Tag: Religion Spirituality

How to Choose A Good Magickal Name

How to Choose A Good Magickal Name

Author: Bronwen Forbes

There’s a standard joke in the Pagan community that, at a gathering, if the loudspeaker were to announce, “Will Raven, Morgan, and Rhiannon please come to registration?” half the attendees would show up, and that the Ravens at least would be split pretty evenly between males and females.

Like most good jokes, it has a lot of truth in it.

So rule number one of how *not* to choose a good magickal name is: pick one that’s already been used to death.

Rule number two of how not to choose a good magickal name: pick one that’s unpronounceable. I can’t even begin to tell you how many times people with magickal names like Aistiranpaistinfionncoinini have gotten really annoyed with me because I can’t pronounce their name. If you must*have a name longer than ten letters, do your friends, fellow coveners and community a favor and allow us to use a nickname. “Aistir” would work for my example. It means, “star” in Irish Gaelic.

Now that you know what not to do when picking a magickal name for yourself, what doyou do?

First, decide whether or not you really need one, or if your legal first name will work just fine. Back in the 1980s (when I first realized I was Pagan) , most of us had a special name we used in the community. Even though we were on the cusp of the 21st century, we still felt the need to hide our legal identity in order to protect our jobs and our children.

If you have a career, a potential career (if you’re still in school) , children that might be in danger because of where you live or who you’re divorcing, or a work situation that could be jeopardized if people outside the community knew you were Pagan, you might want a magickal name for public community use.

Also, many groups and traditions only use their magickal names when they’re in ritual – it’s another way to move them into ritual space, just like putting on robes and lighting the candles do. For these folks, the privilege of knowing and using their ritual name indicates that you are “family” to them. The rest of the Pagan community calls them Lynn or Bob, i.e. their legal names.

If you still decide you want a magickal name, it’s best to pick one that a) tells the Pagan world something about you, b) is a reflection of your path, or c) invokes something into you that you feel you lack. A really good magickal name will fill all three criteria.

Let me explain. When I joined my first coven, I was required (as were all members) to choose a name from Tolkien’s made-up Elvish language. I was a theater major at the time, and was intrigued by the comedy-tragedy masks that not only summed up the human condition, but also in the balance implied by the smiling face and the sorrowful face. After some reflection, I chose Nienor Lailaith, which, loosely translated, means “sorrow joy.”

I was called “Nienor” in the community for roughly my first year. It definitely told the Pagan world that theater was sacred to me, which was something I wanted everyone to know. The coven I was in used a lot of symbolism from Tolkien’s works, and when I met people and used my Elvish name, there was no question in their minds what coven I was in and what path I was on.

Finally, I was twenty-two years old. “Balance” was not in my vocabulary – but I knew it needed to be. I remember thinking that maybe a nice, balanced name like “sorrow joy” would help me learn how to better juggle my schoolwork, home life, and coven responsibilities. As magickal names go, Nienor Lailaith was a pretty good one.

So in case you’ve accidentally or deliberately misplaced your copy of The Silmarillion, how do you pick a good magickal name?

Here’s what I did when it was time to retire Nienor and find something else. I took a piece of paper and a pen and started writing down every word or name that I liked from my favorite books — fiction and non-fiction — my favorite movies, mythology – Greek, Roman, Celtic, Slavic, Norse, plus plant and tree identification books, baby name books (they’re not known for historical accuracy, but they do have some names you might not otherwise think of) , animals I particularly liked, zodiac correspondences, birds, history… every source I could think of until I had a list of about thirty names.

I then started to cross off the ones I liked the least until I had two left. One, not surprisingly, was Bronwen. I liked the sound. I liked the spelling – there are several ways to spell “Bronwen, ” more if you want it to look exotic. I played around with what little I know about numerology and discovered that Bronwen spelled with an “o” and an “e” (as opposed to, say, “Branwyn” or “Bronwinn”) was a one, a number that balanced my birth number very nicely. So, Bronwen it was.

(On a side note, I legally changed my first and middle names in 1994. “Bronwen” is now my middle name. You don’t have to go as far as legally changing your name. In fact, considering all the expense and annoyance of changing all one’s legal documents, including driver’s license, social security card, medical insurances cards, etc. I strongly recommend you have at least one major compelling reason to do so. It’s really a pain to do!)

Whatever you do, don’t use one of those Pagan name generators on the Internet. They’re a joke. They’re meant to be funny. They are not for real! You’d think everyone would know that, but I’ve run into about one too many “Lavender Mermaid of the Sand” who got her “special” name from one of those sites and took it seriously. In fact, I just now played with the Pagan name generator and got Ariadne Bard Dragonfly.

Hmm. I think I’ll stick with Bronwen, thanks. But if Ariadne Bard Dragonfly works for you, feel free to take it!

The Anatomy of Magical Power

The Anatomy of Magical Power

Author: Iritar

 

In my teaching, there are some key basic elements to each and every pagan’s spiritual path that emphasize the power of each practitioner. Whether you are just starting your path or have been on your journey for many years, it is important to return to these basics in order to grow past hurdles when you feel that every corner is filled with roadblocks that impede your growth.

Visualization

I cannot stress this enough. Practicing and maintaining good visualization exercises helps to construct energies within yourself and from the divine source (s) you follow. Without being able to see that energy, you are not capable of casting circles, putting up spiritual defenses or see your magic being sent out.

Meditation

This goes hand in hand with visualization. By following one of two meditation techniques (and swapping between them as you feel led) you can let your higher self and the powers that be guide you around the roadblocks. Using proper meditation techniques such as getting comfortable, setting the atmosphere with incense, candles and music will allow you to get better results.

With Focused Meditation, you are looking to direct your energy for a purpose whether that is health, peace, love, etc. This is where you retain an image within your mind, whether moving like a movie or still like a photo. Focused Meditation is also a good place to instill commands to yourself that will accelerate specific tasks to “snap you into it”.

For Christians, Psalms 23 and the Lord’s Prayer are two distinct ways for them to immediately focus on peace, spiritual defense and assurance. By reciting these passages, it allows them to take a predetermined “emotion” and resurrect that emotion instantaneously without a lot of prop and circumstance.

Pagans can do the same. I use a reinforcement phrase in my meditation that will allow me to instantly surround myself with spiritual defense. I use the phrase, “Shields Up”. Although I’m not a Trekkie, I use the visualization of the defense shield from the series as a way of protection. As I performed the visualizations of those shields in my meditation for self-protection, I reinforced this with the phrase. This allows me to quickly throw up my spiritual defenses without much focus in everyday life.

Another form of meditation is Intuitive Meditation. This is a free form style meditation where you don’t focus at all like intentionally daydreaming. You should protect yourself before you begin by putting up your defenses and then clear your mind briefly. I usually visualize a white sheet of paper with no lines for the canvas of my meditation, holding it in my mind for a few minutes. Allow your eyes to unfocused and relax. As the images come in, allow them to flow and pay attention to everything you see. Usually these images will show you what you should work towards, reveal the mysteries in your life and even allow you to see what’s ahead of you.

After your meditation is done, document them in your journal and you can plan Focused Meditation sessions to examine what you need to more closely.

Emotional and Spiritual Balance for Protection

Building off the visualization exercises and meditation, you need to protect yourself from negative energies and spiritual attacks. Not all attacks are within the physical or from a being you know. Some negative forces are drawn to your spiritual light like beetles to lights in the darkness.

Follow the codes of Harm None and understand the Law of Three. All indoctrinations have variations of these principles. The easy explanation is what you send out will come back with a punch. Do what you will, avoid imposing against someone’s will even with good intent.

I usually ask permission from people when doing spell work from them. If I chose not to disclose my spiritual beliefs to someone, I ask them if I can pray for their need in my own way to request that permission.

Avoid the negativity; you don’t need it in your life.

Rites and Ritual

Follow the codes of your coven if you are in one, but also establish your own practices. Do what feels right from you when communing spiritually one on one with your deities. Some people need detailed ritual work to enter that communion where the magic flows; others can instantly open themselves up by simply asking their deities to stop by for a visit.

If you are a solitary practitioner, establish your own journals and Book of Shadows. Read and study, but if you feel restraint in following a ritual like not being able to remember the exact words of someone else’s ritual you read, make your own.

The issue at hand is that if it feels like work and you cannot break through, then it is work. I associate this much fun to doing my taxes. Ritual should never be a burden.

Spells

If you are just beginning your life path, it is good to look at samples of other people’s spells. This can help you find your own structure and what you need to be successful in your practice. I strongly encourage creating your own spells as simple or as complex as you need. You can chose to incorporate what elements are right for you such as what kind of incense to use, if any, calling the elements, herbs and recitals.

If you are in a group or coven, ask them for guidance and learn group spells and rites. This will instill harmony in group spell works and communion.

Resist Pride and Envy

No one has all the answers or they wouldn’t be here. No matter how powerful you feel that you have become or how close your walk is with your deities, understand that you still have something to learn. Avoid competing with other practitioners and don’t measure yourself against them.

Each of us is on a personal journey. We should never look down upon another because what they need to know will be revealed to them when they are ready. You can offer a general word of assurance and aid if needed, but do not feel that you have to tell them what they need to do unless you perceive they are asking for your help.

Be open to share with others, but if you encounter opposition to the knowledge you share, know where to end it peacefully. Avoid challenges by weighing those challenges against your beliefs and avoid debates. If the emotions start feeling tense during a conversation where questions are arising, you are going to far. Stop, center yourself and listen willingly to the other part. If they are wrong, they will discover this themselves even if it means the hard way. That is their path.

Fear that someone is trying to take control of your group (even if they are) will become self-defeating. Use your protection guards and wards. Speak truth and do not seek to tear others down. This is a good way to weed out the deceit and negativity from the group. Those remaining will become more enlightened and grow by leaps and bounds.

Conclusion

Que Se, Que Se. What will be will be. Don’t lose focus on your spiritual path and start will the basics if you are feeling stagnant. Avoid negativity and realize it when you are the source of it. Discharge it and get rid of it.

Avoid feelings of guilt, betrayal and loss. If you are having problems with these, address them with meditations and reinforce their removal through spells and rites that are of your construction.

Meditation for November 11th – A Reflection Of Your Soul

Autumn Comments & Graphics
One way to gain a deeper sense of yourself is to meditate on the character of your living environment, which provides a reflection of your soul. Close your eyes and visualize the exterior of your home. Look at it as if you were a stranger, seeing it for the very first time. Hold each detail in mind, allowing the deeper significances to emerge. What is your overriding impression? Repeat this process for each room inside. Try to move beyond the surfaces to a deeper sense of the spirit of the home.

  
~Magickal Graphics~

Feng Shui Tip of the Day for November 11th

Today is the eleventh day of the eleventh month during the two thousand and eleventh year. Is there magic and mystery in the air? Feng Shui says that there’s always something extraordinary and exceedingly special about the number one. When that number is doubled, anyone associated with it will attract ‘winner’s luck,’ as these numbers now confer the energies to emerge a winner in any competitive situation. In order to activate these numbers, add or create the presence of 11 in your living space, even by simply scribbling the number 11 on scrap paper throughout the day. Since the number eleven resonates with being a winner, don’t forget to concentrate or meditate upon those same digits in order to give yourself a leg up before being practically guaranteed to get a big hand!

By Ellen Whitehurst for Astrology.com

Today’s Tarot Card for November 11th is The Devil

The Devil

This Tarot Deck: Folklore

General Meaning: What has traditionally been known as the Devil card expresses the realm of the Taboo, the culturally rejected wildness and undigested shadow side that each of us carries in our subconscious. This shadow is actually at the core of our being, which we cannot get rid of and will never succeed in taming. From its earliest versions, which portrayed a vampire-demon, this card evoked the Church-fueled fear that a person could “lose their soul” to wild and passionate forces.

The image which emerged in the mid-1700’s gives us a more sophisticated rendition — that of the “scapegoated Goddess,” whose esoteric name is Baphomet. Volcanic reserves of passion and primal desire empower her efforts to overcome the pressure of stereotyped roles and experience true freedom of soul. Tavaglione’s highly evolved image (Stella deck) portrays the magical formula for harnessing and transmuting primal and obsessive emotions into transformative energies. As a part of the Gnostic message of Tarot, this fearsome passion and power must be reintegrated into the personality, to fuel the soul’s passage from mortal to immortal.

My Meeting with the Goddess

My Meeting with the Goddess

Author: Raphael Eventide

I’m sitting here at this computer and I suddenly feel inspired by the Goddess to compose something: To tell you the way I first met her. I don’t know why, but here goes…

I was scared. Afraid. I’d just found out that there was going to be some major changes in my life. Normally, I didn’t handle change well. To be honest, it terrified me. I stood in front of the bathroom mirror. Trying to come to grips with what I knew was inevitable. I wanted to scream. I wanted to cry, “I don’t want to change!” But it wouldn’t have done any good. As I stood there, feeling the inner war consume my mind, suddenly, I heard a gently voice say, ‘Meditate.’ I had just recently become a dedicant a few days ago, and I was learning about the Goddess and wondering about her. The voice in my head sounded feminine, so I wondered… Could the Goddess be speaking to me? Well, even if it wasn’t the Goddess, it was some good sound advice, which was what I needed. So I went and sat down and closed my eyes and began to meditate.

I was in a forest. It was close to the evening hours, with the lazy sunlight gently touching the leaves and branches above my head. I was on a path through the woods and followed it. Then I saw her. She was the most beautiful mother I’d ever seen. She stood there before me cloaked in periwinkle robes, with long red hair, and skin as white as milk. Her eyes where a soft purple, and as soon as she saw me, she cried out with joy, “Oh my son! Welcome home!”

She ran to me, and I realized I was crying. As she embraced me, I realized how small I really was, and leapt into her arms and cried as if I had lost her. But now I was home, safe, in her arms. The love I felt all around me was overwhelming. But yet soft and gentle. I started blurting out how scared I was and how I wanted it all to go away! She held me in her arms and gently soothed me and waited until I was finished.

“My dear son, you are so spiritual and intelligent, but when it comes to change you rarely move. It’s not a bad thing, but you must remember, how can a flower grow if it does not move? How can you hope to go to college if you are afraid to even apply? You cannot wait for everything to come to you. Sometimes you must go to it.” She said it gently, and brushed my tears off my cheeks.

I sat on her lap now, looking up at her in awe. It was very wise. I always knew she was, but looking up into her face, I was sure she must be wiser then anyone knew. “Mother you are so wise!” I exclaimed. “You must know everything! And I know so little…”

She smiled warmly, and laughed. “My son, you are wise too. To know that you know little is the first step to true wisdom.” I smiled a little, and felt much better. Then my mother told me about how I came to be, and even now, it still causes my heart to flutter. As she spoke it, I saw it all happen before my eyes.

“When you were just a thought, you were like a seed that was carried on the wind. On it, you soared high in the sky with your father, God. He showed you the whole world. And carried you until you were ready and then into your mother’s womb. There, you grew. And your father and I worked hard. He was the great planner, deciding what you would look like, what you might do, what gifts we would give you.

“While he made the plans, I crafted you from the clay of the earth. I worked and worked and worked! I wanted to make you special and unique. Finally we were done. And you were born to your mother on the earth. You see my son, you are the physical manifestation of the love the God and I share. You are the product of our love sent out to the entire world. You are my precious jewel. My diamond. You catch the light of our Universal Divine Love and radiate it and shine it out to the whole world to see.

“We love you so much! And every day you take the step to hear us, and become the best you can be, you shine! You have many things to learn my son, but you can do all things. For you are from my flesh and your father’s breath. You are the place between, the magickal place where things are born that can change the world.”

She gently touched my heart and as she spoke these last words, I felt I was shining.

“Momma, when will I meet God?” I asked solemnly.

She smiled and spoke quietly, “Very soon my son, but for now, you are with me.” I don’t know how much longer we sat there, but eventually, she stood up, set me down and told me what I should do. I came back, and since then have begun to try and change for the best. I know it will be hard, but knowing that my mother and father are behind me and helping me always… where can I go wrong?

I am still on the path of becoming a witch/wiccan, as I started my Dedicant training in December of 2009. I’m so excited and have learned so much and still have so much to learn in my year and a day. I have also met my father God and he is just as beautiful and loving as the Goddess. I’m still not sure why she insisted I write this, but I have a feeling you know.

Even today my mother, the Goddess’ words come to me, and I try every day to make her and my father God proud. I hope my little story brought a smile to your face and maybe an answer to your searching heart. I pray that the God and Goddess speak to you through these words. My they lead and guide you to your own everlasting shine.

Until we meet again my friend, the circle is broken but unbroken. May the Truth, Love and Wisdom from the God and Goddess stay in our hearts always.

Blessed be.
You’re brother in the Craft

The Shamanic Witch and Ethics

The Shamanic Witch and Ethics

Author: Eilan

When ethics from a Pagan perspective are discussed in the public domain the ultimatum of “Harm None” arises. I have written on the Harm None ethic and the Pure Will in my book, Spirited. When I write, I am conscious of the fact that I cater to a wider audience than those of the decidedly shamanic and traditionalist inclinations, therefore I aim to be largely accessible. For this reason, some people misinterpret me as decidedly eclectic, when I am actually avowedly syncretic within my personal path.

I am also an initiate of the WildWood Tradition of Witchcraft. I do not say these things to place myself above the eclectic philosophies, which are entirely valid and of completely equal worth, I merely wish to assert my personal practice as distinct from the implications derived from my publications thus far (1) .

Not all Witches of the WildWood share the same focus or emphasis on the shamanic arts (ecstatic, visionary, Gnostic, etc.) as I do; however these aspects of spirituality innately inform our philosophies and cosmologies. We teach one ‘ultimatum’ when exploring ethics and the Craft, and it can be summed up by the following – total freedom equals total responsibility. “An ye harm none, do what ye will” is contextualized by this precept of freedom and responsibility.

Let me orient this flow of philosophy; I will begin with our definitive foundation – What is a Witch?

A Witch is an individual who through ignited, expanded and deepened awareness serves and celebrates the Life-Force as manifest both in unity and plurality. Our belief in, experience of and reverence for the interconnectivity of all things creates an aptitude for the magickal arts and through science and craft (spiritual philosophy and technology) we are able to consciously ride the tides of change, which rule the cycle of birth, death and renewal.

This is by no means an official definition of ‘Witch’, however this definition has been an evolving and shared understanding within the WildWood over the past three or four years. We uphold it because it conveys that Witchcraft is a spiritual and mystical discipline without implying dogmatic interpretations of ritual or theo (a) logy. It allows for the personal connection, supported by a fertile paradigm, which implies its own ethic.

That all are divine, and equal in that divinity, that we are held in Being by Mystery and we are alive and conscious creates a self-reflection. This reflection speaks tomes on the sacred realities of interconnection and the rhythms and tides of vitality. A Witch knows, by virtue of his/her spiritual experience, that humanity (and all of life) is not inherently moral. Nature (what Is) teaches us that Life feeds from Life, but always with balance. The All equalizes itself – this is the power of death; that energy transforms and evolves is testimony to the rise and fall of flesh.

Witches embrace matter as Mother (Latin ‘mater’) and declare and experience the physical world as intelligent, sentient and holy. Flesh and form are merely receptacles for and of Spirit, they are the perfect expression of Spirit – the Temple houses the God.

An ethic that derives from the sacred autonomy of an aware individual is informed and directed by experience. One cannot warn a youth of this or that unless it is contextualized, relevant and pragmatic. One cannot say, “Do not lie because lying is sinful!” If lying as an act is considered holistically and as interwoven with the entirety of the faculties, then it can be said that if one beholds integrity and honours the implicit balance of Life and wishes to flow and be, rather than to ‘disregard and desecrate’, lying becomes relative. The onus is on an individual’s autonomous self-determination, in other words, according to one’s principles as a collective how would lying impede on or dishonour my personal ethic?

Personally I hold honesty as valuable and therefore sacred. I cannot hope to cultivate honesty in my life unless I myself perpetuate the ethic. I am only as virtuous as I choose to be. I do good because it is good, rather than as the opposite of or alternative to ‘evil’.

When ethical behaviour concerns itself with the rejection of evil as core principle (motivation to make a contrasting example) we enter the realm of morality. When a Wiccan declares that he/she will do no harm because the threefold law would mean that thrice-greater harm would return, this is morality equal to the often-Christian desire to secure heavenly-admission by performing acts of charity. An ethical Witch claims virtue as a lamp to bring clarity to circumstance, rather than to blind hidden demons in the shadows. If we perceive the natural as adversary rather than ally (albeit volatile) we engender the philosophy of dualism, and this paradigm has often proven to be at the source of the world’s imbalance and injustice. To be able to look upon one’s reflection and see the attempt of virtue, here and now is the truth of compassion revealed.

If I am intrinsically free and thus entirely responsible for ‘self’, then the ‘virtue’ of Life is in understanding that self is in all things. Thus ecstasy is the natural product of virtue. Ecstasy forms the foundation of shamanism, and thus Shamanic Witchcraft (2) . This is not limited to the physical sweating, shaking and shivering which characterize the methods of some medicine people; I speak of ecstasy as something of a metaphor. This metaphor relates directly to the word’s etymology – ek stasis, Greek for ‘outside standing’. The qualifying factor of ecstasy is, in context, that the boundary of the ego is dissolved…there is no limit to self because the perspective has shifted and we understand the true nature of self as unbound and free, and therefore responsible. Divine Unity creates Divine Synchronicity and to those who have eyes to see and ears to listen the ‘magick and miracle’ of Life opens up.

Witchcraft is a sacred spiritual discipline that has manifested the world over as magickal tradition – Witches have been and are feared because we do know, we do see and we are powerful. All this because we accept the Immanent Divine and see ourselves as woven into it.

Every act then becomes imbued with consciousness – my being here now is a gift and I intend to honour the giver…this is in right relationship with the world, and all is in balance because of it.


Footnotes:
(1) My most recent publication, By Land, Sky and Sea: Three Realms of Shamanic Witchcraft, speaks briefly on the contrast between eclecticism and syncretism.

(2) I tend to teach that Witchcraft is inherently shamanic at its core.

Today’s Tarot Card for November 10th is Temperance

Temperance

This Tarot Deck: Golden Tarot

General Meaning: What is traditionally known as the Temperance card is a reference to the Soul. Classically female, she is mixing up a blend of subtle energies for the evolution of the personality. One key to interpreting this card can be found in its title, a play on the process of tempering metals in a forge.

Metals must undergo extremes of temperature, folding and pounding, but the end product is infinitely superior to impure ore mined from the earth. In this image, the soul volunteers the ego for a cleansing and healing experience which may turn the personality inside-out, but which brings out the gold hidden within the heart. (This card is entitled “Art” in the Crowley deck.)

Feng Shui Daily Tip of the Day for Nov. 9th

Even though November is the eleventh month of the year, according to our Gregorian calendar, it takes its name from ‘novem’ or the Latin word for the number nine. November was once the ninth month of the year until the switch from the Julian to the Gregorian calendar, whereupon Julius Caesar introduced an additional few months. The number nine is considered the single most auspicious and powerful number in Feng Shui. This philosophy says that you should consider each proceeding number as being part of a pathway into increasing knowledge and awareness until you end at the apex of nine, where all celestial forces meet and complete. Therefore, in Feng Shui the number nine means completion to fulfillment and satisfaction. On this ninth day of what was once the ninth month, go ahead and put nine crisp and brand new one dollar bills into a red envelope and place this package under the welcome mat at your home’s front entrance. This will invite many opportunities for Fortune and Luck, as well as completion and satisfaction, to pay you a nice, long visit!

By Ellen Whitehurst for Astrology.com

Feng Shui Tip of the Day for November 8th

I recently released a report called ‘Shape Shifting; Shifting your Thoughts, Changing your Shape.’ I researched this report for well over two years, trying to find both cutting edge medical information as well as ancient medicinal knowledge that will allow people to ‘age backward’ and find a renewed sense of health, happiness and longevity simply by making some lifestyle shifts. One of those involves using different medicinal spices to achieve better health and long life. On ‘Cook Something Bold Day’ I’d like to offer a recipe for ageless living that involves a spice called tumeric. Ayurvedic practitioners have long held that tumeric takes away old age, and if a very little bit is rubbed on the skin, it can take away wrinkles. More philosophical theorists and herbal practitioners once called tumeric ‘the spice of love and luck.’ Hawaiians use tumeric in purification ceremonies, and in India this spice is burned for protection, as it’s believed that demons and other malevolent creatures detest its smell. Today, try to be bold and ageless and cook something tasty by adding no more than an eighth of a teaspoon of tumeric to any traditional savory recipe. Now you won’t be growing old, you’ll be growing bold!

By Ellen Whitehurst for Astrology.com

Have a Magickal Tuesday, dearies!

Days Of The Week Comments
 Tuesday Is Ruled By Mars

 Archangel:  Samael 

Candle color:  Red 

Incense:  Dragon’s blood or cinnamon 

Crystals:  Jasper or garnet 

Use Tuesdays for spells for courage, change, independence in home or business life, for overcoming seemingly impossible odds and for passion. 

Where possible, work near a fire or bonfire or with a huge red beeswax candle as a focus; alternatively work next to  flowerbed or large vase of red, orange and/or yellow flowers.

 ____________________________________ 

Spell for Tuesday

Enhancing Confidence

In the old days many people thought that noise was a way of getting rid of demons so it was customary to shout when banishing such nasty things. Today we also recognize that psychologically we can be encouraged by passion, so this is a way of self-encouragement, and an appeal to our own ‘inner demons’.

Items You Will Need:

  • A bell or rattle
  • Rousing music
  • Your voice

The Spell:

  • Preferably choose a time when you will not disturb others and when you will not bedisturbed. Choose a short affirmation that expresses your best hopes for yourself.
  • This might be: I will survive or I can overcome any problem or I have the confidence to do anything or I am my own best friend
  • Play your music until you feel uplifted by its -mood.
  • Take up your bell or rattle and dance around -the room.
  • Proclaim your affirmation at the top of your -voice at least three times and preferably nine.
  • When the music finishes resolve to do three -different things in the next week which -demonstrate your new-found confidence
  • Each week reaffirm your confidence in the -same way, changing the words as necessary

This spell does seem to have an almost immediate effect. Even if you feel silly at first, having confidence is often about losing your inhibitions,and this is one way which can help. As a support for this, have fun drawing your own particular demoneven if it is only as a stick figure.

 
Magickal Graphics

Feng Shui Tip of the Day for Nov. 7th

Let’s head to the workplace on ‘Job Action Day.’ First, one or two small bells hung on your office door will encourage great fortunes to enter that same space. Just be sure to hang them on the outside of the doorknob with red ribbon, yarn or thread. Feng Shui says that symbolically the sound of the bell brings prosperity while predicating the prospect that you will hear some good news. Remember to only use small bells, but if your office faces either east or southeast, then you can use wooden or ceramic bells for highest benefit. Simply put, this cure invites good fortune to the workplace. Now, once you’ve put this energetic adjustment into place and get that well deserved promotion or raise, don’t ask for whom the bell tolls. As we know by now, it tolls for thee!

By Ellen Whitehurst for Astrology.com

Today’s Tarot Card for Nov. 7th is Wheel of Fortune

Wheel of Fortune

This Tarot Deck: Connolly

General Meaning: The central theme of what is traditionally called the Wheel of Fortune card is cyclical change. The Wheel keeps on rolling, churning events in a ceaseless progression of ups and downs, either way freeing us from the past. No one can escape its cyclical action, which can feel somewhat terrifying — no matter whether we are rising or falling. When one is balanced on top there is a moment of crystal clarity, but the only part of the Wheel not going up and down is the hub, which is your eternal Self, the Source of Freedom.

Every one of us will occupy all the points on the wheel at some time or another. The cycle of the wheel is its lesson — and we can learn to take comfort in it (as we do when we celebrate our birthday). If you don’t like the look of things right now, just wait — things will change. Of course, if you do like the look of things right now, enjoy it while it lasts, because that will change too!

It’s Back To Work! Have A Very Fantastic Day, dear Friends!

Days Of The Week Comments
Monday Is Ruled By The Moon

 Archangel:  Gabriel

Candle color:  Silver

Incense:  Jasmine or myrrh

Crystals:  Moonstone or opal

Use Mondays for spells for fertility, protection especially while traveling for home, and family and to increase psychic and healing powers.

 Where possible, work close to any water and as a bonus, by moonlight.  

_______________________________ 

Spell for Monday

 SPELL TO HEAL

You need: A yellow candle, Herbs of marigold/Calendula, lavender and rosemary, clear quartz gemstone, Photo/person’s part etc.
Perform on a Sunday.

Stuff the doll with the herbs and add the gem about where the
heart would be in the doll. Sew up the doll and do a naming ritual.
Light the candle, and see the person healthy and happy in your mind. Say six times:
Lavender, marigold and rosemary
The body, soul and mind are free
Stone of quartz, take the pain away
Whole and healed and free today
With harm to none My will is done.
Bury the doll in the ground before sunset the same day.  

Magickal Graphics

What Should I Put In My Book of Shadows?

What Should I Put In My Book of Shadows?

Author: Bronwen Forbes

The most common question I’ve seen on various online forums and been asked by my own students is, “What should I put on my altar?” The second most common question is “What should I put in my Book of Shadows?” For some reason, the Book of Shadows – like an altar – is something that most Pagans are scared spitless about “messing up.” They will go out and buy a lovely bound blank journal from their local mega chain bookstore or a leather-bound notebook with a pentacle carved on the front, and do absolutely nothing with it for years.

I freely admit that I am guilty of this; I have *both* a bound blank journal from my local mega chain bookstore *and* a leather-bound notebook (black leather, no less) with Celtic knotwork carved on the front and they are both, well, basically blank. My excuse is that my handwriting is lousy and I don’t want to “mess them up.”

The first step toward the fulfillment (literally and figuratively) of a Book of Shadows is to determine exactly what a Book is and what it does. A Book of Shadows is part poetry collection, part journal, part dictionary and encyclopedia, part recipe book and part ritual construction guide (I’ll go over these in a minute) . Depending on your own interests and practice, some of these parts may be bigger than others in your own Book. What a Book of Shadows *does* is keep all of this information in safe, easily referenced place.

Does it actually have to be in book form? Nope! My journal and leather notebook are blank, but I have a four-drawer file cabinet stuffed (and I do mean stuffed. Trust me, I recently moved it halfway across the country) with printouts and photocopies of articles I’ve found useful to my practice and my writing in the past or that may be useful in the future; copies of poems I think might be nice to read in ritual someday; notes on how to teach a basic Tarot class; handouts from workshops I’ve taken on Norse spaeworking, knot/string magic, and drumming; and scripts from old rituals I’ve led or attended, just to name a bit of it.

I guess you could say I have a File Cabinet of Shadows. It may not be pretty, or open to the exact file I need just by asking like the Hallowell sisters’ Book did on Charmed, but it’s mostly organized and I can find what I need in it pretty quickly. Also, as a recent flash drive accident reminded me, I can access the material in my file cabinet for years without worrying about hardware or software malfunction, unlike folks who prefer a Disk of Shadows or something similar. Also, barring an unlikely full-house-immersion flood, the material in my File Cabinet of Shadows will be around for a long, long time.

So let’s talk about the specific stuff you can put in your own Book. As you read more and practice more, you’re likely to run across bits of poetry that you think would be great to use in ritual. You might even be inspired to write some poems of your own. Your Book is the perfect place to store them.

If you do a lot of tarot or rune readings for yourself or others, or if you incorporate specific cards in your rituals, you can – and probably should – record your reading in your Book of Shadows. That way you can go back and look at it weeks or months later and see how accurate your predictions were. If you work with your dreams (interpretation, etc.) , your Books is a good place to record those, too.

There is so much material to absorb when you first start on the Pagan path. When is Samhain, and how do I pronounce it? What’s an athame for, and how do I spell it? When do I use a boline? What’s a thurbile?

You can make notes in your Book so you can look stuff up again later – much like you took/take notes in class. Writing this information down also helps you keep it all straight in your mind.

If you take a Paganism/Witchcraft 101 class and the teacher gives you handouts, either get a three-ring Binder of Shadows (not a bad idea, actually) and stick them in there or find some way to get the information from those handouts into your smaller Book.

If you like to blend your own essential oils or incense, or are an herbalist, your Book of Shadows is the perfect place to write down recipes you like and also make note of recipes or blends that didn’t work as well as you’d hoped.

You can also write down basic spellworkings as recipes, “Do this, then say that, then light the yellow candle, then do this…” Next time you need to do that particular working, the “ingredients” are all right there.

You can also write down the basics of how you’ve celebrated each sabbat/esbat. That way, when the holiday comes up again next year, you’ve got a record of what you did, what worked and what didn’t (you can write that down, too) , and you don’t have to reinvent the ritual from scratch. Also, if in January, say, you have a great idea for something to do next Samhain, you can write it down in your Book so a) you know where it is and b) you don’t forget it.

In short, a Book of Shadows is as individual as the person who makes it, and that’s okay. Let me repeat that: it’s okay to make your Book of Shadows uniquely *yours*. I have my File Cabinet. My husband, who learns best from watching other peoples’ mistakes, says that his Book (if he were to have one) would be page after page of “Don’t do” and “Never try.” Neither of us is particularly artistic (I’m even completely incompetent at scrapbooking) , but if you are, don’t be afraid to add artwork to your Book.

If you are an accomplished scrapbooker, use those skills to make your book even more personal. If you’ve traveled to a place that has particular spiritual significance for you, put some of the pictures you took or postcards you bought in your Book.

Couldn’t you just download one of the Books of Shadows on the Internet? You could – but I don’t recommend it. And that’s a subject for a completely different Witchvox article for another day.

In the meantime, my File Cabinet of Shadows needs dusting!

How Do You Draw Your Pentagram?

How Do You Draw Your Pentagram?

Author: Brunhilde

If you’d like to initiate a lively discussion among Wiccans, just ask us how we draw our pentagram and why we draw it that way. Our answers and explanations will fly fast and furious. First of all, what is our orientation of the star—one point up or two? For Wiccans the single point up orientation is the standard position. There is a short time when we feature the pentagram in its two points upward orientation; when an initiate into a coven enters their Second Degree of training. But for most purposes, the orientation of our pentagram displays one point up. But beyond that general preference, how do we draw it? And why do we draw it that way?

Different Strokes for Different Folks

An investigation of past practices by different authors reveals a wide variety of drawing choices and explanations. Most agree that the five points of the star can represent Spirit, earth, air, fire and water, with the top point designating Spirit. However, they differ on their placement of the four elements. They also differ in the manner of drawing the pentagram. While many begin the pattern by starting at the top (Spirit) , some do not.

Wherever you position each element around your pentagram will influence your drawing of it, especially if you are aligning your star to invoke a particular element for magickal work. Vivianne Crowley, author of Wicca (2000) , outlines a ceremony for consecrating ritual objects. She starts at the top (Spirit) , with her first stroke moving down and to the right—the point she designates for fire. She is drawing the “invoking pentagram” of the element fire. Her second stroke is drawn diagonally up and across to the upper left for air, then horizontally across to the upper right for water, then diagonally down to the lower left for earth, then back up to the top. She finishes by drawing an additional “sealing stroke, ” from the top down to the lower right point again.

Raven Grimassi (b. 1951) , author of Italian Witchcraft: The Old Religion of Southern Europe (2005) , outlines a rite of dedication for those pagans who wish to become practitioners of Stregheria, the Italian word for the religion of witches. As part of their initiation ritual, Grimassi instructs the seekers to anoint themselves in the manner of the pentagram. His sequence is the same as Crowley’s: forehead—right breast—left shoulder—right shoulder—left breast—forehead.

Raymond Buckland (b. 1934) , author of Buckland’s Complete Book of Witchcraft (2004) , details a different manner of drawing the pentagram. Instead of drawing the first stroke down to the lower right, he moves down to the lower left, then diagonally across to the upper right, straight across to the left, down to the lower right, and back up to the top.

In his book Witchcraft From the Inside (1995) he features the classical pentagram image taken from old books of magick, with the figure of a man standing with arms raised sideways and legs spread apart, with a five-pointed star superimposed on top of the figure. The various points of the pentagram display the astrological symbols for Mercury, Venus, Mars, Jupiter and Saturn, not directions or elements. He states that this pentagram is a symbol of the life force, a very positive symbol.

Janet Farrar (b. 1950) and Stewart Farrar (1916-2000) , authors of A Witches’ Bible: A Complete Witches’ Handbook (1996) describe their version of diagramming the pentagram for use in sabbats. Their sequence of strokes is the same as Buckland’s. In their discussion of an opening ritual, they describe two methods of drawing the pentagram. The first method comes at the beginning of the ceremony. It is called the “Invoking Pentagram of Earth.”

The element of earth is placed at the lower left point of the star. It is delineated by the Priestess as she (1) starts at the top and (2) draws a diagonal line down to her lower left to earth, (3) then up and across to her right, (4) then horizontally to her left, (5) then diagonally down to her lower right, and (6) up again to the top. She finishes by adding a final sealing stroke; drawing down again from the top center to her lower left point.

Their second method of drawing of the pentagram occurs towards the end of the ceremony, when the Priestess draws the “Banishing Pentagram of Earth.” It is a reversal of the invoking pentagram. She begins (1) at the bottom left of the star, (2) then draws the line up to the top center, (3) then diagonally down to her lower right, (4) then across to her upper left and (5) horizontally across to her upper right, (6) then diagonally down to her left, where she started. Again, she finishes the act by retracing the line from the lower left to the top center, the sealing stroke. The Farrars state in a footnote to their text that they are basing their pentagram strokes on the practice followed by the members of the Golden Dawn.

Doreen Valiente (1922-1999) , author of Witchcraft for Tomorrow (1993) , uses the same method as that described by the Farrars and Buckland. She provides additional information by detailing the reasons behind the sequence of her strokes. Valiente states that the topmost point of the pentagram is regarded as representing Deity, the divine Source of life.

The first stroke starts from the top and proceeds down to the lower left, representing life descending from its divine source into the lowest and simplest forms of living matter. The second stroke ascends up and across to the right, representing the ascent of life from primitive forms, by the process of evolution. The third stroke moves across to the upper left, representing man’s earthly progress, his accomplishments on the physical plane. The fourth stroke moves diagonally down to the right point, signifying the fall of man, as his focus and his pride in his material achievements leads him into danger. The final stroke rises back up to the topmost point, indicating that because mankind descends from a divine source, he will always strive upwards to reunite with that source.

Starhawk (b. 1951) author of The Spiral Dance: A Rebirth of the Ancient Religion of the Great Goddess (1979) also teaches an invoking and a banishing pentagram design. Her sequence of strokes is akin to that of Buckland, the Farrars, and Valiente. Further, she advocates using the pentagram in a variety of ways as an aid to visualization and meditation exercises. Depending on the exercise, each one of the five points of the star can be assigned to different ideas. For example, in an exercise she calls the “Pentagram of the Pearl” she designates the top point of the star as the concept of Love, the upper right point becomes Wisdom, the lower right point is Knowledge, the lower left point is Law and the upper left point is Power.

The seeker is told to meditate on these concepts, as they move clockwise around the pentagram, to think of the meaning of each word and how it interacts with the words adjacent to it. She also encourages the seeker to lie down in the pentagram position, with their head as the upper single point, to feel the points as part of their being. She states that during meditation in this fashion, one may also become aware of imbalances in their personal well-being, in relation to these concepts.

Silver Ravenwolf (b. 1956) , author of Solitary Witch: The Ultimate Book of Shadows for the New Generation (2003) discusses the various historical origins of the pentagram. She states, “If you draw the design from the top down, you are saying that Spirit comes down to matter, and if you draw from the bottom to the top, you are symbolizing matter in its highest form. The horizontal line across represents our development of intellect and the connection of force and form.”

She designates the element of air at the upper left, water at upper right, earth at lower left and fire at lower right. She also details several methods of drawing the pentagram to invoke/banish different elements.

The Case for Consistency

Many Wiccans trace the design of their pentagram in the same manner every time they draw it. What might change would be the orientation of their top point (Spirit) towards a specific direction—north, south, east or west—if they wish to invoke the spirits of a particular element during their ritual. This attention to a particular element can sometimes be found in lunar ceremonies, esbats. The zodiac sign occupied by the moon on the night of the ritual influences Esbats. And each of the twelve zodiac signs corresponds to one of the four elements, earth, air, fire and water.

For example, if their ritual is celebrated during a Full Moon in the sign of Scorpio, they may focus on the element of water. The goal of the esbat could be to ritually charge water for use in future ceremonies. The Priestess could cast the circle, and then stand in the quarter of the circle that is assigned to water—west. She might face west and draw a pentagram by orienting the top point of the star towards the west, paying homage to the moon in Scorpio and the energies of water.

Also, pentagrams created to invoke and then banish specific elements don’t have to begin at the top point. For example, if you are employing an invoking pentagram of air, you might begin at the point across from air on your star and make your first stroke travel towards the point of air. At the end of the ritual, you will banish that same pentagram by beginning at the point designated by air and make your first stroke move away from there.

Reflector on the Roof

For me, like many Wiccans, the pentagram is a symbol of the feminine divine and a sigil for the planet Venus. Since grade school, my hobby has been astronomy. As a child, I spent many nights on the roof of my home, with my little 3-inch reflector telescope, mesmerized by my view of the heavens. (My mom would make my dad put me on the roof because she was afraid some wild animal would bite me.) Venus quickly became one of my favorite subjects for observation. Sometimes she was close and large. Other times she was far away and faint. I could discern all of that, even with the limited capabilities of my little telescope. Sometimes she rose in the morning just before the sun. Other times she appeared at dusk just as the sun had set. She even changed shape, exhibiting phases like the moon. I was hooked!

Asymmetrical Pentagram

Although my pentagram traces the path of the planet Venus, I do not use the shape we can see her outline from standing on our planet. That view is rather distorted. It does not have the shape of a symmetrical five-pointed star, because we are viewing it from within the same orbital plane as Venus; we are moving parallel to her motion. An analogy would be to imagine that we were standing on the ice of a skating rink with stadium seating. We are watching a skater move around the rink.

From our perspective standing on the surface of the ice in the same flat plane as the skater, they would only seem to be moving towards us or moving away from us. However, if we are seated high up in the arena, we can look down on the skater and see that they are tracing a pattern on the ice.

In similar fashion, I draw my pentagram from the viewpoint of hovering high above our solar system. That way, my pentagram has the more classic symmetrical shape.

Points in Space

Try to imagine yourself hanging suspended a few millions miles above the north pole of the sun, floating effortlessly in space. From your perspective, you can see the counter-clockwise spin of the sun. You also see the counterclockwise orbital motions of most of the planets and their moons, sweeping around in a celestial ballet. Now focus in on Venus and Earth. Watch their pas de deux.

It takes the Earth about 365 days to swing completely around the sun. Venus, being closer to the sun, manages the same feat in a shorter amount of time. And periodically, Venus is positioned precisely between the Sun and Earth. This alignment is called an “inferior conjunction.” Whenever she lines up on the other side of the sun, with the sun positioned precisely between us, she is creating a “superior conjunction.”

Because Venus and Earth take different times to complete one orbit around the Sun, 8 years must pass before the two planets are finally lined up back at the same point. In those 8 years Venus has completed 10 orbits around the sun as compared to 8 Earth orbits. And within her 10 orbits, Venus has achieved 5 inferior conjunctions and 5 superior conjunctions.

Connecting the Dots

I use the same sequence as Crowley and Grimassi, but my reasons relate to astronomy and conjunctions. My five pentagram points can use either the five inferior or the five superior conjunctions of Venus, in a row. Pick at random one of the two systems and start there. On paper, make a dot and label it the sun. Draw a large circle around the sun to represent the orbit of Venus. Put a point anywhere on that circle. That point will be your first conjunction spot and become the top point of your pentagram. Label it No. 1.

Next, put four more dots on the circle, so that all five dots (conjunction points) are equally distant from each other. Now you will draw your sequence of pentagram strokes. In doing so, you will mimic the orbit of Venus.

In order to draw the lines to your dots in the sequence that the conjunctions actually occur you must move from your first dot at the top down to the lower right point (2) , then up and across to the upper left point (3) , then straight across to the upper right (4) , then down and across to the lower left point (5) , then back up to the starting point at the top, where Venus returns to her original position in her orbit after 8 years. That sequence of strokes is my pattern; how I draw my pentagram.

So, why do I bother to trace my pentagram in keeping with the orbital motion of the planet? Because it resonates with me. It reflects my personal experience of life. It reminds me of why I took the Pagan path, because of Paganism’s devotion to the sky and the natural world. It recalls my early fascination with the heavens, a fascination that steered me ultimately to Wicca. Every time I draw my pentagram I can recall my youthful excitement under the starry skies and I feel the embrace of the heavens. At that moment my pentagram becomes more than a star; it becomes an energized, charged sigil.

Where, O Where Do the Elements Go?

Where do I assign my four elements: earth, air, fire and water? That decision is also a personal preference. I was born in the sign of Taurus, an earth sign. I like to connect my first line from Spirit down to my personal element, earth. Since the first actual Venus conjunction spot is down to the lower right, I designated that point to be earth for me. I also like to trace my strokes in the sequence of the chant: earth, air, fire, water. I wanted to be able to trace out the conjunctions and say the chant as I make my strokes.

So, air is placed at my third conjunction point on the upper left, fire is placed at my fourth conjunction point in the upper right, and water is placed at my fifth conjunction point in the lower left. Then I make one last stroke from water back up to Spirit at the top, which completes the sequence for Venus conjunctions and brings her back to where she started in space and in my pentagram.

Venus Makes Her Point

When is the next conjunction for lovely Venus? An inferior conjunction, when Venus is placed directly between us and the sun, occurred in March of 2009. The next two conjunction events will occur in 2010. The first one will be a superior conjunction, when Venus is lined up on the far side of the sun from us, in January. Then the next event, an inferior conjunction, will occur around the end of October, just is time for Samhain—a Wiccan sabbat and the beginning of the new year in the old Celtic religions—very auspicious!

Let Your Path Be Your Guide

If you have been initiated into an established circle, then you will draw it the way you were instructed. It is part of the tradition of your Wiccan community. But all those teeming multitudes of solitaries out there, like me, what do we do? Well you can purchase books from reputable authors. I have mentioned several in this article. You can certainly browse the Internet. There are several sites devoted to the pentagram.

But before you follow someone else’s example, think about what the symbol means to you. What do you want it to represent? How does the symbol resonate with you? Which of the four elements do you wish to assign to which points and why? Do you want it to focus on the element of your birth sign? How has your life experience influenced your ideas about the pentagram? What thoughts do you ponder as you move through your sequence of strokes?

Ultimately, it doesn’t matter HOW you draw it as long as your method incorporates meaning. Formulate your own approach to the pentagram, so that every time you draw it you are creating a symbol of power, blessing and protection. It will become for you a useful tool in your journey to achieving altered states of awareness. If your sequence resonates with you, then it is the correct way for you to draw it.

Blessed Be.


Footnotes:
SOURCES FOR FURTHER READING:

Buckland, RaymondBuckland’s Complete Book of Witchcraft. Llewellyn Publications, 2004.

Crowley, VivianneWicca. Thorsons First Directions, 2000.

Farrar, Janet and StewartA Witches’ Bible: The Complete Witches’ Handbook. Phoenix Publishing, Inc., 1996.

Grimassi, RavenItalian Witchcraft: The Old Religion of Southern Europe. Llewellyn Publications, 2005.

Ravenwolf, SilverSolitary Witch: The Ultimate Book of Shadows for the New Generation. Llewellyn Publications, 2004.

StarhawkThe Spiral Dance: A Rebirth of the Ancient Religion of the Great Goddess. HarperCollins Publishers, Inc. 1979.

Valiente, DoreenWitchcraft for Tomorrow. Robert Hale, Ltd., 1993.

http://www.mikecrowson.co.uk/pentagram.html

http://paganinstitute.org/PI/ElementalPentagrams.html

Daily Feng Shui Tip for November 6th

Today’s ‘Marooned Without a Compass Day’ might be worrisome to those who embrace the Eastern or Traditional Schools of Feng Shui, since those schools figure out the Feng Shui of your home by using the compass and by locating the cardinal directions in your living space. However, we ascribe to the Western School whose teachings don’t require a compass, but instead employ a fixed map to outline the energies in your interior. One of the ideals that both schools agree upon is the importance of the formal front entryway and how having that space properly ‘Shui’ed’ can bring fortune and luck right to your door! First, clean up any clutter that might be keeping that front door from opening fully. Clean the actual front door itself and, if possible, paint the door red (for luck and fortune) or green (for positive and profitable growth). Replace the bulbs that are immediately inside and outside the front door with the highest wattage that you can find. If you are unemployed and looking for work, you should turn those two lights on everyday for nine straight days for at least three consecutive hours a day. Then send out energies and resumes. That cure works like a charm, as does putting a red flowering plant outside and to the left (as you look from the street) of the front door. Hanging a nine-rod metal wind chime in that same place will garner increased income opportunities, as will a clean and colorful welcome mat. Lastly, under that welcome mat should be a red envelope that holds nine crisp, brand new one dollar bills, as well as 49 shiny new pennies. Keep it there as long as it’ll last with the knowing that this ‘secret’ Entryway Shui cure brings coin and cash to the household, as well as happiness and joy. So screw the compass, do any of these adjustments or cures and opportunity will be sure to find its own way to you without stopping to ask directions.

By Ellen Whitehurst for Astrology.com

Your Daily Number for November 6th: 2

You’re more sensitive and intuitive than usual. You may find yourself having vivid dreams or even premonitions. Today you may wear the hat of mediator in a dispute, and you’ll do so with great success. Love and romance are also likely to have an effect on you today.

Fast Facts

About the Number 2

Theme: Adaptable, Tactful, Gentle, Cautious
Astro Association: Moon
Tarot Association: High Priestess

Today’s Tarot Card for November 6th is The Anchoret

The Anchoret

This Tarot Deck: Cagliostro

General Meaning: The challenge of what has traditionally been known as the Hermit card is to be able to recognize a teacher in a humble disguise. This font of mysterious knowledge will not make it easy for the student to acquire his wisdom, as it takes time and long contemplation to fathom what he knows. He often speaks wordlessly, or in ancient and barbaric tongues, communicating with the elements, animals and Nature herself.

While the hourglass was an identifying feature on the earliest Hermit cards, more modern ones have shifted the metaphor, showing more or less light released from his lantern. In either case, the Hermit card reminds us of the value of time away from the hubbub of civic life, to relax the ego in communion with Nature

WHEN CURSED BY UNKNOWN PERSON

 

WHEN CURSED BY UNKNOWN PERSON

 

Ingredients

 

Spell and magick be gone (say this three times)
That has been placed on me by person(s) known or unknown to me
Go back from whence you came
Remain with whom you came from
Be with who you were sent by
Then visualize a pyramid going over you.
I am under universal light and universal protection
Nothing less then universal perfection can touch me were I am
The forces of this spell do leave So mote it be.