The Snow Maiden

The Snow Maiden

(Russia)

Many readers will already be familiar with the tale of the Snow Maiden. It come to us from Old Russia, a land of sparkling forests and frozen palaces. The tale begins, as do so many folktales the world over, with an old childless couple. They are poor and devoutly religious (poverty and piety being de riguer for old childless couples in folktales). While cutting wood in the forest, they take a break to build a snegourochka, a little girl made of snowballs. Lo and behold, the snegourochka comes to life, and she is everything the old couple ever dreamed of in a daughter. She is pretty, respectful and well dressed in fancy boots, cloak and diamond tiara. She helps out around the house and conveniently for her elderly parents, she’s bypassed the diaper stage.

The storyteller would have us believe that this Snow Maiden is a gift from God, a reward for the old couple’s unwavering faith. Given the outcome of the story, however, the exercise seems cruel and pointless in God’s part. For Snegourochka is not a child of flesh but of snow. In some versions of the story, she crumples at the first sign of spring. In others, she lasts until Midsummer, only to be vaporized by the St. John’s Day fires. A few writers hint at the possibility that, like Frosty, she’ll be back again someday, but this is a modern gloss. When the girl is gone, she’s gone and the old couple is left with nothing but a soggy patch of forest floor.

No doubt it was a witch and not an angel hiding behind one of the snowclad fir trees in the forest that day–perhaps Baba Yaga or one of those pesky German witches flown over from the west. “Be careful what you wish for, “ she might have cackled to herself as she worked her magick over the doomed little snegourochka.

Excerpt from:

The Snow People
Linda Raedisch
Lllewellyn’s 2012 Witches’ Companion
An Almanac for Everyday Living

We Three Crones

We Three Crones

by Heartsong

Tune: “We Three Kings

 

We three crones of magic-past are,
Bearing gifts, we traverse afar,
Fields & fountain, moor & mountain,
Following each our star.

Chorus:

Oh, star of wonder, star of might,
Star of radiant beauty bright,
Inward leading, still proceeding,
Guide us with thy magick light.

Gold I bring, the Earth’s hidden gleam,
Guards our Mem’ry, draws forth our dream;
Weary-curing, strong enduring,
Holding time’s circling stream.

Chorus

Frankincense I carry with me.
Incense aids the spirit to see;
Analyzing, wize, up-rising,
Sense of the Earth, flow free!

Chorus

Myrrh is mine, it’s bitter perfume
Lifts new life, a magical broom;
Praying, flying, purifying,
Away with old lingering gloom.

Chorus

Glorious gifts of magic (wimmin) we praise,
Maiden, Mother, Ancient of Days;
Strength, and sense, and energy; whence
Return to our sacred ways.

Chorus

The Crone

 The Crone

Posted byPatrick McCleary
 
In my third and final installment covering the aspects of the Goddess, we turn to the Crone. Ancient Hag of the boundless wisdom. I hope that you enjoyed the last two sections.
Charge of the Crone

Come closer my grandchildren sit at my feet and hear my words. Let me tell you the story of my life and the lessons I have learned. Know that I am the Darksome terrible Goddess, but I only bring terror to those who do not understand.

I am Hecate, the Crossroads. I am Morganna, Raven of Battles. I am the widow descending to the Underworld to find my lost husband and my future son. And I am the womb that they are born from.

Know that at lifes end I will be waiting for you; to guide you through death and into rebirth. And that I will be there at birth to guide you through birth into life.

To truly taste life is to worship me. For Magick and art are my domains and my greatest lesson is love itself. So let there be compassion in your anger, power in your humbleness and mirth balanced against discipline.

Yet remember that if you seek to remove my veil and see my true face you have only to look within for I am always with you from the beginning to the end.

AspectsWho is the Crone? She is the one who, wrapped in mystery, brings the wisdom that is key to unlock the ancient mysteries. She is blunt and sometimes harsh but that is only because she has learned the value of unfettered honesty. The end of her life draws near and she has no time to indulge people in their illusions. She can be turned to when the world has baffled you, because she has lived a long life and more likely then not she has already solved the puzzle that faces you.See her face in the dark of the Moon and the cool night shadows and look within to know that she has always been with you from birth through death. She is the tomb that is the womb that leads from death into the rebirth and new life.

The Crone goddess of the Welsh was Cerridwen. A shape-shifting goddess of divination and enchantment. Her cauldron is a symbol of death and of life. It represents the womb and the tomb through which we have all passed and will pass again.

Her cauldron can contain the elixir of immortality that allows us to pass through death and into rebirth to live again. It may also contain the waters of Knowledge. Which would make it the Grail that Arthur seeked so long for. For a king of the Celts ruled by the will of the Goddess.

The ancient race of the Slavs worshipped a Goddess called Baba Yaga. She is the old crone that guards the Water of Life and Death. She is oftentimes represented as the wild untamed forces of nature but as we know the storm brings the water of life allowing for rebirth.

Her symbols are the birch tree, the tree of beginnings and endings. She was also known as the White Lady as she is stiff and white and carved of bone

 
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A Visit With The Crone – A Short Story

A Visit With The Crone – A Short Story

Author: Jadalya Boudicca

 
The inspiration for this short story came to me after a very turbulent and uncertain time in my life. I had just taken a major leap of faith that would have long-lasting effects, and whether it was positive or negative I didn’t know. Basically, one period of my life was ending, and another was beginning. I was terrified and unsure of myself, peering over the edge of the proverbial cliff and readying myself for the leap into Goddess-knew-what. I was coming face-to-face with the Crone, that unpleasant and brutally honest Hag that always appears when a death is imminent.

For those unacquainted with Crone energy, She can be one of the most terrifying aspects of the Goddess to face. Whether She be Black Annis, Baba Yaga, Kali, or one of the Fates, She always evokes a sense of foreboding, and it is well that She does, for She is not surrounded by flowers and sunshine, like the Maiden, nor does she carry a countenance of nurturing comfort, like the Mother. She is the essence of wisdom in its most raw form; She sees what lies in the murky darkness beyond and stares into it without fear. By communing with the energy of the Crone, one learns to accept death in life and acknowledge its necessity in growth. This is a hard lesson to face, and many of us will continue to struggle with it time and time again; however, when we learn it, we are graced with the ability to accept life’s flow and live in continuity with it’s cycles rather than fight it, and by doing so, we grow.

Let me introduce you now to the Crone.

A Visit With the Crone – A Short Story

I have met the Crone once or twice. Her fearsome eyes look you through to your bones, the houses of your stories, and read there all that you are and from whence you have come. She judges there where you will go, for she knows where all things must go.

The first time I met her, she scowled at me. “Your stories are dry; your words have no flavor and your lips are all but dead. One day you will die, and then what? Ha! Come back to me when you learn of it, and THEN share with me a story worth hearing, and I shall give you one as well.”

“But I do not know how, Grandmother, ” I said. “The only way I know to learn IS to die, or become near-death, and I fear it…Grandmother, I fear it’s grasp!”

“Heh…you are dead enough now, living as you are, “she replied, her voice harsh and rasping. “Go from me, now, and do not return until you have something worth saying and something worth hearing.”

I departed from the Old Hag then, forlorn. What is this she asked of me? To die, and THEN tell a story? One cannot do such a thing; it is impossible! Foolish old woman, I thought. Better to never go back…she spins old wives’ tales from the cobwebs of her senile mind!

I went to sleep then, and dreamt of great suffering, and of the Grandmother gnashing her teeth and swallowing me whole. “No, Grandmother!” I screamed. “Do you not recognize me? Do your eyes not know me?”

“I do not know you, ” she said, her eyes dark and glistening, her teeth yellow and tearing at me. “I do not know you because you do not know yourself.”

I leapt awake then, sweating and gasping for breath. Just a dream, I told myself. The old Hag has me scared out of my wits, with all her talk of death and dying! Let me throw her off now, out of my mind. And with that, I rested my head once more, and fell back into dreaming.

Once again, the Grandmother appeared in my dreams, with her fearsome grin and watery eyes. “Grandmother, ” I screamed, “why do you do this to me!”

“I do not do this to you, ” she smirked, “for you do it to yourself.”

Once again, I leapt awake, trembling and fearful. Were these just dreams? I shall face the Hag, once and for all, I thought. And a third time I slept, and a third time she appeared, more terrible and ferocious than before, making wrathful sounds and threatening to tear me apart.

“Grandmother, ” I said, my voice small from fear. “Three times you have appeared to me, and three times you have come to me with death. I am afraid, but I am here to face you now.”

“Then face me you will, ” she said, and swallowed me up. Down into the darkness of her belly I fell, but it instead of pain, I felt only warmth. How strange, I thought. The softness cradled me, and down I went, until a light could be seen. The light terrified me, but on and on I went, until I was enveloped no longer in darkness, but in light, and I felt arms around me, cradling me. “There, there, my sweet daughter, my beautiful one, ” a voice whispered, and when I opened my eyes I saw not the Hag beast, but a beautiful woman, and I knew this to be Mother.

“Mother, where has the old Hag gone?” I asked.

“She is here, too, ” the Mother said. And with that, I awoke, no longer afraid.

I rose and sought out the old Crone. “Well, ” she croaked. “What have we here! You are not the same sniveling girl that was here yesterday. Sit, and tell me what has changed. Tell me your story.”

I told her of my dreams, and as I told her my story, her eyes softened. “I have learned not to fear endings, Grandmother, for with all endings come beginnings.”

The Crone nodded, and her bones creaked as she roused herself. “That is a good story, child, ” she said. “Now, as promised, I shall tell you one myself.”

She looked at me then, and the darkness of her eyes drew me in until I once again could see nothing but black. In the darkness I saw swirls of light, small suns and stars. I saw these lights split and come back together, until they took the shapes of animals, great and small, all coming from the same light, and all returning to the same light. I saw men singing their songs, and women weaving their tapestries, until sound and material became one, intertwining all life together.

“You see, child, ” she whispered. “All comes from One, and all is connected. You are I, and I am you.”

“Croning Blessing”

“Croning Blessing”
by Noel-Anne Brennan

We call to you now, Ancient One, From the times before the Beginning, from the place before time, Eternal. We call to you, Dark Moon, Mighty One, By all your names Spoken and unspoken. Rhea, Mother of Time, Macha, Lady of Power, Baba Yaga of the forests, Kali, Dark Mother, Hecate of the Crossroads, Queen of magic. Mighty Goddesses and Crones, Bless us And bless the Crones Of our circle, First among sisters. Bless them, bless them, bless them, Mighty Ones. We thank you.

A Visit With The Crone – A Short Story

A Visit With The Crone – A Short Story

Author: Jadalya Boudicca
The inspiration for this short story came to me after a very turbulent and uncertain time in my life. I had just taken a major leap of faith that would have long-lasting effects, and whether it was positive or negative I didn’t know. Basically, one period of my life was ending, and another was beginning. I was terrified and unsure of myself, peering over the edge of the proverbial cliff and readying myself for the leap into Goddess-knew-what. I was coming face-to-face with the Crone, that unpleasant and brutally honest Hag that always appears when a death is imminent.

For those unacquainted with Crone energy, She can be one of the most terrifying aspects of the Goddess to face. Whether She be Black Annis, Baba Yaga, Kali, or one of the Fates, She always evokes a sense of foreboding, and it is well that She does, for She is not surrounded by flowers and sunshine, like the Maiden, nor does she carry a countenance of nurturing comfort, like the Mother. She is the essence of wisdom in its most raw form; She sees what lies in the murky darkness beyond and stares into it without fear. By communing with the energy of the Crone, one learns to accept death in life and acknowledge its necessity in growth. This is a hard lesson to face, and many of us will continue to struggle with it time and time again; however, when we learn it, we are graced with the ability to accept life’s flow and live in continuity with it’s cycles rather than fight it, and by doing so, we grow.

Let me introduce you now to the Crone.

A Visit With the Crone – A Short Story

I have met the Crone once or twice. Her fearsome eyes look you through to your bones, the houses of your stories, and read there all that you are and from whence you have come. She judges there where you will go, for she knows where all things must go.

The first time I met her, she scowled at me. “Your stories are dry; your words have no flavor and your lips are all but dead. One day you will die, and then what? Ha! Come back to me when you learn of it, and THEN share with me a story worth hearing, and I shall give you one as well.”

“But I do not know how, Grandmother, ” I said. “The only way I know to learn IS to die, or become near-death, and I fear it…Grandmother, I fear it’s grasp!”

“Heh…you are dead enough now, living as you are, “she replied, her voice harsh and rasping. “Go from me, now, and do not return until you have something worth saying and something worth hearing.”

I departed from the Old Hag then, forlorn. What is this she asked of me? To die, and THEN tell a story? One cannot do such a thing; it is impossible! Foolish old woman, I thought. Better to never go back…she spins old wives’ tales from the cobwebs of her senile mind!

I went to sleep then, and dreamt of great suffering, and of the Grandmother gnashing her teeth and swallowing me whole. “No, Grandmother!” I screamed. “Do you not recognize me? Do your eyes not know me?”

“I do not know you, ” she said, her eyes dark and glistening, her teeth yellow and tearing at me. “I do not know you because you do not know yourself.”

I leapt awake then, sweating and gasping for breath. Just a dream, I told myself. The old Hag has me scared out of my wits, with all her talk of death and dying! Let me throw her off now, out of my mind. And with that, I rested my head once more, and fell back into dreaming.

Once again, the Grandmother appeared in my dreams, with her fearsome grin and watery eyes. “Grandmother, ” I screamed, “why do you do this to me!”

“I do not do this to you, ” she smirked, “for you do it to yourself.”

Once again, I leapt awake, trembling and fearful. Were these just dreams? I shall face the Hag, once and for all, I thought. And a third time I slept, and a third time she appeared, more terrible and ferocious than before, making wrathful sounds and threatening to tear me apart.

“Grandmother, ” I said, my voice small from fear. “Three times you have appeared to me, and three times you have come to me with death. I am afraid, but I am here to face you now.”

“Then face me you will, ” she said, and swallowed me up. Down into the darkness of her belly I fell, but it instead of pain, I felt only warmth. How strange, I thought. The softness cradled me, and down I went, until a light could be seen. The light terrified me, but on and on I went, until I was enveloped no longer in darkness, but in light, and I felt arms around me, cradling me. “There, there, my sweet daughter, my beautiful one, ” a voice whispered, and when I opened my eyes I saw not the Hag beast, but a beautiful woman, and I knew this to be Mother.

“Mother, where has the old Hag gone?” I asked.

“She is here, too, ” the Mother said. And with that, I awoke, no longer afraid.

I rose and sought out the old Crone. “Well, ” she croaked. “What have we here! You are not the same sniveling girl that was here yesterday. Sit, and tell me what has changed. Tell me your story.”

I told her of my dreams, and as I told her my story, her eyes softened. “I have learned not to fear endings, Grandmother, for with all endings come beginnings.”

The Crone nodded, and her bones creaked as she roused herself. “That is a good story, child, ” she said. “Now, as promised, I shall tell you one myself.”

She looked at me then, and the darkness of her eyes drew me in until I once again could see nothing but black. In the darkness I saw swirls of light, small suns and stars. I saw these lights split and come back together, until they took the shapes of animals, great and small, all coming from the same light, and all returning to the same light. I saw men singing their songs, and women weaving their tapestries, until sound and material became one, intertwining all life together.

“You see, child, ” she whispered. “All comes from One, and all is connected. You are I, and I am you.”

Encounter with an Ancient God

Encounter with an Ancient God

 

by Janice Van Cleve

As Samhain night approaches, our Women of the Goddess circle quickens into high gear. We collect old mattresses, blankets and cushions. We buy cases of garbage bags and rolls of duct tape. Don’t forget the red candles! We haul, we clean, we make architectural decisions on the fly. For this is the time of the year when we transform a simple basement into the Underworld.

We are so excited! On Samhain night we gather in silence, black-robed and -caped, in the living room. No lights shine nor music plays. No conversation passes between us. One candle only illuminates the room as we wait in nervous anticipation. At the stroke of the hour, the hostess rises to lock the door. Then she bids us line up at the head of the stairs and descend, one by one, as we are called.

Save for flickering votives in colored glass strategically placed here or there, the narrow passages of the Underworld are pitch black. Garbage bags by day become unearthly living walls at night. As we carefully feel our way through the maze, we encounter the Dark Goddess in several of her forms. She may appear to us as Hecate, Kali, Baba Yaga or Erishkigal. She may appear as the Fates, the Norns or as sorceresses and witches. Each challenges us before she admits us past her portal. At last, we all arrive in the Underworld chamber and conduct our rites, thankful for the cushions and other items that give us some comfort from the cold stone floor.

I am as excited as the rest, but my appreciation of the Samhain rites this year will be undeniably affected by an encounter I had in another underworld last month in faraway Peru. I was in Peru for an archeological expedition to various Inca and pre-Inca sites. One of many we visited was Chavin de Huantar, a mysterious temple complex hidden in a steep valley on the Amazon side of the Andes. The Chavin culture exerted enormous influence throughout the region of Peru about 400 BCE, around the time that Rome was just beginning. In the Americas, the Chavin invented the weaving of cotton and wool, engineering with stone and massive architecture. The complex itself is a combination of huge three-story block buildings and large sunken courtyards. The exterior of the buildings was originally decorated with carved heads and painted red. However, it was the interiors that I found most fascinating.

Inside the solid mass of stone were corridors, passageways and rooms in a series of underworld labyrinths. They were ingeniously constructed so that water was drained out and fresh air circulated in through small vents that tunneled through the rock to the outside wall. Linking the rooms were galleries with modern fanciful names such as Gallery of the Captives, Gallery of the Bats and Gallery of the Madman. Just enough electric lighting is installed to present the outlines of the chambers without taking away from their shadowy quality. It was in one of these underworld corridors that I encountered The Lanzon.

The Lanzon is an imposing idol of carved stone some 15 feet tall. It stands in a narrow chamber barely large enough to hold it. Passages less high extend in all four directions from the midpoint of this chamber so the viewer can see only the head and midsection of the idol. A gate prevents visitors from approaching too close. Light filters in from cleverly contrived roof openings above the statue, bathing it in a surreal glow.

The idol itself is a curiously rendered icon, etched into a smooth, wedge-shaped granite prism whose angle faces the viewer. The figure is of an anthropoid being with snakes for hair and fat smiling lips that display a proud set of finely spaced teeth and two fanged incisors. Long sharp fingernails grace its hands; the left one hanging at its side and the right raised as if in greeting. On its head is a tall crown of feline heads, and from its ears hang huge round pendants. Set edge-on to the visitor, the whole work cannot be appreciated at once, but only the portion in view from the corridor. From that position, one or other of the idol’s baleful eyes looks directly at you.

“It’s just an old stone,” I said to myself. But it wasn’t. It was a real idol. To it had been sacrificed human lives, their blood splattered all over the corridor where I stood. Into it had been fused human energy and power, and these I could still feel from it even after all the intervening centuries. It was strange and eerie to be aware of this undead presence, to acknowledge it and yet not be part of it. The Lanzon was the god of a people long past, not my god, yet worthy and real for the human potency with which they imbued it. It disquieted me, yet I felt a respect for it that was different from my own traditions, but for all that no less valid.

So as I approach this Samhain and prepare to enter the Underworld we will create, I am a bit more aware that there are deities and beings in the darkness beyond my ken. They are different. I don’t understand them. I don’t even know them. Yet they do exist, and as the veil between the worlds draws thin this night, I realize my view must be broader and open to the unexpected. No matter how many times I celebrate these rituals and how many roles I take, they still present a mystery. And now, because of my encounter with The Lanzon in its own underworld, I can appreciate the mystery of my own that much more.