Tag: water

Introduction To Scrying – Preliminary Considerations

Introduction To Scrying

 

Preliminary Considerations

To start with, the reader should understand that scrying is as much a learned skill as is reading or ice skating. Persistent practice is necessary to teach the nervous system how to do it, even where the person has some innate talent. And as with other learned skills, there is a “learning curve”. At first there will be a long period when you don’t seem to be making any significant progress. Then things will suddenly fall together and your practice will improve markedly in a short period before leveling off again at something close to your highest level of skill.

It is best to expect a learning period of at least several months; don’t expect quick results. It is likely that you will have occasional sessions where things work much better than usual. Don’t be too encouraged by these, as it is likely you will fall back to a lower level in the next session. When an improvement lasts for a week or more, you are justified in judging it a genuine advance.

Before getting to scrying techniques as such, I want to discuss the various kinds of distractions that can cause trouble for beginners, and suggest some solutions. Distractions can be generally classified in three types:

  • Physical distractions. E.g., itches, muscle aches and twitches, etc.
  • External distractions. House and street noises, other residents of your home, etc.
  • Mental distractions. The internal “chatter” that we are all prone to.

Four of the traditional practices of yoga are intended to reduce and eliminate such distractions. Asana and (to a small extent) pranayama deal with physical distractions; pratyahara with external distractions, and dharana with mental distractions. These high-discipline practices are more than most people will need for our current purposes; perfection isn’t necessary, just something “good enough”. But those who find they do need more than the simple techniques described here may wish to look into them.

Traditional asana practice seeks to eliminate physical distractions by training the body to remain in a single posture for long periods of time. The muscles are trained to maintain a state of tension such that the body remains locked into the chosen posture. The lack of movement reduces the intensity of the body’s sensory signals to the brain. That is to say, repetitive, unchanging signals are completely processed at the pre-conscious level and are never brought to the attention of the conscious mind. Unfortunately, the traditional practice usually produces extreme pain for a long period before the muscles are trained to a given posture.

The same effect can be produced without the painful intermediate stage by achieving a state of profound physical relaxation. The nervous system doesn’t care why it is getting repetitive signals from the body, but only that it is so. Lack of movement engendered by relaxation is just as good at producing such signals as is lack of movement produced by muscle locking.

The practitioner should begin by choosing a comfortable posture that can be maintained without muscular tension. A sitting posture is recommended over a supine position, since relaxing while lying down easily leads to sleep. I preferred to sit cross-legged on a bed, with my back supported by a pillow against the wall. A high-backed easy-chair is as good. All that matters is that you can be perfectly relaxed in the position without falling over.

A certain type of breathing can help promote relaxation. Take a deep gulp of air through your mouth, breathing from the belly; don’t strain to take in the maximum. Hold it as long as comfortable, and then release it, allowing the weight of your ribs and the natural tension of your diaphragm to push the air out of your lungs without forcing it. Relax for a moment at the end of the breath. Repeat for one minute, or until you start to feel dizzy. You will find that as you release the breath, all your muscles have a tendency to loosen. (This type of breathing is, perhaps not coincidentally, identical to the way one tokes a joint of marijuana.)

Once you are comfortable and have done the breathing, begin to work at relaxing each muscle in your body individually. Start with the scalp and face, and work your way down the body, working outwards from the spine at each level. Complete relaxation of any muscle will be accompanied by a pleasant “melting” sensation; try to make your whole body feel as if it has melted into a puddle of warm pudding.

By the time you have reached your feet, you will probably find that your face and scalp muscles have tensed up again, just from your concentration on the task. Start again at the top and work your way down, repeating as often as needed to get to a state of complete relaxation. When the physical relaxation is complete, try to extend it to the inside of your head as well, letting your awareness float in a warm internal glow.

While this exercise is simple and easily mastered, it is very important. Most of the other forms of distraction practitioners encounter are accompanied by tension reactions in some part of the body. An extreme example is the “startle” reaction, in which some small noise triggers a state of high alert in your body; your heart suddenly jumps and increases its rate of beating, and every muscle in the body suddenly tenses. The parts of the mind responsible for these reactions and distractions are often not directly accessible to consciousness; but since body and mind influence each other, you can begin to subvert and eliminate the reactions by eliminating their physical manifestations.

The other aspect of controlling distractions is to understand the nature of the human mind. Each of us is not a single being, but a multitude. Our minds are composed of many “sub-minds”, each with its own special functions. Some of these (the visual sub-minds, for instance) are so intimately connected with our consciousness that we never notice their functioning unless something goes seriously wrong. Others act with greater independence.

But while they are not accessible in the same way that, e.g., the language forming parts of the mind are, there is communication back and forth between them, and between them and the conscious mind. The conscious self, the part of the mind which calls itself “I”, is supposed to function as a mediator, arbiter, synthesizer and director between these other aspects of our being. Its function is to take the results of their work, compare and evaluate them, make use of them to act in the world, and direct their future work on the basis of the results obtained. When there are conflicts between different sub-minds, the conscious self is supposed to “keep the peace” by balancing their respective needs and viewpoints.

Unfortunately, human evolution is not yet at the point where the consciousness automatically functions in the best way possible. The capability for it to do so is there, but it requires training and experience to develop its proper relationship to the other sub-minds. Lacking that training, we too often end up acting as censors and tyrants rather than mediators, suppressing troublesome messages from these parts rather than dealing with them. And as often as they are suppressed, they leak up through some other channel, producing distractions and what Crowley called “breaks” in one’s practice.

The key to permanently relieving both physical and mental distractions is to deal with them in the right way, _immediately_ as you become aware that they are occurring. You have to re-condition yourself into the desired response while the distracting sensations or thoughts are still present in your mind, and the physical tensions are still in your body. The sub-minds aren’t particularly time-conscious; they understand what is happening “now” much better than events in the past or future.

Once you have achieved a state of physical relaxation, try just sitting in the relaxed state, with your mind not focused on any particular thing and with no intention of doing anything else for a while. It is a sure bet that after a few minutes, some part of your mind will take the opportunity to bring its own concerns to the surface, and you will start talking to yourself mentally about whatever it is concerned with.

As soon as you realize you are following some line of thought, stop and assess your body’s state. Do the relaxation exercises until you are back in a completely relaxed condition. Then imagine that you are extending that relaxation to the part of your mind that brought up the thoughts you were thinking; imagine that part enveloped and permeated by a warm, melting glow, while simultaneously you talk to it, telling it: “Relax, be still, there is nothing you need to do right now.” Successful relaxation of a sub-mind through this procedure will produce a sensation of a sudden, mildly pleasurable energy-release in some part of your brain, sometimes accompanied by a sensation of “clearness”.

It is likely that by the time you get one sub-mind quieted — or even while you are still working on it — another part will pop up with a different thought-train. Keep working on the first instance and ignore the new one. Don’t be concerned if you don’t get to everything that comes along during this practice; the things you miss are certain to show up again at a later time. Do one thing at a time and don’t jump around. If you forget what you are doing somewhere in the middle of things, just start over with the relaxation exercises, and unfocusing your attention.

This same technique can be applied to external disturbances. The only difference is that when telling the disturbed sub-mind to relax, you tell it that the noise or other distraction is unimportant and not worth attention.

The Fellowship of the Inner Light teaches a slight variation on this method, which some people may prefer. They use a particular biblical (?) phrase when speaking to the sub-minds; it is almost a mantra in their version of this practice. The phrase is: “Be still, and know that I Am god.” The intent of this usage is to consciously and deliberately assert the conscious self’s rightful place as director and decision-maker, while at the same time acknowledging the existence of the sub-minds as quasi-separate entities.

And rather than just sitting with one’s attention unfocused, they prefer that the practitioner use a mantra: “Eheieh”, meaning “I am”, the highest name of God in the Hebrew cabala. The mantra should be spoken internally, in a relaxed and casual manner; i.e., whenever the practitioner happens to think of it, rather than in steady repetition. I personally find that the use of a mantra tends to produce tensions rather than alleviate them, but this may not be the case for others.

Continued use of this simple practice will, over time, result in a profound reduction in the amount of verbal “noise” your mind produces, and make it substantially easier to concentrate on the visual images of the “magickal space” techniques to be described in the next section. You don’t have to be proficient at this before going on to create a magickal space; the two efforts can be done in parallel, with each reinforcing the other.

Introduction To Scrying – Putting your magickal space to work

Introduction To Scrying

 

Putting your magickal space to work

By the time you have worked the exercises in the previous sections for a few months, you will have established a solid foundation for all your future magickal work. Practically every magickal and meditation technique you will ever encounter is a variation or extension of the skills you have learned in building your magickal space.

Every person will have a different level of “peak performance” with these techniques. Only a rare few are able to enter wholly into the magickal space, and become entirely unconscious of their physical body; for these people, the end result of this work is indistinguishable from the classical descriptions of astral projection. Most people will find that a certain portion of their awareness remains “outside”, and that the intensity of the sensations they have never attains the brightness and clarity of normal perception. I fall at the low end of this latter category myself; in my visions, colors are more implied than they are perceived directly, and most of the time I need to focus intently to perceive fine details.

Being able to put all of your awareness into the magickal space is not necessarily an advantage. What matters more is that you make the best use of the level of skill you do have. It is the meaning you can extract from your experiences, the insights you gain into yourself and the world, and the uses to which you can put them, that count the most. Bright and glorious visions are nothing, if they have no useful content or if your awareness and understanding are not (gradually but permanently) expanded thereby.

Having established the basics, in the following sections we are going to look at various exercises, all of which are forms of “scrying”. Before going into the details, we need to consider — in a general way — the nature of the things a person experiences while scrying.

Dreams, it is often said, are the realm of symbols; the same is true of scrying. But while the symbols of dreams are usually expressions of processes happening below the conscious level of awareness, the symbols seen in scrying are often (in an ideal world, always) the expression of processes and events occurring _above_ the level at which consciousness resides. They are the lowest and most readily apprehended aspect of processes that the consciousness can not yet completely encompass. In a sense, the symbols you see are no more than anchor points; a convenient means by which your awareness is given a connection to something coming from outside its current scope.

The form of the symbol does not necessarily bear any direct relation to the nature of that to which you are being connected. Some symbols — such as the Greek gods or the cabalist’s Tree of Life — have forms that directly reflect some aspect of the inner reality. Others have connections that are largely a matter of convention; they relate to particular aspects of the inner reality only because we habitually use them in such a way. The cabalistic color attributes are in this category. And others yet are seized upon to serve the needs of the moment, and have no particular meaning outside the context of the vision in which they occur.

But in all these cases, when a symbol is seen in a vision it has a direct connection to some magickal power, archetype, thought-form or entity. In order to get the greatest benefit out of your scrying, you must continually attempt to sense _beyond_ the symbol, to extend your awareness along the path it provides and apprehend that which it embodies.

Accomplishing this is a delicate task. The relaxation exercises described previously again become important, this time the portion of them dealing with quieting the mind. This is important in two ways: first, because the mind’s internal chatter will tend to overshadow and conceal that which is being communicated through the symbol, and second, because active parts of the mind will attempt to twist the meaning of the symbol to fit with their own preconceptions.

This is especially the case where the practitioner has personal desires that relate to the information being conveyed, or where the person’s self-image feels threatened. If your conception of yourself is dependent on a particular world-view and the information does not accord with that view, it will be almost impossible for you to see it clearly.

To reduce the possibility of this happening, you should also work consciously to develop a mental state of unattachment towards the content of your visions, a deliberate disregard for any personal significance they contain, and a deliberate refusal to evaluate the contents for truth or falsity. Critical evaluation of the results of a scrying session is definitely necessary, but the time for that evaluation is _after_ the session is completed. While the work is proceeding, you should seek to be in a perfect state of suspended judgment; neither believing nor disbelieving anything that you see or sense, simply seeking to receive the symbols and their attached meanings precisely as they present themselves.

When using scrying techniques in magickal work, you are always trying to penetrate unknown “territory”. Any work that can result in a spiritual advance will be, by definition, at least partly outside the scope of your current perspective and understanding. Like anything truly new, it takes the mind a while to adjust and be able to see it clearly. Further, the meanings behind any symbol can have many different levels; it may take a long time for these to “soak in” to your awareness, and the final significance may be very different from the first, superficial appearances. In my own work, it has sometimes taken up to a year and a half, with repeated exposures, before I fully comprehended what I was being shown. Thus, no evaluation you make should ever be so definite that you cannot change it; all meanings should be tentative until they have been repeatedly reinforced by additional experiences.

I cannot give any assurance as to the manner in which the meanings attached to a symbol will appear to a particular person. I do not have enough information from other people to characterize any particular way as “typical”. In my own case, they come in two or three ways, depending on the amount of power I have managed to invoke and how high above my normal level of consciousness I have managed to raise my awareness.

Usually, they appear as groups of thoughts or associations that appear simultaneously in my mind with the words spoken by some entity, providing a detailed context for the words; it is as if the thoughts out of which the entity produced the words were being transmitted along with the words. If I am looking at a visual symbol rather than hearing words, then they appear as sudden detailed “realizations” of what the symbol is intended to represent, which appear instantly in my awareness.

Less frequently, the hidden meaning of symbols appears as an entire storyline, a long series of events that appear in the mind as if some part of myself had been taken away, taken on a long tour through magickal spaces, and was then returned to the exact moment in time from which it had left. The complete tour is instantly “remembered” as it happened, even though for my conscious awareness, no time at all has passed.

In the rarest case, the meaning appears to my awareness as a tightly-bound packet of mystical energy, which sits in my mind and gradually “unravels” itself into words, images, and meanings over a period ranging from minutes to weeks. These “packets” seem to be some magickal equivalent of books. Their content usually does not seem to be directed at the particular person receiving them, but rather at some general audience; and the content is often radically different from the perspectives and ideas the seer would normally be interested in.

You should not take these as being the only ways in which the meanings behind symbols can present themselves to you; you may find that some other means is more typical for you. But if you do happen to receive information in any of these ways, you can feel confident that you have had some success in this matter.

Introduction To Scrying – Creating a magickal space

Introduction To Scrying

 
 
Creating a magickal space

The foundation of all magickal work is the imagination. The part of the mind that creates images serves as a meeting ground between the conscious mind, the unconscious parts of our being, and the magickal universe at large. Visual symbols are the primary means by which meaning is communicated in the magickal worlds. The more flexible you make your imagination, the more effective your magickal work can be.

The best exercise I know of for developing the imagination is called “creating a refuge” or “creating a magickal space”. The Vietnam veteran from whom I first learned it said that the U.S. Army Special Forces taught it to him as a means of maintaining a sense of privacy, personal integrity, and personal space under conditions — as in Viet Cong POW camps — where these things would be deliberately denied to him by his enemies. When I encountered the Fellowship of the Inner Light a few years later, I found that they were teaching essentially the same technique for purposes of self-mastery and spiritual development.

Once you become practiced in the method it requires no special physical place; it is completely “portable” and can be done anywhere you can sit and relax for a moment. I have used it effectively in many “un-magickal” environments; e.g., a crowded government office, a busy commercial hotel, and in the middle of the Las Vegas COMDEX show.

The basic idea is very simple. You make up an imaginary world that you would enjoy being in, and then you imagine yourself walking around in this world. Not much different, in principle, than what people do in any ordinary daydream. But here the idea is to work for consistency, so that it appears the same every time you enter it, and to continually add details to it. With practice and familiarity, this imaginary world will begin to take on a sense of being a “real” place; not real in the same way as the physical world, but having a permanence about it nonetheless.

For purposes of illustration, I am going to describe one of my own magickal spaces, one which I no longer use. It is important to understand that at every step, the images you use should be those that feel right to _you_; this is to be your own private space and its contents should always come out of yourself and be meaningful to you. Your space may resemble mine in some aspects; if so, that is all right. More likely it will not, and that too is perfectly appropriate.

The steps described here should be done sequentially, but you do not have to be perfect at any step before going on to the next. Right from the beginning, you can work on several steps in a single session. However, in any given session most of your attention should be given to the earliest steps in whatever group you are working on. As each step becomes more familiar it will take less practice to reach a satisfactory level and you can naturally give more attention to the next.

Scrying

Scrying

 
Divination through scrying in to water has a long history. Water is used
in a variety of ways and one of my favourites is using it to pour melted
candle wax in to and use the shapes to tell what the upcoming year will be
like. Some water gazers prefer to have the light of a candle reflected on
the water surface. Others take the bowl outside on a cloudless night and,
capturing the moon’s reflection, divine by its appearance on the water.
Still others take crystals, place them in the bottom of the bowl, swish the
water a bit then divine the meaning from the shapes and patterns the
crystals make.

The ancient Greeks believed that nature spirits dwelled in fresh water and
so I believe this is the best kind of water to use however any water will
do. More traditional people feel that you should not use water from a tap
and so if you do get the chance to visit a stream or sacred well, collect
some water for use in your scrying.

To divine the future with your scrying bowl, pour water into it then let it
settle and ask your question. Sit with your back to the light in a darkened
room and gaze into but not at the water. As with a crystal ball, the water
may cloud. Eventually you may begin to see symbols within its cool depths.
Make note of any such symbols. When no further symbols are seen, begin the
process of interpretation.

 
Author Unknown

——————————————————

Scrying

Scrying is a facinating practice in that it enables you to literally “see” the future (or present or past). Almost any reflective surface can be used for scrying (pronounced to rhyme with “crying”). A crystal ball and gazing mirror are two of the best.

Another form of divination, sometimes used by Witches, is scrying into a fire, called fire scrying.

Author Unknown

Water Gazing

Water Gazing

 
The simplest of these is known as gazing or scrying, in which water is used to create symbols of the future. To perform this ancient rite, pour water into a blue ceramic bowl. Ask your question. Sitting with your back to the light in a darkened room, gaze into, but not at, the water. (Some people add a few drops of blue food coloring or ink to the water to darken it; this is particularly useful when using a light-colored bowl.)
 
As with a crystal ball, the water may cloud. Eventually you may begin to see symbols within its cool depths. Make a note of any such symbols. When no further symbols are seen, begin the process of interpretation.
 
Some water gazers prefer to have a candle’s light reflected on the water’s surface. Others take the bowl outside on a cloudless night and, capturing the moon’s reflection, divine by its appearance on the water. All three of these techniques can be used.
 
A method related to water gazing involves wine. Pour wine into a clear glass. Place a candle behind it and light it. Sitting before the glass, ask your question (if any), gaze into the illuminated wine, and search for symbols to appear. This is known as oinomancy.
 
Sycphomancy is defined as the use of cups or glasses in divination (as in the above technique). It is of uncertain origin. The following procedure allows the reader to discern the past, present, and future. Three cups of three various materials are needed.
 
Old instructions state that the weather must have been calm for three days prior to the divination, and that the diviner be dressed in white. Fill a silver cup with wine, a copper cup with oil, and a vessel of glass with water. Scry in the silver cup to view the past, in the copper cup to see present events, and in the glass to discover the future. Use of these three scrying tools is ideal when the past, present, and future all pertain to the question-which is usually the case.
 
Gold cups filled with water were also sometimes used for gazing, but these have always been out of the reach of most diviners. A variant of this practice consists of placing a gold ring in a glass of water. Set this glass before a mirror and gaze into the ring’s reflection in the looking glass.
 
Natural bodies of water provide excellent gazing tools. A calm lake or a small pool that is continuously filled by a running stream is ideal. Sit before the lake or pool. Shut out all distractions and gaze into the water. If appropriate, ask a question. You will see what you need to know.
 
Finally, toss a lump of gold into a well. The water will become clearer and, thus, more conductive to scrying. (Silver was probably more often used in this rite than gold. This is a relic of the day in which well were considered to be sacred and the gold or silver was an offering to the well’s spirit or attendant deity.)
 
Other methods of water gazing include watching the waves at a beach, gazing into the sea from a high point that juts into it, scrying in the reflections of the sun sent up by water against a flat surface, and many other techniques.
 
Divination For Beginners
Reading The Past, Present & Future
Scott Cunningham
ISBN 0-7387-0384-2

Pollution Water

This Korean formula is used to remove sources of pollution. Use it in cleansing spells and for banishing.

1.     Grind ashes, salt and red pepper to a fine powder.

2.     Add the resulting powder to spring water.

This product is intensified if the ashes are the remains of protective spells or holy verses.

In Korea, water with ash is a traditional soap base. Salt and red pepper are used to effect exorcisms.

Spirit Water

A glass of pure spring water is typically maintained on an altar, to call in spirits and feed the ancestors. Many find Spirit Water a stronger substitute. This is a favorite of the Spiritualist, community and may be used to summon your own ancestral spirits, or in seances or other necromantic spells.

1.     Add one tablespoon of anisette to a glass of spring water.

2.     Place it on the altar instead of, or in addition to, the standard glass of plain spring water.

Lady A’s Spell for July 21: Clean Body Of Negative Energy

Clean Body Of Negative Energy

Ingredients

1 white candle
1 black candle
1 green candle

Description

just as the name

Spell Casting

Clear ur mind then light the white candle. Say the following:
“Mother Earth, Fire, Wind, and Spirit. I ask thee to cleanse my body of all negative energies.”

Light the black candle and say the same as above,
Light green candle and say:
“Mothe Earth, Fire, Wind, Water, and Spirit. I ask thee to free and heal my body from all negative forces. Blessed be.”

Sit back. Keep mind clear. in 15 minutes u should feel renewed and fresh.

*Does not work for all*

Today’s I Ching Hexagram for July 11th is 49: Revolutionary Change

49: Revolutionary Change

Hexagram 49
 
General Meaning: According to Chinese symbolism, the juxtaposed elements of this hexagram are fire under water. Fire evaporates water, and water puts out fire. Change can cause conflict; conflict brings about change. This hexagram refers to that time in the cycle of human affairs when things need stirring up, and when the hint of dramatic change is in the air.

In order to succeed, revolutionary change must be in alignment with certain unchanging laws. The process must begin at the right moment, gather support from a broad base of people, be guided by sincere and capable leadership and — most important of all — must address a real need. The strength of the forces of change will always be in proportion to the urgency of the need being championed. This is true whether the revolution is in government, in business, in education or in one’s personal affairs.

Revolutionary change points to a time when chaos arises from order. It is important to realize that not all order is good, not all chaos bad. Chaos, in fact, is an integral part of the way of things — as any parent (and modern science) will confirm. Have the courage to radically change and renew the way you present yourself. In this way, you can summon chaos to your cause, and you will unleash a new power on your behalf. If engaging in a negotiation, change the rules; if composing a piece of music, add the unexpected; if courting a lover, dare to be unconventional.

In periods of drought, even wild storms are preferable to yet another sunny day.

Yemaya’s Unblocking Spell (2)

If you can’t swim or are afraid of water, you may still petition Yemaya.

  1. Sit down in the sand at the waterline.

  2. As the waves come in, greet them with your hands, gather up the water from the waves, and toss some over your head, some over your body.

  3. Throw seven white roses to Yemaya.

  4. Come out of the water without turning your back to the ocean. Let the candles burn out.

Cleansing Crystals with Running Water

If you’re fortunate enough to live near a stream, tie your stone in a pieces of cheesecloth or old pantyhose and with a piece of string fasten it to a branch or stone on the bank. Let the fabric wrapped stone rest in the water for at least twenty-four house. If you’re in an urban environment, you can set the stone in a strainer or colander and put it in your sink. Turn the cold water tap on and leave it three for a while. However, this method wastes a lot of water, so I don’t use it. Instead, I pour bottled spring water in a dish, and set the stones in it. Water absorbs energy whether it’s running or not, the movement simply add more energy to the process and gets it done faster.

Water is an excellent purifier. If you add a pinch of salt to it, it becomes even more powerful. Again, however, if there’s any metal attached to the stone, skip the salt and use pure water. Don’t subscribe earth for that pinch of salt in the technique, or you’ll end up having to rinse off the stone under the tap anyway.

Meditation to Meet Your Water Guide

Meditation to Meet Your Water Guide

 

 

Create a simple altar with a bowl of water and floating blue candles. Use a rain-scented incense. You may keep a chalice filled with wine or a favorite herbal tea on the altar. Take several deep, cleansing breaths. Cast your personal circle. Close your eyes. Visualize the gateway to the elemental realm of water. What does it look like? How does it open? Focus on your breath. Keep your breathing deep, slow and steady. See the gate open, and walk through it. Amazingly, you find yourself walking across the bottom of the sea, yet you can still breathe easily, encased in your own personal bubble. The sand is firm under your feet. Around you are bright coral shells, starfish, sea horses, and dolphins. Schools of brightly colored fish swim by. Walk slowly toward the figure you see in the distance. Focus on your breath. You are calm, relaxed and happy. Greet your elemental guide for the realm of water, and listen to what he has to say. When you have heard all you wish, thank him. Begin to walk back toward the gateway. Stay focused on your breath as you take on last look at the beautiful world beneath the waves. Walk through the gateway and see it close. Take several deep breaths and then open your eyes slowly. Write down what you learned in your journal. Close your circle.

Herbal Nail Strengthener

Remember to nurture your nails with an herbal infusion.

2     tablespoons chopped horsetail or crushed dill seed

1     cup boiled water

1     tablespoon almond oil

Infused chopped horsetail or crushed dill seed in boiled water. Cover and steep 20 minutes. Strain and pour into 2 small bowls. Soak your nails for 10 minutes or longer. Massage 1 tablespoon of almond oil into the nails and cuticles. Use the infusion to soak the toenails and massage any leftover oil into the toenails.

Shielding Method 1: Pagan Grid of Protection

Author: Nita

I want to share a protection method for those who practice a religion that is not oriented towards angels. I hope this will be a big help for people who are learning how to shield themselves from harmful energies and vibrations.

I have felt that many people who begin in magic pick up what others think, and do not understand their abilities and talents. The most difficult talent is being an empath where others feelings are sent to you. Many people have problems because they do not know the difference between their emotions and others.

I hope this shielding method helps everyone to keep balanced, centered and grounded. Blessed Be.

Arianhod, Goddess of Heaven, I ask that you send a grid of energy that nothing harmful may pass. May I be defended from the East, in the realm of air by your beauty and might. May this day go well with no slander, communication problems, misunderstandings, quarrels or arguments. May your mighty shield deflect all energies of air meant to harm me or cause discord and may I be sealed and contained from all harm through the element of air. Let me be protected in my body, mind, and soul. May all the positive spirits, Gods, Goddesses of air and the east bring the positive effects of wisdom, thought, and communications to be glorified this day in service to the light and goodness of life.

Lugh, God of the light, may your innovations, defense, and fiery nature defend me from all harm through the element of fire and the direction of the South. I ask that a grid of energy be sent to me so I will be protected from all accidents, war, terrorism, acts of violence or cruelty, May all energies of fire meant to harm me or cause discord, hatred and jealousy be deflected by your mighty shield of energy and may you add this grid around the grid of air so I may be protected from all combinations of fire, and air this day. May I also be protected from all harm through the direction of east and south or any combination of those directions and elements. Let me be protected in my body, mind and higher self. May all the positive spirits, Gods, and Goddesses of the south and east bring the positive effects of fire and air to be glorified this day in service to the light and goodness of life.

Morrigan, Lady of the Lake, may you send an invincible grid of the element of water to surround the elemental shields and grids of air and earth. May nothing use the emotions, thoughts, fears, and upset that can be sent through the element of water and west against me. May no combinations of air, fire, and water harm me or influence me negatively in any way.

May no harm come through the directions of East, South, and West or any combinations of these directions and elements. May I be protected in my body, mind and soul. May all of the positive sprits, Gods, Goddesses of Air, fire and water bring the positive effects of these elements to be glorified this day in service to the light and goodness of life.

Danu, Mother Goddess of all, may I be shielded from all harm from the North and through the element of earth by your might and loving protection being sent to me in an invincible grid of protection that goes around the grids of air, fire and water. May it protect me from all harm through the elements of air, fire, water and earth. May no single element or combination of elements be able to harm me in any fashion.

May I be freed of poverty, problems through metal and wood, inertia, and any other harm that links to the negative powers of the earth and the north. May all of the positive spirits, Gods, Goddesses, bring the positive effects of the elements of air, fire, water, and earth to be glorified this day in service to the light and Goodness of Life.

I ask that this grid be sealed by all the Gods and Goddess with an impenetrable energy shield so that no harm may come to me in any way. Be it simple energies of life or others emotions, harmful magic, or evil spirits, ghosts, hexes, curses or harm. Nothing shall past these shields. Nothing may use the energies of spirit, life, or elements against me. The Gods and Goddesses protect me and keep me safe this day and every day.

Face each direction and say:

Arianhod seal the grids completely from the East and the element of Air.
Lugh seal the grids completely from the direction of South and the element of fire.
Morrigan seal the grids completely from the direction of West and the element of water.
Danu seal the grids completely from the direction of North and the element of Earth.

Say this shielding spell every day. It will keep you safe and help you to build your energies and have a permanently strong shield of safety and protection.

You may substitute any Gods or Goddesses from any practice with these Gods and Goddesses. This method will seal the elements and directions that should keep you safe and well.

I know the basics for any grid of protection using the elements and the directions is to pick God’s and Goddesses that correspond to those directions and abilities. Ones of Earth for earth, water for water, air for air, and fire for fire. You then can assign them to the directions or find if they are present or known to defend a certain element or direction.

It means that any pantheon of Gods or Goddesses can be used for these methods. The sealing of the directions and elements is useful in most forms of magic. It will contain and seal off the direction the person who is sending the negative magic is living in or doing their magic in a certain area.

The elements are important because all of them cover every method that can be used to harm others. Earth is the elements of spell casting equipment. Air is the element of the spoken word and spirit connections. Fire is the light of the fire or candle. Water is any liquids or oils. So all of the elements combined to seal the person and protect them are very powerful. It can also be used on vehicles, houses, and places of business to protect everything that needs to be protected from harm.

I always encourage people to improvise and add in sentences or variations that fit their needs. Inspiration is important but always write down what you said and what you do. It is the only way to be sure that your method worked and to verify the results.

Water

Water
Elementals: Nymphs, Undines
Elemental ruler: Niksa
Direction: West
Color: Blue
Season: Autumn
Time of day: Dusk
Symbols: Chalice, Goblet, Cauldron, Mirror
Some things associated with water: Emotions, friendship, dreams, intution, psychic abilities.
Some Herbs associated with The element of water: Jasmine, Gardenia, Rose, yarrow, Irish Moss, sandalwood
Type Of energy: feminine
Wind: West wind
Zodiac symbols ruled by water: Scorpio, Cancer, Pisces
Power Of Magus: Velle, To will

Lady A’s Spell of the Day for 5/10: Five Fingers Protection Bath

The following ingredients will be required:

Five dried or fresh baby laurel leaves

One cup (or more) of sea  salt

Five limes, sliced in half

A splash of vinegar, preferably lemon vinegar

A glass of spring water

A glass of rose-water or rose hydrosol, or one of the charged water.

1.  Draw a warm bath.

2.  First add the salt and the bsy leaves.

3.  Squeeze the limes into the water, tossing the fruit in as well

4.  Add the other ingredients.

5.  Enter the waster. Submerge yourself completely five times if possible. Stay in as long as you like. Rub your both with the limes.

6.  Drain the  water while still in the tub allow yourself to air-dry amidst the remnants of the limes and leftover leaves

Herbal Mask

Apply the following herbal mask and allow it to set for 10 minutes.

1     tablespoon comfrey leaves, chopped

1      tablespoon chamomile, chopped

1/2  cup boiled water

3     tablespoons yogurt or powdered oatmeal (grind in a blender or coffee grinder).

Infuse comfrey leaves and chamomile in boiled water. Cover and steep 10 minutes before straining. Add to yogurt  or oatmeal and apply liberally on your face and neck. Lie down and cover your eyes with a cotton ball dipped in the leftover infusion (put on relaxing, soft music as you wait for it to set). Rinse and apply an herbal toner.

Florida Water with Water and Raw Herbs

Fill a one-quart Mason jar with the following:

      Spring water

2    slices orange

2    slices lemon

2    slices lime

      Fresh mint from the garden

      Fresh lemon balm from the garden

      Fresh hyssop from the garden

1     fresh rosemary sprig

1     fresh basil sprig

Pack jar with the herbs as full as you like. Boil spring water (enough to fill the jar). Pour into Mason jar (note: please use a canning jar or Pyrex brand glass container as these can withstand the boiling water). Make sure the jar is warm before pouring in the boiling water. Allow mixture to cool completely. Strain. Pour Liquid into a sterilized jar or bottle. Keep in refrigerator. Potent for three days.

Today’s I Ching Hexagram for May 8th is 49:Revolutionary Change

Today’s I Ching Hexagram for Everyone:

49: Revolutionary Change

Sunday, May 8th, 2011

Hexagram 49

General Meaning: According to Chinese symbolism, the juxtaposed elements of this hexagram are fire under water. Fire evaporates water, and water puts out fire. Change can cause conflict; conflict brings about change. This hexagram refers to that time in the cycle of human affairs when things need stirring up, and when the hint of dramatic change is in the air.

In order to succeed, revolutionary change must be in alignment with certain unchanging laws. The process must begin at the right moment, gather support from a broad base of people, be guided by sincere and capable leadership and — most important of all — must address a real need. The strength of the forces of change will always be in proportion to the urgency of the need being championed. This is true whether the revolution is in government, in business, in education or in one’s personal affairs.

Revolutionary change points to a time when chaos arises from order. It is important to realize that not all order is good, not all chaos bad. Chaos, in fact, is an integral part of the way of things — as any parent (and modern science) will confirm. Have the courage to radically change and renew the way you present yourself. In this way, you can summon chaos to your cause, and you will unleash a new power on your behalf. If engaging in a negotiation, change the rules; if composing a piece of music, add the unexpected; if courting a lover, dare to be unconventional.

In periods of drought, even wild storms are preferable to yet another sunny day.

Today’s I Ching Hexagram for May 4th is 63: After Completition

y’s I Ching Hexagram for Everyone:

63: After Completion

Wednesday, May 4th, 2011

Hexagram 63

 General Meaning: It is a fine irony that after completion of some project or great enterprise, there is still much left to do. Completion is merely a pause in the cycle of creation and decay, a momentary still point for the swinging pendulum of life. Though completion does imply a period of restful pause — one that usually has been well earned — it is not an actual end, but rather a uniquely harmonious flat spot in the constancy of change and movement.

The image of After Completion is that of a kettle of water boiling over a fire. When the forces are balanced, the water boils properly; but if the pot is too full, it may boil over and put out the fire; or, if the fire is too hot, it may evaporate all the water. In the equilibrium that follows the completion of something significant, the current dynamics must be watched carefully to assure that a proper balance is maintained.

After Completion is the time for fine-tuning, for refinements and embellishments of what has already been accomplished.

Even if we are enjoying a rewarding situation right now, the laws of the natural world dictate that influence and success will eventually decline. So, don’t let current good fortunes prompt careless or relaxed attitudes. A successful endeavor or partnership needs to be carefully tended and maintained. What is incomplete should be finished, and brought to fruition without delay.

Take satisfaction upon completion, but do not dwell on it. To do so could bring a halt to your influence and capability.