The Fear of Lilith

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The Fear of Lilith

Examining the Lilith Myth and the Male Fear of Dominant Women

By Charles Alexander Moffat

Men’s fear of women has caused them to portray women in two specific archetypes and continued to compare women in such a fashion because the majority of their writing was written by men for other men. Thus was born an unspoken tradition amongst men to portray women as weak submissives and/or seductive, evil succubi/monsters such as Lilith, and is the result of men’s fear of being controlled.

Psychologically, a man may be willing to have sex, but if the woman is not, the denial of sex perpetuates a breach in the male ego. The male response to this rejection is fear and anger, and in order to find a solution to the problem, the male reacts by finding excuses for his superiority. Believing that if he is superior and that the woman is weaker and inferior, then whether or not the woman is willing will now be unimportant and inconsequential, as far as the man is concerned.

Women do not have this sexual rejection problem however, for at any time they are willing, men can be made willing through the use of female charms or even simple aggression. Only male impotence can prevent this, which is no fault of the female. Men subconsciously understand this and also understand that they are vulnerable against females in this way, and are afraid of being seduced and manipulated.

Putting these two in perspective, men have defined two types of women: The submissive woman who falls prey to a man’s every whim, and the aggressive, manipulative woman who can seduce a man into performing her every whim.

When communicating these ideas to other men, the emphasis of a woman’s description is placed upon her beauty, her weaknesses and her lack rationality. These are ideas that men subconsciously/consciously seek to promote about women as a result of their own insecurities.

Aristotle was obsessed with his penis, that much is evident from a psychologically perspective. According to Aristotle, the penis and its semen is the source of all souls and spirit, and that women, being “mutilated” and without a penis is soulless. He goes into more detail, believing that women are unable to create souls because they themselves are “impure” and “incapable of concocting the nutriment in its last stage into semen. If she does have a soul, it is an “impure” one, and thus needs a man’s “purity” in the form of semen. In short, Aristotle likely believed that the world revolved around his penis.

Going further on Aristotle’s beliefs, if women are soulless, then their feelings don’t matter, and thus men must be the masters over women because women are cold, heartless and lack authority. He admits that women have intelligence/faculty, “but it is without authority” and thus men must be the masters. The end result is that Aristotle likely believes that the perfect woman is a “mutilated” quiet, cold, and submissive creature, something similar to Helen of Troy or Andromeda.

As the exact opposite, the worst woman by his definition would likely coincide with many of the mythological creatures of his time. The medusa, sirens, gorgons and harpies portray intelligent women as cunning, powerful, independent, and yet deformed monsters. They would still be “mutilated” by Aristotle’s definition, and would suffer the consequences for their independence, for they were all defeated by men. In essence these myths could be considered allegory warning women not to become independent and proud of their intelligence.

Respected for his beliefs by his male colleagues (and they were all male and thus with male egos and “in love with their penises” and no doubt loving the idea that the world revolves around their penis), Aristotle’s beliefs were written down for men and mass produced for men. These beliefs are then passed down upon children, who then take these beliefs to be the absolute truth, and never questioning it. “Men commonly think according to their inclinations, speak according to their learning and imbibed opinions, but generally act according to custom,” said Francis Bacon, speaking of this usually “unspoken tradition” that is passed down through the generations.

In the Biblical Genesis (the King James/Yahwist version), Eve is portrayed as being lesser than Adam by the simple fact that she is made by only part of him, and is not made wholly of the earth like Adam was. This shortcoming is then shown when she is tricked so easily by the serpent into eating the fruit from the Tree of Knowledge of Good and Evil, and she in turn manipulates and tricks Adam into also eating of the tree. Furthermore, when caught and questioned, Eve quickly blames the snake for her shortcomings. Thus Eve presents parts of both archetypes, the submissive woman who is easily tricked by the snake, but after eating the fruit, she becomes the cunning and manipulative woman who seduces/tricks Adam.

In a different version of Genesis, the ben-Sira version~, the person known as Lilith (Adam’s first wife, before Eve) is introduced:

“When the Almighty created the first, solitary man, He said: It is not good for man to be alone. And He fashioned for man a woman from the earth, like him (Adam), and called her Lilith. Soon, they began to quarrel with each other. She said to him: I will not lie underneath, and he said: I will not lie underneath but above, for you are meant to lie underneath and I to lie above. She said to him: We are both equal, because we are both created from the earth. But they didn’t listen to each other. When Lilith saw this, she pronounced God’s avowed name and flew into the air. Adam stood in prayer before his Creator and said: Lord of the World! The woman you have given me has gone away from me. Immediately, the Almighty sent three angels after her, to bring her back. The Almighty said to Adam: If she decides to return, it is good, but if not, then she must take it upon herself to ensure that a hundred of her children die each day. They went to her and found her in the middle of the Red Sea. And they told her the word of God. But she refused to return. They said to her: We must drown you in the sea. She said: Leave me! I was created for no other purpose than to harm children, eight days for boys and twenty for girls. When they heard what she said, they pressed her even more. She said: I swear by the name of the living God that I, when I see you or your image on an amulet, will have no power over that particular child. And she took it upon herself to ensure that, every day, a hundred of her children died. That is why we say that, every day, a hundred of her demons die. That is why we write the names Senoi, Sansenoi and Semangloph on an amulet for small children. And when Lilith sees it, she remembers her promise and the child is saved.”

According to accompanying legends, Lilith was cursed and turned into a succubus. God created Eve as an afterthought out of Adam’s rib, in order to make her more submissive. Lilith’s descendants and Eve’s descendants mingled together and bred, and God decreed that Lilith is kill all of her descendants, except for those protected by an amulet. This belief that Lilith will come to slay young children is still held in awe today in many cultures. As the mother of all other succubi, Lilith’s daughters (succubi, or simply “Liliths (according to some tales) are also held to this and cannot harm any child protected by the amulet. This is Lilith’s curse for being too dominating according to many tales, although it is also questioned as to whether the real reason is because she spoke God’s avowed name.

Other Biblical and non-Biblical legends* portray Lilith as being a “terrible mother-goddess”. Her clergy is described as being “temple prostitutes” according to some historians. This belief changed over time, with Lilith (or succubi in general) becoming the “divine whore” according to men, described as being a tall beautiful, obsidian-skinned, bat-winged female with long red (some legends say black) hair and sharp blue eyes. This creature then seduces men and kills them. This is a perfect example of men describing the physical characteristics of women, and also their obvious fear of being powerless against a woman and controlled by them.

There are many other legends (mostly Sumerian, Babylonian and Assyrian) calling Lilith (or creatures like her) by other names such as Shedu, Lamashtu, Marilith, Succubus, Ahhazu, Alu, Gallu, Lamia, Ishtar. The legend of Lilith is so widespread that it reaches even Malayasia where she is called Langsuir (or Langsuyar) and feared as a demon seductress of the night. This enforces the idea that man’s fear of seductive/dominating women is universal amongst all men.

During the Spanish Inquisition (and various other witch hunts), witches were associated with the demon Lilith, and anyone having red hair like Lilith were more likely to be hung or burnt at the stake. This perhaps is the reason why red hair is so rare and also why the current stereotypes that all red-haired people are regarded as aggressive, hot tempered, troublesome, and otherworldly. These witchhunts were led by men, usually clergy, who were obviously afraid of being bewitched, seduced and controlled.

The power struggle between Adam and Lilith is a reflection of the power struggle between the sexes, a man’s patriarchal attitude versus a woman’s demands for independence and equality. Psychologically, this is the result of Adam’s fear of Lilith being in control, Lilith’s equal fear of Adam being in control, and both rejecting the others demands for dominance. Adam and Lilith obviously could not meet with a marital therapist however, but since the two are viewed as being mythical characters, then they reflect universal characteristics and behaviour such as all people’s (not just men’s) fear of being controlled.

A number of modern psychologists/analysts have studied the ben-Sira version and have come up with their conclusions about Lilith, Adam and Eve, and their archetypes:

Vogelsang asserts that Adam bears the guilt for the disagreement. “From the beginning [he] was trying to assert his superiority and to dominate her, a power play on the part of the masculine.” He also says “it should be emphasized that she was not trying to subjugate him. She was trying to maintain her rights.” Essentially this means that Adam represents the average aggressive male, whereas Lilith should actually be considered a model female who stands up for her rights. Perhaps women should be feared, for it is the fear between both sexes that makes them equal.

Lenherr-Baumgartner claims that Adam’s demand for the upper position was the result of “is evolutionary understandable as a certain male fear of an equal female. In addition she considers the separation of the two metaphorical in the sense that male and female shall be forever separated by their fears of each other.

In modern times it would be very easy to compare Adam, Eve and Lilith to a patriarchal husband, a weak, submissive wife, and a vindictive, dominating ex-wife. A slightly different example would be patriarchal President Bill Clinton (perhaps as the result of his obsession with his penis), submissive stand-by-your-husband Hillary Clinton, and the aggressive “succubi” (no pun intended) Monica Lewinsky. The First Lady has deliberately played the submissive/supportive wife because she understands that she will be considered more socially acceptable because of it, whereas Lewinsky has found popularity amongst some feminists who support her for her aggressiveness. Bill Clinton himself however faces a special problem with his ego, having the American-Made title of the “Most Powerful Man In The World” and likely believing that the world really does revolve around his penis, and his true fears are more complex because of the high price some believe that he should have paid for his adultery.

In conclusion, the dominance of men has been implemented by unspoken tradition amongst men through the generations of men writing for other men, such as Aristotle and the many variations of Genesis. This has caused men to create two specific archetypes of a submissive weak woman and an aggressive “Lilith” both of which are the result of men’s fears of a dominant/equal female.

Spell For Tomorrow – Apollo’s Devotional Chant for Inspiration

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Apollo’s Devotional Chant for Inspiration

In Greek and Roman mythology, Apollo is a standout god, born to Zeus and Leto and twin to the huntress Artemis. Over time, Apollo and the sun god Helios started to blend in people’s minds, similar to how Artemis got linked with Selene, the moon goddess. Despite this confusion in religious circles, myths and literature always kept Apollo and Helios, as well as Artemis and Selene, separate. The Etruscans also honored him as Aplu, showing Apollo’s wide-reaching influence in ancient cultures.

Light an orange candle during this devotional.

Incense for Apollo:

Frankincense, Vanilla, Cedar.

Offerings to Apollo:

Bay leaves, Olive oil, Wine, Sunflowers, Sunflower seeds.

In Greek mythology, Apollo is one of the most important and multifaceted Olympian gods.

The ideal of the young beardless, Apollo has been variously recognized as the god of truth and prophecy; archery; medicine and healing; music, poetry, healing, and more. In later times, Apollo became partially equated with Helios, the Sun god. But Apollo and Helios remained separated beings in literary and mythological texts. In Etruscan mythology he was known as Aplu.

Invoke Apollo’s power and bring inspiration, focus, concentration and creativity to your art, your new project or work. Use this chant as a morning ritual prayer, or combine it with a spell for good luck, healing, creativity and more.

Devotional text

Come blessed healer,

Bearing a golden lyre, generative, agrarian, Oracular one,

Wild, radiant divinity, lovely one, glorious son,

Cultivator of joy, whose arrows achieve their aim, mighty archer.

You who achieve from afar, prophet, holy one,

all-seeing eye bringing the light which shines on mortals,

Golden-haired, making clear oracular utterances,

Hear me with gracious soul as I pray on behalf of mankind.

Upon the blessed earth you look from above through the dark of night.

In the restful shadow of a night filled with stars,

You clearly see the root below and you arrange and support the boundary of all:

For the origin and completion are both in your care,

The cause of the blooming of all things,

with your resonant lyre you command the axis of the heavens,

Placing all in harmony, by which, indeed, you advance to the lowest pitch,

Elsewhere to the highest, at times playing in the Dorian mode,

Tempering all the poles you keep the tribes of living creatures distinct.

Let inspiration come to me.

Support my quest for creativity.

Make my imagination unlimited.

And my mind open to new ideas as I manifest my talents.

Let me surround myself with creative people.

So I can be in touch with my creative source.

Help me release any resistance to fully expressing my creativity.

Give me the time to think, to relax and focus.

Powerful spirit, express yourself in all possible ways.

Let inspiration flow so that I can easily express myself.

My creative work fills you with joy,

And anything can be my source of inspiration.

I promise to always look out for new experiences.

To recognize and overcome my limitations.

If you eliminate all mental blockages, remove barriers,

And any habits that oppress my inspiration.

Dear Apollo, come to me.

You have mingled harmony into the share of all mortal men,

Giving each an equal measure of winter and summer,

The highest three strings in the winter, the lowest in the summer,

The Dorian mode produces the lovely and blooming spring.

Thereupon the mortals celebrate and call you lord and

Pan, the two-horned God who sends the whistling winds,

Wherefore you form and bear the seal of the entire Cosmos.

Hear, happy one, the supplicating voices of the initiates and save them.

Cernunnos: Horned God of the Celts

Cernunnos is one of the most enigmatic and fascinating figures in Celtic mythology. Depicted as a horned god, he was worshipped by the ancient Celts throughout much of Europe.

Horned God | Protector | Fertility | Underworld |

In this article, we will explore the myths and legends associated with Cernunnos, and examine the many roles he played in Celtic religion and society.

Who was Cernunnos?

Cernunnos was a god of the Celts, who were an ancient people that inhabited much of Europe during the Iron Age. He is depicted as a horned figure, often holding a torque, or twisted metal necklace, and accompanied by various animals, such as stags, bulls, and serpents. Despite his popularity, little is known about Cernunnos and his exact role in Celtic religion and society remains a matter of debate among scholars.

The Horned God

The image of the horned god is one of the most distinctive and enduring symbols of the Celts. The horns are typically those of a stag, and they represent the god’s connection to … Click here to read the rest of this article Source: celticnative.com

Cernunnos – The Enigmatic Antlered God of the Ancient Celts

The Celts can rightfully be placed amongst the world’s most important ancient cultures and civilizations. Their far-reaching ancient origins are the irreplaceable part of every historical lesson, and their role in history was crucial in the development of the world as we know it today. Yet even so, many aspects of the Celtic culture and belief are a bit of an enigma – even today. Because they didn’t leave any considerable written records, the Celts are largely mysterious, and most of what we know of their early history comes from Roman or Greek historians. We do know, however, that Cernunnos was one of their foremost deities. A mystical antlered god, he was revered by the Celts across Europe.

Who was Cernunnos, the Antlered God of the Celts?

With the relatively recent discoveries of ancient Celtic core sites of La Tene and Hallstatt, in the mid-1800s, the world and the culture of these ancient Europeans came to the closer view of the general public and historians as well. Suddenly, there was so much more to learn about the Celts, about their art, their lifestyle, and their beliefs. Before the 1800s, the pantheon of the ancient Celts was largely enigmatic, but with new archeological material, typesites, and a closer glimpse into their religious rituals, we were finally able to paint a more detailed picture of the ancient Gods of the Celtic peoples.

Arguably the best-known deity in their pantheon is Cernunnos, the sylvan antlered god that likely has origins that far predate the emergence of the Celts. Sometimes also known as Carnonos, his name has firm Proto-Indo-European origins. It stems from the PIE word *k̑r̥no-, and is thus cognate to Germanic *hurnaz and Latin cornu, all meaning “horn”. In the Celtic Gaulish language, this word was karnon, and the connection with the name of Cernunnos is clear – it reflects the deity’s stag antlers, growing from his head. Thus, Cernunnos literally means “the horned one”.

This can also be deduced from the surviving imagery related to the god. In almost every surviving depiction, Cernunnos is presented as … Click here to read the rest of this article Source: .ancient-origins.net

Cernunnos Celtic God: Exploring the Ancient Deity’s Significance and Symbols

Cernunnos

Cernunnos Celtic god holds a significant place in ancient Celtic mythology. Represented as a horned deity, Cernunnos symbolizes nature, fertility, and the cycle of life. This ancient god intertwines with Celtic culture, rituals, and festivals.

Content of this Article

(One Person’s View) The Goddess And The Horned God In Wicca c.2014

The Goddess And The Horned God In Wicca

 

Neither evocation nor invocation is part of modern witchcraft, however, and white witches do not recognize any demonic figures in their religion. When we refer to the Goddess and her son-consort, the Horned God of Wicca, we are referring to the archetype or source energies of the feminine and masculine aspects of ultimate power. They are the creative female and male principles, acting not in opposition to each other but as complementary and necessary parts of a whole. All the named goddesses and gods in witchcraft represent the different qualities of these supreme forms, for example the goddesses of the hunt, or specific forms in different cultures.

There are, of course, variations within Wicca; some traditions emphasise the importance of the Goddess, while others regard the Horned God as her equal, with each assuming different aspects according to the season and ritual. For example, the Goddess may appear as the Earth or Moon deity, and her male counterpart as the Corn God or the Sun.

 

Source: Cassandra Eason

(One Person’s View) Working With the Gods and Goddesses c.2014

Working With the Gods and Goddesses

By

There are literally thousands of different deities out there in the Universe, and which ones you choose to honor will often depend significantly upon what pantheon your spiritual path follows. However, many modern Pagans and Wiccans describe themselves as eclectic, which means they may honor a god of one tradition beside a goddess of another. In some cases, we may choose to ask a deity for assistance in a magical working or in problem solving. Regardless, at some point, you’re going to have to sit and sort them all out. If you don’t have a specific, written tradition, then how do you know which gods to call upon?

A good way to look at it is to figure out which deity of your pantheon would be interested in your purpose. In other words, what gods might take the time to look into your situation? This is where the concept of appropriate worship comes in handy — if you can’t take the time to get to know the deities of your path, then you probably shouldn’t be asking them for favors. So first, figure out your goal. Are you doing a working regarding home and domesticity? Then don’t call upon some masculine power deity. What if you’re celebrating the end of the harvest season, and the dying of the earth? Then you shouldn’t be offering milk and flowers to a spring goddess.

Consider your purpose carefully, before you make offerings or prayers to a particular god or goddess.

Although this is certainly not a comprehensive list of all the gods and their domains, it may help you a bit to get an idea of who is out there, and what sorts of things they may be able to help you with:

Artisanship

For assistance relating to skills, crafts, or handiwork, call upon the Celtic smith god, Lugh. Many other pantheons have forge and craftsmanship gods as well.

Chaos

When it comes to matters of discord and upsetting the balance of things, some people choose to to check in with Loki the Norse prankster god. However, it’s generally recommended that you don’t do this unless you’re a devotee of Loki in the first place – you may end up getting more than you bargained for.

Destruction

If you’re doing a working related to destruction, the Celtic war goddess the Morrighan may assist you, but don’t trifle with her lightly. A safer bet might be working with Demeter, the Dark Mother of the harvest season.

Fall Harvest

When you celebrate the fall harvest, you may want to take time to honor Herne, the god of the wild hunt, or Osiris, who is often connected with grain and the harvest. Demeter and her daughter, Persephone, are typically connected with the waning part of the year. Pomona is associated with fruit orchards and the bounty of trees in fall. There are also a number of other harvest gods and gods of the vine who may be interested in what you’re doing.

Feminine Energy

For workings related to the moon, lunar energy, or the sacred feminine, consider invoking Artemis or Venus.

Fertility

When it comes to fertility, there are plenty of deities out there to ask for assistance. Consider Cernunnos, the wild stag of the forest, or Freya, a goddess of sexual power and energy. If you follow a Roman-based path, try honoring Bona Dea. There are a number of other fertility gods out there as well, each with their own specific domain.

Home and Marriage

Brighid is a protector of hearth and home, and Juno and Vesta are both patronesses of marriage.

Love and Lust

Aphrodite has long been associated with love and beauty, and so has her counterpart, Venus. Likewise, Eros and Cupid are considered representative of masculine lust. Priapus is a god of raw sexuality, including sexual violence.

Magic

Isis, the mother goddess of Egypt, is often called upon for magical workings, as is Hecate, a goddess of sorcery.

Masculine Energy

Cernunnos is a strong symbol of masculine energy and power, as is Herne, the god of the hunt. Odin and Thor, both Norse gods, are known as powerful, masculine gods.

Motherhood

Isis is a mother goddess on a grand scale, and Juno watches over women in labor.

Prophecy and Divination

Brighid is known as a goddess of prophecy, and so is Cerridwen, with her cauldron of knowledge. Janus, the two-faced god, sees both the past and future.

Underworld

Because of his harvest associations, Osiris is often connected with the underworld. There are a number of other deities of death and dying.

War and Conflict

The Morrighan is not only a goddess of war, but also of sovereignty and loyalty. Athena protects warriors and imparts them with wisdom. Freya and Thor guide fighters in battle.

Wisdom

Thoth was the Egyptian god of wisdom, and Athena and Odin may also be called upon, depending on your purpose.

Seasonal

There are a number of deities associated with the various times of the Wheel of the Year, including the Winter Solstice, Late winter, the Spring Equinox, and the Summer solstice.

 

Source: About.com

 

(One Person’s View) List of the Most Used Gods in Witchcraft

Adonis: Greek – consort of Aphrodite

Anubis: Egyptian – Jackal-headed God responsible for conducting souls to the underworld. 

Apollo: Greek & Roman – God of the Sun, twin brother of Artemis 

Cernunnos/Kernunnos: Celtic – The Horned God, consort of the Lady.

Dionysus: Greek – God of wine, fertility, and vegetation. 

Eros: Greek – God of love and passion.

Herne: Celtic/Saxon – see Cernunnos.

Horus (the elder): Egyptian – God of the all-seeing eye. Has the head of a falcon and the body of a man.

Hymen: Greek – God of marriage and wedding feasts. 

Lucifer: Italian – God of light, brother of Diana.

Mithra: Persian – God of the Sun and of victory in war

Odin: Scandinavian – God of the dead and of war. Consort of Freya.

Osiris: Egyptian – Fertility God, brother and consort of Isis.

Pan: Greek – God of nature and of woodland.

Poseidon: Greek – God of the sea.

Ra: Egyptian – God of the Sun. Father of Hathor by Nut.

Shiva: Hindu – God of the cycle of birth-death-rebirth. Consort of Kali.

Thor: Scandinavian – God of the sky and of thunder. Son of Odin

Thoth: Greek – God of wisdom and of writing.

Zeus: Greek – Supreme God. Brother of Demeter.

(One Person’s View) The Deep Meaning of the Triple Goddess Symbol

The hyperlink is for a good video about the Triple Goddess. I hope you find it enjoyable and informative.

The Deep Meaning of the Triple Goddess Symbol | SymbolSage

Jupiter Roman King of the Gods

Jupiter

Roman King of the Gods

In terms of Roman mythology, the god Jupiter is the king. In fact, he is often referred to as the king of the gods. He may not be the original creator of the MYTHOLOGICAL CREATURES that dominated tales and lore; that distinction belongs to his father Saturn. But Jupiter is the main man, a la ZEUS in Greek mythology.

Mythology dominated religious culture in Rome up until the point in which Christianity took over. Until that happened, Jupiter was the main deity. He was the god of the sky and, along with the help of the kings of the time, established principles of the Roman religion.

His similarities with Zeus and the GREEK MYTHS didn’t stop with their connections with the sky and thunderbolts. Jupiter was brother to two other gods: Neptune and Pluto. Like the Greeks, each of these three gods controlled one realm of existence: the sky (Jupiter), the sea (Neptune), and the underworld (Pluto), with Jupiter being the most powerful.

Click here to read more about the Roman God Jupiter (Jove) from greekgodsandgoddesses.net

 

Etain Irish Goddess of Light

Etain Irish Goddess of Light Source: witchymagicks.com

Etain, the resplendent gem of Irish mythology, has captured the hearts and imaginations of people for generations. Her tale speaks of an eternal cycle of love, metamorphosis, and renewal. Immortalized in the time-honored text “The Wooing Of Etain,” her story has endured the relentless march of time, forever etched in the annals of history.

More than a mere goddess, Etain embodies the very essence of the sun, radiating life and vitality wherever her presence graces. As the ages passed, her legend grew, and she came to be revered as a moon goddess as well, adding an ethereal dimension to her already captivating persona. To embark upon a journey into Etain’s realm is to be enthralled by a narrative that transcends the boundaries of time, where her unwavering spirit shines bright against the capricious tides of destiny.

Helios – The Sun God

Helios rides his Chariot across the sky

HELIOS FACTS
Name(s): Helios
Rules over: The Sun
Title: Titan God of the Sun
Gender: Male
Symbols: Sun, Chariot, Aureole
Sacred animals: Horse, Rooster, Cattle, Wolf
Items: Frankincense, Cornucopia, Black Poplar, Heliotrope
Parents: Hyperion and Theia
Consort: Clymene, Rhode – possible others: – Clytie, Perse, Leucothea
Other significant others: Siblings: – Selene and Eos
Children: Abundant children including: – The Charites, Phaethon, The Horae, Pasiphae, Circe, Aeëtes, Heliadae, and Heliades
Roman name: Sol

Helios – The Sun God: https://greekgodsandgoddesses.net –

That was the image that would come to the minds of ancient Greeks when they thought of Helios. To them, he was the representation of the sun and sunlight, traveling across the sky every day. Some authors report that select Greeks revered him as much as they did Zeus.

Helios Appearance

Artwork of the time often shows Helios to be wearing a shining aureole, or halo, of the sun upon his head. He had piercing eyes and long, curly hair.

Family History

Helios was the son of the Titan Hyperion and the Titaness, Theia, making him a second generation Titan.
His sisters were goddesses Selene, the moon, and Eos, the dawn.

Wives

Children of Helios

Helios sired many children with his different wives. The Charites, Phaethon, The HoraePasiphaëCirce, Aeëtes, Heliadae, and Heliades are among his known offspring.

The All Seeing Eye

It is not uncommon so see Helios given the epitaph Panoptes, or all-seeing, as the Greeks believed that he could witness anything in the heavens or on earth.

According to the myth about Persephone’s abduction by Hades, it was Helios who saw the crime occur. When Demeter, Persephone’s mother, demanded to know the whereabout of her daughter, the Titan was able to inform her that Hades had kidnapped the goddess.

Another tale illustrating his ability describes Helios witnessing an affair between Aphrodite and Ares. He reported this to Hephaestus, Aphrodite’s husband, and helped set a trap to catch the two lovers. Caught in the act, the gods then banished Ares from Olympus for his crime.

This ability would have made him a valuable friend to keep and a frightening enemy to have.

Daily Travels

As the sun god, Helios would make a daily journey across the sky. Four horses, Aethon, Pyrois, Phlegon and Eous, drew his chariot.

Each morning, his sister, Eos, would paint the dawn sky with her fingers and pull the misty curtain, through which Helios would appear, aside. He would drive his blazing chariot across the heavens until his travels were complete. At this time, he would he would hide in a golden cup that fell to earth while his sister, Eos, would begin her nightly trek.

Meeting with Hercules

Legend has it that one day while lost in his quest to find the island of Erythia, Hercules grew frustrated and shot an arrow towards the sun. Upon realizing what he had done, he apologized to the Titan. Helios, however, was so taken with the boldness of this action that he presented Hercules with his golden cup. Hercules was then able to use this cup to reach his destination.

Helios Appearance in The Odyssey

Helios has a small but notable role in the Odyssey. When Odysseus and his men land on Thrinacia, one of the islands dedicated to the sun god, Odysseus warns them not to touch any of Helios’ cattle or sheep that graze on the land. They do not heed this warning and, in his absence, slaughter some of the best of the animals.

Alerted to this by one of his daughters, Helios appeals to Zeus for revenge. He threatens to take the sun and shine it onto the dead of the Underworld, instead of on the earth, if the men’s act goes unpunished. Zeus then strikes the crew’s ship with a lightning bolt, killing everyone except for Odysseus.

Cult Worship

The island of Rhodes, believed to have been shaped by Helios, is a place where people honored him as an important deity. Legend has it that when the island first came into being, it was muddy and uninhabitable. Helios dried the land and filled it with life, including seven of his sons known as Heliadae. Because of Helios’ life-giving intervention, some residents of the island worshiped him, and the island became sacred to Helios.

In the 3rd Century BC the people of Rhodes built the Colossus of Rhodes which was a 30 metre (90 foot) statue of Helios, it was won of the Seven wonders of the Ancient world.

The Dorians, one of the four major ethnic groups of Greece at the time, also seemed to have celebrated Helios more than many Greeks of the era. There is even speculation that they were the people who brought the worship of the sun god to Rhodes.

Conclusion

Despite having what some historians believe to be a significant place in the Greeks’ hearts, Helios did not play a massive part in their mythology, and it seems that he was eventually replaced by Apollo. Nevertheless, his image as the handsome Titan driving a blazing chariot pulled through the sky by his fire-breathing steeds lives on to this day.

Quick Facts:

Mother: Theia
Father: Hyperion
Siblings: Selene and Eos
Known wives/consorts: Selene, Perse, Clymene, Aegle, Neaera, Rhodos, Ocyrrhoe, Leucothoe, Nausidame, and Gaia
Known as: the Sun God
Roman equivalent: Sol

Goddess – Rhiannon, Horse Goddess of Wales

Rhiannon – Horse Goddess of Wales

In Welsh mythology, Rhiannon is a horse goddess depicted in the Mabinogion. She is similar in many aspects to the Gaulish Epona, and later evolved into a goddess of sovereignty who protected the king from treachery.

Rhiannon was married to Pwyll, the Lord of Dyfed. When Pwyll first saw her, she appeared as a golden goddess upon a magnificent white horse. Rhiannon managed to outrun Pwyll for three days, and then allowed him to catch up, at which point she told him she’d be happy to marry him, because it would keep her from marrying Gwawl, who had tricked her into an engagement. Rhiannon and Pwyll conspired together to fool Gwawl in return, and thus Pwyll won her as his bride. Most of the conspiring was likely Rhiannon’s, as Pwyll didn’t appear to be the cleverest of men. In the Mabinogion, Rhiannon says of her husband, “Never was there a man who made feebler use of his wits.” After Pwyll’s death, Rhiannon married Manawyden.

The goddess’ name, Rhiannon, derives from a Proto-Celtic root which means “great queen,” and by taking a man as her spouse, she grants him sovereignty as king of the land.

In addition, Rhiannon possesses a set of magical birds, who can soothe the living into a deep slumber, or wake the dead from their eternal sleep.

Her story features prominently in the Fleetwood Mac hit Rhiannon, although songwriter Stevie Nicks says she didn’t know it at the time. Later, Nicks said she “was struck by the story’s emotional resonance with that of her song: the goddess, or possibly witch, given her ability with spells, was impossible to catch by horse and was also closely identified with birds — especially significant since the song claims she “takes to the sky like a bird in flight,” “rules her life like a fine skylark,” and is ultimately “taken by the wind.”

Primarily, though, Rhiannon is associated with the horse, which appears prominently in much of Welsh and Irish mythology. Many parts of the Celtic world — Gaul in particular — used horses in warfare, and so it is no surprise that these animals turn up in the myths and legends or Ireland and Wales. Scholars have learned that horse racing was a popular sport, especially at fairs and gatherings, and for centuries Ireland has been known as the center of horse breeding and training.

Judith Shaw, at Feminism and Religion, says, “Rhiannon, reminding us of our own divinity, helps us to identify with our sovereign wholeness. She enables us to cast out the role of victim from our lives forever. Her presence calls us to practice patience and forgiveness. She lights our way to the ability to transcend injustice and maintain compassion for our accusers.”

Symbols and items that are sacred to Rhiannon in modern Pagan practice include horses and horseshoes, the moon, birds, and the wind itself.

An Iowa Pagan named Callista says, “I raise horses, and have worked with them since I was a child. I first encountered Rhiannon when I was a teenager, and I keep an altar to her near my stables. It’s got horsey things on it, like a horseshoe, a horse figurine, and even braids from the manes of horses I’ve lost over the years. I make an offering to her before horse shows, and I invoke her when one of my mares is about to give birth. She seems to like offerings of sweetgrass and hay, milk, and even music – I sometimes sit by my altar and play my guitar, just singing a prayer to her, and the results are always good. I know she’s watching over me and my horses.”

Source: Paganism/Wicca Expert Article originally published on & owned by About.com 

(One Person’s View) Who Is Bastet? Complete Guide to the Egyptian Cat Goddess

Bastet/Bast

Lion and cat and woman, goddess of war and fertility—the Egyptian goddess Bast (also known as Bastet) contains multitudes. While she’s not the only cat goddess from ancient history, Bastet is probably the most famous cat goddess today. She has a strong presence in pop culture and a select few even still worship her!

In this complete guide to Bastet, we’ll go over exactly what makes this Egyptian cat goddess so compelling. We’ll describe her attributes, how she was depicted in ancient Egypt, her major relationships, how she was worshipped, her major myths, and the history of her worship. We’ll close out with where you might encounter Bast, goddess of cats, today.

Who Is Bastet? What Are Her Attributes?

The goddess we most frequently call “Bastet” today was known as both “Bast” and “Bastet” in ancient Egypt.

“Bast” was her earlier name. It possibly meant either “Soul of Auset” (Auset being an alternative name for “Isis,” who is sometimes considered her mother), or “devouring lady.”

Later, priests called her “Bastet” to indicate that the “t” in her name should be pronounced. “Bastet” shares one of the same hieroglyphs for the bas jar, which held perfumes and ointments. So “Bastet” also meant “she of the ointment jar.”

Bast was originally a lioness goddess, but as time went on, she was more closely associated with the housecat. The cat was her totem animal.

As one of the main goddesses of the Egyptian pantheon, Bastet had a huge number of attributes and aspects:

  • She was a goddess of cats, the sun, of the East, of fire, of love, intoxication, music and dancing, joy, celebration, fertility, secrets, magic, and sex.
  • However, she was also a goddess of war known for her wrathful vengeance.
  • She protected households and individuals from disease and evil spirits, guarded pregnant women, and protected cats.
  • She served as the divine nurse and mother of the Pharaoh.
  • Due to Bastet meaning “she of the ointment jar” she also became known also as a goddess of perfume, and was called the “perfumed protector.”
  • Bast/Bastet was the protector and guardian of Lower Egypt.
  • She was the patron goddess of fire fighters, because the Egyptians believed that a cat running through a building on fire would draw the flames out.
  • She was also one of the goddesses who was known as the “eye of Ra” or the “eye of Atum,” the sun. In this aspect she symbolized Ra’s feminine counterpart and was sent out to take vengeance on his enemies. The “eye of Ra” was both a part of Ra and a separate being from him, and was considered his mother, sister, wife, and daughter simultaneously. She had life-giving, protective and also destructive capacities.

Depictions of Bastet: Her Symbols and Totems

Bast was first depicted primarily as a lioness, then later as a cat or cat-headed woman. In her aspect as a cat-headed woman she frequently holds a sistrum decorated with cats and Click here to read the rest of this article

Brigid, Celtic Goddess of Imbolc c. 2016

 

Brigid, Celtic Goddess of Imbolc

Brigit is the central Irish Goddess. She is known as Brigantia in England and Bride in Scotland. She rules metal work and smithy, fire, poetry, midwifery and martial arts–but is primarily known as a major Mother Goddess. Brigit is a face of the Triple Goddess, and able to see all–often represented by an ever watchful eye. The three heart-shaped leaves of the shamrock recall the magical Celtic number of three, as well as the number of Brigit’s faces. From nine to Nineteen priestesses once tended an undying fire in her name at Kildare. Brigid is so central to Ireland that the newly converted people would not give her up, so her name metamorphosed into St. Bridgid, who in Irish Christian myth acts as tender and supportive friend of Mary and as the midwife at Christ’s birth. Barbara G. Walker writes that to the Irish people, however, she continued to be a Queen of Heaven and the mother of all the deities of the new religion. As the Saint, she also matched wits with St. Patrick, who is as mythical as she. At times they seem to be consorts, at others, adversaries. It cannot have helped their relationship that Patrick is known for ridding Ireland of snakes, and since Bridgid the saint descended from a pagan goddess and priestess persona, whose sacred healing totem is the snake. So when St. Patrick says he is ridding the isle of snakes, what he means is he is ridding it of pagans. Nevertheless, Patricius and Bridgid were often considered the primal Mother and Father, and were supposedly buried together at Derry Down.

Gods – Cu Chulainn 1 of the Most Famous Celtic Mythological Heroes

Cu Chulainn would be a demi-god, but the Celtic pantheon does not have demigods.

The Story of Cu Chulainn

Cu Chulainn is one of the most famous Celtic mythological heroes. He appears in the stories of the Ulster Cycle, and Scottish and Manx folklore. He was said to be the son of Deichtine and the god Lugh, and the nephew of Conchobar mac Nessa, the King of Ulster. His given name at birth was Setanta but he gained the name Cu Chulainn, meaning ‘Culann’s Hound’ after he killed a ferocious guard dog belonging to a smith named Culann. Cu Chulainn offered to take the place of the guard dog until a replacement could be reared.

The stories of Cu Chulainn’s childhood, which date back to the 9th century, are many. It is said that as a small child, he had asked incessantly to be allowed to join the boy-troop at Emain Macha (today known as Navan Fort in County Armagh, Northern Ireland). According to the legend, he sets out on his own, and eventually runs onto the playing field at Emain, unaware of the custom of asking for protection. The other boys see this as a challenge, and attack Setanta, but he beats them all single-handedly as he carries the trait of ‘ríastrad’, in which he undergoes a sort of distortion, becoming an unrecognizable monster who knows neither friend nor foe. King Conchobar put a stop to the fight.

In the next part of the story, Culann the smith invites Conchobar to his home for a feast.

At this point, Conchobar is so impressed by Setanta that he asks him to join the dinner. Setanta is unable to attend right away, but promises to join them at Culann’s house later. However, Conchobar forgets, and Culann lets loose his ferocious hound to protect his house. On arrival at their house, Setanta is forced to kill the guard dog in self-defense. Culann is devastated at the loss of his guard dog and Setanta feels so bad that he offers to rear a new one, and to guard Culann’s house until the new dog is ready to do so.

When Cu Chulainn is seven years old, he overhears a druid named Cathbad teaching pupils at Emain Macha. Cathbad states that any pupil who takes arms that day would have everlasting fame. Desiring everlasting fame, Cu Chulainn goes to King Conchobar to ask for arms. Conchobar gives Cu Chulainn many arms to try, but none can withstand Cu Chulainn’s strength until finally Conchobar gives him his own arms. Unfortunately, Cu Chulainn did not listen to Cathbad’s full prophecy, and he was unaware that a pupil who took arms that day would have everlasting fame, but a short life.

As Cu Chulainn gets older, he decides he would like to take Emer, daughter of Forgall Monach as a wife. However, Forgall is opposed to this, and tells Cu Chulainn that he should train with Scottish warrior-woman, Scáthach. Forgall’s true intent is that Cu Chulainn will be killed. While Cu Chulainn is gone, Forgall offers Emer to Lugaid mac Nóis, a king of Munster, but when the king learns that she loves Cu Chulainn, he refuses to take her hand.

Scáthach teaches Cu Chulainn all the arts of war. His fellow trainees include Ferdiad, who becomes Cú Chulainn’s best friend and foster-brother. During his training with Scáthach, Cu Chulainn comes to face Aife, Scáthach’s rival. Although the two are evenly matched, Cu Chulainn eventually seizes Aife, and demands that she bear him a son. While Aife is pregnant, Cu Chulainn leaves Scotland, and returns to his love Emer, but Forgall still refuses to allow the marriage. Enraged, Cu Chulainn storms Forgall’s fortress, kills twenty-four of his men, abducts Emer, and steals Forgall’s treasure. Forgall falls to his death.

King Conchobar fears the marriage of Cu Chulainn and Emer, because Conchobar has the “right of the first night” over all marriages and is afraid of Cu Chulainn’s reaction if he sleeps with Emer. On the other hand, Conchobar will lose all his power and authority over his subjects if he doesn’t. The druid Cathbad suggests that Conchobar sleep with Emer, but Cathbad sleep between them.

After eight years pass by, Cu Chulainn’s son by Aife, Connla, comes to find him. When Connla refuses to identify himself, Cu Chulainn kills him. As Connla dies, his final words are that he and Cu Chulainn could have “carried the flag of Ulster to the gates of Rome and beyond,” leaving Cu Chulainn grief-stricken.

Several years pass, and Cu Chulainn rides out to face a group of men who have conspired to kill him. They are all sons of men he had killed. On his way, he encounters three one-eyed hags eating a feast of roast dog. They invite him to join them.  Cu Chulainn had several gessa, which are self-declared taboos which, if broken, would lead to his inevitable downfall. Two of his gessa were to never eat dog meat, and to never refuse hospitality. At this junction, he has no choice but to break one of his gessa. He takes one bite and places the bone under his thigh. The hand he used and his thigh are immediately weakened. Cu Chulainn continues on his journey, and is eventually killed while fighting his conspirators. When he received his fatal wound, he tied himself to a pillar so he would die standing and facing his enemies. As the prophecy foretold, Cu Chulainn had reached fame but died at a young age.

The legends of Cu Chulainn are still told to this day. As a mythological hero, the stories of his strength and power have lived on, re-told throughout the years in many ways. Today, the image of Cú Chulainn is invoked by both Irish and Ulster (Northern Ireland) nationalists. Irish nationalists see him as the most important Celtic Irish hero, while unionists see him as an Ulsterman defending the province from enemies to the south.

If you would like to read more about Cu Chulainn warrior tales here is a link for a general search on Táin Bó Cúailnge

Athena Greek Goddess: Origins, Symbols, and Mythology

Athena Greek Goddess: Origins, Symbols, and Mythology

Athena is among the most well-known Greek goddesses, revered for her wisdom, courage, and strength. She is often depicted as a fierce warrior, with a spear and shield in hand and a helmet on her head. Athena was also the goddess of crafts, weaving, and strategy and was often associated with the owl, considered a symbol of wisdom.

Athena played a significant role in Greek mythology, and her legend has been passed down through generations. According to legend, Athena was born fully grown and armored from the head of Zeus after he swallowed her mother, Metis. She was the favorite daughter of Zeus, and her intelligence and wisdom made her one of the most respected and revered goddesses in Greek mythology.

Today, Athena is still celebrated and admired for her many attributes, and her legacy lives on in the modern world. From literature to art, her influence can be seen in many different forms, and her story inspires people worldwide.

Athena, a Greek Goddess Birth Story

According to Greek mythology, Athena was born from the head of her father, Zeus. The story goes that Zeus had swallowed his wife, Metis, who was pregnant with Athena, fearing the child would be more powerful than him. However, Metis had already given birth to Athena inside Zeus’s stomach. When the time came, Zeus began to feel a tremendous headache, and Hephaestus, the god of fire and metalworking, split open Zeus’s head with an axe. Athena emerged fully grown, dressed in armor and holding a spear. This unique birth made Athena the only virgin goddess in Greek mythology.

As the goddess of wisdom, Athena was a patron of Athens and was known as the city’s protector. She was also associated with various other entities, such as warfare, handicrafts, and strategic warfare. Her birth story is one of the most iconic stories in Greek mythology, and it symbolizes the importance of wisdom and strategy over brute force.

Athena’s birth story is also significant because it highlights the role of women in Greek mythology. Even though Athena was born from Zeus’s head, she was still regarded as one of the Greek pantheon’s most potent and respected gods. This is a testament to the importance of women in ancient Greek society, and it shows that women could hold positions of power and influence, even in a male-dominated society.

In conclusion, Athena’s birth story is a compelling and iconic tale in Greek mythology. It highlights the importance of wisdom and strategy over brute force and symbolizes women’s role in ancient Greek society. Athena remains one of the most revered and respected goddesses in Greek mythology, and her legacy continues to inspire people today.

Powers and Symbols

Athena is one of the most important goddesses in Greek mythology. She is the goddess of wisdom, courage, inspiration, civilization, law and justice, strategic warfare, mathematics, strength, strategy, arts, crafts, and skill. Her powers and symbols are an integral part of her mythology, and they help to define her character and her place in the pantheon of Greek gods and goddesses.

Powers

Athena’s powers are vast and varied. She is known for her intelligence, wisdom, and strategic thinking, making her a formidable battle opponent. She is also known for her strength and courage, which make her a fierce protector of her people. Athena’s powers are often associated with her role as a goddess of war, but they also extend to the arts, crafts, and skill. She is often depicted as a patron of weavers, potters, and other craftsmen.

Symbols

Athena’s symbols are a reflection of her powers and her character. The most famous of these symbols is her shield, representing her role as a protector of her people. The shield is often adorned with the head of the Gorgon, a creature from Greek mythology that turned people to stone. This symbol is known as the Gorgoneion, which was believed to have the power to ward off evil.

Another important symbol of Athena is the olive tree. According to legend, Athena created the olive tree as a gift to the people of Athens, and it has since become a symbol of peace, prosperity, and wisdom. Athena is also associated with the owl, known for its wisdom and intelligence. The snake or serpent is another important symbol of Athena, representing her connection to the earth and the natural world.

Athena is also often depicted wearing a helmet, representing her warrior role. The helmet is often adorned with the image of a serpent or spider, both symbols of wisdom and intelligence. Finally, Athena is often depicted holding a trident, representing her power over the sea.

In conclusion, Athena’s powers and symbols are essential to her mythology and help define her character and place in Greek mythology. Her intelligence, wisdom, and strategic thinking make her a formidable opponent in battle, while her role as a patron of the arts, crafts, and skill makes her a beloved goddess of the people. Her symbols, including the shield, the olive tree, the owl, the snake, the helmet, and the trident, are all critical reflections of her powers and character.

Family

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Goddess of the Day – Hecate or Hekate

Hecate or Hekate

Then the earth began to bellow

And howling dogs in glimmering light advance

Ere Hekate came

-Aeneid, Book VL

Greek Queen of the Night, Goddess of Witchcraft and the Underworld. Hecate can change shapes or ages at will and has the power to rejuvenate or kill.

The daughter of Perses and Asteria, she represents the oldest Greek form of the Triple Goddess. Her powers extend over heaven and the underworld, the earth and the sea. She is sometimes represented with three heads – one of a horse, one of a dog and one of a bear, or one of a dog, snake and lion.

As Hecate of the Three Ways, her images stood at three-way crossroads where offerings of dogs, honey and black ewes were left on Full Moon Nights. In the realm of nature she is honored as Selene, the moon, in Heaven. She is honored as Artemis, the huntress, on Earth and as Hecate, the destroyer, in the Underworld. She is also the Goddess of prophecy, charms, vengeance, wisdom, choices and regeneration and is often accompanied by a pack of black, baying hounds or the three-headed dog, Cerberus.

Gods – Celtic Cernnunos

Celtic God Cernnunos

The God In The Wild Wood

At the Sacred Centre, in the Grove of all Worlds, He sits with legs crossed beneath an ancient Oak. Entranced, connecting the three worlds Earth, Sea, and Sky, and the worlds behind the worlds, the god and the Great Tree are One, His immense limbs widespread, stretching into distant sky and starry space.
His massive trunk, spine of the Middleworld, is the heart of the Ancient Forest around which all Life, all worlds turn; His limitless root web growing deep into secret earth and Underworld; above him the great turning circles of Sun, Moon, and Stars. All around Him subtle movements of the leaves in melodious, singing air; everywhere the pulsing, gleaming Green awash in drifts of gold and shimmering mist; beneath Him soft moss creeping over the dark, deep, moist of spawning earth. At His feet is the great Cauldron from which the Five Rivers Flow.

Through the forest stillness they come, whispering wings and secret glide, rustling leaves, and silent step, the first Ancestors, the Oldest Animals, to gather around Him: Blackbird, Keeper of the Gate; Stag of Seven Tines, Master of Time; Ancient Owl, Crone of the Night; Eagle, Lord of the Air, Eye of the Sun; and Salmon, Oldest of the Old, Wisest of the Wise leaping from the juncture of the Five Springs. He welcomes them and blesses them, and they honour Him, Cernnunos of the nut brown skin and lustrous curling hair; the god whose eyes flash star-fire, whose flesh is a reservoir of ancient waters, His cells alive with Mystery, original primeval essence. Naked, phallus erect, He wears a crown of antlers limned in green fire and twined with ivy. In his right hand the Torq of gold, testament of his nobility and his sacred pledge; in his left hand the horned serpent symbol of his sexual power sacred to the Goddess. Cernnunos in His Ancient Forest, His Sacred Temple, His Holy Grove, Cernnunos and His children dream the Worlds.

The Origins of Cernnunos

Cernnunos, a nature and fertility god, has appeared in a multitude of forms and made himself known by many names to nearly every culture throughout time. He is perhaps best known to us now in his Celtic aspects of the untamed Horned God of the Animals and the leaf-covered Green Man, Guardian of the Green World, but He is much older. Cernnunos worked his magic when the first humans were becoming. Our prehistoric ancestors knew him as a shape-shifting, shamanic god of the Hunt. He is painted in caves and carved everywhere, on cliffs, stones, even in the Earth Herself. Humans sought to commune with Him and receive his power and that of his animal children by dressing themselves in skins and skulls, adorning themselves with feathers and bones, by dancing His dance. Yet He is older still. In the time of the dinosaurs, the great swamps and subtropical forests of cycads, seed ferns and conifers, and later in the time of the deciduous plants and flowers, when the pollinators came and the first tiny mammals were creeping up from beneath the ground, Cernnunos was the difference and diversity of life, the frenzy and ferment of evolution. But, He is much older still. He is oldest of the Ancient Ones, first born of the Goddess. At the time of First Earth, Cernnunos grew in the womb of the All Mother, Anu, waiting to be born, to come forth to initiate the everlasting, unbroken Circle of Life.

The Many Faces & Natures Of Cernnunos

Cernnunos, as The Horned God, Lord of the Animals is portrayed as human or half human with an antler crown. Though he wears a human face his energy and his concerns are non-human. He is protector of animals and it is Cernnunos who is the law-sayer of hunting and harvest. While He is recognized most often through his connection to animals and our own deeply buried, dimly recalled, instinctual animal natures, Cernnunos is also a tree, forest, and vegetation god in his foliate aspect of The Green Man, Guardian of the Green World. His branching antlers symbolize the spreading treetops of the forest as well as his animal nature. As Master of the Sacrificial Hunt, His is the life that is given in service of new life. His wisdom is that the old must pass away to make way for the new.

In his Underworld aspect Cernnunos is The Dark Man, the god who dwells in the House Beneath the Hill, the Underworld. He is the one who comforts and sings the souls of the dead to their rest in the Summerlands of the Otherworld. Cernnunos, as Master of the Wild Hunt, who pursues the souls of evil doers, is not associated with a biblical or even modern morality, but with the protection and continuance of the Land and Nature and the spirits that dwell therein.

Pan, lusty Satyr god of the Greeks is another aspect of the Horned God. ‘Pan is a proud celebration of the liberating power of male erotic energy in its purest and most beautiful form.’ (5) He is portrayed as playful and cunning, but He also has a darker, dangerous nature. The panic or terror often associated with Pan is not related to human violence, but to the Life and Death of the natural world. In this form he is called the “All Devourer.” However, Pan, as Protector of the Wilderness and as a god prone to fits of madness and violence, can induce panic or wild fear in those who threaten his domain.

Cernnunos appears again in Elizabethan England, and is mentioned by Shakespeare, as Herne the Hunter, the demon and guardian of Windsor Forest, the Royal Wood. In this aspect it is said that he appears as Guardian of the Realm during times of National emergency and crisis. In modern times he is often called the God of the Witches and embodies uncorrupted masculine energy. A masculine energy that is fully-developed and in balance with the natural world

Cernnunos & The Sacred Wheel Of The Year

We celebrate and honour Cernnunos as the Green Man in spring and summer, the light half of the year and as the Dark One or the Dark God in autumn and winter, the dark half of the year. He appears in spring as the young Son, child of the Goddess, embodiment of the budding, growing, greening world. In summer He is the Green Man, vibrant, pulsing with life essence, the consort of the Green Lady Goddess. It is in autumn, the dying time, that perhaps we see the Horned God most clearly. He is the sacrificed one, who, wounded unto death begins his journey to the Underworld, returning to the Earth from which he was born and where the seeds of light released from his decaying body will quicken Her womb with a new Sun once again.

The Path To Cernnunos

The path to Cernnunos is both through the natural world: seeking out the wild places and a deep understanding of the processes of growth, bounty, decay, rest, and rebirth, and through Otherworld journeys to the Middleworld forest of which he is guardian. One may experience this both actually and symbolically by following the path that disappears over the horizon into the distance and moves away from the ‘civilized’ world and into the heart of the Wild Wood. Often experienced as traveling away from the centre to the perimeter, this is in actuality a return to the Centre. When the seeker reaches the god’s forest the track ends, and her/his pathways are found by other means. After entering the Wildwood the seeker cannot be followed, nor can s/he follow another. Whatever pathways are discovered disappear in passing, and the Wood is trackless once again, for each one’s way is different. In the Forest of Cernnunos there is a stillness, an otherworldly feeling, as if one has passed out of time. Here the mind is not supreme. It is instinct, the innate wisdom of the body that guides us to Him.

The Way Of Cernnunos

The way of Cernnunos is the way of the shaman or any person who truly seeks Communion with the Land. Yet, one cannot speak of Cernnunos without speaking of Anu or Don, the All Mother who gave Him birth. The way of Cernnunos is through the One. Like Her, Cernnunos is a Being or Power that existed before time and before the gods, the Shining Ones. Together they are First Mother and First Father, All Mother and All Father who brought the gods into being. Limitless and everlasting His energy permeates Her matter through every aspect of life to the sub-atomic. As Lord of the Dance He is present in the billions and billions of infinitely small movements that make up the seemingly chaotic Dance of Life, the Dance of Making and Unmaking. He is truly the Life that never, never dies, for even as nothingness he is self-originating. He is triple as She is triple. He is Cernnunos: Father, Son, and Wild Spirit.

Cernnunos Chant

Cern-nu-noh-oh-oh-oh-os
Stag Horned Hunter, Hunted One
Join Us Now
Cer-nu-noh-oh-oh-oh-os
Greenwood Lord of Life and Death
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Cern-nu-noh-oh-oh-oh-os
Herne and Pan and Every Man
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Gods – Buddha Was Not a God

Buddhism Source: buddhism.info

The negative connotation associated with the term ‘atheist’

To be labeled an atheist or godless often has an insulting and derogatory connotation.

It implies that one denies worship, denies morals, denies any spiritual or social obligation and denies a religious life. This in no way describes the teachings of Buddha.

The terms atheist and godless are also often associated with one who subscribes to an entirely materialistic belief system, a doctrine that knows nothing beyond worldly senses and the slight, temporary happiness it can bestow.

Buddhism advocates nothing of the sort. Both Buddhists and followers of other religions believe that true and lasting happiness cannot be found in the material world.

In only one sense can Buddhism be described an atheistic religion – Buddhism denies existence of a Creator God, being an eternal omnipresent God who created the world and who can miraculously save others.

Unlike some other beliefs, Buddhists do not believe that a certain god will appear in this world at some future date to destroy the wicked, unsaved people and to protect the good ones.

Similarly, in Buddhism, there is no belief that someone can wash away their sins simply by asking for forgiveness.

Buddhists believe that redemption is only possible when people sincerely realize that what they are doing is wrong and then subsequently try to change their ways and do good.

It is only through this process that a sinner can counter the bad Karma that has accrued to them based on their evil deeds.

Although Buddhism does not depend on a Creator God, Buddhism emphatically recognizes the existence of moral and spiritual values.

Moreover, Buddhists believe in humanity – we believe that each human being is precious and important and that everyone has the potential to develop into a perfect human being.

The problems with religions based on Creator Gods

All theistic religions consider their concept of God to have ultimate authority over humans.

This supposed sacred authority  can be dangerous as it can blindly strip us of our individuality and freedom.

These God-religions attempt to make you a follower and preach that the only true path to salivation is through God.

Under these theistic religions, it is possible for a person to have led a perfectly righteous and virtuous life, but still be condemned to eternal hell since he or she didn’t believe in the existence of a particular group’s idea of God.

On the other hand, someone may have led a life of sin, yet made a repentance before death, and thus that person can be forgiven and ‘saved.’

Buddhists believe there is no rational justification for this type of teaching.

However, as we discussed in detail in Buddhist Views on Religion, Race and Tolerance, it is critically important that we show respect and tolerance to everyone regardless of their religions views.

The benefits of religions based on Creator Gods

Although Buddhism has succeeded as a peaceful religion without incorporating a creator-god, we cannot overlook the fact that the believe in God has done a great service to mankind.

First, the believe in God has helped people control their animal nature.

Secondly, much help and charity has been given to others in the name of god. Many people  also find inspiration and protection when the belief of god is in their mind.

Given these benefits, it is easy to see why so many people find the god concept so desirable.

Buddha was not a god

Unlike most other religions, Buddhism does not claim to have originated from heaven.

Buddha never said that he was the son of God, the messenger of God or a reincarnation of a God.

In fact, Buddha emphasized himself that he was not a god, rather he declared himself a simply a human being who was “full awake” and aware of the true nature of existence.

Buddha asked not to be worshiped by his followers but encouraged his followers to look deeply inside their own minds to answer fundamental questions about life, death and happiness. As such, Buddhists do not worship Buddha as a god or deity.

Although many Buddhists have statues and other Buddhism symbols in their homes and place of worship, this is done only as a reminder of our ability to have wisdom and compassion like the Buddha.

As we discussed in The Importance of Prostrating in Buddhism, prostrating or bowing before such figures can be very beneficial in your practice. However, such acts are not done to worship Buddha or the figure itself, but rather to show respect, gratitude and recognition.

Buddhist views of miracles, angels and praying

Often times people’s belief in their Creator God is confirmed or renewed because they prayed in a time of need and their prayer was answered.

Here, correlation doesn’t prove causation. Buddha rejected all of these as foolish and warned about the futility of taking refuge in the hills, woods or shrines when people are full of fear.

If miracles were possible, then there would be no need for hospitals and cemeteries.

Buddhists also don’t expect the gods to do things for us or the angels and guardians to protect us.

If you believe in these things, Buddhism teaches that you will suffer because you will always be waiting for the right day, the right month or the right year for your miracle.

Instead of praying to supernatural beings, Buddhists seek a practical means of conquering birth, aging, pain and death by destroying their mental defilements which cause greed, anger and delusion.

Buddhism doesn’t entice people into living a fool’s paradise, nor does it scare people with imaginary fears.

The traditional concepts of heaven and hell

From a Buddhist point of view, there is no such thing as the traditional concept of heaven and hell, being a permanent, eternal placed created by a God.

Buddhists believe that such a belief is ignorant, unreasonable and foolish to believe that there is an eternal heaven above the clouds or hell under the oceans.

Furthermore, Buddhists believe that it is unreasonable to condemn anyone to eternal hell for their human weakness.

The Buddhist concept of heaven and hell

However, Buddhism does have its own concept of heaven and hell.

Unlike other religions, these places are non-permanent, mental states of mind.

In other words, Buddhist believe that wise people make their own heaven while foolish people create their own hell.

Put yet another way, Buddhists define heaven as a temporary place where those who have done good deeds experience more sensual pleasures.

Hell is another temporary place where those who do evil experience more physical and mental suffering.

Hell is simply a place where one experience painful sensations due to suffering and heaven is a place where one experiences joyful and happy sensations.

However, these mental places are not permanent and there is no God involved. Each person experiences pleasure or pain, heaven and hell, according to their good and bad Karma.

Why do we experience heaven and hell?

According to Buddhists, people experience the fire and misery of hell in this world due to their anger, greed and ignorance. As we can all relate, human beings experience a mixture of both pain and happiness.

In other words, one experiences more pleasure or happiness in this world, then that place is a heaven to those who enjoy their worldly life in that place and time.

When there is more suffering, then that place is a hell to those who suffer. From a Buddhist point of view, if you are in hell, then you can get yourself out by creating good merit and Karma.  T

here are no locks on the gates of hell. Hell is only a temporary place and there is no reason for humans to suffer there forever.

Buddha as the Enlightened One

Although Buddha was just a man, he was not an ordinary man like us. He was an extraordinary and incomparably person.

As such, Buddha is considered the Enlightened One, the most compassionate and wise person who ever lived in this world.

For this reason, people take refuge in the Buddha as a teacher or master who has lived and shown the real path of inner peace.

While people may show their respect and gratitude toward Buddha, they do not pray to Buddha with the illusion that he is a god who will reward or punish them. Nor do they ask for material favors through Buddha.

They simply pay homage to a great religious teacher. Those who recite verses from his teachings do so as a means of recalling his great virtues and good qualities in order to get inspiration, confidence and guidance for themselves.

This is all done so that we can try to be like him.

In Buddhism, salvation can only come from within

In some religions, people seek protection in certain objects which they believe are inhabited by spirits.

Buddhists however, know  that the only protection they can have is through a complete understanding of their own natures and eradicating their base instincts.

When Buddhists seek refuge in Buddha, it simply means that they accept Buddha and his teachings as the means through which they can end their suffering.

Whether you call Buddhism a  religion, philosophy or a way of life, Buddhism is practical, rational and presents a realistic view of life and the world as it exists today.

In the here and now, we should look into our own actions, speech, and Karma. By doing good, you inherit goodness; by doing bad, you inherit badness.

If we can understand that good and bad, right and wrong all lie within us, then we won’t have to go looking for those things somewhere else.

Put another way, if we lose our inner peace here, we must look to find or restore it where we lost it – within ourselves.

Even if you don’t find it at first, keep looking where you dropped it. Usually, we lose it within ourselves and then go looking outside of ourselves for the answers, but we’ll never find it over there.