Day: January 13, 2013

READING THE RUNES

READING THE RUNES

 

Runes, along with many other forms of divination can be valuable allies. In preparing to do a runecast you are preparing to  ask your higher self for answers and assistance. There are many factors to take into account when interpreting a runecast, it takes practice. So, don’t  be discouraged if you come up with a few “duds” in your first readings. Because of divinations’ similarity to counceling, I highly recomend  that you practice readings on yourself before doing spreads for anyone else. You should prepare yourself before you begin to read or cast the runes. Start by  relaxing. Find somewhere free of distractions, and then clear your mind of any unrelated thoughts. It is important to concentrate on your specific question  or issue while drawing and casting the runes. Focusing your mind and having a clear intent will greatly enhance the accuracy of your readings. Interpreting a  runecast is like telling a story. Your job is to find the characters, themes, events, and advice of the reading. Take as much time as you need to interpret a  spread, and pay close attention to all the connections. The times I am most satisfied in the accuracy of my readings are when each rune clearly plays a part  in the runecast, or rather when the runecast itself becomes a comprehensable story.

Sometimes the runes will clearly answer your question, and sometimes they will ignore it completely, choosing to focus on  other issues instead. Often times these are issues that you knew existed but didn’t want to face. Look within to see if the runes haven’t met the  mark. Runes (in divination) work by connecting you to that part of you that is in touch with your subconcious, higher self or that part of you that is in  tune with the all. However you want to look at it. Even the most accurate of runecasts can not tell you what is destined to be. They only predict what is  likely to happen based on current information. A negative runecast should never be taken as irreversable, you always have the choice to change your situation  in life. In divination, runes are used to tell you what path you are currently on. Remember, it is always within your power to keep with or alter that  path.

You may use these, or other techniques and rune spreads that you come across. There are an abundance of tarot spreads  available, for example, tarot spreads adapt very well to rune divination. You could certainly form your own spreads and techniques for a reading, or maybe  incorporate methods from various spreads. Generally, the more runes used in a runecast or spread, the more involved, the reading.

Runes are read either upright or reversed. When casting the runes, it is helpful to have a system of deciding which runes you  will consider upright, and which you will consider reversed. I usually interpret all the runes with their top pointing up or to the left, upright; and all  the runes that have their top pointing down or to the right, reversed.

THE ELDER FUTHARK

THE ELDER FUTHARK

 

This is the oldest Futhark – the European common heritage. We don’t know for sure when or by who it is originated, but it might be among  Germanic tribes in the beginning of our era.  


The Elder Futhark has 24 runes. This “runic alphabet” got its name after the sound of what is traditionally held to be the six first runes in this  “alphabet”:  

F – U – Þ – A – R – K

f u th a r k g w Frey’s Aett
Fehu Uruz Thurisaz Ansuz Raidho Kenaz Gebo Wunjo
h n i j ë p R s Hagall’s Aett
Hagalaz Nauthiz Isa Jera Eihwaz Perthro Algiz Sowilo
t b e m l ng d o Tyr’s Aett
Tiwaz Berkano Ehwaz Mannaz Laguz Ingwaz Dagaz Othala

What Is Rune Meditation?

What Is Rune Meditation?

by: Donald Tyson
Before the runes can be effective for works of magic or divination , they must be understood on the intuitive level and made to come alive in the unconscious. This will occur over time  simply by using them, but the process can be encouraged through regular meditation upon the individual rune symbols. Meditation gives the runes reality in  the astral world, where magical forces and actions manifest themselves most clearly to the awareness.
When you carve a rune materially for a magical purpose, you must also be able to cut it into the astral with your will so that it glows and shimmers on the  material where you made the physical rune. When you draw a rune in the air with your right index finger or  magic wand, you must be able to see it sustaining itself with the eye of your imagination. This does not mean that you pretend to yourself that the rune  exists on the astral level, or picture it there in the way you would imagine the face of your cat. Magical visualization is more intense and real than  regular images in the imagination. The magical image persists and can be so real that it appears material.
Meditation on the runes serves the dual purpose of expanding an understanding of their meanings, both conscious and unconscious (this is needed in  divination) and allowing the clear formation of the runes on the astral level (this is necessary in ritual magic).
There are many ways to actively meditate upon the runes. One is to contemplate the forms of the runes visually. Rune cards are an excellent way of keeping  images of the runes before the sight during meditation, where they impress themselves through the eye upon the mind, when the mind reaches a receptive state.  Here I will describe a second technique that I find effective in bringing the meanings and forms of the runes alive.
In preparation you must be familiar with the shapes of the runes, their names and short meanings, their order, the place of each rune in its aett, and its  pair rune. This can be done by playing with a set of rune wands, or ideally with the rune cards, which are excellent for this purpose. Once you have a  general knowledge of the futhark, you are ready to begin considering the runes individually.
To be most effective, meditations should be done in a series at regular times, one per day. It is possible to do two meditations a day if they are separated  in timeófor example, one at noon and one at midnight. If this is done, a pair of runes should be considered each day. However, until you have had some  experience in meditating upon the individual runes, you should not attempt to consider two or more runes in combination at the same time.
Wear loose clothing and take off your shoes, belt, watch, jewelry, and anything that irritates the skin or restricts the circulation. Even if your watch and  earrings do not irritate you during your daily routine, they may be a distraction during meditation. When the mind is stilled and focused, small sounds will  seem like thunder and the slightest itch will become a torment as your mind, like a restless child, seeks any escape from the task you have imposed upon it.
Do not meditate where there is noise or bustle, or where you are likely to be disturbed. Do not meditate until at least two hours after eating a meal. Do not  meditate just before sleep when you are very tired, and do not meditate when you are physically ill, or when your mind is filled with worry, anger, or  frustration.
Find a tranquil place and sit comfortably with your back relaxed but straight. It does not really matter how you sit. I usually sit Japanese style upon my  heels, but some people find this posture hard on the knees. The important thing is that you forget about how you are sitting and concentrate on the  meditation. Face a blank wall or featureless surface. If there is no flat unbroken surface, turn out the lights and the darkness will serve. If you are  outside, face a wall, a distant forested hill, the ocean horizon, or lie on your back and look at the sky – but it is better not to lie down during  meditation. The important thing is that you not be distracted by something in your field of view. Distractions are not necessarily fatal to meditations, but  they disrupt them and delay your progress. There are bound to be distractions in any case – you want to minimize them.
Take half a dozen slow, deep breaths to clear your lungs and relax your body. When you are ready, extend your right index finger and draw the rune you have  chosen for your meditation in the air at a comfortable armís length, making it a size that will fit easily into the center of your field of vision – about 18  inches tall is a good height.
Now try to actually see the rune in the air where you have drawn it. Hold the form of the rune in your imagination, and mentally retrace over and over the  rune you have drawn whenever its strokes become indistinct or slip from your mind. It is not necessary to use your finger to retrace the rune. Pretend you  have a blackboard in your imagination, and an imaginary piece of chalk that you use to continually redefine the rune as it fades.
Runes should always be drawn, both in the world and in the mind, with strokes that move downward and to the right. A little practice will make this second  nature.
During the meditation do not actively try to consider a predetermined list of associations with the runes. These will rise in their own time and order into  the stillness of your consciousness. Hold your attention upon the shape of the rune and your task of keeping it visually before your inner sight. You must  not be thinking of your grocery list while you are doing this. It is inevitable that your mind will wander to other things, but when it does, gently and  firmly guide it back to the purpose of the meditationóan active contemplation of the rune you have drawn in the air. When an idea about the rune itself, its  nature, or its relationship with other runes comes into your mind, consider it, but do not try to force these ideas. Let them rise by themselves.
This meditation should be stopped before it begins to become physically tiring. There is no point in forcing the work. A period of 15 minutes to half an hour  will be about right for most people. Take care that you remain relaxed, your breathing regular, and your eyes focused normally without strain. Strain of any  kind is counterproductive. Only sustained attention is required, and you will find that this is effort enough.
Success is not marked by how many new ideas you have about the rune, not even by how clearly you are able to visualize its form in space, but rather by how  sustained and effortless your awareness of the rune has been during the period set aside for the exercise.
It is a good idea to do these meditations in the same place and at the same time of day. Several meditations, even half a dozen, should be done on each rune,  but these can be mixed up with other runes. You do not have to meditate upon the same rune for six days running – unless you want to, of course. It can be  useful to consider the runes in groups, doing them in pairs, or in families, or even doing the complete futhark on 24 consecutive days, then repeating it  several times. If the sequence of the meditations becomes tedious, mix it up. Boredom should be minimized, because your mind will seize on any excuse to stop  these exercises.
You will soon discover that your mind is without disciplineónot that its discipline is low, but that it does not have any discipline at all. If you try to  force it too hard, it will turn around and bite you. You will accomplish nothing. Firmness, patience, persistence, and an understanding of how your mind  functions are needed to achieve the best results. Be wary of little tricks. You may suddenly find that your bowels are tumbling every time you sit down to  meditate, that your ears itch, that people are constantly interrupting you, that you feel very tired and sleepy, or that the entire exercise seems pointless  and stupid. These are all ways your mind will use in trying to squirm out of doing the work you have set for it.

What Makes Runes Powerful?

What Makes Runes Powerful?

by: Donald Tyson
Runes are the manifest symbols through which rune magic is worked. They can be employed for all of the magical purposes that other magical systems serve, but  they possess unique aspects that make them superior for certain uses.
Because they were forged over the centuries in the same creative fire that shaped the pagan gods of the Teutonic peoples, runes are indispensable in magical  dealings that involve the northern hierarchy. They are a key that unlocks the powers of these gods, and they are a book that unfolds the secrets of their  personalities. Before the rediscovery of runes, the Aesir, lords of Asgard – who number among their ranks Odin, Thor, Tiw, Heimdall, Baldar, Loki, Frija and  Hel – were difficult to integrate into modern ceremonial magic. An elemental wildness distinguishes them from the more civilized gods of Greece and Rome and  the abstract, almost technical natures of the angels and spirits of Hebrew occultism. It would be absurd to invoke the Aesir with Hebrew numerology or Greek  words. Yet before the rebirth of runes, the magus had little option.
Because runes form the magical language of the northern gods and express the forces upon which those gods are framed, manipulating the runes gives direct  control over the actions- not just of the deities but also of the spirits and lesser entities of Norse mythology, which all arose out of the same primeval  crucible of mythic archetypes. They are more than just arbitrary symbols chosen to represent occult forces by the Germanic shamans; each rune contains in its  structure the same essence that is in the god, spirit, or magical potential to which it corresponds. It is the magical name of that god or natural power.     Anyone seeking to contact and communicate with the northern hierarchy – whether for purposes of worship, divination, or active magic – must use the runes. It  is possible to invoke the Aesir without runes, but this is akin to driving a nail with a rock when a hammer is sitting within easy reach. It makes no sense.  More and more, those with Teutonic roots are seeking to know the gods of their ancestors. Runes are indispensable in building this bridge to the past.
Perhaps because they rested forgotten for so many centuries, the runes remain undiluted by modem skepticism and rationalization. Of all the symbolic tools of  magic, they are the most powerful for causing material change in the world. Rune magic makes things happen – often violently, sometimes unpredictably. Most  potent physically, rune magic is also most dangerous to the unwary. The elemental powers contained and defined by the runes are not conscious in the human  sense, but they possess a type of animation and awareness not unlike the self-awareness of animals, plants, or embodied spirits – a watchful, quick,  sometimes malicious awareness that might almost be called mad in its unexpectedness. But madness is a human concept, and the runes are true to themselves and  terribly sane.
All types of occult work that seek material change – or transformations on the human level of emotions and urges that are linked to the body – can be  fulfilled with rune magic. Rune magic also embraces the spiritual level of the human soul, and great works of the spirit are possible using the runes. The  point that should be grasped here is that runes are weighted more toward the physical, tangible end of the scale than any other ancient magical system. It  may be that in their beginnings all magical systems were mainly concerned with material change, but it is only the runes that have descended through time in  their pristine, primitive state.
Another unique aspect of the runes has to do with their structure. Because they are simple letters that can be carried in the head and inscribed on any  surface as easily as the alphabet, they are the most compact and accessible of magical systems. Bulky temple instruments are not needed in rune magic. They  can be written anywhere on virtually anything in moments when an emergency arises. No one can ever take the runes away or destroy them; they live in the  mind.
In their portability runes resemble the Hebrew letters, which are combined into magical names and words of power based upon the numerical values of the  letters in the system of Jewish occultism known as the Kabbalah. At one time each letter of the Hebrew alphabet also had its elemental meaning, independent  of its numerical value. But in modern times, the natural powers embodied in the Hebrew letters have largely been forgotten, displaced by the number values.
As is true of the Hebrew letters, the runes can be combined both occultly in numerical and symbolic groupings and phonetically to form words and sentences.  The same runes can both embody a magical desire in their combination of elemental potentials and explicitly define that desire in words. These methods  complement and support each other, and are frequently encountered together on rune artifacts made for magical purposes. For example, the sixth-century  Lindholm amulet of Sweden bears the intelligible inscription of its magician maker: “I am an Herulian, I am called the Cunning One.” But it also  bears a string of runes that cannot be translated, because they convey only an occult, not a literal, meaning.

The Rune Galdr

The Rune Galdr

 

The galdr is probably both the most powerful and subtle way to access the  magical energy of the rune. These chants have been described as being like a soft-flowing river with a powerful current underneath. Used in every phase of  runic magic together with the form of the rune, the galdr is the main medium through which runic power finds expression. Everyone intones slightly  differently, so feel free to experiment. By chanting and toning a rune, you can better experience and express its meaning.

When learning to galdr, focus on one rune at a time. Observe each rune’s tone, form, flow, and relationship to you and to
the other runes. Trust your intuition, and decide when to sing
each rune as a song in and of itself, complete with melody and a beginning, middle, and end, and when to sing the rune by toning only one note. There is no  right or wrong way to galdr.

When you galdr, breathe from your diaphragm and really stretch out the sound of each rune, toning as many consonant/vowel combinations as possible.  For example, Fehu can be sung as “Feeeeeeee,
Faaaaaaaa, Fuuuuuuuuu, Faaaaaaaayhuuuuuuuuu!” (akin to the giant’s
“fee-fi-fo-fum” as he counts his golden coins, a symbol of mobile
wealth). Draw out and expand each of the vowel sounds, exploring
all registers and resonances in your voice. Discover where each
rune fits in your vocal register, and note where you feel it in your
body. Above all, remember galdring is a lot like learning how to sing
for the first time. Relax and enjoy the process. Galdring together
with your children, in the woods or at the ocean, can be great fun. As
you become proficient, you can combine the chants of several runes into
one song. With 24 runes in the Elder Futhark, there are many possible
combinations, but generally galdr songs using one rune, three runes, or
nine runes work best in magic. Be aware of the numerical significance
of the combined runes when crafting songs.

RITUAL DEDICATING YOUR RUNES

RITUAL DEDICATING YOUR RUNES

Start with a set of 24 blank Runes of your choice from any material you are comfortable with and begin to inscribe or dedicate them.  If your set is already inscribed, then you will begin the dedication ritual.  Remember you can do this in a 24 hour period or over a 24 day period.  Always begin with the First Aett and first Rune Feoh.  Then continue with the Second Aett and then the Third Aett till you have completed either one Rune per hour or one Rune per day. The corresponding hour to begin a 24 hour dedication would be to start at 12 noon and finish 12 noon the next day.  For a 24 day dedication start on a New Moon or Full Moon (After viewing Moon Calender, make sure you use “Back” to return to this page!) as the first day and continue for 24 days.  During either vigil, write down your very own thoughts and feelings about each Rune as you also study many different books and versions written by other people.

Make sure you have the proper tools handy to inscribe your Runes properly.  You might burn, etch, engrave, gouge, paint, hammer, draw, or cut the runes onto the appropriate material of your choice.

Whether you dedicate store bought runes or the ones you made yourself, follow this ritual or write your own to dedicate each Rune according to your very own spiritual path.

1.  Center and ground yourself.

2.  Thank your Higher power(s) Odin/Woden, Freja, Thor, Norns, or favorite Norse God/dess and the Nine Worlds as you light your incense, candles or smudge sticks.  The Norse traditions always starts with the North, so face North!  Put your shield or cone of protection up.

3.  Dedicate your Rune with it’s appropriate name. Repeat the name inside your head as you inscribe your Rune.  Imprint yourself with it’s name, e.g. “This Rune is Feoh.”  Keep repeating the name until you are finished inscribing.

 

4.  Once the Rune is inscribed or ready to dedicate, hold it up, look at it, and say it’s name our loud three times.  Then while still holding that Rune say it’s meaning out loud three times.  Then say the Rune’s name plus the meaning three times.  Write this down in your journal along with the date and time.  Then write down whatever comes to your mind and the research you have done on this Rune.

5.  Meditate the meaning of the Rune as you write.  Clear your head of undesirable junk and see the impressions of the Rune come to mind in either symbolic archetypical or spiritual images.  Hold them in your head, remember them and write them down.

6.  Thank your higher powers Odin/Woden, Freja, Thor, Norns, other favorite Norse God/ess and protector; thank and bless the Nine Worlds, for their protection and insight; snuff out the candles, incense and/or smudge sticks.

7.  Keep this journal containing your impressions from this sacred dedication.  Remember the story of how Odin received these Runes.  Remember that the Norn Sisters of Wyrd were there when Odin received the Runes.

I absolutely cannot condone a fast while doing a dedication of the Runes although some people like to experience what Woden/Odin did as a Shaman.  I have done both the 24 hour and 24 day rituals and I recommend the 24 day dedication ritual for most people.  You will have more time to memorize the runes and get acquainted with them.  Staying awake for 24 hours is difficult and must be planned when it won’t interfere with one’s work or academic schedule.  The plus side to staying awake for 24 hours is that you will probably experience a Shaman experience as the result of sleep deprivation.

 

Courtesy of the World of Wyrd

RUNE CLOTHS

RUNE CLOTHS

Many people like to have a special cloth that is used solely for rune readings and runecasts. This is called, simply enough, a rune cloth. It is usually made of a piece of white or single colored material. It may be square, round or whatever appeals to you. In size, it need only be large enough for a runecast or spread. ( A traditional size is 18″ X 18″.) It is possible to have a rune cloth replace your pouch. You could bundle your runes in your rune cloth and tie a string around the bundle.

Some people find it helpful to have a “map” figured out on their rune cloth. This “map” allows them to determine what the placement of the runes in a runecast mean. For example, you may wish to have a circle on your cloth. You could consider any rune inside the circle as being something that is near you, and the runes that fall outside the circle could be considered further away from you ( in terms of time, distance etc.). You could consult a book on tea leaf reading, a “map” of the tea cup can be incorporated into your runecasts or painted onto your cloth. The possibilities are limited only by your imagination. If you decide to make a rune cloth, I suggest it be as simple and uncluttered as possible. If you choose to include a “map”, bear in mind, the runes should be the main focus of the reading. Rune cloths that are patterned or too busy may detract from your readings by pulling your attention away from the cast.

RUNE POUCH

RUNE POUCH

 

Runes are always kept in a pouch. This is for the obvious reason of keeping them together (you should always have 25 runes),  and it is also a handy way to carry them around. In the rune readings and runecasts I have included, you will notice instructions to “draw” a rune.  Drawing runes directly from the pouch allows the choosing of runes to be done on a subconcious level. (You can’t see them in the pouch.) To enhance the  connection to your subconcious, it is suggested that you draw your runes with your passive hand (left hand if you’re a “righty”, and  right hand if you are a “lefty”). You may wish to put your name (using the runes) on your rune pouch. Or you may wish to make yourself a new one of  a prefered color or size. Feel free to decorate your rune pouch in any way, personal touches on your pouch can only enhance the bond between you and your  runes.

Trail Magic: Creating an incense trail

Trail Magic: Creating an incense trail

Author: Incense Dragon

Everyone knows what incense is, don’t they? It’s the little sticks and cones you get at the grocery store that smell like Apple or Musk, right? Well, it hasn’t always been that way.

Incense is one of the oldest tools of magic and ritual but its lore, history and modern hobbyists are virtually unknown to much of the Pagan community. The incense “trail” represents an ancient incense burning technique that is highly applicable to modern magic practices and ritual. I should also mention it’s a great deal of fun.

An incense trail is simply a line of incense powder that is burned. A trail can be as simple as a line of powdered sandalwood on a rock. While this is not the preferred method, you can make it work with practice. This is likely the first form of incense trail, but ancient practice eventually elevated the incense trail to a critical role in society.

Before the availability of high quality, spring-powered clocks there were many different methods employed to keep track of time – especially at night. Among the many devices created were clocks powered by dripping or running water. Although some were fairly accurate, they were no good in freezing conditions or on a swaying ship. There were also candles used to mark the time, but environmental conditions could greatly affect their accuracy. The incense “clock” was another attempt to mark time.

In a bed of pure ash, a line can be pressed into the surface. That depression would then be carefully filled with a powdered incense mixture. When used for timekeeping, a special incense blend was used since its burning times were well known. Special markers were then inserted along this trail of incense. The markers could be used to signal a changing of guards, mealtimes or working hours, but their primary use was to mark times to pray.

Eventually incense clocks were developed that used incense sticks to give even more consistent timing. Incense alarm clocks were eventually created. These sometimes used bells hung from the incense stick with thread. When the stick burned to the thread it would break and the bell would clang to the floor.

This is an extremely condensed look at a fascinating topic. If you have more interest in the ancient use of incense clocks read Silvio Bedini’s book The Trail of Time. It is a rare look at this amazing lost art form.

The good news about all of this is you can start using incense trails yourself. You will need ash, incense powder (powdered sandalwood works great), a heat resistant dish or large incense censer and a match or lighter. It’s best to put your censer where it will be used before you begin to minimize movement.

What should you draw? Just think of the magical possibilities. Symbols are an important part of magic. You can draw symbols for deities, astrological signs, runes or geometric shapes. The possibilities are as limitless as your imagination. Think of the energy of the slowly burning shape as you raise power in your circle. Use trails to time rituals or to cleanse a space. Trails can elevate your incense from being a part of the magical background to a central part of any ritual.

You might have everything you need in your house except for the required amount of ash. You can harvest ash from some other activity if you wish. Never use ash from your charcoal grill or ashes containing synthetic “fire logs.” Ash from incense censers, campfires and fireplaces can be used but I don’t recommend them. If you use such recycled ash, be certain to sift it through a fine screen and then bake the ash in a warm oven for 20-30 minutes to remove as much scent as possible.

A better solution is to purchase ash specifically for incense use. Ash is an important part of Asian incense traditions (such as the Japanese Kodo ceremony). As a result, many shops that sell Asian incense sell pure ash as well. That’s the best possible source if you plan to make incense trails. The pure white ash is scentless and ready for use.

Simply fill your dish or censer with ash and lightly tamp the censer (you can tap the censer lightly a few times on a sturdy table, but pressing down on the ash with something solid works even better). This is to level the ash and make it a bit firmer. You can then make shallow impressions on the surface of the ash. For this, you can use simple stamps (complex designs don’t work very well) from your local craft store, cookie cutters (insert the cutter about 1/8 of an inch deep and move it very slightly from side to side) or simply draw in the ash with a skewer or toothpick. The edge of a paper card will work as well.

No matter what tool you choose, keep the impressions no more than 1/8 inch deep and try to move the excess ash to the sides of your impressions. Especially when using a toothpick or skewer, the ash might try to build up in front of your tool making it more difficult to draw. Push the ash side to side instead. Just try and create a smooth impression – you might need to trace the shape several times to clear the entire trail.

You are not limited in what you can draw. The important thing to keep in mind is that every one of the lines you draw needs to be connected to another line. You might think of it as a line of dominoes you want to topple. If they don’t touch, the chain will stop. It’s the same with incense. Unlike dominoes, burning incense travels in multiple directions. If you draw a circle of incense, when you light it the incense will burn both directions around the circle. Every junction of lines will be lighted at the same time. I have a pentagram stamp that I made that would originally burn in eight different places at once.

While you can use those burning characteristics to your advantage, in general you want only one point on the line of incense to burn. Otherwise plumes of smoke result. The simplest way to control this it to put “blocks” in place. Use your drawing tool to break the lines of incense with a barrier of ash. You can also place small pieces of metal (in a pinch, a penny will work) in the trail of incense. Once the burning incense reaches the metal, it will go out.

Once you have made an impression in the ash and established any ash blocks you might need, fill the impression with incense powder. This is the trickiest part, although it’s not as tough as it seems at first glance. I’ve experimented with a lot of techniques but have found one to be the easiest. I was actually inspired to it while watching Tibetan monks making a sand painting. They use long metal tubes, tapered at one end, which they fill with colored sand and then gently rub to release the sand from the narrow end. It gives them great control over where every grain of sand goes. I tried this with tubes and met with some success, but when I transitioned to paper cards I found the method I prefer.

Use a 3” X 5” paper card. Fold the card in half in line with the long edge. This gives you a 1 ½ X 5 card. Open the card partially and you have a large cavity you can fill with incense powder. Fill the card about 1/3 full with powder (as I said before, you can just use powdered sandalwood and get great results). Push some of the powder away from one end of the card, so that only a thin line is left at the edge of the card. You can then use that end of the card to fill your impression in the ash.

Put the end of the card just above the impression with the folded edge of the card down. That will make the card a large V-shape with the incense powder held in the center. I like to hold the card in my right hand with the two folded up edges touching the palm of my hand. I then extend the “drawing” end of the card slightly past the palm of my hand. With the end of the card just above the ash and the card at about a 25 degree angle, I tap the end of the card with my left hand. Each tap causes a small bit of incense powder to fall precisely where I want it to go. By gently tapping the card and moving it over every part of the impression in the ash, I can fill the impression to the exact depth I desire.

Once the impression is filled, you can tap or press its surface lightly to get perfect contact, but that’s an optional step. With practice you can fill the impression very well without the need to press it together. The trail looks better without pressing, since that process “blurs” the shape you draw in the ash.

After you’ve drawn an impression and filled it with powder, the incense trail is ready for use. Once the impression is filled, you should move your censer as little as possible. Each time you move it, you could displace the trail and make it harder to see or break the line. If the trail won’t be used immediately, consider covering the censer to keeping wind or drafts from disturbing it.

To light the trail, you can simply apply flame directly to the lighting point you’ve chosen. It’s usually best to light the trail at one end, but you can get a great effect from starting in the middle of the trail. You will need to hold the flame in place for at least 30 seconds to get it burning well. You might notice that where ash and flame meet, the ash becomes discolored. The same will happen as the incense trail burns past the ash. Once the flame is removed, the incense will continue to burn along the path you’ve set for it.

A more elegant way to light the trail is to use stick or cone incense. You can use the stick or cone as a fuse. Set the incense cone directly atop the lighting point on the trail. If using a stick, break off a small section and insert it into the starting point of the trail. If you use so-called “masala” incense sticks (the kind with a wooden rod in the center of the stick), make certain you break off a piece that is completely covered in incense material. The top two inches of stick is best. If you’re using a “joss stick” of incense, any two-inch section will be fine.

Put the cone or stick in place at the starting point (the trailhead, if you will) and light it as you normally would. As the stick or cone burns down to the incense trail, the trail will light. You can also light an incense stick and place it atop the powder parallel to the trail. Some traditions call for lighting an incense stick and then inserting the burning end into the powder.

Incorporating incense trails into your rituals, both large and small, is not only rewarding magically, it’s also a lot of fun. Like any skill, it requires practice to get the exact effect you desire but even first-time trail makers will find it easy and enjoyable. Bring an ancient form magic to your next circle and you won’t be disappointed.

Footnotes:
Bedini, Silvio A. – The Trails of Time: Time measurement with incense in East Asia – Cambridge University Press, 1994

Neal, Carl F. – Incense: Crafting and Use of Magickal Scents – Llewellyn Worldwide, 2003

Seeing Through Symbols

Seeing Through Symbols

Author: Lady GoldenRaven

In my twenty-plus years of practicing, I have tried many forms of divination. Over these years, there are only four types of divination I use on a regular basis. These are: my pendulum, nature, my scrying mirror/bowl, and runes.

Before I continue though, I want to make it clear, that as Wytchs, shamans, and other holistic health workers: We are not allowed to diagnosis illness, etc. But after many years of experience, you can format your opinion and do what is needed. I have the ability to work in conjunction with many physicians who are open-minded about holistic health. Let them make a diagnosis, and go from there.

My pendulum is my goddess pendant which I wear around my neck. I use it more for healing practices. If the dis-ease of the person is unknown, I take my pendulum and hold it over the five points of the pentagram. Depending on the speed and direction of rotation of the pendulum over the five points, I determine what this person needs as far as treatment. As you know, the points represent Air, Fire, Water, Earth, and Spirit. Each of these rule specific systems of the body. When one is overabundant in or lacking in one or more areas, you can figure out what the problem is.

I also use it in my Reiki practice at times. I will hold the pendulum over each of the chakras. If it spins deosil, it means the person is either at normal “rotation” or possibly too fast, depending on the speed of the pendulum’s rotations. If it spins widdershins, this person is depleted in energy in that chakra. Although I am a Reiki Master/Teacher and do not need to do this, I will in cases of severe illness or certain “emergency” works. I have used it over poppits of those I am helping “in absentia” as well.

In both instances, I use it to “divine” the problem so that I may know what to utilize in their therapy. I also use it as any other would for divination. I have held it over parchment with questions written on it. I have held it over poppits in order to find answers to questions such as “Is this person faithful?” or “Is this person pregnant?” You get the idea. This is one of the most accurate forms for my purposes as far as divining for others.

I use the forces and critters of nature on a daily basis. I am not employed at the moment, so I have most of the day to watch and learn. Many times, I have no question to ask, but the powers that be will send signs which I note for future reference. Where I live, it is not uncommon to see eagles soaring on the wind. However, to have one swoop down to me, almost landing on my balcony, was a sign to me. I recently went through a period of major crises. This is when the eagle swooped down. I was literally on the edge of sanity. I am a very strong woman, but for some unknown reason, this time, I felt like I was losing my grip. I could not even bring myself to do Sabbats, Esbats, or other workings. After seeing the eagle, I knew things would be okay eventually. Within one week, three out of five of my crises were over.

I also have a hawk which will land on a tree branch right off from my balcony; we do communicate quite frequently, like old friends. She has also given me many words of wisdom for use at a later time.

I am so closely attuned with nature, it amazes even me. So, I took that to the next level. One day, I was standing in the middle of the woods, a beautiful sunny August day, no clouds, slight breeze. I decided to do a Drawing Down the Sun ritual. I stood there in the star position and did my thing. I also asked the Sun God a question. It was around my daddy’s birthday, who by now, had been on the other side for seven years. Did I ever get an answer! As I stood there, I felt a cold wet sensation on my left fingers. I slowly opened my eyes and turned my head. Was I surprised to see a doe and her fawn. She had touched my hand. They both stood there as I turned my head. Now this is rare for deer. Most of you know they are gone in a flash at the first notice of movement, and especially human scent. There we stood, eye to eye. It seemed like a lifetime that we stood together in the clearing. After a few seconds, though, they scampered on their way. I looked back to the Sun, thanked Him for His answer to my concerns. My ex-husband and his best friend watched in awe from camp. I was only back a few feet from the treeline, so they had a perfect view. My point: I took the signs given to me from the Sun God in the form of the doe and fawn as my answer. Now, why a doe and fawn and not a buck? Maybe due to the nature of my question.

It is not just animals from whom I seek answers. I also look to the winds, the flames of fire, and the trees as well. We all know what it means when the winds blow from a specific direction. The same with the flickering of a candle flame or campfire. You can also find answers from talking to the trees. Depending on which gift is given will determine the answer to your question. An acorn finds its way to you; a symbol of strength, the Mighty Oak. Also birch, willow, ash, all give answers in their own unique ways.

The scrying bowl/mirror and runes, I use for those people “seeking” answers. Similar to tarot readings, the answers can be found through the runes in the same manner. These I use more for mundane problems.

Over all, when I seek spiritual answers, I tend to look to nature and my pendulum first. When looking for answers to mundane questions, I use the other divination methods. Do I take the answers I receive and apply them to the question/problem at hand? The answer is: It depends. I will take the advice given, combined with knowledge of the subject already understood. Then I make my decision. For spiritual answers, yes I tend to act on the signs/omens received, but for mundane topics, no.

Learning To Walk Alone

Learning To Walk Alone

Author: Mistress Ravenfyre

Requests. Requests. Requests.

Is this all the Gods and Goddesses ever hear? Over and over again they listen to us who worship them tell of our woes, tales of sorrow, our despair. In times of sorrow, stress and loneliness, we reach out for them. Calling their names individually, seeking their guidance. Pouring out our trials and tribulations hoping to be heard. Hoping to have some kind intervention. Will there be a miracle to save us from whatever is going on in our lives that is making us call them in this manner? Are we seeking instant gratification instead of taking the long road ourselves?

Do the Gods and Goddesses ever tire of these requests placed upon their shoulders? When they know that they are unable to intervene even in a small way, do they hang their heads and say a silent prayer for us? Do the thoughts run through their heads that certain people only call upon them when they are in trouble but no other time? Knowing that the reason that there will be no help from them is because these people have to learn to help themselves. Just as we parents must let go of our toddlers, letting them experiment. Using trial and error. They too do the same for us.

I am sure that they do tire of all this. Hearing it from thousands upon thousands, day in and day out. This can be wearisome. Not to mention – do these same people give thanks to the Gods and Goddesses when times are good? Or simply when the going gets tough? Hearing the pain in their voices, seeing the tears cascade down their faces. Holding their heads in hands, weeping. No, I am not talking about us, mortals. I am speaking of our Gods and Goddesses. Are we so selfish and wrapped up in our lives and ego that we forget that they too feel these pains from us? They feel our despair. Yet they at times know that it is our job, here on our planet, to solve our problems without their help.

They are giving their help. They are helping us by not helping. Letting us make mistakes, solve these mistakes and pave the road smoother for our travels. Each individual, as they know, has a path to walk. This path may be filled with ruts and holes, but it is the path we must travel. To learn to fill in these ruts is our job. Not the Divine Ones. We need to learn to fill these ruts with concrete. Filling one hole at a time. Once we do this, our travels are not as burdened.

Our Gods and Goddesses, whoever they may be, know that we must learn to solve our own problems. Solving our own problems alone teaches us those life lessons that are needed for us to grow inside. Each time we solve these problems we have laid another new section on our road.

This re-building of our paths seems to be never-ending. Obstacles seem to be placed in front of us. Making us stop, not being able to go around whatever is there. Sometimes we must open our mind’s eye to see the solution. Causing us to bring out our inner strengths and trust. Worry, doubts, fears are those main obstacles that, in any given situation, prohibit us from coming up with a viable solution. Once we are able to overcome the fears, doubts and worries, we are able to free our mind and let the soft inner voice caress us with the answers. Listening to this voice can be all the help that you need. For you have opened up to see and hear the signs that are leading you to the solution. You are now able to walk straighter and see the light at the end of the tunnel.

Nobody said that life was easy all the time. If it were easy what would we learn? Would we in fact have our faith?

If we did not have these opportunities to overcome obstacles would we recognize a Divine Intervention? Would we appreciate it? The awe would seem to be gone.

Our Gods and Goddesses may revel in our accomplishments. For they know that even by the tough love that they sometimes send out, we have survived another passage. Instead of tears of sadness, they shed tears of happiness in our advancements.

We will grow each time by learning to be strong, independent and happy individuals.

They see us and smile, knowing that we are doing fine alone most of the time. Our faith guides us. Our intelligence and perseverance to face the hardships are only stepping stones on the way to enlightenment.

You know and feel that their eyes and hearts are never closed to us. They are doing us a favor by allowing us “free will.” Their silent prayers are our answers to our requests. We just have to learn to open our minds and listen for them. They have done more for us by doing nothing.

After the hardships are behind you, please remember to thank your Gods and Goddesses for the blessings that you have in your life. One should do this daily. Whether in time of need or not. Don’t just call upon them in times of sorrow or hard times. Share your happiness with them. Your love and faith should be shown to them continuously by the things you do each day. Use personal words or prayers created just for them. Speak to your chosen Gods and Goddesses as if they are with you, because they are. Choose to do whatever makes you feel closer to them.

While you are alone, look again at the path you are traveling. See where you have been, where you are and where you are going. See how far you have come. See the things that brightened your life.

Finally, raise your eyes and arms to the heaven; say a silent prayer of love and gratitude to your Gods and Goddesses for their safe travels.

Magical Thinking

Magical Thinking

Author: Levi

Many times when people find the Pagan community we hear that children display many unique abilities, unlike their adult counterparts who have been conditioned to our modern mundane world. How do children view the world of seeming superstition and magick? What can we learn from this and apply to our lives as modern Pagans? It is with the tools of skeptical thinking, psychology and a dash of good old fashioned pondering that I would like to explore with you these topics.

First of all children take things for face value; while observing, they soak in every comprehensible detail unknowingly. Yet their actions are based more on what they have been instructed to do, not what they observe independently. If you were to throw a notion or better a devout law into their thought process, and couple that with the respect they feel for the notion-dropper, that child is capable of believing in any possible thing. Think about Hansel and Gretel, Harry Potter, God, the bogeyman, any of the archetypal “make-believe” characters, and you know what I mean. Their level of belief in the characters, and/or magickal thinking, depends greatly on which level of cognitive development the child currently maintains. Aside from that, social learning plays an important role because parents are the children’s first and foremost teachers and the sheer scope of their job is extensive. “Therefore if children are to learn to walk, to speak, and to take care of themselves, adults cannot simply wait for a time driven process of cognitive development to unfold, neither can they wait until a child exhibits desirable behaviors by chance, and then lavishly reinforce the lucky episode.” (Vyse pg. 157) As the years pass from pre-operational thinking, ages 2-7, to concrete operational thinking, ages 7-11, so declines their susceptibility to superstitious beliefs and irrational concepts of reality. Skepticism is an adult characteristic and is acquired, if at all, with age. Which brings us to formal operational thinking, over 11 years of age, which starts to incorporate logical thinking over the more fiction-based, directly-handed-down method of learning. The pre-adolescent begins to put together abstract thoughts and construct its own views on its reality, and other realities. After the pre-adolescent stage the child therefore begins to seemingly take on a more what we would term adult view of reality and reason. Though conformity can be seen as the destroyer of intellectual thinking, it nonetheless steps in around this age. It works as your individual observations weigh less as your understanding of social interaction and acceptance begin to affect more and more of your decisions.

What exactly does all this mean, you may ask. Well all of these facts show that in our increasingly modern world we are slowly conditioning our children to no longer think with imagination and creativity. Nevertheless a starling array of what are termed as old wives tales, warnings and magickal thought still survive till today and are reflections of many preoccupations and/or human fears that have been passed on over time. But it is my thought that we need not view these things in such a light, as it would be much wiser to view them as a part of oral tradition to pass on. It is also interesting to note as a parallel that sometimes science has demonstrated that certain beliefs relating to various plants and foods that hold magical powers do in fact have a basis in reality and have been proven to work. On the other hand people still avoid walking under ladders and knock on wood and cross their fingers in order to guard there luck. With this in mind, of all things this teaches us that it is not only important to instill our traditions into our youth if they are to survive, but to instill these traditions as a way of love, if the world and intelligent humanity is to survive.

My personal experience with the topic of traditions could be viewed I guess in part as a long legacy if you will, which everyone has, if a little thought has been put into it. First off I come from an Irish/Sicilian descent; both cultures have been steeped in magickal and superstitious thinking for millennia. Ever since I was a small child I remember a figure or wall plaque of the triskele in my home. The triskele is a symbol of Medusa surrounded by three legs representing the three magickal nymphs. In essence the story of this symbol dates back to the times and stories of the goddess Diana within ancient Italy. Still today many Sicilian people have this symbol within there home to guard the home from negativity and yes today here in my home, hanging over the front door, is a triskele symbol. Somehow throughout my childhood I have taken on this simple traditional superstition, accepted it and have woven it into the workings of my own life. But this is typically how family traditions or what may be termed superstitions seem to work.

Thrown into this mix I was born and raised in Kansas. Now the Midwest doesn’t seem like it is much of a magical place, but actually it is a place filled with local traditions and legends, mostly belonging to the Native Americans that once lived there and other people known as God fearing Christians! In addition to this I can remember as a child being told by my grandmother to stay close to the house because of the Gypsies who at one time were known to be in the area. But moreover she taught that they would kidnap me and never let me come home. Actually and generally these Gypsies were immigrants that would travel through the area from time to time, but were long gone before my days on the prairie. What I do know now is that this was her way of protecting and keeping me close to home as was also her way of keeping me in bed at night with tales of the bogeyman and his nightly rampaging of the land in search of children! “But don’t worry; he might let you lose when the sun comes, if you’re lucky, ” she would always say, ever so wisely.

Over the years as I grew up and have (unfortunately) gone far beyond my stages of development I have later learned that these fictional creatures have served as a tool for elders throughout time as means of safeguarding children. Even though I still may think of Mr. Bogeyman from time to time, and maybe I’ll pass that one on. I believe that because of these experiences that I have had in the past, my upbringing and the fact that I am the product of two old hippies, this has led me to where I am today. It has led me to my view upon the world as a much more magical place than what the average may think. Witchcraft and the study thereof, is an earth-based religion passed on from our Pagan ancestors that looks to the divine within the aspects of nature, therefore working and following closely with the waxing and waning seasons of the year. It is heavily involved with ecology and moral issues in addition to environmental issues. Witchcraft also teaches us to be open-minded and at the same time to think very wisely of the world, and the issues within it. It also teaches you to value the people around you and your future of this world, remembering not to take everything for granted or at face value, thereby devaluing one’s own self and worth.

It is suggested these traditions are that of false superstitious behavior and are abnormal in nature. Probably no other aspect of psychological behavior is more challenging to understand than that of the abnormal because it is thought of as kind of working hand-in-hand with mental disorders. In everyday life, people often talk about “mental illness, ” a term which echoes of medical asylums and twisted and cruel mental health practitioners, so in turn this view has given a negative view or stigmatism upon the subject of abnormal behavior. In hand this is placing a negative view upon traditions, which may be viewed as abnormal, because they do not fit into the mainstream. The reality is that public understanding of true abnormal behavior is fairly limited and right now we still don’t have all the answers when it comes to understanding and treating disorders. But is abnormal behavior by itself really a disorder? When you think about the word itself all abnormal behavior really is the fact that when someone may act in a manner that does not fit society’s expected view of normal behavior, they are viewed as abnormal. Does the behavior make them mentally ill? I think not, in fact to me this sounds a little reminiscent of what we now term as The Burning Times. Truer things to consider or to ask when deciding if someone is abnormal are: Is this person suffering? Is her or she seemingly maladaptive? Are they irrational or unpredictable? Or are they violating morals or society’s standards? The thought is that when a person displays a couple or more of these conditions then we could label one as abnormal or as having a mental condition with some confidence. I also think this is a good approach and also say as long as the person is not harming him or her self, others, or the surrounding area then there may really not be a problem at all. Maybe the person is very creative or there could be a long list of other possibilities that do not fit under the heading mental illness. When real thought is put into it maybe the real problem lies in the observer of this “abnormal behavior.” It may in fact be touching on some of observer’s own personal fear, bias and or issues on an unspoken or hidden level. Or simply it may be a behavior that the observer has never been exposed to before.

This also works within the realm of Magickal traditions. Because of the mainstream views upon Magickal traditions as irrational in nature it is thereby simple to label someone as irrational. This type of labeling can be very tricky and or harmful, as history has shown us. But again we tend to view irrational behavior within the context of the extreme, which leads us back to that old abnormal behavior. Are my beliefs or traditions abnormal and/or irrational compared to that of a Christian or a Jewish person or are theirs compared to mine? I think not, because as we can see every faith and/or culture around the world has its own set of values, traditions, and thoughts on belief, magick and superstition. It’s how we think that is really important because when we think in a linear way opposed to a more creative way we tend to push our personal views and/or perspectives upon others and in the long run can lead to conflict, maybe even harm. We see these downfalls and issues working everyday within the media alone.

My closing thought on growing up learning and passing on magickal traditions and in effect living one’s life with the belief in these ways is not something to be shunned. The point is no matter how odd society would like to view us and our magical ways of thinking or what labels they would like to put upon the subject, in actuality under some circumstances it can prove to be very rational, therapeutic and/or a combination of the two. Our beliefs in Magick as well as our traditions will continue to flourish as a natural human expression around the globe even in the most technologically advanced societies, and probably as long as there are humans to utilize these tools… The fact is, is it above irrational to bring comfort to the modern human condition? Which the magickal traditions can and do provide. With this in mind learn once again to think with the imagination of a child and create new beautiful realities for our future to come.

Footnotes:
Vyse A. Stuart (Oxford university Press 1997) Believing in Magic: The Psychology of Superstition
Pickering, David (Cassell 1995) Dictionary of Superstitions

 

Solitary Misconceptions

Solitary Misconceptions

by Sylvana SilverWitch

I used to be a solitary many, many years ago now. After I moved to  Seattle — away from my first priestess and  coven — I looked for a new coven, thinking it would be easy to find one. In the  early 70’s, there was not much pagan activity in Seattle. As I became familiar with  the area and got settled, I ran into a number of people who claimed to be  practicing the Craft but were not into anything  like what I had been taught.

One guy I met ended up getting arrested a few years later for  luring young girls into a “coven,” only to  ply them with drugs and take advantage of them. I was very happy that I wasn’t  taken in by his charm and promises of third degree initiation into his  made-up tradition.

I read the submissions for this issue with interest because I always  wonder why one would choose to be a solitary, foregoing the rich tapestry of  learning and practicing with a group. I feel truly blessed to be a part of my coven,  Sylvan Grove, and I wouldn’t trade the last 16 years with the evolving group  for anything. As I read, I noticed a theme of misconceptions about working in  a group and/or being part of a coven. Misconceptions, that is, from my  point of view. Having been in a couple covens for a number of years each as well  as having been a solitary for over 10 years, I feel well-equipped to address  some of these issues.

Seemingly common misconceptions I have come across, and my  perceptions about them are:

1. That you can just find and join a coven.

Finding covens is not easy. It’s not like we advertise in the phone book  and you can simply call us up and come on over. In most cases, you cannot just  join the coven the next day, week or month. It takes training, discipline  and elementary knowledge to begin working with an existing group. Not to  mention social skills, responsibility and basic compatibility with the tradition and  the people.

2. That working alone is somehow better than working in a group.

There is a limit to how much you can learn and grow on your  own. Whether it’s getting a new perspective or opinion or having support in  times of need, We all need other people.

I have found value in working alone, but I can do that and still be part of  a coven. We get together on the new and full moons and the Sabbats,  and sometimes socially. But we don’t all live together. We have separate lives.

Also, I have found nothing to be as wonderfully challenging, stimulating  and rewarding as working magick with a group of intelligent, inquisitive, bold  and progressive people. The coven I am now HPS of has some of the brightest  and most amazing people I have ever come across in the Craft. The energy  we generate when we do magick is palpable. We are a focused and powerful  entity and our magick works well because of that.

3. That groups follow some “Sacred Book of Shadows” that was  passed down from Old Gerald, and that they duplicate the rituals  absolutely religiously.

This is true in very few covens I have been exposed to. More often,  when a written tradition hands down a book of shadows, it is passed from the HP  or HPS to the initiate. Initiates then expand on or change what they do to  suit themselves. Very few covens, in my experience, go by the letter of the  book for every ritual. In fact, most of the people I have done ritual with are  artistic, creative witches and have written and performed some remarkable  rituals. Maybe that’s a comment on who I tend to gravitate to, but it can’t be only  that after all these years.

4. That groups don’t allow for individual personal creativity.

If my coven is any indication, this cannot be true. Andy recently wrote  a paper for the Sylvan Outer Grove class and in it he mentioned the Sylvan  Grove Random Moon Generatorä in which we look at what astrological sign the  sun and moon are in and what that means. With this information and  group consensus about what we want or need at the time, we decide what magick  to do. I know other covens invent rituals as they go — during several years  as the New and Full Moon coordinator for a Northwest pagan organization,  I watched it in action.

5. That they somehow won’t “fit in” to a group.

This is one of the most obvious fallacies I have heard expressed.  Anyone can fit in if they find the right group or coven. It does take some social  skills to work with others successfully, but a coven is a lot like a family.  Everyone does not get along all the time, everyone does not always agree. There  are conflicts from time to time, but we are committed to working things out.

It is important to find common ground in philosophies and styles  of working, but you don’t have to agree with everything or like all things  about someone to work magick successfully with them. If you find people you  like and are compatible with, and you like the tradition, a year should be  long enough to figure out whether you can commit to a long term  working relationship.

Also, people come and go as part of the natural order of things.  Everyone grows at their own rate. You don’t have to dedicate the rest of your life to  a coven. If it doesn’t work for you in the long term, you can always ask to  be released from your obligations.

6. That people are “solitaries” when they aren’t a formal part of a coven,  even  though they work with some group or even just one other person on a  regular basis.

Solitary implies alone. My personal definition of a solitary is a person  who does not work with, or belong to, a group. If you are working  magick regularly with a coven or group, whether or not you are formally dedicated  to the group, in my opinion you are not a solitary.

To find an appropriate coven or group, you must be persistent. Keep  your eyes and ears open. Go to whatever public rituals you can attend.  Take classes on different traditions if they are available in your area; if not,  read books on different traditions to find what you most resonate with. My coven only advertises  the Outer Grove class in one issue of the paper per year and there is a  deadline to get into the class.

When you do find a group you are interested in, ask if you may  attend something that might be appropriate. If you get invited to a ritual, ask what  you can bring or contribute. Make yourself useful, help out where and when  you can. Be on time. Be good listener. Keep an open mind. Remember, you are  asking to become a student — don’t come across as if you already know it all.  Be open to letting others get to know you and let your interest be known. If  in doubt, ask!

In the Sylvan tradition, you must ask many times before you are invited to  be part of the inner circle. This assures us that you are serious and  committed; that’s what we are looking for.

Good luck finding a coven, if you want to be a part of one. If you do  join one, you will find the group magickal experience to be profoundly  rewarding, fascinating and an opportunity for personal and spiritual growth  beyond compare. Blessed be.

Confessions of a Solitary

Confessions of a Solitary

by Lisa (Wild Rose) Harris

I contemplated the full moon from my position under the “Triple  Goddess” tree. The mountains seemed to glow from the magick of her light. The  sounds of the night filled the air: the river’s gentle yet powerful sound  enveloping the canyon, the haunting sounds of a great horned owl and coyotes  singing from the ridge. The tree in the pasture we had chosen for our site was like  no other I had ever seen. She was composed of three trunks of separate trees  intertwined, which over the years had grown together to become one, rather  than three, trees. I could feel her energy, and anytime I needed to meditate,  contemplate or ground myself, I would go to her. Yes, the time and place was  right, and there was true magick in the air.

The chilly autumn air of the Sierra Nevada foothills penetrated every  part of my body, yet I did not shiver. I looked at my companion, my friend Pauline,  who was the only other practitioner of the Craft I knew of in our small  mountain town. She was bursting at the seams with energy. We shed our robes,  letting them fall to the ground. Neither one of us made a habit of public nudity, yet  we wanted to pledge ourselves to the Goddess, naked and unashamed, as we  had come into this world. The pasture was well out of view of the road and  the few houses that were around. That Samhain midnight, under the full  moon, with the animals as witness, was the night I pledged myself to the  Goddess and to the Craft.

Seven years later, I am still a solitary. I have met friends, teachers  and organizations along the way, but none that I could dedicate myself to with  “perfect love and perfect trust.” One  self-proclaimed “teacher” from New York, whom I met through the same  pagan pen-pal listing where I found my friend Pauline, was obviously interested in  using the Craft to manipulate young, innocent pagans into sexual situations,  long distance if need be.

When I broke off contact, after catching on what this guy was about, I  was deluged with creepy dreams, ravens at my back door and other  phenomena that I could only interpret as psychic attack.  I did some research on protection spells. Finding nothing I  liked, I created one of my own. The object I made and buried  near my front door was so strongly charged that the energy it radiated caused  a buzzing in my hands that reached up through my arms and into my chest.  The words I spoke came from a place somewhere inside myself I was not  familiar with. They were powerful and they actually rhymed (which is surprising  since I have no poetic talent whatsoever).

Two weeks later, I received a letter from him asking for help. He told  me that he was in jail after being lured into a sting operation and arrested  because of his religion and his very high-profile promotion of the Craft. He told me  that all of the pagan leaders had “turned  their backs on him.” I knew that his own energy had turned on him and brought him to justice for what I suspect  was some sort of sex-related crime. I burned the letter.

My first experience with magick was swift and strong. I vowed never to  misuse power, because when bad energy turns back the power is amplified. I  was lucky on two counts: first, that I had recognized the psychic attack,  because I had experienced psychic phenomenon ever since I was a child, and  second, that I realized there are those who would manipulate others in the  name of their god in any religious movement, not just the Craft. I continued on  my path, a bit wiser than I was before.

As I have continued, the magick I have created on my own has been  so powerful that it has frightened me on occasion. Knowing the power that  one can raise and direct has made me ever vigilant about only doing magick for  the right reasons. I won’t even send healing energy to someone with out their  explicit permission. I also teach my daughter that magick should  not be done for selfish reasons, as what we set in  motion tends to take on a life of its own. Karma works.

There have been times when I’ve wished that I could become part of  a coven and do great magickal and celebratory works with others. There  are other times when I am grateful that I have chosen a path that frees me of  hierarchy and dogma. To me, the thought of earning degrees and having  someone else “bestow titles” on me is  too much like the Christian faith I was raised in. I entered the Craft as a spiritual  quest, a way to connect with something that I understood, rather than trying to fit  into someone else’s religion or dogma. My beliefs would put me at odds with  some traditions. Some people may want and need a specific structure and  system; I do not do well in such a system. I can’t  bring myself to profess to believe in something  unless I honestly believe and agree with every fiber of  my being. That’s difficult for me to do in anything organized.

Another difficulty I have with working groups is just that, that  they’re groups. My personal philosophy on paganism is that most “witches” were  solitaries, doing kitchen magick and healing. I believe that this magickal  work and connection with the natural world was an everyday way of life, and  that witches got together mainly for seasonal festivals and rites of passage. I tend  to agree with the theory that coven structure, as we know it, did not enter  into the picture until later, during the Inquisition and the like. Since none of  us were there at the time, we can only do our best to follow the path as we see it.

Now that I have a family and want a spiritual community for my daughter, I’ve addressed the group aspect of the  Craft differently. We belong to a Unitarian Universalist Church in Tacoma, which  has no dogma, only basic principles that I can wholeheartedly support, and  which give my daughter the freedom to find her own path. When I arrived at  the church, I immediately asked who ran their Covenant of Unitarian  Universalist Pagans (CUUPS) chapter. “Where are  your pagans?” I asked the board president. He  explained to me that the group had gone defunct  and that there wasn’t anyone who had the energy to reinvent  the group.

I couldn’t abide by the idea of a Unitarian church without a strong  pagan presence. Earth-centered spirituality is one of the many traditions  the church’s practices are based on. The first thing I did was to write an article  responding to a sermon given by the staunch humanist minister who  was serving at that time. It was a pagan view on humanism, which challenged the  congregation to find magick and sacredness in their lives, rather than just  intellectual stimulation.

Once I stirred the pagan political cauldron, I found myself planning a  winter solstice service, and soon people began saying that my energy was just  what was needed to get things going again. One day I noticed that I was being  introduced to new members as the “chief pagan,” and I was being  referred to as “priestess.” I now facilitate  the church’s Earth Centered Spirituality Group, which leaves  me in the odd position of being a solitary leading a group.We  get together to study and celebrate seasonal festivals and rites of passage, as  I believe our ancestors did. We also reach out to the congregation and  community to teach them about the wheel of the year and to dispel myths and  propaganda. I didn’t set out to lead a group; it just happened.

My solitary work has taken a back seat, now that I spend so much  time and energy facilitating meetings and rituals. Most of my personal practice  involves cleansing, purifying and healing, while the seasonal celebrations  seem to fall in with the group. I also recently began networking with other groups  in  the area. Since I have been thrust into a position of leadership and most of  my “knowledge” and practice comes from books and personal experience, I  feel that it is important to go out and learn from others. I was afraid that I  didn’t have the right to lead a circle or study group. What I found in the  community was wonderful people to celebrate with, and a feeling of belonging. I also  found the rituals I wrote and organized weren’t any different than  anyone else’s. I watched other groups spill, trip,  forget words, read from cards and make the most of  it just like we do. It didn’t hurt the rituals; it made them real.  The Goddess loves a good laugh.

My practices have changed over the years. Rather than chanting under  the Triple Goddess tree as a rural pagan, I find myself working indoors as a  Northwest city pagan. I do healing work for family and close friends, honor the  seasonal cycles with a family altar in the living room and occasionally find  time for divination. Much of my time is spent at my computer researching and  writing our next ritual. Since I never seem to be able to find a ritual from written  sources I like, I write them myself.

For me, working ritual that I have created myself or with the help of  others gives me more of a sense of connection than reciting something from  a book. My wonderful, supportive husband, who is just now embracing  his inner pagan, likes to tease me by calling me “Hemingway” when I write. I  decided a long time ago that I am looking forward to becoming a very eccentric  old woman, and so as not to shock anyone, I’m starting early. I like to write  ritual, articles and homilies naked while drinking a glass of Merlot.

And so the wheel turns. It begins under a tree in the mountains and  is continued at a keyboard in the city. Some things stay the same. I still ritually  purify the house after an illness or argument. I still infuse candles with  herbs, oils and energy to use in healing or personal and spiritual growth. Most of all,  I try make spirituality a part of my day-to-day life, not just something I do at  the full moon or at a Sabbat.

Although part of me still hopes to someday meet that group of people  with whom I fit perfectly, I guess I have the best of both worlds, my own  personal relationship with the Goddess and wonderful new friends to celebrate with.  As I close this article, I raise my glass to the goddesses and gods  everywhere, and to those who explore, celebrate  and honor them in whatever way they see fit. So may it be.

A Little Humor For The Day – Redneck Pagan Giggles

Redneck Pagan Giggles

1.  Does your Ceremonial Garb consist of cutoffs and a tube top?

2  Do you think “Family Tradition” is a dating club?

3.  Have you reached 3rd degree, but not 3rd grade?

4.  Is your coven’s secret names for the God and Goddess “Cooter” and
“SweetCheeks”?

5.  Does your ceremonial Chalice say “Budweiser” on it?  (2 pts if it says
“Pabst”)

6. Do you consider chewing tobacco a sacred herb?

7.  Does your circle dance include the words “dosey-do”?

8.  Is your altar pentacle a photo of John Wayne’s star on the Hollywood Walk
of Fame?

9.  Did your coven choose its High Priest at a belching contest?

10.  Did your coven choose its High Priestess at a wet t-shirt contest?

11.  Does your anointing oil smell like “Old Spice”?

12.  Have you ever refilled your chalice from a keg?

13. Does your outdoor circle have defunct washing machines for quarter altars?

14. Do you do your cakes and ale with a can of Pabst and Little Debbies?

15. Does your Pantheon include Yukon Jack, Jim Beam and St. Pauli Girl?

16. Does your ritual music include Johnny Cash singing “Ring of Fire”?

17. Do you think the Wiccan Rede is good for making twig furniture?

18.  Do you believe that the Pentagram is a Western Union message to 5 people?

19.  Does your altar cloth say “Holiday Inn” or “Howard Johnson’s”?

20. Does your Goddess picture say “Miss September” at the bottom?

21. Does your God statue look a little too much like Elvis Presley?

22.  Have you ever written a spell on the back of a Denny’s menu?

23.  Have you ever canceled a coven meeting to watch Pay-per-View wrestling on
TV?

24.  Have you ever called the National Enquirer because you raised a potato that
looked like the Willendorf Goddess?

25.  Have you EVER cast a love spell on livestock?