Goddesses – Gaea Greek Earth or Land

Greek Goddess Gaea ( Gaia ) from greekgodsandgoddesses.net

Known as both Gaia and Gaea, the Goddess Gaia is a figure from Greek mythology. Her name essentially means earth or land and shows that she was the human version of the earth. Some refer to her as the ancestral mother and claim that she gave birth to all of the elements of the world. Gaia birthed URANUS, also known as Ouranos and THE TITANS as well as other major figures such as the Gigantes and CYCLOPES. Terra is the Roman version of the goddess.

In the creation myth, CHAOS came before everything else. He was made of Void, Mass and Darkness in confusion; and then earth in the form of Gaea came into existence. From “Mother Earth” sprang the starry heavens, in the shape of the SKY GOD Uranus, and from Gaea also came the mountains, plains, seas and rivers that make up the Earth we know today.

Meaning of Her Name – Gaia/Gaea

Though some Greek gods and goddesses have names that scholars later established, Gaia’s name dates back to before Greek civilization. Her name in other languages includes Doric and Attic, but all of the names mean earth. Mycenean Greeks called her Ma-Ka or Ma-Go, both of which mean Mother Gaia.

GAIA FACTS

Name(s): Gaia/ Gaea
Rules over: The Earth
Title: Goddess Of The Earth Mother Earth
Gender: Female (primoridal elemental)
Symbols: Fruit, Grain
Sacred animals:
Items: The Earth
Parents:
Consort: Uranus, Pontus, Aether and Tartarus
Other significant others: Retinue: – Carpi, Horae, Panes
Children: Uranus, Pontus, Nereus, Thaumus, Phorcys, Ceto, Eurybia, Aergia, Typhon, Python, and Antaeus the Ourea, the Hecatonchires, the Cyclopes, the Titans, the Gigantes
Roman name: Terra

The Titans and Earth

Gaia was the first of the immortals. She arose during the chaos period. Greeks refer to this period as the time before gods and goddesses. Christians use the same term to describe the world before God separated heaven and earth. She would become the eternal seat on Mount Olympus where all Olympians sat. Many refer to those men and women as the 12 Olympians. During the early years, many called her Mother Earth.

As soon as she arose, she took possession of Mount Olympus and began overseeing the world. TARTARUS was the next immortal and known for helping pave the earth, followed by EROS who was the god of love. After spending many years as the only creature, she became so lonely that she created Uranus. To make him happy, she gave him control over the sky and heaven. She believed that he would help and protect her. Gaia then created both PONTUS to oversee the ocean and OUREA to take over the mountains. These two beings were unique in that she created them alone and without the assistance of a father/male.

The creation of the Titans was equally as interesting. One night, the goddess and her son lay together. This resulted in the birth of CRONUS, who was the original Titan. While her other children loved and respected their mother, Cronus was different. He thought his mother was lusty and sinful. Knowing the truth behind his birth, he was often awful to her and acted out.

Other Children

As one of the more prolific goddesses in Greek mythology, Gaia had multiple children. Their births helped her become known as Mother Goddess. She and Uranus laid together a second time and sired Cyclopes. They also had Brontes and STEROPES, who became known as Thunder and Lighting along with Arges known as Bright. HECATOCHIRES, Gyges, Cottus and Briareos were other children the mother and son had together. Legend says that all three had 50 heads and 100 arms. Worried about their creation, Uranus tucked them away and hid his children from the world.

Gaia was unhappy but didn’t know to take control of the situation until she came up with a new plan. She used a piece of gray flint to create a sickle and convinced her other children to help with her plan. Uranus returned to his mother with amorous plans. He instead found Cronus who grabbed the sickle and cut off his father’s testicles. Even as his blood ran, Gaia used him to father more children. Sh bore both the MELIAE who were tree nymphs and the Giants as well as Erinyes. Many know this group as the furies. As his blood rushed into the sea, Aphrodite sprung forward.

After laying with her son Pontus, the goddess of the earth had several more children. These children include EURYBIANEREUS and CETO as well as Thaumas and PHORCYS. All of her children with this son are sea deities. This led to her connection to both the water and earth. She also had Triptolemos wit her son OCEANUS.
Cronus later became obsessed with a warning He received from both Uranus and Gaia.

They told him that he would have success in life but that one of his children would gain control over him. When he lay with Rhea who was his sister, he was so worried about what might happen that he swallowed their children immediately after she birthed them. RHEA wanted to have children. After becoming pregnant again, she went to her parents for help. They helped her protect the child and created a stone that they wrapped in cloth. Cronus thought this was his child, which gave Rhea time to escape with their actual child. This baby was ZEUS.

Years later, Zeus went to war with the Titans. Though his mother was a Titan and Gaia was the mother of the Titans, she agreed to help him. Zeus won in his battle and brought an end to the group who wanted to defeat him. Though she helped him, the earth mother and Tartarus had a son Typhon. Not only was TYPHON her last so, but he would later go up against Zeus.

Night and Day

Hyginus claimed that Gaia had a child with Sea and Heaven, which resulted in the births of AETHER and HEMERA. These two children later became known as night and Day. Another early biography of the goddess claims that she and Tartarus were the parents of ECHIDNA. Echidna was a monster who was part snake and part human. She spent much of her life living in a hidden cave and birthed some of the more popular monsters in
Greek mythology.

Gaia often appeared in different ways in early artwork. One of the oldest vase paintings from Athens depicts her as an older woman with half of her body still in the ground and a matronly figure. Other vases show her in a similar position with Erichthonius in her hands. This scene shows her giving the future king of the city to ATHENA who raised him. Other paintings show her as a more beautiful and younger woman relaxing on the ground with small gods nearby.

Gaea – Epithets and Cults

The most common epithet associated with Gaia is Anesidora, which is also one of the oldest names given to her. It means giver of gifts and shows that she gave to those in need. Others referred to her as Pandoros, Eurusternos and Calligenaia. In most stories, people followed both her and DEMETER and worshiped them equally. Some legends claim that her followers sacrificed black animals in honor of her. They would bring a white animal for the Sun and a black animal for the Earth.

Gaia Temples

As one of the more popular GREEK GODDESSES, many people worshiped Gaia and built temples in her honor. One legend claims that she was the creator of Delphi. It says that while clad as a tree, she stood in the center of town and spoke to a stone, which came to life. Before breathing life into the stone, Gaia was the original oracle. When she grew tired of the position, she appointed a nymph by the name of Daphnis to take over. A different legend claims that both Gaia and Poseidon shared the oracle. While she allowed the oracle the freedom to speak, Poseidon only allowed his to say what he wanted him to say. Her share of the oracle would later go to Apollo who eventually gave it back to POSEIDON.

There were other temples dedicated to her honor outside of Delphi. When Homer began writing GREEK MYTHOLOGY, he noted that APOLLO was in control of Delphi. He gained control after murdering Python, who was the goddess’s son. Hera was so unhappy at what he did that she banished him. Apollo worked as a shepherd for nine years before she allowed him to return.

Pausanias mentioned in his early books that there were three temples for Gaia worshippers. One was Gaion, which was a short ride from Krathis. He claimed this was the oldest of her temples and held many wooden images of her. This temple allowed women to apply for priestesses’ roles. They had to drink bull’s blood and then answer a series of questions honestly. When multiple women wanted the position, they competed in a series of challenges. The temple was unique because it allowed female priestesses who previously had relations with men as long as they were never with more than one man at a time.

Another temple designed for Gaia was in Sparta in an area known as Ge Gasepton. It was also a sanctuary of Nurse of the Young and not far from Athens. Like other temples of the time period, it had multiple altars where people could pray and worship her. Priestesses marked other areas as sacred spots designed for other gods and goddesses. EILEITHYIA had a sanctuary in Tegea that had an altar dedicated to her. There were similar altars in both Delphi and Olympia.

The connection she shared with Demeter is clear in the statues found in his temple. One of those is in Achaia and is known as the Temple of Demeter. His followers chose the location because it was in a quiet grove not far away from the ocean. When the weather was nice, followers could take long walks and enjoy their time outside. The area had both a temple to APHRODITE and one to Apollo. The Temple of Demeter has a STATUE of Demeter and Persephone along with one of Gaia. There is also a painting of her on display that shows her in a seated position.

As the mother of Zeus, it’s not surprising that some of his temples also pay homage to her. One of those is the Zeus Olympios in Athens near Kronos. It has a bronze sculpture of the god along with multiple antiques and artifacts. Inside is a portion of the floor with an open section in the middle. It originally had water that came down from the mountains. Visitors would mix honey and wheat into the water to pay their respects once a year. Deukalion built the sanctuary in honor of Zeus and added the water feature for Gaia, but it’s unknown when they did so.

Athens had another statue of the goddess that disappeared years ago. It showed Gaia standing on the Acropolis with a distraught look on her face as she begged Zeus to make it rain. The Areopagus court in Athens also had a statue of her, which was close to those of HERMES and Plouton. Near the statues was a sign that named each one.

Interpretations

There are many modern interpretations about Goddess Gaia that are different than those from the early years. Walker and Mellaart are among those who believe she has a connection to the Great Mother. During Neolithic times, followers worshiped the Great Mother and viewed her as the ultimate ideal of femininity and fertility. She often appears in sculptures and status as a seated woman with a serene look on her face. Scholars on this side believe that the Great Mother concept started in one region and made its way to ancient Greece where it became the Gaia legend.

Other experts in Greek mythology such as Staples and Ruck believe that both Demeter and Gaia were originally the same person. Some take this a step forward and add in the PERSEPHONE legend along with Hectate stories. They believe that all of the stories were originally about the same woman and that Greeks attributed them to different women later. A few books also claim that the story of Potnia came from Gaia. She was a woman known as the Mistress or the Mistress of Animals who later became associated with ARTEMIS. Potnia was a popular deity in Crete.

Mother Earth disappeared from popular mythos for many years until James Lovelock brought her back. Lovelock is a British scientist who released Gaia: A New Look at Life on Earth in 1979. This book introduced the Gaia hypothesis, which is a theory backed by other scientists. The theory claims that both inorganic compounds and living organisms on the planet must work together. Lovelock chose to name his theory after the earth goddess known as the personification of the earth. Though he won several awards for his work, he also attracted some controversy.

During the 1990s, the hypothesis gained attention from those interested in preserving the environment. They claimed that this concept would minimize the risk humans had on the world at large. New age enthusiasts also celebrated the concept.

The controversy came from those who felt it had no scientific basis. One biologist even claimed that the idea belonged in the dark ages. Others thought that humans caused more damage to the environment when they attempted to protect it. Some even thought that it went against the concepts of natural selection and evolution. Many wonder what the goddess would think about the idea if she was around today.

Quick Facts About Goddess Gaia

Gaia had more than 60 children with her sons and grandsons along with her consorts and other romantic partners.

The goddess is unique because she was born without a father and had several children on her own.

Delphi, one of the oldest and most recognizable of all oracles, was a possession of Gaia’s who she created after creating mystical vapors.

Despite the fact that she never settled down with one man, many chose her to oversee their weddings.

At least 11 of her children only occasionally appear in legends as hers. Other legends claim they had different parents.

Ancient Greeks believed that all life and elements of the earth came from her.

LETO, Uranus, Apollo and Aphrodite are among the Olympians in Gaia’s family tree.

The most common names attributed to her are Gaea and Gaia.

SOURCE: <a href=”https://greekgodsandgoddesses.net/goddesses/gaea/”>Goddess Gaea ( Gaia ): https://greekgodsandgoddesses.net</a&gt; – Greek Gods & Goddesses, November 29, 2021

Goddesses – Cerridwen (Welsh Celtic)

Cerridwen Welsh Celtic – Goddess of the Cauldron from deity-of-the-week.blogspot.com

In Welsh medieval legend, Ceridwen ( /ˈkɛrɪdwɨn/ kair-id-wən), also spelled Cerridwen, was an enchantress, mother of Morfran and a beautiful daughter Creirwy. Her husband was Tegid Foel, and they lived near Bala Lake (Llyn Tegid) in north Wales. Medieval Welsh poetry refers to her as possessing the cauldron of Poetic Inspiration (Awen) and the Tale of Taliesin recounts her swallowing her servant Gwion Bach who is then reborn through her as the poet Taliesin. Ceridwen is regarded by modern Wiccans as the Celtic goddess of rebirth, transformation, and inspiration.

Etymology
There are several possible interpretations of the name ‘Ceridwen’. The earliest recorded form, found in the Black Book of Carmarthen, is Cyrridven.[1] This was interpreted by Sir Ifor Williams as “crooked woman” (cyrrid < cwrr “crooked or bent”? + ben “woman, female”), although the precise meaning of cyrrid is uncertain.[2][3] Another possible meaning for the second element, based on the much more common form ‘Ceridwen’, is “fair, beloved” or “blessed, sacred” (gwen, mutated here to -wen, is a common element in female saints’ names, e.g. Dwynwen).[4]

Legend
According to the late medieval[5] Tale of Taliesin, included in some modern editions of the Mabinogion, Morfran (also called Afagddu) was hideously ugly, so Ceridwen sought to make him wise. She had a magical cauldron that could make a potion granting the gift of wisdom and poetic inspiration. The mixture had to be boiled for a year and a day. Morda, a blind man, tended the fire beneath the cauldron, while Gwion Bach, a young boy, stirred the concoction. The first three drops of liquid from this cauldron gave wisdom; the rest was a fatal poison. Three hot drops spilled onto Gwion’s thumb as he stirred, burning him. He instinctively put his thumb in his mouth, and instantly gained great wisdom and knowledge.

Ceridwen chased Gwion. He turned himself into a hare. She became a greyhound. He became a fish and jumped into a river. She turned into an otter. He turned into a bird; she became a hawk. Finally, he turned into a single grain of corn. She then became a hen and ate him. When Ceridwen became pregnant, she knew it was Gwion and resolved to kill the child when he was born. However, when he was born, he was so beautiful that she couldn’t do it. She threw him in the ocean instead, sewing him inside a leather-skin bag. The child did not die, but was rescued on a Welsh shore – near Aberdyfi according to most versions of the tale – by a prince named Elffin ap Gwyddno; the reborn infant grew to became the legendary bard Taliesin.

From: Wiki

Cerridwen was worshipped by the people of Wales — who call themselves the Cymri or friends, for the term “Welsh” means “foreigner” in the language of their British neighbors.

Cerridwen lived on an island in the middle of Lake Tegid with her two children — the beautiful Creidwy and the ugliest boy in the world, Afagdu. To compensate her son for bestowing such a body on him, the goddess brewed a magical formula that would make her son the most brilliant and inspired of men. For a year and a day, she kept herbs simmering in her caldron, which she left under the care of a little boy named Gwion.

One day, while the goddess was out collecting more herbs for her brew, a few drops of the bubbling liquid splattered onto Gwion’s finger. Scowling in pain, he stuck his hand instantly into his mouth. Miraculously, he was able to hear everything in the world and to understand the secrets of both the past and the future.

His enchanted foresight showed him how angry Cerridwen would be when she found a mere mortal had acquired the inspiration intended for her son. So he ran away; the all-knowing Cerridwen realized what had happened and pursued him. Gwion changed himself into a hare; Cerridwen pursued him as a greyhound. So they ran: he as a fish, she as an otter; he as a bird, she as a hawk; he as a grain of wheat, she as a hen.

It was in the final form that she caught and devoured him, bearing him nine months later as a child. She threw the baby into the water where he was caught by a prince and grew into the poet Taliesin, the greatest poet in his language. Thus the Welsh expressed their understanding that death and rebirth were necessary for true inspiration to be brought into this world, showing the Muse, the goddess of inspiration, in a somewhat more terrible form than she appears in other cultures.

Crone of Wisdom:

In Welsh legend, Cerridwen represents the crone, which is the darker aspect of the goddess. She has powers of prophecy, and is the keeper of the cauldron of knowledge and inspiration in the Underworld. As typical of Celtic goddesses, she has two children: daughter Crearwy is fair and light, but son Afagddu (also called Morfran) is dark, ugly and malevolent.

The Legend of Gwion:
In one part of the Mabinogion, which is the cycle of myths found in Welsh legend, Cerridwen brews up a potion in her magical cauldron to give to her son Afagddu (Morfran). She puts young Gwion in charge of guarding the cauldron, but three drops of the brew fall upon his finger, blessing him with the knowledge held within. Cerridwen pursues Gwion through a cycle of seasons until, in the form of a hen, she swallows Gwion, disguised as an ear of corn. Nine months later, she gives birth to Taliesen, the greatest of all the Welsh poets.

The Symbols of Cerridwen:
The legend of Cerridwen is heavy with instances of transformation: when she is chasing Gwion, the two of them change into any number of animal and plant shapes. Following the birth of Taliesen, Cerridwen contemplates killing the infant but changes her mind; instead she throws him into the sea, where he is rescued by a Celtic prince, Elffin. Because of these stories, change and rebirth and transformation are all under the control of this powerful Celtic goddess.

The Cauldron of Knowledge:
Cerridwen’s magical cauldron held a potion that granted knowledge and inspiration — however, it had to be brewed for a year and a day to reach its potency. Because of her wisdom, Cerridwen is often granted the status of Crone, which in turn equates her with the darker aspect of the Triple Goddess.

As a goddess of the Underworld, Cerridwen is often symbolized by a white sow, which represents both her fecundity and fertility and her strength as a mother. She is both the Mother and the Crone; many modern Pagans honor Cerridwen for her close association to the full moon.

Cerridwen (“White Sow”, or “White Crafty One”) is the Welsh grain and sow-goddess, keeper of the cauldron of inspiration and goddess of transformation. Her son Afagddu was so horribly ugly She set to making a brew of wisdom for him, to give him a quality that could perhaps overcome his ugliness. Every day for a year and a day She added herbs at the precise astrological times, but on the day it was ready the three magical drops fell instead on the servant boy, Gwion Bach, who was set to watch the fire. Instantly becoming a great magician, the boy fled from Her wrath, and as She pursued him they each changed shape–a hound following a rabbit, an otter chasing a salmon, a hawk flying after a sparrow–until finally the boy changed to a kernel of wheat, settling into a pile of grain on a threshing-floor. Cerridwen, becoming a black hen, found him out and swallowed him down.

Nine months later she gave birth to Taliesin, who would be the greatest of all bards.

Called “the White Lady of Inspiration and Death”, Cerridwen’s ritual pursuit of Gwion Bach symbolizes the changing seasons. Her cauldron contains awen, meaning the divine spirit, or poetic or prophetic inspiration. Her link as the Mother of Poetry is seen in Her reborn son Taliesin, and in the Welsh word that makes up part of Her name, cerdd, which also means poetry.

From: ThaliaTook.com

The image of her cauldron, holding the magickal potion of wisdom, is the mythical origin of the Halloween image of a cauldron-stirring hag, making up her witch’s brew 11 . The brew had to simmer for a year and a day, a common passage of time in Celtic lore, and a standard time before magickal initiation. Today, many Druidic pagans believe that her shape-shifting chase after Gwion was meant to represent the different elevations of Druidic initiation rites 12 . The chase can also be seen as representative of the many changes our souls must make, into different forms, and over different human lifetimes, before we can discover the very reason for our existence 13 .

The potent nature of her brew has, today, transformed Cerridwen, in some eyes, into a goddess of fertility, creativity, harvest, inspiration, knowledge and luck 14 . A festival in her honor is celebrated on July 3rd, and the pink sow, a symbol of fertility, good fortune and enrichment, is said to be her matron animal 15 .

From: Here

Neud amug ynghadeir o beir Cerridwen!
Handid rydd fy nhafawd
Yn adddawd gwawd Ogyrwen.

Is not my chair protected by the cauldron of Cerridwen?
Therefore, let my tongue be free
In the sanctuary of the praise of the Goddess.
The Bard Taliesin

The Welsh Goddess Cerridwen brewed a magical potion for her son, to make him the most brilliant and inspired of men. She set a boy named Gwion to stir and guard the cauldron, and a few drops bubbled onto his hand. Gwion instinctively sucked the burned hand, and instantly all the wisdom and knowledge of the universe was apparent to him. Cerridwen, angered, pursued Gwion as he shapeshifted from one animal to another and finally to a grain of corn, whereupon Cerridwen, who had shapeshifted as well and was now in the guise of a hen, ate him.

Nine moons later, Cerridwen gave birth to Taliesin, the greatest of all bards. In him was all the wisdom of his mother’s magic. Cerridwen’s cauldron is but one of many magical cauldrons and vessels in Celtic lore. It is a powerful symbol of transforming magic, and of the lessons learned through change and experience, as well as divine creative inspiration.

Also see:

A List of Celtic Gods and Goddesses

(When reading this list keep in mind that the word “Celtic” covers many different areas of Britian and centuries ago different parts of Europe there may be a difference in what they believe or how they follow a god or goddess different from another area of Celts. The Druids also have their own way of following a deity.)

A List of Celtic Gods and Goddesses from thoughtco.com

The Druid priests of the Celts did not write down the stories of their gods and goddesses but instead transmitted them orally, so our knowledge of the early Celtic deities is limited. Romans of the first century BCE recorded the Celtic myths and then later, after the introduction of Christianity to the British Isles, the Irish monks of the 6th century and Welsh writers later wrote down their traditional stories.

Alator

The Celtic god Alator was associated with Mars, the Roman war god. His name is said to mean “he who nourishes the people”.

Albiorix

The Celtic god Albiorix was associated with Mars as Mars Albiorix. Albiorix is the “king of the world.”

Belenus

Belenus is a Celtic god of healing worshiped from Italy to Britain. The worship of Belenus was linked with the healing aspect of Apollo. The etymology of Beltaine may be connected with Belenus. Belenus is also written: Bel, Belenos, Belinos, Belinu, Bellinus, and Belus.

Borvo

Borvo (Bormanus, Bormo) was a Gallic god of healing springs whom the Romans associated with Apollo. He is depicted with helmet and shield.

Bres

Bres was a Celtic fertility god, the son of the Fomorian prince Elatha and the goddess Eriu. Bres married the goddess Brigid. Bres was a tyrannical ruler, which proved his undoing. In exchange for his life, Bres taught agriculture and made Ireland fertile.

Brigantia

British goddess connected with river and water cults, equated with Minerva, by the Romans and possibly linked with the goddess Brigit.

Brigit

Brigit is the Celtic goddess of fire, healing, fertility, poetry, cattle, and patroness of smiths. Brigit is also known as Brighid or Brigantia and in Christianity is known as St. Brigit or Brigid. She is compared with the Roman goddesses Minerva and Vesta.

Ceridwen

Ceridwen is a Celtic shape-shifting goddess of poetic inspiration. She keeps a cauldron of wisdom. She is the mother of Taliesin.

Cernunnos

Cernunnos is a horned god associated with fertility, nature, fruit, grain, the underworld, and wealth, and especially associated with horned animals like the bull, stag, and a ram-headed serpent. Cernunnos is born at the winter solstice and dies at the summer solstice. Julius Caesar associated Cernunnos with the Roman Underworld god Dis Pater.

Source: “Cernunnos” A Dictionary of Celtic Mythology. James McKillop. Oxford University Press, 1998.

Epona

(SIDE NOTE: this goddess are evolved into the goddess of all domestic animals in some modern traditions)

Epona is a Celtic horse goddess associated with fertility, a cornucopia, horses, asses, mules, and oxen who accompanied the soul on its final journey. Uniquely for the Celtic goddesses, the Romans adopted her and erected a temple to her in Rome.

Esus

Esus (Hesus) was a Gallic god named along with Taranis and Teutates. Esus is linked with Mercury and Mars and rituals with human sacrifice. He may have been a woodcutter.

Latobius

Latobius was a Celtic god worshipped in Austria. Latobius was a god of mountains and sky equated with the Roman Mars and Jupiter.

Lenus

Lenus was a Celtic healing god sometimes equated with the Celtic god Iovantucarus and the Roman god Mars who in this Celtic version was a healing god.

Lugh

Lugh is a god of craftsmanship or a solar deity, also known as Lamfhada. As leader of the Tuatha De Danann, Lugh defeated the Fomorians at the Second Battle of Magh.

Maponus

Maponus was a Celtic god of music and poetry in Britain and France, sometimes associated with Apollo.

Medb

Medb (or Meadhbh, Méadhbh, Maeve, Maev, Meave, and Maive), goddess of Connacht and Leinster. She had many husbands and figured in the Tain Bo Cuailgne (Cattle Raid of Cooley). She may have been a mother goddess or historical.

Morrigan

(SIDE NOTE: this goddess is properly referred to as “the Morrigan” amongst other names)

Morrigan is a Celtic goddess of war who hovered over the battlefield as a crow or raven. She has been equated with Medh. Badb, Macha, and Nemain may have been aspects of her or she was part of a trinity of war goddesses, with Badb and Macha.

The hero Cu Chulainn rejected her because he failed to recognize her. When he died, Morrigan sat on his shoulder as a crow. She is usually referred to as “the Morrigan”.

Source: “Mórrígan” A Dictionary of Celtic Mythology. James McKillop. Oxford University Press, 1998.

Nehalennia

Nehalennia was a Celtic goddess of seafarers, fertility, and abundance.

Nemausicae

Nemausicae was a Celtic mother goddess of fertility and healing.

Nerthus

Nerthus was a Germanic fertility goddess mentioned in Tacitus’ Germania.

Nuada

Nuada (Nudd or Ludd) is the Celtic god of healing and much more. He had an invincible sword that would cut his enemies in half. He lost his hand in battle which meant that he was no longer eligible to rule as king until his brother made him a silver replacement. He was killed by the god of death Balor.

Saitada

Saitada was a Celtic goddess from the Tyne Valley in England whose name may mean “goddess of grief.”

Sources and Further Reading 

Monaghan, Patricia. “The Encyclopedia of Celtic Mythology and Folklore.” New York: Facts on File, 2004.

Rutherford, Ward. “Celtic Mythology: The Nature and Influence of Celtic Myth from Druidism to Arthurian Legend.” San Francisco: Weiser Books, 2015. 

MacCana, Prosinsias. “Celtic Mythology.” Rushden, England: Newnes Books, 1983.

McKillop, James. “Fionn mac Cumhail: Celtic Myth in English Literature.” Syracuse NY: Syracuse University Press, 1986. 

SOURCE: Gill, N.S. “A List of Celtic Gods and Goddesses.” ThoughtCo, Apr. 5, 2023, thoughtco.com/celtic-gods-and-goddesses-117625.

Gods and Goddesses – Other Greek deities, minor gods and divine beings

Other Greek deities, minor gods and divine beings

Other Deities

Agricultural deities

Chthonic deities

Health deities

Rustic deities

Sky deities

Water deities

Gods and Goddesses – Overview of the Olympian Gods and Goddesses

I am using just one website greek-gods.org for this overview of Greek Olympian Gods and Goddesses so, if I missed any please let me know in the comments section. Thank you!

If you studied Greek mythology in school these would be the deities you might be most familiar with. There are other names mentioned in books on Greek mythology which I will list tomorrow but will probably not be doing individual posts on in the future.

The Olympian gods, main Greek gods

The Olympian gods or Olympians are younger gods who got the name after their mythical place Mount Olympus. They had gained rank as the rulers of the world after dethroning the elder gods, known also as the Titans, in a ten-year war called Titanomachy. The Olympians, as they called themselves, were the main gods of Ancient Greece and were representing civilization of the world.

The first generation Olympians were descendants of a titan couple Cronus and Rhea. Together they gave birth to six children, three sons and three daughters. The sons were PoseidonHadesZeus and daughters HeraHestia and Demeter. Zeus, Poseidon, Hera and Demeter are always considered as Olympian gods while Hestia and Hades are only included at some point of their existence. Hades was supposed to live on Mount Olympus and had every honour and right to but was given the realm of death under his control, when the three brothers had to split the cosmos after the victory over titans. And Hestia lived there just for a short period. After being granted a place on Mount Olympus by Zeus she eventually, because of her modesty, gave away her place to keep peace among gods because there were only twelve places on Mount Olympus, and the desire for these was huge among gods. The second generation Olympians were AthenaAresHermesDionysusApolloArtemis and HephaestusAphrodite is also sometimes considered as the second generation goddess but is in general referred to be from the titans generation. Anyway, all of these gods are referred as Olympian gods and together they presided over every aspect of human life.

The Olympian Gods

Titans generation

First generation

Click on the hyperlink for each God or Goddess for more information about them. I will post on each individually in the days and weeks to come.

Gods and Goddesses – An Overview of Greek Titans Gods

I am using just one website greek-gods.org for this overview of Greek Titans Gods and Goddesses so, if I missed any please let me know in the comments section. Thank you!

The Titans, elder Greek gods and first divine rulers

The mighty Titans were a powerful race that ruled the world before Olympians, in a time of the Golden Age of men. They were immortal giants of incredible strength and knowledge of old religion rituals and magic. They are also known as the Elder Gods and their dwelling place was at Mount Othrys. In Greek culture they were interpreted as personifications of the earth (Gaea) and the sky or heavens (Uranus).

The first generation of Titans were descendants of Gaea and Uranus who originally gave birth to Twelve Titans, six males and six females. Males were CoeusCronusCriusHyperionIapetus and Oceanus and females were MnemosynePhoebeRheaTheiaThemis and Tethys. They arose to power when Cronus, in a plot with his mother and his brothers, castrated his father Uranus and took the rulership of Cosmos from him. More details about this conflict can be found in the Genesis

During this reign, the titans and other primeval gods decided to pass on the godly genes and gave birth to the second generation of Titans. Hyperion and Theia gave birth to EosHelios and Selene, while Coeus and Phoebe brought forth Leto and Asteria. Oceanus and Tethys gave birth to Oceanids and Potamoi who are in general not referred as Titans. However, an Oceanid Clymene, a daughter of Oceanus and Tethys, helped Iapetus to continue the next generation and bore him AtlasPrometheusEpimetheus and Menoetius. Crius and his half-sister Eurybia, a daughter of Gaea and Pontus, brought forth AstraeusPallas and Perses and, eventually, Cronus and Rhea gave birth to younger gods, ZeusHadesPoseidonHeraHestia and Demeter who rebelled against Cronus and his followers and later defeated them in a ten-year war, known as Titanomachy. They called themselves the Olympian Gods, after Mount Olympus which was their main dwelling place, and became the new rulers of Cosmos.

The Titans

Click on the hyperlink for each God or Goddess for more information about them. I will post on each individually in the days and weeks to come.

First generation

Crius

Cronus

Hyperion

Iapetus

Mnemosyne

Oceanus

Phoebe

Rhea

Tethys

Theia

Second generation

Eos

Epimetheus

Helios

Leto

Prometheus

Not a Goddess but a Wife of a God – Enarete

Greek – ENARETE WIFE OF AEOLUS

Gods and Goddesses – Creative Deities c. 2012

Creative Deities

Gods/Goddesses– Lugh, Goibniu, Brigit, Cerridwen, the Dagda, Ogma, Taliesin, Merlin, Bran the Blessed, Manannan mac Lir, Diancecht, Nantosuelta, Nuada, Luchtaine, Credne, Druantia, Scathach, Kai, Weyland, Rhiannon, Cernunnos, Athena, Hera, Hestia, the Muses, Apollo, Hermes, Hephaestus, Artemis, Thalia, Euphrosyne, Aglaia, Pan, Terpsichore, Hades, Pan, Euterpe, Orpheus, Minerva, Pales, Juno, Mercury, Vulcan, Diana, Faunus, Vesta, Osiris, Ptah, Khnemu, Thoth, Isis, Neith, Seshat, Anubis, Hathor, Khepera, Ra, Bast, Bes, Xochiquetzal, Itzamna, Pachacamac, Quetzalcoaltl,Tezcatlipoca, Xochipilli, Ishtar, Astarte
Color– True Pure Blue
Incence/Oil– Lily of the Valley
Animals– Dolphin, Whales
Spirits– Mermaid
Stones– Azurite, Torquoise
Metal– Aluminum
Plants– Carnation, Honeysukle, Vervain
Wood– Bramble
Planet– Neptune
Tarot Cards– Four Kings, Four Twos
Magickal Tools– Cauldron, Wand
Direction– South
Rituals– Achieving Equilibrium, Spiritual Manifestations, Creative Force, Divine Inspiration

Goddesses – Airmid

 

AIRMID

CELTIC GODDESS OF HEALING

Airmid, also known as Airmed or Airmeith, is the Celtic Goddess of the Healing Arts. She was also a member of the Tuatha De Danaan, the most ancient race of deities in Ireland and just as they did, she had great magickal powers. When the Goddess Danu first created the Tuatha De Danaan, she made sure that its members were very powerful gods, filled with great wisdom and skilled in every possible area of expertise.

Some people believe that the Tuatha De Danaan was comprised of Druids, who were extremely knowledgeable in both prophecy and magick. When the members of the Tuatha De Danaan decided to study something, not only did they simply learn about it, they actually went much farther, by deeply immersing themselves in that particular field to the point where they became the greatest experts in the world. They believed strongly in the three components of life: the Earth, the Mysteries, and the Spirit realm and that they were all of equal importance.

Airmid was the daughter of Diancecht, the God of Medicine, and the Chief Physician and Magician of the Tuatha De Danaan. She also had four brothers: Miach, Cian, Cethe, and Cu, and they all followed closely in their father’s footsteps. Airmid also had a sister named Etan, who was a poet who was also married to Oghma. Coming from that kind of a heritage, there can be little doubt that Airmid and her brothers excelled in the healing arts.

When the Fir Bolgs first arrived in Ireland, the Tuatha De Danaan fought against them in a great war, protecting its people and land from invasion. During the first battle, the Tuatha defeated the Fir Bolgs and killed their king, Eocchid MacEric. Nuada, the King of the Tuatha De Danaan was also seriously injured in that battle when his arm became severed from his body.

Since Diancecht was the Chief Physician of the Tuatha De Danaan, he was immediately called upon to attend to Nuada’s wounds, and he brought Airmid and Miach with him to assist. While Diancecht was working upon Nuada, it became increasingly clear that Airmid’s and Miach’s skills as healers were much greater then those of their father.

While Diancecht had decided to replace Nuada’s severed arm with one that he had constructed from silver, Airmid was actually able to regenerate the King’s own arm to perfect working order. Then Miach, using his amazing surgical skills, took the regenerated arm and re-attached it to the King’s body. These actions were extremely important to the Tuatha De Danaan and especially to Nauda, because according to its laws, no one could ever be its king, whose body was not completely whole. If Nuada’s arm had not been re-attached to his body, through Airmid and Miach’s amazing skills, then his reign as King would have ended.

Airmid, Miach and Diancecht built the Well of Slaine in Ireland, which was also known as the Well of Health. They then caste spells over it, so that the well’s magickal waters could not only restore life to those warriors who had been killed in battle; it could actually return them all to perfect health. When a wounded warrior was brought to the well his body was immediately immersed in its waters, which not only brought him back to life, but also made him well enough to return to the battle.

However, during the second Battle of Moytura, things did not go well for the Tuatha De Danaan because their enemies had filled the Well of Slaine with stones. That made it impossible for them to bring their warriors bodies back to life, and the well soon became known as the “Heapstown Cairn.”

Airmid’s brother Miach was an extremely talented healer, and when Diancecht realized that his son’s abilities were so greatly superior to his own he became extremely jealous. Soon, that jealousy began to turn into rage, and that rage became so great that he drew his sword and slashed Miach quite badly. Miach, however, using his superior medical knowledge and magickal skills, immediately healed the wound.

That just made Diancecht’s anger grow even greater, and for a second time he drew his sword, this time cutting Miach through to the bone. Just as quickly, however, Miach was able to heal himself once more.

It was at that point that Diancecht finally lost what little control he had left over his rage and, once again taking his sword in his hand, he sliced directly into his son’s brain tissue. What happened then was truly miraculous. Miach showed himself to be the outstanding physician that he was, and he actually was able to heal himself one more time.

Finally, it became extremely clear that Diancecht’s hatred of his son had reached the point of no return. Slowly, Diancecht drew his sword and then, for the final time, he struck his son in the head, this time severing Miach’s brain completely from his skull. It was then that Diancecht just walked away, leaving his wounded son who was no longer able to heal himself lying there on the ground to die. Legend has it, that when Diancecht looked down upon his dying son, he never once exhibited even the slightest bit of remorse.

Airmid also had great magickal powers and herb craft was her specialty. Miach had taught her well, and she knew the different uses of each and every plant. When Airmid buried her brother it was with great sorrow. She missed him dearly, since they had always been so very close, and she frequently would go to visit his grave. One day, when she arrived at Miach’s grave, she was amazed to find 365 healing herbs growing on and around his grave, with one herb for every joint and organ of his body.

Methodically, Airmid began to gather up the herbs. Then, quite amazingly, the herbs began to speak to her, telling her of the full range of their healing powers. Airmid then took the herbs and separated each from the other. Then she arranged them systematically upon her cloak, each according to its own particular use or special properties. With the knowledge she had gained from the herbs, she then proceeded to use it to heal people who needed medical attention.

Amazingly, Diancecht’s obsessive hatred for his son did not end with Miach’s death. Still consumed by his enormous rage, Diancecht went over to Airmid’s cloak and overturned it, scattering all the herbs into the wind; thereby making certain that no one except Airmid would ever know the use of the herbs’ healing properties or the secret of how to achieve immortality which was made possible through the herbs proper use.

Even though Diancecht was her father, Airmid found herself unable to have any feelings for him, and refused to have anything to do with him. In fact, she found it so impossible to even go anywhere near him, that she travelled far away to a place where she would never have to see him again.

It is believed that Airmid still works as a Physician, high in the mountains of Ireland, spending much of her time healing Faeries, Elves and humans; bringing them all back to good health through her practical knowledge and amazing magickal skills.

Airmid

Celtic Goddess of Healing, Plants and Herbs

Airmid was a Celtic Goddess of the healing arts especially dealing with herbs and plants. She was the daughter of Dian Cecht who was the God of Medicine and chief physician to the Tuatha de Danann, the Gods of Ireland. Airmid had four brothers Miach, Cian, Cu and Cethe who also followed the path of healing and medicine.

The Tuatha de Danann went to war with the Fir Bolgs when they invaded Ireland.

The king of the Tuatha de Danann, Nuada, was injured in battle and his arm had been severed. According to the laws it was said that no man could be king whose body was not whole, so Nuada immediately called on his physician, Dian Cecht. The physician brought his daughter Airmid and his son Miach with him since they were both skilled healers.

Dian Cecht had planned to reconstruct a new arm for Nuada made of silver but since Airmid was known for her regenerative skills she was able to create an arm made of human flesh.

Miach was known for his surgical skills and he was able to attach the new arm to Nuadas body so that it looked like he had never lost an arm in the first place. So great was Miachs surgical skills that his father became jealous and in a fit of envious rage he grabbed a sword and cut off Miachs head.

Airmid was beside herself with grief after losing her brother.

She buried him and made a cairn of stones over his grave. She visited his grave to mourn his loss everyday for a year. Than one day when she went to sit at his grave she came upon 365 different herbs growing on top and all around his burial site. She laid out her cloak to gather all the herbs and as she gently plucked them from the fertile earth they whispered their unique healing properties to her. There was an herb for each joint, organ and bone in the body.

Her father Dian Cecht, still jealous of his sons vast knowledge, found Airmid and overturned her cloak scattering the herbs to the wind so that no one but she would know of the healing herbs secrets.

Thankfully, Airmid had already committed everything to memory and could regrow all the herbs to continue her and her brothers healing work. Airmid was called upon when men and women were hurt during battle. She was also said to be a healer for the fairies and other magical creatures of the forests and mountains of Ireland.

Airmid can be called upon today for any healing work you are doing.

Or any herbal medicine preparations. She can also be called on while you’re gardening and planting as she will watch over the plants and lend them her healing powers and magic.

Reference:

Love of the Goddess

Goddesses – Calliope

Calliope – The Greek Chief of Nine Muses

Greek goddess Calliope had a way with words. In fact, she was so eloquent and poetic that she was highly regarded by Hesiod and Ovid. Of all THE MUSES, she was considered the “Chief”.

In modern times, you’ll see the goddess depicted as a fine writer with a tablet, roll of paper or book in hand. Occasionally, her role of a mother is emphasized as she is shown with her children. Other artists draw and paint her with a gold crown on her head.

As the oldest of the muses, she had influence. People with creative talents called upon her to help inspire and guide their work which she did regularly. When she wasn’t busy falling in love, she was overseeing music, song, and dance.

Literature Said to Be Inspired by Calliope

Calliope inspired and was referred to in many famous works of literature. It is said that she was the muse for the Iliad and the Odyssey. Although it is not known to be verified, many people believe she is what inspired Homer’s work.

The GREEK GODDESS is also said to be a part of Virgil’s poetry, too. In the Aeneid, she is invoked. Calliope is also referred to in Dante’s Divine Comedy where dead poetry is given new life thanks to the goddess and her abilities to inspire.

Artwork Featuring the Greek Goddess Can Be Found on Pottery in Italy

The goddess inspired artwork, too. Her image is on the Francois Vase, a beautiful work of art created by the potter Ergotimos in 570 BCE. It resides in the Museo Archeologico in Florence, Italy where it is seen and appreciated by new generations of creative people.

Calliope’s Love Life and Family Life

Calliope had children with King Oeagrus of Thrace and loved by the god APOLLO. She had one son, ORPHEUS, with the king and two sons with the latter. They were named Hymen and Ialemus.

The bard Orpheus is the most famous child of the Greek muse. He was murdered by Bacchantes, and Calliope was devastated. The island of Lesbos was dedicated to her son, who has also been mentioned in literature throughout centuries.

Calliope is said to have had a relationship with ACHILLES. She taught him how to sing which encouraged rowdiness while he drank. When you hear about an Achilles’ heel, it refers to the arrow shot by Trojan Paris that brought down the legendary mortal.

SOURCE: <a href=”https://greekgodsandgoddesses.net/goddesses/calliope/”>Calliope: https://greekgodsandgoddesses.net</a&gt; – Greek Gods & Goddesses, October 20, 2019

(Side Note from Lady Carla Beltane: You can thank Calliope for most of the content I post on WOTC. I have been honored by having Calliope as a muse for many years)

Goddesses – Iris

Iris – Greek Goddess of The Rainbow

A goddess named “Iris” personified the rainbow in the mythology of ancient Greece. Most works of art depict her either in the form of a beautiful rainbow, or as a lovely maiden. She wore wings on her shoulders and usually carried a pitcher in one hand. Her name combined the Greek words for “messenger” and “the rainbow” to signify her dual role. Some accounts depict her as one of the goddess Hera’s assistants. (HERA carries associations with the sky.)

The ancient Greeks considered Iris the female counterpart of HERMES. She served as a messenger from MOUNT OLYMPUS. She would use her pitcher to scoop up water from the ocean and carry it into the clouds. Some legends also hold she used her pitcher to collect water from the River STYX, the shadowy river separating the world of human beings from the underworld. Many Greeks viewed Iris as an important link between MORTALS and the realm of the gods.

IRIS FACTS

Name(s): Iris
Rules over: Rainbows and messenger of the Olympian Gods
Title: Goddess Of The Rainbow
Gender: Female
Symbols: Herald’s wand
Sacred animals:
Items: Pitcher
Parents: Thaumas and Electra
Consort: Zephryos
Other significant others: Siblings: – Arke, Harpies, Hydaspes
Children: Pothos
Roman name: Arcus

The Family Life of Iris

Most sources describe Iris as the daughter of the OCEANID cloud nymph ELEKTRA and Thaumas, a minor god sometimes associated with the sea. She would have been one of the TITAN OCEANUS granddaughters. Her rainbow frequently appeared in the sky over bodies of water.

Legends differ about her life as an adult. Some stories describe her as unmarried and primarily a messenger for the OLYMPIAN GODS. In other accounts, she fell in love with ZEPHYROS, the god of the West Wind. They had a son named Pothos, who personified Desire.

Iris as a Messenger

Iris would frequently use her pitcher to serve nectar to the GODS AND GODDESSES on Mount Olympus. When these major ancient Greek deities needed to send messages to other gods or to human beings, they would sometimes ask Iris to transmit their words. She could travel very quickly from Mount Olympus to Earth, and could even journey quickly into HADES.

Many ancient Greeks considered Iris one of the most beautiful goddesses. The ancient Greeks described her as “swift footed”, suggesting she could respond rapidly to requests. In legends, she carries symbolic associations with messages and communication.

SOURCE: <a href=”https://greekgodsandgoddesses.net/goddesses/iris/”>Iris: https://greekgodsandgoddesses.net</a&gt; – Greek Gods & Goddesses, June 12, 2018

Goddesses – Melpomene

Melpomene – One of the Nine Greek Muses

In GREEK MYTHOLOGY, the NINE MUSES provided inspiration for literature, art, music, and science. They were the DAUGHTERS OF ZEUSTHE KING OF THE GODS, and the goddess of memory, MNEMOSYNE. The nine Muses were also goddesses who lived above the summits of MOUNT OLYMPUS, Helicon, Parnassus, and the Pindus. Melpomene was one of the nine Muses. Her sisters were CLIOTHALIACALLIOPEPOLYHYMNIAEUTERPEERATOTERPSICHORE, and URANIA. Each Muse was assigned a specific role. These roles were history, comedy, poetry, music, dancing, singing, sacred hymns, rhetoric, and harmony. Melpomene’s role was the tragedy.

A tragedy is a form of ancient Greek drama that was performed in open-air theatres in Athens and forms the foundation of modern theatre. The origin of tragedy is debated by scholars. It is believed that tragedy began as a performance of epic poetry that included worship rituals to the god of theatre, DIONYSUS. The subject matter of Greek tragedy dealt with moral right and wrongs, and the performers would wear masks to impersonate a god. There were up to three performers with speaking roles and up to 15 performers in the chorus who only sang. All performers were male and played both male and female roles.

Images of Melpomene often depict her as holding a tragic mask in one hand and a sword in the other hand. She usually has a wreath in her hair and wears boots that were worn by tragic actors called cothurnus. An ancient Greek dramatist would call on the name of Melpomene to help him create his work. All nine Muses were immortal and could bless mortals with artistic gifts that they could use beautify their songs, add grace to their dances, and provide healing and comfort to the sick and heartbroken. Muses could also be resentful toward any mortal who did not believe in their artistic powers.

SOURCE: <a href=”https://greekgodsandgoddesses.net/goddesses/melpomene/”>Melpomene: https://greekgodsandgoddesses.net</a&gt; – Greek Gods & Goddesses, October 21, 2019

Goddesses – Nephthys

Egyptian goddess Nephthys

Nephthys was an ancient goddess, who was referenced in texts dating back to the Old Kingdom. She was a member of the Ennead of Heliopolis as the daughter of Geb and Nut and the sister of OsirisIsis, and Horus, as well as the sister and wife of Set. When the Ennead and Ogdoad merged, Nephthys was given a place on Ra’s boat so that she could accompany him on his journey through the underworld.

Nephthys is the Greek pronunciation of her name. To the Ancient Egyptians she was Nebthwt (Nebhhwt or Nebthet) meaning “the Mistress of the House”. The word “hwt” (“house”) may refer to the sky (as in Hwt-hor, the “House of Horus” – the name of Hathor), but it also refers to either the royal family or Egypt as a whole. The latter makes a great deal of sense as she was described as the head of the household of the gods and was thought to extend her protection to the head female of every household. She was sometimes associated with Ptah-Tanen in representing Lower Egypt, while Khnum and Isis represented Upper Egypt.

It seems that Nephthys was originally conceived of as the female counterpart of Set. He represented the desert, while she represented the air. Set was infertile (like the desert that he represented) and was frequently described as either bisexual or gay, and so Nephthys was often considered to be barren.

As a goddess of the air, she could take the form of a bird, and because she was barren she was associated with the vulture – a bird which the Egyptians believed did not bear children. The Egyptians thought that all vultures were female (because there is very little difference in the appearance of a male vulture), and that they were spontaneously created from the air. While the care shown by a mother vulture for her child was highly respected, the Egyptians also recognised that vultures fed on carrion and associated them with death and decay. As a result, Nephthys became a goddess of death and mourning.

Professional mourners were known as the “Hawks of Nephthys”, in recognition of her role as a goddess of mourning. It was also believed that she protected Hapi in his role as of the Four sons of Horus (who guarded the organs stored in the four canopic jars). Hapi protected the lungs, and as a goddes of the air Nephthys was his guardian.

She was also one of the four goddesses who guarded the shrine buried with the pharaoh. She appears with IsisSelkit (Serqet), and Neith on the gilded shrine of Tutankhamun, but was often depicted with IsisBast, and Hathor in this role. Yet, she was also said to be the source of both rain and the Nile river (associating her with Anuket) and was thought to protect women in childbirth (with the assistance of her sister, Isis). Thus she was closely associated with both death and life.

Although she was technically infertile, later myths claimed that Nephthys was the mother of Anubis by either Osiris or Set (depending on the myth). This came about because Anubis’ position as the god of the dead was usurped by Osiris when the theologies of the Ennead and the Ogdoad merged.

According to one myth Nephthys disguised herself as Isis to get the attention of her neglectful husband Set, but instead seduced Osiris (who apparently did not realise that it was Nephthys). An alternative myth made it clear that Nephthys intended to seduce Osiris from the beginning and drugged his wine to make her task easier, while a less common myth held that she tricked her husband into a brief dalliance in order to conceive Anubis. It is suggested that this tale also explained the flowering of a plant in a normally barren area because Set apparently discovered the adultery when he found a flower left by his brother Osiris.

Isis and Nephthys were very close despite Nephthys’ alleged infidelity with Osiris (the husband of Isis) and her marriage to Set (the murderer of Osiris). Nephthys protected the body of Osiris and supported Isis as she tried to resurrect him. The goddesses are so similar in appearance that only their headdresses can distinguish them and they always appear together in funerary scenes.

Together Isis and Nephthys could be said to represent day and night, life and death, growth and decay. In Heliopolis, Isis and Nephthys were represented by two virginal priestesses who shaved off all of their body hair and were ritually pure.

Nephthys was usually depicted as a woman with the hieroglyphs of her name (a basket on top of the glyph representing the plan of an estate) on her head. She could also be depicted as a mourning woman, and her hair was compared to the strips of cloth used in mummification.

Nephthys also occasionally appears as a hawk, a kite, or a winged goddess in her role as a protector of the dead. Her major centers of worship were Heliopolis (Iunu, in the 13th Nome of Lower Egypt), Senu, Hebet, (Behbit), Per-mert, Re-nefert, Het-sekhem, Het-Khas, Ta-kehset, and Diospolites.

Goddess Yemanja

Yemanja

Iemanja Festival (Brazil)

 

Themes: Foresight, Divination, Psychic Abilities

Symbol: Water

 

To Do Today: At daybreak on this day, mediums in Brazil begin singing and dancing to summon the spirit of Iemanja, who provides glimpses of the year ahead. Worshipers take offerings carved with the wishes to rivers or to the ocean. Here, Iemanja’s spirit accepts the gifts, and the magic of the wish begins. To follow this custom make any small natural token and toss it in moving water with your wish, the water should be flowing toward you if you wish to being energy and flowing away from you if you want to carry away problems.

 

In keeping with today’s theme, soak in a mild saltwater bath to cleanse away any unwanted energy and heighten your senses.

Then try your favorite divination tool. Pray to Iemanja beforehand to bless your efforts. See what messages she has for you, especially on emotionally charged matters (water equates in metaphysical traditions).

 

Finally, to honor Iemanja, wear ocean blue clothing today, carry a blue stone (like lace agate or lapis), put a seashell or coral

in your pocket, dance in the rain (if the weather cooperates), or play in the sprinkler. Rediscover the element of water. 

 

By Patricia Telesco

Goddesses – Vesta

Roman Goddess Vesta from gods-and-goddesses.com

Vesta is the Roman goddess of the hearth. The hearth is the stone floor surrounding a furnace or fireplace. This was important to the Romans, because sources of fire for cooking, lighting, and heating homes were not easy to acquire. Therefore, once a fire was started, it had to be fueled and maintained so that it could keep burning and other fires could be lit from it. This was done at both public hearths and in those of private homes. The hearth also represented family life, and therefore the community life of the Roman State.

Vesta Facts

Name(s): Vesta
Rules over: Home, Hearth
Gender: Female
Symbols: Hearth and Fire, Flame
Sacred animals: Donkey
Parents: Saturn (Father) and Ops (Mother)
Siblings: Jupiter, Ceres, Juno, Pluto, Neptune
Greek Similar: Hestia
Norse Similar: Frigg

Origins

Vesta is one of the original gods of Rome, born to her parents, Saturn and Ops. Saturn became concerned when an ancient prophecy was revealed and told about his children becoming his undoing. He worried about the prophecy and decided to eat his children as they were born, in order to keep his position as king of the Roman gods.

The first-born child of Saturn was Vesta. She was the first to be eaten by the Titan. Saturn would then eat four of her siblings. Eventually, a stone was given to Saturn by Ops in place of the last child, Jupiter, which made him vomit the five children out of his body.

Vesta was the oldest of the children of Saturn and Rhea, but she was the last to return from his stomach, making her both the youngest and the oldest of the children of the Titans.

Appearance

Vesta is a goddess living in a state of eternal innocence and virginity, based on the stories of her life. Vesta’s innocence is shown in artworks, with her always being fully-clothed and appearing in a homely setting. The myths associated with Vesta are based on her life, with Jupiter choosing to keep the peace between Apollo and Neptune over the destiny of the goddess.

Family

The most interesting part of the family life of Vesta was her birth story. The siblings of Vesta include JupiterNeptune, Pluto, Venus and Juno. There are no children associated with Vesta because she decided to ask Jupiter to allow her to remain untouched, and maintain her virginity forever. The myth of the virginity of Vesta explains that a war would have broken out between Neptune and Apollo for the hand of the goddess, had Jupiter not decided Vesta would remain pure forever.

Symbols

Vesta is often seen accompanied by a donkey. This was her animal of choice in her role as patroness to the bakers. Her fire was needed to bake the bread, as was the the donkey’s strength to turn the mill stone, making flour. The braying of the donkey was also said to ward off the lustful advances of other gods.

The symbol of Vesta is the kettle, which was used on the hearth of every Roman home to heat water. Vesta is depicted in a homely setting in most of the images of the goddess, with Vesta often linked directly with a flame lit beside her.

Powers & Duties

Vesta chose to take up the role of the protector of the home fires of Rome, which led to her followers becoming responsible for tending the fires of the Senate. The Vestal Virgins remained untouched and locked away from human view apart from one day per year. Vesta was responsible for the health of the people of Rome and protected the work of bakers reliant on the fire Vesta created.

Myths & Stories

Few myths of Vesta exist today. Roman poet Ovid relates a story in which the fertility god Priapus attempted to seduce Vesta. He was foiled by the loud braying of her donkey. It is thought that her worship was introduced by Numa Pompilius, second king of Rome, between 715 and 673 B.C.

Worship

Each sanctuary or temple of Vesta was usually a circular building that mirrored the round huts formerly used as dwellings in Italy. The shape was also symbolic of the hearth. One such Temple of Vesta was located in the Roman Forum, on the Pallatine Hill, built in the third century B.C. A fire was kept burning there continually by a group of six priestesses called the Vestal Virgins. These priestesses were selected for service by the pontifex maximus, or chief priest, between the ages of six and ten, and served in the temple for at least 30 years. During that time, they tended the fire, prepared ritual food offerings, drew water from a spring outside Rome, lived in the House of the Vestals near the temple, and had to maintain their virginity. If one of the Virgins broke her vow of chastity, the punishment was to be buried alive. After the 30 years had passed, they were free to marry. The Vestals enjoyed a high social status in Rome.

Each year on the Roman New Year, March 1, the perpetual fire in the temple was ritually extinguished and re-lit. If the fire went out at any other time, it was seen as a bad omen for Rome. The festival to Vesta, called the Vestalia, was held on June 7 to 15. Rituals included sweeping out the temple and ritually disposing of the sweepings. The festival was considered a time of bad luck until the sweeping was completed. Normally, the inner sanctuary of the temple, called the penus Vestae, was not open to the public, but on the first day of the festival, women bearing gifts could visit if they entered barefoot. The sacred fire of Vesta was maintained until 394 A.D., when most Roman religious cults were banned.

Because of the need for fire in everyday life, Vesta was worshiped in nearly every Roman home as well. Many homes had a household shrine that included an image of Vesta. She was often worshiped alongside household deities called Penates.

Art

Statues and other artwork depicting Vesta typically show her draped in long, full robes, wearing a stern expression and with her head covered. She often holds a scepter in one hand. Interestingly, a statue of the goddess was not included at any of her temples. However, the penus Vestae housed the Palladium, a statue of the Trojan Athena. This object was considered too sacred for a man too look upon. When it was rescued from a fire that destroyed the temple in 241 B.C., the rescuer – Roman Consul L. Caecilius Metellus, was then blinded for having seen the sacred statue. However, he was also afforded great honor for the daring rescue.

Today

As with many ancient deities, Vesta’s legacy continues in the naming of interstellar objects. In 1807, the asteroid now called Vesta was discovered by Wilhelm Olbers. It is the brightest and second largest asteroid in our solar system’s asteroid belt.

Facts about Vesta

  • Vesta is the Roman goddess of the hearth.
  • Hestia is the Greek goddess who is equivalent to Vesta.
  • Vesta is commonly associated with the donkey and fire.
  • Vesta is the protector of home fires of Rome.
  • She was the oldest of Saturn’s six children.
  • In mythology, she and four of her siblings were eaten by her father, Saturn.
  • A Roman festival called Vestalia was dedicated to her and held from June 7 to 15.
  • The words “Vesta” and “vestibule” are likely derived from similar roots, as vestibule means “a dwelling or front area of a house”.
  • Few ancient statues of the goddess exist.

Goddesses – Ammit

Ammit Egyptian Goddess of Divine Retribution from ancientegyptonline.co.uk

The ancient Egyptian goddess Ammit (also known as Ammut and Ahemait) was the personification of divine retribution. She sat beside the scales of Ma’at ready to devour the souls of those deemed unworthy. Those unfortunate enough to fail the judgement of the dead would suffer the feared second death, and have no chance of the blissful life of the field of reeds, instead roaming restlessly for eternity.

Thankfully, the judges (Osiris or Anubis) were not too harsh, and the prosecutor (Thoth) was a pretty enlightened guy. The deceased made a negative confession (i.e. they listed the large number of evil things they had never been guilty of) and then their heart was weighted against the feather of Ma´at (justice or balance). It was not necessary to be totally good, just reasonably well balanced. There were also a number of spells and amulets the deceased could use to increase their chance of success.

Her name, is generally translated as “Devourer”, but could also be the chilling “Bone Eater”, and she was known as “Devourer of Millions” leading to the suggestion that the god Am-heh was one of her aspects. Some scholars have linked Ammit with the Hippopotamus goddess Tawaret, because of the similarities in their appearance and their role in fighting evil. According to some traditions, she lived by the scales of justice, but other sources suggested that she (like Am-heh) lived by a lake of fire into which the souls of the guilty were thrown. According to these traditions, she did not devour the souls, but protected the lake. This has led some to suggested that she may be linked to Sekhmet due to her lionine characteristics and her role in protecting a lake of fire.

She was generally depicted as a demon with the head of a crocodile, the torso of a wild cat, and the hindquarters of a hippopotamus. However, she also took human form.

Ammit was never worshipped, and was not strictly a goddess, but her image was thought to ward off evil. She was the personification of all that the ancient Egyptians feared and a reminder to live by the principles of Maat. Although she was referred to as a demon, she was in reality a force for order. Moreover, each person was at least given the chance to defend their actions before being consigned to eternal damnation. The heart scarab was used to encourage the person’s heart not to speak out against them and the negative confession allowed a person to defend themselves by pointing out all of the evil actions they had NOT taken.

Ammut in Moon Knight

Recently Ammut (or Ammit) has given a bit of a makeover by Marvel. As a servant of Maat she is given a more active role in judging the dead. She is described as a riddle asking sphinx in the comics (a role ascribed to the sphinx by Greek, not Egyptian mythology).

In the series “Moon Knight” her character is further developed and she is said to want to judge the living for crimes they have yet to commit. She is given power over the scales (as opposed to being restricted to acting upon their judgement). This is a bit of departure for her, but makes for an interesting premise. The series places her in opposition to the god Khonshu. It is suggested that she has been trapped to prevent her from taking vengeance on the living (presumably by Khonshu) and that a winged scarab can lead the way to her tomb.

  • Bard, Kathryn (2008) An introduction to the Archaeology of Ancient Egypt
  • Lesko, Barbara S (1999) The great goddesses of Egypt
  • Pinch, Geraldine (2002) Handbook Egyptian Mythology
  • Redford Donald B (2002) Ancient Gods Speak
  • Wilkinson, Richard H. (2003) The Complete Gods and Goddesses of Ancient Egypt

Goddesses – The Morrigan

The Morrigan – Celtic Goddess of War, Fertility and Sovereignty

The Morrigan goddess is usually thought of as the Celtic goddess of war and sometimes the Celtic goddess of death, but she has strong association with fertility and sovereignty as well. Gifted with the ability to shapeshift, she has the capacity to take many forms, but commonly takes the form of a crow.

She is a complex deity known as the Phantom Queen, who is both a single goddess and also a triple goddess. The triple goddess is composed of the goddesses BadbMacha and Nemain.

The crow symbol is thought to connect with Badb (meaning crow in Irish). As a crow, she would fly over the battlefield and either encourage or instill fear in the warriors below. She is also said to have the ability to foretell the outcome of battles and predict violent deaths.

Macha is more usually connected with the land and its fertility and is seen as a protector. There is a strong link between Macha and horses, as well as other livestock. It has been suggested that the origin of her name possibly stems from an area used to graze cattle.

The frenzy of battle is connected with the aspect of Nemian. She is said to be responsible for the rage and fury of a battle and her terrifying scream can kill or paralyze a man.

Badb and Nemain were the wives of Neit, the Irish god of war.

According to some versions, the war goddess Morrigan is the wife of the Dagda and they have a special coupling around the feast of Samhain.

She also set her sights on Cú Chulainn and tried unsuccessfully to seduce him. After a series of failed attempts to seek revenge on him, she ultimately correctly prophesied his death in battle.

Goddess – Heqet

Egyptian Goddess Heqet from symbolsage.com

Heqet, also known as the ‘Frog Goddess’ was the Ancient Egyptian goddess of fertility and childbirth. She was one of the most important goddess of the Egyptian pantheon and was often identified with Hathor, goddess of the sky, of fertility and women. Heqet was usually depicted as a frog, an ancient fertility symbol and was much revered by mortals. Here’s her story.

Heqet’s Origins

Heqet is first attested to in the so-called Pyramid Texts from the Old Kingdom, where she helps the pharaoh along his journey through the Underworld. She was said to be the daughter of the sun god, Ra, the most important god in the Egyptian pantheon at the time. However, her mother’s identity remains unknown. Heqet was also considered the female counterpart of Khnum, the god of creation and she was the wife of Her-ur, Haroeris, or Horus the Elder, the Egyptian the god of kingship and the sky.

Heqet’s name was said to have the same roots as the name of the Greek goddess of witchcraft, ‘Hecate. While the actual meaning of her name isn’t clear, some believe that it was derived from the Egyptian word ‘heqa’, meaning ‘scepter’, ‘ruler’, and ‘magic’.  

Depictions and Symbols of Heqet

One of the oldest cults in Ancient Egypt was the worship of the frog. All frog deities were believed to have had an important role in the formation and creation of the world. Before the inundation (the annual flooding of the River Nile), frogs would begin to appear in large numbers due to which they later became associated with fertility and the beginning of life on earth. Heqet was often portrayed in the form of a frog but was also portrayed as a woman with a frog’s head, holding knives in her hand.

In the story of the Triplets, Heqet appears as a frog with ivory wands that looked more like boomerangs rather than like the batons magicians use today. The wands were to be used as throwing sticks. It was believed that if these ivory wands were used in rituals, they would draw protective energy around the user during dangerous or difficult times.

Heqet’s symbols include the frog and the Ankh, which she is sometimes depicted with. The Ankh signifies life and is also considered as one of Heqet’s symbols since giving people new life was one of her main roles. The goddess herself, is regarded as a symbol of fertility and abundance.

Heqet’s Role in Egyptian Mythology

Aside from being the goddess of fertility, Heqet was also associated with pregnancy and childbirth. She and her male counterpart often worked together to bring life into the world. Khnum would use the mud from the River Nile to sculpt and form human bodies on his potter’s wheel and Heqet would breathe life into the body, after which she would place the child in a female’s womb. Therefore, Heqet had the power to bring the body and spirit into existence. Together, Heqet and Khnum were said to be responsible for the creation, formation and birth of all living beings.

Another of Heqet’s roles was the role of a midwife in Egyptian mythology. In one story, the great god Ra sent Heqet, Meskhenet (the goddess of childbirth), and Isis (the Mother goddess) to the royal birthing chamber of Ruddedet, the royal mother. Ruddedet was about to deliver triplets and each of her children were destined to become pharaohs in the future. The goddesses disguised themselves as dancing  girls and entered the birthing chamber to help Ruddedet deliver her babies safely and quickly. Heqet quickened the delivery, while Isis give the triplets names and Meskhenet predicted their future. After this story, Heqet was given the title ‘She who hastens the birth’.

In the myth of Osiris, Heqet was regarded as a goddess of the final moments of birth. She breathed life into Horus as he was born and later on, this episode became associated with Osiris’ ressurection. Since then, Heqet was regarded as a goddess of resurrection as well and she was often depicted on sarcophagi as a protectress.

Cult and Worship of Heqet

Heqet’s cult probably began back in the early dynastic periods as frog statuettes created in that time were found that may be depictions of the goddess.

Midwives in ancient Egypt were known as ‘servants of Heqet’, as they helped deliver babies into the world. By the New Kingdom, amulets of Heqet were common among mothers-to-be. Since she was associated with resurrection, people began to make amulets of Heqet with the Christian cross and with the words ‘I am the resurrection’ on them during the Christian era. Pregnant women wore amulets of Heqet in the form of a frog, sitting on a lotus leaf, since they believed that the goddess would keep them and their babies safe all throughout their pregnancy. They continued to wear them right through the delivery as well, in hope of a quick and safe delivery.

In Brief

The goddess Heqet was an important deity in Egyptian mythology, especially for pregnant women, mothers, midwives, commoners and even queens. Her association with fertility and childbirth made her an important deity during the ancient Egyptian civilization.

Goddess Of The Day is Blodeuwedd c. 2011

Blodeuwedd

by Karen Davis
Blodeuwedd was created out of flowers by Gwydion to wed Llew Llaw Gyffes. She betrayed Llew, either because she had no soul, being non-human, or because she resented being his chattel, or because the triplet of one woman and two men must play itself out in Welsh myth, and Llew Llaw Gyffes must die. At any rate, she fell in love with Goronwy and, wishing to be rid of Llew, she tricked out of him the clearly supernatural and ritual manner in which only he could be killed: neither by day nor night, indoors nor out of doors, riding nor walking, clothed nor naked, nor by any weapon lawfully made. She asked him to explain this, and he did: he could be killed only if it were twilight, wrapped in a fish net, with one foot on a cauldron and the other on a goat, and if the weapon had been forged during sacred hours when such work was forbidden. Blodeuwedd convinced him to demonstrate how impossible such a position was to achieve by chance, and when he was in it, het lover Goronwy leapt out and struck. Llew was transformed into an eagle and eventually restored to human form, after which he killed Goronwy. Blodeuwedd was transformed into an owl, to haunt the night in loneliness and sorrow, shunned by all other birds.

Goddesses – Skadi

Norse Goddess Skadi from gods-and-goddesses.com

Skadi is the Norse giant goddess of winter, hunting, and skiing. Known as the snowshoe goddess, she rules over mountains, wildernesses, winter, revenge, knowledge, damage, justice, and independence. Passionate in her pursuits, especially in the pursuit of justice, Skadi is determined to live how she wants and not be told by the gods of Asgard.

Skadi lives in the highest part of the mountain where the snow never melts in her father’s grand hall, Thrymheim. Odin once described her home as the “ancient court” and described her as the shining bride of the Gods. Skadi, a giant, is the enemy of the gods of Asgard. Being a giant, she is associated with darkness, cold, and death, just like winter. However, Skadi is seen to be more benevolent than the rest of her giant kin.

Skadi Facts

Name(s): Skadi
Rules over: Winter, Hunting
Gender: Female
Symbols: Bow and Arrow
Linked Animals: Wolves
Parents: Thiazi (Father) and Njord (Mother)
Siblings: Many half-siblings
Greek Similar: Boreas
Roman Similar: Aquilo

Family

However, Skadi becomes welcomed by the gods of Asgard when she marries one of them. Her father, the giant Thiazi, kidnapped the goddess Idun, the beautiful goddess of youth, and, therefore, the gods’ apples of immortality. Odin killed him for doing so and rescued Idun. However, Skadi was furious and determined to avenge the death of her father. She took her weapons and stormed the citadel of Asgard claiming for either revenge or compensation—she gave them the choice of a harmful or benign consequence. The gods, scared of the ferociousness of Skadi, decided they’d rather give her gold. Skadi didn’t want gold, since she was already rich from her father and grandfather’s pillaging. Odin then offered her a husband from among the Asgardian gods, giving her the status of goddess. She agreed, but Odin said she could only look at the gods’ shoes to choose her husband. Skadi agreed, hoping that she’d pick handsome Baldur, whom she had a crush on, but she chose ugly Njord, the god of the sea, because he had the best shoes.

Njord and Skadi’s marriage didn’t last long—only half a month. Njord couldn’t stand the cold and isolated mountains and Skadi couldn’t stand the brightness and noise of the coastline. So, they got a divorce. There are different myths as with whom Skadi ended up afterwards. Some say she got together with Ullr, the god of winter and archery. But, some say she married Odin and gave birth to many sons with him.

Symbols

Her bows, skis, and snowshoes are her most mentioned attributes as she is very skilled at using them all to hunt and to engage in battle.

Powers & Duties

Skadi is the Norse goddess of winter. She is the personification of strength, courage, and endurance, but is also known for her revenge as well.

Facts About Skadi

  • Skadi is pronounced SKAHD-ee;
  • Her name means “harm” or “shadow”;
  • Skadi’s name also relates to “Scandinavia,” which is said to be “Skadi’s Isle”;
  • One of Saturn’s moons, “Skathi,” is named after Skadi;
  • One of the reasons she is called the snow-shoe goddess is because she was forced to choose a husband from the gods by only looking at their shoes;
  • Skadi may not have even had snow-shoes. Some believe that the translation for snow-shoes is actually supposed to be skis;
  • After a feast, Loki started talking to Heimdall and Skadi interrupted, telling Loki he was too “light-hearted” and wouldn’t be having fun much longer because he would be bound to a sharp rock with the ice-cold entrails of his dead son;
  • Loki claimed that he got Skadi into his bed, which she denies. Loki was known to say the same about numerous goddesses;
  • When Loki was captured and bound, Skadi placed above his face a venomous snake that dripped venom onto him, causing him so much pain that it earthquakes result.