Tag: Ritual

Different Types of Dragons You Might Encounter

Different Types of Dragons You Might Encounter

 
 
Dragons are much the same as other astral entities, although I have yet to meet an “evil” dragon. Their view of what is vital to your growth and advancement may exceed your present abilities to perform. To dragons, the physical is simply a hindrance that they tend to ignore. After listening to their advice, carefully consider if you can or should make the changes now or at all. Be certain that you are not holding back because of fear of the unknown or simple laziness. And always look at the end results sure to occur from taking action. You, and only you, are responsible for your life, regardless of where you received the advice you decided to follow.
 
The types of dragons who are attracted to you will be the ones who have the most to offer you at the present time. Before rejecting a dragon find out what she/he has to teach you. Be brutally truthful with yourself. If you find that you need what the dragon offers, but do not feel that you can endure the teaching and results in large doses, do some negotiating. Present your case for a modified lesson plan; be plain-spoken about your emotional and mental inability to withstand the great stresses of immediate and upheaving change. When you do start working with a particular dragon on specific issues in your life, make an honest effort. As long as you are trying, even though you fall short at times, the dragon will be patient.
 
You can also acquire a personal dragon guardian. The guardian dragon does not automatically come into this life with you as does your spiritual guardian. It is a personal choice by that dragon(or dragons), just as one would choose a close friend. Although you can attract guardian dragons by cultivating certain attitudes and atmospheres, they can show up without any encouragement at all. They are gregarious little creatures, full of curiosity and mischief, who enjoy their own brand of practical jokes and the company of humans and animals.
 
Although guardian dragons tend to be fun-loving creatures who enjoy a good laugh, they are very serious about protecting you and your property. You might think of them as a spiritual watch-dog with boundless energy, influence and power. Cultivating their friendship helps when dealing with ritual with the other dragons. If you do not develop the friendship of your guardian dragon, the other dragon powers are not likely to be so cooperative.
 
Not all dragons are the same, no more so than are humans. They each have their own personalities. Their appearances vary according to the subspecies to which they belong, as do their special talents. Even individual dragons within a subspecies have identifying characteristics, markings and bodily appearances. Dragons can be even more individualistic than we are.

Different species of dragons have different abilities and interests. Dragons connected with the element of Fire, or those of fire and volcanoes, for example, are primarily effective in getting thing moving or tearing down impossible barriers. Wind and Air dragons are creatures of creative and mental aspects. Water dragons help stabilize emotions, heal emotional pain and point you in the right direction to discover love and friendship. Earth dragons are interested in the acquiring of material possessions and the accomplishment of goals. These are very general descriptions of dragon interests and abilities, as draconic abilities over lap in many areas. It is best to work with a balance of types of dragons, with one particular dragon-aspect predominating, according to the intent of the ritual.
 
Above all, a magician must know her/himself, all the good and bad habits, and face them squarely. There cannot be any self-delusion if ritual is to be effective and positive in nature. And why would anyone want their rituals to be negative when there will eventually be such a price to pay?
 
The magician may choose to begin working dragon magick as an effort to better the physical life, and this is not a bad or wrong procedure. Working on physical needs and desires, and seeing them manifest, gives a budding magician great trust in her/his inner powers. When the physical body and the surrounding are in which the magician must life and work are well and cared for, when there is less struggle and strife in life, then the next logical step for the balanced person is to seek spiritual enlightenment.
 
After all, when the very foundation of magick and ritual is finally uncovered the magician finds that all ritual and spell working is meant to be a means for spiritual growth and development. Whether or not we choose to follow that upward path is an individual responsibility. We are each responsible for our choices in life, how we react to the choices of others around us, even to our being here in the first place. We have no right to place any blame on others for what is going worn in our lives. If you make a wrong decision, change it and learn from the experience. Dancing with the dragons can make this life-path a little easier and a lot more interesting.
 
 
Dancing with Dragons
D. J. Conway

Calendar of the Sun for Saturday, Feb. 11

Calendar of the Sun
11 Solmonath

Tiresias’s Day

Colors: Black and White
Element: Air
Altar: On cloth of black and white, lay a conch shell cut so that it can be blown through, a cup of water, and symbols of the hermaphroditic union.
Offerings: All should come to the ritual dressed in clothing of the opposite sex. Those who are of the third gender should wear black and white and be chosen to do the work of the ritual.
Daily Meal: Cakes and breads shaped like double genitalia.

Invocation to Tiresias

Tiresias, great seer,
You who traded sight
For foresight,
You who traded male
For female
And female
For the union of both,
Teach us that such boundaries
Are merely illusion,
To be dismantled
And walked right through.
Teach us that there are
New ways of seeing
That look past the blinders
Of culture and roles.
Teach us that our assumptions
Can often be done without
And that our lives will be
The better for it.

(There is no specific chant for this ritual; all should chant wordlessly while the water is poured into the conch shell and it is passed around. Each should either drink from it or blow into it like a trumpet, depending on whether they need to invoke female or male energy respectively into themselves. Then the rest is poured as a libation.)

Magickal Gardening (Earth Magick)

Magickal Gardening

 Magickal and healing herb gardens are sanctuaries of the soul. Indeed, any garden is a magickal on to the Witch.

The earliest formal record of gardening dates back to a stone tablet from Mesopotamia circa 4000 BC. It describes how Enki, the Sumerian God of Water, provided fresh water to the dry land and thereby produced fruit trees and fields from a desert like land. By 2250 BC, the famed Hanging Gardens of Babylon were well established in the capital of Sumeria. These are considered to be the forerunners of gardens today.

In Ancient Persia, (modern day Iraq), gardens were the playground of life. They serves as a place of solace, a gathering place for friends and family, and a formal extension of the home outdoors. These gardens were called “Paradise” and were thought to be an earthly view of what heaven must be like. They were cultivated carefully and tended to lovingly. Due to the desert conditions of the area, the gardens were usually enclosed by high walls. Many had aqueducts installed to maintain the irrigation needed for the gardens to thrive. Most often these gardens were formed into a square pattern and further divided into four smaller squares. Fountains and water channels were an important part of the architecture of the gardens. The gardens were said to have two of every fruit tree and plenty of places for sitting so that one could rest and enjoy the view.

Zen gardening is considered an art form by many. A Zen garden is a dry-landscape style of garden consisting of sand trails raked into intricate patterns. Often, the trails are not made of sand at all but rather a crushed type of granite, a very fine gravel. Many times the gravel pathways circle a rock or bush. The purpose of Zen gardening (the raking of the gravels) is to provoke contemplation and meditation. These gardens are thought to be very peaceful and restful to the eyes.

Traditional Japanese gardens invoke a sense of peace and tranquility in both the gardener and the person lucky enough to view the garden. According to the principles of Japanese gardening, each element introduced must be something that could occur naturally. For example, you can find a waterfall in nature, but not a fountain. Hence, a fountain has no place in a traditional Japanese garden.

Knot gardens are by far one of the most fantastical types of magickal gardens. They can weave a spell right into the landscape. A know garden is a very formal, precise arrangement of plants and tress. To create a magickal knot garden, choose an herb that corresponds to your intent and plant it in a pattern. The pattern can be as intricate or a simple as you wish. It can be a symbol, meant to reaffirm the spell, or any pattern that you like.

The ancient Romans brought their gardens inside the home and invented the atrium. Many times the atrium was placed in the center of the home. The area was left roofless and was usually surrounded by walkways. It may have held reflecting pools, herbal gardens and fruit trees.

One of today’s most popular magickal-gardening practices is moon gardening. This technique uses an ancient system of moon phases and astrological placements to calculate planting and harvesting times. In a moon garden, white and night blooming flowers are the main ornaments.

Circle Etiquette

Circle Etiquette

Never summon Anything you can’t banish.

Never put asafoetida on the rocks in the sweat lodge.

Do not attempt to walk more than 10 paces while wearing all of your ritual jewelry, dream bags and crystals at the same time.

When proposing to initiate someone, do not mention the Great Rite, leer, and say, “Hey, your trad or mine?”

Never laugh at someone who is skyclad. They can see you, too.

Never, ever set the Witch on fire.

Looking at nifty pictures is not a valid path to mastering the ancient grimoires. Please read thoroughly and carefully from beginning to end so that your madness and gibberings will at least make some sense.

A good grasp of ritual and ritual techniques are essential! In the event of a random impaling, or other accidental death amongst the participants, (see next rule) a quick thinker can improvise to ensure successful completion of the Rite. Make them another sacrifice, Demons like those.

Watch where you wave the sharp pointy items.

Avoid walking through disembodied spirits.

Carry an all purpose translators dictionary in case the ritual leader begins talking in some strange and unknown language.

Avoid joining your life force to anything with glowing red eyes.

If asked to sign a contract or pact and you are experiencing doubts or reservations, sign your neighbors name. Malevolent entities rarely ask for photo ID.

Blood is thicker than water. Soak ritual garments an extra 30-45 minutes.

While drunken weaving may be mistaken for ecstatic dancing, slurring the names of Deities is generally considered bad form.

You might be a Redneck Pagan if…

*Couldn’t resist. I love these!*

You might be a Redneck Pagan if…

  • If you think “widdershins” refers to the calves of the bereaved lady next door….
  • If you think fetch deer is a command you give yer dawg….
  • If you think a goblet is a young turkey….
  • If you think Drawing Down the Moon means demolishing the outhouse….
  • If you call your coven mates “Bud” and “Sis”….
  • If you think a Great Rite is turning onto County Road 13….
  • If your Quarter candles smell like kerosene….
  • If you pronounce “Athame” as “Athaym” and “Samhain” as “Sammon” or “Sam-hayn”….
  • If you think a “Sidhe” is a girl….
  • If your idea of the “Goddess” is the Coors Swedish Bikini Ski Team….
  • If your Bard plays the banjo….
  • If your ‘Long Lost Friend really IS….
  • If your lawn is decorated with at least one, preferably two or more, plastic pink flamingos, whom you regard as your familiars….
  • If your Wand of Power is a cattle prod….
  • If your ceremonial belt has your name on the back and a belt buckle bigger than your head….
  • If you call the Quarters by invoking “Billy, Joe, Jim and Bob”….
  • If you call the Gods by hollerin’ “Hey y’all, watch me!”….
  • If your favorite robe has the logo of a manufacturer of major farm equipment on the back….
  • If you’ve ever harvested ritual herbs with a weed wacker….
  • If your ritual staff is a double barrel shotgun….
  • If your ritual garments include any one of the following: plaid flannels, long johns, a pistol belt, or cowboy boots….
  • If you’ve ever blessed chewing tobacco or snuff….
  • If your ritual wine is Maddog 20/20, Night Train or White Lady 21….
  • If the instructions to get to your Covenstead include the words “After you turn off the paved road”….
  • If your altar-cloth is a rebel flag….
  • If you use junk cars to mark the four corners of your circle….
  • If your Eternal Flame just happens to be under a still….
  • If you use an engine block for an altar….
  • If your High Priestess is your cousin – as well as your wife….
  • If, when drawing down the moon, you say, “Ya’ll come on down, ya hear?”….
  • If your pickup truck has an Athame rack….
  • If your crystal ball is made of polystyrene (i.e., a bowling ball)….
  • If your High Priestess has a spittoon on her altar….

You might be a Redneck Pagan!

Historical Roots to Modern Practice of Witchcraft

Historical Roots to Modern Practice of Witchcraft


The roots of the religion called Wicca, or Witchcraft, are very old, coming down to us through a variety of channels worldwide. Although any general statement about our practices will have exceptions, the following will attempt to present a basic foundation for understanding. Some of the old practices were lost when indigenous religions encountered militant Christianity and were forced to go underground for survival. The ancient mystery religions were lost when the practice of the rites was stopped and the old oral traditions were no longer available. Parents transmitted their traditions to their children, with parts being lost and new parts created in succeeding generations. These survivals, along with research into the old ways, provide a rich foundation for modern practice. Other factors contributing to the revival of the Craft are archaeological and anthropological studies of the religious practices of non-Christian cultures, the works of the Golden Dawn and other metaphysical orders, and the liberalization of anti-Witchcraft laws.

Modern Witches hold rituals according to the turning of the seasons, the tides of the moon, and personal needs. Most rituals are performed in a ritual space marked by a circle. We do not build church buildings to create this sacred, ritual space — all Earth is sacred and in touch with the Goddess and so any place, indoors or out, may be consecrated for ritual use. Outdoor spaces tend to be used from Ostara to Lammas, indoor spaces from Samhain to Imbolc.

PENTACLE AND PENTAGRAM

PENTACLE AND PENTAGRAM

The pentacle is probably the most important symbol in witchcraft. It is a five pointed star with a single point facing upright. A written or drawn pentacle is a pentagram.

In rituals and magic the pentacle is a round disk of earthenware, wax, silver, or clay. It is inscribed with magic symbols including a pentagram and is used to consecrate the magic circle. In some rituals the high priestess may asume the pentacle position.

 

Some witches may wear a pentacle as a sign of their religeon. Some covens use the pentacle as the sigal of the witches who are initiated in to the second degree. The pentagram is the witches symbol of power and protection and used to control elemental forces.

 

Pentagrams are usually drawn in the air with a sword. The method used to draw the pentagram depends on its purpose.

 

Such as pentagrams to invoke are different from pentagrams to banish. Pentagrams are also used in meditation exercises where each point of the star is associated with a specific quality, attribute, concept, emotion or name of a pagan deity.

 

The magicians pentacle is also referred to as the pentacle of solomon. It represents God or man and the four elements of nature, five senses, five wounds of Jesus, and the five points of man.

 

The magician attaches pentacles on his robes. Pentacles are also engraved on rings. As a talisman the the pentacle enables the magician to command the spirits.

 

 

Calling The Dragon

Calling The Dragon

This ritual is for exactly what it states calling the Dragon or Dragons to
project their presence with such clarity that there is no question of knowing
that they are here. A greater reason for calling a Dragon into stronger presence is the stronger the auric vibrations of such a creature within the circle the stronger the ritual and power sent into your motivation for the ritual. When you use the Dragon call and feel the presence of one or more Dragons it is important that they are treated with respect. Take time to get acquainted with them before asking their help. Remember most Dragons are beneficial and helpful, but all Draconic temperaments are extremely sensitive so treat them with the greatest respect.

Ritual of Calling

Notes: Perform during bright noon or the waxing Moon for increasing magick, with the Full Moon being strongest; during evening hours or the waning Moon for decreasing magick, with the New Moon being the strongest. Use this ritual in conjunction with any spellworking. This ceremony is primarily used to summon the Dragon for a manifestation whether it be the rare physical type or, more likely the sharpening of the inner sight.

Supplies: Pentacle disk; Dragon pentacle; water chalice with a little fresh
water in it; dish of salt; wine chalice; black (left) and white (right) altar
candles; sword; wand; incense burner; appropriate incense; dragon’s blood and mugwort; dragon mirror; gong or bell; staff; paper and pen to write down any messages.

Use the Basic Dragon Ritual up to the insertion point of necessary chants for
specific Spellworkings. Hold the sword in power hand and staff in the other
while standing facing the altar and tap the staff three times on the floor while holding the sword pointed at the Dragon Pentacle. Chant in tones that vibrate body:

Come Draconis! By Your All-consuming Breath, I summon you. (tap staff three times)By Your Piercing Gaze, I Summon You (tap staff three times)By Your Mighty Strength, I Summon You (tap staff three times)By Your Wisdom Ancient and Cunning, I Summon You (tap staff three times)By Your Magick Deep and Old, I Summon You (tap staff three times)Come, Draconis, To My Call!

Once done summoning the Dragons it will be possible to feel power being sent from all directions by the half-seen Dragons. Listen for any messages the dragons may have. The Dragons’ presence can be felt by a sudden temperature change, prickly feeling between the shoulder blades, unusual currents of air, and other phenomena. If the Dragons are pleased with the Magician they often sound a deep vibrating rumble, almost like a Giant Cat’s Purr.

Dragon Ritual of Making

Dragon Ritual of Making

Notes: For increasing Magick perform during bright Noon or the waxing Moon, with
the Full Moon being strongest. For decreasing during evening hours or the waning
Moon with the New Moon being the strongest. Use in conjunction with any ritual
for it is primarily to use Dragon Power and Magick for bringing desires into
being.

Supplies: Pentacle disk; Dragon pentacle; water chalice with a little fresh
water in it; dish of salt; wine chalice; black (left) and white (right) altar
candles; sword; wand; incense burner; appropriate incense; dragon’s blood and
mastic; dragon mirror; gong or bell; staff; any candles for spells; talisman
bags, etc. It is useful for concentration to plan exactly what is to be used
before beginning this ritual of Making.

Use the Basic Dragon Ritual up to the point of insertion of the necessary chants
for specific Spellworkings. Hold sword in power hand, the staff in the other.
While standing facing the Altar, hold the sword pointed to the Dragon pentacle
and chant five, seven, or nine times in tones that vibrate through the body:

By Glow Of Sun The Power’s Begun, By Moonbeam’s Light The Spell Is Right, To
Create Desire By Earth and Fire, Water, Air, Make Magick Fair. Powerful Charm
Of Making, Creative Magick Undertaking, Be Formed!

While chanting this, concentrate deeply upon drawing on the Dragon power, feel
the power being sent from all sides, listen for any messages from the Dragons
and write them down. Place the candle, talisman bag and contents, or whatever
you may be spelling, between the mirror and the Dragon Pentacle, making sure the
Dragon Pentacle is reflected in the mirror along with the objects. If using a
candle, light it and let it burn out completely in that position. If using a
Talisman bag or poppet (a small cloth doll, usually stuffed with herbs or cotton
soaked in the appropriate oil for the ritual) , leave it on the Altar overnight.
Continue with rest of the ritual.

Dragon Rituals

Dragon Rituals

 
 
After one or two visits to a dragon place, you can try a ritual. I rarely invite dragons into my indoor altar as they are so potent and the energies diffuse and so are best encountered in their natural environment. You can, however, cast a dragon ritual in your garden Equally, when working with dragon magick, I don’t cast a formal circle because dragon energies need lots of space to avoid spiritual overheating.
 
Dragon rituals should be carried out no more frequently than bi-monthly though there is nothing to stop you visiting a dragon place and absorbing the power weekly. I have a local dragon cave. When the tide is very low I sometimes sit here and work. Inside the cave is too small an area for spellcasting as the dragon energies need to be free.
 
Create chants or drum to tune in with the dragon energies. You can chant spontaneously during a ritual or write one that you use to call your dragon or to connect with a particular dragon site that you visit regularly.
 
If you wish, you can use a crystalline dragon’s egg in dragon spells as a focus for power, courage or abundance, and afterwards keep it on your garden altar or in the heart of your home. Light a red candle next to it once a week to keep the dragon power flowing.
 
A dragon’s egg is a white, opaque, very solid kind of rock crystal that resembles an egg. Alternatively, you can use two matching halves of a stone egg with tiny crystal embedded inside like a geode. Any agate egg or oval white stone can be substituted.
 
If you are lighting incense in the dragon place, use dragon’s blood. Use tarragon, the dragon’s herb of courage and power, to sprinkle as the earth element. This is also a good offering to leave for your dragon in her place. If there is a suitable spot near the rocks, you can plant a tiny tarragon seedling and add a new one whenever you visit.
 
Empower a dragon charm, ring or pendant by setting it in the centre of a spell. Re-empower it by wearing or carrying it when you visit your dragon place.
 
Face south for dragon spells and rituals. East will then be on your left instead of right hand though the actual direction does not change.
 
After a dragon spell or ritual, leave an offering of thanks. Dragons love gold, perhaps in the forms of a small earring or a small carnelian or bright red flowers.

So How Does One Go About Finding Dragons?

So How Does One Go About Finding Dragons?

 

So how does one go about finding dragons? You begin by learning as much about dragons and their magickal habits as possible. Then you look at your reasons for wishing to practice dragon magick with an objective and critical eye. When you feel comfortable with these steps, and only then, you begin building an atmosphere that will attract dragons. You perform certain actions that arouse their curiosity and will draw them to your vicinity. You beam a mental welcome, setting aside time and place to communicate with them on the astral level through mental visualization and speech. And you have to believe they exist, even if you cannot see them with your physical eyes or prove their existence to someone else.

You have to cast aside social taboos on “seeing” things and know with your heart that dragons do exist, if you wish to attract dragons. Mentally invite the dragons to make their presence known by thought or deed. Be sensitive and extra aware of what is occurring around you. Most dragons tend to be subtle in their first contacts with humans. They may choose to make an appearance in dreams or as flashes of movement seen in the peripheral vision. They may even forego these types of appearance to simply touch your psychic “feelings.”

Guardian dragons, the easiest to contact, often appear as little voices or faces and forms in the mind. Dragons may show up unannounced at any time, but especially during meditation or magickal rituals, either singly or several at a time. They love the power flow of ritual and will make an appearance just to bathe in the energy. They may well have been there all the time; you just did not notice them. Since dragons are masters of concealment that is not surprising.

These smaller dragons delight in sharing the vibrations of tarot and rune readings and other psychic practices. One of our guardian dragons likes to play with my crystal pendulum. He either pats it with a claw or mentally sends it spinning in nonsense directions. The only solution to using the pendulum is to let him tire of his game before attempting to get a reliable answer. He and his companions like to peer over my shoulder during tarot readings muttering their own interpretations all the while. One just has to be patient with them, as one would with a small, curious child.

You have to be willing to practice a great deal of patience, self-control, and self-discipline, learning to work with a specific set of magickal laws in order to consistently attract and elicit the help of dragons. As with all magickal procedures, nothing is cast in concrete but there are certain aspects of these procedures which cannot be eliminated or changed to any great extent without disturbing th flow of magickal power.

Not all dragons are of positive magick. I dislike using the words “good” or “evil,” because negative power is just as important to the existence of life as is positive power. Negative energies have nothing to do with evil, unless you have evil thoughts and intentions within yourself. And the Goddess knows that evil thoughts and intentions exist within those who are totally against magick! It is easy for people to understand what positive energy is and does. But negative energy has received a lot of bad press. Both positive and negative aspects of many things besides energy are needed to create, indeed for the universe to stay in existence.

What most people mean by using negative energy is the deliberate use of this type of power against another human. The magician realizes that sometimes, and after great deliberation of possible consequences and the true reasons behind her/his decision to use this type of energy, calling upon and sending forth negative energy can be justified. The best examples I can give of this are in the areas of rapists, child abusers, spouse beaters, drug dealers, dangerous fanatics, and serial killers. Allowing such evil to continue to exit unrestrained is potentially harmful to everyone. Working magick to get these offenders caught and punished is helpful to society as a whole in the final analysis. Even for these reasons, the magician must end the ritual with detached, unemotional involvement, an extremely difficult state of mind to reach.

Casting aside the magickal laws for working with dragon power is certain to get you into trouble. Even the most positive dragon is a wily beast who, like many humans, tend to look out for him/herself first. Dragons likely developed this attitude after trying to work with humans thousands of years ago and finding that puny mortals were unreliable, often treacherous, allies.

Your attitude toward the existence of dragons must be the first big step in preparation for meeting them. The power of dragons is a tremendous force, amplifying a magician’s ability to new heights.

“Dancing with Dragons”

D. J. Conway

Dragon Power In Magick

Dragon Power In Magick

Working with dragons in magick is different in many ways from other magickal procedures, but not so different that you can disregard certain rules. You need to know how to practice visualization and self-discipline, ethics, absolute truthfulness with yourself, consistency of practice, and meditation. And there must be an exchange of energies while working, an absolute when working with dragons. All of these are important components of any magickal system.

Visualization begins with unlearning many so-called value systems shoved on us by other people, the most common of which is that use of the imagination and daydreaming are not productive and good. The imagination and daydreaming are a negative practice if they occupy most of your life and time; if you daydream about what you want to happen instead of planning and taking action, then you are avoiding responsibility. However, for any type of magick to become truly effective, you must learn how to vividly picture in your mind the event or result that you wish to happen. Once you firmly have the event or result in your mind, you perform your ritual and then release the mental energy for manifestation.

Self-discipline and ethics go together. A magician should not, for his/her own good, dabble in controlling other people or indulge in questionable personal behavior. Jealousy, envy, lust, greed, and anger should not control what a magician does during his/her rituals. In fact, these undesirable emotions should not control any part of a magician’s life. These intense emotions tend to cloud judgment, either bringing an emotional backlash on the magician or causing deliberate harm to others, which in itself brings an eventual backlash on the magician. Either way, it is not worth the misery.

A magician must sincerely desire what she/he is asking for in ritual. If it is half-hearted wish with little emotional intensity behind it, the dragons, or any other entities for that matter, will simply not be interested in helping. And do not think you can put one over on spiritual or astral plane entities because they can see straight through to the truth. The truth is never hidden from these creatures.

One of the worst things a magician can do is take something away from another person by means of magick. This includes health, property, life or freedom. Very often I find that beginning magicians want to control another’s decisions and life on the subject of love. Too often I heard that “I know so-and-so is the true love of my life, but they show no interest. How can I use magick to make them love me?” Forget it! The price is very high for doing this kind of manipulative magick! If they were meant to love you, they would already show interest. Obviously, they are not the love of your life except in your own mind. Any magician considering such a dark use of magick had better take a long, truthful look at their ulterior motives. If someone you were definitely not interested in started taking away your personal freedom to choose, how would you feel?

The second part of the use of magick is that the magician must release the emotions and desire after the ritual is finished. To constantly think about what you want accomplished after the ritual is ended binds the energies to you and they cannot manifest. To constantly talk about your desires, or to talk about the rituals you are performing to get them, will surely keep them from manifestation. To want something so much you can taste it and yet not care if you get it is a very difficult mood to cultivate. I have never known any magician who reached perfection in this area, but getting as close to it as possible is what is important.

There must be an exchange of energies between the physical, emotional, mental and spiritual planes for any spellworking to result in manifestation. Playing at ritual magick, particularly dragon magick, will not get you anywhere. Without mental concentration, physical working, emotional involvement, and intensity of purpose, in other words energies, dragons will not be interested in adding their vast energies to yours. No entity or companion, whether of this plane or another is gong to do all the work for nothing and let you sit on your hands. Dragons are attracted by the energies you raise during ritual, a kind of astral pay-off since they feed on this energy.

Belief in powers beyond yourself is important in any kind of magick. There is an old saying: “If you believe you can, or you believe you can’t, you’re right.” We may not understand how these powers and energies work: we may not be able to describe them to anyone else; we will not be able to prove “scientifically” what they are. But we maigicians know they exist. A magician believe in them because she/he sees the results of their use.

Every magician who wishes to be effective in ritual and manifestation, who desires to grow and expand in knowledge, sooner or later comes to the conclusion that magick is a very serious practice. They learn to set aside time for study and self-improvement through meditation. They practice what are commonly called the psychic arts: tarot, runes, the pendulum, crystal reading, dream analysis, and so on. They cultivate the senses, especially observation, which includes what is in both the physical and astral realm. They learn to read their own intuitive feelings and the vibrations of others.

“Dancing with Dragons”

D. J. Conway

Starting the Ceremony (Natural Magick)

Starting the Ceremony

(Natural Magick)

 

Light any altar candles. If it is a very simple altar and you are putting directional candles on the actual altar, the southern altar candle will serve as the elemental candle as well, so don’t light this one yet.

If others are present, stand in the center of your visualized or maybe stone-constructed circle and face your guests. Otherwise stand in the center of your visualized circle. Make a short spontaneous call for blessing on all present or on yourself if carrying out the ritual alone. Hold your wand or a pointed quartz crystal in your hand, circling it clockwise as you speak.

In a simple outdoor spell this opening blessing will serve as casting the circle if you picture light beams emanating from your wand to make a light circle round you and your altar space which rises into the sky and sinks down into the ground.

Use your own favorite greeting blessing or adapt one from an old Celtic blessing. You can say something like this:

Circle this place/hillside/garden/woodland/seashore, Mother/Father. Keep harm without, keep peace within. Circle this place, Father/Mother. Bless all who gather here this day.

The ‘all’ will, if you are working alone, include the nature essences and elemental guardians of the four quarters of the circle.

Generally, you will now want to cast a full circle of magickal power round the group, or round yourself and the altar if working alone.

Cast the circle with your wand, crystal point or the index finger of your power hand (the hand you write with). Always do this clockwise, starting in the north or east. This draws earth and sky energy to you.

If you want a more elaborate circle (you need not and can go straight on to opening the four quarters) make a triple circle to empower the magickal one you created.

If you were making these three circles, this would be the point at which you would light the candle of the south and any incense. Pre-heat the charcoal for loose incense as it takes about en minutes: a stick is instant. If you are using a sacred salt and water mix into the ritual or the circle casting, empower the mix now. You can use your wand to stir the salt and water together. For a special ritual, you would set the salt and water dishes on your pentacle.

Make the triple circles with three clockwise circles, one over the other or extending inwards, the first with the sacred salt and water mix (or just salt), the second with incense and the third with the directional candle of the south. If not using the salt water mix, substitute magickal water droplets for the candle to make the third circle. If there are other present, three of you can walk round in a complete circle, one following the other, or make a single triple-empowered circle starting in the northeast.

Put the wand in the south of the altar (some use the east as they regard the wand as an air tool).

If you are inviting the guardians of the directions you should now visit the four quarters moving in a clockwise direction. Greet each one in turn and ask for their appropriate power and protection. Again, start in the north but many practitioners work from the east.

Otherwise you and anyone present can simply face that direction and raise both arms in greeting (palms flat and uppermost). Visualize the elemental forces as they are in nature entering the circle. You would still be greeting the guardians as you face the different directions, just not actually be visiting the four quarters.

You can do elemental greeting even with just a small traveling or outdoor altar by picking up each of the elemental substances in turn and inviting the guardian of the element into your altar and your spell. Reverse the actions at the end of the ritual and thank them.

If you aren’t opening the quarters, light any directional candles now and then add some incense to the charcoal if you didn’t use incense to cast the triple circle.

If using an incense stick light this now from the nearest candle (again if not used for the circle casting).

If you want to, you can now invite the ancestors or a particular one who acts as your guardian spirit by facing the west and calling them. Some people strike the ground with their staff at this point.

Now invite the fey beings into the circle (turning to all four directions as you call them). It is a good idea and practice to do this every time you do an outdoor spell.

Finally, if you want to make your ritual real special, face south, open your arms wide and ask if any deities (you can name them) would bless your ritual.

BANISHING DEPRESSION

BANISHING DEPRESSION

You will need:

Goddess candle – white. One at the center of the altar or two at the back.

Banishing candle – black. Placed at the left front of the altar.

Invoking candle – pink or red. Placed at the right of the altar.

Incense – Sage, cedar, rosemary or pine at the beginning of the ritual, changed
later to rose or amber. Burn loose herbs on charcoal blocks to do this.

Oils – Use Goddess or Altar oil on the Goddess candle, sage, pine or other
banishing oil on the banishing candle, and rose oil on the invoking candle for
self-blessing.

Symbol objects – Use a black gemstone for banishing and a piece of rose quartz
or a rose quartz pendant for invoking. Place the pendant on the altar and put it
on before doing the self-blessing.

Matches to light candle and incense, charcoal blocks for loose incense, ritual
wand (if used) to cast the circle.

Ritual Outline:

Light candles. “Dress” the candles with the oils, working base to tip (away from
you) for the banishing candle and tip to base (towards you) for the invoking
candle and Goddess candles. Visualize the intent, banishing depression, when
handling the banishing candle and invoking joy and self love while “dressing”
the Goddess and invoking candles. Light only the Goddess candles at this time.

Purify – Start the charcoal block and give it time to heat up. Sprinkle loose
herbs of sage, cedar, rosemary or pine on the hot coal and use the smoke for
purifying. Visualize the intent of the ritual at this pint, and visualize
banishing depression and emotional pain while smuding with the smoke. Then light
the black candle from the Goddess candle.

Cast circle invoking a Crone Goddess or Goddesses to help in banishing, and a
Goddess of gentleness and peace for the invoking part of the ritual. Try Kali
the Destroyer or Hecate for banishing, and Kwan Yin for gentleness and invoking.
Use Goddesses for the five elements or these two aspects only, or whatever feels
right. Do a full casting and invoking to make the circle.

Invocation – Dear mothers of wisdom and grace, I invite you here to ask your
help. I refuse my depression and choose to banish it, and ask instead for joy
and peace of mind. Help me in my work tonight, Kali and Kwan Yin.

Body of ritual – Focus on the flame of the black candle, thinking of all the
things that need changing. Remember fully all the reasons for depression and
pain, acknowledge all your anger, all your rage and all your fear. Dwell on
every hurt, every feeling, every negativity. When you have focused them all onto
the candle, shout “NO” and blow the candle out in a decisive, quick motion.
Watch the smoke rise from the extinguished candle and feel all the negativity
dissolving in the rising air. Breathe the banishing incense for a while.

Now light the invoking candle from the Goddess candle. Sprinkle rose incense on
the charcoal block. Let the light of the pink candle and the fragrance of the
rose incense fill you as you watch and breathe them. Breathe the energies in
deeply, remembering the qualities of Kwan Yin or other Goddesses of mercy
invoked in the ritual. Ask Kwan Yin for her presence and help.

Focus on the candle flame and think of all the good things in your life. Refill
each banished item and negativity with some positive attribute. Where there was
pain before, replace it with love. For every wrong, remember something to give
thanks for. For every pain, remember something joyful. Remember your
accomplishments in life and how good a woman you really are. Do a series of
affirmations, “I am” or “I have”, to list your good qualities and the qualities
you choose to become or gain. Continue stating the positives and affirmations
until you fell filled with pink light and the scent of roses.

Self-blessing – Put on the rose quartz pendant or hold the rose quartz stone. Do
the self blessing ritual slowly and lovingly, anointing your chakras with the
rose oil. Breathe the scent deeply and draw it into your body, emotion, mind and
spirit.

Thanks Kwan Yin for your joy and Kali for her energy of change.

Open circle and ground.

Allow the pink candle to burn out itself, for extinguish and relight it nightly
until at least the next full moon. Do affirmations nightly with the flame.
Continue burning pink candles for as long as needed to remind you of new joy and
positivity. Repeat the ritual on the next waning moon if needed. It will be
needed less each time you do it. Each time, bury the remains of the black candle
in the hearth along with the ashes from the incense. Visualize your pain being
buried and recycled with them. Repeat the self blessing at any time and do it
often, at least every new and full moon. Continue wearing the rose quartz
pendant or carry the piece of stone with you at all times. Remember, YOU ARE the
Goddess.

The best time to carry out spells and rituals

The best time to carry out spells and rituals

  

If a need is urgent then you can work at anytime and picture the full moon or rising dawn whose energies you need, even at a different time of the month or at darkest midnight.

Sometimes the nature of the ritual will dictate the timing. For example, a new beginning spell can be launched on any new date; the first day of the month, the first day of the year, any Sunday the first day of the week, the first hour after dawn or at the crescent moon when it first appears in the sky. Best of all is the first hour after dawn on a Sunday, which is ruled by the Sun, and so offers a double dose of power for that new beginning.

Casting a Spell or Setting Up A Ritual

Casting a Spell or Setting Up A Ritual

 

In the same way that every party has the same underlying structure, whether it is a party for child’s birthday, having a few friends round for drinks or a formal dance event to raise fund for the local community, your spell casting will follow the same basic format, whether you are casting a short impromptu spell or setting up a more open-ended ritual.

If you work from a basic magickal format, you can devise anything from a five-minute spell to call a friends’ missing cat home to a full-scale welcoming the spring for a hundred people on a local hillside.

What is more, once you have decided how the different components fir together you can change the order round to suit your needs. There is a huge variation in practice across the witchcraft community. Sometimes even experienced witches follow an order or way of doing things they were taught or read about that doesn’t fit with their own natural rhythm. Even if you are doing it right by the book, your magickal energies won’t be as powerful as if you were following the flow of the occasion. So, for more experienced practitioners, I am describing my practices for solo and group events so that you can re-examine your own structure–and then maybe decide it was right for you all along (Or that you are turning the whole ritual format on it head and creating an entirely new and exciting system).

For newcomers or established witch, coven member or solitary practitioner, once you have internalized a structure that suits you, you can create your own spells and rites, complex or simple, instinctively without needing to check that you are on track.

You will discover that some spells do not use the altar but are focused on the setting and everyday items. In these the structure is compressed but still effective. Don’t feel you have to go through all the stages of altar casting, for a simple spell. You can adapt the suggestions to either working alone or in a group.

The Preliminaries to Cast a Spell or Setting up a Ritual

The Preliminaries to Cast a Spell or Setting up a Ritual

  

As when organizing a party, it is important to spend a little time planning your spell casting. Think about the precise purpose of the spell, the best time, most appropriate setting and for whom the spell is being cast. For a ritual you need to consider the underlying as well as the obvious focus of the ritual Do you need to change the emphasis of a tried and tested format? Even a seasonal rite will have a theme, for example the May eve/Day celebrations have traditionally been associated with fertility. This fertility applies in whatever way it is needed, whether personally, ecologically or globally. Therefore you and the guests or participant should decide in advance precisely what you are working towards and carry out rituals to take advantage of the prevailing energies.

Location is important even for a quickie spell. You wouldn’t set a child’s birthday party in the same place you would your great-aunt’s golden wedding. With open air spells or rituals you need a wet weather or sheltered location plan just in case a force 8 gale blows up. Some spells can be planned in advance for a day out or weekend away, but others will be spontaneous, when you happen to come across a perfect location while on your way to somewhere else. There are also urgent occasions when you will have to imagine that crashing sea while stood by the local canal at lunchtime. The timing of a spell is also vital.

Before you cast the spell you also need to decide how long you want the effects of the spell to last and how quickly you need results. Do you want an immediate infusion of power within the 24 hours following the spell? Will the effects take longer–before the next full moon, within three months? You should build this time frame into the spell and declare it in the purpose of the spell.

Should it be a single spell or one carried out, for example, every Friday for a month or on the three days before the fulll moon in order to build up the powers?

Then you need to decide on the symbol or symbols that will act as the focus for the spell energies (you can’t dance and chant round a would-be lover in the office).
Do you need to emphasize any one element in the spell? Is the spell mainly fire based for power or is there a fairly evenly spread elemental mix, for example to resolve a long-term justice or court matter.

You need to think about any special props, magickal tools or substances that are required. After all, you wouldn’t use the same chine or serve the same food at your teenager’s post-exam party as you would if the boss was coming to dinner. Do you want a full altar or will it be mainly a word- or personal-movement-based spell? If on a beach or in the woods, can you use what you find there as tools and symbols?

Finally, who are you inviting to your spell or rite? The friend who has lost the animal you are casting the spell for? Your sister to help you with a love spell? Are you organizing a welcome-into-the-world party for your family, to celebrate the birth of a baby to a family member who lives in another country? Are you entrusted with the organization of your magick group or coven’s autumn thanksgiving?

If you work alone, as many witches including myself do most of the time, you’re still not a magickal Billy or Betty No Mates. You won’t be short of spiritual company. You can welcome the guardians of the four quarters even in a relatively simple spell; invite the wise ancestors to celebrations such as Samhain or Hallowe’en or New Year.
As for the nature essences, whenever you work outdoors or even indoors in a circle of pot plants (my favorite setting on a really foul day) they will be curious. So invite them in and benefit from their energies.

Natural Magick In Your Life

Natural Magick In Your Life 

 
The natural world is a power house of magickal energy that can be used to amplify our personal psychic powers and daily lives even if we don’t have the time or inclination for a spell. We all possess these abilities but they can get blunted by modern life. Working with nature rapidly restores the instinctive connection with our own inner self and you find as a bonus that you are more intuitive and aware of our hidden factors in your everyday decision-making. At specific times we can tap into the ever-changing energies of the Sun, the Moon, the seas, lakes and rivers and the weather and into the magickal qualities manifest in different flowers, herbs trees and crystals. All these will help you tune into the best times and places, moon phases and days of the week to carry out your rituals–or to bring your daily life more into harmony.
 
There is nothing strange about our magickal powers; they are part of our right hemisphere brain functions which include imagination and creativity. Working with symbols and images, the ability that underpins much magick is also located in the right-hand side of the brain. With practice we can expand possibilities first in our minds and then during rituals to transform the stored energies and magickal meanings contained in even everyday symbols and images into magickal power. For example, if we were working with a wax butterfly we had made, it would represent a new beginning because that is the meaning given to butterflies throughout the ages. The 16th-century mystic Teresa of Avila described the spirit leaving the body after death as a butterfly emerging from a cocoon. You might not be aware consciously of such symbolism (though much of this symbol code is stored in our genes to be awakened in magick), but you would instinctively know that by choosing a butterfly as a symbol in your spell, it would be a joy-bringing focus. Magick is the sister of psychology and good magick operates on sound psychological principles.

How Is Natural Magick Different?

How Is Natural Magick Different

 
Sometimes you might put on a lovely dress and dance in a ballroom following taught steps so that you and partner move in harmony. On other occasions you might dance spontaneously, moving freely alone on a moonlit seashore or at a friend’s party to fast exciting music. Both are dancing, in the same way that formal magick and natural magick are both ways of performing magick. Neither is better, not are they mutually exclusive.
 
Formal magick uses traditional rituals and beautifully made tools to control magickal energy, while natural magick uses tools made from natural materials: wood, clay, herbs, beeswax or crystal. Usually they are very simple because they are secondary to the setting of the spell or ritual. For where possible natural magick is performed outdoors, winter or summer, rain or shine, whether in woodland, on the seashore or in your garden. You can, in really bad weather or if it would not be safe or feasible to cast spells outdoors, practice natural magick inside your home by bringing in flowers, herbs or berries and by linking your magick to what is happening outside the window.

Sometimes on a seasonal festival or personal rite like handfasting you may carry out quite an elaborate outdoor ritual and of course ritual magickal practitioners and covens do work outdoors where possible.

So natural magick involves a difference of emphasis and location, but adheres to all the traditional rules of magick follow.

Calendar of the Sun for February 1st

Calendar of the Sun
1 Solmonath

Brigid’s Day/Candlemas

Color: Red and white
Element: Fire
Altar: Upon a red cloth light as many candles as you can, as well as a Brigid’s cross, a hammer and an anvil, a pen, a bowl of water, and a sword.
Offerings: Brigid’s crosses, twisted of twine or rope. Acts of creativity.
Daily Meal: Red food.

Ritual Note: Like all the eight high holidays, this day should ideally be spent not enclosed and isolated, but in common with the larger pagan community. This can be done a number of ways, including spending the day elsewhere, at the Brigid’s Day ritual of another group or tradition, or by inviting in those pagans who would otherwise not be able to attend a ritual. Either way, the eight holidays should be a time of remembering the place of the house in the greater community. If the choice is made to go elsewhere, then no liturgy is needed for the day. If the choice is made to bring the greater community into the lesser one, the following ritual can be used:

(First four who have been chosen to do the work of the ritual cast the quarters with blade, candle, chalice, and hammer.)

East: Hail, spirits of the East,
Powers of Air!
I call upon Lady Brigid,
At this Her time of the year,
Lady of poetry,
Inventor of alphabets,
Who knows the secrets
Of the Words of Power.
Clear our minds, Lady,
With every cleansing breath.
South: Hail, spirits of the South,
Powers of Fire!
I call upon Lady Brigid
At this Her time of the year,
Warrior goddess of the sword,
Fighting for that which you call your own,
Creative spark and tempering flame!
Light up our spirits, Lady,
With the heat of your laughter.
West: Hail, spirits of the West,
Powers of Water!
I call upon Lady Brigid
At this Her time of the year,
Lady of healing,
Seeker of the sacred herbs,
Curer of illness and mender of body,
Lady of the Holy Well,
May we drink of your overflowing waters.
North: Hail, spirits of the North,
Powers of Earth!
I call upon Lady Brigid
At this Her time of the year,
Lady of labor, Lady of the smithy,
Goddess who is not afraid to work,
Hammer and anvil,
Patron of artisan and craftsman,
Gift our hands with your sacred skill
That we may always do you honor.

Invocation to Brigid

Lady of the Sacred Flame,
Warrior woman with hair like fire
Smith who shapes us
Into tools to change the world,
Give us strength and voice
And hands that do your work
Willingly, of our own choice.
Lady of the Holy Well,
Healer woman who knows wounds
Careful hands who stroke us
Into hearts that change the world,
Give us eyes that see true
And hands that offer help
Willingly, in honor of you.

(Each comes forth and gives thanks for something which has come to them in the past year, and asks for something that they wish for Brigid’s aid in achieving. As they do this, they light the candles one by one, singing the Brid chant. Then the quarters are dismissed and the visitors go to feast in the kitchen.)

Chant:
Brid is come
Oh Brid is come
Brid is welcome
Welcome Brid