Category: Our History

Witchcraft 101: Preparation

Preparation

I always prepare myself by dimming my lights about an hour before the working. I do tend to do most, but not all, magick at night. The extra drama of using darkness to augment my imaginative side is helpful.

After the lights are dimmed, candles are lit, and a few libations are poured, I tend to shower and have my stereo going with some good New Age or Pagan music to help my mind float into the right space.

Water, being a close kin to the Crab that I am, helps to soothe me, and the in the shower, I let earthly troubles wash away, leaving the pure part of my being to comtemplate the working to be.

After stepping out, I do tend to read a bit, look for spells in my library that might be appropriate, and then I write down the ones I like, or construct one of my own, usually on a clean piece of paper or parchment. I tend to either bury or burn these pieces of paper in the working, thus returning the spell to the earth, or to the fire.

In recent times, I’ve begun to think that perhaps I might also tear the paper to shreds to toss into the air, or to simply toss the spell into a body of water, thus balancing things with the traditional earth, air, fire, and water nature spirits.

Anyway, that is off the subject a bit… Back to preparations for the working.

Testing before casting

By the time all of this is done, my full attention is now forcefully and purely on making the spell work and on how to go forward… My mind is fully attuned to directing the energy, and by this time, I’ve set up my protection by doing some ritual cleansing of the home, testing my mindset to be sure I’m completely focused, and then to light 4 special candles that signify the four directions. On occasion, I have used tap-lights, and they do offer a special charm to circles!

Again, check yourself. I’ve often aborted a circle because I don’t feel right about the time, something is on my mind, and the worst of the worst, if I’m ill, I never, and I repeat, NEVER do magick when feeling ill or sick. It just never seems to go right if I am sick, and Magick takes energy. The worst thing I can think of is to deplete energy my body needs to fight illness and to leave myself truly in a fix. The Rede states “And it harm none” for a reason. It also stands to reason NOT to cause harm to yourself.

Last minute preparations I take are to lock the door, turn the ringer off on the phone, and to say a quick spell to banish interuptions. I can’t tell you how many circles I’ve been to at people’s houses where these simple things are forgotten and the ringing phone just kills the energy in a second! Someday, I’ll come up with a phone bansihment spell that will move all phones to another universe, but for now, disconnecting the beasts is a good alternative ;>)

So now you cast the circle!

So… you passed the tests and you feel great, your mind is clear, and you’ve got a real focus and you have the mind, body, and spirit all aligned!

A circle isn’t some two dimensional circle like the old dodgeball court line that we all know and love. Circles, in the magickal sense, are 360 degree circles of force that protect the occupants and help contain and focus the magickal energies to be exerted and directed from them.

I remember reading Lori Cabot’s wonderful books, and in one of them, she discusses a National Geographic article where she and her coven had a picture taken by a photographer, and the photo contained electrical discharge patterns in the picture that truly were interesting to see. The effect of the energy of the combined minds in the circle was such that it caused the camera to register these energies! So, my friends, this is the real deal. Circles exist, they create physical effects, and they are powerful tools when used properly.

Casting is often done in a clock-wise fashion. This honors the turning of the Earth herself and aligns our movements with the direction of the spin of the Earth. Living in the Northern hemisphere, we tend to forget that our good friends in the Southern hemisphere do things in a reverse fashion, and I do believe that those folks often use counter-clockwise casting to cast their circles in accordance with this same basic observation of energy flow.

I gave a lot of thought to this part of ritual and have concluded that the reason for it is that we become little vortexes of energy that harmonize with the flow of the earth, and this our workings carry forth in similar harmony. Going opposite to the flow creates distortions and probably gives poor results, but I’ve never tried that as an experiment. Perhaps someone can comment and enlighten us more.

Casting is simple. There are as many ways to cast a circle as there are stars in the sky. Some simply focus and then throw their energy/visualization into creating the sphere. Others lay out a circle in chalk, rope, corn meal, or whatever, and use that as the basis of the circle, and others yet just see the entire thing in their minds and walk in the appropriate direction to delineate the circle and mark the boundary.

An invocation, or reading to purify the space, is often done.

Use your mind to color the circle. I tend to use basic chakra colors to connect my own internal sensibilities to the extension of my space that is created by a circle. Use of blues and violets tend to dominate my circles, since I see these as electric and potent places, but others have described them as soft places with pinks and yellows to reflect peaceful settings. It just depends on the person(s).

After casting is done, invocations to invite the four directions or watchtowers of the four corners to join the circle. In my own mind, I see the four corners as inviting the spirits of the world to join us for the working. In doing so, you connect to the world, and to the universe at large.

Calling the quarters often involves the use of special calls, similar to the following:

“Spirit of Fire, Guardian of the Watchtower of the South, Keeper of the Sun and of Warmth, come to our Circle this night and grant us the will and energy to achieve our aims. So mote it be!”

Each quarter is called in similar format, sometimes by one person circling the quarter points, or by four people calling from their point of choice. Most good books on the Craft contain a wide-range of these calls, and often an experienced Witche’s BOS has your own custom calls written that help things along.

I have often wondered about adding a fifth tower, in the form of the sky above, since it does extend beyond the world, but I tend to just stick with the traditional model. Sometimes, things just work for you and it is good to just keep it simple!

Gathering the images and the storm…

All of this leads to one aim. We are now containing and bringing to bear the forces of the Earth herself, and are connecting our imaginations to these forces. Often, I meet other Witches who like to discuss these things, and they know a lot of the mechanics of the process, but have never contemplated the WHY of these actions.

The imagination, and most importantly, the subconcious parts of our minds, represents a powerful engine that can marshall these unseen connections in ways that are mysterious, but quite real and full of potent energy.The storm of the mind is gathered into a coiled and reactive manner when the circle is going strong, and all of this is driven by the final factor in the whole recipe…

This factor is excitement. We will discuss this in lesson four, along with the use of a patron God or Goddess to help with that excitement.

For now, use whatever means of gathering the excitement you can. Having calmed myself with my own practices, now I can direct the energy and my mind is usually going a mile a minute with good music helping things along. I do find music to be especially helpful, because images flow right from my deep subconcious and out through my fingertips as I perform the spell.

This is the point where I see circles often fail. The energy dies as someone stops to read from the parchment. It is as if we forget all the preparations and are just standing there like loons around a dead fish! The point of all of this is to gather the energy and take it the next step. Sometimes, I do think that the reason old Gerald Gardner did the naked rituals was to impart that excitement and to bring the novel sense of play into the circle so that these dead zones could be avoided and that the energy and forces would flow like a river. This is, of course, a controversial view, and I’d be happy to hear from others who might have views to share.

So, let’s say you are full of energy now. The circle is kicking ass with sparks, and you FEEL it! Now we are talking… This what is supposed to be happening. Not some dead mumblings and embarassed rummaging for a flashlight. The parchment should have been used only as a guide of study before, and now you are speaking from your heart. Your mind is full of images, and you feel almost as if in a play, or you feel above yourself.

The intent is guiding you, and you feel all around you. Other people, if present, are feeling it too. You see it in the eyes, in the spirit of their flashed looks. You move rythmically and forcefully. You are above and below yourself. The heart beats fast… the air sparkles, and gravity is gone, replaced by lightness.

Using the parchment, your mind whirls and you speak the part and words naturally and from the deepest parts of the soul. This is the point at which the container of the spell spills the energy into the vortex of the circle. You are releasing liquid energy into the universe, using intent and feeling as the currency of force, sprinkled with desire, and a dose of play mixed in.

Release

The energy is at a maximum point now. If you are in a group or solitary circle, it does not matter, you must push the energy out to the universe in a burst. This creates a psychic wave that overpowers the normal flow of events, and probably ruffles the dress of the Goddess and the hooves of the God, if done correctly.

Often, the spell is finished with a dance in the direction of the earth’s spin and the circle participants merge into a frenzied dance with a sudden release, often guided by the priestess, with a shout or forceful physical action to a point at the center and above the circle, thus casting the energy into the cosmos.

The way you know it worked is the feeling that happens after. It is like the satisfaction one has after great sex ;>) There is a *reason* the Goddess has such coy looks about her. But… being a male witch, I must admit to being ruled by certain thoughts …

Usually, I burn the parchment as an additional form of release, but often take it outside after closing the circle. It is a final seal of returning the container to it’s origins and to honor the Goddess and God one final time.

Closing

Often the closing is the most ignored aspect. In fact it is among the most important aspects of the working. You’ve tugged on the Goddess’s skirts, or the God’s kilt, invitied the Watchtowers in, and you have honored guests among you. You are obligated to thank them for their presence, and to pour libations or give offerrings to them in payment for their attendance.

I often use food to pay them, or to use heartfelt thanks to let them know how I feel about them in my heart. Often, a strange event, like a candle going out, or strange bump will occur, or an animal like an owl or bat will go sailing by if outside, and it does tend to make me laugh. Just never forget to thank the deities. They are the reason you do this.

Witchcraft 101: Directed Imagination

Directed imagination you ask? Yes, a Witch without imagination is like a car without gasoline. It takes imagination to make Magick! And this is the point of lesson three!

Let’s define imagination first:

This is the dictionary definition of imagination:

  • The formation of a mental image of something that is neither perceived as real nor present to the senses.
  • The mental image so formed.
  • The ability or tendency to form such images.
  • The ability to confront and deal with reality by using the creative power of the mind; resourcefulness: handled the problems with great imagination. A traditional or widely held belief or opinion.

Archaic definitions.

  • An unrealistic idea or notion; a fancy.
  • A plan or scheme.

AJ’s definition

Since I write these articles, creative license rules supreme! I define imagination as the power of the mind to concieve ideas and plans from the formless world and to give birth to these ideas in our world of form. The process by which imagination takes shape is mysterious and not well understood, but is dominated by the subconcious and is a potent and useful force for good and change in the world.

On to the lesson!

WitchCraft is the study of forces and movement of energy. In this third moon, we are looking at the means of Magick, what it takes inside of your inner being to bring it to the surface, and how to direct this energy.

As we mentioned in earlier lessons, spells are virtually powerless containers that only serve to contain the forces being directed by the Witch. A spell is like a beaker that brings life giving fluid to the lips of a parched throat. Without the container, the life-giving water cannot be delivered to the parched throat of the drinker, and without the water, the container is just another object in the universe, without true purpose or use, until intent and imagination combine to make the water and the beaker become more than the sum of their parts.

Thus, we find that Magick spells are exciting and actually fun because of the “water” aspect. Spells use the imagination of the Witch. Like water, imagination flows, it is deep, it contains mystery, and no one can quite say where it comes from, where it goes, or can truly contain it for very long.

Imagination can be channeled like water in a river. It can be focused, directed, and refined to laser-like intensity, cutting problems to shreds with it’s sheer force. Combined with the structure of the spell to direct it, the two components become Magick!

Lesson two saw you perform a spell, but I left out a key ingredient!

Before you performed the spell, I ask you this simple question; How did you prepare yourself emotionally, physically, and spiritually before you did the working?

Answer this honestly. You’ll need to go back in your mind, or look at your book of shadows to find out the answers to this question. When you feel you’ve reached that answer, spend time to record the answer to this question in your BOS.

I’ll use my own preparations for Magick as a potential guide to you. Mind you, many people do this differently, but after 14 years of Magickal practice, I tend to use a very tried and true procedure that evolved from my own workings and learning around very experienced teachers. All I know, is that it works for me, and if you see fit to alter it to your special circumstances, go for it. The trick is to use your own sensibilities and comfort levels as the guide to getting your mindset right!

 

IAmAWitch.com

Witchcraft 101: Magick and Intent

Instruction in WitchCraft varies from person to person, and individual to individual. I’ve yet to see any one path follow exactly the same course, so these lessons being presented here are simply a wide spot in the road, only guaranteed to clear a view to other vistas and help you on your way.

Lesson one covered the basics of what WitchCraft is and what it is not. In it, we covered the experiences and motivations of being a witch. However, I did not place a challenge before you like the one I plan to do here.

True, I asked you to consider the WHY of being a Witch, especially in your own case, but now I’m going to cover a section of the Craft that covers your personal power, and how you can use it for personal gain and to acknowledge the real and very potent forces that comprise Magick itself.

No… I am not going to discuss the art of casting spells with all manner of strange oils, brews, unusual objects, or even the occasional magickal object that is used to cast power. Instead, we are going to talk about the most powerful weapon in the Witch’s inventory.

This weapon beats out the entire lot of objects and forces that one associates with WitchCraft and Magick in general.

This force is INTENT.

Intent is the power of focusing on a desire, goal, or wish, with the express purpose of bringing that desire about. Intent plays to forces beyond and in the mundane that see to it that what you want, you will indeed get.

Mind you, this is no simple matter. The subject is fraught with difficulties and all manner of traps that can hang you up and cause all sorts of problems, should you misconstrue or mis-use the power.

Yes… this “intent” is power itself. With it, people have leveled civiliziations, and they have created art, gardens, and pleasant lives. It all depends on the motivation behind the person,.

Intent is expressed through NEED. Need is expressed through forceful emotion and powerful desires, and through these components of Magick, one can direct and influence events through the simple use of force of mind. True, magicakl props like wands, capes, and certain helpful herbs and materials do help things along, but the old saying that “The Witch IS the Magick” is quite true.

You are the Magick!

How does this principle work then?

After 14 years in the Craft, I really can only make a supposition, but mine is an informed supposition, because of my years in science and around scientists and very talented metaphysicians.

Our universe is a manifestation of quantum forces that are influenced by the fact that we are here to observe events. What this means is that without observers, for all intensive purposes, the universe might exist, but it’s purpose cannot be appreciated or find useful expression.

In scientific experiments, it has been found that the intent or concentration of a person on light beams (in a highly controlled and measured laboratory) affected the behavior of the beams. Strange effects like this prove that intent and thought itself have powerful and practically unlimited power to influence events.

Einstein called some of these forces “Spooky action at a distance”. He was referring to the behavior of photons of light that could never have communicated with one another, but somehow could affect each other in spite of huge distances and great efforts expended to prove that the experiments where wrong!

In real English, what I am telling you is that this universe of ours is one weird place, and that our minds and passions can exert influence over time, space, and matter.

Thus, Magick is the power of the mind to influence the course of events.

So much is made of visualization and projection of the mind in magickal rites, but little is said as to the underlying mechanisms that drive Magick. While my somewhat brief explanation does not clearly define the exact nature of the mechanism, it does make it clear that Magick IS indeed influencing physical systems, and that the mind itself has quantum properties that allow us the luxury of bending the universe to our needs, if one has sufficient intent and force of will.

Thus, we move into the area of ethics.

Yes, you can wish for and project for anything, but the question is tied to one nagging little issue; NEED.

Need is tied to what you really need in your heart of hearts, and what can legitimately be requested or asked for. It has little to do with the fact that I would love to materialize a broom with flying capabilities, like a Nimbus 2000.

Need is tied to things like deciding to get a degree and then projecting to the universe for help in getting there. I did so in my late bid in life to get my BSIT and lo and behold, my company suddenly volunteered to pay for the entire cost of my education.

Of course, I had done projection work, and my passion to change my life was a big part of this sudden desire to move the forces of the world to propel me in a new direction.

There is one little snag in all of this. And you who have known me well for many years on this web know that I sometimes disappear now and again. I can honestly say that my experience of Magick is that for every gain and change of direction, I have had to drop something else, in order to propel the ship of my life in that direction.

Thus, I dropped a lot of personal things to make the education happen. For me, Coven life and other key aspects of my world have had to take a back-seat to my development of my mind and growth.

To get something, you have to give. This is true in economics, and is sure as hell is true in Magick. If you hear someone telling you different, they haven’t cone to realize this great truth yet.

Again: To get something your heart desires, you MUST give up something else, in order to propel forward. What that something is cannot be easily stated, but you will need to carefully consider where it is you intend to sail your Magick, and what you are prepared to give to get there.

In my case, I gave up time and companionship for a short time, but the return has been well worth the short expenditure.

So… some of you are now realizing that Magick is really just transformation of time, energy, and intent. All of it guided to an end goal that is dictated by the principle of giving up or discharging something else.

Giving up something in your life, to get ahead is natural, positive, and even fun. All of us have areas of our lives that can stand for us to get rid of one area that holds us back. Using this gift of release, we can channel the benefits of this giving towards other goals, and in our personal Magick and power.

In smaller workings, where visualization is needed for a healing, or to alter the outcome of a dispute, or to wish for some windfall in your life, you can give of your time, or even of your heart, and thus you pay the toll for the Magick you exert.

 

IAmAWitch.com

Witchcraft 101: First Moon

First Moon

This first assignment starts at the first full moon. You need to research the Craft… Read as many books and talk to as many of the more experienced practitioners as you can. Learn from these people.

Listen to them speak and trust your inner leadings and filters as you hear what they have to tell you. Some advice and information will resonate with you… some will not. This is part of the process, and just keeps you true to yourself… You are on a mission to learn who and what you really are!

Find one special person of the magickal variety with whom you can work, whose energy makes you comfortable, and who challenges your thinking as you progress in your understanding and growth. This person will be a mentor, friend, and teacher who will provide the benefit of experience and tolerance that should help you to advance. During this month, take time several hours a week or so to spend time in nature. It can be simple walks, or grand and glorious hikes into the outdoors. It can be fishing or camping, or just looking at plants in a park. Whatever you choose to do, just remain faithful in doing it.

Take a journal and record your thoughts and feelings as you connect with the universe around you… Keep those notes as part of your initial experiences… it is wise to be able to look back at what you were like, all those years later when you have been practicing, and it does bring a smile to see where you were and where you are now.

On the evening of the next full moon after you have spent all this time researching, talking, and spending time immersed in the Craft… Stop and ask yourself this simple question:

“Why do I want to be a Witch?”

This is a powerful question… Be honest with yourself, and then decide for yourself if you want to go on to the next stage of the process.

If you have been honest with yourself… your path, feelings, and direction will be clear. Trust your inner bell and guides… These serve as guideposts to help point the way.

I still do this in moments of trying times… I ask myself why I still am a Witch. To this day, it still rings true to my soul with a clarity that I am still amazed at… What is the reason? I am A Witch because I love the mystery and process of life, and because this spiritual system connects me, grounds me, and heals me like no other can. As a Witch, I feel complete and powerful in my own spirit and knowledge of who I am as a person.

You will come to your own definition of this in your first month of exploration. Each month, another question will surface for exploration and discussion.

Be sure to record those questions in your journal or book of shadows. At your initiation, you will want to read from each month, and discuss with your mentor or guiding teacher or witch what it is you have learned, and how best to apply it as you create your unique identity as a Witch.

 

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Witchcraft 101: Power of the Path

Power of the Path

Your having come to the Craft of the Wise is unique in that you have picked one of the hardest of spiritual paths to walk. It takes great courage and charisma to be a Witch. However, the rewards for this hardest of paths are equally great.

Why is Witchcraft hard? It is an imperfect, misunderstood, and highly individualistic religion that challenges your beliefs and actions at every moment of the day and night.

We live by principles and traditions that prevent us from doing magick to harm others, that acknowledge that for every action, there is an equal or greater reaction that visits like energy to the sender.

In other words… If you do good works, it is highly likely you will have good come to you. If it is for negative (save protecting yourself in a life or death situation), you probably risk bringing negative forces of all sorts to your step.

You will undoubtedly hear more of this as your learning advances… I am not here to rehash all of that… Plenty of material exists on the subject already.

To put this in a few sentences: My own take is that if good goes into something, good is going to come out… bad-in, well… bad will come out of it. This is a simple cause and effect rule. Just be aware that your actions and intent affect more than just your immediate surroundings in life and that the effects of your intent do come full circle.

Often, these effects come from unexpected directions and are the direct result of choices made earlier, even if the connection is not easy to see or makes sense to you.

Think of it like this: A pebble tossed in a pond makes waves (forces) that eventually cross the entire pond, bounce off the shoreline, and then return with effects that can be either helpful or disastrous. So too, are our workings and intents in life and in the Craft…

Speaking of forces… Most of Witchcraft is about living well… without all the Hollywood effects, drama of running around in robes or “looking like a witch” for some theatrical part.

Some of the most powerful witches I know do not even use the tools you are “supposed to” use. They construct their own simple ways of practicing, and use their minds to make magick and to bend forces and work *with* nature and natural energies to bring harmony and balance to the world.

These same Witches use magick to help themselves, and feel no shame in being here in the universe. They and we have every right to be here, and to choose the manner and means in which we acknowledge our creator and deity(s) of choice…

Organized religion holds no place for brave souls like this… indeed; they never fit in that system in the first place. So… in this first lesson, I hope I am dashing any sense of the continual drama and wishes for awesome effects at every moment… Witchcraft is work. It is the art of working on you. You also work on your relationship with the people, universe, and forces/powers to which we all have access.

This is not to say that there are not dramatic moments in the Craft. I have seen amazing events in my 13 years of being a Witch. I have seen winds blow through a house, extinguishing candles in a room that had closed windows and doors. I have seen trees raging and dancing. I have even been part of a circle where a ritual called for rain from a seemingly cloudless sky and within a few minutes, a downpour ensued.

The common thread to these events was that there was every reason for me to be at each of these events, and they were reminders that being a Witch does invite mysterious forces and entities to our lives, who are hopefully there to teach and guide us.

They are not there to entertain… Instead… these events provide a base for us to know that the unseen is there and that they work with and around us as we undertake our missions in life and as witches.

 

IAmAWitch.com

Witchcraft 101: Introduction

Introduction

Women and Men, who come to the Craft from either a non-spiritual or other spiritual path, find themselves in front of the Goddess for a wide range of highly personal and life changing circumstances.

It is to these persons whom I am going to speak to in this first lesson, of which I will go over some basics.

Witchcraft (Or Wicca) is the study of forces and spiritual truths applied to daily life and observances of natural rhythms that ebb and flow in our lives. As you begin your practice, you will become much more attuned, aware, participate and work with the forces that touch and interplay with all of our lives…

Forces that many who live only in the material world are only dimly aware of, or which are ignored altogether.

Some will disagree with the characterization I give for the definitions, and these are as varied in number and content, as there are stars in the heavens.

This lesson does not intend to offer a scholarly interpretation of the myriad differences of definition of terms and opinions in the Craft. Instead, the intent is to show the initiate to the first of many doors. The explanation for the initiate that all is not as it seems, but there are large areas of agreement and truths that do tend to hold across the world of the Craft…

Just know that the Craft resides primarily in your heart. You will *know* you are attracted to the path, and if it is for you or not. If there is any one truth I have learned in my time doing this, it is this simple fact.

To thy own self, be true… If you are not being honest with yourself for the reasons you want to call yourself Witch, then you probably are in the wrong spiritual system…

IAmAWitch.com

The Path Of The Water Witch

The Path Of The Water Witch 

Water Witches are sometimes called Sea Witches, but many of them find a calling with inland creeks, rivers, and lakes. It is rare for them to limit themselves to any one type of body of water. They generally align with all forms, including rain.

In most mythologies, human sprang from the Earth, but the gods themselves came from water. Egyptian theory states that the sun god Re was born from the primordial waters. Today, scientists can back that theory, NASA scientists theorize that water exists in heavy quantities in the universe. It works as a coolant. The water vapors in outer space for the condensing of clouds. Once a cloud condenses enough, it becomes a star.

Water reflects, the Water Witch does the same. If you yell at her, she will yell back at you. If you are kind to her well, she will be kind and treat you well in return. She is very fair. She shares many qualities with her sister Earth Witch, as the Earth is 90 percent water. Among those qualities is the core belief of taking complete responsibility for her actions. The Water Witch accepts that every move she makes can cause ripples across the surface of the water and moves accordingly.

Water is considered a feminine force, and the Water Witch may prefer an alliance with the Goddess, all the while recognizing and maintaining that the God is within the Goddess. She cans sometimes relate closely to Dianic Witches in this preference.

The Water Witch can see things that those on other paths cannot. In fact, the human sense of sight belongs in her realm. Just as the seas teem with life that we have yet to discover and understand, the Water Witch know s that there is much more to our world than what is within our eyesight! While she can be highly superstitious, for the most part she simply knows that there is more just waiting to be discovered, as well as some things that humanity has known about and forgotten over the ages. The old phrase “out of the blue” speaks volumes about the ability of the Water Witch to tune in to her intuition. She is often very gifted in divination practices. Tarot is usually her divinatory tool of choice, but she also has a talent for dowsing.

The Water Witch sees little that she considers an obstacle. She understands that her fate is in her hands, and if she cannot flow through something, she will flow around it. Once her mind is made up, very little can stop her from obtaining what she wants. Because water exists in three forms on Earth, The Water Witch can be considered a formidable force. She will not admit to any weaknesses.

The Water Witch has a close link to the feminine side of nature. She understands reproduction and is akin to her sister Earth Witch in this manner as well. Menstruation falls in the realm of the Water Witch. Because of this, she is instrumental in moon-lodge practices and coming-of-age rites. Her sister Earth Witch may focus more on the rebirth cycle, while the Water Witch is more in touch with creation.

The Water Witch specializes in healing, cleansing, beauty, emotions, intuition and energy. Her magickal style is usually based on instinct. If the feeling hits her to perform a cleansing, she will. She does not necessarily worry about correspondences and timing. Her timing is completely her own–she will not be rushed by others into decisions or action. Schooled in water magick, ice magick and snow magick, the Water Witch can tell you all about the role of water in the metaphysical and physical realms.

Winter is the season when the Water Witch’s power is at its peak. She holds within herself the ability to transform fluidity to solid form during the winter, the same way that water turns to ice. It is during this season that the Water Witch should turn her view inward and evaluate her goals. She often redefines herself through the process. Because of this, a Water Witch grows stronger every year. She understands that just as dry ice is sticky, it is her role to hold thing together.

Throughout the winter months, the Water Witch is abnormally busy, even for her active lifestyle. Because she is at her highest power and incarnated in all three of her forms during these months, she may be short of temper. When you add to that the fact that artificial heat (fire, an evaporating influence on water) is usually pumped into the home during this time and families tend to be cooped up in the same space, you may have one cranky, stressed-out Water Witch on your hands. She longs for room to spread out and flow. A simple snowfall can ease her mind and soothe her spirit; she draws strength from it. If that is not an option, a long bath or a cup of hot tea usually helps. Rest assured that if you visit her in the winter months, she will be a very gracious hostess, regardless of the timing. The Water Witch is known for her generous hospitality.

Her home décor is usually unthemed, with whimsy being the main rule. The Water Witch may have a quirky collection of glass objects, prisms (she tends to like sparkly things), tons of throw pillows and an aquarium. Cool blues and greens are often primary colors in both her wardrobe and her home.

Due to her busy lifestyle, the Water Witch frequently has to let the housework slide somewhat. Although she prefers all things to be clean, she also understands that there must be “salt in the sea.” In other words, a small amount of dirt is inevitable, and she is able to live with that comfortably. She absolutely cannot stand clutter, though. It drives her to distraction.

Another common trait of the Water Witch is a quirky sense of humor. It simply cannot be defined. Some of the things she says seem to come from outer space in their relation to the topic, yet they can make you laugh as nothing else will. This is intentional–the Water Witch is lighthearted. But just when you begin to think she has never had a deep thought in her life, she will prove you wrong. When it comes to serious conversation, the Water Witch can often put her finger on an aspect of the situation that the other Elemental Witches do not see. The Water Witch is very wise.

Like her mythical brethren the mermaids and water nymphs, the Water Wise tends to love long hair. She may keep it pulled back in a ponytail due to a lack of time, but she lets it grow nonetheless. The effects that water has on the body are directly in line with the metaphysical attributes of the Water Witch. Usually beautiful, she is often younger looking in appearance than in age and has a long memory and attention span and bright, shining eyes.

Because the Water Witch always considers every side of an argument before making up her mind, she may be slow to assume a position. Rest assured that when a Water Witch states her opinion., it has been well thought out. She open-minded and fair. Her strength lies in her dual nature an a ability to see the points or view of others. And like water, she will find her way into all of the small nooks and crannies of a situation. She may initially choose an answer based on instinct but if new facts come to light, she will often change her mind. She is flexible.

Those on the water path often find a calling in helping others. They make wonderful therapists, psychiatrists, obstetricians, pediatricians or service personnel. Often people are attracted to their soothing nature and come to them for advice. Like a waterbed, a reflecting pool , or a relaxing bath, Water Witches project an aura of serenity and comfort.

The Water Witch may be seen as moody, but like the sea herself, she is often in motion. She rarely slows down She is full of energy and always on the go. And like the sea, her moods swing with the tides. The moon holds sway over the tides, and one can easily draw a parallel between the moon and the Water Witch’s emotional patterns.

Meditation to Meet Your Water Guide

Meditation to Meet Your Water Guide 

Create a simple altar with a bowl of water and floating blue candles. Use a rain-scented incense. You may keep a chalice filled with wine or a favorite herbal tea on the altar. Take several deep, cleansing breaths. Cast your personal circle. Close your eyes. Visualize the gateway to the elemental realm of water. What does it look like? How does it open? Focus on your breath. Keep your breathing deep, slow and steady. See the gate open, and walk through it. Amazingly, you find yourself walking across the bottom of the sea, yet you can still breathe easily, encased in your own personal bubble. The sand is firm under your feet. Around you are bright coral shells, starfish, sea horses, and dolphins. Schools of brightly colored fish swim by. Walk slowly toward the figure you see in the distance. Focus on your breath. You are calm, relaxed and happy. Greet your elemental guide for the realm of water, and listen to what he has to say. When you have heard all you wish, thank him. Begin to walk back toward the gateway. Stay focused on your breath as you take on last look at the beautiful world beneath the waves. Walk through the gateway and see it close. Take several deep breaths and then open your eyes slowly. Write down what you learned in your journal. Close your circle.

Opening the Gateways Simultaneously

Opening the Gateways Simultaneously

 

After a suitable meditation time with the tattwas, when you feel you are ready, stand and face the north. Visualize the northern gate with the tattwa of earth carved upon it. The entry can be a golden gateway or a monolithic stone structure, or even a simple wooden gate. Stare into the tattwa until its aura begins to become visible, then shift your focus to the gateway. You should begin to see the fog lift, and the portal will be clear. It may look like a swirling vortex at first, but it will eventually take on a form that represents that element. Turn east and repeat the process. Continue with all four of the elements if you wish, or you may choose to open only one gateway at a time. If you wish, you may protect yourself with a personal bubble and enter into the realm of the elements. Be sure to ask that the gate remain open. Explore and commune as long as you like. When you are done, make sure to close each gateway by allowing your vision to blur as you look at it. The vortex should become active again, and the fog will settle.

Vision Questing

Vision Questing

 

 

A vision quest is no easy task to accomplish, but it will open your eyes to many things in this world that you had not noticed before. A vision quest pushes the body, mind, and soul to the extreme, where they all meet and come together. It is essential for all parts of ourselves to be in harmony with each other and with nature.

It is not necessary to do a full eight-day vision quest to discover your elemental affinity, but if you wish to you certainly can do so. The following vision quest is recommended, it is simpler and more harmonious to our roles in daily life. At this point, you should have some idea of which element you prefer.

1. Fast on juice and water for one day while you meditate and focus on your person elemental characteristics.

2. Early the next morning, set out for a long walk. Plan to spend the whole day communing with nature. Take only water with you. If you can arrange to camp out for the night, so much the better. If not, spend at least an hour focusing on the Earth itself. Notice the differences in grass blades, dirt types, and tree barks.

3. Open up a dialog in your head with one of the elements, asking it all you wish to know. Do the same with the other three elements in turn.

4. Do not allow yourself to sleep that night, if possible. Spend it communing with the elements instead.

5. Keep an eye out for a sign, be it a hawk flying that catches your attention or a special star twinkling. Your personal element will reveal itself in a unique way.
6. When you return home, honor yourself and the element that came to you with a ritual. You do not have to dedicate yourself to a particular element in order to learn more about it. Simply ask that element to show you more, and remember to say thank you. Courtesy and respect go along way.

7. Bless yourself with a simple statement of intent. Say something like, “I am blessed with the eyes of my Lord and Lady.” Throughout this entire process, do not be afraid to cry and laugh. A successful vision quest is a highly charged emotional task and quite an accomplishment.

If it is possible for you to do a full eight-day vision quest, the process is more elaborate as follows:

1. There is a three-day preparation period, during which you spend all of your time searching for your personal element by discussing your personality and viewpoints with the universe or whomever happens to be around. Every topic that pops into your mind is appropriate, so be sure to keep accurate notes. You swim to soak up air energy, lie on the ground to soak up earth energy, and allow the sun to shine on you to soak up fire energy. This time is meant to prepare you for your task.

2. For the next three days, go out into nature alone, with no food, only water. Fast, meditate, commune with the elements, and do a great amount of personal reflection. Stay out in the wild until you see your sign, your vision of your personal element. On the fourth morning you may return home. During this time period, you are allowed nothing that does not come from nature itself and no food. Physical activity is encouraged. If you see your sign before the fourth day, it is a personal choice whether to stay on the journey or to return home. Let your instinct guide your choice.

3. When you return home, hold a ceremony of rebirth, for you have been reborn into your element. Traditional Native American rites call for a sweat lodge cleansing , but this can also be done with smudging. To smudge yourself, light a smudging stick or burn sage on a charcoal tablet. Pass your arms through the smoke, then your legs, and so on, until you have exposed your whole body to the cleansing effect of the sage smoke. After the cleansing, it’s time to write your story.
4. Perform a rite of honor, such as a ritual bath with all the trappings.

If you have performed all of these steps and are still not sure which element is best to work with, study the four Elemental Witch path and continue your meditations. Your element will eventually reveal itself; it just may choose to wait a bit until the time is right.

Earth Goddesses – DEMETER

Earth Goddesses – DEMETER 

Demeter is the Greek goddess of the grains, agriculture, and fertility. She is the daughter of the Titans Cronus and Rhea. She is an Olympian.

Demeter is so prevalent in the Greek myths that she is even responsible for the changing of the seasons. In Homer’s Hymn to Demeter, he relates the tale. Demeter, whom Homer describes as a stately goddess, had a child with Zeus named Persephone. Unbeknown to Demeter, Zeus had planned with Hades to ensnare the young Persephone so that Hades would have a wife and therefore a queen of the Underworld. Zeus cunningly brought forth the brightly colored narcissus flower in an attempt to lure Persephone away while she was at play in the fields.

As Persephone set about gathering a bouquet of lovely irises, roses, hyacinths, violets and crocuses, she caught sight of the most magnificent flower in the field – the narcissus. Persephone, stunned by the flower’s beauty, reached out with both hands to pick it for her bouquet. As she did, the Earth opened wide and Hades, riding upon his golden chariot led by immortal horses, snatched the beautiful Persephone and took her wit him into the Underworld. Persephone cried out for her father to save her. Her cries echoed across the countryside, yet no one except Demeter heard her.

Demeter searched the Earth for nine days, grieving so desperately that she touched not a single drop of drink or bite of food. On the tenth day, at the crack of dawn, Hecate spoke with Demeter. She sent Demeter to speak with Helios, the sun god. Demeter begged Helios to tell her who had taken her beloved daughter. Helios replied that it was Zeus himself and explained the role of Hades in the plot.

Demeter was furious and grief stricken. She left Olympus and wandered to Eleusis. For a year she stilled the Earth from fruitfulness. In her grief, the flowers no longer bloomed and the gardens withered and died. The Earth was barren. Zeus sent Iris to try to persuade Demeter to come home, but Demeter would not budge. One by one, each of the gods tried to talk Demeter into returning to Olympus. She refused them all, saying that she would never return until she could lay eyes again on her beloved daughter.

Zeus upon hearing this, sent Hermes to speak with Hades and attempt to cajole him into releasing Persephone. Hades agreed and asked only that Persephone keep him in her heart fondly. With that he tricked her into eating three pomegranate seeds, thereby assuring that she had to return to him. Persephone happily ate the seeds and went on her way back to her mother. When Demeter was greeted by the sight of her daughter, the Earth was once again fruitful and the people rejoiced. Afraid, Demeter asked her daughter if she had eaten anything while in the Underworld, to which Persephone replied that she had eaten the seeds of a pomegranate. Demeter explained that she must live in the Underworld for one third of each year. She swore that while Persephone was on the Earth, she would hold it in bloom for her daughter’s pleasure., but that while Persephone was in the Underworld, it would be barren and cold. Thus, the season were born.

Demeter, with her somewhat ironic sense of humor, placed the poppy in the corn and barley fields. She put all of her sweetness into the fig, which grows alongside wild herbs. As the poppy and the fig grow around the base of her more substantial foodstuffs, they represent the dark side of Demeter. The dark side is the side that holds the life and death of mortals in her hands and carries the seeds of each in her womb. Demeter represents both hunger and abundance.

In one myth, Demeter condemns a man to eternal hunger for daring to attempt to chop down her sacred grove to make a roof for his hall from the wood. The man subsequently eats until there is only one thing left to eat – himself. He devours his own limbs.

Demeter was also a goddess of fertility and, in one myth, coupled with a human in the field. The pairing produced a child. Soon after Demeter became known as a goddess who guarded marriage and was included in ancient marriage rites. Concubines and the like were condemned to her stone gardens, where no plants could ripen and bloom. Demeter’s festival, held in late autumn was celebrate by legitimate wives and included a ritual sowing of the field. It was conducted with the hope of a harvest of beautiful children, a bounty borne from human seed.

Earth Gods – DAGDA

Earth Gods – DAGDA 

The Dagda is the Irish father god of Earth. He is the leader of the immortal race of the Tuatha De Danann. The Dagda is also known as the lord of abundance. He is the god of time and magick and the protector of crops. He is the son of Danu and Beli. His name means “good god,” meaning he is good at all of the things he does, not morally superior.

In Celtic mythology, it is the Dagda who is responsible for the changing of the seasons. It was said that he owned a magickal harp, Daurdabla, that made the seasons change when played. He acquired this harp on a trip to the Otherworld. On the same trip he obtained the Undry, a magickal cauldron said to never empty, along with the Sword of Nuada and the Lia Fail, which is also known as the Stone of Life. These three items, along with the Spear Luin, are thought to represent the four elements.

The Dagda is represented in a somewhat comical form. He is most often depicted as a large man with a paunch belly wearing a too short tunic that leaves his genitals bare and exposed, hauling around his magickal mallet in a cart. The mallet was said to kill nine men in a single blow and restore them to life with the handle. Although he was frequently the subject of jokes, the Dagda was held in the highest esteem. The Celts believed that even the highest being possessed a flaw or two.

While he was the main consort of Morrigan, the Dagda was known to have many other lovers. It was said that he was one of lusty appetites, and when he came upon the raven-haired Morrigan washing clothes in a stream, he walked up behind her and began having his way with her. The Morrigan found the interlude so satisfactory that she backed him in battle the next day.

In one tale, the Dagda was send by Lugh to spy on the Fomorians. He went to their camp and asked for a truce, which was granted. The Fomorians decided to mock the Dagda by making a porridge. The Dagda’s weakness for porridge was well-known. The Fomorians made a huge amount and proclaimed that unless the Dagda ate every bite he would be killed. He ate every bite and promptly fell asleep. When he awoke, he found the Fomorians laughing at him. The Dagda forced himself to leave, which was no easy feat considering his bloated, swollen belly. On his way, he chanced upon a girl who threw him into the mud and demanded she be returned to her father’s house. The Dagda asked who her father was, and she replied that he was the king of the Fomorians. The Dagda and the girl wrestled about and ended up making love. As she was smitten at this point, she helped the Dagda defeat the Fomorians in battle by singing spells against them.

The Dagda’s main consort was Boann, and they are the parents of the Celtic goddess Brigid. He is also the father of the fairy king Midir and many others.

The Dagda is said to rule today from the Otherworld, as his life on this plane was ended in battle by a woman named Cethlion. Once defeated, he led the Tuatha De Danann through a fairy mound to live underground in the Other world.

Earth Gods – THE GREEN MAN

Earth Gods – THE GREEN MAN

The Green Man is the vision of a face in the leaves – a face surrounded by or made from leaves. He embodies nature – wild, free, and primitive. He is known as Cernunnos, Herne, Pan, Faunus, Puck, John Barleycorn, and the Horned God, to name just a few. The Green Man is the male essence of nature. His face graces more churches and cathedrals than one can imagine, a unique feat for a pagan god.

Cernunnos is the Celtic god of nature. He is commonly seen as a horned god. The horn is a symbol of virility and fertility. As Cernunnos, his worship can be traced back to the Iron Age Celts through historical artifacts; however, very little is known about how he was regarded or worshipped.

In Britain, the nature god is known as Herne the Hunter. Herne was a favorite of King Richard II. He saved the king from a raging stag and was severely wounded. A stranger tied the antlers of the stag to Herne’s head, claiming his hunting talent as payment. Herne, devastated at this loss of talent, ran off into the woods. Later a man found his corpse hanging on a tree. Herne is said to appear in spectral form and to indulge in his favorite pastime – hunting. He is aid to lead the Wild Hunt.

Pan is the Greek nature god who watches over the shepherds and their flocks. He is known as Faunus in Roman mythology. Pan is consider to be older than the Olympians. He gave Apollo the secrets of prophecy and gifted Artemis with her hunting dogs.

Pan was originally an Arcadian god. He is described as a man with the legs, horns and hindquarters of a goat. Due to the Olympians disdain of Arcadians, they always treated Pan as a second-class god. However, his popularity among the primitive mountain people of Arcadia never lessened.

Pan was thought to inspire a type of sudden fear. In fact, the world panic is a derivation of his name. Pan was a lecherous god and was well-known for his indulgence in amorous affairs. One nymph name Pitys turned into a pine tree to escape his advances, while another, Syrinx, turned into river reeds. At the exact moment that Syrinx did so., the wind blew, creating a melodic sound. Pan much intrigued picked several of the reeds and turned them into his signature pan pipes.

All of the deities that are considered to be the male essence of nature are thought to follow a cycle of life, death and rebirth in sync with the seasons.

Earth Goddesses – CORN WOMAN

Earth Goddesses – CORN WOMAN 

In Native American lore, it is the Corn Woman who is known as the “first mother.” It is said that there was once a time of great famine. The Corn Woman went to her husband and asked that he kill her. The husband, distraught, went to the tribe’s teacher, who confirmed that he must do as his wife asked. With great reluctance, he complied. He dragged her body around a field and burned her in the center of it. In a few months, corn and tobacco filled the field, saving the tribe from starvation.

In the Pawnee tribe, Corn Woman held rule over the west, while Buffalo Woman held the east. Together they guaranteed that the tribe had both meat and corn.

In one of the earliest tales, we find that the Corn Woman emerged from an older world, one in which animals were not slaughtered for food and hides but rather were treated as kin. The old world had a greater respect for life, be it animal or human. The people began to lose balance and greed crept in. The deer set forth a punishment for any who would eat of its flesh – man’s first known disease. Corn Woman thought it was time to begin again and restore balance and harmony to the people.

She watched her grandsons preparing to go out to hunt and asked them to stay. She said she would cook the finest meal they had ever tasted. The grandsons replied that they were hunters and must hunt, Corn Woman nodded sadly and went about creating her meal, but not before she asked her grandsons to respect the animal life they came across in the forest. The grandsons laughed.

Corn Woman cooked, all the while singing and blessing the food. When her grandsons returned home, she saw that they had killed a wild pig. She said nothing. They sat down and began to eat of her feast. Loudly, the grandsons proclaimed the food the best they had ever tasted and proceeded to eat their fill. They asked her where she had gotten the corn, but she did not answer. She just listened to the compliments and smiled.

The next day, the young men again reached for their weapons. Corn Woman cooked again. The aromas from her kitchen reached them out in the woods as they hunted. That day, they brought home a slain deer. Corn Woman said nothing. The grandsons gifted her with the deer, and she recognized it as an honor and so returned it to the forest. She sang long into the night, invading the dreams of her grandsons.

When they awoke the next morning, instead of reaching for their weapons, the grandsons asked Corn Woman to make them breakfast. She did and they ate until they were sleepy again. When they awoke from their naps, they gathered their weapons and set about preparing to hunt. Corn Woman asked the not to go. She said, “we have so much food already.” The grandsons said they were hunters and set out toward the forest. Corn Woman called after them to respect animal life.

While on the hunt, one of the young men asked the other where Corn Woman got all the corn she was using to cook with. The other man replied that he did not care and the he knew Corn Woman would only give him what was good for him. They returned home with a turkey but once again sat down to a delightful meal of corn.

After many days of wondering, the younger of the two grandsons decided to sneak back to the home and find out where Corn Woman was getting all of the corn. As he watched, she slapped her sides and the corn fell out of her body and into a basket at her side. He ran to tell his older brother. The eldest grandson was upset. He said. “this is a bad thing, an unnatural thing. We cannot eat our grandmother. Something has taken hold of her.”

That night the grandsons returned home in fear. Corn Woman piled their plates high but the two could not eat. Her heart grew heavy as she realized that they knew her secret. She began to age rapidly before their eyes. The youngest started to cry and beg forgiveness. Corn Woman replied, “Listen well, child. For I have no long as I am to tell you all you need know. I am the Corn Mother. I a her for your abundance, harmony, health and peace. When I pass, you are to drag my body through the field and plant me in the center. I will come back to you as tall, glorious plant, with yellow hair at my fruit. Do not eat all of the seeds; save some for the planting again the next year, so that I might be with you forever.” The grandsons swore to do as she wished. Thereafter they refused to hunt unless they were on the verge of starvation. Hence, balance and harmony returned to the people.

In the Navajo tribe, we find variations of the Corn Woman. According to Navajo beliefs, there was a Corn Girl (yellow corn) and a Corn Boy (white corn) sent forth by the creator god to bring corn to the tribe. Corn was sacred and the main food of the people and was also used in religious ceremonies. Shaman’s masks were fed corn meal to “bring them into being,” or animate them.

The Aztecs have their own version of the Corn Woman in Chicomecoatl, the goddess of sustenance. It was thought that yearly sacrifices held in her honor assured a good crop. Each year a young girl was chosen to represent Chicomecoatl and was ritually decapitated. Her blood was poured over a statue of the goddess as an offering. She was skinned and her flesh was them worn by a priest.

The Hopi and Pueblo tribes have the Blue Corn Maiden as their representative of Corn Woman. On a cold winter day, the Blue Corn Maiden went out in search of firewood. Normally this was not a task for her. While she was out searching, she ran across Winter Katsina, the spirit of winter. When Winter Katsina saw the Blue Corn Maiden, he immediately feel in love. He took her back to his house, whereupon he blocked the door and windows with ice and snow. He was very kind to her, but she was sad. She wanted to go home and make the blue corn grow for her people.

While Winter Katsina was out one day going about his duties, Blue Corn Maiden sneaked out and found four blades of Yucca plant. She stated a fire. As she did, in walked Summer Katsina, carrying more yucca and blue corn. When Winter Katsina returned, the two fought. Seemingly getting nowhere, they sat down to talk. They agreed that Blue Corn Maiden would live half the year with her people, during the reign of Summer Katsina, and the people would have corn. During the other half of the year, she would live with Winter Katsina, and the people would have no corn.

Earth Goddesses – FAUNA

Earth Goddesses – FAUNA 

Fauna, the Roman goddess of nature and animals, was most often called Bona Dea (“the Good Goddess”), which is a title, not a name. Sometimes she was referred to as Bona Mater, which means “Good Mother.” To say the actual name of Fauna was taboo in ancient Roman society. Fauna was a Earth Goddess and was worshipped primarily by women. She was the daughter (sometimes represented as consort) of the nature god Faunus. It was said that after her marriage, she never laid eyes upon another man. This chastity. Improved her ranking among the gods. She was a country goddess, the protector of cattle and farmlands. She also presided over virginity and fertility in women. Today the word fauna is used to encompass all animal life.

Fauna is depicted as an old woman with pointed ears. She is represented holding the horn of plenty, and a snake is her symbol. It is said that the snake represents her phallic nature; however, men were not allowed at her temples or festivals. Her image is often found on Roman coins.

Bona Dea had two major festivals, one in May and the other on December 3 or 4. (This feast was moveable.) The festival held in December was a secret rite. It was unique because it was often held in the homes of high-ranking Roman magistrates as opposed to public temples. It was an invitation-only affair. Men were not allowed, nor was any depiction of a man welcome. Paintings and statues that included a male figure were covered up or removed. This festival was said to be a lesbian orgy; however, it has been suggested that it was actually a purification rite. It was forbidden to use the word “wine” or “myrtle,” because Fauna’s father had beaten her to death with a myrtle stick upon finding that she had gotten drunk. Wine was forbidden to women under Roman law. However, it was also her father who gifted her with her divinity, be repenting of her killing and bestowing divinity upon her. Wine was served at her festival but was called milk. It was traditionally kept in a jar covered with cloth. The jar was referred to as the honey pot.

Fauna’s May celebrations took place in her temple and was held on May 1. Wine was served in the same manner as in the December rites. The temple was decorated with vines, flowers, and plants, with the careful exclusion of myrtle. This celebration was public and open to all women. The festival was rumored to included the ritual sacrifice of a pregnant sow.

Fauna’s temple was built over a cave that housed consecrated serpents. Enslaved women were prominent among the worshippers. In fact, Fauna was the only Roman deity to allow freed slaves to serve among her priestesses. Her rites were unique because she allowed high-ranking Roman women, poor women, prostitutes, and slaves to worship together side by side.

Fauna was also seen as the mother of the fairies. In this role she was a prophetess and seer. In addition, Fauna was the female essence of wildlife. In this role she was the companion of Faunus, who served as the male essence.

Fauna was a healing goddess and her temple garden was filled with medicinal herbs. The sick were brought to her temple gardens to be healed.

Earth Goddesses – FLORA

Earth Goddesses – FLORA

Flora (“flourishing one”) in the Roman and Greek goddess of flowers, youth, fertility, and springtime. She is also identified with the Greek Goddess Chloris. It was said in the Greek myths that when Chloris (originally a nymph) was captured by Zephyrus, he gifted her with the realm of flowers in return for marrying him. So Chloris became known as the Roman Flora.

Flora was thought to give the charm to youth and the sweetness to honey and to protect the petals and give the fragrance to blossoms. She was particularly important in Roman society. Her cults are among the oldest found in Rome, and she was one of the few deities that had her own priests, who were known as the Flamen Floralis. Her bounty was the precursor of modern medicine, as Flora was not only responsible for flowers but was originally responsible for all crops. All gardens fell under her protection, and iron was strictly prohibited within them to allow the plant devas and nature spirits to prosper peacefully. Fairy folk are known for their aversion to iron.

Flora had a special garden of her own, which featured all of the mythological creatures that turned into flowers upon their deaths. Among the blossoms were Narcissus; Ajax, who became a larkspur; Clytie, who became a sunflower; Hyacinth, who had been Apollo’s lover; and Adonis, who became the anemone.

Greek myths also relate a tale where Flora was responsible for the rose. While on an early morning walk through the woods, she stumbled upon the dead body of a beautiful young girl. Saddened to see such a lovely creature dead, she decided to restore her life by transforming her into the most delicate and beautiful of all flowers. In order to accomplish this, she called upon her husband, Zephyrus, god of the western wind, to blow away all of the clouds from the sky. She then called upon Apollo to send his warm rays of sunlight down as blessings. She called upon Aphrodite to add beauty and grace and Dionysus for nectar and fragrance. Everyone agreed that this was the most beautiful of all the flowers.

Flora went to work gathering dewdrops to restore life to the flower and crowned her queen of all flowers. She then called upon Aurora and Iris in spread the word about this new flower. Iris borrowed just a touch of the flower’s color to spread among her rainbows, and Aurora painted the morning sky with the rose-tinted hue.

Aphrodite named the flower the rose in honor of her son Eros, the Greek god of love. Hence, roses are associated with love. Flora presented Eros with the rose as his own in the hope that it would maintain the romantic associations. Eros shared it with Harpocrates, the god of silence, as a bribe to keep secret the indiscretions of his mother, and the rose became associated with silence and secrets as well as love.

According to Roman legend, Flora also had a hand in the creation of Mars, the god of war. Juno, the wife of Jupiter, was jealous that Jupiter had given life to Minerva on his own, so she enlisted the aid of Flora to help her create a son of her own. Flora reluctantly agreed after Juno swore by the river Styx to never tell Jupiter that Flora had taken part. Flora touched Juno with a magickal flower, and Mars began to grown in Juno’s womb. Mars was born and went on to sire Romulus and Remus, who became the founders of Rome.

There was an ancient and somewhat infamous, Roman festival held in Flora’s honor, called the Floralia. It was celebrated annually from the end of April through the beginning of May. The dates suggest that the original purpose of the festival was to beseech Flora to refrain from allowing mildew to fall upon the crops. It is further believed that the Floralia was the inspiration for the Maypole and Mayday celebrations known today as Beltane. The floralia featured chariot races, theater shows, games and lavish banquets. Altars and temples were decorated with every type of flower known to humankind. The participants wore wreaths of flowers in their hair and left offerings of milk and honey.

The Floralia was also a festival known for its unrestrained pleasures. During the celebrations, marriage vows were temporarily forgotten and the celebrants allowed themselves a wide range of a sexual partners. Prostitutes claimed Flora as their matron deity and celebrated her festival vigorously.

Later, as Beltane traditions evolved, Flora became known as a companion of the fairies. This eventually evolved into legends of Flora as a fairy herself. However, it is believed that was borne of some confusion between the Goddess Flora and the fairy Florelia, who is mentioned in tomes of old as a treasure of the Earth akin to Queen Mah.

The role of the flower, and therefore that of Flora, is as important today as it was in ancient times. Almost all holidays and customs include an appropriate flower. We often send flowers to cheer those who are sick, to say farewell to those who have passed, and to celebrate mile-marker events such as birthdays, weddings, and anniversaries. We make use of the scents in perfumes and potpourris and bathing products. We make candles, jellies, wines, and salads from the petals. Flora’s bounty covers everything from poisonous to healing flowers. Chamomile, jasmine, and linden flowers are commonly added to herbal teas. The purple foxglove is the base of the medicine digitalis, which is used in the treatment of heart conditions.

Flowers also have magickal qualities, many of which are steeped in superstition. For instance, the daisy is often used as a divination tool in love matters by plucking the petals off while reciting, “He/she loves me, he/she loves me not.” The dandelion is often used as a tool to bring one’s wishes to fruition by flowing the seeds to the wind. As the wind carries the seeds, it carries one’s wishes to the Goddess as well.

In the Victorian era, flowers were given their own language. A certain type of flower had a specific meaning, which was further sub-divided into categories determined by the color of the flower. For instance, to send a red rose meant “I love you,” whereas to send a yellow rose meant friendship or jealousy. The number of flowers sent also had a specific meaning. It was said to be bad luck to send an even number of flowers.


When the Spanish explorer Ponce de Leon landed in Florida, he looked around at all the many flowers and thought he had found the land containing the Fountain of Youth. He then name the state Florida in honor of Flora.

While we may not choose to celebrate Flora the same way the Romans did, we can honor her on her special days with simple things that remind us of her presence. We can drink flower teas, add flower petals to our baths, prepare meals with edible flowers, decorate our homes and altars with garland and wreaths, wear floral colors, or perform a ritual, or even simply take a walk through flower-strewn fields.

Edible Earth Magick – Earth Bread Crescent Cakes

Earth Bread Crescent Cakes

  
This recipe is a proper replacement for traditional almond crescent cakes in the cake and ale ceremonies. This bread relates closely to earth and is a good grounding aid.
 
1/3 cup butter
2 1/4 cups flour
4 teaspoons baking powder
2 tablespoons sugar
1 teaspoon salt
1/4 cup milk
1 cup creamed corn
1/8 teaspoon each parsley, oregano, thyme, basil and garlic powder
 
Melt the butter in a 13 x 9-inch pan. Sift together the flour, baking powder, sugar and salt. Stir in the milk, corn and spices. Turn the dough onto a floured surface and knead lightly. Roll to a 1/2-inch thickness. Cut into crescent shapes and place in the melted butter, turning so that each side is coated in butter. Cook at 450 degrees for 18 minutes. Serve warm.

Edible Earth Magick – Corn Woman’s Magickal Mush

Corn Woman’s Magickal Mush

 
1 cup corn meal
1 cup cold water
1 teaspoon salt
3 cups boiling water
 
Combine the corn meal, cold water, and salt. Pour the mixture into the boiling water. Cover and cook on low for 15 minutes, stirring when needed. This mush turns solid when cold. It may then be sliced into blocks about 1/2-inch thich and fried in hot oil. Serve with honey on the side, if desired. You may also dust the slices with a mixture of cinnamon and powdered sugar.

Edible Earth Magick – An Earth Witch’s Stone Soup

An Earth Witch’s Stone Soup 

 
Stone Soup, the popular children’s tale of three soliders who teach a village how to make soup, is a favorite among Earth Witches, who often add stones to their meal preparation because of the magickal energies they impart. Simple, quick and magickal, this legendary soup is sure to please.
 
3 large quartz crystals, scrubbed perfectly clean and empowered to purpose
1 large pot boiling water
Salt and Pepper to taste
Carrots, sliced
Cabbage, torn
5 beef bouillon cubes
1 can tomato juice
Potatoes, cubed
Celery, sliced
Bell peppers, cubed
 
Combine all the ingredients and simmer until the vegetables are tender. You may add or subtract any vegetables you wish and season to taste. This soup also has the advantage of being high in fiber and low in calories, so it works well for dieting purposes. Remember to stir the blessings into the food by stirring in a deosil motion only. Remove the crystals before serving.

Connect to Earth Powder (for grounding)

Connect to Earth Powder

(For Grounding) 

1 teaspoon dirt from your yard or a favored plant

3 drops of patchouli oil

1 teaspoon barley, wheat, corn meal or rye 

Combine the ingredient in a mortar and grind to a fine powder. Sprinkle it about your meditation area to connect with earth while meditating. If you have trouble grounding after ritual or spell work, keep a bit in a covered box and smell it or touch it when you need help grounding.