Tag: Greek mythology

Chant To Hecate for Justice

The chant below brings swift justice to those who treat you unfairly. Take caution in using it, though, especially if you have also behaved inappropriately. Hecate’s justice knows no bounds. She sees to it that all involved get precisely what they deserve.

Hecate, Dark One, hear my plea.

Bring justice now I ask of Thee!

Right the wrongs that have been done,

Avenge me now, oh Mighty One.

Turn misfortune back to those

Who cause my problems and my woes.

And heap upon them karmic debt

Lest they all too soon forget

Their wrongful actions, words, and deeds

Don’t let them get away scot-free.

Bring them forth from where they hide.

Bring swift justice–wield your knife.

Hasten, Dark One; hear my plea–

Do what it is I ask of Thee.

 

Everyday Magic

Dorothy Morrison

Crystal of the Day for March 29th – Moonstone

Moonstone

  • Common Name: Moonstone
  • Also known as: Cylon Opal
  • Appearance: White to colorless, sometimes found in pale blues; looks a bit like Opal in some cases
  • Element(s): Water
  • Planetary connection: Moon
  • Deity connection: Any goddess with a triple aspect – Diana, Selene, Hecate
  • Healing powers: Anything related to female reproduction, childbirth, menstrual cycles
  • Magical uses: Can be used in workings related to wisdom and intuition, Goddess-focused rituals

Deity of the Day for February 23rd is Adonis

Deity of the Day for February 23

Adonis

Adonis (Phoenician “lord”), in Greek mythology, the god of beauty and desire, is a figure with Northwest Semitic antecedents, where he is a central figure in various mystery religions.  Adōnis is a variation of the Semitic word Adonai, “lord”, which is also one of the names used to refer to God in the Old Testament. Syrian Adonis is closely related to the Cypriot Gauas or Aos, to Egyptian Osiris, to the Semitic Tammuz and Baal Hadad, to the Etruscan Atunis and the Phrygian Attis, all of whom are deities of rebirth and vegetation. His religion belonged to women: the dying of Adonis was fully developed in the circle of young girls around the poet Sappho from the island of Lesbos, about 600 BCE, as revealed in a fragment of Sappho’s surviving poetry.

Adonis is one of the most complex figures in classical times. He has had multiple roles, and there has been much scholarship over the centuries concerning his meaning and purpose in Greek religious beliefs. He is an annually-renewed, ever-youthful vegetation god, a life-death-rebirth deity whose nature is tied to the calendar. His name is often applied in modern times to handsome youths, of whom he is the archetype. Adonis is often referred to as the mortal god of Beauty.

wikipedia.com

Earth Goddesses – DEMETER

Earth Goddesses – DEMETER 

Demeter is the Greek goddess of the grains, agriculture, and fertility. She is the daughter of the Titans Cronus and Rhea. She is an Olympian.

Demeter is so prevalent in the Greek myths that she is even responsible for the changing of the seasons. In Homer’s Hymn to Demeter, he relates the tale. Demeter, whom Homer describes as a stately goddess, had a child with Zeus named Persephone. Unbeknown to Demeter, Zeus had planned with Hades to ensnare the young Persephone so that Hades would have a wife and therefore a queen of the Underworld. Zeus cunningly brought forth the brightly colored narcissus flower in an attempt to lure Persephone away while she was at play in the fields.

As Persephone set about gathering a bouquet of lovely irises, roses, hyacinths, violets and crocuses, she caught sight of the most magnificent flower in the field – the narcissus. Persephone, stunned by the flower’s beauty, reached out with both hands to pick it for her bouquet. As she did, the Earth opened wide and Hades, riding upon his golden chariot led by immortal horses, snatched the beautiful Persephone and took her wit him into the Underworld. Persephone cried out for her father to save her. Her cries echoed across the countryside, yet no one except Demeter heard her.

Demeter searched the Earth for nine days, grieving so desperately that she touched not a single drop of drink or bite of food. On the tenth day, at the crack of dawn, Hecate spoke with Demeter. She sent Demeter to speak with Helios, the sun god. Demeter begged Helios to tell her who had taken her beloved daughter. Helios replied that it was Zeus himself and explained the role of Hades in the plot.

Demeter was furious and grief stricken. She left Olympus and wandered to Eleusis. For a year she stilled the Earth from fruitfulness. In her grief, the flowers no longer bloomed and the gardens withered and died. The Earth was barren. Zeus sent Iris to try to persuade Demeter to come home, but Demeter would not budge. One by one, each of the gods tried to talk Demeter into returning to Olympus. She refused them all, saying that she would never return until she could lay eyes again on her beloved daughter.

Zeus upon hearing this, sent Hermes to speak with Hades and attempt to cajole him into releasing Persephone. Hades agreed and asked only that Persephone keep him in her heart fondly. With that he tricked her into eating three pomegranate seeds, thereby assuring that she had to return to him. Persephone happily ate the seeds and went on her way back to her mother. When Demeter was greeted by the sight of her daughter, the Earth was once again fruitful and the people rejoiced. Afraid, Demeter asked her daughter if she had eaten anything while in the Underworld, to which Persephone replied that she had eaten the seeds of a pomegranate. Demeter explained that she must live in the Underworld for one third of each year. She swore that while Persephone was on the Earth, she would hold it in bloom for her daughter’s pleasure., but that while Persephone was in the Underworld, it would be barren and cold. Thus, the season were born.

Demeter, with her somewhat ironic sense of humor, placed the poppy in the corn and barley fields. She put all of her sweetness into the fig, which grows alongside wild herbs. As the poppy and the fig grow around the base of her more substantial foodstuffs, they represent the dark side of Demeter. The dark side is the side that holds the life and death of mortals in her hands and carries the seeds of each in her womb. Demeter represents both hunger and abundance.

In one myth, Demeter condemns a man to eternal hunger for daring to attempt to chop down her sacred grove to make a roof for his hall from the wood. The man subsequently eats until there is only one thing left to eat – himself. He devours his own limbs.

Demeter was also a goddess of fertility and, in one myth, coupled with a human in the field. The pairing produced a child. Soon after Demeter became known as a goddess who guarded marriage and was included in ancient marriage rites. Concubines and the like were condemned to her stone gardens, where no plants could ripen and bloom. Demeter’s festival, held in late autumn was celebrate by legitimate wives and included a ritual sowing of the field. It was conducted with the hope of a harvest of beautiful children, a bounty borne from human seed.

Earth Goddesses – FLORA

Earth Goddesses – FLORA

Flora (“flourishing one”) in the Roman and Greek goddess of flowers, youth, fertility, and springtime. She is also identified with the Greek Goddess Chloris. It was said in the Greek myths that when Chloris (originally a nymph) was captured by Zephyrus, he gifted her with the realm of flowers in return for marrying him. So Chloris became known as the Roman Flora.

Flora was thought to give the charm to youth and the sweetness to honey and to protect the petals and give the fragrance to blossoms. She was particularly important in Roman society. Her cults are among the oldest found in Rome, and she was one of the few deities that had her own priests, who were known as the Flamen Floralis. Her bounty was the precursor of modern medicine, as Flora was not only responsible for flowers but was originally responsible for all crops. All gardens fell under her protection, and iron was strictly prohibited within them to allow the plant devas and nature spirits to prosper peacefully. Fairy folk are known for their aversion to iron.

Flora had a special garden of her own, which featured all of the mythological creatures that turned into flowers upon their deaths. Among the blossoms were Narcissus; Ajax, who became a larkspur; Clytie, who became a sunflower; Hyacinth, who had been Apollo’s lover; and Adonis, who became the anemone.

Greek myths also relate a tale where Flora was responsible for the rose. While on an early morning walk through the woods, she stumbled upon the dead body of a beautiful young girl. Saddened to see such a lovely creature dead, she decided to restore her life by transforming her into the most delicate and beautiful of all flowers. In order to accomplish this, she called upon her husband, Zephyrus, god of the western wind, to blow away all of the clouds from the sky. She then called upon Apollo to send his warm rays of sunlight down as blessings. She called upon Aphrodite to add beauty and grace and Dionysus for nectar and fragrance. Everyone agreed that this was the most beautiful of all the flowers.

Flora went to work gathering dewdrops to restore life to the flower and crowned her queen of all flowers. She then called upon Aurora and Iris in spread the word about this new flower. Iris borrowed just a touch of the flower’s color to spread among her rainbows, and Aurora painted the morning sky with the rose-tinted hue.

Aphrodite named the flower the rose in honor of her son Eros, the Greek god of love. Hence, roses are associated with love. Flora presented Eros with the rose as his own in the hope that it would maintain the romantic associations. Eros shared it with Harpocrates, the god of silence, as a bribe to keep secret the indiscretions of his mother, and the rose became associated with silence and secrets as well as love.

According to Roman legend, Flora also had a hand in the creation of Mars, the god of war. Juno, the wife of Jupiter, was jealous that Jupiter had given life to Minerva on his own, so she enlisted the aid of Flora to help her create a son of her own. Flora reluctantly agreed after Juno swore by the river Styx to never tell Jupiter that Flora had taken part. Flora touched Juno with a magickal flower, and Mars began to grown in Juno’s womb. Mars was born and went on to sire Romulus and Remus, who became the founders of Rome.

There was an ancient and somewhat infamous, Roman festival held in Flora’s honor, called the Floralia. It was celebrated annually from the end of April through the beginning of May. The dates suggest that the original purpose of the festival was to beseech Flora to refrain from allowing mildew to fall upon the crops. It is further believed that the Floralia was the inspiration for the Maypole and Mayday celebrations known today as Beltane. The floralia featured chariot races, theater shows, games and lavish banquets. Altars and temples were decorated with every type of flower known to humankind. The participants wore wreaths of flowers in their hair and left offerings of milk and honey.

The Floralia was also a festival known for its unrestrained pleasures. During the celebrations, marriage vows were temporarily forgotten and the celebrants allowed themselves a wide range of a sexual partners. Prostitutes claimed Flora as their matron deity and celebrated her festival vigorously.

Later, as Beltane traditions evolved, Flora became known as a companion of the fairies. This eventually evolved into legends of Flora as a fairy herself. However, it is believed that was borne of some confusion between the Goddess Flora and the fairy Florelia, who is mentioned in tomes of old as a treasure of the Earth akin to Queen Mah.

The role of the flower, and therefore that of Flora, is as important today as it was in ancient times. Almost all holidays and customs include an appropriate flower. We often send flowers to cheer those who are sick, to say farewell to those who have passed, and to celebrate mile-marker events such as birthdays, weddings, and anniversaries. We make use of the scents in perfumes and potpourris and bathing products. We make candles, jellies, wines, and salads from the petals. Flora’s bounty covers everything from poisonous to healing flowers. Chamomile, jasmine, and linden flowers are commonly added to herbal teas. The purple foxglove is the base of the medicine digitalis, which is used in the treatment of heart conditions.

Flowers also have magickal qualities, many of which are steeped in superstition. For instance, the daisy is often used as a divination tool in love matters by plucking the petals off while reciting, “He/she loves me, he/she loves me not.” The dandelion is often used as a tool to bring one’s wishes to fruition by flowing the seeds to the wind. As the wind carries the seeds, it carries one’s wishes to the Goddess as well.

In the Victorian era, flowers were given their own language. A certain type of flower had a specific meaning, which was further sub-divided into categories determined by the color of the flower. For instance, to send a red rose meant “I love you,” whereas to send a yellow rose meant friendship or jealousy. The number of flowers sent also had a specific meaning. It was said to be bad luck to send an even number of flowers.


When the Spanish explorer Ponce de Leon landed in Florida, he looked around at all the many flowers and thought he had found the land containing the Fountain of Youth. He then name the state Florida in honor of Flora.

While we may not choose to celebrate Flora the same way the Romans did, we can honor her on her special days with simple things that remind us of her presence. We can drink flower teas, add flower petals to our baths, prepare meals with edible flowers, decorate our homes and altars with garland and wreaths, wear floral colors, or perform a ritual, or even simply take a walk through flower-strewn fields.

Wishing You A Super Sun Shiny Sunday, dear ones!

Good Afternoon Images, Pictures, Comments
Hey, it’s hard thinking of new greetings each day, lol! I hope you are having a fantastic Sunday. I feel so good today there ought to be a law against it. The glorious Sun is shining, brightly. It looks so warm outside. I watched the Weather Broadcast this morning. The weatherman said it was going to be up in the 60’s and you better get out there and enjoy the day. Well dumb butt, believed him, I always wear shorts around the house. So I figured if it is supposed to be that warm, I would run out in them. I opened the door, not to bad. My big mistake was shutting the door. Good grief! The wind is blowing a gale and I think the wind chill is 10 degrees out there. It’s my own fault, I should know by now, never, ever trust the local weather people.

So I hope your morning is nice and warm. Remember if it looks warm outside, stick your toe out first. Well with that helpful tip, how about we get on with more important matters.

Have a Very Blessed Day!

 

Affirmation of the Day for Sun. January 29th

“I do not seek perfection – only to do the best that I  an. If others do better. I will admire them without envy while trying to do better myself.”

 

Thought of the Day for Sun. January 29th

The Flight of Icarus

According to Greek mythology, Icarus was a young man who tried to escape from a labyrinth wearing a pair of waxen wings made by his father Daedalus. However, despite his father’s warning. Icarus flew too close to the sun, his wings melted and he fell to the Earth. Hold this story in your mind to remind yourself of the need to balance idealism and aspiration with a realistic awareness of human limitation.

Today We Honor The Goddess Hecate

Hecate – Dark Goddess of Magic & Sorcery

By Patti Wigington

Hecate (sometimes spelled Hekate) was originally a Thracian, and pre-Olympian Greek goddess, and ruled over the realms of earth and fertility rituals. As a goddess of childbirth, she was often invoked for rites of puberty, and in some cases watched over maidens who were beginning to menstruate. Eventually, Hecate evolved to become a goddess of magic and sorcery. She was venerated as a mother goddess, and during the Ptolemaic period in Alexandria was elevated to her position as goddess of ghosts and the spirit world.

Much like the Celtic hearth goddess Brighid, Hecate is a guardian of crossroads, and often symbolized by a spinning wheel. In addition to her connection to Brighid, she is associated with Diana Lucifera, who is the Roman Diana in her aspect as light-bearer. Hecate is often portrayed wearing the keys to the spirit world at her belt, accompanied by a three-headed hound, and surrounded by lit torches.

The epic poet Hesiod tells us Hecate was the only child of Asteria, a star goddess who was the aunt of Apollo and Artemis. The event of Hecate’s birth was tied to the reappearance of Phoebe, a lunar goddess, who appeared during the darkest phase of the moon.

Today, many contemporary Pagans and Wiccans honor Hecate in her guise as a Dark Goddess, although it would be incorrect to refer to her as an aspect of the Crone, because of her connection to childbirth and maidenhood. It’s more likely that her role as “dark goddess” comes from her connection to the spirit world, ghosts, the dark moon, and magic. She is known as a goddess who is not to be invoked lightly, or by those who are calling upon her frivolously. She is honored on November 30, the night of Hecate Trivia, the night of the crossroads.

 

The Goddess Diana

 

Research on the Goddess Diana

Part 1

“Goddess Of The Hunt”

Diana (lt. “heavenly” or “divine”) was the goddess of the hunt, being associated with wild animals and woodland, and also of the moon in Roman mythology. In literature she was the equal of the Greek goddess Artemis, though in cult beliefs she was Italic, not Greek, in origin. Diana was worshiped in ancient Roman religion and is currently revered in Roman Neopaganism and Stregheria. Dianic Wicca, a largely feminist form of the practice, is named for her. Diana was known to be the virgin goddess and looked after virgins and women. She was one of the three maiden goddesses, Diana, Minerva and Vesta, who swore never to marry.

Along with her main attributes, Diana was an emblem of chastity. Oak groves were especially sacred to her. According to mythology, Diana was born with her twin brother Apollo on the island of Delos, daughter of Jupiter and Latona. Diana made up a triad with two other Roman deities: Egeria the water nymph, her servant and assistant midwife; and Virbius, the woodland god.

Diana (pronounced with long ‘i’ and a’) is an adjectival form developed from an ancient *divios, corresponding to later ‘divus’, ‘dius’, as in Dius Fidius, Dea Dia and in the neuter form dium meaning the sky. It is rooted in Indoeuropean *d(e)y(e)w meaning bright sky or daylight, from which also derived the name of Vedic god Dyaus and the Latin deus (god), dies (day, daylight).

The Greek αδει(αν)ός (adei(an)os) means empty, because Aeneas’s mother, Venus, in the form of a hunting woman was very similar to the goddess Diana and because the Aeneid describes that since Paris (mythology) the temples hallow an empty name and she went down the empty sky when Eurytion held the arrow ready on his bended bow.

Theology

The persona of Diana is complex and contains a number of archaic features. According to Dumezil it falls into a particular subset of celestial gods, referred to in histories of religion as ‘frame gods’. Such gods, while keeping the original features of celestial divinities, i.e. transcendent heavenly power and abstention from direct rule in worldly matters, did not share the fate of other celestial gods in Indoeuropean religions – that of becoming dei otiosi, since they did retain a particular sort of influence over the world and mankind.

The celestial character of Diana is reflected in her connexion with light, inaccessibility, virginity, and her preference for dwelling on high mountains and in sacred woods. Diana therefore reflects the heavenly world (dium) in its sovereignty, supremacy, impassibility, and indifference towards such secular matters as the fates of men and states. At the same time, however, she is seen as active in ensuring the succession of kings and in the preservation of mankind through the protection of childbirth.

These functions are apparent in the traditional institutions and cults related to the goddess. 1) The institution of the rex Nemorensis, Diana’s sacredos in the Arician wood, who held its position til somebody else challenged and killed him in a duel, after breaking a branch from a certain tree of the wood. This ever totally open succession reveals the character and mission of the goddess as a guarantee of the continuity of the kingly status through successive generations.The same meaning implying her function of bestower of regality is testified by the story related by Livy of the prediction of empire to the land of origin of the person who would offer her a particularly beautiful cow. 2) Diana was also worshipped by women who sought pregnancy or asked for an easy delivery. This kind of worship is testified by archeological finds of votive statuettes in her sanctuary in the nemus Aricinum as well as by ancient sources, e.g. Ovid.

According to Dumezil the forerunner of all frame gods is an Indian epic hero who was the image (avatar) of the Vedic god Dyaus. Having renounced the world, in his roles of father and king, he attained the status of an immortal being while retaining the duty of ensuring that his dynasty is preserved and that there is always a new king for each generation. The Scandinavian god Heimdallr performs an analogous function: he is born first and will die last. He too gives origin to kingship and the first king, bestowing on him regal prerogatives. Diana, although a female deity, has exactly the same functions, preserving mankind through childbirth and royal succession.

Dumezil’s interpretation appears deliberately to ignore that of James G. Frazer, who links Diana with the male god Janus as a divine couple. Frazer identifies the two with the supreme heavenly couple Jupiter-Juno and additionally ties in these figures to the overarching Indoeuropean religious complex. This regality is also linked to the cult of trees, particularly oaks. In this interpretative schema, the institution of the Rex Nemorensis and related ritual should be seen as related to the theme of the dying god and the kings of May.

Physical Description

Diana often appeared as a young woman, age around 12 to 19. It was believed that she had a fair face like Aphrodite with a tall body, slim, small hips, and a high forehead. As a goddess of hunting, she wore a very short tunic so she could hunt and run easily and is often portrayed holding a bow, and carrying a quiver on her shoulder, accompanied by a deer or hunting dog. Sometimes the hunted creature would also be shown. As goddess of the moon, however, Diana wore a long robe, sometimes with a veil covering her head. Both as goddess of hunting and goddess of the moon she is frequently portrayed wearing a moon crown.

Worship

Diana was initially just the hunting goddess, associated with wild animals and woodlands. She also later became a moon goddess, supplanting Titan goddess Luna. She also became the goddess of childbirth and ruled over the countryside.

Diana was worshipped at a festival on August 13, when King Servius Tullius, himself born a slave, dedicated her temple on the Aventine Hill in the mid-sixth century BC. Being placed on the Aventine, and thus outside the pomerium, meant that Diana’s cult essentially remained a ‘foreign’ one, like that of Bacchus; she was never officially ‘transferred’ to Rome as Juno was after the sack of Veii. It seems that her cult originated in Aricia, where her priest, the Rex Nemorensis remained. There the simple open-air fane was held in common by the Latin tribes, which Rome aspired to weld into a league and direct. Diana of the wood was soon thoroughly Hellenized, “a process which culminated with the appearance of Diana beside Apollo in the first lectisternium at Rome”. Diana was regarded with great reverence by lower-class citizens and slaves; slaves could receive asylum in her temples. This fact is of difficult interpretation. Wissowa proposed the explanation that it might be because the first slaves of the Romans must have been Latins of the neighbouring tribes.

Though some Roman patrons ordered marble replicas of the specifically Anatolian “Diana” of Ephesus, where the Temple of Artemis stood, Diana was usually depicted for educated Romans in her Greek guise. If she is accompanied by a deer, as in the Diana of Versailles this is because Diana was the patroness of hunting. The deer may also offer a covert reference to the myth of Acteon (or Actaeon), who saw her bathing naked. Diana transformed Acteon into a stag and set his own hunting dogs to kill him.

Worship of Diana is mentioned in the Bible. In Acts of the Apostles, Ephesian metal smiths who felt threatened by Saint Paul’s preaching of Christianity, jealously rioted in her defense, shouting “Great is Diana of the Ephesians!” (Acts 19:28, New English Bible). After the city secretary (γραμματεύς) quieted the crowd, he said, “Men of Ephesus, what person is there who does not know that the city of the Ephesians is the keeper (guardian) of the temple of the great Diana and of her image that fell from heaven ?” (Acts 19:36)

Sanctuaries

Diana was an ancient goddess common to all Latin tribes. Therefore many sanctuaries were dedicated to her in the lands inhabited by Latins. The first one is supposed to have been near Alba before the town was destroyed by the Romans.

The Arician wood sanctuary near the lake of Nemi was Latin confederal as testified by the dedicatory epigraph quoted by Cato.

She had a shrine in Rome on the Aventine hill, according to tradition dedicated by king Servius Tullius. Its location is remarkable as the Aventine is situated outside the pomerium, i.e. original territory of the city, in order to comply with the tradition that Diana was a goddess common to all Latins and not exclusively of the Romans.

Other sanctuaries we know about are listed here below:

Temple of Diana, in Evora, Portugal.

Colle di Corne near Tusculum where she is referred to with the archaic Latin name of deva Cornisca and where existed a collegium of worshippers.

The Algidus Mount, also near Tusculum

At Lavinium

At Tivoli, where she is referred to as Diana Opifera Nemorensis

A sacred wood mentioned by Livyad computum Anagninum(near Anagni).

On Mount Tifata, near Capua in Campania.

In Ephesus, where she was worshiped as Diana of Ephesus and the temple used to be one of world’s seven wonders.

Legacy

In religion

Diana’s cult has been related in Early Modern Europe to the cult of Nicevenn (aka Dame Habond, Perchta, Herodiana, etc.). She was related to myths of a female Wild Hunt.

Wicca

Today there is a branch of Wicca named for her, which is characterized by an exclusive focus on the feminine aspect of the Divine. In some Wiccan texts Lucifer is a name used interchangeably for Diana’s brother Apollo.

Stregheria

In Italy the old religion of Stregheria embraced goddess Diana as Queen of the Witches; witches being the wise women healers of the time. Goddess Diana created the world of her own being having in herself the seeds of all creation yet to come. It is said that out of herself she divided into the darkness and the light, keeping for herself the darkness of creation and creating her brother Apollo, the light. Goddess Diana loved and ruled with her brother Apollo, the god of the Sun. (Charles G. Leland, Aradia: The Gospel of Witches)

Since the Renaissance the mythic Diana has often been expressed in the visual and dramatic arts, including the opera L’arbore di Diana. In the sixteenth century, Diana’s image figured prominently at the Château de Fontainebleau, in deference to Diane de Poitiers, mistress of two French kings. At Versailles she was incorporated into the Olympian iconography with which Louis XIV, the Apollo-like “Sun King” liked to surround himself.

There are also references to her in common literature. In Shakespeare’s play, Romeo and Juliet, many references are made to Diana. Rosaline, a beautiful woman who has sworn to chastity, is said to have “Dian’s wit”. Later on in the play, Romeo says, “It is the East, and Juliet is the sun. Arise fair sun, and kill the envious moon.” He is saying that Juliet is better than Diana and Rosaline for not swearing chastity. Diana is also a character in the 1876 Leo Delibe ballet ‘Sylvia’. The plot deals with Sylvia, one of Diana’s nymphs and sworn to chastity and Diana’s assault on Sylvia’s affections for the shepherd Amyntas.

In Jean Cocteau’s 1946 film La Belle et la Bête it is Diana’s power which has transformed and imprisoned the beast.

In literature

In Shakespeare’s Pericles, Prince of Tyre Diana appears to Pericles in a vision, telling him to go to her temple and tell his story to her followers.

Diana is also used by Shakespeare in the famous play As You Like It to describe how Rosaline feels about marriage.

Diana is used by Shakespeare in Twelfth Night when Orsino compares Viola (in the guise of Cesario) to Diana. “Diana’s lip is not more smooth and rubious”

Speaking of his wife, Desdemona, Shakespeare’s Othello the Moor says, “Her name that was as fresh/As Dian[a]’s visage, is now begrim’d and black/As mine own face.”

There is also a reference to Diana in Shakespeare’s play Much Ado About Nothing where Hero is said to seem like ‘Dian in her orb’, in terms of her chastity.

In All’s Well That Ends Well Diana is seen again, not only as a figure in the play, but also where Helena makes multiple allusions such as, “Now, Dian, from thy altar do I fly…” and “…wish chastely and love dearly, that your Dian/was both herself and love…” The Steward also says, “…; Dian no queen of virgins,/ that would suffer her poor knight surprised, without/ rescue in the first assault or ransom afterward.” It can be assumed that ‘Dian’ simply a shortening of ‘Diana’ since later in the play when Parolles’ letter to Diana is read aloud it reads ‘Dian’.

The Goddess is also referenced indirectly in Shakespeare’s player A Midsummer Night’s Dream. The character Hippolyta states “And then the moon, like to a silver bow new bent in Heaven”. She refers to Diana, Goddesse of the moon, who is often depicted with a silver hunting bow. In the same play the character Hermia is told by the Duke Theseus that she must either wed the character Demetrius “Or on Diana’s alter to protest for aye austerity and sinle life”. He refers to her becoming a nun, with the Goddesse Diana having connotations of chastity.

In The Merchant of Venice Portia states “I will die as chaste as Diana, unless I be obtained by the manner of my father’s will”. (I.ii)

In Romeo & Juliet, Romeo describes Rosaline, saying that “She hath Dian’s wit”.

Carlos Fuentes’s novel entitled, Diana o la cazadora solitaria (Diana or the lone huntress), was based on The Goddess. Diana Soren was also a character that being described as having the same personality as the goddess.

In “The Knight’s Tale” in The Canterbury Tales by Geoffrey Chaucer, Emily prays to Diana to be spared from marriage to either of her admirers Arcite or Palomon.

In “To Science”, the sonnet by Edgar Allan Poe, science “dragged Driana from her car” (9).

In language

Pomona (left, symbolizing agriculture), and Diana (symbolizing commerce) as building decoration

Both the Romanian word for “fairy”, Zână and the Leonese word for “water nymph”, xana, seem to come from the name of Diana.

In Arts

Diana had become one of the most popular theme of arts. Painters like Titian, Peter Paul Rubens, François Boucher, Nicholas Poussin had made her as a major theme. Most of stories that being exposed are the stories of Diana with Actaeon, story of Callisto, and when she rested after hunting. Some famous work of arts with Diana theme are :

  • Diana and Actaeon, Diana and Callisto, and Death of Actaeon by Titian.
  • Diana and Callisto, Diana Resting After Bath, and Diana Getting Out of Bath by François Boucher.
  • Diana Bathing With Her Nymphs by Rembrandt.
  • Diana and Endymion by Poussin.
  • Diana and Callisto, Diana and Her Nymph Departing From Hunt, Diana and Her Nymphs Surprised By A Faun by Rubens.
  • Diana and Endymion by Johann Micheal Rottmayr.
  • The famous fountain at Palace of Caserta, Italy, created by Paolo Persico, Brunelli, Pietro Solari told a story about when Diana being surprised by Acteon.
  • A sculpture by Christophe-Gabriel Allegrain could be seen at the Musée du Louvre.
  • A sculptural mascot on the Diana car manufactured by the Diana Motors Company.

In Beaux Arts

Beaux Arts architecture and garden design (late 19th and early 20th centuries) used classic references in a modernized form. Two of the most popular of the period were of Pomona (goddess of orchards) as a metaphor for Agriculture, and Diana, representing Commerce, which is a perpetual hunt for advantage and profits.

In Parma at the convent of San Paolo, Antonio Allegri da Correggio painted the camera of the Abbess Giovanna Piacenza’s apartment. He was commissioned in 1519 to paint the ceiling and mantel of the fireplace. On the mantel he painted an image of Diana riding in a chariot pulled possibly by a stag.

In Film

Diana/Artemis appears at the end of the ‘Pastoral Symphony’ segment of ‘Fantasia’.

In his 1968 film La Mariée était en noir François Truffaut plays on this mythological symbol. Julie Kohler, played by Jeanne Moreau, poses as Diana/Artemis for the artist Fergus. This choice seems fitting for Julie, a character beset by revenge, of which Fergus becomes the fourth victim. She poses with a bow and arrow, wearing white.

Other

  • In the funeral oration of Diana, Princess of Wales in 1997, her brother drew an analogy between the ancient goddess of hunting and his sister – ‘the most hunted person of the modern age’.
  • William Moulton Marston used the Diana myth as a basis for Wonder Woman.
  • For the album art of Progressive metal band Protest the Hero’s second studio album Fortress, Diana is depicted, protected by rams and other animals. The theme of Diana is carried throughout the album.

 

“Hail Diana”

Hail Artemis Diana
Blessed Lady of the Beasts
I dedicate myself to You

May my path honor Thee
May my spirit celebrate Thee
May my life force magnify Thee

These things I pray
Be fulfilled this day
Goddess Mother help me
To know what is right.”
– Goddess Prayers and Invocations

Research on the Goddess Diana

Part 2

Diana . . . The Roman Goddess was known by many names including Queen of Heaven; the Great Goddess; Lunar Virgin; Mother of Animals; Lady of Wild Creatures; and the Huntress. Diana as the Roman Moon-Goddess was originally worshipped on the mountain Tifata near Capua and in sacred forests. Later she was given a temple in the working-class area on the Aventine Hill where she was mainly worshipped by the lower class (plebeians) and the slaves, of whom she was the patroness. She is often depicted carrying a bow and arrow and wearing animal skins or accompanied by animals.

When the Greek city of Ephesus fell to Roman rule, Goddess Diana was merged with the Greek Goddess Artemis. This is most likely due to the fact that around the time of the Roman empire, Romans would allow the places they over took to continue worshipping their own Gods and Goddesses, incorporating those Goddesses into the Roman Pantheon. Artemis and Diana were worshipped at the same times historically and when the Great Greek Temple of Artemis was destroyed the Romans rebuilt it in honor of Diana and the myth of Goddess Diana of Ephesus began.

Stories of Goddess Diana are told form the beginning of Troy to the Christian Bible of King James in the scriptures of Acts and the gospels of Paul.

Ephesians.”

The multi-breasted statue of Diana at Her Temple in Ephesus displayed her capability to nourish all creatures and provide for them. Worshippers adored Goddess Diana so much that the only way the Christians could rid the people of their Goddess was by assimilating her into their new religion. Thus Ephesus became a place of Mary, Mother of God. The church even invented stories of Mary living at Ephesus and being entombed there.

In Babylonia, and in the nation of Assyria, she was known as “ISHTAR” The Phoenicians called her “ASTARTE”. The Israelites knew her as “ASHTORETH”.

Diana was also the goddess of the Latin commonwealth where She rule with Her brother Lucifer. Lucifer being a Latin word for “Light Bringer”.

In Italy the old religion of Stergheria embraced goddess Diana as Queen of the Witches. Witches being the wise women healers of the time. Goddess Diana created the world of her own being having in herself the seeds of all creation yet to come. It is said that out of herself she divided into the darkness and the light, keeping for herself the darkness of creation and creating her brother Lucifer, the light. Goddess Diana loved and ruled with her brother Lucifer, the god of the Sun and Moon.
As time went on, the Earth was created and Diana descended to Earth, as did her brother Lucifer. Diana taught magick and witches were born. One night using witchcraft in the form of a cat, His most beloved animal, Diana tricked Lucifer. She gained entrance to His chamber where She seduced Him. From this union a daughter was born. Goddess Aradia.
In other versions of this myth we find the similarities the Christain tales take as their own in attempts to dispel the Goddess.
The first being, Lucifer who is so proud of his beauty, and who for his pride is driven from the Paradise of Goddess as is the tale of Lucifer falling from Gods grace.
The second being Goddess Diana also sends Her daughter Aradia to live as a mortal and save the misfortunate people of Earth as does God send His son Jesus to live as a mortal and save the people.

As pagans my sisters, Goddess Diana is the eternal Mother of all creation, the first that is and the last that will be. She is the Huntress of the forest seeking means of survival. She is the call of the wild, the beating heart of the forests, the animal spirit within, urging us to remember our origins. She awakens nature within us that we remember to feel the rustling wind through our hair, to hear the howling of a wolf or the echo of a voice in the forest. Goddess Diana calls to us to let our animal essence out and hone our inherent sensibilities. Dance and sing to the moon, run until our heart pounds to the top of a hill, to take a swim in a creek, roll around in the grass as we once did as a children, or just gaze upon the stars in wonderment; knowing all the while that Goddess Diana is within us, sharing sharing our journey.

As with the Christian invasion into the old religion , we too are told as women what is right and wrong. We are told what is the correct thinking to blend into a society that denies us our truth. Not tonight my sisters, tonight we pray to the Goddess Diana that you never forget the wonders of creation, the joy of being alive, and the importance of being a woman. Tonight we pray to Goddess Diana to be filled with Her strength to survive the challenges that would steal our dreams. under Her Full Moon we are alive in Her reflection. As a Circle of women we pray to Goddess Diana to grants us development and change within ourselves. As we embrace Her energy that is the vibrations of the universe that lives within us let the hunt begin. Let us seek out and tame the resources that is the beast and the forest of our lives. As goddess Diana let us be the huntress of our path. Tonight as women we say “Great is the Goddess Diana and Great is the Goddess in Me”.

Research on the Goddess Diana

Part 3

Ode to Diana

I am Diana

Know me

I have many names, many faces

You know me as the Queen of Heaven, The Huntress, Lady of the Wild Creatures, Lunar Virgin, Daughter of the Moon,

My name has been Ishtar, Astarte, Artemis, Ashtoreth.

I am mother to Aradia. Sister to Lucifer. Daughter of Zeus, most high.

You will find me in Tifata, nearCapua.

My temple is atEphesus, before the time of others that stole.

My temple is in your heart.

My name is your name.

My life is your life, our hearts beat as one.

I am Diana

Celebrate me

When I am a maiden on Ostara, call me by name…

Diana, Aphrodite, Arianrhod, Venus, Cybele, Freya, and Rhiannon.

When I am the mother on Litha, call me by name…

Amaterasu, Hestia, Juno, and Sunna

When I am the Crone on Samhain, call me by name…

Hecate, Inanna, Machi, Mari, Ishtar and Lilith.

Call me down when the moon shines full.

Embrace me when the moon is dark.

Caress me when the moon waxes and wanes.

I am Diana

Honor me

In the night sky as the Great She Bear.

In the phases of the moon,

In nature, the beauty of a sunrise

The mystery of the moon rise.

Speak to me at dawn, at noon when the sun’s heat warms your face

Whisper to me at dusk when purple fingers of nights stain the sky

Sing to me at midnight as you dance beneath my silvery luminescence.

Light a white candle and I am there

Use jasmine and breathe in my spirit.

Place a moonstone in your pocket and I walk with you.

Carry me within your heart and we shall be together

Always.

Written by Ladyhawke. Copyright 2008

Diana in prayer, magic and divination.

Hail Diana

Hail Artemis Diana
Blessed Lady of the Beasts
I dedicate myself to You

May my path honor Thee
May my spirit celebrate Thee
May my life force magnify Thee

These things I pray
Be fulfilled this day
Goddess Mother help me
to know what is right

~ Abby Willowroot © 1999

 

Earth Witch Lore – Crossroads

Earth Witch Lore – Crossroads

 

Crossroads are considered sacred in almost all magical traditions. A crossroads is a universally accepted place to hold rituals, leave offerings, or dispose of items you wish to be rid of. While this is not a natural creation but one that is homemade, it still falls in the realm of earth.

 

It is believed tat Hecate rules over the three-way crossroads. She can see the past, present and future, It is said that if you should approach a three-way crossroads at night, you would hear her black dogs howling. Her altars have been erected at such places for centuries.

 

The four-way crossroad are considered to be powerful because all four directions meet at one point. Dirt, rocks and sticks gathered from such a crossroads are said to have powerful spiritual connections, albeit tricky ones to master. In Greek myths, Oedipus met his fate at the crossroads. From the Yoruban people we have Legha (a god known for his clever tricks) ruling the crossroads.

 

Ancient people were afraid of what it meant when one direction met another direction. All manner of folklore is available concerning the crossroads. Fairies are said to hand about there, along with ghouls and goblins. Even the Christian Satan is said to roam the crossroads.

Earth Witches know that a crossroad is actually a place of sacred transformations, manmade or not. Frequently they see them as a metaphor for transformational points in our lives. In such a capacity the crossroads relate to time.

The Goddess Artemis – Goddess Of The Hunt

The Goddess Artemis – Goddess Of The Hunt

Artemis was one of the most widely venerated of the Ancient Greek deities. Some scholars believe that the name, and indeed the goddess herself, was originally pre-Greek. Homer refers to her as Artemis Agrotera, Potnia Theron “Artemis of the wildland, Mistress of Animals”. In the classical period of Greek mythology, Artemis (Greek: (nominative) Ἄρτεμις, (genitive) Ἀρτέμιδος) was often described as the daughter of Zeus and Leto, and the twin sister of Apollo. She was the Hellenic goddess of the hunt, wild animals, wilderness, childbirth, virginity and young girls, bringing and relieving disease in women; she often was depicted as a huntress carrying a bow and arrows. The deer and the cypress were sacred to her. In later Hellenistic times, she even assumed the ancient role of Eileithyia in aiding childbirth.

Artemis later became identified with Selene, a Titaness who was a Greek moon goddess, sometimes depicted with a crescent moon above her head. She was also identified with the Roman goddess Diana, with the Etruscan goddess Artume, and with the Greek or Carian goddess Hecate.

Artemis in mythology

Birth

Various conflicting accounts are given in Classical Greek mythology of the birth of Artemis and her twin brother, Apollo. All accounts agree, however, that she was the daughter of Zeus and Leto and that she was the twin sister of Apollo.

An account by Callimachus has it that Hera forbade Leto to give birth on either terra firma (the mainland) or on an island. Hera was angry with Zeus, her husband, because he had impregnated Leto. But the island of Delos (or Ortygia in the Homeric Hymn to Artemis) disobeyed Hera, and Leto gave birth there.

In ancient Cretan history Leto was worshipped at Phaistos and in Cretan mythology Leto gave birth to Apollo and Artemis at the islands known today as the Paximadia.

A scholium of Servius on Aeneid iii. 72 accounts for the island’s archaic name Ortygia by asserting that Zeus transformed Leto into a quail (ortux) in order to prevent Hera from finding out his infidelity, and Kenneth McLeish suggested further that in quail form Leto would have given birth with as few birth-pains as a mother quail suffers when it lays an egg.

The myths also differ as to whether Artemis was born first, or Apollo. Most stories depict Artemis as born first, becoming her mother’s mid-wife upon the birth of her brother Apollo.

Childhood

 

Roman marble Bust of Artemis after Kephisodotos (Musei Capitolini), Rome

The childhood of Artemis is not fully related in any surviving myth. The Iliad reduced the figure of the dread goddess to that of a girl, who, having been thrashed by Hera, climbs weeping into the lap of Zeus. A poem of Callimachus to the goddess “who amuses herself on mountains with archery” imagines some charming vignettes: according to Callimachus, at three years old, Artemis, while sitting on the knee of her father, Zeus, asked him to grant her six wishes: to remain always a virgin; to have many names to set her apart from her brother Apollo; to be the Phaesporia or Light Bringer; to have a bow and arrow and a knee-length tunic so that she could hunt; to have sixty “daughters of Okeanos”, all nine years of age, to be her choir; and for twenty Amnisides Nymphs as handmaidens to watch her dogs and bow while she rested. She wished for no city dedicated to her, but to rule the mountains, and for the ability to help women in the pains of childbirth.

Artemis believed that she had been chosen by the Fates to be a midwife, particularly since she had assisted her mother in the delivery of her twin brother, Apollo. All of her companions remained virgins and Artemis guarded her own chastity closely. Her symbols included the golden bow and arrow, the hunting dog, the stag, and the moon. Callimachus tells how Artemis spent her girlhood seeking out the things that she would need to be a huntress, how she obtained her bow and arrows from the isle of Lipara, where Hephaestus and the Cyclops worked. Okeanus’ daughters were filled with fear, but the young Artemis bravely approached and asked for bow and arrows. Callimachus then tells how Artemis visited Pan, the god of forest and he gave her seven bitches and six dogs. She then captured six golden-horned deer to pull her chariot. Artemis practiced with her bow first by shooting at trees and then at wild beasts.

Wooing the Goddess

As a young virgin, Artemis had interested many gods and men, but none of them successfully won her heart, except her hunting companion Orion, who was then accidentally killed either by the goddess herself or by Gaia.

Alpheus, a river god, was in love with Artemis, but he realized that nothing he could do would win her heart. So he decided to capture her. Artemis who was with her companions at Letrenoi, went to Alpheus, but suspicious of his motives, she covered her face with mud so the river god would not recognize her. Another story involving the god is the story where he tried to rape Artemis’ attendant Arethusa. The goddess felt pity for her and saved her by transforming Arethusa into a spring in Artemis’ temple, Artemis Alphaea in Letrini, where the goddess and her attendant drink.

Bouphagos, the son of the Titan Iapetos, saw Artemis and had a thought of raping her. Detecting his sinful thoughts Artemis struck him at Mount Pholoe.

Sipriotes was a boy who, either because he accidentally saw Artemis bathing or attempted to rape her, was turned into a girl by the goddess.

Actaeon

Artemis was once bathing in a vale on Mount Cithaeron, when the Theban hunter Actaeon stumbled across her. Enraged, Artemis turned him into a stag and, not knowing their own owner, Actaeon’s own dogs killed him.

Adonis

In some versions of the story of Adonis, who was a late addition to Greek mythology during the Hellenistic period, Artemis sent a wild boar to kill Adonis as punishment for his hubristic boast that he was a better hunter than she.

In other versions, Artemis killed Adonis for revenge. In later myths, Adonis had been related as a favorite of Aphrodite, and Aphrodite was responsible for the death of Hippolytus, who had been a favorite of Artemis. Therefore, Artemis killed Adonis to avenge Hippolytus’s death.

In yet another version, Adonis was not killed by Artemis, but by Ares, as punishment for being with Aphrodite.

Orion

Orion was a hunting companion of the goddess Artemis. In some versions of his story he was killed by Artemis, while in others he was killed by a scorpion sent by Gaia. In some versions, Orion tried to seduce Opis, one of her followers, and she killed him. In a version by Aratus, Orion took hold of Artemis’ robe and she killed him in self-defense. In yet another version, Apollo sent the scorpion. According to Hyginus Artemis once loved Orion (in spite of the late source, this version appears to be a rare remnant of her as the pre-Olympian goddess, who took consorts, as Eos did), but was tricked into killing him by her brother Apollo, who was “protective” of his sister’s maidenhood.

The Aloadae

These twin sons of Iphidemia and Poseidon, Otos and Ephialtes, grew enormously at a young age. They were aggressive, great hunters, and could not be killed unless they killed each other. The growth of the Aloadae never stopped, and they boasted that as soon as they could reach heaven, they would kidnap Artemis and Hera and take them as wives. The gods were afraid of them, except for Artemis who captured a fine deer (or in another version of the story, she changed herself into a doe) and jumped out between them. The Aloadae threw their spears and so mistakenly killed each other.

Callisto

Callisto was the daughter of Lycaon, King of Arcadia and also was one of Artemis’s hunting attendants. As a companion of Artemis, she took a vow of chastity. Zeus appeared to her disguised as Artemis, or in some stories Apollo, gained her confidence, then took advantage of her (or raped her, according to Ovid). As a result of this encounter she conceived a son, Arcas. Enraged, Hera or Artemis (some accounts say both) changed her into a bear. Arcas almost killed the bear, but Zeus stopped him just in time. Out of pity, Zeus placed Callisto the bear into the heavens, thus the origin of Callisto the Bear as a constellation. Some stories say that he placed both Arcas and Callisto into the heavens as bears, forming the Ursa Minor and Ursa Major constellations.

Iphigenia and the Taurian Artemis

Artemis punished Agamemnon after he killed a sacred stag in a sacred grove and boasted that he was a better hunter than the goddess. When the Greek fleet was preparing at Aulis to depart for Troy to begin the Trojan War, Artemis becalmed the winds. The seer Calchas advised Agamemnon that the only way to appease Artemis was to sacrifice his daughter Iphigenia. Artemis then snatched Iphigenia from the altar and substituted a deer. Various myths have been told around what happened after Artemis took her. Either she was brought to Tauros and led the priests there, or became Artemis’ immortal companion.

Niobe

A Queen of Thebes and wife of Amphion, Niobe boasted of her superiority to Leto because while she had fourteen children (Niobids), seven boys and seven girls, Leto had only one of each. When Artemis and Apollo heard this impiety, Apollo killed her sons as they practiced athletics, and Artemis shot her daughters, who died instantly without a sound. Apollo and Artemis used poisoned arrows to kill them, though according to some versions two of the Niobids were spared, one boy and one girl. Amphion, at the sight of his dead sons, killed himself. A devastated Niobe and her remaining children were turned to stone by Artemis as they wept. The gods themselves entombed them.

Chione

Chione was a princess of Pokis. She was beloved by two gods, Hermes and Apollo, and boasted that she was prettier than Artemis because she made two gods fall in love with her at once. Artemis was furious and killed Chione with her arrow or struck her dumb by shooting off her tongue. However, some versions of this myth say Apollo and Hermes protected her from Artemis’ wrath.

Atalanta, Oeneus and the Meleagrids

Artemis saved the infant Atalanta from dying of exposure after her father abandoned her. She sent a female bear to suckle the baby, who was then raised by hunters. But she later sent a bear to hurt Atalanta because people said Atalanta was a better hunter. This is in some stories.

Among other adventures, Atalanta participated in the hunt for the Calydonian Boar, which Artemis had sent to destroy Calydon because King Oeneus had forgotten her at the harvest sacrifices. In the hunt, Atalanta drew the first blood, and was awarded the prize of the skin. She hung it in a sacred grove at Tegea as a dedication to Artemis.

Meleager was a hero of Aetolia. King Oeneus had him gather heroes from all over Greece to hunt the Calydonian Boar. After the death of Meleager, Artemis turned his grieving sisters, the Meleagrids into guineafowl that Artemis loved very much.

Aura

In Nonnus’ Dionysiaca, Aura was Greek goddess of breezes and cool air, daughter of Lelantos and Periboia. She was a virgin huntress, just like Artemis, and proud of her maidenhood. One day, she claimed that Artemis’ body was too womanly and she doubted her virginity. Artemis asked for Nemesis’ help to avenge her dignity and caused the rape of Aura by Dionysus. Aura became a mad and dangerous killer. When she bore twin sons, she ate one of them while the other one, Iakhos, was saved by Artemis. Iakhos later became an attendant of Demeter and the leader of Eleusinian Mysteries.

Trojan War

Artemis may have been represented as a supporter of Troy because her brother Apollo was the patron god of the city and she herself was widely worshipped in western Anatolia in historical times. In the Iliad she came to blows with Hera, when the divine allies of the Greeks and Trojans engaged each other in conflict. Hera struck Artemis on the ears with her own quiver, causing the arrows to fall out. As Artemis fled crying to Zeus, Leto gathered up the bow and arrows.

Artemis played quite a large part in this war. Like her mother and brother, who was widely worshiped at Troy, Artemis took the side of the Trojans. At the Greek’s journey to Troy, Artemis becalmed the sea and stopped the journey until an oracle came and said they could win the goddess’ heart by sacrificing Iphigenia, Agamemnon’s daughter. Agamemnon once promised the goddess he would sacrifice the dearest thing to him, which was Iphigenia, but broke the promise. Other sources said he boasted about his hunting ability and provoked the goddess’ anger. Artemis saved Iphigenia because of her bravery. In some versions of the myth, Artemis made Iphigenia her attendant or turned her into Hecate, goddess of night, witchcraft, and the underworld.

Aeneas was helped by Artemis, Leto, and Apollo. Apollo found him wounded by Diomedes and lifted him to heaven. There, the three of them secretly healed him in a great chamber.

Worship of Artemis

Artemis, the goddess of forests and hills, was worshipped throughout ancient Greece. Her best known cults were on the island of Delos (her birthplace); in Attica at Brauron and Mounikhia (near Piraeus); in Sparta. She was often depicted in paintings and statues in a forest setting, carrying a bow and arrows, and accompanied by a deer.

The ancient Spartans used to sacrifice to her as one of their patron goddesses before starting a new military campaign.

Athenian festivals in honor of Artemis included Elaphebolia, Mounikhia, Kharisteria, and Brauronia. The festival of Artemis Orthia was observed in Sparta.

Pre-pubescent Athenian girls and young Athenian girls approaching marriageable age were sent to the sanctuary of Artemis at Brauron to serve the Goddess for one year. During this time the girls were known as arktoi, or little she-bears. A myth explaining this servitude relates that a bear had formed the habit of regularly visiting the town of Brauron, and the people there fed it, so that over time the bear became tame. A young girl teased the bear, and, in some versions of the myth it killed her, while in other versions it clawed her eyes out. Either way, the girl’s brothers killed the bear, and Artemis was enraged. She demanded that young girls “act the bear” at her sanctuary in atonement for the bear’s death.

Virginal Artemis was worshipped as a fertility/childbirth goddess in some places, assimilating Ilithyia, since, according to some myths, she assisted her mother in the delivery of her twin. During the Classical period in Athens, she was identified with Hecate. Artemis also assimilated Caryatis (Carya).

Epithets

As Aeginaea, she was worshiped in Sparta; the name means either huntress of chamois, or the wielder of the javelin (αιγανέα). She was worshipped at Naupactus as Aetole; in her temple in that town there was a statue of white marble representing her throwing a javelin. This “Aetolian Artemis” would not have been introduced at Naupactus, anciently a place of Ozolian Locris, until it was awarded to the Aetolians by Philip II of Macedon. Strabo records another precinct of “Aetolian Artemos” at the head of the Adriatic. As Agoraea she was the protector of the agora. As Agrotera, she was especially associated as the patron goddess of hunters. In Elis she was worshiped as Alphaea. In Athens Artemis was often associated with the local Aeginian goddess, Aphaea. As Potnia Theron, she was the patron of wild animals; Homer used this title. As Kourotrophos, she was the nurse of youths. As Locheia, she was the goddess of childbirth and midwives. She was sometimes known as Cynthia, from her birthplace on Mount Cynthus on Delos, or Amarynthia from a festival in her honor originally held at Amarynthus in Euboea. She was sometimes identified by the name Phoebe, the feminine form of her brother Apollo’s solar epithet Phoebus.

Festivals

Artemis was born at the sixth day, the reason why it was sacred for her.
  • Festival of Artemis in Brauron, where girls aged not more than 10 and not less than 5 dressed in saffron robes played the bear to appease the goddess after the plagued she sent when her bear was killed.
  • Festival of Amarysia is a celebration to worship Artemis Amarysia in Attica. In 2007, a team of Swiss and Greek archaeologists found the ruin of Artemis Amarysia Temple, at Euboea, Greece.
  • Festival of Artemis Saronia, a festival to celebrate Artemis in Trozeinos, a town in Argolis. A king named Saron built a sanctuary for the goddess after the goddess saved his life when he went on hunting and swept by the wave and held a festival for her.
  • At the 16 of Metageitnio (second month on Athenian calendar), people sacrifice to Artemis and Hecate at deme of Erchia.
  • Kharisteria Festival on 6 of Boidromion (third month) to celebrate the victory of Marathon and also known as the Athenian “Thanksgiving”.
  • Day six of Elaphobolia (ninth month) festival of Artemis the Deer Huntress where she was offered cakes shaped like stags, made from dough, honey and sesame-seeds.
  • Day 6 of 16 of Mounikhion (tenth month) a celebration of her as the goddess of nature and animal. A goat was being sacrificed to her.
  • Day 6 of Thargelion (eleventh month) the ‘birthday’ of the goddess, while the seventh was Apollo’s.
  • A festival for Artemis Diktynna (of the net) in Hypsous.
  • Laphria, a festival for Artemis in Patrai. The procession started by setting the logs of wood around the altar, each of them sixteen cubits long. On the altar, within the circle, is placed the driest of their wood. Just before the time of the festival, they construct a smooth ascent to the altar, piling earth upon the altar steps. The festival begins with a most splendid procession in honor of Artemis, and the maiden officiating as priestess rides last in the procession upon a car yoked to deer. It is, however, not until the next day that the sacrifice is offered.
  • In Orchomenus, a sanctuary was built for Artemis Hymnia where her festival was celebrated every year.

Attributes

  • Bow and arrow
According to the Homeric Hymn to Artemis, she had golden bow and arrows, as her epithet was Khryselakatos, “of the Golden Shaft”, and Iokheira (Showered by Arrows). The arrows of Artemis could also to bring sudden death and disease to girls and women. Artemis got her bow and arrow for the first time from The Kyklopes, as the one she asked from her father. The bow of Artemis also became the witness of Callisto’s oath of her virginity. In later cult, the bow became the symbol of waxing moon.[42]
  • Chariots

Artemis’ chariot was made of gold and was pulled by four golden horned deer (Elaphoi Khrysokeroi). The bridles of her chariot were also made of gold.

  • Spears, nets, and lyre

Although quite seldom, Artemis is sometimes portrayed with a hunting spear. Her cult in Aetolia, the Artemis Aetolian, showed her with a hunting spear. The description about Artemis’ spear can be found in Ovid’s Metamorphosis, while Artemis with a fishing connected with her cult as a patron goddess of fishing.

As a goddess of maiden dances and songs, Artemis is often portrayed with a lyre.

Fauna

  • Deer

Deer were the only animals held sacred to Artemis herself. On seeing a deer larger than a bull with horns shining, she fell in love with these creatures and held them sacred. Deer were also the first animals she captured. She caught five golden horned deer called Elaphoi Khrysokeroi and harnessed them to her chariot. The third labour of Heracles, commanded by Eurystheus, consisted in catching the Cerynitian Hind alive. Heracles begged Artemis for forgiveness and promised to return it alive. Artemis forgave him but targeted Eurystheus for her wrath.

  • Hunting dog

Artemis got her hunting dogs from Pan in the forest of Arcadia. Pan gave Artemis two black-and-white dogs, three reddish ones, and one spotted one – these dogs were able to hunt even lions. Pan also gave Atemis seven bitches of the finest Arcadian race. However, Artemis only ever brought seven dogs hunting with her at any one time.

  • Boar

The boar is one of the favorite animals of the hunters, and also hard to tame. In honor of Artemis’ skill, they sacrificed it to her. Oineus and Adonis were both killed by Artemis’ boar.

  • Bear

The sacrifice of a bear for Artemis started from the Brauron cult. Every year, a little girl age not more than ten and less than five sent to Artemis’ temple at Brauron. Arktos e Brauroniois, a text by, Suidas, a Byzantine writer, told a legend about a bear that was tamed by Artemis, and introduced to people of Athens. They touched it and played with it, until one day a group of young girls poked the bear which became furious and attacked the girls. One of the girls’ brother found out what had happened and killed the bear so Artemis sent a plague in revenge. The Athenians consulted an oracle to understand how to end the plague. The oracle suggested that, in payment for the bear’s blood, every young Athenian virgin should not be allowed to marry until she had served Artemis in her temple (‘played the bear for the goddess’).

  • Guinea fowl

Artemis felt pity for the Meleagrids as they mourned for their lost brother, Meleagor, so she transformed them into Guinea Fowl to be her favorite animals.

  • Buzzard hawk

Hawks were the favored birds of many of the gods, Artemis included.

Flora

Palm and Cypress were issued to be her birth place. Other plants sacred to Artemis are Amaranth and Asphodel.

Artemis as the Lady of Ephesus

 
At Ephesus in Ionia, Turkey, her temple became one of the Seven Wonders of the World. It was probably the best known center of her worship except for Delos. There the Lady whom the Ionians associated with Artemis through interpretatio graeca was worshiped primarily as a mother goddess, akin to the Phrygian goddess Cybele, in an ancient sanctuary where her cult image depicted the “Lady of Ephesus” adorned with multiple rounded breast like protuberances on her chest. They had been traditionally interpreted as multiple accessory breasts, or as sacrificed bull testes, as some newer scholars claimed, until excavation at the site of the Artemision in 1987-88 identified the multitude of tear-shaped amber beads that had adorned her ancient wooden xoanon. In Acts of the Apostles, Ephesian metalsmiths who felt threatened by Saint Paul’s preaching of Christianity, jealously rioted in her defense, shouting “Great is Artemis of the Ephesians!” Only one of 121 columns still stand in Ephesus. The rest were used for making churches, roads, and forts.

Artemis, light-footed maiden, child of great Zeus
and blessed Leto, sharp-eyed one whose aim never fails.
Luminous Artemis, sure-stepping huntress,
graceful one who takes joy in dance and in contests,
ruthless protector of children and young women,
kind one to whom mothers turn in their travail.
Artemis, deer-slayer, guardian of untamed life,
I pray to you. Dark-eyed mistress of animals,
in thick-grown woods and sun-soaked fields we know you,
in the maddening chase, in the fire in our lungs,
in skill and precision, in the body’s memory;
grant me understanding of such chaste passion.

 
 
 

The Love Goddess for You

The Love Goddess for You

  • Cait Johnson

Back before Ann Landers or couples counselors, before the psychic hotline and the daily love horoscope, people prayed to their local love goddess for help with relationship matters. After all, everyone deserves to have a goddess they can talk to about love issues: it helps to know that you have a powerful deity in your corner, cheering you on, offering gentle advice in the form of your own intuition, a place to go where you can find some peace and serenity around the crazy-making stuff of love.

We all know about the Ancient Greek goddess Aphrodite (whose name gave us the word “aphrodisiac,” among other things) and Venus, her Roman counterpart, but what if you don’t identify with a Greek or Italian goddess? Which love goddess can you go to for help, healing, and advice?

Well, here are some love goddesses from Ireland, Mexico, South America, India, Africa, the Middle East, and more. We also include a listing of offerings that are traditional to give each one, here:

Africa: Oshun(amber, seashells, water)

Borneo: Fire Woman(candles)

China: Zhinu(stars, silver things)

Egypt: Isis(silver, amethyst, myrrh)

France: Isolt(anything white)

Germany: Minne(dried linden flowers, beer)

Haiti: Erzulie(peppercorns, anything blue)

India: Kamala(lotus, yellow things)

Ireland: Edain(crystals)

Japan: Kamuhata Hime(braided yarn)

Korea: Bai Mundan(white flowers)

Lithuania: Laima(wreaths)

Mexico: Chaska(fire, flowers)

Middle East: Asherah (lilies), Anaitis (cinnamon, green branches), Ishtar(stars, moons, doves)

Native American: Bear Woman(stone carvings)

Persia: Anahita(water, green branches)

Romanian Gypsy: Amari De(luminescent cloth, matches)

Teutonic: Iduna (apples)

The World of Dryads

The World of Dryads

Author: Crick

As a child growing up in the mountains of Tennessee, Dryads were welcome companions. They often took the place of human companions who were scattered about on neighboring farms that dotted the area. Over the years I have always respected these woodland spirits as wise teachers. I realize that many neo pagans underutilize such wonderful spirits, but they are there willing and able to assist ones spiritual journey as we traverse the mysteries of life.

Dryads are often thought of as originating from the Greek. In fact the word Dryad comes from the Greek word “drus” (Tree) . In Greek mythology there are two types of Dryads. There were the nymphs who lived in the trees but could leave them to revel away the night.

And then there were the Hamadryads. These Dryads were said to have the upper body of a woman with the lower body being that of a tree trunk.

These particular Dryads were permanently attached to their trees and when the tree died, so did the Nymph attached to the tree. Within Greek society, it was believed that Deity would punish anyone who cut down a tree without first honoring the Dryad within.

Unfortunately, humans now mow down trees without any sign of respect or remorse. Perhaps this is why there is so much death and destruction amongst members of the human race, retribution by the Gods if you will. At any rate the “Deipnosophistae of Athenaeus” (The Banquet of the Learned) lists eight Hamadryads. They are the daughters of Oxylus and Hamadryas. And they are:

Karya (Walnut or Hazelnut)
Balanos (Oak)
Kraneia (Dogwood)
Morea (Mulberry)
Aigeiros (Black Poplar)
Ptelea (Elm)
Ampelos (Vines)
Syke (Fig)

In addition, the Greek dryad of ash trees was called the Meliai. According to Hesiod (father of Greek didactic poetry) , Theogony 187, the Meliai appeared from the drops of blood spilled when Cronus castrated Uranus. Along with their association to ash trees they are also associated with fruit trees.

One of the Meliai, known as Amalthia, is thought to have tended Zeus when he was an infant. His mother, Rhea hid him in Idaion Andron to protect him from his father, Cronus, and she had Amaithia in attendance as his nurse.

And if one reads the myth of “Daphne”, you will discover that she was the nymph pursued by Apollo and that she became a dryad associated with the laurel bush. But the Dryads are not limited to the Greek pantheon, they are found all around the world.

For instance there is the Shamantin (Tall Ghost) . This African Dryad forest faery is thought to be the female form of the “Sasabonsum”. Her name comes from the word “srahman” (ghost) . She is said to be white and is very tall. Unlike her male aspect, she is benevolent to forest travelers. If you come across her she will teach you the lore of the forest. But the male aspect is known to be quite evil to though who pass by their trees.

Next are the Vanadevata, these Indian Dryads make their homes in the trees and are quick to punish those who cut down their trees. These female dryads are often portrayed embracing a nagakesara tree with their left arm and leg while her right hand grasps a branch above her. Throughout the European continent one can find Dryads who are associated with various trees and who have varying degrees of temperament.

In Romania for instance resides Zina Magdalina. She is a Romanian faery/dryad who resides in the World Tree, which is thought to support the earth. To the south in Albania one can find the “Aerico”. These Albanian Dryads can be found in old and barren Cherry trees. They are very mean spirited and do not like humans. It’s said that if one were to venture into the shade beneath their branches that one will come away with pain and swelling in both, the hands and feet.

If you travel to Scandinavia you may encounter the “Askafroa” (Wife of the Ash) . She is considered to be a very evil Dryad. At one point in history she was presented with a sacrifice every Ash Wednesday just to keep her appeased.

Also found in Scandinavia and Germany as well is the Wood Wives (Wish wives) . They are said to inhabit old forests and sacred groves. They are also said to be extremely emotional, as they will start crying and wailing without warning. They are said to be covered in moss and to have a shaggy like appearance. On occasion they will ask humans for assistance or for food and in return they leave a handful of wood chips that turn into gold. They are considered to be the prey of the Wild Huntsmen, though if they can reach a tree with a cross-etched in it they are safe from the frenzied Huntsmen.

There are also other Dryads to be found in Germany such as the “Barstukken”. This is a German or Prussian Dryad that lives in the roots of trees. In addition there is the “Baumesel” (Ass of the Trees) . This is a German Dryad that lives in the branches of the trees and is considered to be evil.

If you travel to Hungary you may encounter the “Vadleany” (Forest Girl) . This forest dryad is said to have long hair that drags the ground. She excels at seducing young men in order to drain their strength. When the forest trees rustle it is said that she is about in the area.

From here we look towards Poland, which is home to the “Boruta”. This Polish Dryad prefers to inhabit Fir trees. And not too far away In Lithuania resides the “Kirnis”. The Kirnis are Lithuanian dryads who guard the Cherry trees. Local folks once placed lit candles in the crowns of the cherry tree to honor the Kirnis. There are some interesting dryads in the Near East regions as well.

For instance in Indonesia there resides the Bela. These are Indonesian Dryads of course, live in the trees. If a forester wishes to cut down a Bela’s tree, they must first offer it food and politely coach it to move to another tree. Failure to do so will cause the Bela to inflict illness or cause nightmares to the offender.

The dryads of Burma are known as the “Nats ‘. They are divided into four different classifications. The “Akakasoh” are said to dwell in the top branches of a tree. The “Shekkasoh” dwell in the trunk of the tree. The “Boomasoh” dwell in the roots of the tree. And last, the “Hmin” range freely through the forest and are said to violently shake those unfortunate humans they encounter, thus causing them to come down with malaria. And you thought it was mosquitoes that were responsible for malaria!

The list of dryads goes on, but I would like to finish this article with the dryads from my favorite country of Ireland. In beloved Ireland resides the Bodach Na Croibhe Moire. This Irish tree faery lives in the branches of trees. He is often depicted as a small, strong old man and is sometimes mistaken for a goblin. And there is the Lunantishee (Moon Faeries) . These Irish dryads appear as old bald men with pointed ears. They have long arms and teeth. And they guard the Blackthorn bushes.

It is said that they will not allow a branch to be cut on May 11th or Nov 11th (these are the old dates for Beltain and Samhain) . To do so will result in bad luck. They are said to dance in the moonlight and to have a strong dislike for humans.

And last but certainly not least is the Elder Mother. She is said to be the guardian of the Elder tree. If one wishes to pick Elderberries, they must first obtain her permission. If one fails to do so, then their livestock will become afflicted with illness, so show some manners. As you wander about what is left of the woods in the area and you feel that someone is watching you, perhaps it’s a dryad. And just maybe they will offer a lesson of life to you.

Will you be willing to listen?

Lady of the Crossroads

Lady of the Crossroads
by Heathwitch

One on three
which way to go
a second stood still
faces outcast
Darkness about clasped
with snake and lion and hound
thin veins under leather
untouched by time
outstretched a touch
with eyes of heaven.
One on three
take a step
make a choice
I will be with you
silent when needed
A fury when you fear
Face the Moon
I will be here.
.
At Samhain, our thoughts turn toward the memory of our ancestors, the mysteries of death and rebirth, the practice of divination. We decorate our altars with blacks and oranges, photographs of those who have passed on, and we commune with the Lords and Ladies of the Underworld such as the Greek Goddess Hecate.

Hecate is the Thracian Goddess of the moon, absorbed as a Titan by the Greeks and worshipped at crossroads, for She has the ability to see past, present and future pathways. Though most commonly perceived as a Crone Goddess, Hecate can also appear as a Maiden, terrible and beautiful to behold.

She is the dark Goddess, the Lady of the Wild Hunt and keeper of occult knowledge and wisdom. Known as the “Goddess of Witches” and the “Patroness of Priestesses”, Hecate stands at the gateway between life and death, such is Her role as Queen of the Underworld and the Lady of Spirits. She is also the changer, the one who destroys in order to cause rebirth and regeneration.

Hecate’s roles are not solely tied to the “darker” aspects of life however. She is also the midwife who blesses new life in the world, the teacher who guides seekers and the witness who aides with decision-making and determining truth, the giver of courage and strength. She is intuition and psychic ability, the Lady of dreams and nightmares who helps us see the deeper, shadow-side of our psyches. She is the Wise Woman who sees all and knows all, and who will willingly share Her knowledge and wisdom with you, if you but ask.

Hecate’s colours are deep reds, purples and black, and She rules over all wild animals in particular dragons, dogs, frogs, horses, reptiles, toads and snakes. Her trees are willow and yew, most commonly seen in graveyards, and She can be found in the tarot cards the Hermit, the Moon and the High Priestess.

You can invite Hecate into your life by mixing an oil for Her (add 10 drops cypress oil, 6 drops patchouli oil and 4 drops sandalwood oil to 20ml of base oil) and including it in a ritual or meditation dedicated to Hecate. Alternatively you could make an incense blend to honour this Goddess try the following recipe:

½ part crushed garlic
½ part mandrake root
½ part mugwort
2 parts willow bark
1 part lavender
4 parts myrrh
A few drops of cypress oil
A few drops of myrrh oil

You can also work with Hecate in ritual; She can be invoked to aid in inner exploration, dream-work, divination, healing, spells of all kinds, banishings and the release of negativity, communicating with the dead, and meditations and journeys to your inner self.

At Samhain, Hecate can be called upon to focus your intuition when practicing divination on this night when the veils between the world are thin. She can be invoked for help in spell workings and the making of charms, or to help in soul-searching meditations.

Most often, though, Hecate is invoked at Samhain to aid in honouring and contacting our Beloved Dead, those who have passed from this physical life before us:

Decorate the altar with blacks and oranges. Use flowers of the same colours, and fruits of the season (pumpkins, root vegetables). Light orange and black candles if possible and use a mixture of cedarwood and sweetgrass incense — cedarwood for purification, sweetgrass for your ancestors.

Assemble on your altar pictures of your ancestors and mementos you may have received from them.

Cast circle in your usual way. Invoke Hecate:

“Hecate, Goddess of the Realm of Spirits,
She who stands at the crossroads,
Seer of past, present and future,
Guardian of all Witches and Lady of the Dark,
I ask you to come forth into my circle
And stand with me this night
Hail and welcome!”

Feel Hecate come into your circle. Sit with your altar and slowly focus on each of your ancestors. Speak aloud of their life and their impact on you. Ask Hecate to acknowledge your reverence of those who have gone before, and ask that your ancestors know of your love and thoughts.

Take your time and do not be afraid of the emotions which may come to you; embrace them and welcome them into your circle. As you speak of your ancestors you may feel them draw near from the Summerlands; do not be afraid — instead, feel touched by their presence and thank them for all they mean to you.

Thank Hecate and your ancestors for their presence and say goodbye. Blow out the candles and take up circle.

Have a Blessed Samhain!

Sources:
———-
Ann, Martha, and Dorothy Myers Imel. Goddesses in World Mythology: A Biographical Dictionary. Oxford University Press: New York (1995).
Ardinger, Barbara. Goddess Meditations. Llewellyn: Minnesota (1998).
Conway, D. J. The Ancient and Shining Ones. Llewellyn: Minnesota (1993).
Franklin, Anna. Magical Incenses and Oils. Capall Bann: Berkshire (2000).
Marashinsky, Amy Sophia. The Goddess Oracle: A Way to Wholeness through the Goddess and Ritual. Element: Boston (1997).
Sjöö, Monica & Mor, Barbara. The Great Cosmic Mother: Rediscovering The Religion of the Earth. HarperCollins: San Francisco (1991).
Zell, Morning Glory. “Manifesting Hecate”, SageWoman # 60 (Winter 2003). Blessed Bee: California (2003).
.
About The Author: Heathwitch is a Witch, teacher and author. She runs courses and workshops on energy work, healing, Witchcraft and magic. High Priestess of the Circle of the Moon coven, Heathwitch lives in Cheshire, England.

The Maiden

The Maiden 

Posted byPatrick McCleary

One of the most often questions from my youngest is about the Goddess and God. So I sat down and wrote up some poems and guidelines to help explain the different aspects of Them. Today I figured I would share with you the work I did on the Maiden. Hope that you enjoy.

Song of the Maiden

Hear the words of the Maiden:

I who am La Primavera, The Springtime. I who am the promise of Life and the hope for immortality. The one who from beneath my dancing feet spring flowers. I who am the Virgin, untameable. Robed in white, pure and untouched by the world’s strife.

I bid you to be merry in all you do. When you make love be sure to think of me for your little deaths are a chance for the beginnings of a little life. And at every birth think of me. For whether boy or girl I am also born there.

Every drop of rain is a blessing falling from my lips, so rejoice in the falling rain. I represent life unbridled, untamed. So I bid thee remember to be unashamed to sing or dance when the mood takes thee.

For every dance and every song is but an expression of the Song of Creation and the Dance of the Creatrix.

Count thy blessings every day and let not sadness take thee for every ending and misfortune leads to a new beginning and greater fortune. There is no room for sadness in the worship of Me.

Also remember not to fear the night for after every night there comes a new dawn. And I promise tht if ye look careful you can see me arrayed in clours wondrous on every morn at the rise of the Sun.

Specific Goddesses

This is the aspect of the Goddess pertaining to Youth and Innocence. She is the Eternal Virgin but not in the patriacharchal sense of a woman before sex or marriage but in the older sense of the word, a woman that belongs only to herself.

The Maiden aspect has many lessons for us. To love without bounds, to view the world through the eyes of innocence and to live in the moment. Through her we learn mercy and compassion. She is also a goddess of passion and gracefulness.

But as much as the Maiden lives in the now, she does not forget her duties. Nor does she let her innocence allow her to be taken advantage of. She is the Huntress, the Warrior Queen as much as she is the Midwife and the Gardener.

There are many Goddesses that fall into this aspect. One example is Artemis who was born after a short and painless labor. After her birth she then turned around and became midwife and nurturer to her Mother, Leto, and helped her mother to give birth to her own twin brother Apollo. Because of this Artemis became the Goddess of childbirth, the protector of children, and the goddess who listened most closely to the appeals of women. This Goddess’ association with the wilderness around us, symbolized her own untamed nature. Because of her independence she became the best huntress of the Gods. She was also often depicted carrying a torch to light the way for others, leading them through territories yet uncharted.

There is also the Goddess Kuan Yin who’s story best tells us about her. In her youth she was Miao Shan a maiden that wanted to become a Buddhist nun but was forbidden to do so by her Father. He tried to have her married off and when she refused he sent soldiers to kill her. She was saved by a tiger but then descended into the Land of the Dead and freed the souls in bondage there. Rose again and was greeted by Buddha himself who sent her into hiding on the isle of P’u T’o Shan where she reached enlightenment. Yet her suffering had taught her mercy and compassion so that she stopped short and turned back with the pledge to save mankind. That she would not reach enlightenment until everyone else before her reached there.

 
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Actaeon

Actaeon

by Micha F. Lindemans
The legendary huntsman of Greek myth, a grandson of Cadmus. During a hunt, he left the party and wandered alone through the forest when he suddenly came upon a clearing. There he saw the goddess Artemisbathing in a large pool, surrounded by her nymphs. When they noticed the hunter they flew themselves before the goddess, but he had already seen her splendid nakedness. Angered, she turned him into a stag for she refused to let any mortal say that he had seen Artemis naked. 

Actaeon moved away from the clearing feeling different and confused, not yet realizing what had happened to him. The truth hit him when he saw his own reflection in a river and he knew he was no longer human. In the distance he heard the sound of his own hounds. A brief moment of joy quickly turned into fear when he realized they were hunting him now, not recognizing their former master. He fled but was eventually overrun and torn to pieces.

A different version of the myth tells that Artemis turned him into a stag because he boasted of excelling her in hunting. (Ovid III, 193)

Deity of the Day for July 24 is ARISTAEUS

Today’s featured entity is:

ARISTAEUS

The deity from Greek Mythology

Pastoral God. Particularly keen on Honey and Dairy produce.

The son of CYRENE and APOLLO, he had a good education thanks to being taught by the Centaur CHIRON and a team of NYMPHS. Fond of country pursuits, ARISTAEUS grew olives and went in for bee-keeping in a big way. He also cultivated the art of curdling milk and may have made the first goat’s milk cheese. We go to enormous lengths to cater for all tastes.

ARISTAEUS married a daughter of CADMUS and had a son Acteon, who upset ARTEMIS and was sadly eaten. ARISTAEUS himself was fond of pursuing nymphs and DRYADS — particularly EURYDICE. It was running away from his advances that caused her to tread on a viper with such tragic results.

The DRYADS (her ilk) sought revenge by killing all his bees. He ran to Mother who sent him to PROTEUS, who had to be restrained before he would consent to do anything. Then four bulls and four heifers had to be sacrificed — and then there was a big buzz as swarms of bees emerged from each carcase.

Courtesy of
Godchecker.com
http://www.godchecker.com/

“Demon” Summoning Hecate (1)

Hecate, Queen of Witches,  pre-eminent deity of the ancient nation of Caria, Matron of Midwives, and psychopomp maintains office hours only at night: formal petitions and invitations must be offered after dark. A particularly ancient spirit, the only source of illumination she favors is fire.

Summon Hecate at night by a three-way crossroads. Ideally, light your way with a mullein torch. Offer her garlic, lavender, and honey. If you have a dog, bring it with you. Keep an eye on the dog; it’s likely to perceive Hecate, who adores dogs, before you do. Why would you wish to contact Hecate? Because she can teach you to do anything you can imagine. Because she can grant you enhance psychic powers, fertility, romance, protection, freedom from illness, and magickal restitution for any crime committed against you.

Deity of the Day for 3/29 is ADONIS

Deity of the Day

ADONIS

Handsome God of Desire and Manly Good Looks. Has a very high squeee! factor.

For reasons we won’t go into, APHRODITE turned his mother Myrrha into a pregnant myrrh tree. When it split and the baby was revealed, APHRODITE was enchanted. “Ooh, he’s gorgeous. I’m saving him for later”, she decided.

So she put him in a box and checked him in at the Underworld Bank Vault under the care of PERSEPHONE, who took a quick peek and had the same thought.

When ADONIS grew old enough to be ‘Gods Gift to Women’, PERSEPHONE refused to hand him over. The case went to arbitration and CALLIOPE was asked to bring about a settlement.

Her final judgment was this: For four months of the year, he would live with APHRODITE. Then she must hand him over for four months with PERSEPHONE. For the remaining four months the choice was up to him.

As APHRODITE was the first to find him, she had the first go. Using her girdle of desire, she declared that ADONIS loved only her and PERSEPHONE could take a running jump.

So PERSEPHONE took a running jump to ARES (who was very struck on APHRODITE himself) and said: “Your fancy woman has got herself a mortal lover. And you don’t stand a chance, he’s absolutely gorgeous!”

ARES was furious, and being of a boorish disposition, changed himself into a boar and killed ADONIS in a hunting accident. This resulted in much hair-pulling and scratching and shrieking in Olympus.

Eventually ZEUS decided it was time for a bit of peace. He declared that ADONIS was not totally dead, but could spend six months with each of them.

So now APHRODITE has him in the spring and summer, and he goes down to the Underworld for autumn and winter. This is why everything fades and gets miserable during the winter months. So the Underworld would seem a good place to choose for a winter break.

 

 

Venus

Venus

The Roman Goddess of love and beauty, but originally a vegetation goddess and patroness of gardens and vineyards. Later, under Greek influence, she was equated with Aphrodite and assumed many of her aspects. Her cult originated from Ardea and Lavinium in Latium. The oldest temple known of Venus dates back to 293 BC, and was inaugurated on August 18. Later, on this date the Vinalia Rustica was observed. A second festival, that of the Veneralia, was celebrated on April 1 in honor of Venus Verticordia, who later became the protector against vice. Her temple was built in 114 BC. After the Roman defeat near Lake Trasum in 215 BC, a temple was built on the Capitol for Venus Erycina. This temple was officially opened on April 23, and a festival, the Vinalia Priora, was instituted to celebrate the occasion. Venus is the daughter of Jupiter, and some of her lovers include  Mars and Vulcan, modeled on the affairs of Aphrodite. Venus’ importance rose, and that of  her cult, through the influence of several Roman   political leaders. The dictator Sulla made her his patroness,and both Julius Caesar and the emperor Augustus named her the ancestor of their (Julian) family: the ‘gens Julia’ was Aeneas, son of Venus and the mortal Anchises. Ceasar introduced the cult of Venus Genetrix, the goddess of motherhood and marriage, and built a temple for her in 46 BC. She was also honored   in the temple of Mars Ultor. The last great temple of Venus was built by the emperor Hadrianus near the Colusseum in 135 AD.  Roman statues and portraits of Venus are usually identical to the Greek representations of Aphrodite.