Mabon Ritual Just For You – Solitary

Altar Arrangement:

My altar almost always contains the following tools at minimum:
Athame
God and Goddess candle or representation
Pentacle
Incense – I usually use Cinnamon for Mabon
Chalice
Small Cauldron containing Salt
Gemstones as needed
Candles as needed

Circle Casting:

(Note: I light incense and altar candles before this part of the ritual)

Hail to you Spirits of the North and the power of Air,
I do summon, stir and call you up to witness these rites and to guard this sacred space.

Hail to you Spirits of the East and the power of Earth,
I do summon, stir and call you up to witness these rites and to guard this sacred space.

Hail to you Spirits of the South and the power of Fire,
I do summon, stir and call you up to witness these rites and to guard this sacred space.

Hail to you Spirits of the West and the power of Water,
I do summon, stir and call you up to witness these rites and to guard this sacred space.

This sacred circle is cast
between future and past.

As above, so below,
The circle is made whole.

So mote it be!

At this time I will be invite my personal guides – both known and unknown

Invocation:

They who are called by many names, I honor you!

Father God, come join with me!
Tonight, I offer thanks for the blessings you have given me.
and for the sacrifice You have made for my benefit.
I mourn for You and rejoice in Your rebirth to come.
Autumn’s grain is Spring’s seed.

Mother Goddess, come join with me!
Tonight I offer thanks for the blessings to come.
As sunlight wanes and shadow grows,
I celebrate your mysteries.
With death comes new life.

Now I will offer a prayer of personal thanks to the Deities.

Meditation:

As this is the time of the autumnal equinox, I will focus on achieving balance.

Raising and directing power:
I will be releasing negative self image by writing our my self hatred and burning the paper. Afterwards, I will be raising power for healing myself and others I know who are in need. When I have directed the power to it’s purpose, I will earth the power.

Thanking the Deities:
Mother Goddess, Father God,
Who created All and are All
I thank you for your presence here
and for the blessings you have bestowed on me!
May Your love stay with me now and evermore.

I will now thank my personal guides.

Opening the circle:

Spirits of Air, Earth, Fire and Water,
Go if you must or stay if you will.
I humbly thank thee for your presence tonight!
Though the circle is open, it remains unbroken.
As Above, So Below.
So I have said.
So mote it be.

The Witches Magick for the 28th Day of the Mead Moon – Stardust Abundance Spell

STARDUST ABUNDANCE SPELL

Cast this spell to bring abundance and prosperity into you life.

You will need a gold candle, a green felt, gel, or ink pen, a piece of paper, glue, and glitter. Once the moon has risen place the gold candle on your altar. Draw a magic circle and call in the elements. Call in your favorite goddess or god of abundance. Light the candle, dedicating it to this deity. Write your dream career or work on a piece of clean paper. Place the paper safely in front of the candle so that it is illuminated by the flame. Next, drip glue in a clockwise circle on the paper around what you have written, and say:

May my career wish become reality. So be it!

Now, sprinkle gold glitter clockwise over the circle, and say:

By the powers of stardust, blessed prosperity. So be it!

Sprinkle a second clockwise circle of glitter on top of the first circle, and say:

By the powers of gold, my work is blessed be!

When the glue is dry, fold the paper four times, and keep it in your desk drawer until you attain your career desires. When you are done, thank the Goddess or God, bid farewell to the elements, and pull up the circle.
Wiccan Spell A Night: Spells, Charms, And Potions For The Whole Year
Sirona Knight

The Witches Magick for the 13th Day of the Hare Moon – Salt and Water Clearing Spell

SALT AND WATER CLEARING SPELL

Cast this spell to rid yourself of pain, hurt, and sadness.
After dark, draw a magic circle and call in the elements. Put three pinches of sea salt in a chalice of water. Stir the water counterclockwise with your athame. Sit quietly and turn your mind toward what you want to get rid of: your worries, problems, disappointments, sadness, hurt feelings, and fears. Hold the cup in between your hands, and say three times:

Clear the pain. Clear the hurt. Clear the sadness.
Sip three sips of the water. Before each sip, repeat:
I rid myself of all negativity, right now.

Allow all of your negative feelings to be cleansed with the salt water. Imagine transforming any pain or sadness into positive change elements in your life. Feel yourself being cleansed of all that burdens you. When you are done, bid farewell to the elements, and pull up the circle.

Empty the remaining water down the drain, and clean your chalice thoroughly with clear, cool water.

Wiccan Spell A Night: Spells, Charms, And Potions For The Whole Year
SIrona Knight

Spell of the Day for February 25th: Stardust Abundance Spell

Stardust Abundance Spell

Cast this spell to bring abundance and prosperity into your life.

You will need a gold candle, a green felt, gel, or ink pen, a piece of paper, glue and glitter.

Once the moon has risen place the gold candle on your altar. Draw a magic circle and call in the elements. Call in your favorite Goddess or God of abundance. Light the candle, dedicating it to this deity. Write your dream career or work on a piece of clean paper. Place the paper safely in front of the candle so that it is illuminated by the flame. Next, drip glue in a clockwise circle on the paper around what you have written, and say:

May my career wish become reality. So be it!

Now, sprinkle gold glitter clockwise over the circle and say:

By the powers of stardust, blessed prosperity. So be it!

Sprinkle a second clockwise circle of glitter on top of the first circle, and say:

By the power of gold, my work is blessed be!

Gardnerian Traditional Witchcraft -A.4. The Initiation (1949)[Second Degree]

[Second Degree]
Magus binds Witch as before, but does not blindfold her, and circumambulates with her, proclaims to the four quarters, “Hear, ye Mighty Ones, (name), a duly consecrated Priestess and Witch, is now properly prepared to be made a High Priestess and Witch Queen.”
Magus now leads her thrice around the circle with the half-running, half-dancing step, halts south of the altar, has the Witch kneel, and ties her down to the altar as before.
Magus: “To attain this sublime degree, it is necessary to suffer and be purified. Art ready to suffer to Learn?”
Priestess Witch: “I am.”
Magus: “I prepare thee to take the great oath.”
He strikes three knells on the bell, and again gives the series of three, seven, nine, and 21 strokes with the scourge as before.
Magus: “I now give thee a new name: _______. [kiss]
Magus: “Repeat thy new name after me, <saying> I, (name), swear upon my mother’s womb and by mine Honor among men and among my brothers and sisters of the Art, that I will never reveal to any at all any of the secrets of the Art, except it be to a worthy person, properly prepared, in the center of a Magic Circle, such as I am now in. This I swear by my hopes of Salvation, my past lives, and my hopes of future ones to come, and I devote myself to utter destruction if I break this my solemn oath.”
Magus kneels, placing left hand under her knees and right hand on her head, thus forming magic link.
Magus: “I hereby will all my power into you.” Wills.
Magus now unties her feet, unties the Cable Tow from the altar, and helps the Witch to her feet.
Magus: “I hereby sign and consecrate you with the great Magic Sign. Remember how it is formed and you will always recognize it.
“I consecrate thee with oil.” (He anoints her with oil on her womb, right breast, left hip, right hip, left breast, and womb again, thus tracing a point-down pentacle.)
“I consecrate thee with wine.” (He anoints her with wine in the same pattern.)
“I consecrate thee with my lips” (he kisses her in the same pattern), “High Priestess and Witch Queen.”
Magus now unbinds Witch’s hands and removes the cord, saying, “Newly made High Priestess and Witch Queen” [kiss] “you will now use the working tools in turn. First, the Magic Sword; with it you will scribe the Magic Circle [kiss]
“Secondly, the Athame” (Form Circle) [kiss]
“Thirdly, the White Handled Knife” (use) [kiss]
“Fourthly, the Wand” (Wave to 4 Quarters) [kiss]
“Fifthly, the Pentacle” (Show to 4 Quarters) [kiss]
“Sixthly, the Censer of Incense” (Circle, cense) [kiss]
“Seventhly, the cords; bind me as I bound you.”
Witch binds Magus and ties him to Altar.
Magus: “Learn, in Witchcraft, thou must ever return triple. As I scourged thee, so thou must scourge me, but triple. So where you received 3, return 9; where you received 7, return 21; where you received 9, return 27; where you received 21, return 63.”
Witch scourges Magus as instructed, 120 strokes total.
Magus: “Thou hast obeyed the Law. But mark well, when thou receivest good, so equally art bound to return good threefold.”
Witch now unbinds Magus and helps him to his feet.
Magus, taking the new Initiate by the hand and holding the Athame in the other, passes once round the Circle, proclaiming at the Four Quarters, “Hear, Ye Mighty Ones, (name) hath been duly consecrated High Priestess and Witch Queen.”
(Note, if ceremony ends here, close circle with “Hail and farewell.” If not go to next degree.)

Gardnerian Traditional Witchcraft -A.4. The Initiation (1949)[First Degree]

A.4. The Initiation (1949)
[First Degree]
Magus leaves circle by the doorway, goes to Postulant, and says, “Since there is no other brother here, I must be thy sponsor, as well as priest. I am about to give you a warning. If you are still of the same mind, answer it with these words: `Perfect Love and Perfect Trust.'”
Placing the point of the sword to the Postulant’s breast, he says, “O thou who standeth on the threshold between the pleasant world of men and the domains of the Dread Lords of the Outer Spaces, hast thou the courage to make the Assay? For I tell thee verily, it were better to rush on my weapon and perish miserably than to make the attempt with fear in thy heart.”
Postulant: “I have two Passwords: Perfect Love and Perfect Trust.”
Magus drops the sword point, saying, “All who approach with perfect love and perfect trust are doubly welcome.”
Going around behind her, he blindfolds her, then putting his left arm around her waist and his right arm around her neck, he pulls her head back, says, “I give you the 3rd password, a Kiss to pass through this dread Door,” and pushes her forward with his body, through the doorway and into the circle. Once inside, he releases her saying, “This is the way all are first brought into the circle.”
Magus closes the doorway by drawing the point of the sword across it three times, joining all three circles, saying, “Agla, Azoth, Adonai,” then drawing three pentacles to seal it.
Magus guides Postulant to south of altar, and whispers, “Now there is the Ordeal.” Taking a short piece of cord from the altar, he ties it around her right ankle, saying, “Feet neither bound nor free.” Taking a longer cord, he ties her hands together behind her back, then pulls them up, so that the arms form a triangle, and ties the cord around her neck, leaving the end dangling down in front as a Cable Tow.
With the Cable Tow in his left hand and the sword in his right hand, the Magus leads her sunwise around the circle to the east, where he salutes with the sword and proclaims, “Take heed, O Lords of the Watchtowers of the East, (name), properly prepared, will be made a Priestess and a Witch.”
Magus leads her similarly to the south, west, and north, making the proclamation at each quarter.
Next, clasping Postulant around the waist with his left arm, and holding the sword erect in his right hand, he makes her circumambulate three times around the circle with a half-running, half-dancing step.
He halts her at the south of the altar, and strikes eleven knells on the bell. He then kneels at her feet, saying, “In other religions the postulant kneels, as the Priests claim supreme power, but in the Art Magical, we are taught to be humble, so we kneel to welcome them and say:
“Blessed be thy feet that have brought thee in these ways.” (He kisses her feet.)
“Blessed be thy knees that shall kneel at the sacred altar.” (He kisses her knees.)
“Blessed be thy womb, without which we would not be.” (He kisses her Organ of Generation.)
“Blessed by thy breasts, formed in beauty and in strength.” (He kisses her breasts.)
“Blessed be thy lips, which shall utter the sacred names.” (He kisses her lips.)
Take measure thus: height, around forehead, across the heart, and across the genitals.
Magus says, “Be pleased to kneel,” and helps her kneel before the altar. He ties the end of the Cable Tow to a ring in the altar, so that the postulant is bent sharply forward, with her head almost touching the floor. He also ties her feet together with the short cord.
Magus strikes three knells on the bell and says, “Art ready to swear that thou wilt always be true to the Art?”
Witch: “I am.”
Magus strikes seven knells on the bell and says, “Before ye are sworn, art willing to pass the ordeal and be purified?”
Witch: “I am.”
Magus strikes eleven knells on the bell, takes the scourge from the altar, and gives a series of three, seven, nine, and 21 strokes with the scourge across the postulant’s buttocks.
Magus says, “Ye have bravely passed the test. Art always ready to help, protect, and defend thy Brothers and Sisters of the Art?”
Witch: “I am.”
Magus: “Art armed?”
Witch: “With a knife in my hair.”
Magus: “Then on that knife wilt thou swear absolute secrecy?”
Witch: “I will.”
Magus: “Then say after me. `I, (name), in the presence of the Mighty Ones, do of my own will and accord, most solemnly swear that I will ever keep secret and never reveal the secrets of the Art, except it be to a proper person, properly prepared, within a circle such as I am now in. All this I swear by my hopes of a future life, mindful that my measure has been taken, and may my weapons turn against me if I break this my solemn oath.'”
Magus now unbinds her feet, unties the Cable Tow from the altar, removes the blindfold, and helps her up to her feet.
Magus says, “I hereby sign thee with the triple sign.
“I consecrate thee with oil.” (He anoints her with oil on the womb, the right breast, the left breast, and the womb again.)
“I consecrate thee with wine.” (He anoints her with wine in the same pattern.)
“I consecrate thee with my lips” (he kisses her in the same pattern), “Priestess and Witch.”
Magus now unbinds her hands and removes the last cord, saying, “Now I Present to thee the Working Tools of a Witch.
“First the Magic Sword. With this, as with the Athame, thou canst form all Magic Circles, dominate, subdue, and punish all rebellious Spirits and Demons, and even persuade the Angels and Geniuses. With this in your hand you are the ruler of the Circle. [Here “kiss” means that the initiate kisses the tool, and the Magus then kisses the Witch being initiated.]
“Next I present the Athame. This is the true Witch’s weapon and has all the powers of the Magic Sword [kiss].
“Next I present the White-Handled Knife. Its use is to form all instruments used in the Art. It can only be properly used within a Magic Circle [Kiss].
“Next I present the Wand. Its use is to call up and control certain Angels and geniuses, to whom it would not be mete to use the Magic Sword [Kiss].
“Next I present the pentacles. These are for the purpose of calling up appropriate Spirits [Kiss].
“Next I present the Censer of Incense. This is used to encourage and welcome Good Spirits and to banish Evil Spirits.[kiss]
“Next I present the scourge. This is a sign of power and domination. It is also to cause suffering and purification, for it is written, to learn you must suffer and be purified. Art willing to suffer to learn?”
Witch: “I am.”[Kiss]
Magus: “Next, and lastly I present the Cords. They are of use to bind the sigils in the Art, the material basis, and to enforce thy will. Also they are necessary in the oath. I Salute thee in the name of Aradia and Cernunnos, Newly made Priestess and Witch.”
Magus strikes seven knells on the bell and kisses Witch again, then circumambulates with her, proclaiming to the four quarters, “Hear, ye Mighty Ones, (name) hath been consecrated Priestess and Witch of the Gods.”
(Note, if ceremony ends here, close circle with “I thank ye for attending, and I dismiss ye to your pleasant abodes. Hail and farewell.” If not, go to next degree.)

Gardnerian Traditional Witchcraft – A.1. Casting the Circle

Gardnerian Traditional Witchcraft

The Public Contents of the Book of Shadows

There is really no such thing as the text of the Book of Shadows, because Gardner never bothered to word things the same way twice; whenever he copied something, he simultaneously rewrote it. But this, of course, is the way that an author treats his own original material; it is not how anyone treats authoritative texts preserved from an earlier generation.
I have grouped the documents according to the dates when they were written; these dates are accurate to within a year or so, and the point to providing them, of course, is to emphasize that these documents are modern creations, NOT anything preserved from ancient or medieval tradition. Material or comments added to these documents later on I have enclosed in square brackets [these things].

A.1. Casting the Circle (1949)
It is most convenient to mark the circle with chalk, paint or otherwise, to show where it is; but marks on the carpet may be utilized. Furniture may be placed to indicate the bounds. The only circle that matters is the one drawn before every ceremony with either a duly consecrated Magic Sword or an Athame. The circle is usually nine feet in diameter, unless made for some very special purpose. There are two outer circles, each six inches apart, so the third circle has a diameter of eleven feet.
[1] Having chosen a place proper, take the sickle or scimitar of Art or a Witch’s Athame, if thou mayest obtain it, and stick it into the center, then take a cord, and ’twere well to use the Cable Tow for this, and loop it over the Instrument, four and one half feet, and so trace out the circumference of the circle, which must be traced either with the Sword, or the knife with the black hilt, or it be of little avail, but ever leave open a door towards the North. Make in all 3 circles, one within the other, and write names of power between these.
[2] First draw circle with Magic Sword or Athame.
[3] Consecrate Salt and Water: Touch water with Athame, saying, “I exorcise thee, O creature of Water, that thou cast out from Thee all the impurities and uncleannesses of the Spirits of the World of Phantasm, so they may harm me not, in the names of Aradia and Cernunnos.”
[4] Touching Salt with Athame, say, “The Blessings of Aradia and Cernunnos be upon this creature of Salt, and let all malignity and hindrance be cast forth hencefrom, and let all good enter herein, for without Thee man cannot live, wherefore I bless thee and invoke thee, that thou mayest aid me.”
[5] Then put the Salt into the water.
[6] Sprinkle with exorcised water.
[7] Light candles; say, “I exorcise thee, O Creature of Fire, that every kind of Phantasm may retire from thee, and be unable to harm or deceive in any way, in the names of Aradia and Cernunnos.”
[8] Caution initiate (if any); warn companions; enter circle and close doors with 3 pentagrams.
[9] Proclaim object of working
[10] Circumambulate 3 times or more before commencing work.
[11] Summon: “I summon, stir, and Call thee up, thou Mighty Ones of the East, South, West, and North.” Salute and draw pentacle with Magic Sword or Athame, the first stroke being from the top down to the left.

Let’s Talk Witch – Strengthening the Circle

A circle of light or a physical circle can be strengthened by casting three elemental circles just inside it.

Some practitioners aim to put the triple circle on top of the light one but I prefer radiating circles, albeit close together.

If using empowered salt and water as one of your elemental circles, you would empower the mix first before the elemental casting.

The three clockwise circles, either positioned one over the other or extending inwards, should be made with salt and water, or just salt (the first), with incense (the second) and with the directional candle of the south or a central one (the third). If you use salt for circle one (and not the salt and water mix), use incense for number two and magical water droplets for the third circle.

Create simple elemental casting chants according to the substances you are using and the nature of the spell or ritual.

*Note* With a group, before the triple circle casting invite them to walk the triple circle in line after you as you cast it. You can use three people to make the triple circle by having them each carry a substance around it. You need not use words for this unless you wish. With a group it is easier to make the three circles over one another just inside the original light circle.

You can end the triple element casting by sprinkling each person with a few drops of either the saltwater or the water alone saying:

You are Blessed!

If you are working alone, end the triple circle casting by taking the water and sprinkling yourself, saying:

May the Lord and Lady God and Goddess bless me and my spell/ritual.

The Circle of the Witch

The Circle of the Witch

Within this sacred circle, two main activities occur: celebration, and the practice of magic. Celebration is most important at the major seasonal holy days, the Sabbats. At these times, the myths of that particular holiday are enacted in ritual drama, and dancing, singing, feasting, and revelry are all part of the festivities. On these occasions we celebrate our oneness with life on Earth, as well as assimilating on the deepest level myths and archetypes which map and assist our own life-passages.

Magic is more often performed at smaller gatherings, called Esbats, which coincide with the phases of the moon. Types of magic practiced include psychic healing sessions, the focus and direction of energy to achieve positive results, and work toward the individual spiritual development of the coven members. Magic is an art which requires adherence to certain principles, and a conscious direction of will toward the desired end. We believe it to be an attribute of magic that results toward which the will is directed return to the sender threefold. Therefore, Witches are very conscientious in their use of magic.

When the celebration, teaching, or magical work is finished, the blessing of the Goddess (and God) is called into food and drink which are shared by all. The circle is opened, and the space is no longer consecrated.

Let’s Talk Witch – Strengthening Your Circle

Strengthening Your Circle

A circle of light or a physical circle can be strengthened by casting three elemental circles just inside it.

Some practitioners aim to put the triple circle on top of the light one but I prefer radiating circles, albeit close together.

If using empowered salt and water as one of your elemental circles, you would empower the mix first before the elemental casting.

Create simple elemental casting chants according to the substances you are using and the nature of the spell or ritual.

You can end the triple element casting by sprinkling each person with a few drops of either the saltwater or the water alone saying:

You are Blessed!

If you are working alone, end the triple circle casting by taking the water and sprinkling yourself, saying:

May the Lord and Lady God and Goddess bless me and my spell/ritual.

Witches Spell for July 19 – Poppet Prosperity Spell & Ritual

PROSPERITY SPELL AND THE RITUAL

Do this spell when the Moon is out and shining brightly.

Items you will need:

–poppet made out of green cloth, leave the head open

–chamomile for money

–rosemary for luck

–basil for success needle and thread

–Directional elementals (earth, incense for air, fire, water)

Altar Devotion, Casting the Circle

As you walk around the circle three times, imagine a green, soothing mist trailing

from your fingers, enveloping you and enclosing your magic circle.

“I conjure the magic circle I am safe within the Goddess’ womb A sacred place, a world apart Where enchantment births and magic starts With Air and Fire, Water and Earth I circle round the Mother’s girth This circle is sealed”

Drawing Down the Moon

Stand holding your athame, legs slightly apart, arms at your side. Breathe deeply.

Raise the athame to your lips, holding it with both hands, and then point it toward the moon. Feel the energy of the moon move through the athame, down your arms and into your whole being.

Invocation to the Goddess

“Wondrous Lady of the Moon Mistress of all magic and protectress of all Wicca

Life-giving mother I greet you at the waxing of the moon’s power I invite you to

attend my Full Moon rite”

Invocation to the God

“Radiant King of the Heavens Master of beasts wild and free Horned stag I greet

you at the waxing of the moon’s power I invite you to attend my Full Moon rite”

Meditation and Chant to the Goddess

Sit with your spine straight, legs crossed, hands in your lap. Close your eyes and visualize the Goddess, however she appears to you. Feel her arms around you in a protective embrace. When you have the vision firmly planted, begin chanting softly:

“Starry Goddess, Full of Light I honor you this Full Moon Night”

Repeat, feeling your energy grow. This energy will be used during the following spellworking. Spellworking Cleanse and consecrate poppet for workings of magic.

Stuff it with the herbs. Sew the opening closed.

“Goddess of Opportunity Bring good things in life to me I’ll be alert to all you. Goddess be my helpful friend”

Repeat 3 times, envisioning the opportunities you wish to come to you.

Reverse Lunar Draw

Raise the athame to the moon, then bring it to your lips and back down to your side,

releasing the energy you built during the Drawing. Thank the Goddess and God. Release the Circle. Walk back around the circle, pulling the mist back into your hands. Place the poppet in your closet, your car, your handbag or somewhere else close to you. You can re-work this spell at the next full moon if you feel it’s necessary.

Good things will soon come.

Casting A Circle

The first thing you must do is find and create your sacred space. A secluded spot outdoors is preferable. If you must do your ritual indoors, have enough space to set up your altar and to be able to comfortably walk around without bumping into anything. An indoor area should also be cleansed of any negative energy. I physically clean the area by sweeping or vacuuming, and then smudge the entire space with white sage. I usually set up my altar facing North. What you place on your altar depends on what type of ritual you are doing. Here are the basics:

North – Earth ~ a dish of dirt

East – Air ~ dish of salt, censer, bell, feather

South – Fire ~ a red candle

West – Water ~ a dish of water, chalice

On the left side of the Altar, place a white candle or Goddess symbol. On the right side place a white candle or God symbol. The candles do not have to be white. I prefer to place my wand, athame, cauldron and spell tools in the middle of the altar. I place candles in each of the four Elemental quarters just at the edge of the circle I am about to cast. Green for Earth, yellow for Air, Red for Fire and Blue for Water. Once you have these items set up, it is time to “Raise Energy”. I usually play Celtic music to get in the spirit of things; dancing, drumming, chanting and clapping are all appropriate ways to raise energy. Next, stand and face the Altar and recite a general Blessing or Invocation chant. This is the one I use:

“I call upon the eternal Power of the One, source of all that is;
I call upon the Goddess, glorious Lady of the Moon;
I call upon the God, glorious Lord of the Sun
Mother and Father of all living creatures.
I call upon the Spirits of Earth, Air, Fire and Water
Join me now and bless this sacred space and all that dwells within.”

Next I call the quarters:
You can light each candle as you call the the Elements, or have them already lit. You can also use your wand or hand in creating the circle.

Go to the North and say:

“Spirit of the North, Ancient one of Earth
I call upon you to attend this circle.
Thru your roots, bring your powers of
fertility,endurance and stability
to bless and protect this sacred space.”

Go to the East and say:

“Spirit of the East, Ancient one of Air
I call upon you to attend this circle.”
Thru your breeze, bring your powers of
intelligence, optimism and joy
to bless and protect this sacred space.”

Go to the South and say:

“Spirit of the South, Ancient one of Fire
I call upon you to attend this circle.
Thru your light, bring your powers of
strength, courage and willpower
to bless and protect this sacred space.”

Go to the West and say:

“Spirit of the West, Ancient one of Water
I call upon you to attend this circle.
Thru your flowing stream, bring your powers of
purification, peace and love
to bless and protect this sacred space.”

Stand before the altar and call the Goddess:

“O Gracious Goddess, Lady of the Silvery Moon
I call upon you to attend this circle
Bless and protect this sacred space
with your wisdom, guidance and love”

Call the God:

“Oh Gracious God, Lord of the Fiery Sun
I call upon you to attend this circle.
Bless and protect this sacred space
with your wisdom, guidance and love.”

“The Sacred Circle is cast,
May only positive energy dwell within;
May only positive energy emerge from within
So Mote It Be!”

You are now ready to perform your ritual or Esbat, magical workings, etc. When you have finished, celebrate the Simple Feast.

Hold up a cup of juice, wine, beer (your beverage of choice) and say:

“Gracious Goddess of the Earth and Sky,
Bless this wine with your love.
In the presence of the Mother Goddess and the Father God
This wine is blessed.”

Hold up a plate of cakes (bread, cookies, etc.) and say:

“Gracious God of the Sun and Wilderness,
Bless this bread with your love.
In the presence of the Mother Goddes and the Father God
This bread is blessed.”

(For more elaborate rituals, all of the food may be blessed at one time in a similar manner.)

Release the circle.

Go to each of the Elemental quarters and say:

“I bid farewell to the Spirit of the North, (East, West, South)
Thank you for your presence in this Sacred Circle.
Go now with bright blessings and spread your power.”

Thank the Goddess and the God in a similar manner.

Then say:

“The Circle is open, but not unbroken.
Merry Meet and Merry Part
Until we meet again
Blessed Be!!!”

Please remember that ritual tools are just props. And there will be occasions when you will want to cast an impromptu circle and you don’t have any tools with you. While they can help put you in the right frame of mind for creating rituals, your *magic* is within you. You have the ability to manifest wonderful energy, whether you have a magic wand or not. This is the basic circle casting that I use. Words and altar setups change depending on the type of circle you are casting and the ritual you are performing. Read books and practice writing your own rituals often and discover the spiritual soul that resides within.

HARVEST BLESSINGS: A LAMMAS RITUAL

HARVEST BLESSINGS: A LAMMAS RITUAL

by TaTa Chakra a.k.a. TerraFire

From Oct 98-Oct 99 I had the great blessing of living in a run down farmhouse at the foot of Mount Pisgah just southeast of Eugene, Oregon. I knew when I moved in that my stay there would be impermanent but I quickly grew deeply attached to the beauty of this five-acre property.

The man who had lived there before my housemates and I was an avid gardener whose devoted labor had turned an acre of the property from old river bed full of blackberries into a resplendent garden of visual delight. Because this man had been on good terms with many of the local green witches there were many people, mostly women who came to the garden to harvest the herbs and make herbal medicines. The man had also planted plum apple, peach, cherry and asian pear trees. There were logan berries, gooseberries red and gold raspberries, elderberries and of course many many blackberries. He had trained the blackberries over a bower and around the fence so that they created a privacy screen.

Behind the 16 more or less straight garden rows which had an irrigation system, was a ritual circle with three rings of wildflowers. My housemates and I dug a fire pit in the middle of this circle. We also began to keep bees, which was something that I had longed to do for many years. Bees are very sacred to me and the sound of their humming buzz is one I have always associated both with the cone of power and with my own inner guidance.

There were many lovely trees on this property as well, besides the fledgling fruit trees, there were two transplanted redwoods, not more than 30 years old, three old black walnuts to which we assigned the archetypes of maiden, mother and crone. The plant being that I grew most attached to was a Cottonwood tree, which was at least 75 years old. This tree was at the far northwest side of the property just 6ft from both edges of the property line.

A thick growth of mugwort had been planted against the fence. The cottonwood tree welcomed me as her magical companion. I regularly meditated by the tree, created a directional invocation with her, held counseling sessions, taught classes and also did trance work laying in the grass beneath her branches with a mugwort breeze drifting over me. My housemate called the place fennel farm because no matter how much fennel we weeded out more sprang up in its place. Fennel Farm was the most idyllic place I have ever lived and the perfect setting for the 3rd annual Luscious Leo Lammas party.

The Luscious Leo Lammas party was a brainstorm of how to create a public ritual space with the organization Cauldron of Changes and simultaneously celebrate my birthday (Aug 1st) and the birthday of my dear friend Mike (Aug 7th). I also had several other close Leo friends whose birthdays could not be ignored, (take my advice: never ignore a Leo’s birthday if you hope to be close to them).

For several years we had held the party and ritual at Mike’s house in town but this year it would be at Fennel Farm and bigger and better than ever. In addition to the ritual we had a keg, a huge vegan birthday cake (it was Eugene, remember), party lights and tiki torches, a stage for performance of poetry and music and we also hired a local African Dance troupe “Foli Kan”. We made crowns for all of the Leo’s to wear and had a kids activity area.

Lots of people came prepared to sleep over night in tents and we prepared the neighbors and invited them to join in. I had written a special invocation chant for the Goddess and God and practiced this and a directional invocation song with a small group of other priests and priestesses. We spent a considerable time preparing the ritual space and gathering our ritual tools and props. As Night began to fall Mike and I (High Priest and Priestess), gathered the ritual attendees together at the gate that lead into the garden and the ritual space beyond. We explained the ritual to everyone, what would happen in what order and taught them the chants. Then the High Priest picked up a tiki torch and lead a procession into the ritual space singing “We are a circle within a circle” by the group Welcome to Annwyfn.

As the group of about 80 people created a circle entering the ritual gate in the east and traveling clockwise around to take their spaces, I walked the outer perimeter with my smoky quartz athamé casting the circle three times. The group continued to sing “we are a circle” as each directional priest/ess in turn raised their voice above the group to call in their direction. In the East the song goes “You hear us sing. You hear us cry, Now hear us call you, Spirits of Air and Sky” which the directional priest finished by marking an invoking pentacle in the Eastern Watchtower with his athamé. He completed the invocation by lighting the three Tiki Torches set in the East.

Three more rounds of the chant were sung before the Southern Priestess sang out loud and clear, “Inside our hearts, there grows a spark, love and desire, a burning fire.” She raised her wand and drew an invoking pentacle on the Southern Watchtower. The song continued again and the Western Priestess sang, “Within our blood, within our tears, there lies the altar, of living water.” Holding the chalice another invoking pentacle was described and hung in the air in the Western quarter.

The North Priestess took her turn singing strongly “Take our fear, take our pain, take the darkness into the earth again.” Holding her paten up as invoking the northern pentacle. Then all the directions sang together “The circles closes, between the worlds, to mark a sacred space, where we come face to face.” And the song ended. The High Priest and I thanked everyone for coming to participate in our Lammas ritual. We explained that we were going to chant to draw down the Goddess and God into each other. We called the God to us and into the High Priest. We Called the Goddess to us and into the High Priestess. Everyone repeated this three line sing song refrain I AM THE GOD, I AM THE DIVINE, I AM THE DIVINE And the priest responded with the following: IN THE DARK I’M THE NIGHT IN THE DAY I’M THE LIGHT. Then everyone sang the Goddess chorus which was simply: I AM THE GODDESS, I AM THE DIVINE, I AM THE DIVINE and the priestess responded ” I AM THREE I AM ONE AND I CAN’T BE UNDONE”. While this sounds complex on paper it was rather simply done and the text of this singing invocation are given here in completion:

Singing Invocation of God and Goddess

Chorus refrain A: I am the God I am the Divine, I am the Divine

Chorus refrain B: I am the Goddess I am the Divine I am the Divine

Chorus A God response: In the Dark I’m the Night In the Day I’m the Light

Chorus B Goddess Response: I am Three I am One And I can’t be Undone

Chorus A God response: I am Young I am Old I am Green Black and Gold

Chorus B Goddess Response: Maiden Mother and Crone In them Each I am Home

Chorus A God response: I’m the Flowering Rod I’m the Bountiful God

Chorus B Goddess Response: I am tree I am snake I will keep you awake

Chorus A God response: I am Hoof I am Horn As I Leap through the Corn

Chorus B Goddess Response: I Spiral and Wind As I Labrynth through Time

Chorus A God response: I’m the One Inbetween I’m the Seen and Unseen

Chorus B Goddess Response: I’m both Woman and Man Alchemist that I Am

Finish with both Priest & Priestess hands joined singing:

In My Heart and My Mind I am the Divine

The Priestess says: The God is Amongst us, Blessed Be!

The Priest Says: The Goddess is Amongst Us, Blessed Be!

After the invocation, the ritual continued with an explanation of Lammas, The High Priest and Priestess asked participants to look around them at the bounties of the earth and to think upon all of the goodness and wealth that the planet offers us daily. Their words spoken here were in the form of spontaneous offerings from the deities invoked. They explained that Lammas was the first harvest of three harvests, that this was the time of harvesting fruits and flowers, the time to celebrate community and friendships, the time to begin storing things for the coming time of darkness.

As the Description of Lammas ended the Priest and Priestess started Charlie Murphy’s chant “It’s the blood of the Ancients that runs through our veins, And the forms pass, but the circle of life remains” And as the drummers chimed in and the group picked up the chant the Priest and priestess took up a basket and bowl respectively and revealed a Mystery to all the participants in groups of two or three around the entire circle. The Priest showed his basket full of harvested fruits, vegetables and grains saying solemnly “This is the God” and the priestess showed her bowl of rich garden soil saying solemly “This is the Goddess”.

When the Showing of the Mystery was complete a brief grounding meditation was led and each person was asked to answer the Question “What Magickal gift is present in your life right now?” Participants were asked to think of the blessings of this gift to experience it’s presence in their life and to make their awareness of it as big as possible.

They were instructed to focus on the sense of gratitude and blessing and send it off to the earth and sky to anyone in need of it during the cone of power. The cone of power was facilitated by high priest and priestess with the help of the directional priest/esses and began with our imitation of bees buzzing. After several minutes of our toning getting progressively higher the cone was sent off and then held in resonance as we fell to the ground, earthing the energy. Several minutes of silence followed before the priest and priestess arose and moved again to the central altar. They brought out local Blackberry wine and freshly made blackberry juice and a rack of fresh honey comb. The Priest said the Feasting Blessing (from Starhawk’s The Spiral Dance, p.169)

All Life is Your own, All fruits of the earth Are fruits of your womb Your union, your dance. Goddess and God We thank you for blessings and abundance Join with us, feast with us, Enjoy with us! Blessed Be.

And we took the honey and wine and juice to each person as they laughed and made jokes and began to dance and sing again. When all had eaten and some had seconds, it was time to “devoke” the deities and directions, earthing again the powers we had raised and acknowledged. God and Goddess, each direction in turn were invited to leave and thanked for their presence. We sang “The Circle is Open” of course ending with Merry Meet and Merry part and merry meet again.

It has been a moving process for me to share this ritual with you, to consciously re-enter my experience of that sacred day in that beautiful and sacred place where I had the good fortune to live for a while. I hope that our ritual may inspire further rituals, that we humans may become more and more compelled to experience and express our closeness to the earth and our gratitude for her bounty. Blessed Be.

HOW TO DESIGN RITUALS AND SPELLS

The Lesser Banishing Pentagram Can Be Used To Cleanse A Working Area When
Preparing, Or To Close A Spell Or Ritual Down. Be sure that all energies are
removed from the area. The LBR can also be written in before the opening and at
the closing. The LBR should definitely be incorporated in the following
instances:

There has been an argument or an extremely emotional outburst in the same room
you are working in within the last 24 hours.

There are guests attending that you have never met before.

One of your guests occasionally follows the left hand path (they could be
dragging something along with them).

The group contains possible inflammatory personalities.

Whenever you sense negative energies or the presence of hostility.

All Rituals Should Invoke A Deity. If other forces are invoked as well, always
invoke the deity first (this does not apply to calling the quarters). Elemental
energies should normally be invoked last (they are most likely the lowest form you will ever use). If calling elemental forces, always call on the Kings of the
Elementals before the elementals themselves.

Don’t Overkill In A Ritual/Spell. Figure out the ritual/spells purpose and build
slowly, incorporating all necessary items. Recheck your work. Add only a few
asides if necessary. Do not include overly long passages, poems, etc. No one
likes to stand around for forty-five minutes listening to a droning recitation.

Make Sure the Ritual Officers Are Not The Only Ones Doing The Work. At the very
least, every one should be joining in responses (such as so mote it be’ or ‘hail
and farewell’). Group participation can also be called upon at the calling of a
quarter. The group minds works together better if everyone is included at some
point.

Never Put Anything In A Ritual/Spell That You Do Not Understand. For example, if
you have never worked with elementals and don’t know how to address them or what
they are to do, don’t throw them in because it makes the ritual/spell look
elaborate. If invocations or other passages are in foreign tongue, don’t use
them because they sound cool. First, you must know exactly what you are saying.
Second, you must know how to say it. Often passages are important for their
tonal quality as well as their meaning.

Outline A Ritual/Spell Before You Write It, whether it is short or complex. You
do not want to miss any steps.

Make Sure You Know What Sort Of Energies and Step Elements Your Ritual/Spell
Needs For The Purpose You Have In Mind. You wouldn’t be dealing with ghosts at
Beltane. Keep the elements, steps, and goal in mind when writing rituals/spells.
You should have several source books from which to work. The best rituals/spells
are those you write yourself, or those the group mind has written for your
Tradition. However, in the past, groups and covens have dissolved out of sheer
boredom. Don’t let this happen to your group. Keep it interesting and keep it
Fun!

Major Rituals And Most Minor Works Should Have A High Point Or Climax Of Some
Sort. Ritual is dramatic vehicle and the intent of the participants is
strengthened by the excitement. The climax of the ritual should coincide with
something goal related to the group, the deity, or the season. If your ritual is
casting a spell, the climax of the ritual is the body of the spell, the rest of
the ritual should revolve around it. At Yule, the climax is the Goddess giving
birth to the new Son/Sun. Everything in ritual should revolve around a
particular theme.

Make Sure That The Words And Gestures Of The Ritual Suit Each Other. For
example, you wouldn’t cast a spell for Universal Love with a sword, or display
fruits or harvest props at a Yule ritual. Choose the correct incense, candle
colors, etc. These are as important as the invocation, which should be
especially designed for the ritual/spell.

Be Able To Recite Your Altar Devotion, Circle Casting, And Quarter Calls In Your
Sleep. Even if you mess up the rest of the ritual/spell or stumble somewhere
else, YOU SHOULD NEVER MAKE A MISTAKE ON THESE.

Try Not To Throw Rituals/Spells Together If You Can Help It. Good planning leads
to a great ritual. However, be prepared for missing people, upsets of various
kinds, missing notes, forgotten lines, etc. Humans are not perfect and errors
will occur. Do not act like it is the end of the world if a glitch nuzzles its
way into the ritual. A good high priest or high priestess can overcome all
difficulties without emotion.

Choose Your Quarter People And Other Players Wisely. Don’t always let the
experienced people do it. Make sure everyone in the group has several chances to
fill these positions. It is the only way they can learn. When you are teaching
someone else, or an entire group, learn when to step back and allow them to
perform, even if it is your favorite thing to do. When Overseeing A
Ritual/Spell, Learn When To Let Your Student Sink Or Swim. Sometimes the only
way you can tell if they are learning is to let them make mistakes. Likewise,
learn when to step in without being a know it all. When Overseeing A
Ritual/Spell, Learn When To Let Your Student Sink Or Swim. When Overseeing A
Ritual/Spell, Learn When To Let Your Student Sink Or Swim.

If You Are Working With A Mixed Group (Yes, Boys and Girls) Try To Keep The
Ritual/Spell In Balance As Much As Possible. However it is okay to design a
ritual/spell where only the three faces of the Goddess, or the three faces of
the God, are the focal point. This will keep your rituals/spells interesting and
refreshing. Just don’t do it all the time.

Do Not Throw Your Degree Around In Rituals. In home rituals (seat of the coven)
do not delineate with unusual garb between degrees and do not relegate them to
special quarters.

When Attending Someone Elses Rituals/Spells Do Not Tell The Host How Bad Their
Ritual/Spell Was. Neither should you give it a rave review, then pick apart the
finer points. This is very bad breeding. They went to a great deal of trouble to
have you as a guest. Don’t consider yourself the most important person there,
because you are not. If you think they did a good job, say so. If you think you
could have done better, thats your business, but do not share this opinion on
your host. If you do, you’ve just put yourself beneath anything they could have
done wrong. If you are attending one of your own students rituals, likewise say
nothing that evening. Later, when the rush is over, you can go over the ritual,
step by step, and work out any bugs.

From 1996 Lwellyn Magical Almanac, by MaraKay Rogers and Silver Ravenwolf, page
200-203

Circle Casting

Circle Casting

Why do we cast a circle? We cast a circle for protection from what may be attracted to what we are doing. There are times when spirits that do not wish us to succeed will be drawn by the power that we raise during a circle. Sometimes it is beneficial to cast a circle to lay down a boundary between the ill will that pagans sometimes encounter as they walk on their path. The circle itself is a reminder that we are now in a different time and space, and that this space is special.

The circle is a container as well. It is used to hold the energy that is raised until it is time to release it to whatever end we are working towards. If it was not there, the energy that we raised would have to be directed into a container rather than letting it swirl around in the one that has already been created. It is far easier to tell if there has been enough energy raised when you are moving directly through it than it is to tell if there is enough in the container.

Finally, the circle exists as a link to the people that have cast circles and gathered together in the past, and a link to those that will cast them in the future. It is a continuation of a chain that has evolved over thousands of years, passing information on and down throughout the ages. While there are very few religions that can trace their roots back into antiquity, it is undeniable that there are traces of those religions left, and that there are rites and ideas that have been passed down from one person to another throughout those long years. The circle is our way of trying to connect to those times gone by and it is our legacy to our children and their children for years to come.

Whether your circle has a physical boundary, a boundary of thought, or whether it is simply a grove of trees that is circular, the ideas are still there. The circle is a construct of the mind, an idea that passes between groups. It is the idea of a scares space and sacred time.

Why do we do ritual? Ritual is a way of trying to connect to something that is greater than the self. It is a link to other people and other beings; a link to times past and future. When people come together to celebrate their idea of the sacred, it is a sharing of something that is intangible and profound. It is a way to experience the divine that surrounds us in nature and is a part of ourselves that is not always understood. Ritual is a time for joy to be expressed in the celebration of the seasons and a time for sorry to be shared in the cycles of life that take our friends and loved ones from us and a time for everything in between.

It seems almost innate for people to come together to share this idea of the sacred. While the idea of what sacred is varies from people to people, there are very few cultures that do not espouse some version of the ideas of the sacred being a time set apart from secular life. Many cultures choose to make the goals of the two similar, thus ensuring that both are successful. Religion, it would seem, is something that is almost an inborn need of humans, a way of processing the things that we do not understand and of being able to celebrate them.

Why do we place the elements of ritual in a particular order? The simple answer is that it makes it easy for more than one person to follow what is happening when there is a common order to what is being done. The not so simple answer is that there is a logical progression from start to end to rituals that allow people to perform their rites in the simplest and easiest manner possible, allowing more people to participate.

Paganism is a group of religions that tends to frown on a centralized religious structure, and so it is important that more people be able to perform these rituals. Simplicity and structure gives the ability of those who do not wish to spend years mastering the smallest component of a ritual to participate as well. Common sense also plays a part in the order of a ritual. For most people, it makes sense to cast a circle and cut it off from the world outside before inviting the gods and elements as it is somewhat rude to make them stand around and wait, or call them and then cut them off from the ritual as you cast your circle. Some, however, find that it makes more sense to cleanse and purify the area, bring everyone in, and then cast the circle and invite the gods. Still others call the gods first and then cast the circle. As with anything, each person must decide what works best for them and why.

Where do we place things in a ritual? When thinking about where to place an event in a ritual, it is necessary to examine that event to find out what the results might be, or the reason that it is being done. If you are going to Draw Down the Moon (Call a Goddess into a person), then you need to consider just how tiring this is going to be for that person. Will they want to run and jump around to raise energy after? Is the Goddess likely to want that sort of thing?

If a person were going to do a drawing down for a God and Goddess, doing that before the Great Rite would make sense as it is a rite that takes the opposites of male and female and uses that polarity to make the rite that much stronger. Ritual creation takes the ability to think about the small details such as this and form them into a larger, successful whole.

How do we know when it is right to do something and when it is not? Start to decide this by thinking of the outcome of the ritual. What is the purpose that you are getting together for? If you are doing a healing, it would be good to invite gods that have that particular aspect. If you are doing a binding or a deconsecration, choose gods that deal with endings. If you are celebrating Beltaine, a fertility holiday, don’t invoke a Crone goddess who is past her fertile years.

The yardstick that any witch must use in creating a ritual is “Does it make sense to do it this way?” If it does not make sense, then find a different way of doing the event that does. There is no limit to what can be done with ritual. There is no right or wrong way to do a ritual. If it does not make sense to call the quarters, then don’t. Because something has always been done need not mean that it should always be done. Similarly, don’t throw out tradition unless it makes sense to do so.

Circle Casting Dragon Style

Circle Casting Dragon Style

The circle is cast with the Blade, the Cup and the Censor. The
Priest starts with the Blade in the north and draws the boundary of the circle.
As he does he recites “I tread this Path for the Elements, that which comprises
all that we see.”

The HPS takes to sprinkling the boundaries with the Cup filled with salted
water. She recites “I tread this Path for Self, a reflection of the Divine.”

The HP then takes the censor and carries the smoke to the boundaries of the
circle in a deosil direction. He recites “I tread this Path for Spirit,
that which unites all things.”

The HP or HPS then state the charge of our Circle. It is as follows.

“Our Circle is a place where hearts and minds can meet and share in the
wonder and empowerment of a living and loving Goddess. We are a coven of
friends, but above all things we are Family. Our Love and our Magick binds
us together and our Circle keeps us and nurtures us. We are blessed. Blessed
Be!”

The Dragon Guardians are then invoked.

EAST
Mighty Dragon, Guardian of the realms of the East. Your tongue is a sharp
sword, cutting with the knowledge of the arcane. Your spirit flows as graceful
as a swift in flight. Purify us with truth. Blessed Be.

SOUTH
Mighty Dragon, Guardian of the realms of the South, your breath is aflame with
the fires of inspiration and passion. Your spirit is searing and fervent.
Purify us with Love. Blessed Be.

WEST
Mighty Dragon, Guardian of the realms of the West, your coils are the cleansing
healing waves that nurture the soul. Your spirit lunges, leaps and splashes
like a Talbot at play. Purify us with pulsing tides. Blessed Be.

NORTH
Mighty Dragon, Guardian of the realms of the North, your talons run like roots
into the earth, giving you infinite strength. Your spirit is substantial, hard
and pure like a clear crystal. Purify us with persistent wisdom. Blessed Be.

Each of these Dragons has a secret name that they are also invoked with. A
suggestion is that anyone using these invocations meditate to find an
appropriate name for each Guardian and use it along with or instead of the words
“Mighty Dragon”.

I find that the Circle charge sets the mood for the Circle and I change it to
suit the situation.

The Laws (In Regards To Covens)

The Laws

YOUR HIGH PRIESTESS

In the Magic Circle, the words, commands and wishes of the High Priestess are Law. She is the earthly representative of our gracious Goddess. She is to be obeyed and respected in all things. She is our Lady and, above all others, a Queen in the highest sense of the word. All female coveners will curtsy and say “Blessed Be” when they come before Her, and all male coveners will bend their knee and kiss Her on the right cheek and say “Blessed Be”.

YOUR HIGH PRIEST

In the Magic Circle, the High Priest is the earthly representative of the Great God. He commands the respect due a Magus, Lord Counselor and father.

THE LAWS

THE LAWS WERE MADE FOR THE WITCHES TO ADVISE THEM IN THEIR TROUBLES. DO NOT CHANGE THEM LIGHTLY.

The Witches should worship the Gods as is their due, and obey their will. For the worship of the Gods is good for the Witches even as the worship of the Witches is good for the Gods: For the Gods love all their Witches.
As a man loves a woman more by learning more of her wants and desires, so should the Witches love the Gods by the learning (mastering) of them.
It is necessary that the Magic Circle, which is the Temple of the Gods in these times, be cast and purified such that it may be a fitting place for the Gods; and the Witches should be properly prepared and purified to enter into the presence of the Gods.
With love and worship in their hearts the Witches shall raise power from their bodies (and the elements around them), and they shall offer this power to the Gods so that the Gods may help their Witches.
The High Priestess shall rule her coven as the representative of the Goddess, and the High Priest shall support her as the representative of the God. The High Priestess will choose any member of the coven to be her High Priest, if he has sufficient standing in the coven. As the God Himself kissed our Lady’s feet, gave Her the five-fold salute, and offered Her His power because of Her youth and beauty, Her sweetness and kindness, Her wisdom and justice, Her humility, gentleness and generosity, and shared His power with Her, so therefore the High Priestess should always be aware that all power comes from Him; it is only lent, to be used wisely and justly.
The greatest virtue of a High Priestess shall be recognition that youth is necessary to the representative of the Goddess. She will, therefore, gracefully retire in favor of a younger covener should the coven so decide in council. The true High Priestess should realize that gracefully surrendering the pride of place is one of the greatest virtues, and that thereby she will return to that pride of place in another life with even greater power and beauty.
In the Old Days, when there were many Witches, we were free and worshipped freely in the greatest temples; but in these times, we must celebrate our sacred mysteries in secret. Therefore, none but the Witches are to see our mysteries; no coven shall know the location of any other coven or who its members are, except the High Priest, the High Priestess and the Messenger; and that there shall be no communication among the covens, except by the Messenger of the Gods or the Summoner. Only if it is safe may the covens meet in some safe place for the Great Festivals; and while there, none shall give their true names or any information about their coven or its members. This law is made for this reason: No-one can tell our enemies what they do not themselves know.
It is ordained that no-one shall tell any person not in the Craft who other Witches are, or give them names or addresses, or in any way tell anything that can betray a Witch to their face. Nor may anyone tell where the covendom or covenstead is, where any meetings are held or any other information about the coven unless directed to do so by the coven in council.
If anyone breaks these laws, even under torture, may the Curse of the God and the Goddess be upon them, so that they may not be reborn upon the Earth (but shall live forever in the Hell of the Christians).
Let each High Priest and High Priestess govern their coven with justice and love, with the help and advice of the other and of the elders of the coven, always heeding the advice of the Messenger of the Gods if he should arrive. They will heed all the suggestions of their coveners and strive to settle any differences among them.
It is recognized that there will always be people who will try to make everybody agree with their ideas: these people are not necessarily bad — they often have good ideas and these ideas should be discussed in council. But if they will not come to agree with their other coveners or if they say “I will not work with this High Priestess”, then the elders will have them leave. It should be suggested that they might join another coven, or if they are of sufficient standing, they may be encouraged to found their own coven. For it is better this way, to avoid strife among the family of Witches.
When using geographic boundaries, whenever anyone of Third Degree lives more than a league from the covenstead (or are about to), any of these may found a new coven; indeed, any Witch living within the covenstead who wishes to form a new coven will inform the elders of this intention and immediately move to a new dwelling beyond the boundaries of known covensteads. Members of any coven may choose to join the new coven when it is formed, but they must totally avoid their old coven if they choose this course. The elders of the old and new covens should meet in peace and love to determine the boundaries of the covens. Any Witch living outside of any two covens may choose to join either coven, but never both. All may meet for the Great Festivals if the elders agree, so long as they meet in peace and love. Let the elders confer as to the use of this law when it is not directly applicable. Always be aware that the splitting of a coven breeds bad feelings (energy vortices?); this law was made chiefly for this reason. And may happier times come!
If you would keep a Book (whether it is called a Black Book, Book of Shadows, Book of Light, or whatever), write it in your own hand. Let your brothers and sisters in the Craft copy as they will from your book in their hand, but never let your Book out of your hands and never keep the writing of another. Every Witch should keep and guard their own writings, that none may be discovered through their Book being found in another’s possession.
Destroy your Book whenever danger threatens, and commit as many as possible of these Laws to memory. Destroy the writings of a deceased Witch if they did not have time to do so themselves. If any of their writings are found, it is clear proof against both the writer and the holder, for our enemies firmly believe that “one may not be a Witch alone”: their family and all who are known to be friends may be suspected as Witches. Be responsible with your writings and you will protect all who love you.
If your Book is found on you, it is clear proof against you along unless you tell our enemies what you know. You may be taken and tortured, but keep all thoughts of the Craft from your mind. If the torture is too much to bear, tell them, “I cannot bear this torture. I will confess. What do you want me to say?” If they try to make you talk about the Craft, do not; but if they try to make you speak of absurd things, such as flying through the air, consorting with the Christian devil, sacrificing children or eating men’s flesh, say, “I held an evil dream; I was beside myself; I was crazed,” or words to that effect, to obtain relief from the torture. Not all magistrates are bad — if there is any semblance of an excuse, they may show mercy. If you have confessed to anything, deny it afterwards: say that you babbled under torture, or that you don’t remember what you said. If you are condemned, do not be afraid, for the Craft is powerful and your escape will be aided if you stand fast. If you go steadfast to the flames, be certain that drugs will reach you and you will feel nothing of the pain. You will only go to death and what lies beyond — the ecstasy of the God and the Goddess. If you betray anything, however, there is no hope for you in this life or that which is to come.
To avoid being discovered, choose your working tools to be ordinary items which you would have around the house. Make your Pentacles out of wax so that you can break and melt them at once. Do not keep a sword unless its presence would alarm no-one. Have no signs or names visible on anything. Write the signs in ink or water immediately before consecrating the tool and wash them off immediately after. Do not engrave anything, for this will only help you be discovered. Keep your athame and kerfan (working knife) among your kitchen knives, and let the colors of the hilts determine the one from the other and from the other knives. Always remember that we are the Hidden Children of the Goddess. Never do anything to disgrace the Craft or Her — never boast, never threaten, and never say that you wish ill of anyone.
It is not forbidden to say, “There is Witchcraft in the land”, for the Christians say so themselves and have made it heresy not to believe so; but always say, “I know nothing of it here, though it may be elsewhere.” If any person speaks about the Craft outside of the Circle, say, “Don’t speak of such things — it frightens me. It is bad luck to talk about such things.” Say this for this reason: the Christians have their spies everywhere. These spies have been known to talk as if they were drawn to the Craft and as if they would want to come to our meetings, and they say such things as, “My fathers and forefathers worshipped the Old Ones, and my mother; I would like to worship in this way myself.” To all of these, tell them that you do not know what they are talking about, and that you wish they would stop. But to others, say, “It’s silly to talk about Witches flying around in the air; they would have to be lighter than feathers or thistle-down. Besides, everyone knows that Witches are all bleary-eyed old hags; what fun could they possibly have at their meetings, and why should I want to participate? And besides, you know we were taught in school that there are no such things as Witches.” Always make fun of the subject, that we may worship in peace when the persecution ends: let us all work for that happy time. May the blessing of the God and the Goddess be upon all who keep this law.
If any in the Craft holds any property, let all Witches guard it and keep it clear and good for the use of the Craft. It is the further responsibility of all Witches to guard Craft funds wisely.
If any Witch offers a well-made item, it is proper to pay them for it according to the value of the work; this is not taking money for the Craft, but payment for honest work — even the Christians believe that “the labourer is worth his hire”. Still, if any Witch works willingly for the good of the Craft and will not accept payment, this shall be to their greater honor.
It is known that a coven may be bound together by sexual ties, and that this is often not desirable. When it is found that this is not desirable, the coven should be made up of loving couples, and there may also be single coveners. In such cases, it is required that the search for new love be undertaken outside the coven except when two single coveners find love with each other; otherwise, it will often cause division in the coven. For while all acts of love and pleasure are indeed the rituals of our beloved Goddess, She is not inclined to favor acts which divide Her covens and scatter Her Witches unnecessarily.
If there should arise quarrels or disputes among the Witches, the High Priestess or High Priest shall immediately convene the elders and inquire into the problem. The elders shall hear each side separately, and then both together. Their decision should be just, not siding with one side until the matter is determined, recognizing that there are people who cannot work under others, and others who cannot make wise decisions. To those who must always be in charge, the possible solutions for them are to void the coven altogether, find another coven for them, or for them to found a new coven (taking with them all who will go). To those who cannot rule wisely, the solution is that those who cannot bear the rule will leave the coven. No one can truly worship the Gods when personal conflicts among the coveners are not resolved; all who cause strife in the coven must be told, “Go away from us, for the Craft must ever survive.”
In the Old Days, we could use the Art against anyone who treated the Witches badly; but in these times, we must not do so. Our enemies have invented a burning pit of everlasting fire into which their God throws everyone who does not worship Him, except for those few who buy their penance from His priests (for their God always seems to be in need of money). Even as our Gods need our aid to make fertility for people and crops, so it is that the God of the Christians is always needing men to find and destroy us. Their priests tell them that any man who is helped by us will be damned to their Hell forever, to the point that men are mad with the terror of it. But the priests also make them believe that they may escape this Hell if they give up Witches to be tortured, so that these men are always thinking, “If I catch only one Witch, I will escape the fiery pit.” For this reason we have our hiding places, and when no Witches are found, the searchers will say, “There aren’t any Witches, or at least not in this area.” But as soon as one of our oppressors dies or even catches a cold, the cry will go up that it is “Witches’ work”, and the hunt will be on again. And while they may kill ten Christians for every Witch, they will not care, for they are countless millions while we are few indeed.
THEREFORE, IT IS ORDAINED that none shall use the Art in any way to harm anyone or even wish them ill. However much they may injure us, HARM NONE, and may the Christians forget that we exist.
These laws are ordained to help us in our difficulties. No person, no matter how large the injury or injustice they incur, may use the Art in any way to do evil or harm anyone. But they may use the Art, after great consultation with the elders and fellow coveners, to keep the Christians and their tools from harming anyone — but only to constrain them. To this end, some day men will say “That man says he is a mighty persecutor of Witches, but all we ever see him torture are old women — we cannot see that they have hurt anyone, and if they are all such powerful Witches, why has he not been harmed?” They will see him as the evil person he is, regardless of his professed beliefs. We know that too many people have died because someone had a grudge against them, or were persecuted because another wanted their wealth or because they were too poor to bribe the witch-hunters. And many have died only for being old women — so many that most men now seem to believe that only old women are Witches. This is to our advantage, for it turns many suspicious eyes away from us; but we mourn deeply for the old women. Still, in England and Scotland, it has been hundreds of years since a Witch “died the death”; be vigilant, for the misuse of our power might begin the persecutions again. Never break this law, no matter how much you are tempted. Never consent to the breaking of this law: even a High Priestess who merely consents to the breaking of this law must be deposed immediately, for it is the blood of all the Witches that she endangers. DO ONLY GOOD, and then only when it is safe to do anything at all.
Never accept money for the use of the Art, for money always smudges the receiver. Christians take money for the use of their arts, and they sell pot-metal charms, pardons and potions to men so that they may escape from their sins. Do not act like these; as long as you refuse to take money, you will be free from the temptation to use the Art for evil causes. All may use the Art for their own advantage or for the advantage of the Craft, but you must always be certain that no-one will be harmed by its use. Let the coven debate the use of the Art at length, and only when all are satisfied that none will be harmed by its use will the use be allowed. Remember that if you cannot achieve your means in one fashion, your aim may still be reached through another — always harming none.
If anyone in the Craft needs a house or land and there is no one willing to sell to them, you may use the Art to incline an owner’s mind to be willing to sell, provided that the spell does not harm the owner or the property and that the full value is paid without haggling. Never bargain or cheapen anything while living by the Art.
The most important of laws: Do nothing that will endanger anyone in the Craft or which will bring them into conflict with the law of the land or any of our persecutors. In this regard, it is NEVER permissible, in any dispute involving the Craft, to invoke any laws other than those of the Craft, nor may any tribunals be held other than one consisting of the High Priestess, the High Priest, and the elders.
The coven is to keep two books on herbalism. One of these will list the names and uses of all herbs which are cures for ills or are otherwise good for humans, and all may have access to this book to learn these things. But keep a separate book with the names of all poisonous herbs and those used in dark spells, letting only the elders and other trusted Witches know of these secrets or even of this book’s existence.
Remember that the Art is the secret of the Gods and may only be used in earnest — never for show, or pride, or personal glory. The Christians may taunt you saying, “You have no power: Perform some magic for us, and then we may believe.” Do not listen to them, for the Art is holy and is to be used only in need.
It has always been the way of men and women that they should seek after love, and while no one should be reproved for this, it may be to the disadvantage of the Craft sometimes. It has happened too many times that a High Priestess has found a new love and run off with him, giving no word to the coven of this. A High Priestess may resign in full coven at any time, and this resignation is valid; but if she has not resigned, the coven shall wait for her to return for a year and a day (for she may return sooner, having left for love). If she has a deputy, that deputy is to act as Priestess for as long as the High Priestess is away. If she returns within this time, all will be as if she had never left; but if she does not return within this time, a new High Priestess shall be elected in full coven. Unless there is a good reason to the contrary, the deputy, having done the work, should reap the reward and be chosen as the new High Priestess. But if another is chosen, the deputy shall be the maiden and deputy of the new High Priestess.
The High Priest serves at the pleasure of the High Priestess. If the High Priestess is gone for more than a year and a day, he shall continue in his office while the deputy serves in her place. However, once a new High Priestess has been chosen, the new High Priestess will appoint her own High Priest (and it may be the current High Priest or not). Neither the prior High Priest nor his friends may be angry if a new High Priest is chosen, for pride must always give way to harmony in the coven.
The Art is sacred: it is the Art of the working of energies, and it must always be taught inside of the Magic Circle. It has been found that teaching the Art frequently leads to a sexual attraction between the teacher and student — and that this often improves the result. If for any reason this is not desirable, it should be avoided at the beginning by both persons firmly – and verbally – resolving that their relations will be limited to that of brother and sister, or parent and child. It is for the reason that shared love often increases the result of working magic that teaching should always be done from man-to-woman and from woman-to-man. When a coven is made up of members of all one sex, the masculine-to-feminine energy exchange should be adhered to whenever possible. Teaching people about the Craft, however, may be done whenever and wherever it is safe, so long as the teacher is knowledgeable, the student is willing, and the information taught is available publicly or is not a secret of the Art. No-one may charge for teaching, unless it is to cover such expenses as the cost of the room, books or other printed materials, refreshments, and so forth.
Order and discipline must be kept within the coven: the High Priestess or the High Priest should and may punish all faults. To this end, all in the Craft should receive their correction willingly. With the culprit kneeling, all in the Circle should be told of the offense, and the sentence will be pronounced. Punishment might include the scourge or the recasting of the Circle, followed by something silly such as several kisses. The culprit must acknowledge the justice of the punishment by kissing the scourge upon receiving sentence, and afterward by thanking everyone for their loving correction.

SO MOTE IT BE!

Source: “J. Random Folksinger”

Raising, Directing and Releasing Energy in Ritual and Spell Work

Raising, Directing and Releasing Energy in Ritual and Spell Work

Author: Seleya
One of the most important aspects of both ritual and spell work is the raising, directing and releasing of energy. While most understand the concepts, the reality is something altogether different. Since no two people are the same, and no two people resonate with the same methods of raising, directing and releasing energy, it is important to understand the nature of these three functions of energy usage.

While it’s simple to say: “…here is where we raise the energy, direct it and than release it…” it’s quite another thing to actually accomplish those three little things. Some say dance, sing, chant, drum, etc., but what are we actually doing while we dance, sing, chant, drum, etc.? Does the dancing, singing, chanting, drumming themselves matter? The answer is no! What matters is the energy raised when these actions are performed by the person or people involved.

So how do we raise, direct and release energy? By using any method we are comfortable with that will help us to focus our minds, focus our intent, focus the energy in us, around us in our immediate environment, in the Earth, the Sun and the Universe; to bring the energy to us, and into our circles, to accomplish the desired purpose.

Many people are in such a hurry, they omit the “grounding” part, that should always be at the very beginning or any work, be it ritual, ceremony or spell. First, this helps to connect us to the energy in ourselves, our environment and the Earth, Sun and Universe, than that connection “grounds” us, by helping us to shift our attention, our focus and our consciousness to an altered state (i.e.: from the mundane to the sacred or higher consciousness) . It is from this “altered” state that we raise, direct, and release energy, by setting aside all thoughts and focus on our daily lives and moving into an altered state.

Without the shift in consciousness, it’s just dancing, singing, chanting, or drumming… all mundane experiences, in and of themselves. The “magic” starts with the mind shifting to an altered state, where it can focus on actually raising, directing and releasing energy.

By “raising” energy, we are increasing the level of energy within not only ourselves but within the circle we have cast. As the energy begins to increase, we focus and concentrate it or condense it, until it is nearly palpable. It doesn’t matter what “method” we use to raise the energy, only that that form resonates with our psychic, our bodies, or emotions and our spirits. We have to reach out to the energy we are attempting to raise, with our hearts, minds, souls and spirits; we have to become one with it. Once that connection has been established, we can than move on to “directing”.

The directing of energy is the beginning of actually “using” the energy raised. It’s the part where we take the focused and condensed energy, and “point” it at and “direct” it into the work at hand; be it ritual, healing or spell. The raised energy must be sent into that which we desire to become reality. Without this step the energy will simply dissipate, and eventually drain into the Earth; any residual, left over energy will make us feel edgy, nervous, agitated or nauseous.

The most important part is the “releasing” part. We have to release the raised energy into the working; we can’t “hold” onto it, or the working will fail for a lack of energy. However, this last step is the most difficult to accomplish. Because we have connected with the energy we have raised, in the process of raising it; it is natural to “hang on” and stay connected to it. In order to “release” it we must sever that connection and re-shift our consciousness back into a mundane state. We have to move our consciousness away from the “work” and focus on something mundane, like the “cakes and ale”.

Now comes the hardest part of all. Just saying, “I am releasing the energy”, during the ritual or spell, is not enough. We have to actually and COMPLETELY release all the energy, all focus, thought and worry or anticipation about the “working”. If we hang onto to any part of it, we are maintaining our connection to the energy, and will drain it away from our work. We cannot think about, worry about or “wonder” when the ”work” will come to fruition. We have to “know” that by fully releasing all energy, all thought, all connection to the work, it has already become reality, even if we have not yet experienced it.

There is no magic wand like in the Harry Potter novels; the “work” or “magic” has to be allowed to function along natural lines in accordance with the Universal Laws of physics. We will not wake up in the morning miraculously thin, rich, etc. Everything in its due course. If the energy has been properly raised, directed and released, then the work is already done. It has already come about, whether we can see it at the moment or not. It’s out there, and on its way to us in what ever form we need or that the Gods determine.

The more we want something, need something; the more difficult it will be to do the last part – the releasing. In the mid 80’s, I attended several “spoon bending” workshops conducted by a physicist named Jack Hoak. He and a Metallurgist friend were working for the Pentagon at the time, conducting experiments on using the mind to bend metal (with a war application, of course) . In the workshops we learned to bend silver spoons, forks and knives with the power of our minds. And yes, it does work!

The children did if first and the rest followed quickly. The trick? Release.

It was during these workshops that I really learned to understand the concept of “release”. It was easy to concentrate on the spoon bending, but quite another thing to remove all focus from the spoon so it could actually “bend”. My first spoon bent, when the person next to me squealed with delight as their spoon bent, the moment my attention was completely drawn away from my own spoon, it bent. I had released the energy I was mentally focusing and directing at the spoon “to bend”, and then it did.

While it seemed to work best when there are many people present (easily raising the energy?) , it has yet to work for me when I am alone. Partly because of my own belief that it will only work with others present, and partly because there is nothing to distract me into releasing my energy. Practice – I need more practice.

It all takes practice. Be patient, it’s helpful to start out with the little things and work up to the bigger things. We must believe to see, not the other way around.

As with everything – practice, practice, practice.

The Wisdom of the Witch

From “Griefdancer”, a poetic book on spiritual growth by Florence Mattersdorfer

Seeing
What no one wants to hear,

Hearing that which is
Unseen,

Alive within the eye of
Any storm,

The living earth is the hearth
That is home.

Lighting a spell of thanks and in doing so
Releasing all worry,

The gods know as does she
That all is as it should be.

And, touching the earth with loving hands
Then crossing the stream with bare, cold feet,

She walks her sacred circle to honor all
And marks her altar with book and stone.

All hopes are cast with wand of birch
Into nature’s realm, her spiritual church.

And though possessing no material wealth
Wealth abounds around her and the wisdom
Of this witch.

Submitted by Florence Mattersdorfer

Using Smudge

Personal spiritual cleansing and empowerment are often art of a smudging ritual. Anticlockwise spirals up and down the body with the smoking smudge stick are used to remove negativity, followed by clockwise smoke spirals to restore energy and bring power. Two people can do this, each with their own smudge stick, by standing and facing each other and moving in rhythm as though dancing. The crown is sealed with a clockwise circle and the feet likewise, followed by a final clockwise crown circle.
Mark boundaries around your home against bad neighbors or potential intruders by creating a psychic defense wall with alternate anticlockwise and clockwise spirals of smoke. Chant as you smudge:

May goodness and those with good intent enter her and only peace remain.

Purify a home or individual rooms of negativity, whether from a hostile visitor, quarrels or an unfriendly ghost, by using anticlockwise spirals.
Purify and empower artifacts, such as items you have bought, been given or inherited, especially jewellery, to make it your own. Pass objects or crystals through the smoke nine times anticlockwise to purify them; followed by nine circle clockwise. The words you speak and the fragrance you use will direct the purpose and attract the appropriate energies.
Cleanse and empower magickal tools and your indoor and outdoor altar.
Open the four main directions in a ritual. With practice you can make an invoking earth pentagram with the smoke from a small smudge stick.
Unite the six directions: East, North, South and West (the order o honoring the universe in smudge rituals), then Earth (downwards) and Sky (upwards).
Use for planetary healing or peace rituals.
Heal people, animals and places where there has been a human or naturally created disaster. Direct the smoke towards an absent person or animal, or a place or swirl it in huge spirals in all the directions. Chant the purpose continuously until you reach a powerful speed and intensity of words and movement with the smoke. then lower your voice and smudge more slowly until you end with a gentle final thrust and a whispered:

May ___________ be healed.

Smudge round the outline of a drawn plan of your workplace, anticlockwise and then clockwise, to bring positivity to the office. (Smudging the office itself might set off smoke alarms.)
In wish magick, use chant to call what it is you desire while writing the wish in the air with a smudge stick. End with three deliberate spirals of smoke directed directly upwards (with hand or fan).
Induce a state of meditation or, before divination, use fragrances like juniper, mugwort, pine, sage, yarrow or sweetgrass to amplify psychic powers.
Cleanse and heal the human aura, the rainbow-colored energy field that extends an outstretched arm span all round us in an ellipse. Move anticlockwise to remove impurities and clear blockages in the energy flow and clockwise to fill the aura with light and energy.
Create a sacred circle or strengthen one already made with salt and water and/or a candle flame. Casting a smoke circle around you gives protection during magickal work or divination and concentrates power.
Use smudge in personal dedication ceremonies when you declare intentions and transform the energies around you to galvanize the transformation.
Connect with benign guardian spirits, wise ancestors and angels.
Smudge can act as the East/Air element instead of incense in outdoor rituals and on your outdoor altar.

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