Tag: art

DESTRUCTIVE KNOT SPELL

DESTRUCTIVE KNOT SPELL

If there is a situation, problem, possible menace you are facing, there is a knot spell for this.
Take the cord and firmly visualize the problem in all its agonizing detail.
Become emotional about it; seethe with anger, crumble into tears, whatever works.
Then firmly tie the knot. Walk away from it, out of the room if possible.
Take a shower, eat, do whatever will get your mind off the spell and allow you to relax.
When your emotions are stabilized return to the knot. With calm and peace untie the knot.
See the problem vanishing; dissolving into a dust that is swept away by the cleansing,
refreshing North wind. It is done.

Dragon Rituals

Dragon Rituals

 
 
After one or two visits to a dragon place, you can try a ritual. I rarely invite dragons into my indoor altar as they are so potent and the energies diffuse and so are best encountered in their natural environment. You can, however, cast a dragon ritual in your garden Equally, when working with dragon magick, I don’t cast a formal circle because dragon energies need lots of space to avoid spiritual overheating.
 
Dragon rituals should be carried out no more frequently than bi-monthly though there is nothing to stop you visiting a dragon place and absorbing the power weekly. I have a local dragon cave. When the tide is very low I sometimes sit here and work. Inside the cave is too small an area for spellcasting as the dragon energies need to be free.
 
Create chants or drum to tune in with the dragon energies. You can chant spontaneously during a ritual or write one that you use to call your dragon or to connect with a particular dragon site that you visit regularly.
 
If you wish, you can use a crystalline dragon’s egg in dragon spells as a focus for power, courage or abundance, and afterwards keep it on your garden altar or in the heart of your home. Light a red candle next to it once a week to keep the dragon power flowing.
 
A dragon’s egg is a white, opaque, very solid kind of rock crystal that resembles an egg. Alternatively, you can use two matching halves of a stone egg with tiny crystal embedded inside like a geode. Any agate egg or oval white stone can be substituted.
 
If you are lighting incense in the dragon place, use dragon’s blood. Use tarragon, the dragon’s herb of courage and power, to sprinkle as the earth element. This is also a good offering to leave for your dragon in her place. If there is a suitable spot near the rocks, you can plant a tiny tarragon seedling and add a new one whenever you visit.
 
Empower a dragon charm, ring or pendant by setting it in the centre of a spell. Re-empower it by wearing or carrying it when you visit your dragon place.
 
Face south for dragon spells and rituals. East will then be on your left instead of right hand though the actual direction does not change.
 
After a dragon spell or ritual, leave an offering of thanks. Dragons love gold, perhaps in the forms of a small earring or a small carnelian or bright red flowers.

Making Dragon Magick

Making Dragon Magick

 
 
Half-close your eyes as you sit outside or near caves or rocks. If the light is bright, you may see the swirling iridescent silver, purple, gold, green and blue of the dragon outline shimmering ahead. Let the image enclose and energize you and breathe slowly and regularly, allowing the warm, shimmering colors to flow in and out of your own energy field, your aura. If you see nothing externally allow the image to build up in your mind and superimpose it in your imagination on the scene.
 
You may see an image of the dragon and her fabulous treasures within the cave or see her flying upwards towards the sun. There is no danger in this for she is a spiritual force, experienced through the layers of countless millennia.
 
You may feel very warm as though close to a bonfire and see sparks or sunbeams dancing in the air all around.
 
When you are ready, close your eyes and gently push away with your hands palms outwards and upright. Allow the energies to move away, or you may sense them fading spontaneously as the dragon moves on.
 
Don’t ask for anything. The experience is enough and will help you to move with confidence and attract and spread the abundance you need.
 
Be sure to take a bottle of water to drink afterwards and splash on your hairline, brow, throat and wrists or palms to cool you down.
 
While you are still there, take time to write in your Book of Shadows. You may have heard words in your mind as you experienced the dragons power or they may come now and even if you are not normally poetic, the encounter will trigger off rich and vivid descriptions of flying with the dragon, the mysterious smoke-filled air within the cave and metallic colors of your dragon. If you open your eyes in the night before sleep the colors may reform.
 
Afterwards is a good time to explore the caves and rocks, if accessible. Even if you are crammed in a tourist party, you can sense your dragon and maybe the special place that you connected with in your visions and see the shimmering silver and purples reflected on the dark walls.

The Prime Ritual Tool In Dragon Magic – The Sword

The Prime Ritual Tool In Dragon Magic – The Sword

 

The prime ritual tool for dragon magic is a sword. It does not have to be elaborate, expensive sword. Choose one that is not too long or heavy because you will often hold it out before you for long periods of time. For a woman, a sword 18 to 20 inches in length is usually the right size. Some prefer Scottish claymores and other large reproductions, but have enough sense to know that your shoulders would be aching miserably after a few minutes of holding it out in front of you. Besides, long swords are notoriously clumsy and difficult to maneuver with a cast circle. It is quite easy, when totally involved in magic, to sweep everything off the altar with a swinging sword. Men should also chose a lighter, shorter sword for the same reasons. Swords do not need a sharpened edge.

 

The magician could use a painted wooden sword as a substitute for a metal one, although you might find it difficult to adjust your thoughts to the use of such a ritual tool. However a dragon is not impressed by the weight or elaborateness of a sword, just the fact that you have one. The sword is of the element of Fire.

About Basic Dragon Rituals

About Basic Dragon Rituals

 

 

Before beginning rituals, it is suggested that you set aside time for work with changing, music and dance, as well as meditation. Consider these activities the training exercises an athlete goes through before actually participating in the main event.

While practicing rituals, the magician can begin to collect the ritual tools she/he needs to begin performing dragon magic. Do not fall into the trap of equating expensive with better. Once you have established communication with the dragons, they will lead you to many of the tools; dragons seem to be very conscious of a good buys.

Although ritual magic is a serious practice, the magician must also make room for fun. Music and free-form dance can be very important in keeping dragons interested. These activities are also of importance to the magician, since most humans live lives full of stress and over-seriousness. Know yourself, know your real intentions for doing ritual, and enjoy your time with the dragons. Take time to be a child again, non-judgmental, full of wonder and delight at the antics of dragons. Learn from them when to be serious about life and when to lose yourself in play and pure enjoyment. My dragon has taken part in rituals with total concentration and involvement, only to spook one of the cats when we are finished.

Enjoy yourself with your dragons. Ask them for help in whatever you are striving to accomplish. Provide them with friendship and the chance to frolic in the energy vibrations you create. Learn from them. But never, never, treat them as commanded slaves or take their friendship lightly. Dragon magic is serious business. Be an honest friend, and you will receive honest friendship in return. Dragons are not like humans. They feel no compunction to continue a friendship or be helpful or even nice if you mistreat them.

It is helpful to the magician with dragons as co-magicians to keep a notebook detailing inner experiences while working this type of magic. Some dragons will appear only during certain phases of the Moon, while others arrive during specific weather patterns such as storms, long hot spells, etc. Other dragons hung around for days, especially if the magician is going through a period of turmoil in her/his life. Some dragons make brief appearances during a ritual and are not seen again for quite some time.

Each dragon has a definite feel to her/his personality just as humans do. The magician must learn to recognize them individually even if she/he never learns their names. Dragon names are usually never what they seem, since dragons are extremely cautious about giving their true names to humans. I never argue or press them on this point since I feel they have a right to their privacy if they desire it.

It is a quite an ordinary occurrence for a magician to work the dragon rituals several times before becoming aware that she/he has attracted dragons-helpers. Do not become discouraged if you are not immediately aware of their presence. Be patient. Dragons have good reason to be wary of humans. Prove your trustworthiness and friendship to them. A friendship developed slowly and on a firm found lasts the longest.

Ritual Tools and Dragon Magick

Ritual Tools and Dragon Magick

 

Every sincere, dedicated magician is always searching for new ways to amplify her/his magical powers so that her/his manifestations will be more accurate and consistent. Using the elemental-type power of dragons to help in your rituals is an excellent method of increasing the flow of energy within the cast circle.

There are certain ritual tools that you will find helpful for dragon magic. If you are already practicing magic, you will have some of them. If you are just beginning to work in magic, acquire your tools slowly and with care. Tools do not have to be elaborate or expensive to work magic. For example, I have never found that a little silver wand (these are really expensive!) could do more than a piece of dowel lovingly decorated by the magician. And the tools do not have to be acquired at once or before you can start your magical workings.

If you budget does not allow any purchases at the moment, do not put off beginning your practice of dragon magic. Start off with the kitchen table or the nightstand in the bedroom as an altar. One white candle in a fireproof holder is better than none; however, if you cannot have a candle, substitute an electric candle or small light. A paring knife will work as a ritual dagger for carving script onto the candle. A pleasant cologne or aftershave can become an emergency incense. A glass can be chalice. Use your imagination and inventiveness until you can manifest enough prosperity to purchase better tools. Ritual manifestations have been successful with some of the most outlandish equipment in a pinch. But it does work better and more efficiently when you have special ritual tools. I think this has to do with budding magician’s subconscious mind and the development of the magical personality.

Let’s Get Wild & Crazy, lol!

Funny & Naughty Comments & Graphics
Well, OK, not totally wild and crazy! I am going to take a detour from my regular postings that I do during the week. I am going to post some Dragon Magick, which I noticed quite a few of you liked. Then I am going to put on some more Dark Arts’ Spell, which I noticed hundreds of you liked them, lol! You little devils, you! You know if you have any requests for types of spells that you would like for me to post, please let me know. I will be more than happy to post any kind of spell or material you are interested in. Just ask! Now on with the show……… 
~Magickal Graphics~

Daily Motivator for November 15th – Great courage

Great courage

You have great courage. Use it.

Whenever you feel fear, you are also feeling your potential for courage. Go ahead, feel the fear, and then let that courage of yours spring to life.

The fact that you can feel the fear means you also have the courage to get beyond it. Otherwise, the fear would serve no useful purpose.

Put that fear to good use by allowing it to ignite your courage. Put that courage to good use by utilizing it to move toward positive, meaningful objectives.

Feel the fear and know it means you have the courage. Learn from that fear and then step forward with all that courage.

The beginning of courage feels like fear. Follow through on that feeling, let the courage come, and with it you will achieve great things.

— Ralph Marston

The Daily Motivator

Seeking and Working with Dragons

Seeking and Working with Dragons 

It should be obvious by now that I have a deep respect and love for dragons, a belief in their powers as co-magicians that is backed by years of personal experience. And I hope I have piqued your interest enough to want to work with them.

So how does one go about finding dragons? And how do you use their power? Should you do co-magick with dragons, or should you avoid the partnership?

I assume since you have read this far, that you either already practice some form of magick or are seriously contemplating doing so. If you are experiencing any doubt about your worthiness (Goddess forbid!) to work in the area of magick, any area of magick, you have some serious work to do on your self-image and the programming you have undergone that created your poor self-image.

Every magician, indeed every person who even uses prayer, constantly walks the fine line between an overinflated ego and an appreciation of her/his self-worth. She/he understands, without any cover-ups, exactly why they are choosing to work magick at any given time. This understanding is vitally necessary in order to assess the end-result of the spellworking, the type of magick used, and the consequences that may be forthcoming for certain actions. What others think of a magician’s reasons is not important; they do not pay the penalties, gain the advantages of the rituals, or know exactly what that magician may think and feel. However, the magician must know what is deep within her/his own mind and heart, know it and deal with it if there is negative programming or intentions that are selfish and unjustified.

A good magican is neither white nor black. A good effective magician is what I call gray, one who understands completely the consequences of actions and is willing to do what is necessary, particularly in the areas of protection and the removal of evil. An effective magician knows her/himself like no one else does; she/he has to be brutally honest about real intents and purposes for using any type of magick in the first place, but especially so when practicing dragon magick.

In dragon magick, the magician cannot afford any lingering doubts as to her/his right to ask help from these powerful entities. Like many other beings, physical and nonphysical, dragons will take advantage of anyone who vacillates in her/his commitment or who is unclear about their intent of a ritual.

I have yet to meet an “evil” dragon, although I have encountered a few who distrust humans so much that one must take special care when working with them. Dragons become “evil” only when there is an imbalance of energies, a disruption of the powers flowing from the Earth and humans to dragons and back again. To re-establish a positive flow of this power, the magician does not join every fanatical group out picketing and rioting. She/he knows that all changes begin within the self. Like ripples in a pond, when the self becomes balanced the immediate atmosphere and community are affected. When the community becomes balanced, this spread further, taking in countries and eventually the entire world. But, as with all things, a majority of individuals must desire and seek the balance and improvement or it will not occur.

Does this mean that unless you are perfect in all levels of your being that you cannot attract, contact and learn from dragons? Of course not? But if you desire a continued companionship with them, you must strive to better yourself, balance the ebbs and tides of energies within you, and make this effort, an on-going project. Every magician and spiritual seeker should be aware that there is no such thing as complete perfection within the human body and mind 100 per cent of the time. If you could become that perfect, you would no longer inhabit a physical body. The laws of the universe do not allow anything to remain static, non-moving or non-growing. Perfect is static in whatever form it currently has; therefore, in order to confirm to the laws of the universe, that perfect form must evolve into something else, some form of being that can continue to evolve to the next higher stage of life. Change is one of the few constants of universal law.

“Dancing with Dragons”

D. J. Conway

Northern Dragons

Northern Dragons 

Probably the greatest of Northern dragons was Nidhogg (Dread Biter) who lived in Niflheim and was constantly gnawing at the World Tree. Nidhogg would be classified as a chaos dragon, one who destroys in order to re-create. This idea of destruction-resurrection extended to the Norse belief that Nidhogg stripped all corpses of their flesh.

In the Northern regions, dragons were said to live in cold seas or misty lakes, storms and fogs. When these were not available, dragons lurked in deep underground caverns, coming out when hungry or when there was a thunderstorm. Even after conversion to Christianity, the Scandinavians, especially the Norwegians, placed carved dragon heads on the gables of their churches to guard against the elements, as for years they had guarded their ships with dragon-headed prows.

In the original legends of Scotland, Scandinavia, and northern Germany, dragons were not winged, nor were they totally evil. Up until the early Middle Ages, it was reported that flights of dragons were as common as migrating birds. By the Middle Ages when the Christians had grabbed control of nearby everything and were fanatically persecuting Pagans, they changed the ideas of dragons into winged monsters, always menacing and evil, some with multiple heads. They described some of them as having the throat and legs of an eagle, the body of a huge serpent, the wings of the bat, and a tail with a arrow tip; we now call these two-legged dragons wyverns. Christianity was quick to equate dragons with their Devil and their Hell. The Christians also portrayed all non-Christian rulers as evil, destructive dragons.

There are many Christian references to dragons, all of them negative, which generally speaking meant “down with Pagan ideas.” One such tale is told in the book of Bel and the Dragon in the Apocrypha: another is described in the book of Daniel. Christian tales of saints and dragons always picture the dragon losing. The Christians want you to believe that they have killed dragon power, but this is not so. They have not, and never will destroy magick or the wily, elusive dragon.

Christianity and its admonition to hunt down and destroy dragons brought about the end of common dragon sightings, for these great and knowledgeable beasts withdrew from the physical plane, especially in Britain, and Europe. In the Orient dragons were never subjected to the malicious hunting practices of Europe and so continued to involve themselves in human and cosmic affairs. Oriental dragons, being as a whole gregarious extroverts, having generally been treated with much more respect and honor than other dragons.

In Mexico the dragons of the Olmecs were pictured with the body of a rattlesnake, the eyebrows of a jaguar, and feathers. This combination of serpent-jaguar-dragon was common among the civilizations of Mexico, Central America, and certain portions of South America. This combined sinuous and hungry form symbolized the ambiguities of the universe, the process of destruction and re-creation, subconsciously understood by even the most primitive people. Although these cultures were primitive by our standards, they were certainly not without knowledge, cultural advancements, and scientific studies. After their own fashion, they were very spiritual people, who would have been perfectly capable of discovering dragon power; their strange half-dragon, half-jaguar carvings represent their understanding and acknowledgement of the dragons of their continent. Quetzalcoatl, the Feathered Serpent, a dragon serpent figure known and revered over much of the area, bore many of the same characteristics as Oriental dragons.

“Dancing with Dragons”

D. J. Conway

The Precious Stone, Dracontias

The Precious Stone, Dracontias

Dragons have a precious stone, called the dracontias, in the forehead. This stone is credited with amazing powers of many kinds. For the stone to hold its powers, however, it had to be removed before the dragon was dead. There is a story of such a stone acquired and then kept within a family for centuries. About 1345 the Chevalier do Gozano, who was later Grand master of the Order of St. John of Jerusalem, killed a dragon on the island of Rhodes. It is unclear how he managed to extract the dracontias before the dragon died; it was said that if the dracontias was extracted after death it lost its power. This stone, about the size of an olive and beautifully colored, became a family heirloom. On several occasions this dracontias was put into water; the water was boiled and drunk as an antidote to poison and disease, with complete recovery by the ill person.

“Dancing with Dragons”

D. J. Conway

Western Dragons

Western Dragons 

In the Mideast, there seems to have been a meeting ground for dragons, some being like Chinese dragons, others more like Western dragons. Phrygian history tells of dragons that reached ten paces in length, lived in caverns near the River Rhyndacus, and moved with part of their bodies on the ground, the rest erect. Islam gives hints of Muhammad’s magick horse rising to heaven with the aid of dragon’s breath. An illustration from a Turkish manuscript now in the Bibliotheque Nationale in Paris shows this scene.

The Egyptian Apep was described as a huge serpent-dragon that lived in the Underworld. The Canaanite god Ba’al is said to have killed the dragon Lotan and made the world from its body; the Hittites had a similar legend about the dragon Illuyankas. The Mesopotamian god Marduk killed the she-dragon Tiamat and created the world from her body. Ancient heroes of Persia battled with dragons.

In the Classics, the Greeks told of their hero Herakles slaying the seven-headed hydra, a form of dragon. While still in his cradle, he slew two giant serpents sent by Hera. Later the hero save Hesione who was chained as a sacrifice to a sea dragon. Perseus did the same for Andromeda. As a baby, Apollo also killed a serpent (dragon) sent against his mother by Hera. Jason killed a hydra (many-headed dragon) to get the Golden Fleece; scenes of this story can still be seen on Greek dishes from about 480 – 490 BCE, showing a definite dragon creature. Both the Greek Medea and the Roman Ceres were said to ride in chariots pulled by dragons. Ancient Greece and Rome considered the dragon both beneficent and evil, depending upon the activities of the creature. The Purple Dragon became the emblem of the Byzantine emperors. There is a wall painting of a dragon still existing in the ruined Roman city of Pompeii.

In legends from India there was ordinarily no conflict between the gods and the Nagas, or serpent-dragons, as shown by the stories of Krishna and Vishnu. Both of these gods have a fine working relationship with Ananta, king of the serpent-dragons, and the Nagas. The greatly revered Indian god Vishnu was on good terms with Ananta, the Endless One, a giant serpent with eleven heads. Vishnu slept on Ananta while the serpent guarded him. Ananta is considered by the Hindus to be the symbol of cosmic energy which is vital for creation.

The one exception to this friendship between the Nagas and the gods was the slaying of Vritra, a great serpent who coiled around the navel of the Earth, holding back the waters, Indra killed him to create the world-mountains.

The Nagas were known for their great magickal powers and the pearls of great price that they carried in their foreheads. The Nagas, also patrons of lakes, rivers, rain and clouds, lived in wonderful palaces, often visited by the gods. But as with all dragons in whatever form the Nagas were capable of killing people and causing problem when annoyed. There are stories of their creating drought, pestilence, and great suffering when humans broke their rules.

Sometimes the Nagas were pictured with serpent heads and human bodies. They were said to live at the top of Mount Meru, where they had a golden palace full of music, gems that fulfilled wishes, wonderful flowers, and beautiful companions. In the center of this garden, which once belonged to Varuna, stood a dragon-guarded tree of life and reincarnation.

In Africa, the country of Ethiopia was said to be heavily populated with dragons at one time. The Roman poet Lucan and other Classical authors wrote the African dragons could fly, that their brilliantly colored scales shone brightly and that some of them were so huge that they could be mistaken for hills when they lay asleep.

Generally speaking Western dragons were different in physical structure from Eastern dragons. Most of them had two strong hind legs, two shorter forelegs, a thick body and a long tail. Their wings were membranes, like those of bats, and had long ribs or bones. Their wedge-shaped heads were carried on long sinuous necks. Western dragons were fully armed with long claws and sharp teeth, besides their fiery breath. They talked with humans by means of telepathy and were extremely cunning and wily.

The ancient Celts had traditions of dragons, considering them wily but wise. Unfortunately so much of Celtic lore was lost to deliberate destruction that we have only remnants of tales and fragments of dragon lore left today from that culture. The Celtic ram-snake or dragon is connected with Cernunnos, the antlered Earth god. This Celtic ram-dragon is also connected with the number eight, this being the number of spokes on the solar wheel; the solar wheel is set in motion by the ram-headed dragon. What few carving we have of the god Cernunnos picture him with a bag of gold at his feet and a double-headed ram-snake belt about his waist. This belt with its two ram-dragon heads symbolizes the spiritual bridge between various planes of existence. The Celtic shaman-magician-priest knew that in order to travel this bridge, she/he must go inward to meet the dragon guarding the bridge. A lack of self-discipline and self-knowledge would prevent any seeker from being able to pass the dragon and enter the realms of the Otherworlds.

Conchobar of Ireland was said to have had both a divine and a human father. He was born at the Winter Solstice with what the story calls a water-worm in each hand. From the description these water-worms were probably baby dragons.

The Irish hero Finn MacCumhaill also killed dragons. Some magickal systems would look at Finn’s activities as not physical but as battling his own destructive inner thoughts.

The dragon has been depicted on the Welsh banner since at least the departure of the Roman legions. And in England, Scotland and Ireland the dragon has been drawn with four legs and the wyvern with two since the 16th century. On the European continent, however, the two-legged wyvern is still called a dragon, the same name given to the four-legged variety. Even today, the dragon, alone or with other designs, is part of the heraldic heritage of some two hundred English families and some three hundred from Euope.

In Scandinavian legend, the hero Sigurd (called Siegfried in Germany) killed the dragon Fafnir. This story clearly details the benefits from a dragon’s blood. Sigurd accidentally swallowed a drop of it and immediately could understand the language of birds. This saved his life from the dragon’ss treacherous brother who was plotting to kill him for the treasure. Sigurd also was bathed with the blood when he struck Fafnir from a pit. This made him invulnerable to weapons, except where a leaf covered a tiny spot.

The god Thorr once caught the World-Serpent while fishing. Considering the power and negativity of the great serpent-dragon, Thorr was fortunate that his companion cut the line. The god did not feel that way about it though and clouted his friend alongside the head for letting his big “fish” get away.

If one reads the very best of translations of the story of Beowulf, it is quickly seen that he fought three dragons. Although the first he killed was described as a young two-legged male monster who was raiding for food among the houses at night, it could have been a wyvern (who has two legs) or a four-legged dragon who walked upon its hind legs or a dragon in human disguise. The second creature was a mature female, finally killed in her spawning ground, who definitely took on human form. The third dragon came later in his life, and was specifically listed as a dragon. This one was a mature flying male with a poisonous bite. Well into middle ages at the time, Beowulf used himself as batitto draw the last dragon out of its lair so it could be killed.

 

“Dancing with Dragons”

D. J. Conway

Special Kitty of the Day for November 11th

Hairball, the Cat of the Day
Name: Hairball
 Age: Unknown
Gender: Male
 Kind: Maine Coon mix
Home: Illinois, USA
We found Hairball under our deck. He adopted us immediately, recognizing us as cat people who would spoil him shamelessly. We’re not sure how old he is, our guess is somewhere between four and five by now. He has two brothers to torment, Squirm (the Worm) and Spankenstein. He graciously allows us to live in his house.

Hairball is the “big brother” in our house. He loves to play with his little brother, Squirm. They chase each other around the house, while the “middle kid” Spankenstein watches them like they’re morons. Hairball like to chase the laser light point and can do a back flip when he feels like it. At night he sleeps on my feet. During the day, he’s on my lap… when he can push Spankenstein off. As you can see by the picture, he loves to squeeze himself into small spaces. He is happiest in a bag, under the foot stool or stuffed into a FedEx box. When we’re not home, he hangs out on top of our china cabinet, surveying his domain.

Today’s I Ching Hexagram for November 11th is 22: Grace and Beauty

22: Grace and Beauty

Hexagram 22

General Meaning: A splashy sunset bathes the mountains in a soft radiance; the light of a full moon dances on the surface of a rippling river. Grace and beauty adorn the natural world. Grace is not an all-powerful force, nor is it the essential or fundamental thing. By itself, it is form without content. Grace is moonlight on water, not the sunlight at noon. Yet grace brings artistic expression into the world, and enhances the quality of our lives.

In the arts, grace arises out of adherence to form: the dancer becoming the form of the dance, the musician giving life to the form of a musical score, the painter becoming one with the brush and canvas. In human affairs, grace is also aligned with form — with mastery of aesthetic and cultural patterns honed by time and honored by tradition. Through appreciation of graceful customs in human relationships we apprehend the pure beauty of the ideal, of life raised above the mere struggle for survival.

Possession of grace, like the bearing of a beautiful gift to a wedding, can add stature to those in humble positions. Take care to lend grace and dignity even to small happenings, while giving the weight of deep and careful consideration to matters of greater consequence. Though it should not be confused with true substance, an artistic flair can take one far in this world.

UNBINDING SPELL

UNBINDING SPELL

Ingredients

Note: This spell cannot be turned and there is no spell that will rebind the person once unbound.
Their power will come back; their body willbe free. I would not try to make a spell to undo this;
there is no spell which will achieve this and people that tried have been bound themselves as
a result. It should also be noted that this spell does not help those who become bound as a result
of trying to break it.
Needs: Two White candles Two Black candles
Movements:
Take the person that is bound and place him or her on his or her back looking up.
Place the two black candles at his feet and the two whites at his head.
Light them and then start the spell.
Spell:
I call on the gods and goddesses of the old days
as well of those of the new.
Break this spell that they call a binding with your power.
Gods of light move about this man or woman’s body.
Allow your power to break the holds on him or her.
Goddesses come down and wake his or her body.
Allow the power that you have given this person to be woken.
I call on the East gate.
Break the binding spell that was placed on this person.
Let it be removed for good.
Do not allow a spell of binding be placed on he or she that is before me.
Movements:
Place your hands to his or her chest and speak once more
Spell Continues:
Gods and Goddesses and the East gate,
help me within my workings.
Allow your power to move within my hands
and allow the binding that was put upon my friend
to be removed and never to come within him again
may he live or die.
I call on the element of the East, the element of water,
to fill these hands and move within this body
to allow the walls that hold him or her fall.
I call on the gate of the West, the gate of fire,
come forth and burn these walls that hold him or her from awaking
and burn the walls that hold back his or her power.
I call on the gate of the South, break the walls down with your power
so my friend may awaken as well his power.
I call on the gate to the North
to come and let the winds move air within my friend’s body.
Unlock the binding that was placed on my friend
and awaken his or her power and body to never be locked again.
Movements:
Move your hands down the sides of his or her body and say this.
Spell Continues:
O great gods and goddesses
and the gates that hold the elements within,
Send your power within my hands
and break free my friend from this binding.
I call on my friend; within your walls,
break that which holds you.
Open your body to my power and break the walls that hold you.
Come to me, my friend.
O great gods and goddesses,
do not allow the binding to work on this person any longer.
The power of both sides, of the Light and Dark,
Your onus is broken and you are free once more.
As the day and night,
so shall you be of both this day, and not just one.
Movements:
Back away once getting to his feet and dot move close tell you see the light of light
come over him or her and then the light of Dark come over him then see his eyes move little.
Then you may go to him or her to hold and help him.

DESTRUCTIVE KNOT SPELL


If there is a situation, problem, possible menace you are facing, there is a knot spell for this.
Take the cord and firmly visualize the problem in all its agonizing detail.
Become emotional about it; seethe with anger, crumble into tears, whatever works.
Then firmly tie the knot. Walk away from it, out of the room if possible.
Take a shower, eat, do whatever will get your mind off the spell and allow you to relax.
When your emotions are stabilized return to the knot. With calm and peace untie the knot.
See the problem vanishing; dissolving into a dust that is swept away by the cleansing,
refreshing North wind. It is done.

Daily Zen Meditation for Tuesday, October 18th

New Age Comments & Graphics

Rather than break my vow to plum blossoms
I have settled here in this disheveled hut
Grey sleet seeps through briars at my window
Plumes of snow dance around its papered panes

Steep scarps loom above frozen woods
Deep clouds conceal the pool’s icy stones
Such weather; I stoke up a few charcoal twigs
Wish for a way south, to Chiang-nan’s shore.

– Shih-shu (17th c-early 18th)

 ~Magickal Graphics~

Lady A’s Spell Of The Day for Oct. 11th: Turn The Tables Spell

Is someone making your life difficult? Turn the tables on that person with the spell below.

Best time to perform this spell:

  • Anytime

Items you will need:

  • A candle
  • A candle holder
  • A small mirror
  • A photo of your tormentor (if possible)
  • Matches

 

  • Place the candle in its holder and set it on top of the photo at one end of a table. If you can’t obtain a photo, inscribe your enemy’s name on the candle – the candle represents the person who’s causing you trouble.
  • Light the candle, then seat yourself at the other end of the table.
  • Hold the mirror so that it reflects the flame and say aloud:

“Behold this mirror is my shield. Your wicked way will be revealed. Any evil that you do will instantly turn back on you.”

  • Imagine the mirror deflecting harm away from you and back onto the other person.
  • When you’ve finished, snuff out the candle.
  • Hang the mirror on the outside of the door to your home or office to ward off unwanted energies.
  • Melt the candle completely and bury the residue along with the photo far from your home.

Dragons In Heraldry

Dragons In Heraldry

 

Even through times of persecution, the dragon did not fade from sight. In European countries, and China in particular, the draconic image remained alive in stories. European families, especially used the dragon in coats of arms. The European art of heraldry and coats of arms still employs the depiction of dragons in its art. The Prince of Wales has a red and gold dragon in his coat of arms and on his flag. The families of de Drago, von Drachenfels, de Draek, de Dragon de Ramillies, and Dragomanni, among others, all have a dragon on their coats of arms, as did the family of Sir Francis Drake.


In heraldry, a dragon with two legs is called a wyvern; a dragon without wings is a worm; a serpentine dragon with wings but no legs is an amphiptere; a dragon with wings and legs is termed a guivre. Further meaning of these draconic images was determined by how the dragon was posed: rampant (forelegs raised), a passant (one foreleg raised), statant (all four feet on the ground), wings endorsed (upright over the back), displayed or depressed tail nowed (knotted). Even further definition was determined by color: or (gold), gules (red), sable (black), or vert (green).

Dragons In Alchemy

Dragons In Alchemy

 

In alchemy, the dragon was considered to be matter, metal and the physical body. Often mentioned in conjunction with the dragon was the dragon’s sister: spirit, metallic mercury, and the soul. Ancient alchemy used the picture of a dragon or winged serpent as one of its many secret symbols. A common symbol of spiritual alchemical work was the dragon or serpent holding its tail in its mouth, an unending circle of eternity. Near this circled dragon was written the Greek motto “en to pan,” or “all is one.” The fabled Philosopher’s Stone of alchemy was also considered the One Which Is All. This Stone was closely connected in ancient writings with the Great Work of alchemy; the Great work simply means humankind becoming God, or merging with the Supreme Creative Forces within, thus completing the cycle of human growth by returning to the Source.

Jung wrote that the alchemists considered the winged dragon as female, the wingless dragons as male. Jung also considered water in dreams and analysis as unconscious spirit or the water dragon of Tao. This water dragon of Tao symbolized the yang embraced in the yin, or balanced growth in spirit. In Chinese Taoist symbolism, the dragon was seen as ‘the Way,” the bringer of eternal changes. Often in was depicted as guardian of the Flaming Pearl, or spiritual perfection. Joseph Campbell also speaks of the winged dragon or serpent as being the balance between Earth and Spirit. To the Chinese, the dragon was a potent symbol of luck and power. Silver dragon amulets were worn to help gain these qualities.

“Dancing with Dragons”

D. J. Conway