up An Altar for Ra Egyptian God of the Sun

Setting up an altar for the god Ra is a great way to invite him into your spiritual practice and life. It creates a meeting place for you and your god to connect and communicate. Any flat surface will work such as a table, nightstand, bookshelf, counter, etc. Then add things to represent Ancient Egypt and the god Ra to your altar including: crystal pyramids, a statue of Ra, the Eye of Ra symbol, candles, incense with an incense burner, sun decor, a bowl of water, etc. Cleanse and bless your Ra altar before use.

Wearing Ra Amulets Source: otherworldlyoracle.com

Traditionally, amulets were worn by Ra worshipers to invoke their beloved deity and to show their dedication. Select an amulet that means something to you, but also reminds you of the sun god’s unique qualities. Perhaps a stone the Egyptians revered such as lapis lazuli, quartz, turquoise, or onyx. More appropriately, a sunstone would make a great Ra amulet. Cleanse your new amulet, then ask Ra to imbue his power into it. I like to set my amulets on my gods’ altars to really soak up their energy. Then wear the amulet daily or during special sacred rituals in honor of Ra.

(One Person’s View Point) Goddesses and Gods – 7 Ancient Pagan Gods We Still Love Today

The old pagan gods—those legendary figures out of Norse, Greek, Roman, and many more belief systems—are fascinating subjects. These gods had all of the emotional fallibility of human beings, yet the all the power of the gods they were, and in their stories, they proved capable of shocking levels of pettiness, jealously, and downright cruelty. They were also, however, capable of great kindness, heroism, and justice, making for a set of truly interesting characters. They were us, but moreso.

It’s no wonder, then, that many of these gods that featured in stories thousands of years ago are still prominent in our contemporary fiction. We see them in our superheroes and action stars, who can be thought of as the great grandchildren of the original pagan gods.

But those gods that have survived the millennia with their names and stories intact are the ones we love the most—something about their personalities, their struggles, or their stories intrigues us. They’re the most compelling of them all, so let’s explore them by taking a look at 7 ancient pagan gods we still love today.

Click here to read about the following Gods and Goddesses

Loki

Zeus

Hercules

Odin

Thor

Shinigami

Hel

The Immortality of Entertainment

The fact that we’re still telling stories about these gods and goddesses thousands of years after their heyday is amazing, and these particular 7 beings have a special appeal that goes beyond the norm.

Maybe it’s because they’re powerful. Or perhaps it is because we wish we could affect the world like they do. But likeliest of all is that their larger-than-life personalities and stories simply allow us a glimpse of the extremes of life that few of us ever get to experience.

And that is why the gods will never die.

Gods – Overview The Olympian Gods and Goddesses

Click on the hyperlink for more information about them

The Olympian Gods and Goddesses, Main Greek Gods and Goddesses

The Olympian gods or Olympians are younger gods who got the name after their mythical place Mount Olympus. They had gained rank as the rulers of the world after dethroning the elder gods, known also as the Titans, in a ten-year war called Titanomachy. The Olympians, as they called themselves, were the main gods of Ancient Greece and were representing civilization of the world.

The first generation Olympians were descendants of a titan couple Cronus and Rhea. Together they gave birth to six children, three sons and three daughters. The sons were PoseidonHadesZeus and daughters HeraHestia and Demeter. Zeus, Poseidon, Hera and Demeter are always considered as Olympian gods while Hestia and Hades are only included at some point of their existence. Hades was supposed to live on Mount Olympus and had every honour and right to but was given the realm of death under his control, when the three brothers had to split the cosmos after the victory over titans. And Hestia lived there just for a short period. After being granted a place on Mount Olympus by Zeus she eventually, because of her modesty, gave away her place to keep peace among gods because there were only twelve places on Mount Olympus, and the desire for these was huge among gods. The second generation Olympians were AthenaAresHermesDionysusApolloArtemis and HephaestusAphrodite is also sometimes considered as the second generation goddess but is in general referred to be from the titans generation. Anyway, all of these gods are referred as Olympian gods and together they presided over every aspect of human life.

First generation of Olympian gods…

Second generation of Olympian gods…

There are also Asclepius(son of Apollo and Coronis), Eros(son of Ares and Aphrodite or primeval deity), Hebe(daughter of Zeus and Hera), Heracles(son of Zeus and Alcmene) and Persephone(daughter of Zeus and Demeter) who are sometimes referred to be among Olympians.

Goddesses and Gods – Greek Olympians – Goddess Artemis and God Aristaeus

Click on the deity name for more information about them

Greek Olympian – Artemis – Goddess of Hunting

ARTEMIS FACTS

Name(s): Artemis, Aeginaea, Aetole, Agrotera, Kourotrophos, Locheia, Cynthia, Amarynthia, Phoebe, Alphaea, Alpheaea, Alpheiusa
Rules over: the Hunt, Forests and Hills, the Moon, Archery
Gender: Female
Symbols: Bow, Arrows, Stags, Hunting dog and moon
Sacred animals: Deer
Parents: Zeus and Leto
Siblings: Ares, Athena, Apollo, Aphrodite, Dionysus, Hebe, Hermes, Heracles, Helen of Troy, Hephaestus, Perseus, Minos, the Muses, the Graces
Roman name: Diana

Greek mythology is filled with respected gods and goddesses that continue to inspire. Artemis is known as the goddess of the hunt and is one of the most respected of all the ancient Greek deities. It is thought that her name, and even the goddess herself, may even be pre-Greek. She was the daughter of ZEUS, king of the gods, and the TITANESS LETO and she has a twin brother, the god APOLLO.

Not only was Artemis the goddess of the hunt, she was also known as the goddess of wild animals, wilderness, childbirth and virginity. Also, she was protector of young children and was know to bring and relieve disease in women. In literature and art she was depicted as a huntress carrying a bow and arrow. She was the goddess of many things, but most remember her as the most recognizable of the hunting deities.

Artemis was a virgin and drew the attention and interest of many gods and men. However, it was only her hunting companion, Orion, that won her heart. It is believed that Orion was accidentally killed either by Artemis herself or by GAIA, the primordial goddess of the earth.

In one version of the stories of ADONIS – who was a late addition to Greek mythology during the Hellenistic period – Artemis sent a wild boar to kill Adonis after he continued to boast that he was a far greater hunter than her.

The Origins of Artemis…

Artemis Depictions…

Greek Olympian – Aristaeus God of Useful Arts, Countryside and Pastoral Places

ARISTAEUS FACTS

Name(s): Aristaeus
Rules over: Animal Husbandry, Bee-Keeping, Fruit Trees, Cheesemaking, Olive-Growing
Title: Minor Patron God of Animal Husbandry, God of Useful Arts
Gender: Male
Symbols:
Sacred animals: Bees, Sheep
Items: Vine, Olives
Parents: Apollo and Cyrene
Consort: Autonoe
Other significant others: Chiron and the Muses that taught Aristaeus
Children: Actaeon and Macris, Charmos, Kallikarpos
Roman name: Mellona

In Greek mythology, Aristaeus was the god useful arts, such as bee-keeping and cheese-making, olive-growing, herding, and hunting. He was a rustic god, a god of the countryside and pastoral places.

Aristaeus was a minor god in Athens but a prominent god in Boetia, a farming region in central Greece, where he was known as “the pastoral Apollo.” Aristaeus is often pictured on Boetian pottery as a young man with wings.

Aristaeus also appears prominently in the mythology of Macedonia, Arcadia, Sicily, Sardinia, Thessaly, and Ceos. Later, stories about his travel emerged in order to account for his prominence in all these different regions.

Over time, Aristaeus became a popular Greek name, given to many famous public figures in ancient Greek politics and society.

Aristaeus’s Birth and Training…

Aristaeus, Ceos, and the Dog-Star Sirius…

Goddesses and Gods – Irish Celtic – Aine and Lugh – God of Justice and Oaths and Master of Crafts

Click on the deity name for more information about them

Picture by Judith Shawart

Áine – Goddess of Love, Summer and Wealth

As the goddess of summer and wealth, Áine represents the abundance that the land has to offer during its most plentiful season.

Good, fruitful harvests were required to provide for the people and animals, therefore much emphasis was placed on gods and goddesses that represent fertility, such as Áine.

The goddess Áine is strongly associated with the feast of midsummer and

Lugh – God of Justice and Oaths and Master of Crafts

The god Lugh, (also spelled Lug or Luga) is one of the most notable of all the Irish deities and equates to the pan-Celtic god of Lugus.

Lugh was the god associated with justice and held power over oaths and law. He was also connected with rightfulness, especially in terms of kingship.

He was king of the glorified race of the Tuatha dé Danann, who were known for their superior skills and

Information About the Moon and the Sun In Magickal Practice

Something to me that gets over looked often is the place the Sun has in pagan/witchcraft traditions. There are many spells better done during the day rather than at night. I personally always do protection spells during the day as negative entities are weaker than and the Sun can and does help make this type of spell stronger in my experience.

The Sun has phases just as the Moon does. Where the Moon phases go on a monthly basis the Sun’s phases are daily. So I decided the topic of informationally posts this week will be about the Moon or Sun in witchcraft. I find the differences in working spells and/or rituals during the day rather than at night can make a spell and/or ritual either stronger or weaker.

If there is a specific Sun and/or Moon Goddesses and/or Gods you would like me to post more information about please leave the deities name or names in a comment on this post.

(One Person’s View Point) 23 Moon Goddesses and Gods

The moon has long been a source of mystery, magic, and divine energy. Considering the celestial orb impacts the tides, the agriculture, and perhaps, us, it’s not surprising that it’s captivated us for so long. And, because of this, for thousands of years, many cultures have worshiped Moon gods and goddesses around the world.

Today, we think mostly of the connection between the moon and women, and female lunar deities such as Artemis and Hecate, but many of the earliest known lunar gods were male, including those from Mesopotamia, from where we have the first historical record of magic.

Whether you’re looking to deepen your lunar rituals, work with a specific moon deity, or simply learn more about the divine forces linked to the night sky, this guide will introduce you to some of the most powerful moon gods and goddesses throughout history.

Greek and Roman Moon Gods and Goddesses…

Egyptian Lunar Deities…

Mesopotamian & Near Eastern Lunar Deities…

Etruscan Moon Gods and Goddesses…

Norse and Celtic Lunar Deities…

African Moon Goddess…

Mesoamerican Lunar Deities…

South and East Asian Moon Gods and Goddesses…

Sources and Additional Reading…

Click here to read the rest of this article Source: .pagangrimoire.com

(One Person’s View) Working With the Gods and Goddesses c.2014

Working With the Gods and Goddesses

By

There are literally thousands of different deities out there in the Universe, and which ones you choose to honor will often depend significantly upon what pantheon your spiritual path follows. However, many modern Pagans and Wiccans describe themselves as eclectic, which means they may honor a god of one tradition beside a goddess of another. In some cases, we may choose to ask a deity for assistance in a magical working or in problem solving. Regardless, at some point, you’re going to have to sit and sort them all out. If you don’t have a specific, written tradition, then how do you know which gods to call upon?

A good way to look at it is to figure out which deity of your pantheon would be interested in your purpose. In other words, what gods might take the time to look into your situation? This is where the concept of appropriate worship comes in handy — if you can’t take the time to get to know the deities of your path, then you probably shouldn’t be asking them for favors. So first, figure out your goal. Are you doing a working regarding home and domesticity? Then don’t call upon some masculine power deity. What if you’re celebrating the end of the harvest season, and the dying of the earth? Then you shouldn’t be offering milk and flowers to a spring goddess.

Consider your purpose carefully, before you make offerings or prayers to a particular god or goddess.

Although this is certainly not a comprehensive list of all the gods and their domains, it may help you a bit to get an idea of who is out there, and what sorts of things they may be able to help you with:

Artisanship

For assistance relating to skills, crafts, or handiwork, call upon the Celtic smith god, Lugh. Many other pantheons have forge and craftsmanship gods as well.

Chaos

When it comes to matters of discord and upsetting the balance of things, some people choose to to check in with Loki the Norse prankster god. However, it’s generally recommended that you don’t do this unless you’re a devotee of Loki in the first place – you may end up getting more than you bargained for.

Destruction

If you’re doing a working related to destruction, the Celtic war goddess the Morrighan may assist you, but don’t trifle with her lightly. A safer bet might be working with Demeter, the Dark Mother of the harvest season.

Fall Harvest

When you celebrate the fall harvest, you may want to take time to honor Herne, the god of the wild hunt, or Osiris, who is often connected with grain and the harvest. Demeter and her daughter, Persephone, are typically connected with the waning part of the year. Pomona is associated with fruit orchards and the bounty of trees in fall. There are also a number of other harvest gods and gods of the vine who may be interested in what you’re doing.

Feminine Energy

For workings related to the moon, lunar energy, or the sacred feminine, consider invoking Artemis or Venus.

Fertility

When it comes to fertility, there are plenty of deities out there to ask for assistance. Consider Cernunnos, the wild stag of the forest, or Freya, a goddess of sexual power and energy. If you follow a Roman-based path, try honoring Bona Dea. There are a number of other fertility gods out there as well, each with their own specific domain.

Home and Marriage

Brighid is a protector of hearth and home, and Juno and Vesta are both patronesses of marriage.

Love and Lust

Aphrodite has long been associated with love and beauty, and so has her counterpart, Venus. Likewise, Eros and Cupid are considered representative of masculine lust. Priapus is a god of raw sexuality, including sexual violence.

Magic

Isis, the mother goddess of Egypt, is often called upon for magical workings, as is Hecate, a goddess of sorcery.

Masculine Energy

Cernunnos is a strong symbol of masculine energy and power, as is Herne, the god of the hunt. Odin and Thor, both Norse gods, are known as powerful, masculine gods.

Motherhood

Isis is a mother goddess on a grand scale, and Juno watches over women in labor.

Prophecy and Divination

Brighid is known as a goddess of prophecy, and so is Cerridwen, with her cauldron of knowledge. Janus, the two-faced god, sees both the past and future.

Underworld

Because of his harvest associations, Osiris is often connected with the underworld. There are a number of other deities of death and dying.

War and Conflict

The Morrighan is not only a goddess of war, but also of sovereignty and loyalty. Athena protects warriors and imparts them with wisdom. Freya and Thor guide fighters in battle.

Wisdom

Thoth was the Egyptian god of wisdom, and Athena and Odin may also be called upon, depending on your purpose.

Seasonal

There are a number of deities associated with the various times of the Wheel of the Year, including the Winter Solstice, Late winter, the Spring Equinox, and the Summer solstice.

Source: About.com

(One Person’s View Point) THE GOD AND GODDESS OF WITCHCRAFT

THE GOD AND GODDESS OF WITCHCRAFT

A general complaint about Christianity by Witches is that there is the worship of the male deity to the exclusion of the female. In fact this is one of the main reasons for people (women especially) leaving Christianity and returning to the Old Religion. And yet it’s a strange paradox that many—if not the majority—of Witchcraft traditions are guilty of this same crime of
Christianity, if in reverse … they laud the Goddess to the near, or even total, exclusion of the God!

Witchcraft is a religion of nature, as any Witch will tell you. Everywhere in nature there is male and female, and both are necessary (I have yet to meet anyone who does not have both a mother and a father). It follows, then, that both the God and the Goddess are important and
should be equally revered. There should be balance. But balance is as woefully missing in most traditions of the Craft as it is in Christianity.

We are all—every single one of us—made up of both masculine and feminine attributes. The toughest, most macho man has feminine aspects just as the most traditionally-feminine woman has male aspects. So it is with the deities. The God has feminine aspects as well as masculine, and the Goddess has masculine as well as feminine.

What names you use for your deities is a matter of personal preference. In Saxon Witchcraft the name Woden is given to the God; in Gardnerian the Latin term Cernunnos is used; in Scottish, Devla. Each tradition has its own name. But names are only labels; they are only a
means of identifying. You should identify, then, using a name with which you can feel completely comfortable. For, after all, religion is a most personal thing, at the core, and—to be of real purpose—should therefore be related to on the most personal level possible. Even if you join an established tradition this is still valid—find a tradition that seems right for you (as I spoke about in Lesson One) but… don’t be afraid to modify where necessary to make it totally right for you. If the name used to identify the God, in the tradition you have chosen, happens to be Cernunnos (for example) and you have difficulty relating to that name, then choose another for your own use. In other words, respect the name Cernunnos in group worship and all matters pertaining to the coven but, in your own mind—and in personal rites—don’t hesitate to substitute Pan or Mananna or Lief or whatever. A name, as I have said, is a label. The God himself knows you are “talking” to him; he’s not going to be confused! (This all
applies equally to the Goddess of course).

It may well be for the above reason that the name Cernunnos is found in so many branches of the Craft. As I’ve mentioned, it is simply the Latin word for “the Homed One”. To add your own personal identification, then, in no way conflicts.

Traditionally the “dark half” of the year is associated with the God. But this does not (or should not) mean that he is “dead”, or incommunicado, in the “light half” of the year (and vice versa with the Goddess). During the light half he is fully active in his feminine aspect; just as the
Goddess is active in the dark half in her masculine aspect. So, both deities are active throughout the year, even though deference may be given to one over the other at certain times.

There is a common theme of death and resurrection found in myths throughout the world. The symbolism is frequently furthered in a descent to the underworld with a later return. We find it with Ishtar’s descent and search for Tannaz; with Sif’s loss of her golden tresses; with Idunn’s loss of her golden apples; with Jesus’ death and resurrection; with Siva’s death and resurrection, and many more. Basically all represent the coming of fall and winter followed by the return of spring and summer; the lead figure represnting the spirit of vegetation. From Witchcraft here are “The Myth Of the Goddess” as found in (a) Gardnerian Wicca and (b)
Saxon Wicca.

“Now G* had never loved, but she would solve all the Mysteries, even the Mystery of Death; and so she journeyed to the Nether Lands. The Guardians of the Portals challenged her, ‘Strip off thy garments, lay aside thy jewels; for naught may ye bring with ye into this our land.’

So she laid down her garments and her jewels and was bound, as are all who enter the Realms of Death the Mighty One. Such was her beauty that Death himself knelt and kissed her feet,
saying, “Blessed be thy feet that have brought thee in these ways. Abide with me, let me place my cold hand on thy heart.’ She replied, ‘I love thee not. Why dost thou cause all things that I love and take delight in to fade and die?’

‘Lady/ replied Death, ‘it is Age and Fate, against which I am helpless. Age causes all things to wither; but when men die at the end of time I give them rest and peace, and strength so that
they may return. But thou, thou art lovely. Return not; abide with me.’

But she answered, 1 love thee not’.

Then said Death, ‘An’ thou receive not my hand on thy heart, thou must receive Death’s scourge’.

It is Fate; better so’, she said and she knelt; and Death scourged her and she cried, ‘I feel the pangs of love’.

And Death said, ‘Blessed be’ and gave her the Fivefold Kiss, saying, ‘Thus only may ye attain to joy and knowledge’.

And he taught her all the mysteries. And they loved and were one, and he taught her all the Magicks.

For there are three great events in the life of Man: Love, Death and Resurrection in a new body; and Magick controls them all.

For to fulfill love you must return again at the same time and place as the loved one, and you must remember and love them again. But to be reborn you must die, and be ready for a new
body; and to die you must be born; and without love you may not be born. And these be all the Magicks.”

–The Meaning of Witchcraft
Gerald B. Gardner, Aquarian Press, London 1959

“All day had Freya, most lovely of the goddesses, played and romped in the fields. Then did she lay down to rest. And while she slept deft Loki, the Prankster, the Mischief-Maker of the
Gods, did espy the glimmering oiBrosingamene, formed of Galdra, her constant companion. Silent as night did Loki move to the Goddess’ side and, with fingers formed over the ages in
lightness, did remove the silver circlet from about her snow-white neck.

Straightway did Freya arouse, on sensing its loss. Though he moved with the speed of the winds yet Loki she glimpsed as he passed swiftly from sight into the Barrow that leads to
Dreun.

Then was Freya in despair. Darkness descended all about her to hide her tears. Great was her anguish. All light, all life, all creatures joined in her doom. To all corners were sent the
Searchers, in quest of Loki; yet knew they, they would find him not. For who is there may descend into Dreun and return again from thence? Excepting the Gods themselves and, alack, mischievous Loki.

So it was that, still weak from grief, Freya herself elected to descend in search otBrosinga-mene. At the portals of the Barrow was she challenged yet recognized and passed. The
multitude of souls within cried joyfully to see her yet could she not tarry as she sought her stolen light. The infamous Loki left no trail to follow, yet was he everywhere past seen. Those to whom she spake held to Freya (that) Loki carried no jewel as he went by. Where, then, was it hid? In despair she searched an age. Hearhden, the mighty smith of the Gods, did arise from his rest to sense the bewailment of the souls to Freya’s sorrow. Striding from his smithy, to find the cause of the sorrow, did he espy the Silver Circlet where Loki Mischief-Maker had laid it:
upon the rock before his door.

Then was all clear. As Hearhden took hold of Brosingamene, (then did) Loki appear before him, his face wild with rage. Yet would Loki not attack Hearhden, this Mighty Smith whose strength was known even beyond Dreun.

By wiles and tricks did he strive to get his hands upon the silver circlet. He shape-shifted; he darted here and there; he was visible then invisible. Yet could he not sway the smith.

Tiring of the fight, Hearhden raised his mighty club. Then sped Loki away. Great was the joy of Freya when Hearhden placed Brosingamene once more about her snow-white neck.

Great were the cries of joy from Dreun and above.

Great were the thanks that Freya, and all Men, gave to the Gods for the return of Brosingamene.”

–The Tree: The Complete Book of
Saxon Witchcraft
Raymond Buckland, Samuel Weiser, NY 1974

Source: Buckland’s Complete Book of Witchcraft

(One Person’s View) The Goddess And The Horned God In Wicca c.2014

The Goddess And The Horned God In Wicca

 

Neither evocation nor invocation is part of modern witchcraft, however, and white witches do not recognize any demonic figures in their religion. When we refer to the Goddess and her son-consort, the Horned God of Wicca, we are referring to the archetype or source energies of the feminine and masculine aspects of ultimate power. They are the creative female and male principles, acting not in opposition to each other but as complementary and necessary parts of a whole. All the named goddesses and gods in witchcraft represent the different qualities of these supreme forms, for example the goddesses of the hunt, or specific forms in different cultures.

There are, of course, variations within Wicca; some traditions emphasise the importance of the Goddess, while others regard the Horned God as her equal, with each assuming different aspects according to the season and ritual. For example, the Goddess may appear as the Earth or Moon deity, and her male counterpart as the Corn God or the Sun.

 

Source: Cassandra Eason

Cernunnos: Horned God of the Celts

Cernunnos is one of the most enigmatic and fascinating figures in Celtic mythology. Depicted as a horned god, he was worshipped by the ancient Celts throughout much of Europe.

Horned God | Protector | Fertility | Underworld |

In this article, we will explore the myths and legends associated with Cernunnos, and examine the many roles he played in Celtic religion and society.

Who was Cernunnos?

Cernunnos was a god of the Celts, who were an ancient people that inhabited much of Europe during the Iron Age. He is depicted as a horned figure, often holding a torque, or twisted metal necklace, and accompanied by various animals, such as stags, bulls, and serpents. Despite his popularity, little is known about Cernunnos and his exact role in Celtic religion and society remains a matter of debate among scholars.

The Horned God

The image of the horned god is one of the most distinctive and enduring symbols of the Celts. The horns are typically those of a stag, and they represent the god’s connection to … Click here to read the rest of this article Source: celticnative.com

Cernunnos – The Enigmatic Antlered God of the Ancient Celts

The Celts can rightfully be placed amongst the world’s most important ancient cultures and civilizations. Their far-reaching ancient origins are the irreplaceable part of every historical lesson, and their role in history was crucial in the development of the world as we know it today. Yet even so, many aspects of the Celtic culture and belief are a bit of an enigma – even today. Because they didn’t leave any considerable written records, the Celts are largely mysterious, and most of what we know of their early history comes from Roman or Greek historians. We do know, however, that Cernunnos was one of their foremost deities. A mystical antlered god, he was revered by the Celts across Europe.

Who was Cernunnos, the Antlered God of the Celts?

With the relatively recent discoveries of ancient Celtic core sites of La Tene and Hallstatt, in the mid-1800s, the world and the culture of these ancient Europeans came to the closer view of the general public and historians as well. Suddenly, there was so much more to learn about the Celts, about their art, their lifestyle, and their beliefs. Before the 1800s, the pantheon of the ancient Celts was largely enigmatic, but with new archeological material, typesites, and a closer glimpse into their religious rituals, we were finally able to paint a more detailed picture of the ancient Gods of the Celtic peoples.

Arguably the best-known deity in their pantheon is Cernunnos, the sylvan antlered god that likely has origins that far predate the emergence of the Celts. Sometimes also known as Carnonos, his name has firm Proto-Indo-European origins. It stems from the PIE word *k̑r̥no-, and is thus cognate to Germanic *hurnaz and Latin cornu, all meaning “horn”. In the Celtic Gaulish language, this word was karnon, and the connection with the name of Cernunnos is clear – it reflects the deity’s stag antlers, growing from his head. Thus, Cernunnos literally means “the horned one”.

This can also be deduced from the surviving imagery related to the god. In almost every surviving depiction, Cernunnos is presented as … Click here to read the rest of this article Source: .ancient-origins.net

Cernunnos Celtic God: Exploring the Ancient Deity’s Significance and Symbols

Cernunnos

Cernunnos Celtic god holds a significant place in ancient Celtic mythology. Represented as a horned deity, Cernunnos symbolizes nature, fertility, and the cycle of life. This ancient god intertwines with Celtic culture, rituals, and festivals.

Content of this Article

(One Person’s View) List of the Most Used Gods in Witchcraft

Adonis: Greek – consort of Aphrodite

Anubis: Egyptian – Jackal-headed God responsible for conducting souls to the underworld. 

Apollo: Greek & Roman – God of the Sun, twin brother of Artemis 

Cernunnos/Kernunnos: Celtic – The Horned God, consort of the Lady.

Dionysus: Greek – God of wine, fertility, and vegetation. 

Eros: Greek – God of love and passion.

Herne: Celtic/Saxon – see Cernunnos.

Horus (the elder): Egyptian – God of the all-seeing eye. Has the head of a falcon and the body of a man.

Hymen: Greek – God of marriage and wedding feasts. 

Lucifer: Italian – God of light, brother of Diana.

Mithra: Persian – God of the Sun and of victory in war

Odin: Scandinavian – God of the dead and of war. Consort of Freya.

Osiris: Egyptian – Fertility God, brother and consort of Isis.

Pan: Greek – God of nature and of woodland.

Poseidon: Greek – God of the sea.

Ra: Egyptian – God of the Sun. Father of Hathor by Nut.

Shiva: Hindu – God of the cycle of birth-death-rebirth. Consort of Kali.

Thor: Scandinavian – God of the sky and of thunder. Son of Odin

Thoth: Greek – God of wisdom and of writing.

Zeus: Greek – Supreme God. Brother of Demeter.

Jupiter Roman King of the Gods

Jupiter

Roman King of the Gods

In terms of Roman mythology, the god Jupiter is the king. In fact, he is often referred to as the king of the gods. He may not be the original creator of the MYTHOLOGICAL CREATURES that dominated tales and lore; that distinction belongs to his father Saturn. But Jupiter is the main man, a la ZEUS in Greek mythology.

Mythology dominated religious culture in Rome up until the point in which Christianity took over. Until that happened, Jupiter was the main deity. He was the god of the sky and, along with the help of the kings of the time, established principles of the Roman religion.

His similarities with Zeus and the GREEK MYTHS didn’t stop with their connections with the sky and thunderbolts. Jupiter was brother to two other gods: Neptune and Pluto. Like the Greeks, each of these three gods controlled one realm of existence: the sky (Jupiter), the sea (Neptune), and the underworld (Pluto), with Jupiter being the most powerful.

Click here to read more about the Roman God Jupiter (Jove) from greekgodsandgoddesses.net

 

Helios – The Sun God

Helios rides his Chariot across the sky

HELIOS FACTS
Name(s): Helios
Rules over: The Sun
Title: Titan God of the Sun
Gender: Male
Symbols: Sun, Chariot, Aureole
Sacred animals: Horse, Rooster, Cattle, Wolf
Items: Frankincense, Cornucopia, Black Poplar, Heliotrope
Parents: Hyperion and Theia
Consort: Clymene, Rhode – possible others: – Clytie, Perse, Leucothea
Other significant others: Siblings: – Selene and Eos
Children: Abundant children including: – The Charites, Phaethon, The Horae, Pasiphae, Circe, Aeëtes, Heliadae, and Heliades
Roman name: Sol

Helios – The Sun God: https://greekgodsandgoddesses.net –

That was the image that would come to the minds of ancient Greeks when they thought of Helios. To them, he was the representation of the sun and sunlight, traveling across the sky every day. Some authors report that select Greeks revered him as much as they did Zeus.

Helios Appearance

Artwork of the time often shows Helios to be wearing a shining aureole, or halo, of the sun upon his head. He had piercing eyes and long, curly hair.

Family History

Helios was the son of the Titan Hyperion and the Titaness, Theia, making him a second generation Titan.
His sisters were goddesses Selene, the moon, and Eos, the dawn.

Wives

Children of Helios

Helios sired many children with his different wives. The Charites, Phaethon, The HoraePasiphaëCirce, Aeëtes, Heliadae, and Heliades are among his known offspring.

The All Seeing Eye

It is not uncommon so see Helios given the epitaph Panoptes, or all-seeing, as the Greeks believed that he could witness anything in the heavens or on earth.

According to the myth about Persephone’s abduction by Hades, it was Helios who saw the crime occur. When Demeter, Persephone’s mother, demanded to know the whereabout of her daughter, the Titan was able to inform her that Hades had kidnapped the goddess.

Another tale illustrating his ability describes Helios witnessing an affair between Aphrodite and Ares. He reported this to Hephaestus, Aphrodite’s husband, and helped set a trap to catch the two lovers. Caught in the act, the gods then banished Ares from Olympus for his crime.

This ability would have made him a valuable friend to keep and a frightening enemy to have.

Daily Travels

As the sun god, Helios would make a daily journey across the sky. Four horses, Aethon, Pyrois, Phlegon and Eous, drew his chariot.

Each morning, his sister, Eos, would paint the dawn sky with her fingers and pull the misty curtain, through which Helios would appear, aside. He would drive his blazing chariot across the heavens until his travels were complete. At this time, he would he would hide in a golden cup that fell to earth while his sister, Eos, would begin her nightly trek.

Meeting with Hercules

Legend has it that one day while lost in his quest to find the island of Erythia, Hercules grew frustrated and shot an arrow towards the sun. Upon realizing what he had done, he apologized to the Titan. Helios, however, was so taken with the boldness of this action that he presented Hercules with his golden cup. Hercules was then able to use this cup to reach his destination.

Helios Appearance in The Odyssey

Helios has a small but notable role in the Odyssey. When Odysseus and his men land on Thrinacia, one of the islands dedicated to the sun god, Odysseus warns them not to touch any of Helios’ cattle or sheep that graze on the land. They do not heed this warning and, in his absence, slaughter some of the best of the animals.

Alerted to this by one of his daughters, Helios appeals to Zeus for revenge. He threatens to take the sun and shine it onto the dead of the Underworld, instead of on the earth, if the men’s act goes unpunished. Zeus then strikes the crew’s ship with a lightning bolt, killing everyone except for Odysseus.

Cult Worship

The island of Rhodes, believed to have been shaped by Helios, is a place where people honored him as an important deity. Legend has it that when the island first came into being, it was muddy and uninhabitable. Helios dried the land and filled it with life, including seven of his sons known as Heliadae. Because of Helios’ life-giving intervention, some residents of the island worshiped him, and the island became sacred to Helios.

In the 3rd Century BC the people of Rhodes built the Colossus of Rhodes which was a 30 metre (90 foot) statue of Helios, it was won of the Seven wonders of the Ancient world.

The Dorians, one of the four major ethnic groups of Greece at the time, also seemed to have celebrated Helios more than many Greeks of the era. There is even speculation that they were the people who brought the worship of the sun god to Rhodes.

Conclusion

Despite having what some historians believe to be a significant place in the Greeks’ hearts, Helios did not play a massive part in their mythology, and it seems that he was eventually replaced by Apollo. Nevertheless, his image as the handsome Titan driving a blazing chariot pulled through the sky by his fire-breathing steeds lives on to this day.

Quick Facts:

Mother: Theia
Father: Hyperion
Siblings: Selene and Eos
Known wives/consorts: Selene, Perse, Clymene, Aegle, Neaera, Rhodos, Ocyrrhoe, Leucothoe, Nausidame, and Gaia
Known as: the Sun God
Roman equivalent: Sol

Gods – Cu Chulainn 1 of the Most Famous Celtic Mythological Heroes

Cu Chulainn would be a demi-god, but the Celtic pantheon does not have demigods.

The Story of Cu Chulainn

Cu Chulainn is one of the most famous Celtic mythological heroes. He appears in the stories of the Ulster Cycle, and Scottish and Manx folklore. He was said to be the son of Deichtine and the god Lugh, and the nephew of Conchobar mac Nessa, the King of Ulster. His given name at birth was Setanta but he gained the name Cu Chulainn, meaning ‘Culann’s Hound’ after he killed a ferocious guard dog belonging to a smith named Culann. Cu Chulainn offered to take the place of the guard dog until a replacement could be reared.

The stories of Cu Chulainn’s childhood, which date back to the 9th century, are many. It is said that as a small child, he had asked incessantly to be allowed to join the boy-troop at Emain Macha (today known as Navan Fort in County Armagh, Northern Ireland). According to the legend, he sets out on his own, and eventually runs onto the playing field at Emain, unaware of the custom of asking for protection. The other boys see this as a challenge, and attack Setanta, but he beats them all single-handedly as he carries the trait of ‘ríastrad’, in which he undergoes a sort of distortion, becoming an unrecognizable monster who knows neither friend nor foe. King Conchobar put a stop to the fight.

In the next part of the story, Culann the smith invites Conchobar to his home for a feast.

At this point, Conchobar is so impressed by Setanta that he asks him to join the dinner. Setanta is unable to attend right away, but promises to join them at Culann’s house later. However, Conchobar forgets, and Culann lets loose his ferocious hound to protect his house. On arrival at their house, Setanta is forced to kill the guard dog in self-defense. Culann is devastated at the loss of his guard dog and Setanta feels so bad that he offers to rear a new one, and to guard Culann’s house until the new dog is ready to do so.

When Cu Chulainn is seven years old, he overhears a druid named Cathbad teaching pupils at Emain Macha. Cathbad states that any pupil who takes arms that day would have everlasting fame. Desiring everlasting fame, Cu Chulainn goes to King Conchobar to ask for arms. Conchobar gives Cu Chulainn many arms to try, but none can withstand Cu Chulainn’s strength until finally Conchobar gives him his own arms. Unfortunately, Cu Chulainn did not listen to Cathbad’s full prophecy, and he was unaware that a pupil who took arms that day would have everlasting fame, but a short life.

As Cu Chulainn gets older, he decides he would like to take Emer, daughter of Forgall Monach as a wife. However, Forgall is opposed to this, and tells Cu Chulainn that he should train with Scottish warrior-woman, Scáthach. Forgall’s true intent is that Cu Chulainn will be killed. While Cu Chulainn is gone, Forgall offers Emer to Lugaid mac Nóis, a king of Munster, but when the king learns that she loves Cu Chulainn, he refuses to take her hand.

Scáthach teaches Cu Chulainn all the arts of war. His fellow trainees include Ferdiad, who becomes Cú Chulainn’s best friend and foster-brother. During his training with Scáthach, Cu Chulainn comes to face Aife, Scáthach’s rival. Although the two are evenly matched, Cu Chulainn eventually seizes Aife, and demands that she bear him a son. While Aife is pregnant, Cu Chulainn leaves Scotland, and returns to his love Emer, but Forgall still refuses to allow the marriage. Enraged, Cu Chulainn storms Forgall’s fortress, kills twenty-four of his men, abducts Emer, and steals Forgall’s treasure. Forgall falls to his death.

King Conchobar fears the marriage of Cu Chulainn and Emer, because Conchobar has the “right of the first night” over all marriages and is afraid of Cu Chulainn’s reaction if he sleeps with Emer. On the other hand, Conchobar will lose all his power and authority over his subjects if he doesn’t. The druid Cathbad suggests that Conchobar sleep with Emer, but Cathbad sleep between them.

After eight years pass by, Cu Chulainn’s son by Aife, Connla, comes to find him. When Connla refuses to identify himself, Cu Chulainn kills him. As Connla dies, his final words are that he and Cu Chulainn could have “carried the flag of Ulster to the gates of Rome and beyond,” leaving Cu Chulainn grief-stricken.

Several years pass, and Cu Chulainn rides out to face a group of men who have conspired to kill him. They are all sons of men he had killed. On his way, he encounters three one-eyed hags eating a feast of roast dog. They invite him to join them.  Cu Chulainn had several gessa, which are self-declared taboos which, if broken, would lead to his inevitable downfall. Two of his gessa were to never eat dog meat, and to never refuse hospitality. At this junction, he has no choice but to break one of his gessa. He takes one bite and places the bone under his thigh. The hand he used and his thigh are immediately weakened. Cu Chulainn continues on his journey, and is eventually killed while fighting his conspirators. When he received his fatal wound, he tied himself to a pillar so he would die standing and facing his enemies. As the prophecy foretold, Cu Chulainn had reached fame but died at a young age.

The legends of Cu Chulainn are still told to this day. As a mythological hero, the stories of his strength and power have lived on, re-told throughout the years in many ways. Today, the image of Cú Chulainn is invoked by both Irish and Ulster (Northern Ireland) nationalists. Irish nationalists see him as the most important Celtic Irish hero, while unionists see him as an Ulsterman defending the province from enemies to the south.

If you would like to read more about Cu Chulainn warrior tales here is a link for a general search on Táin Bó Cúailnge