Tag: Brigid

Happy & Blessed Imbolc, dear friends!

Imbolc/Candlemas Comments

Imbolc (also Imbolg), or St Brigid’s Day (Scots Gaelic Là Fhèill Brìghde, Irish Lá Fhéile Bríde, the feast day of St. Brigid), is an Irish festival marking the beginning of spring. Most commonly it is celebrated on 1 or 2 February (or 12 February, according to the Old Calendar) in the northern hemisphere and 1 August in the southern hemisphere. These dates fall approximately halfway between the Winter Solstice and the Spring Equinox. 

The festival was observed in Gaelic Ireland during the Middle Ages. Reference to Imbolc is made in Irish mythology, in the Tochmarc Emire of the Ulster Cycle. Imbolc was one of the four cross-quarter days referred to in Irish mythology, the others being Beltane, Lughnasadh and Samhain. It has been suggested that it was originally a pagan festival associated with the goddess Brigid, who should not be confused with St Brigit of Kildare.

In the modern Irish Calendar, Imbolc is variously known as the Feast of Saint Brigid (Secondary Patron of Ireland), Lá Fhéile Bríde, and Lá Feabhra — the first day of Spring. Christians may call the day “Candlemas”. Long celebrated as “the feast of the Purification of the Virgin”.

One folk tradition that continues in both Christian and Pagan homes on St. Brigid’s Day (or Imbolc) is that of the Brigid’s Bed. The girls and young, unmarried, women of the household or village create a corn dolly to represent Brigid, called the Brideog (“little Brigid” or “young Brigid”), adorning it with ribbons and baubles like shells or stones. They make a bed for the Brideog to lie in. On St. Brigid’s Eve (January 31), the girls and young women gather together in one house to stay up all night with the Brideog, and are later visited by all the young men of the community who must ask permission to enter the home, and then treat them and the corn dolly with respect.

Brigid is said to walk the earth on Imbolc eve. Before going to bed, each member of the household may leave a piece of clothing or strip of cloth outside for Brigid to bless. The head of the household will smother (or “smoor”) the fire and rake the ashes smooth. In the morning, they look for some kind of mark on the ashes, a sign that Brigid has passed that way in the night or morning. The clothes or strips of cloth are brought inside, and believed to now have powers of healing and protection.

On the following day, the girls carry the Brideog through the village or neighborhood, from house to house, where this representation of the Saint/Goddess is welcomed with great honor. Adult women — those who are married or who run a household — stay home to welcome the Brigid procession, perhaps with an offering of coins or a snack. Since Brigid represents the light half of the year, and the power that will bring people from the dark season of winter into spring, her presence is very important at this time of year.

Neopagans of diverse traditions observe this holiday in a variety of ways. As forms of Neopaganism can be quite different and have very different origins, these representations can vary considerably despite the shared name. Some celebrate in a manner as close as possible to how the Ancient Celts are believed to have observed the festival, as well as how these customs have been maintained in the living Celtic cultures. Other types of Neopagans observe the holiday with rituals taken from numerous other unrelated sources, Celtic cultures being only one of the sources used.

Imbolc is usually celebrated by modern Pagans on February 1 or 2nd in the northern hemisphere, and August 1 or 2nd in the southern hemisphere. Some Neopagans time this celebration to the solar midpoint between the winter solstice and spring equinox, which now falls later in the first week or two of February. Since the Celtic year was based on both lunar and solar cycles, it is most likely that the holiday would be celebrated on the full moon nearest the midpoint between the winter solstice and vernal equinox, or when the primroses, dandelions, or other spring flowers rise up through the snow, or when the sun aligned with the passage tombs among the pre-Celtic megaliths.

Wikipedia

Magickal Graphics

Celebrations Around The World, Jan. 31st

Feast of Great Typos
Festival of Brigantia begins
Up Helly AA (Viking Festival)
Festival of Imbolc begins
Nauru Independence Day
Festival of Transmission Errors
Child Labor Day
St. John Bosco’s Day (patron of editors, apprentices)
Phlegm-Green, Moldy-Grey, and Gazzard Day (Goblin)
Valkyries’ Day (Norse)
St. Marcella’s Day
Kitchen God Visits Heaven (China)
National Brandy Alexander Day
St. Tryphena’s Day (patron of nursing mothers)

GrannyMoon’s Morning Feast – Source: The Daily Globe, School Of The Seasons and/or The Daily Bleed

Brighid Lore for Imbolc

Brighid Lore for Imbolc
by Doreen Motheral

 

The goddess Brighid (also known as Brigit, Bride, Biddy and other names throughout Europe) is a goddess who is near and dear to my heart for many reasons. I like the fact that she is associated with both water (her wells in Kildare and other parts of Ireland) and fire (her fire pit in Kildare). I like the fact that she spans both the pagan and Christian worlds and some of her traditions are still celebrated today.

Since the festival of Imbolc (also called Óimelc) is this weekend I thought I’d write a few thoughts for those who aren’t familiar with her (and perhaps renew an acquaintance for those who already were). Imbolc is the time of the year that the ewes lactated, and the successful timing of this event was approximate, so the exact date of Imbolc could vary from region to region and from year to year depending on the climate. Production of this milk supply was very important to both man and animal. From the milk comes butter and cheese. Newly calved cows were also put under Brighid’s protection. Here’s an old saying:

Samhain Eve without food,
Christmas night without bread,
St. Brighid’s Eve without butter,
That is a sorry complaint.

Cormac mac Cuillenàin, who lived in the 9th century said, “Brighid i.e. a learned woman, daughter of the Dagda. That is Brighid of learning, i.e. a goddess who filid worshipped. For her protecting care was very great and very wonderful. So they call her a goddess of poets. Her sisters were Brighid woman of healing, and Brighid woman of smithcraft, daughters of the Dagda, from whose names among all the Irish a goddess used to be called Brighid” In this writing, Cormac mentions her triple aspect of three sisters, common among the Celts. I often call on one or more of her aspects of creativity, writing and healing, but she is much more than that.

The Christian aspects of Brighid and the pagan aspects often overlap, so it’s difficult to figure out which stories have pre-Christian beginnings. I think there is a seed of paganism in many of the later stories associated with her. We’ll never know for sure, but in my own private practice I take many of her current customs and use them for my own worship of her – and I don’t worry about the pre-Christian aspect of the story or not. Your mileage may vary, of course.

On the eve of Imbolc, a piece of linen, other cloth or ribbons is placed outside (some folks put them on their window sill). This piece of cloth is called Brighid’s Brat or Brighid’s Mantle. It is said that Brighid travels all over the land on Imbolc eve and if she sees this cloth, she will bless it and give it healing powers. Some folks in Ireland say that the older your brat is, the more powerful it is. Mugwort Grove (the grove to which I belong) destroys ours from year to year. We put out a whole piece of linen and tear it into strips for members of the Grove during our Imbolc ritual. People take the strips home to use for healing and some are kept on personal altars throughout the year.

Other folklore says that if the mantle gets bigger overnight, you will be especially blessed. It’s a nice tradition, especially if you have a lot of illness to overcome for the following year, and a brat is nice to have for healing rituals later in the year.

Brighid’s fiery aspect makes her the perfect goddess of the hearth – in fact, my hearth at home is dedicated to Brighid. There are many hearth prayers dedicated to Brighid, especially concerning smooring. Ashes and embers were often deposited in the fields. Also, indoor activity associated with Imbolc often took place near the hearth, and if there was a feast, an extra place was set for Brighid. It is also considered bad luck to do any type of spinning on Brighid’s Day.

There is also the custom of Brighid’s Bed. A small bed is made near the hearth and a doll (called a Brídeog), often made from a sheaf of corn and made into the likeness of a woman and is sometimes placed in the bed. In Ireland the doll was often made from a churn dash decorated in clothing (associations t milk again). Sometimes the doll was carried around town to visit houses in the neighborhood. Songs, music and dances are performed – then prayers are said to St. Brighid for blessings upon the house (this is similar to wassailing in other countries around Christmas). Then the family is asked to contribute a donation – which used to be bread and butter (there’s that dairy again!) but now it’s often money (sometimes given to charity).

There is much, much more about Brighid I could share, but this is just the tip of the iceberg. A bit of trivia – Brighid is so loved by the Irish people that in 1942 a survey was taken on “The Feast of St. Brighid”. The replies about the customs run to 2,435 manuscript pages. A great book, if you can find it, is The Festival of Brighid Celtic Goddess and Holy Woman by Séamas Ó Catháin. There are many really cool stories and legends about her.

Last but not least one of the other interesting aspects of Brighid is a prayer attributed to her from the 11th century which goes like this:

I would like a great lake of ale, for the King of the Kings
I would like the angels of Heaven to be among us.
I would like an abundance of peace.
I would like full vessels of charity.
I would like rich treasures of mercy.
I would like cheerfulness to preside over all.
I would like Jesus to be present.
I would like the three Marys of illustrious renown to be with us.
I would like the friends of Heaven to be gathered around us from all parts.
I would like myself to be a rent payer to the Lord; that I should suffer distress, that he would bestow a good blessing upon me.
I would like a great lake of beer for the King of Kings.
I would like to be watching Heaven’s family drinking it through all eternity.

Drink up!

Lighting Fires at Imbolc

Lighting Fires at Imbolc

by Sylvana SilverWitch

 

If you have been living in the Northwest for long, you must be used to frigid aluminum-gray skies glistening with cold soggy drizzle. Barren tree branches scratch the side of the house as if the chill will come in, past the walls, past your skin into your very bones — and it shouldn’t scare you anymore. Clouds obscure the pale, faint sun till you can’t remember the feeling of it fiery hot on your shoulders. Darkness falls for so many months on end that every so often you must turn every light in the house on just to have some brightness in your world. Wild windstorms knock out the power for hours and days at a time, so you have to use candles for light and heat with the fireplace.

It is the time of year that, for me, best reminds me of how things were, way back when. It is the time of year that I can best appreciate the contrast between cold darkness and warm light. I am ready for change! I am ready for the return of the light to my world!

Seattle winters are dreary, and by the time we get to Imbolc, we are all more than ready for a little lightheartedness and to leave the darkness behind, at least for a few hours. We are ready for purification from the heaviness of the long winter months, and we are ready to celebrate, if not the warming of the land, at least the hope that the heat will soon return and we will yet again bask in the sunshine.

There are many traditional ways to celebrate Imbolc or Bride. These include decorating natural springs and sacred wells, leaving wishes tied on the branches of trees and making corn dollies in honor of the Celtic goddess Brigid (another name for Bride). Making Celtic crosses or Bride’s crosses from wheat straw and braided cornhusks and making and charging (or blessing) candles are other traditional tasks for this time of year. The holiday is also known as Candlemas, this name taken when the Christian church adapted the pagan holiday and made it a candle blessing and the feast of Saint Brigid.

In this culture, most of us were raised to go outside on this day and look for our shadow. If we saw it, there would be six more weeks of winter, as this is a weather marker day — also known as Groundhog’s Day. One of my sisters had the audacity to be born on Imbolc, and she’s seemingly been running from her shadow every since!

You can find more about Imbolc traditions in a multitude of published books. Following, I will tell you about some of my favorite ways to celebrate, purify and get in touch with the energy of fire, water and the earth and that of the Goddess at this time of year.

Creating Beeswax Candles

One of the things we almost always do in our coven is make candles. We save the glass containers from seven-day candles and at Imbolc wash and reuse them to make our own magickal candles. On this day, I also like to create rolled beeswax candles with herbs, oils and stones and infuse them with a specific purpose, for my own personal use all year long.

Making candles is easier than you might think. We ran an article on making your own seven-day candles last year. This year, I’ll talk a bit about the beeswax type, since you can make one, a few or a bunch with little muss and fuss.

First, you’ll want to visit some place that sells candle-making supplies, I personally like Pourette, located in Ballard, that bastion of pagan life. Pourette has been in business for a long time, and the employees there can tell you most anything you want to know about how to make candles and what you will need for a particular kind of effect. Not the magickal effects, unfortunately, but then that’s your department, right?

First, decide what magickal intentions you want to make the candles for — you can have more than one, just concentrate on one at a time. Choose colors accordingly and get a few sheets of the colors of beeswax that you want to work with. For example, if you want to work for money and prosperity, you might choose green. For healing, you might want blue. Psychic work and divination would be white or purple; for love and sex, you might choose red or pink. Look up color correspondences in the back of some of your books; Scott Cunningham has some good correspondence tables for herbs, flowers, stones and oils as well as colors and astrological influences. Don’t forget that your own associations are also important. If gold means money to you, then use that. You’ll want some kind of cotton wicking as well.

You can also include in your candles runes, little bits of paper or parchment with the purpose written on them rolled up in the candle, symbolic charms or figures representing what you want and bits of paper money (corners work well) or stones. The more thought and effort you put into creating your candles, the better results you will have.

Gather all of your ingredients together, planning to make one type of candle at a time. You’ll want a clean, soft surface to work on so as not to crush the beeswax pattern; for this, you can put down an old towel or T-shirt as padding. Also, you should decide at this point how large a candle you want to end up with. I usually cut the sheet of wax into two pieces, so I have two sheets about 4 inches high each. Otherwise, you end up with a fairly tall candle. With herbs, oils and magick inside, they tend to burn very hot. An 8-inch candle can burn up rather quickly.

When you begin, you will want the room to be reasonably warm, so that the wax stays pliable and does not crack when you roll it. I commonly put down the beeswax, then cut a piece of wick the desired length, about an inch or so longer than the wax is tall. Then I get out a bit of everything I want to put into the candle. I use eyedroppers for essential oils and rub a small quantity of oil on what will be the inside of the candle after the wax is rolled around the wick (the part of the wax that’s facing up).

Next, I sprinkle a small amount of each flower or herb I am using onto the wax, so they are evenly distributed from top to bottom. I generally try to keep things simple and only use one or two kinds of herbs in any given candle. Then I include the other things: stones, symbols, paper, and so on that have meaning for me. Next, I slowly and carefully roll the candle tightly around the wick. It helps to fold the wax over the wick a little bit prior to adding the ingredients. Being careful to keep the wax level so I don’t disturb the ingredients’ distribution, I keep rolling until the whole candle is rolled around itself. During this process, I think about the desired results of my magickal candle, as if they have already manifest. I keep the purpose in mind during the whole process and put as much positive energy into it as possible.

When you finish rolling, you’ll want to gently heat the edge of the wax (a hairdryer works well for this) so that you can press the wax into itself and seal the candle, being careful not to crush it in the practice. This process gets easier the more you do it. Don’t be discouraged if your first efforts are a tad messy. You’ll get the hang of it!

When you have finished all of the candles you wish to create at this time, you’ll want to bless and charge them with energy. To do so, cast your circle and do a ritual imbuing them with your purpose. Then you can burn them in your spell work for the rest of the year. Make sure when you burn these candles that you attend them closely, keeping in mind that they should be on a nonflammable surface and being cautious that there is nothing in the vicinity that can catch on fire. When candles have flower petals, herbs, oils and paper inside them and are magickally charged, they tend to burn like an inferno. Your candle may be burning nicely and then all of a sudden flare up and be consumed in a matter of seconds. So guard them closely!

Making Bride’s Water

Another thing I like to do at Imbolc or Bride is to make Bride’s water, water holy to Brigid. We usually do this during a ritual where we invoke Brigid and raise energy for the many things that she represents to us. She is the patron goddess of wells, fire, the forge, music, storytelling, poetry, arts and crafts and much more. She is central to my artistic inspiration, and so I honor her at this time of year by purifying myself with her holy water and with fire (more on that later).

To makes Brigid’s water, we place a huge cauldron in the center of the altar, filled with alcohol and Epsom salts; when lit, it emits a beautiful blue flame. We have ready purified and blessed water in a large container, several pieces of charcoal, some long barbecue tongs and enough small containers with corks that we can each take some Brigid’s water home.

Once we cast the circle and invoke the goddess, we raise energy for Her by chanting, dancing or whatever we have determined. During the energy raising, the charcoal (self-lighting incense charcoal, not barbecue charcoal!) is lit from the fire in the cauldron, and it is allowed to burn for a few minutes until it is glowing red. At the apex of the energy raising, we chant, “Bride, Bride, Bride, purify me… Bride transform me!” Then when we all stop, the charcoal is thrust into the water with a great amount of sizzling, smoke and steam. We then file past the fire and water and are anointed and blessed with the Brigid’s water for purification and inspiration. Each covener takes some home to use much as one would any holy water, to bless and purify house, tools, self family, and so on.

Purifying with Fire

My very favorite form of purification is that of fire. It is odd to think that I — a Pisces with Cancer rising, very watery signs — would enjoy fire so much, but I do have a lot of Aries in my chart, as well as Moon in Leo. A veteran firewalker since 1984, I have a good and close personal relationship with the powerful fire elementals. They are a means to profound transformation, bringing change wherever they occur, whether we like it or not!

I have been working with fire for so long that it takes me by surprise when people are irrationally afraid of it. Don’t get me wrong, I have a healthy fear and respect for what fire can do if I am not careful! I have seen people badly burned, and when I lead my coven in firewalking rituals, I admonish them to be very, very afraid. But I add that if you allow fear to stop you in life, you’ll never do anything worthwhile. Don’t be careless with fire, though, or it will most definitely teach you the hard way!

With this in mind, I offer my version of purification by fire. You can do this as the first part of the former ritual or all on its own; it is very powerful all by itself! If you want to do a combination, do the water ritual second, as a blessing after purification by fire.

For the fire purification, you’ll need a cauldron full of 90 percent rubbing alcohol and Epsom salts, which you will light. You can also use 151-proof rum for the alcohol content. Use alcohol and salts about 50/50 by volume; the alcohol should just cover the salts.

Be sure to take safety precautions, such as having a number of wet towels and a fire extinguisher available within reach. Move all furniture out of the way and pull back the drapes, or just do the ritual outside, away from anything flammable if you can. Take off any loose clothing that could catch and tie up your hair if it’s long. It helps if the participants are skyclad, or at least topless, as it is easy to accidentally catch clothing and extremely difficult to put it out! Then get ready for an intense encounter with fire.

Depending on whether you want to in fact light people on fire (very temporarily, and safely) or just allow them to experience the energy of fire, you’ll need one or two torches — one torch if you’re not lighting people, two if you are. If you are not lighting people, you can pass the lit torch slowly over various parts of the body so that the fire just touches the skin. It is instinct to pull away, and it sometimes takes a few moments for people to allow the fire to interact with them. That’s okay. Take time and go slowly, and you will have better results.

If you do want to actually light people on fire, you’ll need a couple small torches. You can make these by wrapping cotton batting around a wooden rod that’s about 10 to 12 inches long and small enough around to be comfortable in your hand (see drawing below). Wrap the cotton around the rod five or six times, then follow that with a complete wrapping of plain gauze. Wrap the gauze around the cotton six to ten times until you have covered it all, and you have a good torch. Finish the torch by tying it with cotton thread wound around the handle at the top and bottom and around the middle several times, so the thread goes from the bottom up, around and ends up back at the bottom. The thread winding ensures the torch stays together.

To light people on fire, you’ll need 70 percent rubbing alcohol. Do not use a higher concentrate than this, or you’ll really burn people! Put the alcohol in a small spray bottle with a mist capability. Before working with a whole coven, it’s not a bad idea for you and a friend or two to try this out yourselves first, just to get familiar with how it works, timing, the feeling it has on different body parts and so on.

During the ritual, you’ll want to have a person or two who do nothing but “spot” people and be ready to put them out if necessary. You put the fire on skin out by using a petting action from the top down, smoothing out the fire. Don’t allow any body part to burn for more than about 5 to 10 seconds, or it may scorch the skin, and you’ll end up with a sunburnlike burn. Be sure and go over the safety procedures before anything is lit! If anything gets out of hand, use the wet towels on people, the fire extinguisher on objects.

When you are ready, the cauldron is lit and the chanting or music begins. Whoever does the lighting holds two torches, one to spray with alcohol and apply to people’s skin, one to remain lit.

To light the ongoing torch, spray it generously with alcohol, being very careful not to drip or get any alcohol on anything else. Then, light the torch from the fire in the cauldron. Next, spray the second torch with two or three mists of alcohol. You’ll then use this torch to apply alcohol to the body part to light.

The safest body part to light is the hands. Have participants hold these out, palms up very flat and together. When you apply alcohol, make sure not get ritualists’ hands too wet or to let alcohol pool on their hands.

After you have applied alcohol, light it with the lit torch, saying something like: “Be transformed!” Let the flame burn for a moment or two and then have the ritualists clap or rub their hands together to put it out. Don’t let them shake their hands in the air while lit; that just makes the fire burn hotter.

The fire will go out of its own accord fairly quickly as the alcohol burns away, but it is more empowering for people to feel able to control it and put it out on their own. The first inclination will be for them to want to put it out right away, as soon as it’s lit. Let them try it a few times, and as they learn that it won’t hurt them, they will be more inclined to allow it to flicker for a few seconds. Suggest that they put their hands on a body part that they want purified by the fire energy, such as over their heart, but only after the fire on their hands is completely out!

We have done this ritual many times with only minor incidents. One year, when we were doing symbols on people’s backs, one man who had said he only wanted to light his hands changed his mind and wanted us to light a symbol on his back. He had longish hair that wasn’t tied up, and though we had him bend over, he stood up before the fire was out and his hair caught slightly and was singed a bit. It wasn’t a disaster, but it was scary enough that I want to reiterate the precautions. If you intend to light anything, including hands, be very careful and do a practice session out of ritual space first.

We use this very powerful energy to transform ourselves, our projects and our lives — coming out from darkness and lighting up our purposes. This ritual has a tendency to be very intense, so keep in mind that people can get carried away by the energy and forget the safety precautions! Make sure to be responsible with the fire and always err on the side of caution.

Afterward, breathe and ground well and share your experiences of the fire energy with one another. It’s amazing the different perceptions people will have.

Whether you choose to enjoy one or more of these suggestions or something else entirely, have a great Imbolc and a wonderful year!

Visiting the Well of Release

Visiting the Well of Release

A Meditation to Process Pain

by Melanie Fire Salamander

 

Okay, it’s that time of year again. I don’t know about you, but the first part of the year, New Year’s through Valentine’s, way too often finds me breaking up with someone. I hate it! You’d think I’d have figured out how to avoid it by now. But the pain of leaving, or worse of being left, never seems to get easier. All I seem to be able to hope for is a few more tools for dealing with it.

Even if you’re lucky enough to avoid this pitfall, pain is all around us. Life, as the Buddha said, is suffering. This is a bad time of year for family pain, our having just gone through the holidays. The earth lies fallow, exposing her wounds: building sites like open sores, old mines and dumps, places whose ruin makes you weep. And it’s a dark time of year, when during long nights and short dreary days all the specific, personal drek we’ve avoided in summer and fall can rise and engulf us.

Don’t let that happen! You can process pain. Not shove it, to find it later, having grown runners to other, older pains, but truly process it — be in it, feel it deeply, then let it go. It’s not a hasty process. Expect to do this work over and over again. But each time you do, I promise you, you can and will let go a little pain. It’s hard work, because to release the pain, I find, you have to feel it again and know its roots, its causes, which usually go back to sufferings of early life or even before. But if you’re willing to do the work, you can heal.

Following is a meditation to help that process happen. In honor of the season and of the goddess Brigid, I’ve built into the meditation an image of a sacred, healing well, an image of this goddess, whose holy day Imbolc or Candlemas is. To use this meditation, either record it on tape and play it back or ask someone to read it to you. It takes about 20 to 30 minutes.

Before starting, find a comfortable place where you won’t be disturbed; take the phone off the hook and if necessary shut out your pets. If you’re prone to falling asleep, try sitting up as you meditate, preferably on a chair or against a surface that helps keep your back straight; alternatively, you can sit cross-legged or in lotus position. If you have problems relaxing, stretch out on a bed, couch or the floor.

The Meditation

Close your eyes, and begin to relax. Take a few deep breaths: in, out; in, out. Feel your body, wriggle your fingers and toes, your nose, your hips and arms; roll your head. Feel where your body ends and what’s around you begins. Feel the air around you, the surface underneath you. Be here now, present in your body, in the present moment. Feel yourself begin to relax.

Continue to breathe deeply, and begin to release the cares of your day and week with your breath. Be completely here in the present moment.

Throughout this meditation, you will have a complete, deep experience, and you will remember everything you sense and learn. If you need to return, you can always recall yourself to the physical world by moving your fingers and toes. You will feel utterly safe and protected throughout.

Relax more fully still, and breathe deeply. Feel in the center of your body, behind and below your belly button, a spark of life, your life, your eternal fire. Feel that flame pulse with life. Let that flaming center send a spark of energy downward, a liquid trail like molten fire, down through your groin into your base and down into the earth. Feel this energy flow downward, through the foundation of the building, down into the deep, wet, cold earth, the soil, through hidden underground streams, cool water slick on rocks, and below that into the solid rock of the earth’s mantle. Feel the personal flame from your body push down through rock into the deep core of the earth, the earth’s molten center, where all is fire as it is fire inside you. Feel your own personal fire connect with the energy of the earth, deep and red, the red glowing heart of the earth.

At the same time, feel a spark of energy flare upward from the center of your body, up through your torso, through your neck, through your head, through the top of your head into the air. Let this energy flow upward through the air of the room, through the ceiling, through the roof of the building into the cold air. Let the energy fountain up, up, up, through the cold damp air, past clouds of rain and ice, up into the clear sky above all clouds. Feel your personal fire energy connect with the fires of the sky, the energy of sun and stars and moon, fiery, swirling sky energy.

Feel your deep energetic connections to both earth and sky, tap into those connections and deeply feel them. Let sky energy begin to flow downward into you, and at the same time let earth energy flow upward into you. Feel the two energies combine in your center, swirling together gently and cleanly, into one combined healing energy. Let this energy flow outward from your center, filling your torso, filling your lungs and throat, filling your head, filling your groin and pelvis, your legs and arms, touching and washing away remaining tension, cleansing and healing. Let all negative energy you can let go of flow with this wave out through your grounding. Let negative energy, tension and pain and anger and everything you want to let go of flow sweetly and cleanly down your grounding, into the earth, which can reuse the energy for other things.

Now let a wave of sky energy come through you again, combine with earth energy, and fill you, cleansing you, and wash away another layer of negativity down your grounding. Release everything you need to release. Keep any information you require, but release pain, tension, fear and error with the cleansing, healing energy down your grounding.

And again, let another wave of sky energy come into you, combine with the energy of earth, fill you and cleanse you, washing trouble and pain away down your grounding into the earth. Feel your deep connection to earth, and let trouble and pain wash into the earth. Keep any information you require, but let all the pain you can go into the earth.

Feel yourself cleansed and sparkling, full of earth and sky energy, and deeply connected to both earth and sky. Ground out any energy you

don’t need into the earth.

Now imagine yourself at a stone boundary marker, standing beside a gravel road. It is dusk, wintertime, and you are in farm country. The landscape is wintry, with a light dusting of snow, the tree branches bare of leaves, but you don’t feel the cold. Smoke rises from chimneys of houses here and there, some far away on bare hills of cropped brown. The air smells cold and of woodsmoke.

You turn and walk a while down this road. To either side are fields full of stubble, tan. As you pass, crows rise cawing. Far across a field, you see a lone scarecrow standing.

The road slopes gently down a hill, and you come into a small wood. Tree limbs rise gnarled and black around you, shadowing the road. A rabbit raises its head, brown against white shadowed snow, looks at you a moment and bounds away.

You come out of the wood into a flat landscape, cropped fields to either side behind board fences. You walk awhile, the scenery barely changing, all in colors of brown and grey. The smell of the air changes, and you realize you must be coming to a body of fresh water. Walking forward, you crest a shallow hill and see before you stands of rushes around a large lake.

You continue forward on the road. The gravel stops, and you keep going on an earthen path. Tall rushes stand at either side, the air brushing through them, whispering. You push down the path through the rushes and find yourself at a dock where a small rowboat is tied up, oars lying in its bottom.

From here, at the lake’s edge, you have a clear view across. A band of gold haze lies along the horizon, between long bands of grey-purple cloud. The water is steel-grey, and in the center of the lake lies a small island, crowned by a grove of birch trees. The island attracts you strongly, and you decide to row out to it.

Knowing this is the custom of the place, you get into the boat, untie it, and fitting the oars to the oarlocks begin to row. The island is not far away, but it takes longer to get there than you think it will. The boat moves slowly and dreamily through the twilit water. The twilight stays constant; the sky does not get darker. This seems strange, but you feel perfectly safe and protected, and you accept that twilight stays in this place.

You come to the island shore, step out onto gravel and pull the boat up so it won’t float away, setting the oars in its bottom. The grey water, tinged lavender in the light, laps the gravel shore. You walk toward the grove of birch, and again though the trees don’t seem far away, it takes you longer to get to them than you thought it would. Things move slowly in this place. All around you lies dusk-purple light. Know that you will remember everything you need to from this place.

You edge between two birch trees and come to the center of the island. Here sits a stone well. Over the well hangs a weeping willow. The long arms of the willow move gently in the air, rustling.

You see among the willow branches, sitting on the edge of the well, a woman clad in sage-green. Her hair is long, falling almost to the ground, and a very fair blonde, or colorless, or grey — it’s hard to tell in the light. She greets you and tells you that this is the Well of Release, and she is its keeper.

You greet her with reverence. You know she is no ordinary person but a goddess. (Pause briefly.)

She asks you what you would release, and you tell her. (Pause briefly.)

She asks you to sit on the edge of the well, sit comfortably. When you are seated, she asks you go deeply into the problem you would release, saying she will protect you as you do.

You agree to her suggestion and begin to go into the problem in your mind. See the problem in your mind. See pictures of scenes around this issue, the people involved, the places. Take some time and bring the problem you want to release fully into your consciousness and emotions. (Pause for some time.)

Feel the emotions around the problem. Name these emotions. Be in them. Avoid resisting them, but let them be present and flow through you. Feel them fully. (Pause for some time.)

The keeper of the well watches you, understanding fully and protecting you as you do this work. When you have fully gone into, recognized and felt the emotions around this problem, she nods deeply and says she will give you something to hold this issue, a symbol or object to contain this pain. She holds out her hands, and between them is this symbol or object. (Pause briefly.)

You take it into your own hands. This symbol is a container and is meant for your use, to protect you. You feel perfectly safe and protected.

She instructs you now to put the problem you want to release into the symbol, to let flow into the symbol everything you need to let go. You do so gently and fully, letting your emotions and memories and thoughts flow into the symbol, keeping only that information you need and letting go all pain into the symbol. (Pause for some time.)

Once you have put what you need to into the symbol, the keeper of the well cranks the well-handle and draws up the bucket. She instructs you to put your symbol into the bucket, and you do. It goes easily, no matter how big or amorphous it is, as if that’s where it belongs. It disappears into the bucket.

Then the well-keeper lets the bucket back down into the well. The Well of Release, she tells you, lets into an underground stream, a stream that is able to change and break up pain and trouble and old blockages and let energy go where it belongs. You look down into the well, and you see the bucket hit the water, the dark water with just a ripple of light, see the bucket go into the water, disappear into the water. As it does, you feel released of your pain, you feel it gone. (Pause briefly.)

Now the keeper of the well brings out a crystal decanter full of water, and she motions you to stand in a silver-edged basin whose drain feeds into the source of the well. “This is the cleansing Water of Release,” she tells you. You see the water in the decanter sparkle with its own inner light. She pours the water over your head; it cascades down over you, and you feel not wet but as if cleansing, healing energy were going through you, washing away the last vestiges of pain and trouble, releasing the last blocks and letting them pour downward into the underground stream and into the earth. (Pause for some time.)

The well-keeper smiles at you and says, “Now you are cleansed and healed, and in token I give you a gift.” In her two hands she holds out this gift, and you take it. You examine it, and she tells you what you need to know to understand it. (Pause briefly.)

Know that you will keep the memory of this gift as you need to, and all else that you need to retain.

Now you say your good-byes to the keeper of the well and thank her. (Pause briefly.)

Leaving her, you pass out between the birch trees, and on the gravel shore find the boat. You draw it toward the water and get in, push off with your oar and slowly row back to the lake shore.

At the lake’s edge, you tie the boat to the dock, replace the oars in the boat bottom and, turning, walk back through the rustling reeds along the path. You pass through the reeds to the long flat land, the road with brown fields on either side, and into the dark wood. You notice that it has begun to get dark. But it is a reassuring darkness, a warm and protective darkness, a blanket drawn over the land that lets it sleep.

You pass under the black, gnarled branches and out of the dark wood, and you walk up the slope of the hill, looking at the cropped fields on either side. You greet the scarecrow and the crows that rise from the fields to caw at you. You continue along the gravel road, the landscape getting darker around you, and you find yourself back at the boundary marker from which you started.

You settle down beside this marker. All around you darkness falls, comfortable, comforting and calm. Know that you will remember everything you need to from this meditation. You will keep everything you need to keep.

You begin once more to feel your body. You are coming up from trance, feeling warm and relaxed yet energetic. Feel your body; wiggle your fingers and toes. Feel the surface below you and the air above. Retain in your mind everything you want to remember from this meditation.

Feel yourself present in your body, present in the here and now. Notice your breath; feel yourself draw breath deep into your lungs and let it go. You feel present and calm yet full of warm energy.

Breathe deeply once more, and open your eyes.

About The Rowan Tree, Current Celtic Astrology Sign

The Rowan Tree

 

Luis

 

January 21st – February 17th

 

The Fire Festival Of Brigantia

 

Celtic Symbol : The Green Dragon

 

Zodiac Degrees : 0º00` – 27º59` Aquarius

 

Ruling Planet : Uranus – Brigantia

 

Ancient Gods Associated With Uranus

:

Greek : Chaos, Aether And Hemera, Uranus

 

Celtic : Brigantia, Brigid

 

Character Reference Of The Rowan Tree Sign

 

Rowan tree people have visionary minds and well defined humanitarian principles. They remain, however, self contained individuals and their vision is not always shared by the rest of humanity. Their cool temperament disguises some passionate beliefs, for they need to argue their case against bigotry and ignorance. The new moon people born during the first two weeks tend to become impatient and frustrated in this struggle toward a greater awareness. Although they may be quite reticent on a personal level, they will, nevertheless, help pioneer great social changes with reforming zeal. Full moon people born in the last two weeks are less reticent all around, but are inclined to promise more than they can deliver. This will not negate their powerful influence and inspiration, and their response to all situations is primarily directed to asserting the rights of the individual.

 

Sometimes referred to as “the whispering tree,” the rowan’s tree’s magic was well known among the Celts. Its berry is shaped like a five-pointed star, first of all, the symbol of magical protection against spells, enchantments, and glamour’s. You, too, are a magical creature, able to use your intuition and higher understanding to both enchant and protect. Trust your insights, and act upon them – even if others see you as ‘unusual’ or ‘unpredictable’. Your ability to envision the future is priceless.

 

The Celtic Attic

Imbolc Meditation

Submitted By: Cogar niMhorrighan

Here is an original meditation for the Imbolc festival (can be used at
any time):

It is a lovely spring day. The air is fresh with the fragrance of green
plants preparing to bloom. The sun’s radiance bathes you in comfort,
perhaps the first warmth you have felt in many months. You sense that
you are in Ireland, because it is green and everything feels clean and
alive. The landscape is timeless and magical. In the distance, you
hear birds singing as they welcome the unexpected warmth of the day.
Inside you, happiness begins to bubble and dance, very quietly at first.
It feels almost like anticipation, but it puts a smile on your lips as
well.

You are walking up a slight hill, not steep enough to tire you but just
enough to sense that something wonderful can be seen from the top. As
you walk, the grass is already tall enough to brush against your lower
legs. You know you are in a wild place where Nature flourishes.

Towards the top of the hill, you see a dolmen – two standing stones and
a large stone across the tops of them, like an arch. You wonder why you
didn’t see this dolmen sooner. It is as if it appeared when you were
just twenty feet from it. Does it mean something? Is it real? You do
not pause to wonder, but keep walking towards it.

As you walk between the stones, you notice carvings and symbols on the
sides of the dolmen. Some of them are lines and hash-marks, which you
suspect are an Ogham message. Others are just symbols, which you will
return to look at, another day.

As you pass through the dolmen, you feel an invisible curtain brush over
you gently. In the space of a blink, it is a clear, crisp night. The
stars are above you, brilliant and twinkling. You know the moon is
behind you, but you do not notice its light because there is a sparkling
fire just ahead. There is no breeze, but the evening is chilly as you
would expect when Winter is still in the air.

You pull your clothing more closely around you, as you continue up the
hill. You are eager to reach the warmth of the fire, which is bigger
than you thought at first. In fact, it is a bonfire and you realize you
have arrived at Imbolc.

You run the last few steps to stand next to the fire pushing your hands
towards it, to capture the heat from a safe distance. Tall yellow and
white flames seem to warm you inside and out. You pause to look at the
sky again, and savor the moment.

Looking across the flames, you suddenly realize that you are not alone.
You can see the top of someone’s head, and you aren’t certain if you
have intruded on a private ceremony. Slowly, you walk around the fire,
and your companion stands up from the rock she was sitting upon. She is
a tall, strong woman, with long hair so light you cannot tell if it is
blonde or white. She looks like the Queen of Pentacles in a way, with
an ageless sense of knowing and accomplishment. She wears a long gown
and an embroidered cape, yet you can see her bare feet peeking out from
under her skirt. You know she is someone noble yet without artifice.

Without a word, she stretches out her hands to take yours in welcome.
You know, as if you’ve known her all your life, that this is Brighid.
This is a special and sacred moment.

She welcomes you to her fire, which will burn tonight and every night,
for Imbolc is her festival and her fire is never extinguished.

You sit down next to her, on large flat rocks that are warm from the
fire, and very comfortable. She begins to explain to you the meaning of
Imbolc, and its promise of a fresh beginning–not just to the plants and
animals, but also to everyone on Earth who chooses to permit Imbolc into
their lives.

She helps you to remember your past dreams, especially the ones from
your childhood which began, “When I grow up…” And as you recall these
fantasies and goals, you realize how many of them were left behind with
your childhood, yet how many are still alive in what you do each day,
today. This is not a sad realization as much as it is a recognition
that you can start afresh now. Every one of those dreams is still with
you.

Brighid reaches to her side and picks up a fallen twig from a nearby yew
tree. It looks like any other twig, in the firelight. However, when
Brighid places it into the fire, the bark on it sparks and flames like a
sparkler, giving enough heat energy to set the twig burning brightly.
Without saying anything, Brighid is showing you how even a small spark
will set alight your oldest and most neglected dreams.

The lesson was simple, but vital. Now it is time to return to your own
world. As you stand, Brighid offers you a cup of clear water, which you
sip. The sensation in your mouth is unique. There is a kind of
life-giving energy, that is Spring itself. You take a large swallow of
the water, and feel your entire body respond to that water with a
vitality that–like your forgotten dreams–you had almost forgotten from
childhood.

After returning the cup to Brighid, and then a quick embrace, you stride
purposefully around the fire and back to the dolmen. Passing under it,
you emerge back into the daylight and the warm air and clear sunshine of
an early spring day. You know you have not merely learned the meaning
of Imbolc, but actually experienced it in your soul. From now on, every
time you sip fresh water, or see twigs and branches burning in a
bonfire, you will feel Brighid’s presence, and be reminded of the
fire–and dreams–that burn within you, too, and will never be
extinguished.

Imbolc Ritual #1

Bardic Imbolc Ritual
by the White Bard

 

Materials

  • a candle for each covener present.
  • a MAIDEN, dressed in white.
  • a Crown of Light, made from three, six, or nine candles.
  • a BARD/GREEN MAN.
  • a DARK LORD, dressed in dark clothing, and holding a dark cloak.

The place of ritual should be set up, away from the gathered participants. It is more than a good idea to manage bathrooms and such like before the circle is closed. This Mystery is not something any of the participants should miss out on!

The BARD should stand to the WEST, unless otherwise specified in the ritual.

HPS

Go we now to the sacred place
And stand within the sacred space
Turn your minds to sacred things
And dance with me unto the ring!

HP and HPS lead the coven to the place of ritual by a spiral dance, ending in a circle around the altar. The cauldron should be at the south. The Bard/Green Man dances at the end of the line. A good song to sing here is “Lord Of The Dance.”

HPS

Come we forth, with the Spiral Dance
Within the Lady’s radiance
To celebrate the Sun’s rebirth
To renew life, to warm the Earth

Earth and Water, Fire and Air
I invoke the Goddess there!
This night we are Between the Worlds
To celebrate the year unfurled!

HP

Earth and Water, Fire and Sky
I invoke the God on high
This night we are Between the Worlds
To celebrate the year unfurled!

The corners shall be called thusly, that all may hear, but shall not be called until the HPS reaches that corner on her circumnabulation.

EAST

O Guardians of the Eastern Tower,
Airy ones of healing power
I do summon, stir and call you
See these rites and guard this circle!

Come to us and heed our call!
By the Power that made us all;
By the Power that blesses Thee:
Come to us; and Blessed Be!

SOUTH

Oh fiery ones of Southern Power
Thus I invite you to this tower
I do summon, stir and call you
See these rites and guard this circle!

Come to us and heed our call!
By the Power that made us all;
By the Power that blesses Thee:
Come to us; and Blessed Be!

WEST

Western ones of water’s flow
Help to guard us here below
I do summon, stir and call you
See these rites and guard this circle!

Come to us and heed our call!
By the Power that made us all;
By the Power that blesses Thee:
Come to us; and Blessed Be!

NORTH

Earthen ones of Northern fame
Bless and guard our Power’s fane
I do summon, stir and call you
See these rites and guard this circle!

Come to us and heed our call!
By the Power that made us all;
By the Power that blesses Thee:
Come to us; and Blessed Be!

The HPS shall move to each corner, and say, following each corner’s crying as she moves to the next:

HPS

So I cast and consecrate
This Circle of the small and great:
By Fin and Feather, Leaf and Tree,
By Rock and Earth, by Land and Sea,
By Fire and Water, Earth and Air,
By the Lord, and Lady Fair!
By Love and Joy and Work and Play,
All things harmful cast away!
By lightening’s flash, and rain’s soft fall,
By the Power that made us all;
By the Power that blesses Thee:
(Cast the Circle: Blessed be!)

On her return to the first corner she shall change the last line above, and say: “The Circle’s cast; and Blessed Be!”

The callers of the corners shall return their tools to the altar, and then shall join the circle at their corners.

Here begins the Candlemas (Imbolc) Mystery:

The Maiden shall step forth, and say:

MAIDEN:This is the time of Brigid, the Patron of Poets and Fire, and of Healing.

HPSThis is the time of new beginnings, when the Mother has become Maiden.

HPThe days have turned, and grow longer, and the Sun-child is growing to His strength.

BARD/GREEN MAN

I have been a wave upon the sea,
And a spark in the firelight.

I have been a fish in the ocean.
I have been a Thought within a Word,
And a Word within a Deed.
I was cast away, and found again.

I have been made of flowers
And of cold steel and brass.
Fire and ice are alike unto me.

I have been the narrow blade of a sword
That kills without cutting.
And the Void is my homeland.

I have been in Caer Sidi
In the Spiral Castle of Glass.
And the letters on the Standing Stones
Are no secret from me.

I have been in Annwyn
And Tir na n’Og,
I have danced the Spiral Dance,
And drunk from the Hierlas at daybreak.

I have ridden beneath two ravens
And served in the kitchen,
And all places are alike unto me.

I have been a child
And now I come into my strength!

I invoke the Land, the dear Land,
the Earth our Mother!

MAIDEN

The cycles of the Moon have taken their course, and I am in my Maidenhood.
The stars are kindled, and I dance in their light.

DARK LORD

Thy home is with me thru the long months of Winter,
and the Earth shall lie fallow and bare.

The HPS shall then light the candles of the Crown of Light, and shall approach the Maiden, who is now standing in the East, and place it upon her head. She shall now, in company with the Bard/Green Man, circumnabulate the circle, and the coveners shall light their candles from her crown. The Bard/Green Man shall return to his normal place within the circle and the Maiden shall place the Crown of Light on the altar. The Maiden shall then approach the Dark Lord, and kneel before him, and he shall say:

DARK LORD:As it always is, always was, and always shall be. Come to my Kingdom.

Here he shall place the dark cloak around her, and they shall retire to the West. Here ends the Candlemas Mystery.

A normal cone-of-power may be raised, for growth and healing:

HPS

In a ring we all shall stand
Pass the Power, hand to hand.

HP

As the Sun is given birth
Build the Power; root to Earth

HPS

Pass the Power, hand to hand
Bless the Lady, bless the Land

HP

Bless the Lord, and bless the Skies
Bless the Power that never dies!

The above four verses should be repeated three times, (or as many times as needed) and then the HPS should say:

HPS

By Fin and Feather, Leaf and Tree:
Let the Power flow out and free!

All should release, at this point.

Such coven business as must be transacted may be done here. This is a good time to bless candles for use during the coming year. This is also a good time for initiations.

The Circle is opened.

HPS

Thus I release the East and West
Thanks to them from Host to Guest
Thus I release the South and North
With “Blessed Be’ I send them forth!
The Circle’s open, dance we so
Out and homeward we shall go.
Earth and Water, Air and Fire
Celebrated our desire.
The Sun’s returned to banish dark
The Earth awakes to sunlight’s spark.
By Fin and Feather, Leaf and Tree,
Our circle’s done; and Blessed Be!

Coven: Blessed Be!

All spiral dance out from the Circle.

13 Ways to Celebrate Imbolc

13 Ways to Celebrate Imbolc

by Heather Evenstar Osterman

 

Regardless of what religion we grew up with, most of us have favorite memories of things we did every year for specific holidays. These traditions were what made our celebrations special. So what do you do when the holidays you celebrate now aren’t the same ones you grew up with? How do you share the joys of Imbolc with your family?

Imbolc (or Candlemas/Brigid/whatever you choose to call this celebration) falls on February 2nd and is a time to honor the quickening of the earth and the first manifestations of spring emerging from winter. This Sabbat is sacred to the goddess Brigid in particular, and is a wonderful time to acknowledge your own creativity, expand your knowledge, and practice the healing arts. Here are my suggestions to get you started developing your own family traditions!

  1. Help your kids go through all their clothes, toys, and books to find the unwanted and outgrown items. Donate everything to a charity that will give the items to children who need them.
  2. Collect canned goods from family and friends to give to a food bank. Yule isn’t the only time people are in need.
  3. Go for a walk! Search for signs of spring. Take off your shoes and socks and squish your toes in the mud.
  4. Open all the doors and windows and turn on every light in the house for a few minutes. Let the kids sweep all the old energies out the doors.
  5. Lead the family on a parade around the outside of your home, banging on pots and pans or playing musical instruments to awaken the spirits of the land.
  6. Make corn dollies and a cradle for them to sleep in.
  7. Create a sun wheel out of stalks of grain and hang it on your front door.
  8. Meditate as a family. Have everyone explore what it would feel like to be a seed deep in the earth, feeling the first stirrings of life. Lie on the floor and put out tendrils. Stretch and bloom.
  9. Have your children hold some herb seeds in their hands. Talk to the seeds. Bless them with growth and happiness. Fill them with love. Plant an in-door herb garden.
  10. Decorate candles with stickers, metallic markers, paint and anything else you can think of! Light your candles and give thanks to Brigid for her inspiration.
  11. Help your kids make a special feast! Spicy foods and dairy dishes are traditional. Try Mexican or Indian cuisine. Top it off with poppy seed cake. Drink milk or spiced cider.
  12. Set a fabulous dinner table with your candles, evergreen boughs spring flowers, dragons, sun symbols, or whatever says Imbolc to you. Use the good china.
  13. Let your children make their beds in a special way to represent Brigid’s bed. Go camp style with sleeping bags or build a makeshift canopy! Have sweet dreams…

Heather Osterman is the Family Services Coordinator for the Aquarian Tabernacle Church.

Brighid Invocation

Brighid Invocation

by Mystic Amazon

 

There you are, Goddess,

With your streaming flame-red hair!

I hear the hammer of your smithy,

And the eloquent words of your poetry

Satisfy something in my soul.

I hear the chants of women

The priestesses of your sacred flame,

See smoke that carries your prophecies.

Artists, poets and musicians honor you

With the beauty of their work.

Holy Mother Brighid, Bless us!

Honor us with your shining presence,

Wash us in the waters of your healing wells.

Brigantia the warrior, give us courage!

We dance to the movement of your flames.

Beth Clare Johnson

Imbolc and Grain Dollies

Grain Dollies can be made many different ways, and need not take on human shape unless you desire. They are made of wheat or sheaves of other grains such as straw, corn or barley. The sheaves are formed into some semblance of a “dolly” by folding, tucking and tying here and there. They can then be “dressed” in white cotton or satin and lace to represent the bride. You may even choose to create a “bed” (from a basket usually) for your grain dolly, commonly called a “Bride’s Bed”. There are many Pagan books available on how to create Candle Wheels, Grain Dollies, and Sun Wheels. Imbolc is also represented by burrowing animals, and the bride. Some other altar decorations may include a besom (Witch’s broom) to symbolize the sweeping out of the old, a sprig of evergreen, or a small Goddess statue representing Her in the Maiden aspect.

Brighid’s Fires Burn High

Brighid’s Fires Burn High

by Miriam Harline

 

Imbolc is a white time, a time of ice and fire. In many places, snow still sheets the ground. The fire is traditional: Europe observes this day, February 2, the Christian Candlemas, with candlelight processions, parades that go back to ancient torchlight ceremonies for purifying and reviving the fields at early sowing, according to Funk and Wagnall’s Standard Dictionary of Folklore, Mythology and Legend.At Candlemas, the people of ancient Europe made candles for the coming year, having saved the fat from meat eaten through the winter. Mexico, too, observes February 2, the Aztec New Year, with renewed fires and a festival that echoes agricultural rituals of early spring.

At Imbolc, the earth begins to wake from winter sleep. As Starhawk writes in The Spiral Dance, at Imbolc “what was born at the Solstice begins to manifest, and we who were midwives to the infant year now see the Child Sun grow strong as the days grow visibly longer.” At night the Wild Moon shines, illuminating the earth’s initial quickening. Seeds sown in autumn begin to stir; nature is potential waiting to be fulfilled. The Goddess too is changing: from crone to maiden, from winter to spring.

To Banish Winter

In The Wheel of the Year: Living the Magical Life, Pauline Campanelli writes, “Now is the time for the banishing of Winter. On the first night of February, the eve of Imbolc, gather together all of the greens that adorned the house throughout the Yuletide season, including a branch or two of the fir tree that was hung with holiday ornaments. Then, as a part of the Imbolc Sabbat rite, add these greens to the Sabbat Fire (a little at a time, and carefully, because by now they are hazardously dry), dancing and chanting all the while with words like:

“Now we banish Winter!

“Now we welcome Spring!”

Of Brighid and Her Realms

Today’s witches take many of their Imbolc associations from pagan Ireland. There, Imbolc belonged to the goddess Brighid or Bride (either is pronounced Breed), mother of poetry, smithcraft and healing.

In their Encyclopedia of Celtic Wisdom, Caitlin and John Matthews quote the tenth century Cormac’s Glossary: Brighid is “a poetess… the female sage, woman of wisdom, or Brighid the Goddess whom poets venerated because very great and famous for her protecting care.”Cormac’s Glossary gives Brighid the poetess two sisters, Brighid the smith and Brighid the “female physician”; Brighid thus occurs threefold, called by the Celts the Three Blessed Ladies.

The three Brighids multiply, to three times three: Caitlin and John Matthews call Brighid “a being who has nine separate spiritual appearances and blessings, which are ubiquitously invoked through Celtic lore.” Hers are the “nine gifts of the cauldron” mentioned in Amergin’s “Song of the Three Cauldrons”: poetry, reflection, meditation, lore, research, great knowledge, intelligence, understanding and wisdom. The Christianized St. Bridget had nine priestesses, the “Ingheau Anndagha,” or Daughters of the Flame, who lived inside her shrine and tended her fire, whom no man could look upon, according to Kisma K. Stepanich in Faery Wicca, Book One. Brighid is also a midwife and protector, a war-goddess and a teacher of the arts of battle.

Celtic lore makes Brighid the daughter of the Dagda, the Good God, and marries her to Bres of the Fomors, by whom she bears a son Ruadan. But, as Janet and Stewart Farrar write in The Witches’ Goddess, “The fact that Dana, though goddess/ancestress of the Tuatha, is sometimes referred to (like Brighid) as the Dagda’s daughter; the hints… that the Dagda was originally the son of this primordial goddess, then her husband, then her father; the dynastic marriage between Brighid and Bres – all these reflect a long process of integration of the pantheons of neighboring tribes, or of conquerors and conquered, and also of patriarchalization.” Like many goddesses, Brighid probably once birthed the god later called her father. Brighid’s name can be derived from the Gaelic “breo-aigit” or “fiery arrow,” but the Matthewses prefer a derivation from Sanskrit, “Brahti,” or “high one.”

The entire Celtic world worshipped Brighid. She was Brigantia in Britain, the patron goddess of the tribe of the Brigantines in northern England and of the Brigindo in eastern France, Stepanich says. The Celts continued to worship her in Christian times as St. Ffaid in Wales, St. Bride in Scotland and St. Bridget or Bride in Ireland. St. Bridget was said to be the midwife and foster mother of Christ, the helper and friend of Mary.

Making Bride’s Bed

Long before she befriended the Mother of God, Brighid was the Mother herself, her agricultural roots going back to the Neolithic. Campanelli describes an Imbolc ritual for creating Bride’s bed, drawn from ancient rituals in which harvesters at the Autumn Equinox would bring the last sheaf of wheat or other grain into the house, believing the Goddess of the Grain lived within. The harvesters often made this last sheaf into a woman’s shape, the Corn Bride or Maiden, dressing her in white.

If you have autumn harvest left, say a sheaf of Indian corn, as part of your Imbolc ritual you can create a Bride’s bed. Dress her in white and decorate her as you like, then place her in a basket or on a square of white cloth. Across her, lay a priapic wand – an acorn-tipped wand of oak – twined with ribbon, so that wand and bride form an X. Then place lit candles to either side, and chant to her something like, “Blessed be the Corn Bride! Blessed be the Great Mother!” At the height of the chant, extinguish the candles. Then, at sunrise the next morning, place the bride without her dress on your front door. There she forms an amulet of prosperity, fertility and protection, which can remain till after Samhain. Campanelli suggests you return her to earth before Yule, perhaps scattering her in the fields for birds.

Brighid the Midwife

Brighid is midwife as well as harvest mother. As late as 100 years ago in the west Scottish Highlands, the Matthewses write, the midwife traditionally blessed a newborn with fire and water in Brighid’s name. She passed the child across the fire three times, carried the baby around the fire three times deosil, then performed “the midwife’s baptism” with water, saying:

A small wave for your form

A small wave for your voice

A small wave for your speech

A small wave for your means

A small wave for your generosity

A small wave for your appetite

A small wave for your wealth

A small wave for your life

A small wave for your health

Nine waves of grace upon you,

Waves of the Giver of Health.

Brighid also protects and heals adults. She is a goddess of healing wells and streams; in her honor, Bridewell is one of the two most common well-names in Ireland, the other being St. Anne’s Well, remembering Anu, or Dana, the mother of the gods – a goddess sometimes conflated with Brighid. With Aengus Og, Brighid performs the role of soul-guardian, wrapping worshippers in her mantle of protection.

Making a “caim”

To protect themselves in Brighid’s name, the traditional Irish would recite a “caim,” the Matthewses write; “caim” means “loop” or “bend,” thus a protective circle. A caim would always name Brighid and the beings, household or body-parts to be protected.

Traditionally, you place a caim by stretching out your right forefinger and keeping that finger pointed toward the subject while walking about the subject deosil, reciting the caim. You can also say a caim for yourself. A caim can be made in all seasons and circumstances; it traditionally encircles people, houses, animals or the household fire. The Matthewses write:

“As her family prepared to sleep, the Gaelic mother would breathe these words (the caim) over the fire as she banked it in for the night…. As she said this, she would spread the embers into a circle, and divide it into three equal heaps with a central heap. To make the holy name of the foster mother (Brighid), she placed three turfs of peat between the three heaps, each one touching the center, and covered it all with ash. Such smooring customs and invocations are still performed in the West of Ireland. And so the protection of Brighid is wrapped about the house and its occupants.”

Augury in Brighid’s Name

Brighid is also a seer; the Matthewses describe her as “the central figure of the Celtic vision world.” She presided over a special type of augury, called a “frith,” performed on the first Monday in a year’s quarter to predict what that quarter would bring. The ancient Celts divided the year by Imbolc, Beltaine, Lughnasad, and Samhain, so the first Monday after Imbolc is appropriate for frithing.

To perform a frith, a traditional frithir would first fast. Then, at sunrise, barefoot and bareheaded, the frithir would say prayers to the Virgin Mary and St. Bridget and walk deosil around the household fire three times. Then with closed or blindfolded eyes, the frithir went to the house door’s threshold, placed a hand on either jamb and said additional prayers asking that the specific question about the coming quarter be answered. Then the frithir opened his or her eyes and looked steadfastly ahead, noting everything seen.

Frithing signs can be “rathadach” (lucky) or “rosadach” (unlucky). A man or beast getting up means improving health, lying down ill health or death. A cock coming toward the frithir brings luck, a duck safety for sailors, a raven death. About the significance of horses, a rhyme survives: “A white horse for land, a gray horse for sea, a bay horse for burial, a brown horse for sorrow.” The role of frithir passed down from generation to generation; according to the Matthewses, the name survives in the surname Freer, “held to be the title of the astrologers of the kings of Scotland.”

To perform a pagan version of frithing, fast the Sunday night before the first Monday after Imbolc and that night formulate your chief question about the coming three months. Monday morning at sunrise, say a prayer to Brighid and barefoot and bareheaded walk deosil around whatever seems the central fire of your house – maybe your kitchen stove, or if you’re not a cook your fireplace or heater. Then go to your doorway, put your hands to either side, and closing your eyes pray your question be answered. Then open your eyes, and note the first action you see. That action probably won’t be found in the traditional frithir’s lexicon, so the interpretation is up to you.

In another frithing technique, you curl the palms to form a “seeing-tube”; frithirs used such a tube to discover lost people or animals and to divine the health of someone absent. Frithirs also sometimes used divinatory stones; the Matthewses describe a “little stone of the quests” made of red quartz.

Imbolc Spells and Workings

Whether or not you try frithing, Imbolc is good for psychic work: still the dark time of the year, but looking toward spring. It’s also a good time to make your space hospitable for such work, banishing old energy to clear the way for new. Traditionally, witches purify themselves and their space at Imbolc. Any kind of cleansing or banishing will do, but consider ones that include fire and water, sacred to Brighid. Once purified, you’re ready to go further; at Imbolc, covens initiate new witches.

The spark of summer dances in the future now; Imbolc is a good time to seek inspiration, especially for healers and smiths of words or metal. To do so, try the following spell.

Bring to your ritual space a cauldron or chalice filled with earth or sand; a white, silver, green, purple or rainbow-colored candle; a candleholder; oil to anoint the candle; paper; and a pen you like or with appropriately colored ink. Ground and center, cast a circle and ask for Brighid’s presence. Then anoint your candle in Brighid’s name, and lighting it write on the paper the aspects of your work in which you want inspiration. When you’re done, raise energy and put it into the paper, then light the paper with the candle flame. Drop the burning paper into the cauldron, making sure the entire paper is blackened. Then thank Brighid and bid her farewell, and take down your circle.

The next day, relight the candle and by its light rub some significant tools of your work with the ashes. Then either sprinkle the remaining ashes onto your garden or houseplants or drop them in a park in a place that feels inspiring or pleasant.

Imbolc is a white time, burning with inspiration and protection, cool with healing and purification. Prophesy flares, painting luster on the dark. Light your candle, call on Brighid, and know that under the snow the seeds of spring stir.

ABOUT OIMELC

ABOUT OIMELC

The Church calls it St. Brigid’s Day, but Brigid (or Bride) is simply the
ancient Celtic name for the Goddess as maiden.

Here in America we know it as Groundhog Day, a day of weather divination. And
Iomelc was always a time of weather divination.

It’s also called Valentine’s Day (but moved a couple of weeks away), because
love divination was also practiced on the Day of the Maiden (or Bride).

It’s winter’s end. The bridge between the cold of winter and the promise of
spring. Iomelc was the time for caring of the sheep in ancient Britain.

It’s the midpoint between Yule — the rebirth of the sun as the wheel of the
year turns — and Lady Day (Ostara or Easter) — the full moon of the vernal
equinox.

Candlemas = Renewal

Candlemas = Renewal

Each year, we celebrate February 2nd around the world. We call it Brigid,
Candlemas, Imbolc, St. Brigid’s Day, and yes, of course, Groundhog’s Day. Why
do we celebrate on February 2nd? Is it like President’s Day – providing a nice
day for state and federal workers to stay at home? Not really… Brigid has
been celebrated for many thousands of years. It is the day on which we
recognize and honor the awakening of the maiden aspect of the Goddess.

Some of us celebrate the holiday as Brigid, in honor of Brigid who was a Celtic
Goddess of poetry, healing, fire and smithcraft. In years past, the people of
the British Isles would build a nice fire in their hearth, light torches and
candles, and celebrate Brigid. What were they celebrating? The Maiden aspect
of the Goddess awakes or returns from the underworld. At Winter Solstice she
was impregnated with Spring. She sleeps until Brigid and returns, bringing
Spring and renewal for the earth with her. The other names for this holiday
are just different names for the same celebration.

Some may ask what this really has to do with us? We see that some of the
animal kingdom hibernates through the dark time of the year. We tend to follow
the same cycle. During the dark time of the year we retreat within ourselves.
We focus internally. We stay inside our homes in the warmth and think about
what is upcoming for us. We may not even recognize it. We may not even think
about it consciously, but subconsciously we are very much aware of it. We are
very much a part of the spiral of birth, death, and rebirth throughout the
year. We are interconnected with the earth and all that is on it. You have
likely heard the old expression “Spring Fever” many times before. This is
simply our anticipation of Spring’s return, when we can go out and live a full
life upon the earth once more.

Often if we look at our ancestors and the His/Herstory, we can find the answers
to many of our questions. I hope that everyone has a beautiful Brigid and
remember… Spring is just around the corner.
Mayfair Lightwind

Use Imbolc to Ask for Brighid’s Inspiration

Use Imbolc to Ask for Brighid’s Inspiration

by Melanie Fire Salamander

At a Northwest Imbolc, grey days pass under grey skies. The furor of the solstice holidays is over, and cold and rain face us for the next six weeks, or six months. Here, Imbolc lacks even the bracing snow of winter. Nor is it time for flowers and fresh breezes. A few crocuses may poke their heads above ground, but Imbolc, the first pagan holiday of spring, doesn’t speak of spring’s fulfillment, rather of spring’s promise.

Imbolc is the pregnancy of spring, the first stirring of seeds sown in autumn. One derivation of the holiday’s name, which is taken from the Irish, is “in the belly,” according to R.J. Stewart in Celtic Gods, Celtic Goddesses. Animal life also begins to stir. Around Imbolc, ewes begin to lactate, a time important to hungry traditional peoples. This association is reflected in medieval European writings. Cormac’s Glossary, composed around year 900, derives “Imbolc” from “sheep’s milk,” Ronald Hutton writes in The Stations of the Sun. In the tenth- or eleventh-century Irish tale “The Wooing of Emer,” this holiday is called “Imbolc, when the ewes are milked at spring’s beginning.”

At Imbolc, early Europeans also rendered fat for candles, having saved the fat from meat eaten through the winter. Hence the holiday’s alternate name Candlemas, from the Christianized version of the day. Christian Europe observes Candlemas with candlelight processions, parades that may hark back to ancient torchlight ceremonies for purifying and reviving the fields at spring sowing, according to Funk and Wagnall’s Standard Dictionary of Folklore, Mythology and Legend. The February ceremonies of the pagan Romans were also rites of cleansing and preparation for the coming year. Likewise, February 2 is the Aztec New Year, observed with early-spring agricultural rites and renewed fires. After other purifications, covens at Imbolc traditionally initiate new witches.

Around the Northern Hemisphere, Imbolc is a time of beginnings, of hopes for success in the coming year. But hope is double-edged; the ancient Greeks put it into Pandora’s box with other human ills, a lying daemon. In this grey weather, it’s easy to see hope as a lie. Of all holidays, Imbolc is the most based on faith. If you don’t feel faith, if you lack inspiration, Imbolc is a good time to seek it.

Brighid’s Day

Imbolc comes strongly associated with a Celtic goddess who oversees inspiration. The Irish, Scots and Manx considered this holiday to belong to Brighid or Bride (pronounced breed), a patroness of smithcraft, healing and poetic inspiration whose name can be derived from the Gaelic “breo-aigit” or “fiery arrow.”

Brighid’s attributes are many. She was known as a smith and fighter, patroness of the armies of Irish Leinster. As a healer, she rules wells and streams. Worshippers in medieval times walked around her holy wells deosil (sunwise) on hands and knees and left valuable pins or buttons in the water, or hung rags in the trees nearby, asking for relief.

An Irish celebration of Brighid’s day reflects another healing aspect. In this observance, Hutton writes, a family would hold a formal supper, during which they would place food, usually cake or bread and butter, on the windowsill as a gift for Brighid. The family might also leave a cloth, garment or ribbon on the sill overnight, asking Brighid to bless it. Family members would wear it later in the year to prevent headaches.

Brighid also oversees childbirth. In the west Scottish Highlands as late as 100 years ago, midwives would bless newborns with fire and water in Brighid’s name, Caitlin Matthews reports in The Encyclopedia of Celtic Wisdom. Fire and water come together also in Brighid’s water, which you make by plunging a burning coal into water while asking for the goddess’s blessing. The water, used to anoint and purify, combines Brighid’s natures of smith and healer.

Brighid’s midwife aspect perhaps conceals an earlier goddess of fertility, a corn-mother, as shown in the tradition of Bride’s bed. To create this bed, Pauline Campanelli in The Wheel of the Year has you decorate a grain maiden made at the autumn equinox or from the last harvest’s wheat or corn. You dress the maiden in white, lay her in a basket and set across her a priapic wand — an acorn-tipped wand of oak — twined with ribbon, so that wand and bride form an X. You then place lit candles to either side and hail the maiden with a chant, or incorporate her into a ritual saluting the fertility of the coming spring. After the ritual, you undress the maiden and at sunrise place her on your dwelling’s front door. There she forms an amulet of prosperity, fertility and protection, which can remain till the next Samhain.

The Celtic traditions behind this pagan practice are many and varied. In the Isle of Man, according to Hutton, followers of Brighid left her an empty bed in a corner of the house or barn, beside it bread, cheese, ale and a lighted candle. In the Scottish islands of the Hebrides, where householders made a figure of Bride from oats, families would leave her abed overnight and look for an impression of her wand in the hearth ashes the next morning. A mark meant a good crop and a prosperous year, and a footstep was held marvelous, but if nothing appeared the family took it as a bad omen. To avert misfortune, members would bury a cock at the junction of three streams or burn incense on their hearth fire.

Elsewhere in Ireland, people plaited a criosog Bridghe, St. Brighid’s cross, of rushes or straw, hanging it on Brighid’s Eve over a door or window or in the rafters to welcome her. Others set their crosses in stables to ask for blessings on the animals. The Irish left their criosogs up through the year, replacing them the next Brighid’s Eve.

Besides giving health and agricultural fertility, Brighid lends clear sight into the future and creative fertility. According to Matthews, she presided over a special type of Irish augury called a “frith,” performed on the first Monday after a cross-quarter day, such as Imbolc, to predict what the year’s next quarter would bring. Brighid was said also to inspire poetry, and many Irish poems hail her. Cormac’s Glossary calls her “a poetess… the female sage, woman of wisdom, or Brighid the goddess whom poets venerated because very great and famous for her protecting care.” Matthews attributes to her the “nine gifts of the cauldron” mentioned in the Irish poet Amergin’s “Song of the Three Cauldrons”: reflection, lore, research, great knowledge, intelligence, understanding, wisdom, meditation and poetry. If inspiration is what you seek at this grey Northwest Imbolc, Brighid is a good goddess to turn to.

A Ritual to Seek Inspiration

This ritual is to find hope and inspiration in a project or your life as a whole. Before you start the working, I’ll ask you to spend some time in journal work and meditation. For these and the magickal rite, give yourself at least one undisturbed hour (two is better). Turn off the phone, and put your pets in another room.

A good time for this ritual is first thing Imbolc morning. If that doesn’t work, try the night before, or during a waxing moon. It’s best done in spring, but don’t let the season prevent you from doing the ritual if you want.

Have on hand:

  • A white or pastel candle to meditate by, and a candleholder for it.
  • Paper and pen to create a journal entry and for use during meditation. (You can create the initial journal entry using a computer, but you’ll definitely want the old-fashioned tools later.)
  • A cauldron or earth-filled bowl large enough to contain a burning piece of paper safely.
  • Anointing oil or Brighid’s water.
  • A candle of a color that says inspiration to you, possibly rainbow-colored, silver, gold, lavender or
    green — use your own personal associations.
  • A candleholder for this inspiration candle.

Journal Work

First, create a journal entry looking at what you’re thinking and feeling. Whether or not you keep an ongoing journal, writing about your thoughts and emotions helps clear your head before a ritual and make sure that unconscious ambivalence doesn’t color your work. Even if you already know what’s in your head, getting your feelings out on paper may reveal new information or connections. And the simple act of formally acknowledging a thought or emotion by writing it down can help that energy move.

So ask yourself: How do I feel? Why?

Next, ask yourself: What do I want out of this ritual? Write the answer on a separate page as a single, formal statement; this will be the statement of your working.

Then ask yourself: What within me stands in my way? What benefits do I get from not succeeding here?

This ritual assumes you are already dealing with any practical roadblocks preventing your success. For me, it’s rarely the outer blockages that most hinder me — it’s the inner ones.

So look at the inner urges that block your desires. As they come up, don’t judge them, if you can avoid it. These shadows all exist for a reason. If you can honor these urges, understand them, talk to them, promise they will be met in some way other than preventing your success, you will clear the way for inspiration.

On a separate piece of paper, write out a list of your inner blockages for use in meditation, following.

Meditation

To meditate, start with relaxation. Light your white or pastel candle, and sitting in front of it relax your whole body. If this doesn’t come easily, try tensing each body part, then releasing it. (For more meditative techniques, see other articles in this issue.) Looking at the candle flame — if you don’t want spots before your eyes, look at the base of the wick — take 20 deep breaths, breathing into your belly, saying to yourself that each breath relaxes you further. Count each breath.

Once relaxed, ground and center. Make your grounding cord strong and deeply rooted, and center yourself in the middle of your head — your third eye, a neutral space. Neutrality is a good tool when looking at inner blocks. Next, create a protective energetic circle around yourself in whatever way you prefer.

For the following step, give yourself some latitude. Don’t force yourself to do work you’re not ready for; doing so will enforce rather than clear obstructions.

From your list of inner blocks, choose one. Let it be personified in a way that you can be neutral about — not a monster, simply a presence. Then ask the block in meditation: What do you want?

For me, the answers to this question always surprise me and usually simplify matters. What your blockage will usually want, first, is acknowledgement. Then it might have some specific request. Nine times out of ten, at least for me, such requests can be dealt with in ways that allow me to move forward with my desired goal.

On a separate piece of paper, write down what the block wants. If you can, promise to fulfill that need, but at very least write it down for your knowledge.

Thank the block, bless it and let it go.

Then choose the next block on your list (unless you have only one), and repeat the process, collecting all the blocks’ requests on one sheet.

When you’re done figuring out what your blockages want, briefly decide how to address the requests. Often the action required is something simple, such as recognizing and honoring a formerly hidden emotion. Sometimes addressing the blockages’ needs will take further practical or ritual work. The answer isn’t to do the work right now, but to make an honest commitment to do it over time. If you don’t feel you can do what your blocks request, at the very least promise to keep thinking about the issues raised till solutions can be found. However works best for you, make a commitment to do the work to satisfy and thus release these blocks.

Write that commitment down on the page with the blocks’ requests, fold the paper and, when you can, set it in some place you will see daily, such as on your altar.

Now ground and center once more. Connect with the energies of earth and sky, and from the sky draw down cleansing, healing energy. Let it meet healing earth energy within you, and fill yourself completely with healing and comfort. Wash any pain or negative emotion down your grounding into the earth. Take time to do this slowly and fully and come back to equilibrium.

The Rite Itself

Now that you’ve done your personal work in journal and meditation and cleansed yourself, it’s time to ask for inspiration from the goddess.

Connect again with your grounding, center yourself and renew the circle around you, this time so as to work magick. Call the elements, directions, fey or all three to your circle as you usually do.

Now call to your circle the Celtic goddess Brighid. Do so in a speech inspired in the moment; call to her from your heart. The description earlier should give you a feeling for her attributes and nature. Call her strongly; let her fill your circle.

Besides your original journal entry and the page listing your blocks’ requests and your commitment, you should have two slips of paper: the list of the blocks themselves and your formal statement of ritual intent. From that statement, read aloud what you want this ritual to do. Feel free to amend your statement based on what you learned from journal work and meditation.

Now take up the list of things obstructing you. Say aloud the following, or something like it:

“To do (my project), I have committed to satisfy these blocks. Having made that commitment, I release them.”

Focusing on letting go your inner blocks, fold the page and light it in the flame of your meditation candle. Let the flame burn up everything that stands in your way. Drop the burning page in your cauldron or earth-filled bowl, and watch till it flares out.

Now pick up the anointing oil or Brighid’s water. Hold it above your head, and call out the following or something similar:

“I dedicate this (oil or water) to the Goddess Brighid and her brilliant inspiration!”

With the dedicated oil or water, anoint the candle you’ve chosen to represent inspiration. Holding the candle above your head, stand and raise the energy of inspiration either by toning wordlessly or by chanting:

“As this candle flames and fires,

Let me be renewed, inspired.”

Pour energy into the candle, imagining yourself filled with inspiration and hope. Imagine too the goddess lending you her aid.

When you have sent the power you raised into the candle, touch the surface below you and ground out any excess energy. Set the candle in its holder, ready for use. Then thank and release the goddess and other entities (directions, elements, fey), and take down your circle.

Light the candle whenever you work on the project you created it for, or whenever you’re in need of inspiration or hope.

About Imbolc

About Imbolc

a guide to the Sabbat’s symbolism

by Arwynn MacFeylynnd

Date: February 1 or 2.

Alternative names: Imbolg, Candlemas, Oimelc, Brighid’s Day, Lupercus, the Feast of Lights, Groundhog’s Day

Primary meanings: The name “Imbolc” derives from the word “oimelc,” meaning sheep’s milk. It is considered a time of purification, preparation and celebration for new life stirring, anticipating spring. The holiday is also known as Candlemas; the custom of blessing candles at this time signifies awakening of life and honors the Celtic goddess Brighid, to whom fire is sacred. This Sabbat also celebrates banishing winter.

Symbols: Candle wheels, grain dollies and Sun wheels, a besom (witch’s broom), a sprig of evergreen, a bowl of snow and small Goddess statues representing her in the maiden aspect.

Colors: White, yellow, pink, light blue, light green; also, red and brown.

Gemstones: Amethyst, aquamarine, turquoise, garnet and onyx.

Herbs: Angelica, basil, bay, benzoin, clover, dill, evergreens, heather, myrrh, rosemary, willows and all yellow flowers.

Gods and goddesses: Brighid, the Celtic goddess of healing, poetry and smithcraft; all virgin and maiden goddesses; all fire and flame gods, connected with the newborn Sun.

Customs and myths: In Irish legends of the Tuatha De Danaan, Brighid is the name of three daughters of Dagda who over time were combined into one goddess. She was venerated in Scotland, Wales, on the Isle of Man and in the Hebrides. When celebrating Candlemas or Imbolc, spellwork for fertility, inspiration and protection are appropriate, defining and focusing on spiritual and physical desires for the future. Imbolc is a good time to get your life in order — physically, mentally, spiritually and emotionally. Make plans, organize, clean out drawers and closets to bring in the new and clearing out the old. Make and bless candles; light one in each room in honor of the Sun’s rebirth. Carry out rites of self-purification. Burn mistletoe, holly and ivy decorations from Yule to signify the end of harsh weather and old ways.

Mind/Body/Spirit Cleansing for Imbolc

Mind/Body/Spirit Cleansing for Imbolc
By: Lotus Moonwise
.
Although Samhain is commonly considered to be the Witch’s New Year, Imbolc has always felt more like New Year to me. After going through winter “hibernation” mode, this is the perfect time to start clearing everything out, moving some energy around and making way for new things to come in Spring. Ever since I started practicing the Craft, this has been my favorite Sabbat of all because it brings Change, which I am so very fond of. Stagnation blocks creative power, so I usually do some kind of total cleansing at least twice a year, but preferably every quarter.
 
I like to set aside one or two weeks before Imbolc for this cleansing process, so that by the time the Sabbat rolls around, I’m fresh and new and ready to invite the new energies in. Here are some ways to cleanse yourself and your space:
 
Your Home:
· Do a total house cleanse, dedicating at least one day to each room.
· Go through each room and move everything. Create a system of organizing. Divide things into categories of what you know you want to keep, what you know you can let go of, and what you’re not sure about. Also, as you go through the rooms, if there is anything that is not where it belongs or anything that doesn’t have it’s own place, set that aside for now.
· Be honest with yourself and let go of things you no longer need. If there are clothes in your closet that you haven’t worn in a year, chances are you can let them go. As time goes on and our energy changes, our styles change, too. Make sure that everything in your home matches who you are NOW, not 5 years ago.
· If you come across anything that is broken, either repair it or replace it. Broken items in the house bring down the vibration. Remember that your house is a mirror of your soul.
· Once you’re sure of what you want to keep, start arranging those items in a way that is pleasing to you. Take time to sit in the room and meditate. If you pay attention, the room will tell you want it needs. Often it is something much simpler than you might expect.
· A good way of increasing abundance in your life is to create an altar somewhere in a direct line from your front door. When energy comes into your life/home, it comes in through the front door. In my home, the front door and the back door are in a direct line. As I did rituals to increase abundance, I noticed that the abundance was coming in, but it was also going out very fast. Extra expenses would just keep coming up. It was “easy come, easy go”. An altar situated between those two doors would magnetize the energy and anchor it into the house.
· Clean and re-dedicate your altars. Also cleanse and re-consecrate any ritual tools that you use.
· Placing a piece of rose quartz near your bathroom mirror is a good way of helping increase your self love and self esteem. You can also write some affirmations on an index card and post them here, since this is a place you’re likely to see them everyday.
· To keep the abundance coming in, you need to complete the cycle by giving. Take the items and clothing that you no longer use to a donation center or a shelter. A continues outflow of energy insures a continuous inflow.
 
Your Computer:
· This is also a good time to go through your computer and get rid of some clutter. Go through your email files, internet bookmarks, files saved on your hard drives and see what you truly need and what can be deleted. Organize the stuff you do keep into folders so you can easily find them when you need them. Many times I have done this and found useful things that had gotten lost in the mass of clutter. Clearing everything out also means your computer will work quicker and this is a metaphor for your mind working more efficiently. Once everything is clear, it’s a good time to back everything up to prevent it from being lost forever if something happens to your computer.
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Your Body:
· This is a great time to get a makeover. Maybe you want to try a new hairstyle or try out a new style of clothing. Making changes can be very uplifting and that energy will carry over into all your creative projects.
· Address any medical concerns you have. Get a checkup, maybe do a spring “fast” or undergo a detox program.
· Meditate on what you need to do to nurture wellness in your body. Talk to your body – it knows what it needs to heal itself and if you listen, it will tell you. Sometimes what your body truly needs goes counter to the generally accepted ideal of what is healthy. Trust yourself. Each person and each body is unique, and the best source for answers about you… is YOU.
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Your Emotional/Mental Self:
· This is a very important part of a total cleanse. If you don’t already, start keeping a journal. Start to observe the thoughts you have. Do this without judgment or analyzing yourself – just observe. Notice if your self talk is nurturing or hurtful. If you notice negative thought patterns, write some affirmations to counteract these and say them daily.
· Write all your fears, concerns, hopes, dreams. Get clear about what you want this year, what you don’t want this year, and what steps you can take to achieve your desires.
· This is a great time for divination focusing on the coming year.
· Create a visual representation of your goals for the coming year. I love to make collages, or what some call “treasure maps”. It’s a collection of images and phrases that becomes a powerful focal point for your energy. Put these up in places you’re likely to see them often.
· You can also do a collage as a way to release your fears. Do that same thing, gathering images and phrases that represent your fears. Then you can either bury this or burn it.
· Another technique that is helpful in clearing out emotional clutter is the Emotional Freedom Technique (EMT) The “Personal Peace Procedure” is a very thorough way of getting to the core of your fears and blocks, and releasing them in a pain free way.
· Write a “Statement of Intent” that outlines your personal philosophy on life and spirituality and your intention of how you will embody that philosophy in the coming year. This is a commitment you make to your self, your Spirit, and the Universe as a whole. Re-write this statement annually, since we are constantly changing, learning, and growing. Keep this statement in your Book of Shadows.
 
Doing all or some of these things will create a “clean slate” feeling. Then when you invite Brigid into your space on Imbolc, you will feel empty enough to be filled with Divine inspiration and creative fire.
 
About The Author: Lotus Moonwise is a Priestess of the Order of the White Moon, and is currently studying to receive ordination as High Priestess. She leads a small family coven. Lotus is a Shambhala Reiki Master/Teacher and offers online classes and attunements. In addition, she is studying to become a licensed massage therapist and lives in Oregon with her husband, three children, and two cats. Contact her via email at lotus@…

Goddess Quarter Calls

Goddess Quarter Calls

East
Hail, Goddess of the East
Athena, Lady of Wisdom
With serpents entwined on your arms,
Athena, Lady of Battle,
With your shield and spear,
Your helmeted head,
You who have fought for many,
To bring honour and justice.
You who have woven many tapestries,
To bring art and beauty,
Athena, we invoke you,
Ancient weaver,
Proud Goddess,
Be with us now.
East Opening of Circle:
Goddesses of East,
Lilith, Athena, Cardea,
(pause a few seconds for other Goddess names to be called)
We give thanks for your presence here tonight,
Go in peace.
Blessed Be.
South
Hail, Goddess of the South,
Pele, volcano Goddess of Hawaii,
Queen of the islands,
We call upon you.
We give you our rage, our lust, and our anger,
That you may cleanse us,
With your fiery lava.
That you may empower us,
With your mighty flow.
That you may bless us,
With your beauty.
Be with us now.
South Opening of Circle:
Goddesses of South,
Pele, Vesta, Brigit,
(pause a few seconds for other Goddess names to be called)
We give thanks for your presence here tonight,
Go in peace.
Blessed Be.
West
Hail, Goddess of the West
Aphrodite, with your golden hair,
Arising from the sea,
Surrounded by white foam,
Being birthed by the waters,
Aphrodite, bless us
With your beauty,
With your love,
With your fertile, pregnant being,
That we may heal the Earth
And help her to bear fruit,
Be with us now.
West Opening of Circle:
Goddesses of the West,
Hecate, Aphrodite, Yemaya
(pause a few seconds for other Goddess names to be called)
We give thanks for your presence here tonight,
Go in peace.
Blessed Be.
North
Hail, Goddess of the North.
Demeter, Goddess of the golden grain and harvest.
Be with us, Earth Mother,
Heal us and heal our children.
Oh, Demeter,
You who have grieved for your daughter Persephone,
Spent your time searching the underworld,
You who have returned to us in your glory,
Bless our land and make it fertile.
Oh, Demeter,
Sacred Mother,
Blessed sister,
Fruitful earth,
We invoke you now.
North Opening of Circle:
Goddesses of North,
Gaia, Demeter, Artemis,
(pause a few seconds for other Goddess names to be called)
We give thanks for your presence here tonight,
Go in peace.
Blessed Be.
Centre
Hail, Goddess of Centre
Great Eagle Woman,
Moon Mother,
Lighting the way,
Bringing vision,
Soaring over us
With great wings.
Oh Great Eagle Woman,
You bring death and destruction,
You bring birth and creation,
Wisdom woman flying high,
We call on you
To guide us now.
Blessed Be.
Centre Opening of Circle:
Goddesses of Centre,
Isis, Shekinah, Great Eagle Woman,
(pause a few seconds for other Goddess names to be called)
We give thanks for your presence here tonight,
Go in peace.
Blessed Be.

THE LEGEND OF THE MAIDEN

                    THE LEGEND OF THE MAIDEN

                       The Mysts of Annwfn
                         Book of Shadows

     In Ages long past, the lovely Lady Brighid came to Hibernia
to dwell in that land among her people.  She brought to them many
special treasures from the Outer Realms to enrich their lives.
She gave them the art of Smithcraft, Poetry, and Inspiration.
Brighid also shared a sacred Cauldron that overflowed with
inspiration and love.  She was adept at the healing arts, and in
the Magick of Medicine.  Her people loved her deeply, and kindled
a fire in her honor which was constantly attended by nineteen
maidens, and was never allowed to go out.

     The Lady Brighid eventually became a mother, and her people
rejoiced, knowing their lands would be fruitful just as their
Goddess was fertile.  However, Brighid also knew the misery of
loss.  When one of her beloved sons was killed, the whole land
wept.  She lamented so deeply that she invented “keening,” the
mournful song of the bereaved women of Erin.  Her Flame burned so
brightly, however, that happiness soon returned to the land.  She
bestowed upon her people, yet, another gift:  The Art of
Whistling.

     However, in the fullness of time, the beloved Lady could no
longer dwell openly with her people, and she made her home in the
Sidhe.  There, she would dwell close to her people and her land,
and they could call upon her name at the appointed times, and
keep her Flame burning within their hearts.

              The Eternal Flame continues to burn!