Tag: Imbolc

Planting Seeds at Imbolc

Planting Seeds at Imbolc

By C. Cheek

When I was a student at UW, I walked to class every day from my apartment. Along the way, I’d pass some less-than-beautiful sights; empty lots, alleys, easements, and the crud that gathers near gutters in parking lots. Not to worry, I assured myself, come spring, flowers would grow, filling these ugly spots with bursts of color. But then April came, and May, and June, and the route I walked to school stayed barren. Nature provided the sun, soil and rain, but no one had planted seeds.

Sometimes life just hands us what we need. Sometimes all we have to do is wait. And sometimes we have to do a little helping on our own. An envelope sits in my coat pocket. Inside this envelope are seeds mixed with sand to make them spread farther. Some of the seeds I purchased at stores, some I gathered last summer. Now, whenever I pass a patch of dirt, I’ll sow some of those seeds, and with them, I’ll sow a little hope. Hope is the time between planting a seed and seeing it bloom, or die. Hope is when you hear the phone ring and don’t know yet if it’s your best friend. Hope is the moment between buying a lottery ticket and scratching off that final square. When I was child, my mother often told me that wanting was better than having. It took me many years to find out what she meant. Even if your seeds don’t sprout, even if it’s a telemarketer on the other end of the line, and even if you don’t win the lottery, for a brief moment, possibility shines.

Getting in touch with Imbolc means gathering a kernel of hope. For me, as a writer, this means sending out my manuscripts. I call it “applying for rejection letters.” I read the editor’s requirements, check over my story for loose commas, type up a query letter, double check the spelling of the editor’s name, put the pages in an envelope with an extra SASE, and wait. Query letters have a germination period of about three months. At the end of three months, I’ll usually get a tiny slip of paper, not much bigger than a cookie’s fortune, which reads “Thank you for your submission, but it does not suit our current needs.” These little slips of paper cut me, they wound me, they callously toss aside what I’ve spent months writing. So, I find another name, and send it out again. Why? Why do I keep sending the stories out again and again? Because for three months, I can imagine how great it will feel to get an acceptance letter. In my fantasies, an acceptance letter turns into a three-book contract. My daydreams take root, and soon I’m the next J. K. Rowling, with legions of adoring fans, and respect of fellow authors, and book tours in Europe and then… and then…

And then, most likely, I’ll get a slip of paper, or maybe even a letter written just for me, telling me “No thank you.” But for those three months, the daydreams flourish, as sweet as the bite of chocolate you imagine just before tearing off the foil and wrapper, when the bar of candy lies unopened, waiting in your hand. Hope is rich soil, seeded with maybes.Providencewill decide if I happen to write the right letter to the right editor, and if she’s in the mood to read my work. Nature decides if the wildflower seeds I scratched into the mud will grow into seedlings. Even if my efforts don’t bear fruit, I’m guaranteed a period of hope, while waiting to see what happens as the months pass.

The other gardening chore for early spring is pruning. Trees don’t have many ways of communication, but they “know” that sharp loppers shearing off branches early in the year means that it’s time to send out buds and shoots. Roses too, lie dormant in the winter and need the snip-snip of a gardener to wake them up. “Wake up,” I tell them, as I trim off last year’s growth. Inside the house, I peer out the window at the bare canes and think of the months of fragrant blooms lying under that frost-touched bark. When the weather warms, they’ll send out furled leaves, reddish then green, and buds will soon follow. As an inexperienced gardener, I didn’t trim the roses. It felt wrong, cruel somehow to cut back a perfectly healthy plant. The roses still bloomed, still grew, but the leaves didn’t get as large, and the flowers weren’t as numerous. I’ve learned my lesson now. My shears are sharp and ready.

Sometimes nature takes its course without our help, and sometimes it needs our assistance. Friendships are like that too. When I was at the store, I purchased a handful of postcards. Who buys these things, except tourists? Who sends postcards, except people who want to brag about how far they’ve gone on vacation? Well, I do. I got out my old address book and started writing down names of friends I hadn’t talked to in a while. It seems so hard to call people out of the blue. I’m always afraid of what they’ll think. She’ll think I need to borrow money, he’ll think I just broke up and am trying to flirt, my cousin will think I want a favor. So I write instead. No one, it seems, minds a postcard.

I’ve learned that I don’t have to write much. “Thinking of you,” seems to cover it. Or maybe, “I saw this postcard with a beagle on it, and remembered your old dog Spot. How are you and Spot doing?” People don’t often write back. Sometimes you have to send them four or five cards before they write you, sometimes they don’t write back at all. Sometimes they’ve moved, and don’t get the postcard. And sometimes, sometimes they’ve missed you too, and wondered why you’ve drifted apart. Sometimes they get out their address book, and pick up the phone, and call to ask you out to coffee. A rectangle of cardstock and a twenty-three cent stamp, and you automatically get a week of hope that you’re about to rekindle an old friendship. And even if that old co-worker doesn’t remember you, or if he’s moved and the postcard arrives at the house of a stranger, you’ve probably brightened someone’s day. That’s worth fifty cents.

Every day we pass people whose names we never learn. That pierced, pink-haired barista that you buy your latte from might have gone to your high school. That old woman who sits on the same spot in the bus might have important lessons to teach you about life. Your study-partner in that night class might be looking for someone to share his theater tickets with. Sure, they’re just strangers, people we don’t know, and don’t need to know. On the other hand, if you see the same person every day, or every week, how do you know that person isn’t meant to be in your life? It’s hard to be outgoing, hard to strike up conversations without an introduction or the comforting venue of a cocktail party. Seeds don’t need much to grow, a bit of warmth, a bit of rain, and nature takes its course. The wind changes, and flocks of birds know it’s time to return home. Maybe all it takes to turn “that girl from the coffee shop” into “Tina, who plays tennis with me on Mondays” is an extra smile, an extra nod, an extra moment of attention. We are each other’s sun, we are each other’s rain. We have the power to turn the barren soil of strangerhood into a small connection between fellow human beings. You don’t have to do it all, in fact, you can’t make a relationship develop by force any more than you can make a turnip grow faster by tugging at its root, but you do have to make an effort. Plant a small seed of possibility.

I’ve got a small stack of postcards on my desk, each one addressed and stamped and ready for the mailman. It took an hour, and half a booklet of stamps. I wrote just a sentence, or just a smiley face and my name. I’m already imagining how fun it would be to throw a party and invite people I haven’t seen for years. On my kitchen windowsill, tomato seeds wait in their peat pots. In my mind the tomatoes (which haven’t yet sprouted) taste like sunlight, miles better than any of the icy slices the guy at the deli puts on my sandwich. At lunch, I smile at the deli guy anyway, and comment on his funny button, and call him “Eddie,” from his nametag. He recognizes me when I come in now, and even though he calls me “No Peppers, Right?” it’s a start. A lottery ticket, unscratched, is stuck to my fridge with a magnet. It could win me ten thousand dollars–or maybe not. It’s fun to wonder, and hope. I’ve got my novel in the hands of an editor too. As February turns into March, and March turns into April, she’ll work her way down the stack to mine. She’ll read it, and she’ll send me a yes, or a no. I’m in no rush to get my SASE back with the answer. For now, I’ll just savor the possibility of what might happen. Few things in this world taste as sweet as hope.

13 Ways to Celebrate Imbolc

13 Ways to Celebrate Imbolc

by Heather Evenstar Osterman

 

Regardless of what religion we grew up with, most of us have favorite memories of things we did every year for specific holidays. These traditions were what made our celebrations special. So what do you do when the holidays you celebrate now aren’t the same ones you grew up with? How do you share the joys of Imbolc with your family?

Imbolc (or Candlemas/Brigid/whatever you choose to call this celebration) falls on February 2nd and is a time to honor the quickening of the earth and the first manifestations of spring emerging from winter. This Sabbat is sacred to the goddess Brigid in particular, and is a wonderful time to acknowledge your own creativity, expand your knowledge, and practice the healing arts. Here are my suggestions to get you started developing your own family traditions!

  1. Help your kids go through all their clothes, toys, and books to find the unwanted and outgrown items. Donate everything to a charity that will give the items to children who need them.
  2. Collect canned goods from family and friends to give to a food bank. Yule isn’t the only time people are in need.
  3. Go for a walk! Search for signs of spring. Take off your shoes and socks and squish your toes in the mud.
  4. Open all the doors and windows and turn on every light in the house for a few minutes. Let the kids sweep all the old energies out the doors.
  5. Lead the family on a parade around the outside of your home, banging on pots and pans or playing musical instruments to awaken the spirits of the land.
  6. Make corn dollies and a cradle for them to sleep in.
  7. Create a sun wheel out of stalks of grain and hang it on your front door.
  8. Meditate as a family. Have everyone explore what it would feel like to be a seed deep in the earth, feeling the first stirrings of life. Lie on the floor and put out tendrils. Stretch and bloom.
  9. Have your children hold some herb seeds in their hands. Talk to the seeds. Bless them with growth and happiness. Fill them with love. Plant an in-door herb garden.
  10. Decorate candles with stickers, metallic markers, paint and anything else you can think of! Light your candles and give thanks to Brigid for her inspiration.
  11. Help your kids make a special feast! Spicy foods and dairy dishes are traditional. Try Mexican or Indian cuisine. Top it off with poppy seed cake. Drink milk or spiced cider.
  12. Set a fabulous dinner table with your candles, evergreen boughs spring flowers, dragons, sun symbols, or whatever says Imbolc to you. Use the good china.
  13. Let your children make their beds in a special way to represent Brigid’s bed. Go camp style with sleeping bags or build a makeshift canopy! Have sweet dreams…

Heather Osterman is the Family Services Coordinator for the Aquarian Tabernacle Church.

Light a Candle, Cast a Spell

Light a Candle, Cast a Spell

by Melanie Fire Salamander

 

In Northern European societies, Imbolc or Candlemas traditionally fell at a time when, with the end of winter in sight, families used the animal fat saved over the cold season to make candles. I don’t butcher stock, and I’m not planning to render meat fat to make candles, but I like connecting with the past through candle-making. And though the days are longer now than at solstice, they’re still short enough that a few candles help.

To further your magickal purposes, you can make a spell candle for Imbolc — a candle into which you imbue a particular magickal purpose. Once you’ve made and charged your spell candle, you burn it over time to further your intention. I find spell candles particularly good for goals that require a period of continued energy to manifest, for example a new job, and for things I desire recurrently, for example peace and harmony for myself and the people around me.

Also, Imbolc is traditionally a time of initiations, of divination and of all things sacred to the goddess Bride, including smithcraft, poetry and healing. To align with the season, consider making spell candles dedicated to these ends.

You can make two kinds of candle, dipped and molded. For spell candles, I’d recommend molded candles, so you can include herbs and other ingredients that wouldn’t mix evenly with dipping wax.

Things you need

  • Cylindrical glass container or containers
  • Paraffin-based candle wax
  • Double boiler or other large pot in which to melt the wax
  • Wick
  • Scissors to cut the wick
  • Popsicle sticks (tongue depressors), one per candle
  • Metal tab to anchor the bottom of each wick (a heavy paper clip will do)
  • Crayons, old candles or candle coloring for color, if desired
  • Small objects appropriate to your spell
  • Herbs appropriate to your spell
  • Scent appropriate to your spell

For your molding container, the best thing is the used glass from a seven-day candle. You can find seven-day candles all over, including at Larry’s Market. The Edge of the Circle Books has them, or check your local pagan store.

You can also use glass tumblers, jelly jars and the like. The larger the container, the bigger the possible candle and the longer it will burn. Seven-day candle containers have the advantage of having a good candle shape, so that the flame easily melts the wax at the sides of the glass. To accomplish your purpose, ideally you’ll burn the entire candle, leaving no stub, which is easiest to do in a container shaped like a seven-day candle’s. Make sure also that the glass of your container is fairly thick.

If you do use a seven-day candle, you’ll need to clean out any remaining wax. To do so, heat the glass in a pot of water to melt the wax. Be sure to heat the glass with the water, rather than introducing cold glass into boiling water, which might break the glass. You’ll need a bottle brush, detergent and some concentration, but it is possible to clean these containers.

Candle wax can be found at candle-supply stores and craft stores. It comes in blocks of two pounds each; the smallest amount you can buy is more than enough for several candles. For wick, again you’ll need a candle-supply or craft store. Lead-based wick, which has a thin thread of metal covered with cotton, is easiest to work with, but you can also use pure cotton wick. The popsicle stick, a craft store or drugstore item, is used to anchor the wick at the top of the candle.

If you do use a seven-day candle container, and the tin tab at the bottom hasn’t disappeared, save it. Such a tab anchors the wick to the bottom of the glass, making sure the wick lasts the length of the candle. If you haven’t saved the tab, you can use a heavy paperclip or buy the real thing at a candle-supply or craft store.

The remaining ingredients depend on the intention of your spell and should have associations appropriate to that intention. None of these ingredients is required — you can make a spell candle by simply making and charging it, or by charging an ordinary candle. However, as with any charm, the more energy you put into in its creation and enchantment, the stronger the spell. I give some ideas for ingredients following; for a full list of associations, check your favorite table of magickal correspondences, or see The Spiral Dance, by Starhawk; Wicca: A Guide for the Solitary Practitioner, by Scott Cunningham; or Aleister Crowley’s 777.

The easiest way to color candles is to melt crayons or old candles with your wax. To get a strong color, use more colored wax. Don’t mix colors, or you’ll end up with a muddy brown. You can also purchase candle coloring at a candle-supply or craft store. For color symbolism, check tables of correspondences; as always, your personal associations and preferences are the strongest and most resonant. Some common associations follow:

  • Red: Lust, passion, health, animal vitality, courage, strength
  • Pink: Love, affection, friendship, kindness
  • Orange: Sexual energy, earth energy, adaptability, stimulation
  • Brown: Earth energy, animals
  • Yellow: Intellect, mental energy, concentration
  • Green: Finances, money, prosperity, fertility, growth
  • Blue: Calm, healing, patience, peace, clairvoyance
  • Purple: Spirituality, the fey, meditation, divination
  • Black: Waning moon, release, banishing, absorbing and destroying negativity, healing
  • White: Waxing or full moon, pro-tection, purification, peace, awareness; good for most workings

Probably the most common small object to add to a spell candle is a written expression of intention. Candle makers often add semiprecious stones; you can add a stone appropriate to your intention, for example sacred to a deity who rules that area of life, or personally connected to you, say a birthstone. Depending on your spell, other small objects might suit. If you’re doing a spell to invoke the peace of the ocean on a still day, you could include sand or seashells. A candle to draw love might include small cut-out hearts, one to draw money pieces of dollar bill. Note that any added objects should ideally be flammable, or if not flammable small enough not to prevent your candle from burning.

You can use herbs suitable for incense to further your spell. Use herbs you can safely burn indoors. Herbs may make a candle smoke and can combine with the wick to create a large flame, so use them sparingly. Also, herbs tend to clump at the top and bottom of the candle, often producing a stub at the end that’s hard to burn. However, herbs are easy burnable ingredients to add in line with your intention, and if you choose the right herbs they’ll smell good. For lists of herbs, try any incense-making book, such as Scott Cunningham’s The Complete Book of Incense, Oils and Brews or Wylundt’s Book of Incense. To make sure your herbs smell sweet, burn a pinch first.

Both the preceding books also discuss scents, which you can incorporate also. For a strongly scented candle, you’ll need to add perfume. It’s best to use candle scent, found at candle-supply and craft shops, or synthetic perfume oil. Essential oils are volatile and break down in the wax, leaving your candle with no scent at all.

The candle making processAs with any spell, start by considering what you want and what symbols represent your goal. Likewise, as always, don’t try to compel someone who hasn’t consented. Remember that what you do returns to you threefold.

Start by collecting your ingredients and planning your candle-making for a day and hour appropriate to your intention. Imbolc this year falls just after the full moon, so for spells of increase you might want to wait till the moon turns. Or phrase your spell to release something negative. If you need money, banish poverty. If you want love, banish loneliness.

Give yourself a few hours to make your candle or candles, during a period when you’re unlikely to have your concentration broken. Just melting the wax alone, depending on the volume melted, can take from 15 minutes to an hour. You’ll be using the kitchen, so make sure you’ll have it to yourself or that any visitors will be attuned to your purpose.

First, melt the wax in the top of your double boiler. If you want all your candles to have the same color, add the crayons or old candles now. You can use a single pot if you’re willing to watch the wax closely — you don’t want it to burst into flames. Break the wax into small chunks beforehand, so it will melt faster. Heat the wax over medium heat, but don’t let it boil. If you want candles of different colors, you’ll need to melt the crayons or old candles separately, then add clear wax to about the right volume in the pot and mix before filling your containers. Add candle coloring according to package directions.

While the wax is melting, pad your working space well with newspaper, because you will almost certainly spill some wax. Make sure all your ingredients and tools are handy. If you have herbs in unmanageable sizes, for example whole rosemary stalks, break them down so the pieces are a size to burn without becoming small bonfires.

Once the wax is fully melted, turn the heat low and let the wax cool till the wax on the sides of the pot starts to set, at approximately 120 degrees Fahrenheit. Cooling the wax a little helps prevent the creation of large air bubbles in your finished candle.

Now you’re ready to start forming candles. I usually cast a working circle at this point, calling my patron deities to witness, but without a lot of tools or formal setup. You can work as elaborately or simply as you like. However, I would recommend making the candle with focused intention, as well as charging it later.

Take a moment, then, to focus your concept of your goal. You might create a running mantra to repeat through the rest of your candle-making, or consider an image or group of images to help you concentrate. Be sure to state your intention simply and firmly. If it seems appropriate, write your intention down.

First, if you want multiple candles with the same scent, or you’re only making one candle, scent the wax now.

Next, cut a wick for each candle. The wick needs to be as long as your candle container, plus several inches. Thread the end of the wick through the metal tab or paperclip, or other object appropriate to your spell — for a money spell, you might anchor the wick with a folded bill. Then, drop the weighted wick-end to the bottom of the glass container. Making sure the weighted end sits flush on the bottom and the wick stays as straight as possible, wrap the other wickend around a popsicle stick and set the popsicle stick across the mouth of the glass. Make sure the wick-tail is in the center of the candle-to-be. The more centered your wick, the more evenly your candle will burn.

If you’re using unleaded wicking, pour a little wax around the tab at the end, then let it harden firmly. Then gently stretch the wick taut, and rewrap the top around the popsicle stick.

Next, add the nonwax ingredients to your candle. Drop your folded written intention, if any, and any other objects into the bottom of the candle glass. As each falls, imagine it adding strength to your spell. You can add herbs now as well, or you can add them to the top after pouring, if you want them to float down through the wax and be distributed through the candle.

When your objects and initial herbs are in, pour the wax. Pour evenly and slowly, and try to make sure your wick stays in the candle’s center. If you want to add herbs after pouring, do so directly afterward. If you want to scent a candle singly, now’s the time.

The next part is the really hard part — set the candle out of the way, and leave it alone! It will take up to an hour to harden. You can continue to meditate on your purpose, set up an altar to formally charge your candle, or take down your circle for the time being. You might want to check your candle in this interim period, as the top’s center may form a depression, which you can top off with melted wax. To this end, keep some wax melted.

When your candle’s solid, cut off the extra wick at the top, leaving about a half-inch.

Next, energize the finished candle with your intention. Cut your circle and call any deities or spirit helpers you like, if you haven’t yet, and restate your purpose. Then raise energy in your chosen manner. When the energy’s at its height, send it into your candle, then ground any excess into the earth, keeping what you need for yourself.

Finally, burn your candle. One of the great things about burning a candle in a glass container is that you can keep it going night and day in relative safety. Make sure, however, that the candle is in a place where no human or pet can knock it over, and where no combustible thing can fall across it. Also, at the end of the candle’s life, you might want to burn it while you can watch; it’s during the last inch or so that the glass will break, if it’s going to. Either way, just in case, burn the candle on a nonflammable surface, say an earthenware plate or a tile floor.

If you don’t want to burn your candle every day, burn it on days appropriate to your spell. For example, burn a love candle on Fridays, a day sacred to Aphrodite, Freya and other love goddesses. Again, tables of correspondences can help you figure appropriate days, or you can determine them astrologically. Or you can burn your candle when you feel particular need.

Ingredients for different intentions

If you can’t find or don’t like any of the following ingredients, by all means cut them, substitute or better yet create your own recipe from scratch! The stronger the associations for you and the more personal your candle’s creation, the more effective your candle will be.

  • For divination and psychic work: Purple coloring; a small image of an eye, for far-seeing; lemongrass, sandalwood, cloves, yarrow and a pinch of nutmeg; frankincense scent
  • For protection: No coloring; basil, vervain, rosemary, St. John’s wort and a pinch of black pepper; vetiver or patchouli scent
  • For healing: Pale blue coloring, bay, sandalwood, cedar, carnation, lemon balm; eucalyptus scent
  • For peace and harmony: Pale blue or lavender coloring; lavender, meadowsweet and hops; lilac or any light floral scent
  • For inspiration in the arts: Yellow coloring; a small image of a lightbulb; a piece of amber; bay, cinnamon, lavender, orange peel; scent of bergamot, or any citrus scent
  • To attract love: Pink coloring; small silk or candy hearts; rose petals; jasmine scent
  • To attract sex: Red coloring; sexual images; rose petals, ginger, damiana, ginseng, a vanilla bean; musk scent
  • To attract money: Green coloring; a folded bill or shiny dime; dill, lavender, sage, cedar, wood aloe; oak moss, vetiver or patchouli scent, or some combination of these
  • To get a job: Green coloring; a topaz or turquoise; pictures of tools you use in your work; bay, lavender, cedar, red clover, nutmeg; orange scent, or any citrus scent

As you make and burn your candle, attune to the season as well as your intention. Now is the time to ask Bride for inspiration and to light a new flame, beckoning the longer days to come.

The Simple Facts About Imbolc

The Simple Facts About Imbolc
 
Candlemas: Imbolic (Celtic), Imbollgc Brigantia (Caledonii), Lupercus (Strega) Candlemas involves celebrations of banishing the winter and welcoming the spring.
 
Light a candle in each room of the house or turn on all the ligts for a moment or two to welcome back the Sun. Imbolc is a celebration of the end of winter and the return of the light.
 
At the time of Candlemas, the newborn Sun God is seen as a small child nursing from his Mother.
 
At this phase of the cycle, winter is swept away and new beginnings are nurtured. Some Wiccan groups favor this time of year for initiations into the Craft. It is traditional at Candlemas to light every lamp in the house for a few minutes in honor of the Sun’s rebirth.
 
The Goddess becomes the “Maiden” again as the wheel turns toward Spring. It is a celebration of the coming Spring and the new life it represents

Imbolc Is The Season for Cleansing

This Sabbat is a time of cleansing and newborn lambs, a good time for the Blessing of seeds. It is a festival of the Maiden in preparation for growth and renewal. Imbolc is a time to honor the Virgin Goddesses, along with the first signs of returning life in a frozen Winterland. In many places, the crocus flower is one of the first to show itself popping up through the snow, and so it is also a symbol of this Sabbat. Candlemas is a Festival of Light and is therefore celebrated by the use of many candles.

 

 

Symbolically, many Pagans choose to represent Imbolc by the use of Candle Wheels, Grain Dollies, and Sun Wheels – these may be used in ritual or simply as decoration. Candle Wheels are generally round decorated “crowns” made of straw or some type of natural woven substance which is ringed with either eight or thirteen red, pink or white candles and decorated with colored ribbons. In many Imbolc rituals, it is traditional for the High Priestess or the Maiden to wear this “crown” during the ritual at some point.

Imbolc and Grain Dollies

Grain Dollies can be made many different ways, and need not take on human shape unless you desire. They are made of wheat or sheaves of other grains such as straw, corn or barley. The sheaves are formed into some semblance of a “dolly” by folding, tucking and tying here and there. They can then be “dressed” in white cotton or satin and lace to represent the bride. You may even choose to create a “bed” (from a basket usually) for your grain dolly, commonly called a “Bride’s Bed”. There are many Pagan books available on how to create Candle Wheels, Grain Dollies, and Sun Wheels. Imbolc is also represented by burrowing animals, and the bride. Some other altar decorations may include a besom (Witch’s broom) to symbolize the sweeping out of the old, a sprig of evergreen, or a small Goddess statue representing Her in the Maiden aspect.

Brighid’s Fires Burn High

Brighid’s Fires Burn High

by Miriam Harline

 

Imbolc is a white time, a time of ice and fire. In many places, snow still sheets the ground. The fire is traditional: Europe observes this day, February 2, the Christian Candlemas, with candlelight processions, parades that go back to ancient torchlight ceremonies for purifying and reviving the fields at early sowing, according to Funk and Wagnall’s Standard Dictionary of Folklore, Mythology and Legend.At Candlemas, the people of ancient Europe made candles for the coming year, having saved the fat from meat eaten through the winter. Mexico, too, observes February 2, the Aztec New Year, with renewed fires and a festival that echoes agricultural rituals of early spring.

At Imbolc, the earth begins to wake from winter sleep. As Starhawk writes in The Spiral Dance, at Imbolc “what was born at the Solstice begins to manifest, and we who were midwives to the infant year now see the Child Sun grow strong as the days grow visibly longer.” At night the Wild Moon shines, illuminating the earth’s initial quickening. Seeds sown in autumn begin to stir; nature is potential waiting to be fulfilled. The Goddess too is changing: from crone to maiden, from winter to spring.

To Banish Winter

In The Wheel of the Year: Living the Magical Life, Pauline Campanelli writes, “Now is the time for the banishing of Winter. On the first night of February, the eve of Imbolc, gather together all of the greens that adorned the house throughout the Yuletide season, including a branch or two of the fir tree that was hung with holiday ornaments. Then, as a part of the Imbolc Sabbat rite, add these greens to the Sabbat Fire (a little at a time, and carefully, because by now they are hazardously dry), dancing and chanting all the while with words like:

“Now we banish Winter!

“Now we welcome Spring!”

Of Brighid and Her Realms

Today’s witches take many of their Imbolc associations from pagan Ireland. There, Imbolc belonged to the goddess Brighid or Bride (either is pronounced Breed), mother of poetry, smithcraft and healing.

In their Encyclopedia of Celtic Wisdom, Caitlin and John Matthews quote the tenth century Cormac’s Glossary: Brighid is “a poetess… the female sage, woman of wisdom, or Brighid the Goddess whom poets venerated because very great and famous for her protecting care.”Cormac’s Glossary gives Brighid the poetess two sisters, Brighid the smith and Brighid the “female physician”; Brighid thus occurs threefold, called by the Celts the Three Blessed Ladies.

The three Brighids multiply, to three times three: Caitlin and John Matthews call Brighid “a being who has nine separate spiritual appearances and blessings, which are ubiquitously invoked through Celtic lore.” Hers are the “nine gifts of the cauldron” mentioned in Amergin’s “Song of the Three Cauldrons”: poetry, reflection, meditation, lore, research, great knowledge, intelligence, understanding and wisdom. The Christianized St. Bridget had nine priestesses, the “Ingheau Anndagha,” or Daughters of the Flame, who lived inside her shrine and tended her fire, whom no man could look upon, according to Kisma K. Stepanich in Faery Wicca, Book One. Brighid is also a midwife and protector, a war-goddess and a teacher of the arts of battle.

Celtic lore makes Brighid the daughter of the Dagda, the Good God, and marries her to Bres of the Fomors, by whom she bears a son Ruadan. But, as Janet and Stewart Farrar write in The Witches’ Goddess, “The fact that Dana, though goddess/ancestress of the Tuatha, is sometimes referred to (like Brighid) as the Dagda’s daughter; the hints… that the Dagda was originally the son of this primordial goddess, then her husband, then her father; the dynastic marriage between Brighid and Bres – all these reflect a long process of integration of the pantheons of neighboring tribes, or of conquerors and conquered, and also of patriarchalization.” Like many goddesses, Brighid probably once birthed the god later called her father. Brighid’s name can be derived from the Gaelic “breo-aigit” or “fiery arrow,” but the Matthewses prefer a derivation from Sanskrit, “Brahti,” or “high one.”

The entire Celtic world worshipped Brighid. She was Brigantia in Britain, the patron goddess of the tribe of the Brigantines in northern England and of the Brigindo in eastern France, Stepanich says. The Celts continued to worship her in Christian times as St. Ffaid in Wales, St. Bride in Scotland and St. Bridget or Bride in Ireland. St. Bridget was said to be the midwife and foster mother of Christ, the helper and friend of Mary.

Making Bride’s Bed

Long before she befriended the Mother of God, Brighid was the Mother herself, her agricultural roots going back to the Neolithic. Campanelli describes an Imbolc ritual for creating Bride’s bed, drawn from ancient rituals in which harvesters at the Autumn Equinox would bring the last sheaf of wheat or other grain into the house, believing the Goddess of the Grain lived within. The harvesters often made this last sheaf into a woman’s shape, the Corn Bride or Maiden, dressing her in white.

If you have autumn harvest left, say a sheaf of Indian corn, as part of your Imbolc ritual you can create a Bride’s bed. Dress her in white and decorate her as you like, then place her in a basket or on a square of white cloth. Across her, lay a priapic wand – an acorn-tipped wand of oak – twined with ribbon, so that wand and bride form an X. Then place lit candles to either side, and chant to her something like, “Blessed be the Corn Bride! Blessed be the Great Mother!” At the height of the chant, extinguish the candles. Then, at sunrise the next morning, place the bride without her dress on your front door. There she forms an amulet of prosperity, fertility and protection, which can remain till after Samhain. Campanelli suggests you return her to earth before Yule, perhaps scattering her in the fields for birds.

Brighid the Midwife

Brighid is midwife as well as harvest mother. As late as 100 years ago in the west Scottish Highlands, the Matthewses write, the midwife traditionally blessed a newborn with fire and water in Brighid’s name. She passed the child across the fire three times, carried the baby around the fire three times deosil, then performed “the midwife’s baptism” with water, saying:

A small wave for your form

A small wave for your voice

A small wave for your speech

A small wave for your means

A small wave for your generosity

A small wave for your appetite

A small wave for your wealth

A small wave for your life

A small wave for your health

Nine waves of grace upon you,

Waves of the Giver of Health.

Brighid also protects and heals adults. She is a goddess of healing wells and streams; in her honor, Bridewell is one of the two most common well-names in Ireland, the other being St. Anne’s Well, remembering Anu, or Dana, the mother of the gods – a goddess sometimes conflated with Brighid. With Aengus Og, Brighid performs the role of soul-guardian, wrapping worshippers in her mantle of protection.

Making a “caim”

To protect themselves in Brighid’s name, the traditional Irish would recite a “caim,” the Matthewses write; “caim” means “loop” or “bend,” thus a protective circle. A caim would always name Brighid and the beings, household or body-parts to be protected.

Traditionally, you place a caim by stretching out your right forefinger and keeping that finger pointed toward the subject while walking about the subject deosil, reciting the caim. You can also say a caim for yourself. A caim can be made in all seasons and circumstances; it traditionally encircles people, houses, animals or the household fire. The Matthewses write:

“As her family prepared to sleep, the Gaelic mother would breathe these words (the caim) over the fire as she banked it in for the night…. As she said this, she would spread the embers into a circle, and divide it into three equal heaps with a central heap. To make the holy name of the foster mother (Brighid), she placed three turfs of peat between the three heaps, each one touching the center, and covered it all with ash. Such smooring customs and invocations are still performed in the West of Ireland. And so the protection of Brighid is wrapped about the house and its occupants.”

Augury in Brighid’s Name

Brighid is also a seer; the Matthewses describe her as “the central figure of the Celtic vision world.” She presided over a special type of augury, called a “frith,” performed on the first Monday in a year’s quarter to predict what that quarter would bring. The ancient Celts divided the year by Imbolc, Beltaine, Lughnasad, and Samhain, so the first Monday after Imbolc is appropriate for frithing.

To perform a frith, a traditional frithir would first fast. Then, at sunrise, barefoot and bareheaded, the frithir would say prayers to the Virgin Mary and St. Bridget and walk deosil around the household fire three times. Then with closed or blindfolded eyes, the frithir went to the house door’s threshold, placed a hand on either jamb and said additional prayers asking that the specific question about the coming quarter be answered. Then the frithir opened his or her eyes and looked steadfastly ahead, noting everything seen.

Frithing signs can be “rathadach” (lucky) or “rosadach” (unlucky). A man or beast getting up means improving health, lying down ill health or death. A cock coming toward the frithir brings luck, a duck safety for sailors, a raven death. About the significance of horses, a rhyme survives: “A white horse for land, a gray horse for sea, a bay horse for burial, a brown horse for sorrow.” The role of frithir passed down from generation to generation; according to the Matthewses, the name survives in the surname Freer, “held to be the title of the astrologers of the kings of Scotland.”

To perform a pagan version of frithing, fast the Sunday night before the first Monday after Imbolc and that night formulate your chief question about the coming three months. Monday morning at sunrise, say a prayer to Brighid and barefoot and bareheaded walk deosil around whatever seems the central fire of your house – maybe your kitchen stove, or if you’re not a cook your fireplace or heater. Then go to your doorway, put your hands to either side, and closing your eyes pray your question be answered. Then open your eyes, and note the first action you see. That action probably won’t be found in the traditional frithir’s lexicon, so the interpretation is up to you.

In another frithing technique, you curl the palms to form a “seeing-tube”; frithirs used such a tube to discover lost people or animals and to divine the health of someone absent. Frithirs also sometimes used divinatory stones; the Matthewses describe a “little stone of the quests” made of red quartz.

Imbolc Spells and Workings

Whether or not you try frithing, Imbolc is good for psychic work: still the dark time of the year, but looking toward spring. It’s also a good time to make your space hospitable for such work, banishing old energy to clear the way for new. Traditionally, witches purify themselves and their space at Imbolc. Any kind of cleansing or banishing will do, but consider ones that include fire and water, sacred to Brighid. Once purified, you’re ready to go further; at Imbolc, covens initiate new witches.

The spark of summer dances in the future now; Imbolc is a good time to seek inspiration, especially for healers and smiths of words or metal. To do so, try the following spell.

Bring to your ritual space a cauldron or chalice filled with earth or sand; a white, silver, green, purple or rainbow-colored candle; a candleholder; oil to anoint the candle; paper; and a pen you like or with appropriately colored ink. Ground and center, cast a circle and ask for Brighid’s presence. Then anoint your candle in Brighid’s name, and lighting it write on the paper the aspects of your work in which you want inspiration. When you’re done, raise energy and put it into the paper, then light the paper with the candle flame. Drop the burning paper into the cauldron, making sure the entire paper is blackened. Then thank Brighid and bid her farewell, and take down your circle.

The next day, relight the candle and by its light rub some significant tools of your work with the ashes. Then either sprinkle the remaining ashes onto your garden or houseplants or drop them in a park in a place that feels inspiring or pleasant.

Imbolc is a white time, burning with inspiration and protection, cool with healing and purification. Prophesy flares, painting luster on the dark. Light your candle, call on Brighid, and know that under the snow the seeds of spring stir.

ABOUT OIMELC

ABOUT OIMELC

The Church calls it St. Brigid’s Day, but Brigid (or Bride) is simply the
ancient Celtic name for the Goddess as maiden.

Here in America we know it as Groundhog Day, a day of weather divination. And
Iomelc was always a time of weather divination.

It’s also called Valentine’s Day (but moved a couple of weeks away), because
love divination was also practiced on the Day of the Maiden (or Bride).

It’s winter’s end. The bridge between the cold of winter and the promise of
spring. Iomelc was the time for caring of the sheep in ancient Britain.

It’s the midpoint between Yule — the rebirth of the sun as the wheel of the
year turns — and Lady Day (Ostara or Easter) — the full moon of the vernal
equinox.

OIMELC – February 2

OIMELC – February 2

Down with Rosemary and so
Down with baies and mistletoe;
Down with Holly, live and all
Wherewith ys drest the Yuletide Hall;
That so the superstitious find
No one least Branch there left behind;
For look, how many leaves there be
Neglected there, maids, trust to me,
So many goblins you shall see.
–Robert Herrick

Oimelc – Imbolc in the Saxon – marks the first stirring of life in the earth.
The Yule season originally ended at Oimelc. But with increasing organization and
industrialization, increasing demands for labor and production, the holiday kept
shrinking, first to the two weeks ending at Twelfth Night, then to a single week
ending at New Year’s, then to a single day.

Oimelc begins a season of purification similar to that preceding Yule. It ends
at Ostara. No marriages, initiations or puberty rites should be celebrated
between Oimelc and Ostara.

The candles and torches at Oimelc signify the divine life-force awakening
dormant life to new growth.

THEMES

Growth of roots begin again. Bare branches begin to swell with leaf buds, and
growth appears at the tips of evergreen branches. The tools of agriculture are
being make ready for Spring.

Xian feasts of St. Brigid, and Celtic feast of Brigit, the maiden aspect of the
triple goddess and mother of Dagda. Her symbol is the white swan. A Roman feast
of Bacchus and Ceres. The Lupercalia, a feast of Pan. The Nephelim or Titans,
those offspring of human-divine unions said to have ruled Atlantis.

Grannus, a mysterious Celtic god whom the Romans identified with Apollo.

PURPOSE OF THE RITES

To awaken life in the Earth. Fire tires to strengthen the young Sun, to bring
the fertilizing, purifying, protective and vitalizing influence of fire to the
fields, orchards, domestic animals, and people. To drive away winter. To charm
candles for household use throughout the year.

FOLK CUSTOMS

The three functions of Oimelc – end of Yule, feast of candles or torches, and
beginning of a purificatory season – are divided by the Xian calendar among
Twelfth Night, Candlemas and Shrove Tuesday (Mardi Gras, Carnival). The customs
of all three feasts are derived from Oimelc, with at most a thin Xian gloss.

Parades of giant figures (Titans?) in rural towns in France and at Mardi Gras
and Carnival celebrations. A figure representing the Spirit of Winter or Death,
sometime made of straw, sometimes resembling a snowman, is drowned, burnt or in
once case, stuffed with fireworks and exploded. They symbol of Montreal’s Winter
Carnival is the giant figure of Bonhomme di Neige (snowman).

Groundhog Day, Chinese New Year and St. Valentine’s Day customs.

The French provinces are so rich in Oimelc customs they cannot be listed here.
Refer to “The Golden Bough”.

Wassailing the trees: at midnight, carolers carry a bucket of ale, cider or
lamb’s wool in a torchlight procession through the orchards. The leader dips a
piece of toast in the drink and sedges it in the fork of each tree, with the
traditional cheer (variations exist) of: “Hats full, holes full, barrels full,
and the little heap under the stairs!”.

Who finds the bean in the Twelfth Night cake becomes king of the feast; who
finds the pea becomes queen – never mind the gender of the finders. Rag-bag
finery and gilt-paper crowns identify the king and queen. The rulers give
ridiculous orders to the guests, who must obey their every command. They are
waited on obsequiously, and everything they do is remarked and announced
admiringly and importantly: “The King drinks!”, “The Queen sneezes!” and
everyone politely imitates the ruler’s example.

SYMBOLIC DECORATIONS

Snowdrops are picked for vases, but otherwise no special decorative effects are
indicated. Go carnival, balloons and confetti.

SOCIAL ACTIVITIES

Parades, with showers of confetti, gala balls, masks, street dancing, mumming,
winter sports, ice and snow sculpture.

THE RITE

Dress in dark colors with much silver jewelry. Outdoors, after dark on the Even,
have the site arranged with a fire in the cauldron and the altar draped in
white, at the Northeast. The fire may be composed all or in part of Yule greens.

Go in a torchlight procession to the Circle. Include a stamping dance, possibly
beating the ground with sticks, before the Invocation. The invocation may end
with the calling of Hertha, a Teutonic goddess of the earth and the hearth. Call
her name three times and at each call beat on the ground three times with the
palms of both hands.

A figure representing Winter should be burned in the fire. Communion may consist
of Sabbat Cakes or a Twelfth Night cake (there are many traditional recipes) and
cider or wassail. A procession may leave the Circle for a time to wassail a
nearby orchard. Couples may leap the bonfire. Supplies of candles brought by the
coveners are blessed.

Boys puberty rites may be celebrated. These usually include mock plowing by the
boys.

Close the Circle and go indoors for the feast.

Candlemas = Renewal

Candlemas = Renewal

Each year, we celebrate February 2nd around the world. We call it Brigid,
Candlemas, Imbolc, St. Brigid’s Day, and yes, of course, Groundhog’s Day. Why
do we celebrate on February 2nd? Is it like President’s Day – providing a nice
day for state and federal workers to stay at home? Not really… Brigid has
been celebrated for many thousands of years. It is the day on which we
recognize and honor the awakening of the maiden aspect of the Goddess.

Some of us celebrate the holiday as Brigid, in honor of Brigid who was a Celtic
Goddess of poetry, healing, fire and smithcraft. In years past, the people of
the British Isles would build a nice fire in their hearth, light torches and
candles, and celebrate Brigid. What were they celebrating? The Maiden aspect
of the Goddess awakes or returns from the underworld. At Winter Solstice she
was impregnated with Spring. She sleeps until Brigid and returns, bringing
Spring and renewal for the earth with her. The other names for this holiday
are just different names for the same celebration.

Some may ask what this really has to do with us? We see that some of the
animal kingdom hibernates through the dark time of the year. We tend to follow
the same cycle. During the dark time of the year we retreat within ourselves.
We focus internally. We stay inside our homes in the warmth and think about
what is upcoming for us. We may not even recognize it. We may not even think
about it consciously, but subconsciously we are very much aware of it. We are
very much a part of the spiral of birth, death, and rebirth throughout the
year. We are interconnected with the earth and all that is on it. You have
likely heard the old expression “Spring Fever” many times before. This is
simply our anticipation of Spring’s return, when we can go out and live a full
life upon the earth once more.

Often if we look at our ancestors and the His/Herstory, we can find the answers
to many of our questions. I hope that everyone has a beautiful Brigid and
remember… Spring is just around the corner.
Mayfair Lightwind

THE FEAST OF LIGHT

THE FEAST OF LIGHT
(By: Titania Morgay)

If Candlemas day be fair and bright,
Winter will have another flight.
If Candlemas day clouds and rain,
Winter is gone, and will not come again.
– E. Holden

The time has come to call and welcome the forces of light!

Candlemas or Imbolc is the mid point of the dark half of the year. We
welcome the rebirth and awakening of the Earth, the earliest beginnings of
Spring.

Through Pagan lore, we learn that the Sun God, who is now a young boy, is
beginning to feel his growing powers through the renewing energies of the
Sun, represented in the lengthening in the daylight hours. The Goddess is
awakening from her slumber and rest after giving birth to the
God/Child at Yule. She is represented in the Maiden aspect of the triple
Goddess. The awakening of the Goddess/Earth, causes germination of seeds and
development of buds on the trees, as the powers of the Sun begin to warm and
renew the earth. A celebration of fertility.

Traditionally, Imbolc is a time to prepare for the goals one wishes to
accomplish in the coming months, and to clarify and redefine our personal
projects which were begun at Yule. the fires of Imbolc represent our
personal illumination and inspiration, a celebration of ideas yet to be
born. Imbolc has also become a time for new initiations into covens,
self-dedication, and renewal of our bows. It is also a time for purification
of oneself.

The colors for Imbolc are lavender, white and pink. Herbs include
Heliotrope, Carnation, Poppy, Basil and Violet. Stones used for this
celebration may include Amethyst for peace of mind or jet for
heightened intuition and inner sight.

Offerings of cakes and wine may be presented to the Lord and Lady, to seek
their assistance in helping to ignite your creative fires and energy.

May the fires of Imbolc burn brightly within all of you throughout the
coming year!

Use Imbolc to Ask for Brighid’s Inspiration

Use Imbolc to Ask for Brighid’s Inspiration

by Melanie Fire Salamander

At a Northwest Imbolc, grey days pass under grey skies. The furor of the solstice holidays is over, and cold and rain face us for the next six weeks, or six months. Here, Imbolc lacks even the bracing snow of winter. Nor is it time for flowers and fresh breezes. A few crocuses may poke their heads above ground, but Imbolc, the first pagan holiday of spring, doesn’t speak of spring’s fulfillment, rather of spring’s promise.

Imbolc is the pregnancy of spring, the first stirring of seeds sown in autumn. One derivation of the holiday’s name, which is taken from the Irish, is “in the belly,” according to R.J. Stewart in Celtic Gods, Celtic Goddesses. Animal life also begins to stir. Around Imbolc, ewes begin to lactate, a time important to hungry traditional peoples. This association is reflected in medieval European writings. Cormac’s Glossary, composed around year 900, derives “Imbolc” from “sheep’s milk,” Ronald Hutton writes in The Stations of the Sun. In the tenth- or eleventh-century Irish tale “The Wooing of Emer,” this holiday is called “Imbolc, when the ewes are milked at spring’s beginning.”

At Imbolc, early Europeans also rendered fat for candles, having saved the fat from meat eaten through the winter. Hence the holiday’s alternate name Candlemas, from the Christianized version of the day. Christian Europe observes Candlemas with candlelight processions, parades that may hark back to ancient torchlight ceremonies for purifying and reviving the fields at spring sowing, according to Funk and Wagnall’s Standard Dictionary of Folklore, Mythology and Legend. The February ceremonies of the pagan Romans were also rites of cleansing and preparation for the coming year. Likewise, February 2 is the Aztec New Year, observed with early-spring agricultural rites and renewed fires. After other purifications, covens at Imbolc traditionally initiate new witches.

Around the Northern Hemisphere, Imbolc is a time of beginnings, of hopes for success in the coming year. But hope is double-edged; the ancient Greeks put it into Pandora’s box with other human ills, a lying daemon. In this grey weather, it’s easy to see hope as a lie. Of all holidays, Imbolc is the most based on faith. If you don’t feel faith, if you lack inspiration, Imbolc is a good time to seek it.

Brighid’s Day

Imbolc comes strongly associated with a Celtic goddess who oversees inspiration. The Irish, Scots and Manx considered this holiday to belong to Brighid or Bride (pronounced breed), a patroness of smithcraft, healing and poetic inspiration whose name can be derived from the Gaelic “breo-aigit” or “fiery arrow.”

Brighid’s attributes are many. She was known as a smith and fighter, patroness of the armies of Irish Leinster. As a healer, she rules wells and streams. Worshippers in medieval times walked around her holy wells deosil (sunwise) on hands and knees and left valuable pins or buttons in the water, or hung rags in the trees nearby, asking for relief.

An Irish celebration of Brighid’s day reflects another healing aspect. In this observance, Hutton writes, a family would hold a formal supper, during which they would place food, usually cake or bread and butter, on the windowsill as a gift for Brighid. The family might also leave a cloth, garment or ribbon on the sill overnight, asking Brighid to bless it. Family members would wear it later in the year to prevent headaches.

Brighid also oversees childbirth. In the west Scottish Highlands as late as 100 years ago, midwives would bless newborns with fire and water in Brighid’s name, Caitlin Matthews reports in The Encyclopedia of Celtic Wisdom. Fire and water come together also in Brighid’s water, which you make by plunging a burning coal into water while asking for the goddess’s blessing. The water, used to anoint and purify, combines Brighid’s natures of smith and healer.

Brighid’s midwife aspect perhaps conceals an earlier goddess of fertility, a corn-mother, as shown in the tradition of Bride’s bed. To create this bed, Pauline Campanelli in The Wheel of the Year has you decorate a grain maiden made at the autumn equinox or from the last harvest’s wheat or corn. You dress the maiden in white, lay her in a basket and set across her a priapic wand — an acorn-tipped wand of oak — twined with ribbon, so that wand and bride form an X. You then place lit candles to either side and hail the maiden with a chant, or incorporate her into a ritual saluting the fertility of the coming spring. After the ritual, you undress the maiden and at sunrise place her on your dwelling’s front door. There she forms an amulet of prosperity, fertility and protection, which can remain till the next Samhain.

The Celtic traditions behind this pagan practice are many and varied. In the Isle of Man, according to Hutton, followers of Brighid left her an empty bed in a corner of the house or barn, beside it bread, cheese, ale and a lighted candle. In the Scottish islands of the Hebrides, where householders made a figure of Bride from oats, families would leave her abed overnight and look for an impression of her wand in the hearth ashes the next morning. A mark meant a good crop and a prosperous year, and a footstep was held marvelous, but if nothing appeared the family took it as a bad omen. To avert misfortune, members would bury a cock at the junction of three streams or burn incense on their hearth fire.

Elsewhere in Ireland, people plaited a criosog Bridghe, St. Brighid’s cross, of rushes or straw, hanging it on Brighid’s Eve over a door or window or in the rafters to welcome her. Others set their crosses in stables to ask for blessings on the animals. The Irish left their criosogs up through the year, replacing them the next Brighid’s Eve.

Besides giving health and agricultural fertility, Brighid lends clear sight into the future and creative fertility. According to Matthews, she presided over a special type of Irish augury called a “frith,” performed on the first Monday after a cross-quarter day, such as Imbolc, to predict what the year’s next quarter would bring. Brighid was said also to inspire poetry, and many Irish poems hail her. Cormac’s Glossary calls her “a poetess… the female sage, woman of wisdom, or Brighid the goddess whom poets venerated because very great and famous for her protecting care.” Matthews attributes to her the “nine gifts of the cauldron” mentioned in the Irish poet Amergin’s “Song of the Three Cauldrons”: reflection, lore, research, great knowledge, intelligence, understanding, wisdom, meditation and poetry. If inspiration is what you seek at this grey Northwest Imbolc, Brighid is a good goddess to turn to.

A Ritual to Seek Inspiration

This ritual is to find hope and inspiration in a project or your life as a whole. Before you start the working, I’ll ask you to spend some time in journal work and meditation. For these and the magickal rite, give yourself at least one undisturbed hour (two is better). Turn off the phone, and put your pets in another room.

A good time for this ritual is first thing Imbolc morning. If that doesn’t work, try the night before, or during a waxing moon. It’s best done in spring, but don’t let the season prevent you from doing the ritual if you want.

Have on hand:

  • A white or pastel candle to meditate by, and a candleholder for it.
  • Paper and pen to create a journal entry and for use during meditation. (You can create the initial journal entry using a computer, but you’ll definitely want the old-fashioned tools later.)
  • A cauldron or earth-filled bowl large enough to contain a burning piece of paper safely.
  • Anointing oil or Brighid’s water.
  • A candle of a color that says inspiration to you, possibly rainbow-colored, silver, gold, lavender or
    green — use your own personal associations.
  • A candleholder for this inspiration candle.

Journal Work

First, create a journal entry looking at what you’re thinking and feeling. Whether or not you keep an ongoing journal, writing about your thoughts and emotions helps clear your head before a ritual and make sure that unconscious ambivalence doesn’t color your work. Even if you already know what’s in your head, getting your feelings out on paper may reveal new information or connections. And the simple act of formally acknowledging a thought or emotion by writing it down can help that energy move.

So ask yourself: How do I feel? Why?

Next, ask yourself: What do I want out of this ritual? Write the answer on a separate page as a single, formal statement; this will be the statement of your working.

Then ask yourself: What within me stands in my way? What benefits do I get from not succeeding here?

This ritual assumes you are already dealing with any practical roadblocks preventing your success. For me, it’s rarely the outer blockages that most hinder me — it’s the inner ones.

So look at the inner urges that block your desires. As they come up, don’t judge them, if you can avoid it. These shadows all exist for a reason. If you can honor these urges, understand them, talk to them, promise they will be met in some way other than preventing your success, you will clear the way for inspiration.

On a separate piece of paper, write out a list of your inner blockages for use in meditation, following.

Meditation

To meditate, start with relaxation. Light your white or pastel candle, and sitting in front of it relax your whole body. If this doesn’t come easily, try tensing each body part, then releasing it. (For more meditative techniques, see other articles in this issue.) Looking at the candle flame — if you don’t want spots before your eyes, look at the base of the wick — take 20 deep breaths, breathing into your belly, saying to yourself that each breath relaxes you further. Count each breath.

Once relaxed, ground and center. Make your grounding cord strong and deeply rooted, and center yourself in the middle of your head — your third eye, a neutral space. Neutrality is a good tool when looking at inner blocks. Next, create a protective energetic circle around yourself in whatever way you prefer.

For the following step, give yourself some latitude. Don’t force yourself to do work you’re not ready for; doing so will enforce rather than clear obstructions.

From your list of inner blocks, choose one. Let it be personified in a way that you can be neutral about — not a monster, simply a presence. Then ask the block in meditation: What do you want?

For me, the answers to this question always surprise me and usually simplify matters. What your blockage will usually want, first, is acknowledgement. Then it might have some specific request. Nine times out of ten, at least for me, such requests can be dealt with in ways that allow me to move forward with my desired goal.

On a separate piece of paper, write down what the block wants. If you can, promise to fulfill that need, but at very least write it down for your knowledge.

Thank the block, bless it and let it go.

Then choose the next block on your list (unless you have only one), and repeat the process, collecting all the blocks’ requests on one sheet.

When you’re done figuring out what your blockages want, briefly decide how to address the requests. Often the action required is something simple, such as recognizing and honoring a formerly hidden emotion. Sometimes addressing the blockages’ needs will take further practical or ritual work. The answer isn’t to do the work right now, but to make an honest commitment to do it over time. If you don’t feel you can do what your blocks request, at the very least promise to keep thinking about the issues raised till solutions can be found. However works best for you, make a commitment to do the work to satisfy and thus release these blocks.

Write that commitment down on the page with the blocks’ requests, fold the paper and, when you can, set it in some place you will see daily, such as on your altar.

Now ground and center once more. Connect with the energies of earth and sky, and from the sky draw down cleansing, healing energy. Let it meet healing earth energy within you, and fill yourself completely with healing and comfort. Wash any pain or negative emotion down your grounding into the earth. Take time to do this slowly and fully and come back to equilibrium.

The Rite Itself

Now that you’ve done your personal work in journal and meditation and cleansed yourself, it’s time to ask for inspiration from the goddess.

Connect again with your grounding, center yourself and renew the circle around you, this time so as to work magick. Call the elements, directions, fey or all three to your circle as you usually do.

Now call to your circle the Celtic goddess Brighid. Do so in a speech inspired in the moment; call to her from your heart. The description earlier should give you a feeling for her attributes and nature. Call her strongly; let her fill your circle.

Besides your original journal entry and the page listing your blocks’ requests and your commitment, you should have two slips of paper: the list of the blocks themselves and your formal statement of ritual intent. From that statement, read aloud what you want this ritual to do. Feel free to amend your statement based on what you learned from journal work and meditation.

Now take up the list of things obstructing you. Say aloud the following, or something like it:

“To do (my project), I have committed to satisfy these blocks. Having made that commitment, I release them.”

Focusing on letting go your inner blocks, fold the page and light it in the flame of your meditation candle. Let the flame burn up everything that stands in your way. Drop the burning page in your cauldron or earth-filled bowl, and watch till it flares out.

Now pick up the anointing oil or Brighid’s water. Hold it above your head, and call out the following or something similar:

“I dedicate this (oil or water) to the Goddess Brighid and her brilliant inspiration!”

With the dedicated oil or water, anoint the candle you’ve chosen to represent inspiration. Holding the candle above your head, stand and raise the energy of inspiration either by toning wordlessly or by chanting:

“As this candle flames and fires,

Let me be renewed, inspired.”

Pour energy into the candle, imagining yourself filled with inspiration and hope. Imagine too the goddess lending you her aid.

When you have sent the power you raised into the candle, touch the surface below you and ground out any excess energy. Set the candle in its holder, ready for use. Then thank and release the goddess and other entities (directions, elements, fey), and take down your circle.

Light the candle whenever you work on the project you created it for, or whenever you’re in need of inspiration or hope.

Spell Of The Day – Celtic Tree Month of Rowan Begins

Spell Of The Day – Celtic Tree Month of Rowan Begins
Also known as the mountain ash, the rowan tree has long enjoyed magical eminence for its protective properties.
With the festival of Imbolc just around the corner, today is the perfect day to clear your space of negative energy
and make a protection charm for the remaining winter days ahead. Burn a sprig of rosemary to cleanse your home,
sweeping the rooms widdershins (counterclockwise) to banish stagnant energy. If possible, find a branch or twig
from a rowan tree. Or, if rowan is not available, use a sturdy branch of rosemary. Wind a red ribbon thrice around
the branch. With each wrap, say:
 
The power of rowan
protects me and thee.
 
Hang the branch above your door.
By: Karri Allrich

When Darkness Falls: Cooking and Heating in Winter as Our Forebears Did

When Darkness Falls: Cooking and Heating in Winter as Our Forebears Did

by Catherine Harper

As I write this, we are in the midst of the false spring that is so often January’s mercurial gift to the Pacific Northwest coast. Around the borders of the garden daffodil bulbs are sending up small green teeth. The days are sunny and mild, and my over-wintering broccoli has started to form heads. Is it just coincidence that just as the season tries to so mislead us the seed catalogs begin to arrive? The sunset through the trees beyond my study window has painted the sky the color of salmon, and it is not yet wholly dark, though it would have been at this time only a few weeks before. It’s an easy time to think of Imbolc ahead.

Imbolc is a celebration of first stirrings, new beginnings, gradual lengthening of days and return of the light. In this green country by the sea, where winter’s sleep is never much more than a nap, it might almost be redundant, the transition from grey, rain and green to more of the same with swelling buds. We prune the apple orchards and light a candle (the more faithfully because Imbolc is also my brother’s birthday). It is a restless season, a gradually accelerating rising toward the lighter portion of the year, and as such it can be a difficult time for reflection. And yet reflection sometimes finds us, though we did not look for it.

Recently, our house was without power for several days, and many of our plans were put on hold for that stretch. I was given ample opportunity to think of the passing of the darkest time — even as winter is still with us — and time to think of the small ways in which the light returns to us. Now, we are well set up for such occurrences, and it is not uncommon for us to heat the house and cook our dinner with the wood-burning brick oven. Similarly, we often eat by candlelight. But to fire the oven every day, banking the coals each night and then stirring them to light the fire the next morning, is something else, as it is to read and work out and clean the garage only by the light of candles and oil lamps or the short hours of daylight. What has been at most ritual, and at least conceit, becomes both drudgery and discipline.

By the third day, the eyestrain from the dimmer light even of many candles was feeling ingrained. I had learned to take a hot water bottle to bed with me every night because, while the oven could heat most of the house, the master bedroom is too far, and the bed itself bitterly cold when I first entered it. We swept and washed dishes as much as possible while we still had daylight to see our work by, and brought in wood before going to bed so that it would be there to start the morning fire. Beyond the work itself, which wasn’t excessive, the routine was exhausting — some combination of the cold and the dark and the tedium of normally simple tasks leaving me stumbling with fatigue each night. And yet, in its way, it was deeply satisfying.

In my magical work in and beyond the kitchen, much of what I do is creating a web of connections. I buy the food that is in season to make another link between myself and the turning of the year. I buy from local farmers to strengthen my connection to the land, and from people I know to strengthen my connection with the community. But we all live in and amongst many such webs, if not all of them so deliberately chosen. The pieces of our world — every aspect of our lives — is vastly interdependent, and the electrical networks are one such tangible example of the ways in which we are connected.

If there is something to be learned from building and choosing to put our energy into certain connections and so reinforce them, so is there something very basic and primal about stepping aside from some of the default connections in our lives. The break from my routine, the rhythm of tending the house and heating and lighting it by our own labors, became an opportunity to step back and consider the interconnections of our lives and the routines we had taken for granted. And, of course, a chance to consider a little the lives we might be living had we been given fewer technological blessings. I think for those who are plunged into darkness less frequently by the vagaries of the weather and the electric companies, spending the occasional stretch of time without power, perhaps the length of a meal, can still be a useful exercise.

It is generally assumed that those who are in the magickal community are well equipped with candles, but our uses of them do not necessarily emphasize the efficiency of lighting, so here are a few suggestions:

Most people know that a candle backed by a mirror or other reflector will shed more light. A candle near a white wall will also reflect its light better than one near a dark surface.

Candles much more than two inches in diameter will tend to use up the wax at the center of the candle without melting the wax on the outside, so gradually the wick and flame will drop down below the level of the outer rim of wax. This is pretty and atmospheric, but does not provide especially efficient light. On the other hand, candles of much less than one inch in diameter will burn down quite quickly, which can be useful in spell work, but is annoying for lighting purposes.

Most grocery stores carry large boxes (usually of 72 candles) of Shabbos candles in their Kosher food section. These are plain white four-inch candles that are usually quite cheap, and they are less likely to be sold out during power outages.

I have often seen candle jars used in outdoor rituals, but seldom seen them used indoors in the manner in which we employ them. These are versatile lanterns that can be comfortably carried or set down, provide light in all directions and are fairly kid and cat safe because they can be tipped over without ill effect. To make one, wash and remove the label from a large spaghetti sauce jar or other large glass jar. (Hot water will soften the glue that holds on the label.) Find two candles that are not taller than the jar. Light one candle, pour a few drops of its hot wax into the jar and then quickly stick the bottom of the other candle to the jar bottom with the hot wax. The jar, being glass, allows light to shine all around, and is far enough from the flame that it doesn’t get hot enough to burn your hands when carried.

Oil lamps are a convenient light source, but only the lamps with properly ventilated chimneys are able to provide especially bright light. In my experience the lamps burn best when the wick is at least occasionally trimmed, and the end of the wick is roughened or frayed a bit by rubbing a knife-edge across it. Oil lamps also provide much better light when their reservoirs are full than when they are near empty.

Cooking

I should have known when we bought a house already equipped with a fireplace, woodstove and the built-in barbeque that was later converted into my brick oven that we lived in an area where power supply could be a bit uncertain. Instead, to my surprise, six weeks later we were treated to three days in the dark with a woodstove I hadn’t entirely made friends with and a foot of icy slush on the roads. But the corollary to our frequent outages is that we are well set up to deal with them, with wood stove and brick ovens, lamps, sconces and chandeliers. Most houses, and apartments even more so, are not so well prepared.

Now, I assume people who already have woodstoves, brick ovens, grills, barbeques, masonry cookers and other such relatively expensive fixtures are already fairly well acquainted with their use, but a few tips anyway: If you haven’t cooked over your woodstove, it’s good to keep in mind that most of them that are not built specifically for cooking will provide only the equivalent of low heat from a standard burner unless you fire them very hot. You’ll have better luck simmering a stew than frying an egg on them, and you might want to put a pot of water on top right off so you don’t have to wait later on for it to warm. Barbeques and grills can be used year round in our mild climate, but they should be used outside if you are fond of breathing. (Though one can often use a hibachi or other small grill in one’s fireplace, assuming that the fireplace is large enough to accommodate it and that the draw is strong enough.)

Luckily, the lack of such amenities doesn’t put you out of the running. If you would like to cook over flame, don’t have wood-burning appliances and don’t want to invest in expensive equipment, there are a number of low-cost options. The simplest is the tried-and-true can of Sterno or similar canned heat product. These are readily available at grocery stores and fairly safe for indoor use, unlike most camping stoves, which need a lot of ventilation and should only be used outside. For a few bucks more you can buy a collapsible Sterno “stove” from your local army surplus or camping supplies store, which will shelter the flame and support a cooking pot.

The collapsible Sterno “stoves” or other similar trivets can also be used above tea lights (which are good for warming tinned soup, if less good for more serious cooking, though you can do a bit when you use more than one at a time), alcohol burners or other simple flames. We have been using our fondue burner, which is essentially a small adjustable alcohol burner with a heavy iron trivet, as a general-purpose stove, and it boils water quite readily. Fondue burners can be found at culinary stores, and other types of alcohol burners can be purchased through chemistry supply companies.

Most of these improvised burners will not give you as evenly distributed heat as will most stoves, so you must either use them with thick-bottomed pots that distribute heat well on their own or make soups, sauces and other largely liquid things that will not mind the uneven heat so much. Another good standby is couscous. You can add one part couscous to two parts boiling water and then cover it and let it cook away from the flame entirely (this also makes for fairly fuel-efficient food, which is why couscous is a backpacking favorite).

If you are fortunate enough to have a fireplace, more options are available to you (though if you have attempted to cook over a fireplace without appropriate equipment you already know that other than hotdogs and marshmallows, your options can be rather limited). An open fire is romantic, but to cook over it effectively requires some preparation. First of all, for most things it is much more effective to cook over hot coals than open flame. So you’re often best off building a fairly large, hot fire and letting it burn down before you attempt to cook over it. (For a similar effect you can use charcoal briquettes in your fireplace or add them to your wood fire.)

Next, of course, you need some way of supporting your food over the fire. A spit can be improvised, but is often fairly difficult to manage, especially in modern fireplaces. For the least expensive route, one can rely on the camper’s favorite of wrapping food in tinfoil and setting it among the coals and ashes (not directly in the hottest part of the fire) to cook. “Hobo stew” is a combination of meat and vegetables cooked by this method, a bit of a chancy proposition, but fun, simple, and potentially tasty. Or, most camping supplies stores sell inexpensive lightweight collapsible grills that can fit in your fireplace. These can hold pots and pans as well as grill meat and vegetables.

Of course, if you want to get at all serious about cooking in your fireplace, you should at least look at what is often considered the most flexible of fireside cooking tools, the Dutch oven. It has been claimed, and to a great extent demonstrated, that pretty much any dish from the Western European tradition, and a great many others from elsewhere, can be made in a Dutch oven. The Dutch oven is a heavy cast iron pot with feet that will hold it above burning coals and a rimmed lid that will allow you to place additional coals on top of it. They come in a variety of sizes, and can be used to make anything from wedding cakes to stews to omlettes. Dutch oven cooking is a subject one could write a book about, and indeed many people have. A good place to start if you’re interested in exploring it further is http//www.idos.com, the home page of the international Dutch oven society. (For a more witchy-looking alternative, http://www.actionafrica.com/castironpots.html offers a large variety of cast iron cauldrons that can be used in a similar manner.)

In the end, there is the eating. Almost by definition it is a dinner by candlelight, but it need not be a formal one. We hand out one bowl, spoon, and fork apiece, because bowls are harder to spill food from and more amenable to being held in one’s lap while you sit in front of the fire or curl up with a blanket in the living room. Fewer dishes are a blessing when light and hot water are limited, too. Like the food we make camping, a meal cooked at home over fire is fully realized in its simplicity. Even tinned soup and crackers becomes delicious as our labors give us a more intimate connection to the food and its preparation. Fire, food and hunger are primal things.

About Imbolc

About Imbolc

a guide to the Sabbat’s symbolism

by Arwynn MacFeylynnd

Date: February 1 or 2.

Alternative names: Imbolg, Candlemas, Oimelc, Brighid’s Day, Lupercus, the Feast of Lights, Groundhog’s Day

Primary meanings: The name “Imbolc” derives from the word “oimelc,” meaning sheep’s milk. It is considered a time of purification, preparation and celebration for new life stirring, anticipating spring. The holiday is also known as Candlemas; the custom of blessing candles at this time signifies awakening of life and honors the Celtic goddess Brighid, to whom fire is sacred. This Sabbat also celebrates banishing winter.

Symbols: Candle wheels, grain dollies and Sun wheels, a besom (witch’s broom), a sprig of evergreen, a bowl of snow and small Goddess statues representing her in the maiden aspect.

Colors: White, yellow, pink, light blue, light green; also, red and brown.

Gemstones: Amethyst, aquamarine, turquoise, garnet and onyx.

Herbs: Angelica, basil, bay, benzoin, clover, dill, evergreens, heather, myrrh, rosemary, willows and all yellow flowers.

Gods and goddesses: Brighid, the Celtic goddess of healing, poetry and smithcraft; all virgin and maiden goddesses; all fire and flame gods, connected with the newborn Sun.

Customs and myths: In Irish legends of the Tuatha De Danaan, Brighid is the name of three daughters of Dagda who over time were combined into one goddess. She was venerated in Scotland, Wales, on the Isle of Man and in the Hebrides. When celebrating Candlemas or Imbolc, spellwork for fertility, inspiration and protection are appropriate, defining and focusing on spiritual and physical desires for the future. Imbolc is a good time to get your life in order — physically, mentally, spiritually and emotionally. Make plans, organize, clean out drawers and closets to bring in the new and clearing out the old. Make and bless candles; light one in each room in honor of the Sun’s rebirth. Carry out rites of self-purification. Burn mistletoe, holly and ivy decorations from Yule to signify the end of harsh weather and old ways.

Mind/Body/Spirit Cleansing for Imbolc

Mind/Body/Spirit Cleansing for Imbolc
By: Lotus Moonwise
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Although Samhain is commonly considered to be the Witch’s New Year, Imbolc has always felt more like New Year to me. After going through winter “hibernation” mode, this is the perfect time to start clearing everything out, moving some energy around and making way for new things to come in Spring. Ever since I started practicing the Craft, this has been my favorite Sabbat of all because it brings Change, which I am so very fond of. Stagnation blocks creative power, so I usually do some kind of total cleansing at least twice a year, but preferably every quarter.
 
I like to set aside one or two weeks before Imbolc for this cleansing process, so that by the time the Sabbat rolls around, I’m fresh and new and ready to invite the new energies in. Here are some ways to cleanse yourself and your space:
 
Your Home:
· Do a total house cleanse, dedicating at least one day to each room.
· Go through each room and move everything. Create a system of organizing. Divide things into categories of what you know you want to keep, what you know you can let go of, and what you’re not sure about. Also, as you go through the rooms, if there is anything that is not where it belongs or anything that doesn’t have it’s own place, set that aside for now.
· Be honest with yourself and let go of things you no longer need. If there are clothes in your closet that you haven’t worn in a year, chances are you can let them go. As time goes on and our energy changes, our styles change, too. Make sure that everything in your home matches who you are NOW, not 5 years ago.
· If you come across anything that is broken, either repair it or replace it. Broken items in the house bring down the vibration. Remember that your house is a mirror of your soul.
· Once you’re sure of what you want to keep, start arranging those items in a way that is pleasing to you. Take time to sit in the room and meditate. If you pay attention, the room will tell you want it needs. Often it is something much simpler than you might expect.
· A good way of increasing abundance in your life is to create an altar somewhere in a direct line from your front door. When energy comes into your life/home, it comes in through the front door. In my home, the front door and the back door are in a direct line. As I did rituals to increase abundance, I noticed that the abundance was coming in, but it was also going out very fast. Extra expenses would just keep coming up. It was “easy come, easy go”. An altar situated between those two doors would magnetize the energy and anchor it into the house.
· Clean and re-dedicate your altars. Also cleanse and re-consecrate any ritual tools that you use.
· Placing a piece of rose quartz near your bathroom mirror is a good way of helping increase your self love and self esteem. You can also write some affirmations on an index card and post them here, since this is a place you’re likely to see them everyday.
· To keep the abundance coming in, you need to complete the cycle by giving. Take the items and clothing that you no longer use to a donation center or a shelter. A continues outflow of energy insures a continuous inflow.
 
Your Computer:
· This is also a good time to go through your computer and get rid of some clutter. Go through your email files, internet bookmarks, files saved on your hard drives and see what you truly need and what can be deleted. Organize the stuff you do keep into folders so you can easily find them when you need them. Many times I have done this and found useful things that had gotten lost in the mass of clutter. Clearing everything out also means your computer will work quicker and this is a metaphor for your mind working more efficiently. Once everything is clear, it’s a good time to back everything up to prevent it from being lost forever if something happens to your computer.
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Your Body:
· This is a great time to get a makeover. Maybe you want to try a new hairstyle or try out a new style of clothing. Making changes can be very uplifting and that energy will carry over into all your creative projects.
· Address any medical concerns you have. Get a checkup, maybe do a spring “fast” or undergo a detox program.
· Meditate on what you need to do to nurture wellness in your body. Talk to your body – it knows what it needs to heal itself and if you listen, it will tell you. Sometimes what your body truly needs goes counter to the generally accepted ideal of what is healthy. Trust yourself. Each person and each body is unique, and the best source for answers about you… is YOU.
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Your Emotional/Mental Self:
· This is a very important part of a total cleanse. If you don’t already, start keeping a journal. Start to observe the thoughts you have. Do this without judgment or analyzing yourself – just observe. Notice if your self talk is nurturing or hurtful. If you notice negative thought patterns, write some affirmations to counteract these and say them daily.
· Write all your fears, concerns, hopes, dreams. Get clear about what you want this year, what you don’t want this year, and what steps you can take to achieve your desires.
· This is a great time for divination focusing on the coming year.
· Create a visual representation of your goals for the coming year. I love to make collages, or what some call “treasure maps”. It’s a collection of images and phrases that becomes a powerful focal point for your energy. Put these up in places you’re likely to see them often.
· You can also do a collage as a way to release your fears. Do that same thing, gathering images and phrases that represent your fears. Then you can either bury this or burn it.
· Another technique that is helpful in clearing out emotional clutter is the Emotional Freedom Technique (EMT) The “Personal Peace Procedure” is a very thorough way of getting to the core of your fears and blocks, and releasing them in a pain free way.
· Write a “Statement of Intent” that outlines your personal philosophy on life and spirituality and your intention of how you will embody that philosophy in the coming year. This is a commitment you make to your self, your Spirit, and the Universe as a whole. Re-write this statement annually, since we are constantly changing, learning, and growing. Keep this statement in your Book of Shadows.
 
Doing all or some of these things will create a “clean slate” feeling. Then when you invite Brigid into your space on Imbolc, you will feel empty enough to be filled with Divine inspiration and creative fire.
 
About The Author: Lotus Moonwise is a Priestess of the Order of the White Moon, and is currently studying to receive ordination as High Priestess. She leads a small family coven. Lotus is a Shambhala Reiki Master/Teacher and offers online classes and attunements. In addition, she is studying to become a licensed massage therapist and lives in Oregon with her husband, three children, and two cats. Contact her via email at lotus@…

A Warm Yule and Winter

A Warm Yule and Winter

 

by Barbara Hedgewitch

As we approach the shortest days of the year, our house is a snug haven from the cold rain and winds of autumn. The horses’ coats are thick and full in preparation for the cold days ahead. We watch the steady retreat of the Sun. Each day, it sets just a bit earlier and farther south over the distant hill.

We spend time preparing gifts for our loved ones: homemade soap in a variety of scents and colors brightly wrapped in baskets; felt “melted” snowmen from a pattern at the craft store. We bake and decorate holiday cookies and get messy making gingerbread houses out of graham crackers and lots of frosting. I gather fir boughs and wire them to a frame, then attach a bright plaid bow. Soon a sweetly scented wreath hangs cheerily on the front door.

My husband makes his annual trek up our tall ladder, standing precariously as he strings holiday lights all along the roofline. One year, he fell off the roof as he strung lights. Fortunately for him, a potted rosebush broke his fall. It wasn’t quite so fortunate for the rosebush or its pot. This year, I remember to send a little extra protective energy his way as he heads up with hands full of lights.

He takes the children down to the bottom of our property where the former owners planted a grove of evergreen trees. They choose a fine Douglas fir for our Yule tree and triumphantly drag it up the hill to the house. As they huff and puff from the strain, the curious horses follow them.

Inside the house, I’ve prepared a place for this lovely tree, and we spend the evening stringing lights and placing ornaments on it. The scent fills the house. We discuss every ornament, for they all have meaning and memories. Some are from my childhood, and some belonged to my grandparents. Each year, the children are given one new ornament each for their own collections. We have many stars on our tree!

Finally, the Sun halts its southward journey. It seems to stand still for a day or two. On the longest night, our family holds vigil and awaits the rebirth of the Sun. The Holly King arrives and leaves gifts under the tree and in our stockings. My husband and son reenact the Oak King/Holly King duel, with the Oak King triumphing at this turn of the Wheel. We bid good-bye to the ancient Holly King, ruler of the darkening days, and celebrate the birth of the Oak King who rules the brightening days.

A few days later, we’re able to mark the slight northward passage of the setting sun behind the hill. The growing days give us hope as we enter into the coldest and stormiest time of the year. We eagerly await Imbolc and our local BrighidFest, which marks the beginning of the end of winter.

I take my spinning wheel to the BrighidFest and demonstrate how to spin wool. I have a steady stream of people, men and women, eager to try their hand at spinning. Most of them get the knack of it enough to take home a length of lumpy yarn that they spun themselves. Truly a bit of real magick!

Imbolc is traditionally the time of year to make candles. This is something I’ve never done. I think it’s time for the children and I to try our hand at this new skill. I ponder the endless possibilities: the colors, the shapes and the scents. We have a huge collection of old crayons that can be used for color, and some glitter, and I can “frost” the candles by whipping some warmish paraffin with the hand mixer. Oh my, what fun we’re going to have!

I hope you have a warm and cozy winter, filled with much love and learning.

Pagan Wheel of the Year

Pagan Wheel of the Year

by Perseus

 

Yule (Winter Solstice) 21 December: Longest night of the year, various methods of celebrating, most involve some form of lights (sometimes affixed to an obvious phallic symbol like, oh, a fir tree) which are employed in an act of sympathetic magick to encourage/welcome the return/rebirth of the sun/son. A major female deity gives birth to (insert name of preferred solar deity here). There is much rejoicing and praise unto Him while Her husband, the God of the Old Year who, dressed in a tacky red suit trimmed with rabbit fur, watches and packs Her an overnight bag in anticipation of Her departure. Celebrants light candles (indoors), ignite bonfires (outdoors mostly), drink to excess, sing carols, remove clothes, sing dirty carols, engage in group unprotected sex, drink some more, vomit copiously, have more unprotected sex, exchange gifts, have one more drink/boink for the road and return home.

Imbolc (Groundhog Day/Candlemas) 2 February: More lights, however by this time we’re pretty sure the days are getting longer so we can throttle back on the pleas for Apollo/Ra/Lugh/Baldur to return. The aforementioned mother of the newborn solar deity returns to this plane of existence from the underworld, bearing the sun/son with Her. Not as big a bonfire this time, but still excessive drinking, plenty of bare-butt-on-the-ground sex to warm the earth for seedlings, lots more drinking to excess followed by the projectile vomiting “Write your craft name in the snow” competition, more sex to make sure the ground is good and ready, a few more drinks, back home.

Lupercalia (Valentine’s Day) 15 February: (The 14th for Saint Valentine being a pre-emptive usurpation of the Roman Ides of February pre-spring fertility celebration. Not an actual sabbat but still a sentimental favourite.) The wolves come down from the hills around Rome looking for a little nosh. This is related to the weather prognosticating involved in the observance of hibernating animals like the groundhog emerging around Imbolc. Bears were ruled out as an appropriate animal for observance by trial and error and attrition of the bear watching advocates. Note that this is about two weeks after the Imbolc solar cross-quarter; if the groundhog didn’t see its shadow (and remained out) Winter ends here; if it did see its shadow (and returned to its lair to resume its nap) Winter ends about six weeks later at Ostaera, the next sabbat. Anyway, pretty much the same activities as Imbolc but candles/bonfires are optional (unless you insist on watching for a bear, in which case a bonfire is stronglyadvised).

Ostaera (Spring Equinox) 21 March: Probably named after a Germanic Goddess, Eostur, whose name translates literally as “Easy lay, easy May,” a reference to and reminder of the importance of the next Sabbath, which is actually concerned with sex, unlike the previous two in which sex is a (welcome) bonus and potential life saver in the colder climates. The baby born at Yule here ages to childhood and the major female deity absorbs His youthful energy to grow younger, back to childhood; they then play “Asclepius.” Once again celebrants drink to excess, paint a few eggs (rebirth representation) with increasingly blatant yonic/phallic symbols, followed by more drinking, then paint a few hares/rabbits (fertility totem), boil the eggs and probably the rabbits too, what the hell, chow down on the eggs and rabbits since nobody remembered to pack a lunch, still more drinking followed by rabbit-fur-lined vomiting, group unprotected sex, lick rabbit grease out of the pot, more sex (any remaining rabbit grease at this point is given priority consideration as a sexual lubricant), a couple of more drinks, dress up in rabbit skins and back home.

Beltane (Walpurgisnacht/May Day) 30 April-1 May: “Hooray, hooray, the first of May, outdoor (sexual act euphemism) begins today!” The Goddess and God who are at this point both of adolescent age actually get it on, after which they become betrothed. Celebrants erect large Maypole (get it?), half the dancers going deosil and half widdershins interweaving their hand-held ribbons until they clothe the pole in colourful array and the Maywreath, previously laid at the top, rides the ribbons down to the very base of the pole — as close as Pagans ever get to “safe sex.” After which everybody attends the bonfires, usually two bonfires so you can pass through your livestock to be blessed by Prometheus/Ba’al/Wotan/Elvis but the really adventurous just build one big fire, or let the two smaller ones get out of hand until they become one big fire. Attendees then jump the fire (bare naked, as if I needed to mention), and preceded by the at this point mandatory excess drinking, there follows a MAJOR ORGY of the Mongolian Cluster-Fuck variety, wherein the bodies of the participants are so thoroughly entangled and interlocked that you can’t tell who’s doing what to whom and you couldn’t care less and the vomiting is actually partof the gestalt and provides much needed lubrication.

Litha (Summer Solstice/Midsummer’s Night) 21 June: Longest day of the year. The young Sun God at His zenith, “Gather ye rosebuds while ye may.” This is the marriage of the Goddess and Her incestuous consort who are both fully adult at this point and it turns out She’s knocked-up anyway so He has to. This being a Pagan wedding celebration…well, you can just imaginethe debauchery. Here is the origin of the “Honeymoon,” where bride and groom stay plastered for a month (moon) on mead, a honey based wine.

About this time the God of the Old Year has grown bored with the rather limited interpersonal interaction with ghosts in the underworld and bit parts in Ingmar Bergman films and so travels as a spirit to the womb of the pregnant major female deity and inhabits the unborn child, to be near His rejuvenated love.

Lammas (Somebody’s day somewhere) 2 August: Sad day for the young God; having passed His prime last sabbat at this first harvest of the grain festival the Goddess decides He is more useful as compost and fructifies the ground with His blood to ensure future abundant harvests. Several methods may be employed by Her, perhaps no Pagan version being quite as picturesque as being nailed to an uneven armed solar cross with blood running down the upright beam to the ground, but She gets the job done none the less. On this solemn occasion celebrants are expected to drink until they fall down in imitative honour of the dying God. Sex is for those still conscious or who at least had the foresight to pin “Do me anyway” notes to their beer and vomit drenched clothes.

Mabon (Autumn Equinox) 21 September: Preggers and alone, sure, now she misses Her slain lover/son and decides She cannot abide this world without Him. He, meanwhile, has found the abandoned throne in the Land of the Dead and is having a high old time trying on the crown which looks suspiciously like a pair of antlers and is getting horny…the God that is. Depending on whose press release you read the Goddess is abducted by the just-back-for-a-quick-one God or She jumps onto His chariot and won’t get off until He takes Her all the way down (get that one?). This harvest festival centers around grapes, so celebrants consume barrels of wine and each then take turns climbing intoa barrel to play the traditional “Guess which orifice I’ve placed at the bunghole?” game. This Sabbat’s accompanying lunar cycle is sometimes referred to as the “Keith Moon.”

Samhain (All Hallows Eve) 31 October: The by this time big-as-a-house Goddess is crowned Queen of the Underworld. She and Her reunited and now mature King shoo all the souls out of their realm so they can have a little quality time together, which is why it gets so crowded up here around then. Ghosts, Goblins and Ghoolies come topside for a little R&R or just to wish that special someone good-bye, in their own inimitable fashion. Celebrants offer food and drink to the dead and attempt sex with any who posses sufficient ectoplasm to generate friction. A lovely time for all.

Yule (Again, to complete the circle): The once young and vital Sun God becomes the God of the Old Year in His turn, and takes up sewing to pass the time. Since red is one of the few colours visible to the dead He makes Himself a red suit to keep them from bumping into Him during the long dark nights and trims it with some leftover rabbit fur. Waste not want not. He knows what’s coming and packs a bag for His wife and new son to take on their journey back to the land of the living.

A Warm Yule and Winter

A Warm Yule and Winter

by Barbara Hedgewitch

As we approach the shortest days of the year, our house is a snug haven from the cold rain and winds of autumn. The horses’ coats are thick and full in preparation for the cold days ahead. We watch the steady retreat of the Sun. Each day, it sets just a bit earlier and farther south over the distant hill.

We spend time preparing gifts for our loved ones: homemade soap in a variety of scents and colors brightly wrapped in baskets; felt “melted” snowmen from a pattern at the craft store. We bake and decorate holiday cookies and get messy making gingerbread houses out of graham crackers and lots of frosting. I gather fir boughs and wire them to a frame, then attach a bright plaid bow. Soon a sweetly scented wreath hangs cheerily on the front door.

My husband makes his annual trek up our tall ladder, standing precariously as he strings holiday lights all along the roofline. One year, he fell off the roof as he strung lights. Fortunately for him, a potted rosebush broke his fall. It wasn’t quite so fortunate for the rosebush or its pot. This year, I remember to send a little extra protective energy his way as he heads up with hands full of lights.

He takes the children down to the bottom of our property where the former owners planted a grove of evergreen trees. They choose a fine Douglas fir for our Yule tree and triumphantly drag it up the hill to the house. As they huff and puff from the strain, the curious horses follow them.

Inside the house, I’ve prepared a place for this lovely tree, and we spend the evening stringing lights and placing ornaments on it. The scent fills the house. We discuss every ornament, for they all have meaning and memories. Some are from my childhood, and some belonged to my grandparents. Each year, the children are given one new ornament each for their own collections. We have many stars on our tree!

Finally, the Sun halts its southward journey. It seems to stand still for a day or two. On the longest night, our family holds vigil and awaits the rebirth of the Sun. The Holly King arrives and leaves gifts under the tree and in our stockings. My husband and son reenact the Oak King/Holly King duel, with the Oak King triumphing at this turn of the Wheel. We bid good-bye to the ancient Holly King, ruler of the darkening days, and celebrate the birth of the Oak King who rules the brightening days.

A few days later, we’re able to mark the slight northward passage of the setting sun behind the hill. The growing days give us hope as we enter into the coldest and stormiest time of the year. We eagerly await Imbolc and our local BrighidFest, which marks the beginning of the end of winter.

I take my spinning wheel to the BrighidFest and demonstrate how to spin wool. I have a steady stream of people, men and women, eager to try their hand at spinning. Most of them get the knack of it enough to take home a length of lumpy yarn that they spun themselves. Truly a bit of real magick!

Imbolc is traditionally the time of year to make candles. This is something I’ve never done. I think it’s time for the children and I to try our hand at this new skill. I ponder the endless possibilities: the colors, the shapes and the scents. We have a huge collection of old crayons that can be used for color, and some glitter, and I can “frost” the candles by whipping some warmish paraffin with the hand mixer. Oh my, what fun we’re going to have!

I hope you have a warm and cozy winter, filled with much love and learning.

Samhain – Crone Spell

To Produce, Psychic Dreams

PURPOSE:  To aid all around psychic development

BACKGROUND:  Samhain is the season of the Crone – the “Old Woman” aspect of the Goddess, the divine midwife who brings us into life and helps us cross over into death. A guardian of sacred thresholds, she also spins, weaves and cuts our life threads. Because of this, she is sometimes depicted as a spider or represented by a web. Sometimes known as the “Hag” or Cailleach, the crone is strongly connected with psychic abilities and the ability to walk between the worlds–the capacity to traverse the borderland between everyday reality and other realities such as Faerie or the Land of the Dead.

Items you will need:

  • Two teaspoons of dried mugwort
  • One teaspoon of powdered elder leaves
  • Six drops of  cypress essential oil
  • Mortar and pestle
  • One charcoal disk in a fireproof dish
  • One black candle
  • Matches or lighter

Casting the Spell:

  • Blend the mugwort, elder leaves and cypress oil in the mortar and pestle.
  • Light the charcoal, then the black candle, saying:
Hecate, Goddess of the Crossroads,
Direct me.
Weaver, guide my thread into
The spaces between.
 
  • Sprinkle the incense onto the charcoal, and inhale the scent.
  • Close your eyes. Visualize yourself walking from the East to a Crossroads at sunset and stopping to face North. From this direction, a dark figure approaches. This is the Crone. When She stops, She will beckon you to follow her. She will lead you to a gateway: don not pass through this time, but note what it looks like and any symbols that are written on it. This is the gateway through which you must pass before you can walk between the worlds–and you will need to look out for it, or its symbols, in lucid dreams during this winter.
  • Keep careful note of your dreams between now and Imbolc.

 

The Spells Bible
Ann-Marie Gallagher