TO THE DRAGONS, REBORN

TO THE DRAGONS, REBORN

They say the flame wrought winds are dead;
Ethereal dancing, jeweled wings – no more.
Monolithic rationality is the head.
Noble dreams and works – shattered, torn.

Their world was theirs – never doubt.
But the magic and power faded away,
When the light gave way to spiritual drought
and Oppenheimer replaced Morganna Le Fay.

But in some strange souls they found a home:
Those inspired, lost, exiled castaways.
Music and verse and The Craft are the bones
Of these long lost archetypes of elder days.

And it takes a mere seed to create an oak,
and music and light, rain and mirth,
bridging land and sky with it’s growth;
fulfilling the call to renew the Earth.

So nurture these dragons who live within you-
The Burning has ended and they may go free.
Let them grow so that their work may continue.
An it harm none, do what ye will

 
Blessed Be!

Lady A’s Spell Of The Day: RID OF NASTY ASTRAL SLIME

RID OF NASTY ASTRAL SLIME


After Chakra cleansings in the evening by the ocean or a large body of water like a river
or lake or pond. As the sun sets so your bad fortune will drain away.
Hold a stone or object that you find and feel is appropriate and project all the nasty slimy
and inky feeling you picked up from this person into it. Really focus on letting all your
emotions about it as well and let them flow into the rock. When you have done this say:
“I release this astral slime
And all darkness which is not mine
I let go of all that may have harmed
My aura is bright all negativity released
And I am charmed”
Now throw the rock into the water preferably as the sun drops below the horizon and
be conscious of its fading light taking away your bad feelings from this person.
You can do this spell on then first night of the waning moon (after a full moon) for
seven nights if you really feel tainted. Also Place 1/2 cup vinegar, a bunch of fresh
or rosemary and 1 tablespoon of sea salt in your bath. Light a white and a blue candle.
Imagine yourself surrounded by blue light, giving you positive energy.
Visualize all of the negative energy and astral slime leaving your body through every pore.

Crystal of the Day for August 9th is Apatite

Apatite

Spiritual and Healing Properties of Apatite:

Love of Others

This stone works much like rose quartz except the love is more love of others with this stone than of self as in rose quartz.
~forum post from whitehorse woman

Earth Consciousness

Apatite comes in many colors, the most common being the greens, and yellows. It has a hardness of 5 on a scale of 1-10. It helps those who are Earth conscious to continue on a path of helping our Mother Earth. It is a stone that many psychics use for it helps to open the third eye and brings revelations closer. It brings inner peace and is good for meditations as well.

Apatite Curbs Appetite

This is one stone that many use when trying to stay on diets, as it helps to curb the appetite. It shakes up the inner self and allows you to look at/for your own truth. Then to put those truths into action.
~forum post from stones

Herb of the Day for August 9th is The Aloes

Aloes

Botanical: Aloe Perryi (J. G. BAKER), Aloe vera (LINN)
Family: N.O. Liliaceae

—Part Used—Leaves.
—Habitat—Aloes are indigenous to East and South Africa, but have been introduced into the West Indies (where they are extensively cultivated) and into tropical countries, and will even flourish in the countries bordering on the Mediterranean.

The drug Aloes consists of the liquid exuded from the transversely-cut bases of the leaves of various species of Aloes, evaporated to dryness.


—Description—They are succulent plants belonging to the Lily family, with perennial, strong and fibrous roots and numerous, persistent, fleshy leaves, proceeding from the upper part of the root, narrow, tapering, thick and fleshy, usually beset at the edges with spiney teeth. Many of the species are woody and branching. In the remote districts of S.W. Africa and in Natal, Aloes have been discovered 30 to 60 feet in height, with stems as much as 10 feet in circumference.

The flowers are produced in erect, terminal spikes. There is no calyx, the corolla is tubular, divided into six narrow segments at the mouth and of a red, yellow or purplish colour. The capsules contain numerous angular seeds.

The true Aloe is in flower during the greater part of the year and is not to be confounded with another plant, the Agave or American Aloe (Agave Americana), which is remarkable for the long interval between its periods of flowering. This is a succulent plant, without stem, the leaves being radical, spiney, and toothed. There is a variety with variegated foliage. The flower-stalk rises to many feet in height, bearing a number of large and handsome flowers. In cold climates there is usually a very long interval between the times of its flowering, though it is a popular error to suppose that it happens only once in a hundred years for when it obtains sufficient heat and receives a culture similar to that of the pineapple, it is found to flower much more frequently. Various species of Agave, all of which closely resemble each other, have been largely grown as ornamental plants since the first half of the sixteenth century in the south of Europe, and are completely acclimatized in Spain, Portugal and Southern Italy, but though often popularly called Aloes all of them are plants of the New World whereas the true Aloes are natives of the Old World. From a chemical point of view there is also no analogy at all between Aloes and Agaves.

Although the Agave is not employed medicinally, the leaves have been used in Jamaica as a substitute for soap, the expressed juice (a gallon of the juice yields about 1 lb. of the soft extract), dried in the sun, being made into balls with wood ash. This soap lathers with salt water as well as fresh. The leaves have also been used for scouring pewter and kitchen utensils. The inner spongy substance of the leaves in a decayed state has been employed as tinder and the fibres may be spun into a strong, useful thread.

The fleshy leaves of the true Aloe contain near the epidermis or outer skin, a row of fibrovascular bundles, the cells of which are much enlarged and filled with a yellow juice which exudes when the leaf is cut. When it is desired to collect the juice, the leaves are cut off close to the stem and so placed that the juice is drained off into tubs. This juice thus collected is concentrated either by spontaneous evaporation, or more generally by boiling until it becomes of the consistency of thick honey. On cooling, it is then poured into gourds, boxes, or other convenient receptacles, and solidifies.

Aloes require two or three years’ standing before they yield their juice. In the West Indian Aloe plantations they are set out in rows like cabbages and cutting takes place in March or April, but in Africa the drug is collected from the wild plants.

—Constituents—The most important constituents of Aloes are the two Aloins, Barbaloin and Isobarbaloin, which constitute the so-called ‘crystalline’ Aloin, present in the drug at from 10 to 30 per cent. Other constituents are amorphous Aloin, resin and Aloe-emodin. The proportion in which the Aloins are present in the respective Aloes is not accurately known.

The manner in which the evaporation is conducted has a marked effect on the appearance of the Aloes, slow and moderate concentration tending to induce crystallization of the Aloin, thus causing the drug to appear opaque. Such Aloes is termed ‘livery’ or hepatic, and splinters of it exhibit minute crystals of Aloin when examined under the microscope. If, on the other hand, the evaporation is carried as far as possible, the Aloin does not crystallize and small fragments of the drug appear transparent; it is then termed ‘glassy,’ ‘vitreous,’ or ‘lucid’ Aloes and exhibits no crystals of Aloin under the microscope.

—Varieties—The chief varieties of Aloes are Curacao or Barbados, Socotrine (including Zanzibar) and Cape. Other varieties of Aloes, such as black ‘Mocha’ Aloes, occasionally find their way to the London market. Jafferabad Aloes, supposed to be the same as ‘Mocha’ Aloes, is of a black, pitch-like colour and a glassy, somewhat porous fracture; it is the product of Aloe Abyssinica and is imported to Bombay from Arabia. It does not enter into English commerce. Musambra Aloes is made in India from A. vulgaris. UgandaAloes, imported from Mossel Bay, not from Uganda, is a variety of Cape Aloes produced by careful evaporation. Natal Aloes, another South African variety, is no longer a commercial article in this country. The A. Purificata of the United States Pharmacopoeia is prepared by adding Alcohol to melted Aloes, stirring thoroughly, straining and evaporating the strained liquid. The product occurs in irregular, brittle, dull- brown or reddish pieces and is almost entirely soluble in Alcohol.

Curacoa Aloes is obtained from A. chinensis (Staud.) A. vera (Linn.) and probably other species. It was formerly produced on the island of Barbados, where it was largely cultivated, having been introduced at the beginning of the sixteenth century, and is still frequently, but improperly called Barbados Aloes. It is now almost entirely made on the Dutch islands of Curacoa, Aruba and Bonaire by boiling the Aloe juice down and pouring the viscid residue into empty spirit cases, in which it is allowed to solidify. Formerly gourds of various sizes were used (usually containing from 60 to 70 lb.) but Aloes in gourds is now seldom seen. It is usually opaque and varies in colour from bright yellowish or rich reddish brown to black. Sometimes it is vitreous and small fragments are then of a deep garnet-red colour and transparent. It is then known as ‘Capey Barbados’ and is less valuable, but may become opaque and more valuable by keeping. Curacoa Aloes possesses the nauseous and bitter taste that is characteristic of all Aloes and a disagreeable, penetrating odour. It is almost entirely soluble in 60 per cent alcohol and contains not more than 30 per cent of substances insoluble in water and 12 per cent of moisture. It should not yield more than 3 per cent of ash.

Commercial Aloin is obtained usually from Curacoa Aloes.

Solutions of Curacoa and other Aloes gradually undergo change, and may after a month no longer react normally, and may also lose the bitterness natural to Aloes.

Socotrine Aloes is prepared to a certain extent on the island of Socotra, but probably more largely on the African and possibly also on the Arabian mainland, from the leaves of A. Perryi (Baker). It is usually imported in kegs in a pasty condition and subsequent drying is necessary. It may be distinguished principally from Curacoa Aloes by its different odour. Much of the dry drug is characterized by the presence of small cavities in the fractured surface, but the variety of Socotrine Aloes distinguished as Zanzibar Aloes often very closely resembles Curacoa in appearance and is usually imported in liver-brown masses which break with a dull, waxy fracture, differing from that of Socotrine Aloes in being nearly smooth and even. When it is prepared, it is commonly poured into goat skins, which are then packed into cases.

—Constituents—The name ‘Socotrine’ Aloes is officially applied to both Socotrine and Zanzibar Aloes. Its chief constituents are Barbaloin (formerly called Socaloin and Zanaloin) and B. Barbaloin, no Isobarbaloin being present in this variety of Aloes. Resin water-soluble substances other than Aloin and Aloe-emodin are also present.

Socotrine Aloes should be of a dark, reddish-brown colour, and almost entirely soluble in alcohol. Not more than 50 per cent should be insoluble in water and it should yield not more than 3 per cent of ash. Garnet-coloured, translucent Socotrine Aloes is not now found in commerce, though fine qualities of Zanzibar Aloes are sometimes slightly translucent. Samples of the drug which are nearly black are unfit for pharmaceutical purposes. The odour of Zanzibar Aloes is strong and characteristic, and its taste nauseous and bitter.

Cape Aloes is prepared in Cape Colony from A. ferou (Linn.), A. spicata (Thumb.) A. Africana, A. platylepia and other species of Aloe. It possesses more powerfully purgative properties than any other variety of the drug and is preferred to other varieties on the Continent, but is chiefly employed in this country for veterinary purposes only though for this purpose the Curacoa Aloes is as a rule preferred. Another form of the drug used for veterinary purposes, called Caballine or Horse Aloes, usually consists of the residue from the purification of the more valuable sorts.

Cape Aloes almost invariably occurs in the vitreous modification; it forms dark coloured masses which break with a clean glassy fracture and exhibit in their splinters a yellowish, reddish-brown or greenish tinge. Its translucent, glossy appearance and very characteristic, red-currant like odour sufficiently distinguish it from all other varieties of Aloes.

Uganda Aloes is also obtained from A. ferox. It occurs in bricks or fragments of hepatic, yellowish-brown colour, with a bronze gold fracture and its odour resembles that of Cape Aloes.

Cape Aloes contains 9 per cent or more of Barbaloin (formerly known as Capaloin) and B. Barbaloin. Only traces of Capalores not annol combined with paracumaric acid. Cape Aloes should not contain more than 12 per cent of water; it should yield at least 45 per cent of aquoeus extract but not more than 2 per cent of ash Uganda Aloes yields about 6 per cent of Aloin, part of which is B. Barbaloin. The leaves of the plants from which Cape Aloes is obtained are cut off near the stem and arranged around a hole in the ground, in which a sheepskin is spread, with smooth side upwards. When a sufficient quantity of juice has drained from the leaves it is concentrated by heat in iron cauldrons and subsequently poured into boxes or skins in which it solidifies on cooling. Large quantities of the drug are exported from Cape Town and Mossel Bay.

Natal Aloes. The source of this variety which is seldom imported, is not yet definitely ascertained, but it is probably prepared from one or more species of Aloe, probably including A. ferox. Natal Aloes is prepared with greater care than Cape Aloes the leaves being cut obliquely into slices and the juice allowed to exude in the hot sunshine, after which it is boiled down in iron pots the liquid being stirred until it becomes thick and then poured into wooden cases to solidify. Natal Aloes is much weaker than any other variety, having little purgative action on human beings, apparently because it contains no Emodin. It is no longer of commercial importance. It resembles Cape Aloes in odour and occurs in irregular pieces which are almost always opaque and have a characteristic, dull greenish-black or brown colour. It is much less soluble than Cape Aloes. It has not a glassy fracture like that of Cape Aloes and when powdered is of a greenish colour.

Good Aloes should yield 40 per cent of soluble matter to cold water.

Both Curacoa and Cape Aloes in powder give a crimson colour with nitric acid, Socratine Aloes powder touched with nitric acid does not give a crimson colour.

—History—The Mahometans, especially those in Egypt, regard the Aloe as a religious symbol, and the Mussulman who has made a pilgrimage to the shrine of the Prophet is entitled to hang the Aloe over his doorway. The Mahometans also believe that this holy symbol protects a householder from any malign influence.

In Cairo, the Jews also adopt the practice of hanging up the Aloe.

In the neighbourhood of Mecca, at the extremity of every grave, on a spot facing the epitaph, Burckhardt found planted a low shrubby species of Aloe whose Arabic name, saber, signifies patience. This plant is evergreen and requires very little water. Its name refers to the waiting-time between the burial and the resurrection morning.

All kinds of Aloes are admirably provided by their succulent leaves and stems against the drought of the countries where they flourish. The cuticle which covers every part of the plant is, in those which contain a great quantity of pulpy material, formed so as to imbibe moisture very easily and to evaporate it very slowly. If the leaf of an Aloe be separated from the parent plant, it may be laid in the sun for several weeks without becoming entirely shrivelled; and even when considerably dried by long exposure to heat, it will, if plunged into water, become in a few hours plump and fresh.

—Medicinal Action and Uses—The drug Aloes is one of the safest and best warm and stimulating purgatives to persons of sedentary habits and phlegmatic constitutions. An ordinary small dose takes from 15 to 18 hours to produce an effect. Its action is exerted mainly on the large intestine, for which reason, also it is useful as a vermifuge. Its use, however, is said to induce Piles.

From the Chemist and Druggist (July 22, 1922):
Aloes, strychnine and belladonna in pill form was criticized by Dr. Bernard Fautus in a paper read before the Chicago branch of the American Pharmaceutical Society. He pointed out that when given at the same time they cannot possibly act together because of the different speed and duration of the three agents. Aloin is slow in action, requiring from 10 to 12 hours. Strychnine and Atropine, on the other hand, are rapidly absorbed, and have but a brief duration of action.’

Preparations of Aloes are rarely prescribed alone, they require the addition of carminatives to moderate the tendency to griping. The compound preparations of Aloes in use generally contain such correctives, but powdered Aloes and the extracts of Aloes represent the crude drug.

Aloes in one form or another is the commonest domestic medicine and is the basis of most proprietary or so-called ‘patent’ pills.

There is little to choose medicinally between the Curacoa and Socotrine varieties, but the former is somewhat more powerful, 2 grains of Curacoa Aloes being equal to 3 grains of Socotrine Aloes in purgative action. The latter is more expensive, but varies much in quality.

Aloes is the purgative in general uses for horses, it is also used in veterinary practice as a bitter tonic in small doses, and externally as a stimulant and desiccant.

Aloes was employed by the ancients and was known to the Greeks as a production of the island of Socotra as early as the fourth century B.C. The drug was used by Dioscorides, Celsus and Pliny, as well as by the later Greek and Arabian physicians, though it is not mentioned either by Hippocrates or Theophrastus.

From notices of it in the Anglo-Saxon leech-books and a reference to it as one of the drugs recommended to Alfred the Great by the Patriarch of Jerusalem, we may infer that its use was not unknown in Britain as early as the tenth century. At this period the drug was imported into Europe by way of the Red Sea and Alexandria. In the early part of the seventeenth century, there was a direct trade in Aloes between England and Socotra, and in the records of the East Indian Company there are notices of the drug being bought of the King of Socotra, the produce being a monopoly of the Sultan of the island.

The word Aloes, in Latin Lignum Aloes, is used in the Bible and in many ancient writings to designate a substance totally distinct from the modern Aloes, namely the resinous wood of Aquilaria agallocha, a large tree growing in the Malayan Peninsula. Its wood constituted a drug which was, down to the beginning of the present century, generally valued for use as incense, but now is esteemed only in the East.

A beautiful violet colour is afforded by the leaves of the Socotrine Aloe, and it does not require a mordant to fix it.

—Preparations—Fluid extract: dose, 5 to 30 drops. Powdered extract: dose, 1 to 5 grains. Comp decoc., B.P.: dose, 1/2 to 2 OZ. Tincture B.P.: dose, 1/4 to 2 drachms. Tincture aloes myrrh, U.S.P.: dose, 30 drops.

Sea Glass as a Magickal Item?

Sea Glass as a Magickal Item?

Author: Jillian

I have collected sea glass (glass that has been smoothed and etched by the water and sand of the ocean) since I was a child. Each piece seems to call to me, and often great finds wash up at my feet, like gifts from the waves. I have never heard of sea glass holding any magic properties, beyond that of making beauty out of garbage, but it seems that sea glass does have something about it that is otherworldly.

It comes in every color of the rainbow, with white being the most common, then greens and browns from liquor bottles, but I have found yellows, oranges, reds, and blues. These rare colors are a prize to collectors, and walking on the beach, hunting for pieces encourages meditative thought. The colors can be symbolic, as they are in ritual candles, but I don’t know if the same holds true for sea glass.

As a searcher walks, they take notice of all that is around them, as they look for glass, they also see the other flotsam that has washed up. Many see trash that has washed up, and gather it to properly dispose of. Many take a step further, to work with others to keep plastic trash out of the sea and shore, ensuring a cleaner home for the Goddess and God here on earth, as well as a cleaner home for man and animals. Searchers see dead sea creatures, damaged by pollution. They see live animals, hope for the future. They see children, men, and women enjoying the sea, just as humans have done since antiquity. The ocean calls to us, grants gifts to us.

Glass is simply silica sand and other minerals molten together into a liquid, then shaped and cooled back into a solid. This in itself can be a symbol of how a person’s common background can be transformed through the “trials and tribulations” of life into something beautiful and precious.

Sea glass has gone through two more steps. It has been discarded and broken, deemed worthless, and left to the elements. Worn by sand, broken down by the natural chemical reactions of ocean water, it loses it’s hard sheen, and sharp edges. It smoothes down, sometimes into intricate shapes, and washes up. It has become a gemstone of sorts, helped by man, but ultimately affected most by the acts of nature that surround it.

Sea glass has lost some of its minerals and silica, from being physically worn away, or from being leached out by chemical reactions with the seawater. So too do we lose some of our “selves”, when we work through our adversities. We lose our jagged edges, our impurities. As minerals return to the sea and earth, so too should we offer our losses of selfish behavior, prejudices, avarice, and sloth.

Is that not how we are shaped? We are a part of mankind, and we are partly shaped by our relations to our fellow people, but so much more so are we shaped by our interactions with our Gods and Goddesses, with our spiritual experiences. Just like silica and minerals, we are a part of the earth, but through our interactions with people, we grow stronger, more solidified, and become more valuable and useful after being shaped and molded. However, we do need the final finishing through our spiritual experiences.

Interactions with our deities smooth our sharp edges; they teach us that we are not all-knowing. If we remain sharp and smooth, all we have is our outward appearance and our knowledge. We have no deeper wisdom, no real learning. Just as the sand and salt water buff and scour discarded glass, we must allow our faith to shape us. We too must be spiritually buffed and scoured, so that we might become people of inner and outer beauty and strength.

I take out broken glass, marbles, and beads to the sea, and as I offer them to the Goddess, I offer myself to her. As each shard falls to the bottom of the kelp beds, far out enough that it will not have an easy journey back to shore, I reflect that my journey will not be easy either, but that I will improve through my struggles, just as broken glass improves from trash into treasure. I choose colors of glass that are rare, so that I can give to the future. I buy glass from charity thrift stores, so that others might benefit. Collectors of all ages may one day find joy and astonishment finding a rare color of sea glass that came from one of my offerings. I pray they do.

What does sea glass hold in terms of magic? I feel as though it must hold some spark of sacredness, to have changed so very much into a new and beautiful form. I have searched for information, but found none that speaks about sea glass. Is this because it is a relatively “new” occurrence? Sea glass only became common after glass could be mass-produced and easily discarded, and trash collected as a public service, not disposed of in communal trash pits.

For myself, I have made charms to hang from dream catchers, and some pieces reside in my witch bottle. My mate has his own lucky piece that I gifted him, made of glass and wire found in the surf, a small green medallion of glass. Green is his lucky color, as he is a full-fledged Taurus. These pieces might hold the power of good intentions concentrated on them, but do they hold more?

Should I just take sea glass pieces as gifts from the Goddess, or do they have significance? Are they signs of becoming more “beautiful” through surviving adversity, or do they hold any real strength? Can they be used in offerings or spells? What deities might there be that would most appreciate these offerings, aside from the Goddess?

I hope that you, dear readers, can answer some of my questions, and offer ideas and suggestions of your own. I am so new here, and new to my beliefs, that I really would appreciate guidance.

A Samhain Meditation for your Ancestors

A Samhain Meditation for your Ancestors

A journey of Memory and what it means to face Death..

We’re going on a journey, that you may find difficult. If at any time, you feel you do not wish to continue, please wait quietly, then turn to the south, and you will see a path leading back to the safety of your grove.

Make yourself comfortable, and breathe slowly from your stomach, and clear your mind of all disturbing thoughts.

Enter your sacred grove and stand in the EAST, for you are beginning a journey of memory. Allow yourself to absorb the peace and tranquillity of your space. You hear a beating of wings and feel the touch of cold air on your face. A Raven flies around you, leading you NORTH-WEST, where it alights on a gate and waits, its coal black eyes watching you. Walk towards the gate and stop. Do not fear the Raven, for it is another aspect of the Cailleach. She comes to you now, to guide you. Put your hand on the gate and open it. As you walk through, cast back in your memory to when you were a baby, a young child and remember something good about that time.

Walk through. There is nothing before you but a black, empty void. Do not be afraid. The Raven flies ahead of you, drawing you on.

As the gate closes behind you, remember when you were at school. As you remember, follow the Raven into the darkness until you come to another gate. Place your hand on this gate, and remember the good times of your school days, and when you were a teenager.

Open the gate, and walk through. There is nothing before you, but a black, empty void. Do not be afraid. Allow the Raven to be your guide.

As the gate closes behind you, remember your first job, your first love. Walk slowly forward into the darkness, remembering the feeling that you had when you left your home for the first time. The Raven circles you and leads you to another gate. Place your hand upon this gate and remember the agony of your first love, the apprehension you felt on your first day at work.

Open the gate and walk through. Before you is dark, a black empty void. Do not be afraid. Let the Raven guide you, for you are not alone.

As the gate closes behind you, remember the first little sparrow that you ever saw; the first notes of a blackbird’s song in the twilight; the first buttercup that you held beneath your chin; the first drop of rain on your face, and the first breath of wind in your hair. Remember the blue sky and the golden sun, the silvery moon and the cotton wool clouds skimming overhead. Walk slowly forward into the darkness, hearing the beat of the Raven’s wings, until you come to another gate.

Place your hand upon this gate and remember the seasons as they changed throughout your life; how each season affected your moods and your emotions; how the snows covered the earth, and the frost killed off the autumn flowers.

The Raven sits on the gate, looking at you. Now you will know and understand that Death is all around us. The death of a bird from the scattered feathers on a lawn, the dying breeze as the clouds move onwards. The Death of the sun as it sinks in the West and its re-birth each morning in the East. Seeds planted to bring new Life, yet they come from the death of the flower or nut. Death is in the seasons, as each gives way to the next. Death is part of Life, as the old gives way to the new.

Open the gate and walk through. Before you is dark, a black empty void. Do not be afraid, for the Raven flies beside you.

In the distance you see a door, of shimmering colours. STOP! Do not touch it. Do not open it. Do not approach it at this time, for this is the final gateway that each of us will pass through, when our time comes. It is not yet.

Now turn around slowly, and gaze back through the gates that you have opened and passed through. You will see a silvery line of footprints that mark your journey through life. And if you look past the very first gate, you will see other silvery lines, footprints that belong to your ancestors. Each gate was a death. An ending of a way of life for you, and each gate was the beginning. Think about Death, not in a morbid way, but as a positive beginning that we must all face. Each has a purpose in Life, and each will have a purpose in Death. Live your Life to its fullest because your Ancestors made it possible. And when your time comes, know that it is not the end, but the beginning of a new existence.

When you are able to accept this, then the Cailleach will be able to give you her wisdom and help you through Life. When you can face Death with a free will, then you will be able to live Life to its fullest, for you will be free of Death’s burden.

Look around for the Raven, it is flying SOUTH, where you see a sunlit path leading back to your grove. If you have stopped along the way at any point, do not worry, for you will now see a sunlit path leading SOUTH back to the safety of your Sacred Grove.

When you are comfortably back in your Grove, relax, become aware of your surroundings. As you return to the present time, think about your memories, and consider whether there is anything you should have done. Something that needs finished; perhaps a quarrel that needs to be mended; or saying thank you to someone who has done a kindness. Life is there to be lived, but remember, none of us knows how many gates we will be allowed to open, before we reach the Door beyond. Only the Cailleach knows these things.

 
by Ailim, 2003
 
This article comes from Raven Moonlight Book of Shadows
http://ravenmoonlight.com/bos

Inner Smile Meditation

Inner Smile Meditation

 

Whenever you find yourself in a touch situation, this meditation will give you an instant boost of positive feeling. Imagine that you are looking at your face in a mirror. Watch yourself smile and your eyes light up with joy. Notice how beautiful you look when you smile and appreciate how positive smiling makes you feel. Breathe deeply, bringing that positive feeling to life within you in the present moment.

5-Minute Meditation: Light-Song

5-Minute Meditation: Light-Song – By Avalon De Witt

 

Sit quietly in a comfortable place with your eyes closed. Take a few deep breaths, in through your nose and out through your mouth. Listening to the rhythm of your breath, feel your body relaxing from the top of your head, all the way down to the tips of your toes…

Begin to form a vivid picture in your mind. See before you a large golden chalice, spilling over with a pale green light. The soft glow of this light is calming to look at and seems to emanate a sound like a thousand angels singing…

Let this light-born music become clearer and more vibrant. Notice how the light-song harmonizes with your heart beat. You can sense a healing power in the lilting melody that is already making you feel lighter…

Visualize yourself reaching out with your hands cupped together and dipping into the green light as though it were a pool of cool water…

Now ease your hands toward your your heart center and let the green light gently penetrate you there. Allow this gentle green light to expand in your heart and throughout your body filling you with immense joy, bringing a smile to your face…

Feel the song of this light dancing within you, moving through your bloodstream, washing away all your stresses and worries. Observe the way your body responds to the comforting, harmonious music freeing your mind, balancing you…

Spend as long as you like reveling in the relaxation of this tender light-song. Hear it flowing through you, cleansing you completely. Enjoy the feelings of peace and contentment, and remember that you can take in this beautiful light song any time you wish…

Gradually deepen your breath and return to the moment. Bring your attention back to the room. Gently move your fingers and toes and slowly open your eyes. This is a wonderful way to release anxiety and lift your spirits any time of day.

Welcoming The Dawn Meditation

Welcoming The Dawn Meditation

 
In many spiritual traditions dawn–when the world is at its most peaceful–is regarded as an ideal time for meditation. Just before dawn go outside and find a place to sit and watch the sunrise. As the sun emerges above the horizon, fill your awareness with brightening hues of the sky and rejoice in the beauty of the new day. Feel the golden rays of the sun warm your face and allow hope to fill your heart and refresh your spirit. You have started the day well.
 
If the weather is poor or you are unable to get a clear view of the sunrise, visualize the dawn instead.

A SPELL FOR WISDOM AND KNOWLEDGE

A SPELL FOR WISDOM AND KNOWLEDGE

Ingredients

Time: best done on a full moon.
Cast a circle your normal way, but with an altar facing to your corresponding direction.
(i.e. October birth=east watchtower) have at hand dragon’s blood, sandalwood and rain mist incense.
Burn them as you call upon the Goddess and the God. Explain to them your situation and ask
for wisdom, courage, strength, and knowledge to be bestowed upon yourself.
Once you have done this, do a chant of thanks. Thank the Goddess and God
for their assistance then close the circle thanking all deities that assisted in your endeavors
by making it easier to speak to the Goddess and God. Ensure that you close your circle well.
Sit there and meditate on your request a little longer whilst allowing the incense to burn out naturally.
Once this is done thank yourself and the area that was bestowed upon you to allow you to perform
such a nurturing ritual.

A SPELL TO GAIN ENERGY

A SPELL TO GAIN ENERGY

Ingredients

Materials: A bright red or orange candle, a spicy incense, a glass of clear pure
cold water, and a bowl of sea salt.
If is sunny out youmay want to start the spell by going outside for a few minutes and breathing in some fresh air. Sit in front of the candle and say:

 “Give me energy to happily complete the task I have been given to do.
I will feel better for having done it. The completion of the task will be my reward.”

Sprinkle the sea salt around the candle and say,

“Give me strength, O sacred Earth.”

Pass your hand near the candle and say

 “Give me strength O sacred Fire.”

Pass your hand through the smoke of the incense and say

 “Give me strength, O sacred Air.”

Drink the water down and say

 “Give me strength O sacred water.”

 Now immediately get up and go do your task.

BLACK OPAL CHARM

BLACK OPAL CHARM

Ingredients

The black opal is widely known as the “Witches Stone” and is prized for its magick enhancing properties. To increase your magickal power, charge the stone with the following chant and place it on your altar.
“Opal black, of burning fire
Add the power that’s required
To make my magick hit its mark,
By light of day, or night so dark.”

Brain Power Spell

Brain Power Spell

For this spell you need a yellow candle, some rosemary oil, and a carving instrument. Carve the word “clarity” lengthwise on one side of the candle, and on the other side carve the word “logic.” Repeat with the words “memory” and “concentration.” Anoint the candle with rosemary oil. Hold the candle to your mouth and whisper:

I set your task
To bring forth what I ask:
Improved memory,
And perfect clarity.
I concentrate longer,
My logic is stronger,
With goodwill to all
And harm to none.
As I speak it
So it is done!

Repeat the chant nine times. Allow the candle to burn out. Save some of the hardened wax drippings for use in sachets.

By: Tammy Sullivan

Bringing Adventure into Your Life Spell

Bringing Adventure into Your Life Spell

Sometimes we get caught walking a treadmill in life. We go through our routines and our schedules, and we start to get bogged down. If this is the case with you now, the Sagittarius Moon can help lift you up and remind you to be playful and a little more spontaneous and adventuresome. To prepare for this spell, you will need a space to dance, a stereo, and a good CD. A few red candles are helpful too. On the night of the New Moon, go to the space and put on some music that helps you to get up and get moving. Turn off any artificial light, and light the red candles around the room. As the music begins to pulse with rhythm, allow your body to flow naturally and spontaneously. Call the fire spirits into your room, and ask for their help to feel invigorated and charged in spirit. Let your arms and legs shake off any old ways of being that are holding you down. Close your eyes and search for an inner spark that will help you to explore life more creatively and spontaneously. Let the music take you!

By: Jonathan Keyes

YOUR HEART’S DESIRE

YOUR HEART’S DESIRE

First, gather a fresh rose and two red candles, and find out the time of sunrise
the next morning. Just before you go to sleep, place a red candle on each side
of the rose. The next morning at sunrise, take the rose outside or sit by an
open window facing east, keeping the rose in front of you. Inhale the perfume
and say aloud:

THIS RED ROSE IF FOR TRUE LOVE
TRUE LOVE COME TO ME.

Now go back indoors and put the rose in it’s original position. Light the
candles and imagine love burning in the heart of the one you long for. Keep the
candles lit day and night until the rose fades (if they are extinguished, the
incantation will be broken). When the rose is dead, pinch out the candles and
bury the rose.

Release Blockages to Finding Love

Release Blockages to Finding Love

You’ll need crimson-colored embroidery floss and three gold-tone buttons. Start by visualizing your heart chakra as a small rosebud. Next, place your palms on the ground in front of you and pour your anxiety, fears, and negativity into the Earth. Return to the rose visualization; this time see the bud opened slightly. Next, gather the three buttons and about 12 inches of floss. String the first button on the floss and say the following as you tie a knot, securing them together, “With this knot I tie, I learn from my past loves and relationships.” Second button/knot; “With this knot I tie, I learn to be in the moment, to love who I have become right now.” Third button/knot; “With this knot I tie, I learn to open my heart to a healthy and brilliant future love.” Close your eyes again and see the rose open and fully bloomed. Afterward, tuck your button and floss charm under your mattress.

By: Gwinevere Rain

 

Love Binding

Love Binding

by Charmed

Meditate on the specific person you want ot fall in love with you, take three cords of string the following colors, pink, red, and black and anoint them all with rose, lavander, and sandal wood essential oils. the pink string represents your love, the red your lust, and the black eternity; this energy will fuel the spell! your desire is the catalyst, line the three strings up and knot one end as you do visualize your life and the life of your target intertwining and then say the following spell “my love my heart I find with thee, may e’er you seek the same with me.”

Black Bowel Scrying

Black Bowel Scrying

 

 

Black Bowls
Simple tools like the black bowl or cauldron are very effective for
scrying. Simply pour water in a black bowl or cauldron and scry the
surface of the water.
Moon Phase: 3rd quarter
Items needed:
Dried herbs — rose petals, sea salt, jasmine, and
hyssop.
A large clear bottle or jar.
In a separate bowl, mix together the herbs.
Add one part herb mixture to four parts water.
Stir in 3 teaspoons of sea salt.
Pour mixture into the jar, cover, and place in a sunny spot.
Leave undisturbed until the last night of the 4th quarter of the waning
moon so both moon and sun energy will blend with herbs and water.
Watch it throughout its distillation. If the water level drops, you can
add another one-half to three-quarters cup of water.
Strain herbs and store water in a lidded container until use.
The water will look like tea.

 

Shell Scrying

Shell Scrying

This is a modern method of scrying and is becoming more popular. Most people are familiar with the sound of when a shell is placed over the ear.

It sort of sounds like the ocean. But in fact it is the sounds of blood flowing through the vessels in your ear.

If however you listen to this sound you will eventually by able to pick up fragments of conversation. At first you may be able to only make out a few words, but in time you will come to understand whole segments of conversations.

The subject of this talk will be usually meaningless, but if you can mentally break into this communication you may find the voices may choose to respond.

Introduction To Scrying – Establish a body in the magickal space

Introduction To Scrying

 

Establish a body in the magickal space

The final step in the basic process of creating a magickal space is to create a body for yourself within that space. Up to this point in the exercises, you have been pretty much a naked viewpoint, seeing the world but not interacting with it to any great extent. Now you need to build up an image of your body within the space, and learn to use it. To do this, you need to develop a conscious awareness of the sensory surface of your body and of its kinesthetics, and duplicate these in an “astral” body. Judging from accounts by students at the Fellowship of the Inner Light, this part of the work gives people the most difficulty, and people will have widely varying degrees of success in it.

Before entering your magickal space, stand up and relax, preferably without any clothes or jewelry. Close your eyes and put your attention onto your skin. Even without anything touching you, you should be able to feel a sense of activity or sensitivity in your skin, a “readiness to feel”. Note the way your body’s shape is outlined by the skin sensations.

Next, plan out some series of movements that will move every part of your body in turn, through most of its range of movement. Tai Chi or Yoga exercises are good for this if you know them. Still keeping your eyes closed, go through the movements and note how each part of your body feels in different positions, and note what your kinesthetic sense tells you about the positioning of your limbs as you move.

Finally, do the same sequence again with your eyes open. This time pay attention to the way what you see of your body changes as you go through the movements. Pay particular attention to your hands and arms. Try to consciously associate the image of your body with the sensations you get as you move.

Each of these three steps focuses on one of the major aspects of your body image: your sense of the body’s boundaries, its internal sensations, and its appearance to your eyes as you interact with your surroundings. Under normal conditions, these sensations are half-unconscious, and are always secondary to whatever activity you are engaged in. You need to be aware of them consciously in order to build yourself a second body inside your magickal space. If you wish, you can do these exercises separately from your practice in your space, until you are ready to make your magickal body.

Once you are ready, sit down and go through the relaxation exercises, and enter your magickal space. Once there try to feel as if you have a body in the magickal space that feels exactly like your physical body, but is completely separate from the physical. Go through the three steps in your imagination, and try to duplicate all the sensations you had while doing them physically. By doing this you will, over time, gradually build up a perception of your “astral body” as a distinct entity, within and a part of your magickal space.

After finishing this exercise in each session in your magickal space, spend some time just moving around your world, touching and manipulating things as if they were physical objects. Things you touch should give sensations appropriate to their nature; bricks and stone should feel hard and rough; metals should feel cool, with textures appropriate to their shape; wood should feel warm and grainy, etc.

If you have rituals that you do on a daily basis (and haven’t already started doing them in your magickal space) create a dedicated place in your magickal space for ritual work and begin doing them there as part of this practice. The regular, repetitive movements of ritual work will serve to reinforce your body image, and doing the rituals will begin to turn your space from a mere refuge into something useful for your magickal work. In particular, I would recommend practicing the Golden Dawn’s pentagram and hexagram rituals; these will be important later, as a means of testing the visions you obtain when you start scrying.