C is for Charge of the Goddess

C

 

 

Charge of the Goddess

Hear ye the words of the Star Goddess;
she in the dust of whose feet are the hosts
of heaven, and whose body encircles the universe

I who am the beauty of the green earth,
the white moon among the stars, and the mystery
of the waters call unto thy soul;
Arise, and come unto me.

I am the soul of nature who gives life to the universe.
From Me all things proceed, and unto Me all things must return.
Before My face, beloved of gods and of men, let thine
innermost divine self be enfolded in the rapture of the infinite.

Let My worship be within the heart that rejoices,
for behold, all acts of love and pleasure are My rituals.
Therefore let there be beauty and strength, power and compassion,
honor and humility, mirth and reverence within you.

To thou who thinkest to seek Me, know that thy seeking and
yearning shall avail thee not unless thou knowest the Mystery.
If that which thou seekest thou findest not within thee,
thou wilt never find it without.

For behold, I have been with thee from the beginning; and
I am that which is attained at the end of desire.”

– from Doreen Valiente’s “Charge of the Goddess”

Living Life As The Witch ~ Dedication and Initiation In Wicca

Witchy Comments

What are “dedication” and “initiation” in Wicca?

These things mean different things in different traditions. Usually
“dedication” ceremonially marks the beginning of Wiccan study, while
“initiation” may mark full membership in a coven/tradition (such as after
“a year and a day”) or may indicate elevation in skill or to special
clergy status. Some traditions look on all initiates as co-equal clergy,
while others have grades or “degrees” of initiation, which may be marked
by distinct sacramental ceremonies, duties or expectations within the
tradition.

Some people claim that “only a Witch can make a Witch,” whereas
others say that only the Goddess and God or demonstrated skill can make a
witch. Doreen Valiente was initiated by Gardner himself, but slyly asks
“who initiated the first witch?” Valiente and others assert that those
who choose to “bootstrap” a coven into existence (by an initial
initiation) or to use self-initiation may do so, citing the Universal
Declaration of Human Rights. Self-dedications are also quite common among
new practitioners and solitary Wiccans (“solitaries”).



~Magickal Graphics~

Gardnerian Wicca

Gardnerian Wicca

*A retired British civil servant named Gerald B. Gardner is the ‘Grandfather’, at the very least, of almost all Neo-Wicca. He was initiated into a coven of Witches in the New Forest region of England in 1939 by a High Priestess named ‘Old Dorothy’ Clutterbuck. In 1949 he wrote a novel [*High Magic’s Aid*] about medieval Witchcraft in which quite a bit of the Craft as practiced by that coven was used. In 1951 the last of the English laws against Witchcraft were repealed (primarily due to the pressure of Spiritualists) and Gardner published *Witchcraft Today*, which set forth a version of the rituals and traditions of that coven. There is an enormous amount of disagreement about virtually every statement I have made in this paragraph.

Gardnerism is both a tradition and a family, and lineage is a family tree. The High Priestess rules the coven, and the principles of love and trust preside. We follow our handed down book more carefully than many others, but we are free to add and improvise, as long as we preserve the original.

We work skyclad, practice binding and scourging, are hierarchal and secretive, therefore we are controversial. We’re also controversial because we were first – the first craft tradition in the U. S. and descended from the man largely responsible for starting the craft revival. So, we’re called ‘the snobs of the craft’, but I think we’re as much fun as anyone else; our parties as good, our jokes as bad’

A Gardnerian can trace his/her lineage matrilineally back to a High Priestess who worked with Gerald. For virtually all American Gardnerians, that means his last HPS, Monique Wilson. Monique initiated the Bucklands and Rosemary Buckland initiated Theas, so far as anyone knows, the only one of Rosemary’s Thirds who passed the initiation on – which is why she has been called (but doesn’t call herself) ‘Witch Queen of America. ‘[the foregoing quotes provided by Deborah Lipp Bonewits, a Gardnerian Third Degree High Priestess as well as an ADF Druidess.]

*Each Gardnerian coven is autonomous and is headed by a High Priestess who can turn to her queen (the High Priestess who trained her) for counsel and advice. This maintains the lineage and creates a pool of experienced and knowledgeable leaders and teachers.

*Reincarnation and the Wiccan Rede [An it harm none do what you will] are basic tenants of the tradition. Covens are as much as possible composed of male/female pairs for balance. Most working is accomplished with the energy raised by the interaction of the Lord and Lady as represented by the couples in the coven by dancing, chanting, etc.

*Like many Wiccan traditions, Gardnerians have three degrees. An American Gardnerian must be of the 3rd degree before she can become a HPS. The HPS/HP are responsible for conducting services (circles), training their conveners, and preserving and passing on Gardnerian Craft. *[This material quoted from Converging Paths Newsletter, Kyril, Brita, & Hugh authors. ]

A lot of the controversy surrounding Gardnerianism questions the sources of the rituals and other materials, particularly those appearing in print. It is true that Gardner presented these materials as if they were directly from his New Forest tradition. It is clear, however, that whatever materials the coven may have had when he was initiated, Gerald made a lot of changes and added a great deal. Literary sources of the published Book of Shadows include Blake, Kipling, Yeats and Crowley. Much of the published material was written by Doreen Valiente, a member of the coven for a time and later founder of her own groups and author of many excellent books on the Craft.

Gardnerian Witches without doubt do have many materials which have not appeared in print, however, their emphasis on secrecy has made them a punchline in the Wiccan social world. How many Gardnerians does it take to change a light bulb? That’s a secret! Their High Priestess will usually be called ‘Lady’ Soandso and High Priest, ‘Lord Whatisname’. [This is far more true in the U. S. than it is in England.]

Good Tuesday Morning To All My Lovely Friends!

Friendship Images, Quotes, Comments, Graphics

Good Morning, my lovely friends! Lovely? Huh, don’t ask!  You know it is going to be one of those mornings when you find yourself drinking milk and eat cookies for breakfast. On the main page, were the pics alternate, you have to have a huge image to fit there. Well I have been playing in Bing for probably about an hour to find such a pic. I am scared to death to think there are two more slots for featured articles.

But seriously, I put on a new article about Hecate. In the process, I got to posting the “Charge to the Dark Goddess” and some poetry. So I got to thinking why not start the day off with the “Charge To The Goddess?” That is one piece of work, I can never get enough of reading.

Have a very blessed day, my precious friends!

The Charge Of The Goddess

Author Unknown

 Whenever  ye have need of any thing, once in the month, and better it be when the moon is full, then shall ye assemble in some secret place and adore the spirit of She, who is Queen of all witches. There shall ye assemble, ye who are fain to learn all sorcery, yet have not won its deepest secrets; to these will She teach things that are yet unknown.  And ye shall be free from slavery; and as a sign that ye be really free, ye shall be naked in your rites; and ye shall dance, sing, feast, make music and love, all in Her praise. For Hers is the ecstasy of the spirit, and Hers also is joy on earth; for Her law is love unto all beings. Keep pure your highest ideal; strive ever towards it; let naught stop you or turn you aside. For Hers is the secret door which opens upon the land of youth and Hers is the cup of wine of life, and the cauldron of Cerridwen, which is the Holy Grail of immortality.  She is the gracious goddess, who gives the gift of joy unto the heart of man. Upon earth, She gave the knowledge of the spirit eternal; and beyond death, She gives peace and freedom, and reunion with those who have gone before. Nor does She demand sacrifice, for behold, She is the mother of all living, and Her love is poured out upon the earth.

She who is the beauty of the green earth, and the white moon among the stars, and the mystery of the waters, and the desire of the heart of man, calls unto thy soul. Arise, and come unto Her. For She is the soul of nature, who gives life to the universe, from Her all things proceed, and unto Her all things must return; and before Her face, beloved of gods and men, let thine innermost divine self be enfolded in the rapture of the infinite. Let Her worship be within the heart that rejoiceth; for behold, all acts of love and pleasure are Her rituals. And therefore let there be beauty and strength, power and compassion, honor and humility, mirth and reverence within you. And thou who thinkest to seek Her, know thy seeking and yearning shall avail thee not unless thou knowest the mystery; that if that which thou seekest thou findest not within thee, then thou wilt never find it without thee.  For behold, She has been with thee from the beginning; and She is that which is attained at the end of desire.

 The Charge Of The Goddess

 

Listen to the words of the Great Mother: She, Who was of old also called among mortals, Artemis, Astarte, Athene, Dione, Melusine, Aphrodite, Cerridwen, Dana, Arionrhod, Isis, Bride, and by many other Names:

Whenever ye have need of anything, once in the month and better it be when the Moon is Full, then shall ye assemble in some secret place and adore the Spirit of Me, Who am Queen of all the Witches.

There shall ye assemble, ye who are fain to learn all sorcery yet have not won
its deepest secrets; to these will I teach things that are as yet unknown. And
ye shall be free from slavery, and as a token that ye be really free, ye shall
be naked in your rites and ye shall dance, sing, feast, make music and love all
in My praise. For Mine is the ecstasy of the Spirit and Mine also is joy upon
Earth, for My love is law unto all beings.

Keep pure your Highest Ideals; strive ever toward them, let naught stop you nor turn you aside, for Mine is the secret door which opens upon the door of youth. And Mine is the Cup of the Wine of Life and the Cauldron of Cerridwen, which is the Holy Grail of Immortality.

I am the Gracious Goddess, Who gives the gift of joy unto the hearts of men and women. Upon Earth I give knowledge of the Spirit Eternal and beyond death I give peace, freedom and reunion with those who have gone before. Nor do I demand sacrifice, for behold, I am the Mother of all living and My love is poured out upon the Earth.

Hear ye the words of the Star Goddess, She in the dust of Whose feet are the
hosts of heaven, Whose body encircles the Universe…

I am the beauty of the green Earth, and the white Moon among the stars, and the
mysteries of the waters, and the desire in the hearts of humans.

Call unto thy soul, arise and come unto Me, for I am the Soul of Nature, Who
gives life to the Universe. From Me all things proceed and unto Me all things
must return. And before My face, beloved of Gods and of humans, let thine
innermost divine self be enfolded in the rapture of the Infinite.
Let My worship be within the heart that rejoiceth, for behold, all acts of love
and pleasure are My rituals. And therefore let there be beauty and strength,
power and compassion, honor and humility, mirth and reverence with you. And
thou, who thinkest to seek for Me, know that the seeking and yearning shall
avail thee not unless thou knowest the Mystery: that if that which thou seekest,
thou findest not within thee, thou shalt never find it without thee. For behold,
I have been with thee from the beginning and I am that which is attained at the
end of desire.
by Doreen Valiente

 

And last but not least……

The Small Charge of the Goddess

By Doreen Valiente

I who am the beauty of the green earth and the white moon among the stars and the mysteries of the waters, I call upon your soul to arise and come unto Me.  For I am the soul of nature that gives life to the universe.  From Me all things proceed and unto Me they must return.  Let My worship be in the heart that rejoices, for behold — all acts of love and pleasure are My rituals.  Let there be beauty and strength, power and compassion, honor and humility, mirth and reverence within you.  And you who seek to know Me, know that you seeking and yearning will avail you not, unless you know the Mystery: for if that which you seek, you find not within yourself, you will never find it without.  For behold, I have been with you from the beginning, and I am that which is attained at the end of desire.

Pagan Sin

Pagan Sin

Author: BellaDonna Saberhagen

Sin is an interesting thing to consider in modern Paganism. With many believing that, “all acts of love and pleasure are Her (the Goddess’) rituals” (taken from Doreen Valiente’s Charge of the Goddess) , is there room for a Pagan concept of sin? Sin is perceived by many to be either sexual or violent in nature. Since many Pagans feel that to ignore your sexual needs is to do yourself a disservice, the common Christian “original sin” is not applicable to modern Paganism; and while such things as adultery may be frowned upon as emotionally damaging, we have no scriptures telling us to stone those that cheat on their spouses. Violent sin has been secularized into laws; murder and assault are typically seen as amoral regardless of religious background (or lack thereof) .

So do Pagans have sin? I would say they do, but first, let’s look at the role sin plays.

Humans thrive on hardship (and guilt) . If humans decided to live near an active volcano (which is a hardship, as well as a boon) , they then feel guilty when it destroys the village (they somehow angered the gods and must atone for their indiscretions) . If humans did not thrive on this cycle, we probably would not have civilizations that grew in some of the most unforgiving environments. So humans need some feeling of guilt. Where do many modern Pagans get this guilt they require? Eco-Guilt.

Eco-Guilt does have homes in the secular world; there are plenty of non-Pagans that try to live as “green” a life as possible. However, I have not seen another creed outside adherence to the Rede that can make a Pagan look down at another Pagan as somehow “not walking the Pagan walk” as much as this one does. There are different factions within it as well (vegan/PETA, home-steaders, etc) .

There’s this fantasy that ancient Pagans all lived in harmony with nature; that because they depended so much on the natural cycles that they never did any damage to the earth, ever. Because of this fantasy, many modern Pagans want to get back to that “deep connection to the earth” that has been lost. I can respect that. I myself fantasize about living Pagan-Amish style; growing my own wheat, brewing my own mead and raising my own goats (fainting goats, specifically, they’re so wonderfully silly) . I do buy into the Eco-Guilt mind-set myself, I just think that some Pagans get up on soap boxes and try their hardest to prove they are “Greener (and therefore more Pagan) than Thou.”

The problem is that ancient Pagans were guilty of harming the earth in their own way. If you go back two thousand years, you would find Roman strip mines. The only difference is how deep they could go with the level of technology they had. The Bronze and Iron Ages would not have existed without human impact upon the earth. As a race, we’ve never been too kind to rivers; in towns, human waste lined the streets. Land was cleared to farm, meaning trees were cut down. Even in Celtic society, who really loved their trees, woodland had to be cleared for building and farming. In fact, we know so much about ancient peoples, not just from their tombs and buildings, but because they left huge trash heaps that give us insights into their diets and daily living. Mining, landfills, deforestation: This was all part of life as much then as it is now. Granted, they may have done these things with more respect than what is typically given now, but they would not have felt guilty for bettering their lives through food, shelter, tools, art and commerce.

Let’s look at the organic argument. Not using pesticides and chemical fertilizers may be better for the environment, but such farming methods take more work and have a lower yield. This (as well as having a smaller buying market) is why organic food is more expensive. If you have four children and enough money to buy either four non-organic apples or two organic apples, which would you buy? The hard-core Eco-Pagan may suggest giving your children half an organic apple (which tend to be smaller than non-organic apples anyway) , arguing that they will get better nutrition from it (this argument has never been proven) . A more practical person would think it much better to wash the non-organic apples well, but buy those to ensure that each child is well nourished. This is the problem with trying to enforce your view of green-ness on someone else; they might not be able to afford the luxury you have. Starving people in Africa need food that will grow there consistently, and current organic methods just won’t work there.

How about recycling? Not every town in this country has its own recycling center/program. Sometimes, in order to recycle, you may have to travel pretty far to do so. At which point do the emissions from your car counter-balance the act of recycling? Not to mention that recycling itself creates its own carbon footprint. You could drive yourself crazy nickel and diming every moment of every day to find out just how much damage you are doing.

So, what about those little extras Pagans often need? Stones (quartz, citrine, etc.) have to be mined. As does the iron used for cauldrons and athames (and, most recommend that the blade be new to ensure it never let blood, so no reduce, reuse, recycle there) . The silver and gold used for our daily and ritual jewelry is also mined. Books require paper, paper comes from trees (granted much paper is recycled or comes from farmed trees these days) and there is (apparently, I never heard of this rule until recently) a rule against buying used Pagan books (I buy most books used, but I’m a very frugal Pagan, and I don’t think books can hold much of your energy unless you write them yourself, like your Book of Shadows) .

Now, you can use plastic for prayer beads rather than those made of real gemstones, but the argument can be made that this is worse since A) plastic is made from oil (and we all know the hazards of oil drilling) and B) fake stones (similar to synthetic fragrance oils) will not work like the real thing; why use something that will not work as well that creates as much or more harm to the earth than using the original would be?

You can decide to be Pagan, but worry so much about every little thing you do that your spirituality suffers. You can’t read books because that harmed trees; you can’t get information from the Internet because that uses electricity, which might come from sources that harm the environment. You can’t even attune to the earth in your own home because the stones you might use to do that may have been unfairly torn from Momma Earth’s womb.

I’m not saying that we shouldn’t be mindful, we should be, and we need to be. There are a lot more humans inhabiting Earth now (I would hazard to say too many, but that’s my opinion) and we live in a consumer-driven “disposable” society. Maybe, as Pagans, we can get used books; we don’t need a different athame for every Sabbat and we don’t need twenty-five pieces of the same type of stone. That does not mean that we can’t have one athame and a few stones (granted maybe only one or two stones per kind) ; spiritual growth shouldn’t stagnate because of Eco-Guilt.

Do the best you can, but don’t beat yourself (or anyone else) up over slip-ups. No one’s going to prescribe you to say five “Our Gaias” and three “Hail Horned Ones” to gain forgiveness from the gods. You have to forgive yourself. You can’t hold yourself to an unrealistic ecological ideal; you’re not always going to have the option of doing it the “green” way.

So never mind how bad Eco-Edna and Green-Gary might try to make you feel, be confident that you are doing your best and following your path. If they think you use too much and don’t recycle enough, take that criticism and see if you are capable of doing better. Just remember, sometimes you have to choose between what might be better for you and yours and what might be better for the earth. Don’t feel guilty about choosing you and yours.


Footnotes:
Facts on organic farming and recycling taken from interviews with experts as provided by Penn and Teller’s Bull****!

WHAT IS WICCA?

WHAT IS WICCA?
An Introduction to ‘The Old Religion’ of Europe and its Modern Revival
By Amber K, High Priestess

This leaflet may be reproduced and distributed exactly as is, without further
permission from the author, provided it is offered free of charge. Changes in
the text, however, must be approved in advance by the author. Thank you!

WICCA (sometimes called Wicce, The Craft, or The Old Religion by its
practitioners) is an ancient religion of love for life and nature.

In prehistoric times, people respected the great forces of Nature and
celebrated the cycles of the seasons and the moon. They saw divinity in the sun
and moon, in the Earth Herself, and in all life. The creative energies of the
universe were personified: feminine and masculine principles became Goddesses
and Gods. These were not semi-abstract, superhuman figures set apart from
nature: they were embodied in earth and sky, women and men, and even plants and
animals.

This viewpoint is still central to present-day Wicca. To most Wiccans,
everything in Nature — and all Goddesses and Gods — are true aspects of
Diety. The aspects most often celebrated in the Craft, however, are the triple
Goddess of the Moon (Who is Maiden, Mother and Crone) and the Horned God of the
wilds. These have many names in various cultures.

Wicca had its organized beginnings in Paleolithic times, co-existed with
other Pagan (‘country’) religions in Europe, and had a profound influence on
early Christianity. But in the medieval period, tremendous persecution was
directed against the Nature religions by the Roman Church. Over a span of 300
years, millions of women and many children were hanged, drowned or burned as
accused ‘Witches’. The Church indicted them for black magic and Satan worship,
though in fact these were never a part of the Old Religion.

The Wiccan faith went underground, to be practiced in small, secret groups
called ‘covens’. For the most part, it had stayed hidden until very recent
times. Now scholars such as Margaret Murray and Gerald Gardner have shed some
light on the origins of the Craft, and new attitudes of relgious freedom have
allowed covens in some areas to risk becoming more open.

How do Wiccan folk practice their faith today? There is no central
authority or doctrine, and individual covens vary a great deal. But most meet
to celebrate on nights of the Full Moon, and at eight great festivals or
Sabbats throughout the year.

Though some practice alone or with only their families, many Wiccans are
organized into covnes pf three to thirteen members. Some are led by a High
Priestess or Priest, many by a Priestess/Priest team; others rotate or share
leadership. Some covens are highly structured and hierarchical, while others
may be informal and egalitarian. Often extensive training is required before
initiation, and coven membeship is considered an important commitment.

There are many branches or ‘traditions’ of Wicca in the United States and
elsewhere, such as Gardnerian, Alexandrian, Welsh Traditional, Dianic, Faery,
Seax-Wica and others. All adhere to a code of ethics. None engage in the
disreputable practices of some modern ‘cults’, such as isolating and
brainwashing impressionable, lonely young people. genuine Wiccans welcome
sisters and brothers, but not disciples, followers or victims.

Coven meetings include ritual, celebration and magick (the ‘k’ is to
distinguish it from stage illusions). Wiccan magick is not at all like the
instant ‘special effects’ of cartoon shows or fantsy novels, nor medieval
demonolgy; it operates in harmony with natural laws and is usually less
spectacular — though effective. Various techniques are used to heal people and
animals, seek guidance, or improve members’ lives in specific ways. Positive
goals are sought: cursing and ‘evil spells’ are repugnant to practitioners of
the Old Religion.

Wiccans tend to be strong supporters of environmental protection, equal
rights, global peace and relgious freedom, and sometimes magick is used toward
such goals.

Wiccan beliefs don not include such Judeo-Christian concepts as original
sin, vicarious atonement, divine judgement or bodily resurrection. Craft folk
believe in a beneficient universe, the laws of karma and reincarnation, and
divinity inherent in every human being and all of Nature. Yet laughter and
pleasure are part of their spiritual tradition, and they enjoy singing,
dancing, feasting, and love.

Wiccans tend to be individualists, and have no central holy book, prophet
or church authority. They draw inspiration and insight from Nature, tradition,
the arts, literature, science, and personal experience. Each pracititoner keeps
a book or journal in which s/he records magickal ‘recipes’, dreams,
invocations, songs, poetry and so on.

To most in the Craft, every relgion has its own valuable prespective on the
nature of Diety and humanity’s relationship to it: there is no One True Faith.
Rather, religious diversuty is necessary in a world of diverse societies and
individuals. Because of this belief, Wiccan groups do not actively recruit or
proselytize: ther is an assumption that people who can benefit from the Wiccan
way will ‘find their way home’ when the time is right.

Despite the lack of evangelistic zeal, many covens are quite willing to
talk with interested people, and even make efforts to inform their communities
about the beliefs and practices of Wicca. One source of contacts is The
Covenant of the Goddess, P.O. Box 1226, Berkeley, CA 94704. Also, the floowing
books may be of interest: (Ask your librarian.)

Drawing Down the Moon by Margot Adler
The Spiral Dance by Starhawk
Positive Magic by Marion Weinstein
What Witches Do by Stewart Farrar
Witchcraft for Tomorrow by Doreen Valiente

Pagan Myths Debunked: Where Did You Think That Pointy Hat Came From, Anyway?

Pagan Myths Debunked: Where Did You Think That Pointy Hat Came From, Anyway?

by Lilith Veritas

It’s never been easy to be a pagan in a world where differences are feared and minorities are persecuted. It’s made even tougher by how little nonpagans usually know about the realities of our lifestyle and beliefs. How many times have you had to explain that Satanism is not Wicca, or that Wiccans are not the only pagans? Most nonpagans get their information about Wicca, neo-paganism and other Craft-related beliefs from the mass media, which has faithfully clung to stereotypes and painted a sensationalistic picture of pagans, just like they do about everything else. TV shows like Charmed and Buffy the Vampire Slayer have contributed much to making paganism seem less frightening and more acceptable to the mainstream, but they’ve also continued to support misinformation and superstitions that have plagued pagans throughout modern times. Shows like Sabrina, or even the old favorite Bewitched, leave nonpagan viewers with the impression that witchcraft is all fantasy and special effects, and anyone who believes in such things might have a screw or two loose. Really, do you know anyone who has a talking cat or has developed a working teleport spell?

The reality is that the majority of pagans today come from other religions and backgrounds and are at least partly self-educated, and many bring some of these ideas with them! It’s really difficult to educate the nonpagan public if we’re not clear ourselves on the history of witchcraft and the origins of our symbols, tools and stereotypes. While it’s hard to change deeply held beliefs, the truth is a powerful weapon against fe

and prejudice, and acknowledging our own history is the only way to move forward to a (hopefully) enlightened future.

For a quick example of the history of a pagan tool, let’s look at the Book of Shadows. Many pagans take it for granted that these books are an integral part of being a pagan. The term itself has been popularized by the media; the sisters on Charmed have a family Book of Shadows, which seems to be a universal encyclopedia of all things magickal, and the sequel to the popular Blair Witch Project movie was called Book of Shadows. The common perception seems to be that Books of Shadows have been handed down from medieval times and contain wisdom gathered hundreds of years ago. How accurate is that perception?

The first recorded reference to an actual Book of Shadows was in 1939, by the founder of modern Wicca, Gerald Gardner. He claims to have received pieces of this book during his initiation into the religion now known as Gardnerian Wicca. Both Doreen Valiente and Aleister Crowley appear to have added to the book, after Gardner “restored” it. Prior to that, however, there is no known recording of a Book of Shadows, at least not by that name, and few references to grimoires or books of knowledge used specifically by pagans. The book Aradia: Gospel of the Witches was written by folklorist Charles G. Leland in 1899 and appears to be the closest historically, but it would hardly have been ancient knowledge a mere 40 years later. Books of Shadows are now used by many pagans, both Wiccan and non-, but that name seems to be solely a creation of Gardner and his contemporaries.

Many pagans would like to believe that there is a written source for ancient spells, rituals and traditions to which they can turn to validate their current practices. They may forget that in ancient times, and often through the first part of the twentieth century, the common person didn’t know how to write or read! Most pagans in the Western world today can both read and write, and even those deemed “illiterate” can often do both enough to get by. During the height of the witch hunts and in rural areas where folk medicine and pagan rituals may have continued more or less uninterrupted, literacy was not common, and it is unlikely that many witches, if any, kept such a book. Most commoners didn’t keep books at all!

There is another argument against the idea of ancient grimoires being commonplace: Anyone found with such a book would likely have been found guilty of heresy and possibly put to death, and the book summarily burned. This threat would have been lessened for someone of the upper classes, but for typical rural folk would probably have been too big a risk to take. During the times when herbal healers had to be very careful to hide the tools of their trade and be sure to put their best Christian face forward, it would have been virtual suicide to have a book of “arcane knowledge” laying around the house, even if most of your neighbors couldn’t read it! Having books at all was cause for suspicion amongst the lower classes, since they were poorly understood by most and rarely read by any but high society. The few documented grimoires likely did belong to folks of higher classes, as they were the ones who could afford them and could also afford to learn to read.

As I mentioned, many pagans would like to have a historical book of knowledge to justify their current practices. While it would be nice to trace such things unbroken into the past, “new” does not mean “bad” or “invalid.” Newer ideas aren’t automatically bad ideas! Now that we have the means to write down our beliefs and rituals to pass on to future generations, or just to remind ourselves, many of us will choose to do so. Knowing where a practice comes from allows room to change and grow, and keeps folks talking from a place closer to truth than superstition. And knowing that new practices are springing up will hopefully keep the pagan paths alive and vital instead of bogging them down in the dogma so common in many mainstream religions.

Moving into the realm of stereotypes, many Americans think of the pointed black hat as the key identifier of a witch. These folks are often the most surprised when they meet a real, modern witch wearing jeans and a T-shirt. But where did the stereotype of this pointy hat come from?

One thing to keep in mind in the search for this stereotype’s origins is that it is peculiarly American and Western European, particularly from the British Isles, and it is a fairly modern invention. Witches in Eastern countries do not appear wearing pointy hats or any of the accoutrements that we commonly associate with the Halloween-style witch. Early woodcuts of witches in the Middle Ages showed them wearing scarves, or hats popular at the time, or even with their hair flying in the wind. Our media has popularized the view of witches with pointy hats as well as green skin, warts and brooms. I suspect the Wizard of Oz movie released at the dawning of the media age has more to do with the current stereotype of the “wicked witch” than does historical evidence!

The most positive interpretation I came across was echoed by Doreen Valiente as the probable source: Pointed hats were actually a visual representation of the Cone of Power that witches drew upon during their rituals. While this puts a nice, witch-friendly spin on the image, I find it to be rather unlikely. People in previous centuries who were creating woodcuts of witches tended to paint a very unkind picture and did not include positive aspects of true witchcraft as it existed at the time. Witches were portrayed dancing with devils and participating in all varieties of heinous rites, not drawing down the moon and healing the sick. It is unlikely that someone projecting a witch in such a light would bother to represent a Cone of Power, which is typically a positive force.

There is another, commonly held belief that the pointed hat originated with another persecuted group in Europe, the Jews. While Jews did wear pointed headgear, most scholars now believe these hats were not a likely source for the witch’s pointed hat. After all, pointed hats were fairly common throughout the Middle Ages and Renaissance.

This fact leads us to the source I find to be most believable, and most mundane, for the Pointy Hat Look. During the late sixteenth and early seventeenth centuries, commoners in Wales and England often wore pointed hats. As fashions changed, the last to retain the old styles were the rural and peasant folk, who were considered “backward” by higher society and were usually the ones accused of heresy and witchcraft. Much as we today have stereotypes of the sort of student who might commit violence at a high school, so did the medieval people have their ideas of what sort of person might be a witch.

Along these lines, Gary Jensen, a professor of sociology at Vanderbilt University, postulates a connection between the persecution of Quakers in America and the stereotypical appearance of witches in our folklore. Quakers did wear pointed hats, and the negative image of witches wearing conical hats in America became common about the same time anti-Quaker sentiment was at a peak. Quakers were thought by some to consort with demons and practice black magic, things also associated with the early American view of witches. Once again, an easily recognized symbol of an oppressed minority may have become generalized to a group equated with them.

In the final analysis, it’s likely that more than one of these issues came into play to ingrain the pointy hat into the mainstream idea of what a witch looks like. After all, the ideas that stick most firmly in the mind are the ones repeated from different sources, and many things in history can’t be traced to a single root cause or moment.

In the Craft, as in all aspects of human culture, the powers of media and modern communication weave together a new “truth” from bits of folklore and whispered traditions, and picking apart this fabric to get at the real foundation requires persistence and the willingness to view your own ideas in a new light.

For those interested in further reading about pagan stereotypes and history, I suggest the Internet as a great source of information, if one takes the information found with the proper grain of salt. Two articles in particular that I came across stand out in my mind, and I believe it would benefit pagans in general to read and consider the implications of both of them.

First of these is a speech by Doreen Valiente at the National Conference of the Pagan Federation on November 22, 1997. As a founding influence on the modern practice of Wicca and a contemporary of both Gerald Gardner and Aleister Crowley, Valiente had a unique perspective. In this speech, she questioned many “truths” about Gardnerian Wicca and presented views that some may find surprising. Transcripts of her speech can be found at http://www.users.drak.net/lilitu/valiente.htm.

Second is a very well-researched essay about the Burning Times by Jenny Gibbons, which can be found at http://www.cog.org/witch_hunt.html.

While I don’t endorse either of these sources as the absolute truth, they are certainly thought provoking.

Some other sources:

The Encyclopedia of Witches and Witchcraft, by Rosemary Ellen Guiley

Best Witches site, http://www.rci/rutgers/edu/~jup/witches

“The Witching Hours,” by Shantell Powell, http://shanmonster.bla-bla.com/witch

Ancient Craft, Modern Practice: Witchcraft in the 21st Century

Ancient Craft, Modern Practice: Witchcraft in the 21st Century

Author: Vikki Bramshaw

There have been many books written on the Craft over the last 50 years. Some of the first were published by those characters we call the founders of modern Wicca, such as Gerald Gardner, Doreen Valiente, and Ray Buckland. Since then, witches who have initiated themselves from books, without any formal initiation through a lineaged coven, have formed many covens. There is certainly nothing wrong with this process – and by writing these books, our founders themselves provided the material for this process to happen.

However by the original laws, if you were not initiated by one of Gardner’s students, or indeed Gardner himself, then you were not actually ‘Wiccan’. This view has now become outdated, as the practice has expanded and the word ‘Wicca’ has grown to define a religion open to all; although, many traditional Wiccans still hold this view.

Whilst I am trained in traditional Wicca, I have also been involved in working with the Egyptian mysteries, the Old Craft, and other forms of magic and ceremony, which are very separate to Wicca. So, I describe my practice simply as Initiatory Witchcraft, which encompasses the many ritual practices of Paganism and modern witchcraft whilst incorporating much of the structure of Wicca. I believe this removes limitations that may be set by following one path alone, and allows the person to grow.

The aim of my essay today is to first give an introduction to modern witchcraft and Wicca, and briefly discuss my views on some of the practices. I also want to speak about some of the misconceptions of the Craft, and also discuss the future of the Craft, as both a religion and a practice.

Witchcraft and Wicca are branches of Paganism, an umbrella term of eclectic belief systems which are based on the practices of our ancestors, but adapted for a modern world. In order to truly understand witchcraft and Wicca, we have to first identify what Paganism is.

The term ‘Pagan’ is a broad one and many meanings have been given to it, including ‘one who worships false Gods; an idolater’ and ‘a person who has no religious beliefs’. The Middle English translation for the word Pagan comes from the Latin ‘paganus’, meaning ‘country dweller’ or, ‘one who lives off the land’. Looking at these definitions you can see that there is no reference to any religion, or even a belief system. Then again, when that belief system is so ancient that it precedes language, reasoning and the written word, it comes as no surprise that for every era in history people have viewed Paganism in different ways.

Paganism can embrace all pre-Christian religions, as well as other polytheistic religions: that is, religions that believe in many Gods, which have managed to continue through to today. These religions are normally very conducive with the ideals of Paganism, for instance Hinduism, Shinto and Shamanism. Like the Craft, these religions also pay reverence to the old Gods and Goddesses, and work with, and respect, nature. On the whole, polytheistic religions also embrace the feminine deity as well as the male, a key element to the practices of modern witchcraft – worship.

If someone had told me 10 years ago that I would become a religious person, I would have laughed at the idea. I cant really say I was brought up in an atheist household; because whilst my father never recognized a God as such, he was downright Pagan in many ways, living on a smallholding in Wales and planting his crops by the moon phases. Looking back, I realize now that I was taught to respect a non-descript Animist view, that deity is within nature – but nothing that at the time that I would have described as God.

But with Paganism and Craft, the deities start to become part of our everyday lives; they are there in the supermarket whilst we complain about rising food prices, they are there when things go wrong, and we need someone to talk to. And, like my father taught me, deity also lies in the earth, the trees, the vegetables, and even in death. They are also extremely forgiving; somewhat like a long-suffering parent, they roll their eyes at all our mortal mistakes and wild tantrums, and patiently wait for us to reassess the important things in life. But, as long as we are good people at heart, the Old Gods don’t judge, and they also accept us as who we are; people, with flaws, and no one is perfect.

By working with these inner aspects of the Goddess and God, we discover the realization of the divine self. It is only by recognizing the inner divine that we are able to appreciate and respect ourselves, and live our spiritual lives to the full. This Craft ideology reflects the contrast between the “we are not worthy” mindset of monotheistic religion and the pantheist belief of “we are god”.

The word ‘witch’ is a very broad, and very misunderstood term. I’m sure everyone has seen the word witch used to describe a haggard old woman? Someone who nobody likes? A stepmother? Perhaps an old lady, sat around a cauldron, on a dark and windy moor?

But, despite misconception, the meaning of the word ‘witch’ is not confined to any specific religion or country; neither does it point to any particular form of magic, gender, or ethics. The most popular theory for the origin of the word ‘witch’ is that it traces back to the Proto-Indo word ‘wie- ik’ (veek) , meaning ‘to consecrate’, and ‘to practice religion and magic’. This word was also associated with seasons, and cycles of the earth. The related Germanic word, ‘wikk-en’ meant ‘to use magic, divination and sorcery’. But, no matter which theory we favor, or where we look in the world, the witch has always been a symbol of power, transformation and magic.

So then, back to the Craft. If you ask 5 people what the Craft is all about, you will probably get 5 different answers. The reason for this is that the Craft is an intuitive and fluid practice – rather than defining an exact way of worship, it allows for creativity and diversity. It allows a person to make their own decisions as to which practices to follow, and how to follow them. Just like the word ‘Pagan’ the phrase ‘The Craft’ is also an umbrella term, this time used to describe a common ground of pagan magical traditions, and incorporates both modern witchcraft (which, as I mentioned, Gerald called Wicca) and other forms of witchcraft, such as Traditional Witchcraft, Italian Strega, and my own path of Initiatory Craft.

However, whilst the traditions of modern witchcraft vary, in general they all profess to be nature based mystery traditions, which work with the seasons, and acknowledge the cycles of life. We embrace old Pagan rites, develop our occult understanding and progress with our own personal development through the mysteries. It blends the early religions of Britain, Egypt, Mesopotamia and Greece; the mysteries of Freemasonry, and Qabalah; and the ways of the European Cunning Craft, whilst absorbing various different magical systems from around the world. Our modern Craft borrows all the ‘best bits’ of ancient and modern mysticism and combines them all, altering the way we see the world on both a conscious, and subconscious, level.

So, without trying to be too specific about the practices of the Craft as a whole, I will try to explain very briefly what is involved.

Unlike many other religions, the Craft does not advertise itself as being ‘a religion suitable for all’. In fact, many covens will actively work to put someone off joining as a test, if you will, of the persons’ commitment to learn. Nor is admittance to a coven given lightly; my own coven will meet with a potential member several times before a decision is made. The reason is, in my opinion, you have to be a certain type of person to work with the Craft.

An important quality for a witch is an open mind – a willingness to shed pre-conceptions, and learn the mysteries. The person must also have a reverence for the earth, the planet and all things. This doesn’t mean they all have to be tree-hugging hippies; what it does mean, is that they have a respect, and an understanding for the world they live in; that they appreciate the turning of the seasons and the cycles of the earth.

This doesn’t mean a witch has to be a vegetarian or a vegan, either; for the cycles of life are light and dark, and death is an integral part on the wheel of life. Many witches and pagans come from farming backgrounds, people who are already aware of the ebb and flow of the seasons and the cycles of life. For those of us living in towns and cities, the Craft gives us a way to understand and embrace the natural cycles that we might otherwise not be aware of.

This introduces us to the Sabbats, the seasonal festivals. Witches meet at the eight Sabbats of the year – these are, the Winter Solstice in December, Imbolc in February, the Spring Equinox in march, Beltane in may, the Summer Solstice in June, Lughnassadh in august, the Autumn Equinox in September, and Samhaine, in October. At these festivals, we celebrate and give thanks to the abundance of the time of year: at Lughnassadh we give thanks for the harvest, whilst at Samhaine we give thanks for darkness, and rest.

The sabbats comprise of four ‘Greater Sabbats’ and four ‘Lesser Sabbats’. The practice of celebrating the eight festivals together as one system is a relatively new idea, which was designed by Gerald Gardner and Doreen Valiente in the 1950’s who named the system ‘The Wheel of the Year’.

However these sabbats are based on some very old festivals that, although not always practiced at the same time, nor by the same people, have been followed for thousands of years. Even today, outside of Pagan communities, these sabbats are celebrated in our bank holidays, village festivals, and culture.

The purpose of celebrating these sabbats is threefold. The first is that they allow us to connect with the cycles of life and the turning seasons of the year, which, in this modern world, we might otherwise forget. The second is to make the best of what is offered to us at that time of the year, to evoke the powers of the season and direct those powers, towards our goals in the form of magic. The third is to acknowledge and re-enact the myths of the seasons, which themselves have a subtle effect on our sub-conscious.

Some people argue that to follow the Pagan seasonal festivals is outdated, and we are trying to reconstruct something which is not relevant to modern life. But it is not simply a question of nostalgia. We humans are animals; we are part of the earth and her movements. Just like all other animals, and plant life, we are affected by the seasons on subtle levels, physically, mentally and spiritually. In this way, the seasonal cycles are inherently sacred, and act as a framework for celebrating the cycle of human life. Just as things change in nature, so changes take place within ourselves, allowing us to embrace the cycle of life and recognize our own relationship with the land, and the earth.

We also identify deities as a particular season, or seasons’ change; traditionally, their myths were designed to be read and re-enacted at certain times of the year, in order to help our inner-selves become more connected to the Wheel of the Year, and the cycles of life. The sabbats follow the progress of the sun, seen as a masculine deity, throughout the year; as the sun grows in power the days become longer, it draws to the height of its power at midsummer, and then, as it starts to wane, the nights become longer as we approach the longest night at Yule.

The sabbats are described as solar festivals, and are based on the solar year. A Solar Year is the period of time that the sun takes to travel across the heavens and back to the start of its journey. Along its path, the sun passes through four principal points – two Equinoxes, when both day and night are equal in length, and two Solstices, when either day or night is at its longest.

Astronomical reckoning says that these are the midpoints of the seasons, cross quarter days, like on a hot cross bun. These festivals are called the Lesser Sabbats, or ‘Solar Rites’. The remaining four sabbats mark the start of the energy of that season. These four festivals are therefore usually seen as being of a more agricultural significance, as they mark the beginning of that particular farming period. These festivals are called the Greater Sabbats, or ‘Nature Rites’.

Another cycle that is followed by witches is the Lunar cycle – the moon festivals, called the Esbats. Moon worship is as old as mankind itself. Our ancestors witnessed the moon as it reflected the rhythms of life, the cycles of the seasons, and the tides of the seas. They watched the moon move across the sky, transforming and changing – a beacon of light, that shone through the darkness of night. Women’s menstrual cycles were also effected by the phase of the moon, and in short, it seemed to our ancestors that the moon caused the rhythms of life that they relied on so very heavily.

The gravitational pull of the moon moved bodies of water, causing fluctuations in fishing, travel, and flooding. The weather was also affected by the changes in the moon and this also had a direct effect on mankind. Bad weather and storms were more likely around the time of the full moon, and rings around the moon predicted rain. A red moon signified the time for harvest or an impending death, called ‘blood on the moon’, whilst a lunar eclipse meant a time to perform magic to appease the moon and ask it to return its light to the earth.

In craft today, the esbats are rituals performed on the New and the Full Moons, which honor the moon and make use of its energy, although some may also work during the Dark Moon, later in their training. The structure of the Full and the New Moon esbats are fairly similar, although the magical working of the ritual often changes depending on the phase of the moon. It is normal for the members of the coven to bring along requests for the evening esbat: spells, chants, healing and so on, types of magic; which works by first understanding, and secondly transforming, the web of life.

Invocations are also performed on the Full Moon, better known as the ‘Drawing down the Moon’, which is carried out as a ritualized way of inviting the Goddess into the body of the Priestess. Contrary to belief, ‘Drawing down the Moon’ is not a modern rite, neither is its name; illustrations of female magicians performing this rite can be found depicted on old carved reliefs from Greece. The ‘Drawing down the Sun’ is performed in a similar way, to invoke the God into the body of the Priest, although this is more likely to be performed sabbats, the festivals of the Sun, in most covens.

The elements are also a core principle in European Pagan culture and ritual, and many ancient traditions from all around the world hold the concept of the elements close to their heart. The classical elements of air, fire, water and earth are the building blocks of life, both physically and spiritually; take one of these elements away and life as we know it ceases to exist. The air that we breathe, the fire that warms us, the water that hydrates us and the earth, which nourishes us are all in a fragile balance, which keeps us, and the world we live in, alive.

In the Craft, we learn to embrace each element and acknowledge its nature in our lives. The elements rule our emotions, our skills, our thoughts and our actions, and therefore an understanding of the elements allows us a greater understanding of ourselves and the world that we live in. We begin to appreciate things that seemed insignificant before, and understand their important roles in the cycle of life. We begin to not only embrace the sunny days, but the ‘rainy ones’ too, so to speak, and to see every part of our world as sacred.

The elements are also closely linked with the seasons, the festivals, the moon phases and even the time of day. They are of special significance in the tarot deck, and also play a part in a magic circle. In my opinion, it would not be sufficient to perform a ritual of air, without climbing the highest peak, and feeling the power of the wind upon your back. This is the nature of the elements: a part of the realization that the sacred can, indeed, be the mundane. As part of the degree system within the craft, each initiate is given a test, which usually incorporates the elements, a getting back to your roots, if you like.

The relationship between practitioners of witchcraft or Wicca and their Gods is also an interesting one. I’m sure that some of you have already had some experience of deities, either spiritually or religiously. But the misconception often is that witches/pagans are not religious. The problem is, both with Wicca and Paganism, is that it is so in depth and at times apparently complicated that you cant really describe what it all means in one conversation – or even in a short essay such as this.

People outside of the Craft seem to have a problem getting their heads around the idea that a magical tradition can be a religion, because many people still associate the word ‘religion’ with the main world religions only, such as Christianity and Islam. Others say, “I understand. It’s honoring nature. It’s not following a God. It makes sense, in this day and age.”

Well, maybe part of that is true, but on large these are all misconceptions which are born out of the monotheistic mindset – which very often says that to worship God is to worship something untouchable, unfathomable. How about worshipping the God within and without? Above and below? The all, everything, and ourselves?

Belief systems are not a science, and therefore defining your own view is not always going to be as easy as a, b, or c. In addition, it is very difficult to attribute modern witchcraft to just one theology, as it is a composite and eclectic practice, built upon many different traditions. My own coven identifies most closely with Pantheism, a belief system that deity and the universe as one. Yet, we also believe that the Gods reside in the rocks, the trees, the animals and the spirit of nature: the belief of Animism. But we also visualize the God and the Goddess in personified forms, such as Aphrodite the Goddess of Love, Cernunnos the Horned Lord, Artemis the Goddess of the Hunt, and Anubis the God of Death: the belief of Polytheism.

But what exactly happens when a witch starts to work with Deity on a ritual and a magical level? As we progress through Initiatory witchcraft, we start to work with deity on several levels. The first, and perhaps the most obvious level, is the role of the devotee – we begin to worship the Gods and research their history and mythology, a practice which is not dissimilar to any other religion – although unlike most other religions, witches start to incorporate the Gods into spellwork and ritual and begin working with them very closely.

The second phase – perhaps inevitability due to the connection that is forged between a mortal and a deity when working on a ritual or magical level – is that we start to build a relationship with them. This is a very different sort of relationship than what one might expect from a religion per-se; unlike most belief systems, Paganism does not place the deity on a pedestal, somewhere unreachable and unfathomable. Nor does it demand we speak only through ordained Priests. Whilst all due respect is always given, the Gods become almost friends and family to us, and, often, we start to recognize a God or Goddess who we particularly associate with.

Most people begin to undergo a transformation when they begin to connect with the Old Gods, but for those who want to further this connection and learn more about the Craft, there is ini-shia-tory witchcraft, and training covens who initiate their trainees through the Degrees.

This leads me on to the degree system of Wicca, and other types of Initiatory craft. Contrary to popular opinion, the Degree System is not a badge of power, or a status symbol. In true Craft, the witch is given an initiation to represent the hard work that he or she has undertaken in order to achieve a certain level of training. This training involves learning how to control the ego. Within this training, the student shifts the ego in order to unite self with spirit, with the aim to achieve full consciousness and the ability to transform fate.

Training leads to Priesthood; a journey, which takes the initiate through the Gods and Goddesses of the Craft. The initiate will spend a month, or more, immersed in the ways of the deity; wearing their colors, eating the foods native to their country of origin, and performing rites almost every day. The purpose is to become closer to that deity, and also in order to evoke the positive aspects of that deity – causing them to ‘rub-off’ on the initiate, if you like. The strength of Zeus, the beauty of Aphrodite, and the wisdom of the Egyptian Tahuti.

Of course, the Priestess or Priest guiding the initiate through this process can only give so much, and, – as with all Craft practices, – this journey is wholly in the hands of the initiate. The more effort they make, the more they will progress, and the more they will learn.

The training I am speaking of here relates to First Degree inner circle work, and therefore much of it is oathbound; but I can vouch for the fact that this process works as long as the initiate has the dedication to learn. The priesthood of the Craft is a way of life; it is unfortunate that we also have to do mundane office jobs to pay the mortgage, and perhaps even sleep occasionally – because any Priest or Priestess of the Craft will tell you there are just not enough hours in the day to fit it all in..!

Through the Craft mystery tradition, we find a way in which we can strive to understand the Gods, by identifying them within our own lives and experiences. Ultimately, modern witchcraft brings together the worship of the old Gods and Goddesses and combines it with a focus on self-empowerment, and transformation. In the words of Vivianne Crowley, ‘The Craft is a religion that looks to the good of human beings rather than to the evil, and seeks to bring out the best in a person, rather than dwelling on their faults.’

A difficult thing to achieve for many, after 2, 000 years of we are not worthy! Paganism and the Craft has been almost 200, 000 years in the making, and its rule stretched from the practices of early Neanderthals, right through to the Egyptians, the Greeks and even the early Romans, all polytheistic societies who revered both masculine and feminine aspects of deity: – a God and a Goddess, male and female – a balance lost at the rise of Christianity.

When modern witchcraft came to conception in the late 1940’s and early 1950’s, much of the medieval dogma of the past was still reflected onto the practice. Whilst people were fascinated with witchcraft and wanted to learn more, there was still the underlying mediaeval fear, which was associated with witchcraft, magic, and worship of the old Gods.

Gerald Gardner was the first person to openly admit his beliefs and declare himself a practicing witch; other trailblazers, such as Alex Sanders, Robert Cochrane and Doreen Valiente, closely followed him. It is true that mistakes have been made since modern witchcraft started to be recognized, too much press coverage, misunderstandings, and practices having to be tweaked in order for them to truly work. But Wicca is a new religion, only 50 or 60 years young, based on ancient and fragmented practices. For 60 years, we have come a long way, and these people who stood at the forefront of a new religion did a fantastic job in bringing the old ways back.

And now, the future of the craft is in our hands. Since perhaps the late 90’s, the practice of Paganism, and in particular Wicca, has experienced a boom in interest from both the media and people seeking to practice the craft. In my opinion, it is a good thing that paganism and the craft is starting to be practiced by more people, although it should be said that statistics show that we are still only 0.07% of the UK population.

Paganism embraces all ages, all genders, sexualities, ethnicities, and, to some extent, many faiths. The lifestyle that comes with Paganism encourages a respect for nature, a respect for one another, and gives an emphasis on self-development and balance. In my opinion, the more people living this lifestyle, the better the world will be.

It is a fundamental flaw in the culture of neo-Paganism that to be Pagan, one must turn their back on progression. Perhaps, people seek validation for the belief system, which they are following or perhaps they feel Paganism is an escape from ‘real life’. But, in my opinion, Paganism is the very opposite. In keeping with much of Pagan teaching, the key word here again is balance; the ability to embrace the modern world whilst not forgetting our origins and the earth beneath us, – which nurtures us, feeds us, and to whom we return when we die.

Morality Of Wicca

Morality Of Wicca

Wiccan morality is ruled according to the Wiccan Rede, which (in part) states “An it harm none, do what thou wilt.” (“An” is an archaic word meaning “if”.) Others follow the slightly adapted Rede of “An it harm none, do what ye will; if harm it does, do what ye must.” Either way, the Rede is central to the understanding that personal responsibility, rather than a religious authority, is where moral structure resides.One of the major differences between Wiccans and other types of witchcraft is the Rede.

Many “traditional” witches or witches that follow other paths do not believe in the Rede. This is a major topic of controversy within the Wiccan and Pagan communities.Many Wiccans also promote the Law of Threefold Return, or the idea that anything that one does may be returned to them threefold. In other words, good deeds are magnified back to the doer, but so are ill deeds.

Gerina Dunwich, an American author whose books (particularly Wicca Craft) were instrumental in the increase in popularity of Wicca in the late 1980s and 1990s, disagrees with the Wiccan concept of threefold return on the grounds that it is inconsistent with the Laws of Physics.

Pointing out that the origin of the Law of Threefold Return is traceable to Raymond Buckland in the 20th century, Dunwich is of the opinion that “There is little backing to support it as anything other than a psychological law.” Her own personal belief, which differs from the usual interpretation of the Threefold Law, is that whatever we do on a physical, mental, or spiritual level will sooner or later affect us, in either a positive or negative way, on all three levels of being.

A few Wiccans also follow, or at least consider, a set of 161 laws often referred to as Lady Sheba’s Laws. Some find these rules to be outdated and counterproductive.Most Wiccans also seek to cultivate the Eight Wiccan Virtues. These may have been derived from earlier Virtue ethics, but were first formulated by Doreen Valiente in the Charge of the Goddess. They are Mirth, Reverence, Honour, Humility, Strength, Beauty, Power, and Compassion. They are in paired opposites which are perceived as balancing each other.

Many Wiccans also believe that no magic (or magick) can be performed on any other person without that person’s direct permission (excepting pets and young children who can be protected by parents and owners). Sometimes when permission is expected but not yet attained magical energy will be placed on the astral plane for the receiver to gather if and when he/she is ready.

What Is Natural Magick?

What Is Natural Magick?

 

Magick is a constantly flowing stream of energy. It is a concentrated and channelled form of the life force that flows through all animate life forms: People, animals, birds ,insects and plants of all kinds. The life force is also present in rocks and crystals in some cultures regarded as living energies, in rain, sunshine, the moon, winds, storms, the rainfalll and the rivers and seas. In Charge of the Goddess, written by the late Doreen Valiente who revised much of Gerald Gardner’s Book of Shadows, the high priestess speaks as the goddess:

I who am the beauty of the green earth, the white moon among the stars, and the mystery of the waters call unto thy soul, I am the soul of nature.

 

This is a good summary of the powers of all magick, but especially natural magick that lies at its heart.

We receive and give out the life force in its spontaneous form through our aura, our psychic energy field that extends about an outstretched arm span around us. It also passes to and from our bodies through our chakras or psychic energy centers.These energy centers filter the aura energy and receive power from the earth beneath and the sky above us, from what we eat and drink and breathe and from those with whom we interact.

When you stand in the shallows of the sea and feel the waves pushing your toes, that sensation is the life force and the force behind magick. If you stand on a windy hillside and are tugged by the wind, that also is the life energy and the power behind magick. When you bury your feet in earth or press your soles against grass barefoot you are taking in the pure power.

Magick involves channelling and directing the life force by tapping into those energies in ritual and in spells and using the directed and concentrated flow to transfer thoughts and wishes (if positive) into actuality. This occurs in the same way that a strong wind can buffet you off course or the tide can lift you unexpectedly off your feet. It can be exciting occasionally to surrender yourself to the unchannelled might or nature and see where it carries you.

In spells and ritual, however, you structure words, images and actions to collect the power, and channel it into a named purpose. You can then amplify and release the concentrated strength into the specific purpose or area of the spell or ritual. In the release your wishes and focused thougths make the transition through the psychic sound or light barrier so you have the impetus to make these desired possibilities come true.

Does Magick Work?

Does Magick Work?

Author: Silverwolf

Does magick work?

In this essay I will take a look at magick, and examine how and if it “works”. I am using the spelling “magick” as originally created by Aleister Crowley and will base much of my working definition on his original description.

Magick is at the heart of many Pagan practices, and is also a key difference between most Pagan practices and non-Pagan practices. Some may argue that prayer is treated much like magick in some religions, but there are some fundamental differences that I will investigate later. Given the importance of magick, proving that magick either does or does not “work” is a very relevant task.

I am using “works” here in quotes, because I believe that the term itself is somewhat ambiguous. There are two main components to magick “working”: how, and what. The “how” is the basis of what makes magick work. What mechanism causes it to be considered a success? The “what” is the end result.

Ignoring the question of how it works, do you achieve the end results that you desire? If it works by some mechanism differently than what you believe, but still achieves the desired results, is that still “working”? I propose here that it is the end results that are important, not so much the actual mechanism. In other words, if it works for you…then it works for you.

The premise I will start with, and attempt to prove, is that yes, magick does in fact work. That is, it does achieve results. Perhaps not the exact results that are always desired, but most explanations of magick include a belief that magick does not always work all of the time in exactly the way the practitioner wants. In this respect it is very much like prayer, and I am reminded of the old saying, ”God always answers your prayers – but sometimes the answer is no.”

There are three main explanations of how and why magick works that I will examine. The first is that it works through access to the divine. We get a God or Goddess to do our bidding and use our will to control their actions, giving us access to powers greater than that which we ourselves possess… The second option I will explore is that magick works because of basic scientific principles as of yet not fully understood.

To quote Arthur C. Clarke, “Any sufficiently advanced technology is indistinguishable from magic.” In this second category I include most of what we think of as supernatural forces today but may well have scientific explanations for tomorrow.

The third option that I will explore is that of the benefits of belief by the individual, and the ability to change yourself and your surroundings based on belief. There are countless examples of people in crisis or those who have advanced training (martial artists, yogis, etc.) and are able to perform feats of control over their bodies that seem impossible. It is exactly in this way that by believing something hard enough, we are able to rise above the limits of our normal lives. In this way, a belief in magick does, in fact, allow us to tap energy that we otherwise cannot utilize and therefore effect a change.

In short, magic does work and it works by one of three methods: divine intervention, supernatural/science, or psychology.

What is magick?

In this essay I am specifically referring to magick, with a “k”. Traditional views of magic involve the action of supernatural beings or deities, the use of specific spells or actions, and particular ceremonies. This is really not so different than the traditional church approach to prayer. So why is magick so different?

Magick, with the “k”, is a term originally created by Aleister Crowley (1875-1947) . This was the early 20th century and stage magic abounded as a form of entertainment and mystery. At the same time, interest in the occult was blooming and a number of high-profile occult organizations, such as the Order of the Golden Dawn, flourished. This was a time of Harry Houdini (1874-1926) and Aleister wanted a way to differentiate occult magic from stage magic. To this end, he created the term “Magick” with an extra “k” on the end.

In his book Magick in Theory and Practice, he introduces the term “Magick”. Crowley begins the introduction to his book with quotes from a number of sources including Pythagoras, The Golden Bough by J.D. Frazer, St. Paul, etc. so we see that he drew from many classical sources when creating his work.

Magick, as defined by Crowley, is “the science and art of causing change to occur in conformity with will.” What is particularly interesting is that the definition does not say anything about divine forces, spiritual intervention, or occult phenomenon. All it really describes is a cause and effect relationship, initiated by the practitioner.

Magick can be applied to anything, from mere mundane activities to chemical reactions, an example that Crowley himself uses. He tells us that “Any required change may be effected by the application of the proper kind and degree of force in the proper manner through which the proper medium to the proper object.”

Crowley further states quite simply “every intentional act is a magickal act.” This means that anything that we do as a result of our will is an act of magick. Traditional views of magic (k) had assumed a supernatural element. Crowley, however, defines it as any act that we will to happen. In this regard, magick is an act of will that could be carried out by our own physical actions, by our instructions or commands, or even the use of supernatural forces. The involvement of supernatural forces, however, is far from a requirement.

The beauty of Crowley’s magick is that it covers a whole spectrum of forces at our disposal. We use our will directly to make changes in ourselves. We use our will and employ the tools of science to make changes. We use our will and employ the tools of witchcraft to make changes.

To improve our health, we might use our will to exercise more. To travel from Boston to New York we might use our will and the tool of the car that we drive. Magick builds on the use of our will to influence common events in our mundane life, but then adds in the use of our will to control supernatural forces as well.

Others since Crowley have largely followed his lead on what constitutes magick. In his bookThe Mystic Foundation, Christopher Penzcak calls magic (he does not use the extra k) a process of creation. He believes that words have creative power and energy, and are important to the use of magic. Magic is about harnessing and directing energy. Christopher then explains that energy can come from words, thoughts, and actions.

In addition to internal sources, he believes that herbs, metals, stones, symbols and colors are also forms of energy. Magic rituals harness this energy along with the magician’s will to create change. He explains that magic is a science, but it is also an art and a skill. He also proposed that what we call magic today may simply be what is called science tomorrow and refers to Arthur C. Clark’s famous quote about how any sufficiently advanced science will appear to be magic.

Like Crowley, Penczak also believes that magic is part of everything we do and says that we are all doing magic all the time. The difference as he sees it is that a magician is consciously aware of it and uses it as part of his or her personal and spiritual path. He points out that different people call magic by different names: many Pagans use the spelling with a k to differentiate it, but magic is also the same as medicine to a shaman, or prayer to a catholic. Ultimately, Penczak sums it up by saying, “Magic is any change that conforms to a person’s will.” While the words are slightly different, this is exactly what Crowley said as well.

InNatural Magic, Doreen Valiente describes magic (also without the k) as being centered internally. Symbols, tools, etc. are all useful to strike a mood but are merely external aids and the real magic is inside the human mind. She says that, “The only way you can really change your life is by changing yourself.” She, too, then goes on to describe how it is the power of will that causes change – regardless of what paths or energies are used to implement the will.

Many other notable authors from the pagan community have given their own particular spin and explanation on magick, but they all pretty much come down to the same description: Magic is the application of will to effect change. How this change comes about may be simple physical action on the part of the practitioner, or it may involve the use of forces or energies not scientifically understood or explained. It is all about wanting something to happen, and making it happen. In short, being empowered and being in control of your life.

Magick: invoking the divine

Of the three ways of looking at magick, the idea of invoking and controlling the divine is by far the fuzziest. Are there Gods and Goddesses? Are there other supernatural forces? Do we really think that we have the ability to actually control any of these forces? Or at least to request their assistance and have them pay any attention to us?

This is a far deeper discussion than fits within the scope of this essay, for our purposes here we will simply assume that yes, there are supernatural forces of some kind and we can access them for our own objectives. The exact nature of such forces is not important here, but rather the question of exactly how we can access them and direct them.

Accessing a God is quite a common endeavor in human history, but it has often been in the form of prayer. The key difference between prayer and magick is that prayer is a request to the deity to perform some action, whereas magick is a command to the deity to perform a service. In the former view we are subject to the whims of the divine and exist to serve at their pleasure. In the later, we are equal to any Gods in importance, if not in power, and they are available for us to command if we can figure out how. This may sound egotistical, but consider the vast forces of nature that we have learned to harness such as atomic energy. Is it really such a stretch from controlling nuclear reactions to controlling a God?

With prayer, we are supposed to exhibit good behavior (and belief) according to that particular mythology and as a reward we may ask the divine for favors. Of course, as discussed earlier, the answer can often be, “no.” Bargaining with the divine is also popular in prayer trading a promise for future good behavior or some special action in exchange for a prayer being answered.

With magick, we use our will to impose a task on a specific deity. Most pagans and practitioners of magick support a pantheists or polytheistic view and will usually pick a specific God or Goddess that is particularly appropriate for the task. We might call to Thor to be successful in battle, or Aphrodite for help with love for example. Frequently we will employ some sort of ceremony designed to attract and then compel the deity to perform our will.

Magick involving deities is often referred to as “Ceremonial Magick” and is not something that is universally encouraged. Raymond Buckland describes ceremonial magick as dangerous and totally unnecessary. He does support asking the Gods to aid you with power, however, in the “drawing down” of the God or Goddess and bringing a surge of their power into you during a magickal working.

Is it possible to direct the actions of the divine? Or even to ask them for power to aid you in your working? Certainly it is hard to top the power of a God and so if this method works, then it can be very effective. It is extremely difficult to actually prove or disprove that it is possible in invoke deities. There are also difficulties in assuming that this works for everyone or even for anyone. How, exactly, do you control a God?

What happens when someone else directs his or her God to do the opposite of what you are directing your God to do (for example, two people who both want to win the same lottery) ? Will the Gods only obey someone who has enough self-mastery to not want power and riches? There are many reasons why it might be possible for us to command the Gods but still not be able to access this path reliably.

Magick: a force of nature

We have seen examples in popular culture such as Harry Potter and The Lord of the Rings where magick is a force of nature that can be controlled by people with special talents. In these three examples, the person controlling the magic has to be born into it although their powers can usually only be fully realized after training. In this worldview, magic can also be used to create magical objects that have their own power. Here the power does not come from any actual deity, but rather is a force of nature that some people have the ability to tap into.

Accessing this force is usually accomplished through the use of incantations, or tools such as wands that allow the user to focus their own magical abilities and powers. While there is certainly an element of willpower involved in using magic in this way, the right words, tools, or actions are crucial in making the magick work as well.

In The Golden Bough, James Frazer describes a classic view of the use of sympathetic magick, where we can control some target object through the manipulation of a second object. The two objects are linked, or have a sympathetic bond, and that is why action to one also impacts the other one. He then goes on to describe two basic types of this magic: contagious and imitative (or homeopathic) .

Imitative magick relies on the use of something that is similar to the object we desire to control, and assumes that by controlling the one object we can impact the target object. A traditional voodoo doll is a good example of this. The doll is created in a fashion to represent the target subject. By sticking pins into the doll, the theory is that we can cause pain of illness in the target subject.

Contagious magick, on the other hand, relies on the use of objects that have been in contact with the target object. Because they were once in contact with each other, there is a bond between them even when they are separated. Here, too, actions on the sympathetic object can be done to control the target object.

At the other end of the spectrum we can view these forces as scientific, rather than magickal. There is actually a very thin line between the two, and much of what is solid scientific fact today was considered magick quite recently. As noted in section 1, advanced technology is indistinguishable from magick. There is no science today to explain magick, obviously, or it would no longer be viewed as magick but rather as scientific fact. There, are, however, both technologies and scientific theories that point to the possibility of magick or bear a hint of action similar to what we think of as magick.

Let us consider how our will can affect the world around us without normal physical interaction. The brain creates electrical impulses during normal operation. It has not been shown that these weak impulses are capable of acting in any way on the surrounding environment, but they are there nonetheless, and are being broadcast to the world around us.

We cannot show that these affect anything, but we can prove that at least they are receiving the signals. It proves that there is at least a vehicle for our brain to communicate in a non-physical way with the world around us.

Quantum physics has been over-blown badly and many false conclusions drawn by people who understand only a little bit of what they have read about quantum theory. However, there are phenomenons in quantum physics that seem similar to some of our concepts of magick.

Entanglement, for example, tells us that two particles that are once entangled with each other will thereafter continue to reflect each other’s state even after they are separated by a great distance. While this does not prove any actual magick, it does show us how two objects, once connected, can continue to share a bond even after their separation. This is the same basic concept as contagious magick and shows that at least the idea of two objects sharing a remote bond is now in the realm of scientific theory.

Einstein once even went so far as to call this “spooky action at a distance”. Unlike brain wave activity, which is a measurable fact, it is important to remember that quantum entanglement is still part of a theory and while it is actually measurable as well, why it works is still being debated.

These are merely two examples where science has shown us mechanisms that demonstrate similar concepts to those proposed by classical magick theory. This is a huge step towards providing a scientific explanation for magick itself, or at least for making the more scientific among us to pause and consider before simply dismissing magick off-hand.

So if we believe some forces of nature support that magick, whether or not they are supernatural or scientific but unknown is a meaningless distinction. Clearly there are still many things that are unknown, and clearly there are things that are today labeled “magick” that may well be science tomorrow. This is a topic that has occupied entire books and this is, at best, an introduction.

One point that should be made, however, is how magick can exist when magick doesn’t work. Harry Potter can reliably and repeatedly make something happen once he has learned a spell. Witches in the real world often come up with mixed results at best. There are many ways to explain this and it does not in any way eliminate the possibility that magick exists.

Why can’t I win the lottery through magick, for example? Well, if we think of magick as our tapping into basic natural forces, do we not suppose that everyone else who bought a lottery ticket is doing the same thing, to greater or lesser degrees?

In this way, we are all countering each other’s magick. Unless we can assume that our magick is so much more powerful than everyone else’s combined, which seems unlikely in practice (Charmed or Bewitched notwithstanding) , we cannot force that outcome. It would be like a rowboat trying to steer an ocean liner. There is much more to be said on this topic, but the point of this example was merely to show that magick could, in fact, work quite well and still not work for us in any given situation.

Magick: tapping into psychology

The third explanation that we will look at is the value of magick through psychological results. This is different than the general understanding of magick as involving something supernatural, but is a legitimate explanation. What we are trying to examine here is whether the belief in and performance of “magick” creates results. If we go back to our definition of magick as being the application of will to effect change then we can argue for a wide variety of actions as technically being magick. In order to make magick really interesting, however, we should assume that in order to really be magick, the end result needs to be something that would not otherwise have happened without the use of magick.

With this requirement I mind, we can fairly easily look at magick as enabling us to control at least our own mind and body, and to a degree that we do not normally have. This could be anything from stopping smoking or losing weight to success in love or our career. If we are looking at psychological reasons for magick working, we can rule out looking at things that we are not actively involved in. If magick works because of psychological reasons, we can control ourselves to a heightened degree directly but that also will have an impact on our immediate environment.

In the case of stopping smoking or losing weight it is “just as simple” as getting the will power to stop smoking, or to eat less and/or exercise more. As anyone knows who has tried to do this, this can be easy to say and very difficult to actually do. We need to overcome actual addictions as well as deeply ingrained personal behavior. Using magick to achieve these ends is not unlike using self-hypnosis. The power to make the change is entirely in our control, we “just” need the will power to make it happen.

Impacting our environment can also largely be a matter of effecting change in ourselves. If we can make ourselves more productive at work, we will probably be more successful. If we can change our own behavior to be more attractive to a partner, we can improve our love life. These are cases where we can essentially change the behavior of others by changing our own behavior and therefore changing our relationship with them. As we change, and our relationship changes, their behavior towards us will then change as well in response. Here, too, we need to make the change in ourselves first, and these changes may be very difficult because again they may run contrary to a lifetime of habits or personality.

The power of positive thinking is not just a sound-bite, but it is a well-documented and studied fact. People who are optimistic are able to achieve more than people who are pessimistic. While this sounds like common sense, studies have shown that people who believe they will succeed are not just “more motivated”, but are able to actually tap into more physical and mental energy than others who believe they will fail. If you think you will succeed, you will actually be able to work harder.

Beyond the basics step of merely going faster, further, longer, or harder, there are many documented stories of the ability of people to tap into inner strength that is not considered normal. There are many stories of people who have prayed or willed diseases into remission, who have tapped into super-human strength to save a loved one, or even just to walk on hot coals without suffering burns. These actions are the result of achieving a level of control over the human body that we do not normally have. Here, too, the key is to convince ourselves that it can be done.

Self-hypnosis provides a framework for making changes like this, and the techniques are actually very similar to what we do in ritual when casting a spell. Key to the effectiveness of self-hypnosis is our own belief that what we wish to achieve is possible. If we do not really believe it can be done on a sub-conscious level, we can never convince ourselves to make the change. While it is probably mandatory to believe in order to direct the actions of a God, or to marshal supernatural forces to our will, it is absolutely crucial to believe in order to create change within ourselves.

While this explanation of magick involves the mundane instead of the supernatural, nevertheless it is also a path to extraordinary results that have been absolutely proven. If you convince yourself of results, you can change your behavior and even tap into extraordinary, but not supernatural, abilities. This limits the potential reach of the results of magick, but it also gives an absolute, proven path to results.

Magick in this case provides the enabling action to reach these goals. In order to convince ourselves that we have made the change, something has to happen to act as the agent of change. We do not simply wake up one day and say, “today I will stop smoking.” That is rarely, if ever, effective because we know that we are no different than we were yesterday when we were still addicted to smoking.

There needs to be some event that we can use to convince ourselves that this change really will happen. Magick, and a magick ritual in particular, provide us with the event that will allow us to convince ourselves that change has occurred. Because we believe that the magick is going to work, it does in fact work.

While it is actually our own mind that is making the change, we are unable to do it without the event that convinces us. I believe in magick, therefore the magick is going to work. I have now convinced myself (especially on a sub-conscious level) of the success of my effort, and therefore I am able to achieve the desired results that I could not have achieved before. It is not the magick itself that makes the change in this case, but rather our belief in the magick that makes it work.

Magick vs. prayer

In section 3 we briefly touched on the differences between magick and prayer. The main difference, as we mentioned, is that prayer is based on asking God for a favor, whereas magick is based on you using your will to make things happen. Even in the case where you are working with a deity, you are telling that deity to do something for you, not asking.

Beyond the differences in approach, and the differences in execution, this also reflects a core difference between paganism and mainstream religions: where control of your life ultimately lies. Paganism places your life in your own hands – you are responsible for what happens to you and for making life what you want. Mainstream religion places ultimate responsibility in their God’s hands. You can only control your life to a certain point, and beyond that it is “God’s will.”

Of course, there is a down side to having this control as well. You, and only you, are responsible for your life. You can’t shrug it off and blame your problems on God. Yes, the world may have plans for you, and you may have a path that takes you in a certain direction, but you can also take control of your own destiny through an act of will. This is the use of magick – to provide control of your life and your destiny.

Things may happen to you that you don’t like, but at no point do you have to sit back and accept that. While giving you control, however, it also takes away the comfort of being able to blame your problems on “God’s will.” Stuff happens, some of it bad stuff, but not because it is part of “God’s plan”.

Having said that, prayer can still be effective. If you believe hard enough that God is going to answer your prayers, you can approach the same mindset of confidence that is used to drive magickal workings. Certainly if you believe that your prayers will be effective, you can at least convince yourself and therefore gain the benefit of positive thinking. Whether or not that person’s God does really exist, prayer, too, can end up having a positive impact.

Magic for everyone

Ultimately, the question of why magic works is an academic exercise and really not relevant. The important thing is to decide that yes, in fact, magick does work. Exactly why it works is not important. The key elements are that magick does work and that it is a product of our own willpower. This is what and how, and to use it that is really all we need to know. Few people understand exactly how a cell phone works, but they are able to use it quite effectively nevertheless.

It is important to understand how to use magick, obviously, in order to get results. It starts with a will to cause an effect. Whether it’s our brains or cosmic forces or Gods that make it work after that is not important. What is important is that we can make it work.

Wayne Dyer wrote an excellent pop self-help book about using magick titled Real Magic. My description of his book is in no way meant to be derogatory. “Pop” as in “popular” or “popular culture” is actually an asset. If you want to study the history and details of magick as a scholar then by all means, head for the more serious and scholarly authors.

If you simply want to use magick to change your life, then read Wayne Dyer (or others like him) who reduces the practice to simple, will-based techniques. If you believe you can change your life, then yes you really can change your life. But it has to start with will. This is the essence of self-help. Only you can perform magick for yourself. It is driven by your strength of will, no one else’s.

Wayne Dyer’s approach strips away the trappings of mystical magick, and obviously avoids the Crowley spelling, and places the techniques of magic in common life. His approach is based in large part upon meditation and visualization: both very sound and proven techniques, and ones that are important fundamentals for any magickal practice. This simple form may not be for everyone, and part of your own ability to tap into your own magick may well require the trappings of ceremony and ritual in order to help focus and control your will. What works for you…works for you. How to best focus your will is going to vary from person to person and is something you will need to work out for yourself.

Caveats

There are a few caveats that bear discussing when it comes to magick. While it is true that Magick requires faith and belief to work, this is a double-edged sword. If you believe that you can achieve something through magick, then you are certainly more likely to achieve the end result because of your belief. It is also, however, true that if you believe you cannot achieve something because of magick then you are certainly going to be far less likely to achieve it. This could be because you believe someone else’s magick is blocking you, it could be because you do not believe that the magick is going to work for you for whatever reason, or it could be because you believe that magick cannot help you achieve your objectives. Belief in failure is just as damaging as belief in success is rewarding.

Belief must also be reasonable, and you must make sure you do in fact use the right tools. If you work magick to get a job but do not actually apply for the job, think of how much more effort the magick needs in order to make it happen. Always use every tool at your disposal when working magick. There is a lot of truth I the old saying “God helps those who help themselves.” If you are not willing to put in the effort required, why should the magick do it for you? Don’t pick ridiculous goals for your magick either, or goals where you know you are going to be pushing up against many other people’s magick. Winning the lottery is a good example of this – everyone who buys a ticket is pushing against the outcome – some are more powerful than others, but your own magick would have to be incredibly powerful to overcome all of those counteracting forces.

Finally, there are things that magick should not do. It is not a favor to prolong the life of a terminally ill person who is suffering. That is selfish, not helpful. Magick should not be used to bring about results for the wrong reasons, and should not be used on people who do not want its help. What you want may not be what others want, and it may not even be good for them. You cannot decide whether your unwanted actions will end up for good or bad, and you are robbing someone else of their free will. Magick should only be used for people or on people who want the help and agree to it. Otherwise, leave them to their own path.

Conclusion

I started out by making the claim that magick does work – for everyone. An explanation of exactly how magick works depends on whom you talk to, with a number of different beliefs and explanations. The main explanations given by practitioners typically involve either the harnessing the power of a sentient God to do your will, or the access to supernatural powers. Essentially the same as supernatural forces are scientific forces that we do not yet fully understand. Ultimately, however, the mere fact that the practitioner believes in magick makes certain that, at least to some degree, the magick will unquestionably work. Because belief in success does, in fact, increase the chances of success by drawing more effort and energy out of the believer.

Magickal workings are an attempt to influence events and make changes in the world according to your will. These results are in relation to you and your place in the world, so making a change in yourself (by increasing your energy) will obviously have a change in your environment as perceived by yourself.

Ultimately, how magick works becomes less important than the fact that magick does work. The only requirement, however, is that you must believe in magick for it to work effectively. That’s the key, and the only thing that is needed to unlock the power of your will. Just like when Peter Pan tells us that Tinker Bell will die if we say we don’t believe. But if we believe, then Tink will live.

Without belief, Magick dies, but with belief, a whole world of possibilities is open to us. To use another children’s story as an analogy, “The Little Engine that could” makes it up the mountain only because he believes that he can. Children know these things, and these stories resonate with them. Sadly, as we grow older we are taught to learn boundaries and restrictions and once we find out that magick is not real and not possible, then, in fact it does become unreal and impossible.



Footnotes:
References:

Crowley, Aleister. Magick: in Theory and Practice. Castle Books, 1970 (originally published 1929) .
Penzcak, Christopher. The Mystic Foundation. Llewellyn, 2006
Valiente, Doreen. Natural Magic. Phoenix Publishing, 1975
Buckland, Raymond. The Complete Book of Witchcraft. Woodbury, MN: Llewellyn Publications, 2007.
Frazer, Sir James. The Golden Bough. Macmillan, 1922.
Aczel, Amir. Entanglement. Plume, 2003.
Keith, William. The Science of the Craft. Citadel, 2005.
Vaughan, Susan C. Half Empty, Half Full: Understanding the Psychological Roots of Optimism. Harvest Books, 2001.
Hogan, Kevin, and LaBay, Mary Lee. Through The Open Door: Secrets of Self Hypnosis. Pelican Books, 2000.
Dyer, Wayne. Real Magic. Harper Collins, 1992.

An Intimate Look at Ritual Pain

An Intimate Look at Ritual Pain

by Amanda Silvers

 

“A person can’t be creative and conformist at the same time,” J.A. Meyer, “Brick Wall”

The night is dark when we set out, with a cool silver moon the only illumination. I am blindfolded and bound as soon as we begin. I wonder where we are going, for one of the rules is that I must not know until after (and if) I endure the ordeal. It is a cold clear evening, and I can think of nothing save the knot in my stomach and the shaking of my knees.

We arrive at the appointed site; it smells slightly of hay, cows maybe. It is frigid and crisp, and I am beginning to chill; I should have dressed more warmly.

We enter some type of building; the blindfold is scratchy on my face, and I can’t see, but it is warmer, and I sense other people. I hear the crackling of a fire. My bonds are removed, and my coat and gloves come off; the others are silent except for the terse instructions, “Take off your clothes!” I am wishing I were anywhere but here right at this moment. I am freezing, and they want me naked? I vaguely remember them telling me this ritual was skyclad, but I’d forgotten.

I am naked now, and warmer, but still feel as though I can’t get warm enough. I kneel on the floor, which seems to be made of hard and uneven boards. My knees hurt, my shins hurt, my arms hurt, and there is a pain in my back that gets worse as the seconds fly by. I am cold and colder, and the hair on my arms and the back of my neck stands up like a dog’s hackles. I sense movement as they come for me.

I am afraid. I am inclined to say forget it, I don’t really want this. I have no idea what to expect and all of my worst fears flash before my eyes, as someone helps me to my feet. My stiff legs protest with loud cracks and pops, as I attempt to put my weight on them. I hope that I have used good judgment; all of my father’s warnings come back to me, scenes from Rosemary’s Baby and all of the stories about “Satanists” fly before my eyes. Can I trust these people? Do I know them well enough? I guess at this point I really have no choice. So I follow where they lead, carefully instructing me on where to step and when to stop.

I am in the circle now; no… not yet, I am nearby. I can feel the proximity of maybe a dozen people. I can feel their breathing, their excitement. I am still frightened, I am fidgeting and shaking like a leaf. I hear the priestess’s voice; it is familiar, and it comforts me. I hear her ask me if I wish to continue. I pause, then answer feebly “Yes,” and I am brought in. I can tell I have entered the circle because it’s so much warmer, and I feel it close around me. I feel momentarily safe; then I remember what I’m here for.

The ritual continues; some parts are familiar, and I pass each test. I say the right things by some miracle of my memory or subconscious, and then the time arrives for the ordeal. I am asked to kneel again on the hard uneven floor; my hands are bound behind me; I am bent over in supplication when I feel the lash of the whip.

The whip goes up with a whooshing sound and comes down with a crack that slices the skin on my back as if it were butter, and it feels as if I am bleeding. I feel the pain, and the pain from my childhood comes up with it, up from deep inside of me. It comes bubbling to the surface as I count the lashes and hope each is the last. I feel tears squeezing out through my clenched eyelids under the rough blindfold. A thought about whether they will see me cry passes though my mind just as another lash follows on its heels chasing it away. I allow the tears to come. I let the feelings surface, and I wail with the sound of an animal, a cat. I growl, and I resist moving away even as I feel my body grow warmer and warmer still. I think that blood must be running out of me at this point, and I pray to the Goddess that they will stop, as each of them lashes me with the cruel whip. I feel myself beginning to slip out of my body, and I hear my priestess say, “Stay with us, dear one, it is for naught if you go away.” So I try to focus my energy as I shift my weight on my knees, and the lash continues.

I don’t know how many times I was lashed that night. I do know I was really surprised that there was no blood at the end. It felt as if the whip was cutting me. There were some welts that went away in a day or two; I wore them as a badge of courage. Maybe it was the fear that made it seem so bad, or maybe something more happened that night than I can explain.

When this ritual took place, I was very young and full of myself; I thought I knew everything. I didn’t, of course, and the important thing is that this initiation served to point that fact out to me. I had begun in the Craft not taking it seriously, and after the ritual I felt charged, changed; I was a different person from the girl who set out that night. I knew I had endured, and my childhood pain had been spent like so many coins as payment for my innocence.

Humans have utilized, and continue to utilize, pain in ritual to accomplish different goals: as a ceremony of purification, as a means to an altered state of mind, as a technique to travel astrally, as a healing for past pain and as an ordeal to suffer and endure before being allowed to move from one level to another, as in my first initiation. Why do we use pain in this fashion? As Doreen Valiente said, “The reason we use the scourge, is that it works!” Pain stands as a proven technique for reaching the subconscious, raising energy and achieving altered states.

Pain is used as a marker for rites of passage. “The Olmec, Mesoamerica’s oldest civilization, provides the earliest, and one of the most graphic illustrations of genital sacrifice,” according to Wes Christensen. “A remarkable mural found inside a cave in the modern Mexican state of Guerrero, shows a crouching jaguar, symbol of the priest-king in later times, emerging from the stylized jaws of a serpent whose body, in turn, reveals itself to be the greatly enlarged penis of a human figure. The obligation of ritual blood sacrifice was one the Maya later shared with the other cultures that inherited Olmec patterns of ceremonialism.”

A similar rite of passage that continues today, circumcision is a religious ritual that has been practiced in both ancient and modern times to mark the transition from boyhood to manhood. Circumcision is practiced today in Jewish culture as the religious ceremony it is. Modern-day mainstream medical circumcision is one example of how society can embrace a religious ritual and change it into a medical procedure.

E. Royston Pike states: “Circumcision was practiced by the ancient Egyptians as far back as the Fourth Dynasty, or 3000 B.C., and probably long before that. The ceremony is clearly portrayed on a temple at Thebes. Circumcision is to be regarded as a ritual tribal mark or badge.”

Tribal or “gang” tattoos are popular with young people as a mark of their allegiance; they also use pain as a ritual to enter into the gang. Called being “jumped in,” the gang challenges and beats the initiate till they either give up, or until they can’t move. Some people die as a result of this initiation. It shows their level of commitment to the gang, as well as how tough they are. They wear the tattoos of the gang proudly, to show who they are.

The body’s ability to override the sensation of pain is incredible; when we are in pain, we manufacture natural substances much more powerful than most drugs. Some people get almost addicted to pain and body modification, as if it were a drug. Fakir Musafar is one of the most extreme body players that I have seen; he has been experimenting with all manner of body modification and ritual since the ’50s. At one point, he whittled his waist to a mere 14 inches in a reenactment of the rituals of the Ibitoe from New Guinea, who use the itiburi (wide waist belt) as a sign of manhood. Fakir says he “became an Ibitoe to see what it was like, and fell in love with the practice…. The tight waist training of the Ibitoe teaches them that you are not your body, you just live in it.” He adds, “Times have changed, people have changed. The way I see it is, people need these rituals so desperately; that’s why piercing and tattooing have blossomed. People need physical rituals, tribalism…. They’ve got to have it, one way or another.”

The majority of the rituals Fakir does are reconstructions of tribal rituals that have been acted out for hundreds of years, like those of the Indian sadhus who sew coconuts all over their bodies, stitch fruit with chains to their backs or hang by hooks from their backs. Fakir hangs weights from hooks in his skin, puts clothespins all over himself, dangles a large weight from his penis and lies on a bed of razor-sharp blades. He has accomplished numerous enactments of these practices, which he has documented with pictures.

When asked why he would want to do these extreme things, Fakir says, “We’re suffering from a lot of repressive conditioning, which you can’t undo in just a mental way. Most of it has to do with sexuality and sexual energy. If you get into any practices of other cultures, you’re bound to be involved with a lot of sexuality in other states and guises that aren’t even acknowledged as being in existence in this culture. And a good shamanistic answer to why do these things is because it’s fun!… I mean, what’s wrong with that? Is there a law against having fun?”

Fakir is also one of only a few white men who have performed the O-Kee-Pa Sundance ceremony, wherein the person pierces the flesh on his chest and puts claws, horns or hooks through it and hangs from the Sundance tree till the skin rips and he falls down, the duration of which may be many hours.

This ceremony was illegal and relatively unknown to the white man until the film A Man Called Horse; then Fakir and famous body piercer Jim Ward made the film Dances Sacred and Profane in 1985, in which they included an O-Kee-Pa ceremony.

George Caitlin in O-Kee-Pa: A Religious Ceremony, and Other Customs of the Mandans, published in 1867, writes; “An inch or more of the flesh on each shoulder, or each breast, was taken up between thumb and finger by the man who held the knife, and the knife had been hacked and notched to make it produce as much pain as possible, was forced through the flesh below the fingers, and was followed by a skewer which the other attendant forced through the wounds (underneath the muscles, to keep them from being torn out), as they were hacked. There were two cords lowered from the top of the lodge, which were fastened to these skewers, and they immediately began to haul him up. He was thus raised until his body was just suspended from the ground…. The fortitude with which every one of them bore this part of the torture surpassed credulity.” The ceremony used to be illegal; the government tried to outlaw the Indians’ rights to their religious rituals. Some of those rights were not regained in court until 1967.

The assemblage is held each year at the summer gathering or Sundance to take part in the ritual, you must be an Indian, and each year they change the location where it is held. I have spoken of the Sundance with several people who have performed it, and I have seen the cruel scars the skewers leave where they tear the skin. The scarification is a badge worn by those who do the sacred rituals, a reminder of the experience, a medal of courage, an imprint in their skin of the climacteric of their life.

When I questioned Bear-dreamer why he does the Sundance ceremony, he related his experience: “Our selves are the only thing we have to sacrifice. Everything else we offer to the gods has come from the earth; this is a way to give back to the Mother something which we did not get from Her. This way you spill your blood and endure the pain as your offering to Her.”

Everything comes back around; there is nothing new under the sun. In many cultures, we find people inflicting pain on themselves and others; with sadomasochism (SM) recently become a cultural phenomenon, this sexual/sensual practice seems to have reevolved. It has even progressed into a bizarre fad in the last 10 years. In the ’70s and ’80s, you had to really search for fetish clothing; these days, Madonna has made it a mainstream fashion statement. Studded black leather and chains appear on the runways of French clothing designers almost as often as in some gay bars. If it were merely a vogue, I wouldn’t be all that interested, but SM has grown as a sexual penchant for people from the hip to the middle class.

No matter what class or educational background you hail from, enduring pain can give you an incredible feeling of power: power over your own body, power over your circumstances. If you can refuse to feel the pain, or to react to it, you can control your life.

There is an exchange of power that happens in SM that I have yet to find in many other places. Some SM activity may be understood as a ritual “sacrifice,” the person being tortured sacrificing their power, pain or blood to the person doing the beating, cutting or piercing. Some people are in SM for the endorphins and the “high” produced by the person on the bottom (the one being beaten or whatever), which is empathed by the top, who then gets a contact high. This may also be true for many others in situations where they are inflicting pain, like phlebotomists, physical therapists and so forth.

What is the enchantment of pain? Why are young people nowadays piercing everything visible as well as many of the unmentionable parts? What about tattoos? Talk about pain! I am also a tattoo artist, and I get wonderfully high from the pain I visit on my customers with the tattoo machine it’s unavoidable. I ride their energy, their endorphins, for as long as they want to or can take it. It is a lot of fun, a harmless way to experience that high, and they gain something from it too. It’s far superior to drugs; I actually get paid for it, and it’s desirable all of a sudden, in a kinky sort of way! A tattoo as a rite of passage marker is a wonderful experience, as you may suffer from real pain as an ordeal, which is not unbearable, and it leaves a beautiful reminder of your process and transition.

The Craft has its own interpretation of pain in ritual; there are a number of traditions that employ flagellation. Doreen Valiente said, “Rumors and allegations have been frequent, that present day witches make use of ritual flagellation in their ceremonies. The truth is that some covens do make use of this, and others do not. Those which do, however, have the warrant of a good deal of antiquity behind them; the truth of which has hitherto been obscured by the difficulties encountered by anthropologists and students of comparative religion, in the frank discussion of this subject. The reason for this seems to be that, while strict moralists have no objection, indeed all are in favour, of flagellation being used for penance and punishment, to inflict pain and suffering; nevertheless, the idea of this very ancient folk rite being used in a magickal way, not to inflict pain but as part of a fertility ritual, for some reason upsets them very much.”

To learn, you must suffer and be purified. Are you willing to suffer to learn?

The Encyclopedia of Witches and Witchcraft states that “Religious mystics have used flagellation for centuries. In witchcraft, it is ideally light, slow and steady. Not all (witchcraft) traditions use scourging. Its use in those that do has declined since the 1960s.” The reason the scourging is ideally slow and steady is that it should build energy. It begins slowly and softly, in my experience, and builds over time in rhythm and intensity, so as to mount the neophyte’s rapture. Think of a musical piece that starts soft and slow and builds into a crescendo of power. It feels something like that.

In traditional Gardnerian and Alexandrian rituals, the scourge is employed quite readily to raise energy; there are numerous examples of this in diverse types of rites where this is apropos, for example during a third degree initiation. Gardner’s Great Rite includes three sequential scourgings. Some observe that he was a bit too taken with the ritual asceticism and hint that he was “kinky.”

Doreen Valiente replied to this, “What old Gerald had described is a very practical way of making magick. I speak from experience when I say that it does what he claimed it to do, and I don’t care about what anyone says about being ‘kinky’ or whatever. Perhaps it has become associated with ‘kinky’ sexual matters, but long before that it was part of a very ancient mystical and magickal practice. You can find mention of it in ancient Egypt and from ancient Greece; and no doubt you are familiar with the famous scene from the Villa of the Mysteries in Pompeii which shows a new initiate being scourged a point which Gerald referred to in Witchcraft Today.” Doreen added, “I disliked the elements of flagellation and bondage in the rituals at first, but I came to accept it for one good reason it worked. It genuinely raised a cone of power and enabled one to have flashes of clairvoyant vision.”

In my tradition, Sylvan, we used to practice ritual scourging as a suasion to dance the circle round, faster and faster. The high priest and priestess would stand bordering the circle of dancers and flail us with cats o’ nine, to make us step in a more frenzied manner, so as to elevate the energy. We were then a skyclad tradition, and when the dance climaxed, the priestess would motion and we would all fall to the floor as she funneled the cone of power. We don’t perform skyclad very frequently any more, and we don’t dance the frenzied circle as we once did. We do continue to use various methods involving pain as tools to an end, such as an ordeal in an initiation.

I find it fascinating that more and more people are finding the tool of pain an appropriate one to use, whether they be modern primitives, native American Indians, SM dykes or witches. We, as a national culture, seem to be attempting to reclaim our lost rituals. Humankind is beginning to reinvent many rites and customs, some including pain.

Pain can act as a doorway to other realms; it can take you places you have never been. It is one thing that can definitely move you from one place inside yourself to another; in the initiation I related, it moved me from my childhood to being a true believer. It has moved me in many ways at other times in other places; if you can endure, you can triumph. I have used pain as a tool for growth, for sensory overload, to achieve states of bliss, as a tool for illumination, for achieving astral travel, for inner exploration, as a tool for dramatic personal growth and for reliving and healing my past. These ceremonies have existed since the beginning; humans have a deep need for them, and to deny them is to deny our gods.

In the center of the circle stands a man; he has been challenged, has made the promises. He is asked if he desires the purification and the mark. He says “Yes” solidly, assuredly. People approach from three sides, a man and a woman go behind and beside him, to sustain him, to support him.

“By the fire that gives you strength, by the water that quenches your thirst, by the earth that holds the secrets of being, by the air that inspires you, by the fey that share their magic, the last stage of your purification has arrived…. You must call upon your strength to help you attain the center.”

The third woman stands before him with a glowing scarlet firebrand; the star blazes for a moment before she presses it to his chest. The smell of burning hair, a whiff of melting flesh, and it’s over. He does not cry out. He is transported; you can see it; he has a foolish smile smutched across his face that he can’t wipe off.

He is positively in the center now, of the gods. It is a night he will remember always, and particularly any time he notices the star-shaped scar the brand left over his heart.

For a moment, in pain, he was one with the gods. If pain can assist you in attaining the center, why not use it? I say it can’t hurt!

Paganism and Morality

Paganism and Morality

Author: Morgan Ravenwood

In a previous article I wrote entitled “The Joys and Pitfalls of Pagan Parenting, ” I repeated what my then-teenaged daughter, “Jane, ” said to me in response to my attempts to keep her on the “straight and narrow”: “But, mom, it’s not like you’re a religious Christian or something!”

I spent the rest of our conversation trying to explain why you don’t have to be a Christian to be religious and to believe in—and practice—leading a decent life. Fortunately, time and maturity has proven this to Jane, who now has three children of her own to teach it to.

In some of the online discussion boards I belong to, it has been mentioned repeatedly that many people believe that morality needs religion—and preferably the Christian religion–to exist, and vice versa. Of course, both myself and others, including some Atheists, have hastened to explain that this is in no wise true, presenting our own personal points of view and experiences as proof.

However, a member of one of the boards recently posed a question that demands an answer, both to ourselves as well as the outside world:

“So that we may learn how to properly judge those of other religious persuasions, specifically how are Wiccans and Pagans and Atheists supposed to behave in accordance with their beliefs?

How do we know when they are being true to their religious ideals, and when they are being hypocrites?”

A fair question, especially given that neither Pagans nor Atheists have the words of a prophet or set scriptures to govern their behavior. While I cannot speak for Atheists, where Paganism is concerned, it’s understandable that members of mainstream religions would find it odd, not to mention immoral, that some Pagans perform their rituals “skyclad”—i.e., in the nude–and even participate in what might be considered to be immoral sexual behavior, including homosexuality and polyamory (which simply means “more than one” lover).

The fact that there is no stigma attached to these in Paganism only reinforces this belief.

It is a sad fact that Pagan parents have had their children removed from their custody once their religion becomes public knowledge because Paganism has so often received a negative reputation as a religion with little to no morality.

In view of this, we are almost obligated to try to demonstrate as strong a behavioral standard as possible so as to build and retain integrity for our religion.

While we’ve probably all met a few “Happy Nekkid Pagans” with seemingly looser morals than most, the majority of Pagans I have known have led far more moral lives than many of their Christian counterparts.

I believe that this is due to the fact that some Christians are really only “Sunday Christians, ” named so because they crawl to church on Sunday and feign repentance, only to resume their evil ways on Monday.

But for us Pagans, it’s a little different; we consider ourselves to be “24/7 Pagans” because our own sense of honor and personal responsibility prohibits us from behaving in such a cavalier manner.

And what is the source of this personal responsibility, since it does not depend upon the threat of punishment from an angry god or a feeling of obligation to obey scriptures? I think the basic answer can be summed up quite nicely in three words: The Golden Rule. You know, the one that says, “Do unto others as you would have them do unto you.”

The wording of this has been slightly changed but retains the same meaning in our own Wiccan Rede, which the majority of Wiccans DO adhere to: “An it harm none, do what thou will.”

To do any differently would be to harm oneself if one believes, as most Pagans do, that we are all part of each other as well as the earth. Think how wonderful the world would be if everyone practiced this for even one day!

Also, it is worth noting that some Pagan traditions, which are similar to Christian denominations, have their own set of guidelines that members are expected to follow. Though they are certainly not binding to ALL Pagans, nor do all of them adhere to them, The Thirteen Goals of a Witch, especially numbers one and four through seven, give very good guidelines for ethical behavior:

The Thirteen Goals of a Witch

1) Know Thyself

2) Know Thy Craft

3) Learn, Knowledge is Power

4) Apply Knowledge with Wisdom

5) Achieve balance in your life and everything around you

6) Keep your words in good order – negativity breeds negativity –

7) Keep your thoughts in good order

8) Celebrate life and all the stages of it

9) Attune with the cycles of the Earth and Moon

10) Breathe and eat correctly

11) Exercise the body as well as the spirit

12) Meditate everyday

13) Honor the Goddess and God

It is worth remarking that many of these mirror the behavioral guidelines as set out in the Eightfold Path of Buddhism, which does not carry the stigma of immorality that Paganism does. Yet another Eastern faith belief of importance to Pagans is Karma—that which you do, comes back to you.

Many Wiccans adhere to this belief, but with one notable difference: that which you do, comes back to you—THREEFOLD. Whether or not this is true, the reality of “cause and effect” is indisputable, which certainly prompts some serious consideration in making important decisions, particularly those that concern other people.

Another area in which most Pagans strongly attempt to behave responsibly is preservation of the environment. In these days, especially with a government and national population that are less concerned about preservation and more with maximum utilization, this is no easy task. And yet, believing as we do that the earth is our Mother, we each owe it to Her to do our share. Recycling, composting, and making responsible decisions about using products that are harmful to the environment are all things we can do as individuals.

Lastly, in the “Charge of the Goddess, ” which quite thoroughly lays out recommendations for responsible and moral behavior, Doreen Valiente wrote these words, which are dear to the hearts of the many Wiccans who aspire to live by them:

“Let there be beauty and strength, power and compassion, honor and humility, mirth and reverence within you, ” and “keep pure your highest ideal; strive ever towards it, let naught stop you or turn you aside.”

Surely, nobody of ANY persuasion, religious or otherwise, could aspire to any higher goals than these.


Footnotes:
This article has previously been published on The Wiccan-Pagan Times website.

The Return Of The Sun God

The Horned God

In traditional and mainstream Wicca, the Horned God is viewed as the masculine side of divinity, being both equal and opposite to the Goddess. The Wiccan god himself can be represented in many forms, including as the Sun God, the Sacrificed God and the Vegetation God, although the Horned God is the most popular representation, having been worshipped by early Wiccan groups such as the New Forest coven during the 1930s. The pioneers of the various Wiccan or Witchcraft traditions, such as Gerald Gardner, Doreen Valiente and Robert Cochrane, all claimed that their religion was a continuation of the pagan religion of the Witch-Cult following historians who had purported the Witch-Cult’s existence, such as Jules Michelet and Margaret Murray.

For Wiccans, the Horned God is “the personification of the life force energy in animals and the wild” and is associated with the wilderness, virility and the hunt. Doreen Valiente writes that the Horned God also carries the souls of the dead to the underworld.

Wiccans generally, as well as some other neopagans, tend to conceive of the universe as polarized into gender opposites of male and female energies. In traditional Wicca, the Horned God and the Goddess are seen as equal and opposite in gender polarity. However, in some of the newer traditions of Wicca, and especially those influenced by feminist ideology, there is more emphasis on the Goddess, and consequently the symbolism of the Horned God is less developed than that of the Goddess,  In Wicca the cycle of the seasons is celebrated during eight sabbats called The Wheel of the Year. The seasonal cycle is imagined to follow the relationship between the Horned God and the Goddess. The Horned God is born in winter, impregnates the Goddess and then dies during the autumn and winter months and is then reborn by the Goddess at Yule. The different relationships throughout the year are sometimes distinguished by splitting the god into aspects, the Oak King and the Holly King. The relationships between the Goddess and the Horned God are mirrored by Wiccans in seasonal rituals. There is some variation between Wiccan groups as to which sabbat corresponds to which part of the cycle. Some Wiccans regard the Horned God as dying at Lammas, August 1; also known as Lughnasadh, which is the first harvest sabbat. Others may see him dying at Mabon, the autumn equinox, or the second harvest festival. Still other Wiccans conceive of the Horned God dying on October 31, which Wiccans call Samhain, the ritual of which is focused on death. He is then reborn on Winter Solstice, December 21.

Other important dates for the Horned God include Imbolc when, according to Valiente, he leads a wild hunt. In Gardnerian Wicca, the Dryghten prayer is recited at the end of every ritual meeting contains the lines referring to the Horned God:

In the name of the Lady of the Moon, and the Horned Lord of Death and Resurrection

According to Sabina Magliocco, Gerald Gardner says (in 1959’s The Meaning of Witchcraft) that The Horned God is an Under-god, a mediator between an unknowable supreme deity and the people. (In Wiccan liturgy in the Book of Shadows, this conception of an unknowable supreme deity is referred to as “Dryghtyn.” It is not a personal god, but rather an impersonal divinity similar to the Tao of Taoism.)

Whilst the Horned God is the most common depiction of masculine divinity in Wicca, he is not the only representation. Other examples include the Green Man and the Sun God.In traditional Wicca, however, these other representations of the Wiccan god are subsumed or amalgamated into the Horned God, as aspects or expressions of him. Sometimes this is shown by adding horns or antlers to the iconography. The Green Man, for example, may be shown with branches resembling antlers; and the Sun God may be depicted with a crown or halo of solar rays, that may resemble horns. These other conceptions of the Wiccan god should not be regarded as displacing the Horned God, but rather as elaborating on various facets of his nature. Doreen Valiente has called the Horned God “the eldest of gods” in both The Witches Creed and also in her Invocation To The Horned God.

Wiccans believe that The Horned God, as Lord of Death, is their “comforter and consoler” after death and before reincarnation; and that he rules the Underworld or Summerland where the souls of the dead reside as they await rebirth. Some, such as Joanne Pearson, believes that this is based on the Mesopotamian myth of Innana’s descent into the underworld, though this has not been confirmed.

Atho: The Horned God of the Witches

Atho: The Horned God of the Witches

Author: WiLL

In the early 1960’s a man named Raymond Howard offered a correspondence course called “The Coven of Atho”. The first lesson begins by telling the reader they are going to be taught about the symbolism and rites of a “clan of White Witches” that is known as “The Coven of Atho”. It was taught, “ATHO is the name of the Horned God of Witchcraft.” But going back just a bit further Raymond Howard became the handyman of a Charles Cardell in 1959 that had started to teach people in 1958 about this same God named Atho. Both of these men had their own version of a story where they learned about Witchcraft and the God Atho. The one thing they had in common was this was an ancient God that had some sort of connection to Atlantis.

One witch named Doreen Valiente wrote about Atho in her book An ABC of Witchcraft. She made a drawing of it and included it next to the well-known image of Baphomet “the god of the knights Templars” drawn by Elphas Levi. She writes a good bit about her personal observations of this wooden head that was carved from single piece of dark oak. The horns were decorated with the signs of the zodiac and in the center of the head were five circles, which stood for the five different types of circles cast by a witch. Some symbols are a bit harder to notice like the nose in the shape of a chalice.

There are only a handful of known photos of this wooden head and one was shown in the book Dancing with Witches by Lois Bourne. She saw the head in 1964 while on vacation in Crantock, Cornwall in the UK. The last known photograph ever taken was published in the “Eastern Daily Press” on March 6th, 1967. Shortly after that article came out the head was stolen. Searching through Doreen’s personal journals she did give a hint about who stole this head and where it currently resides. She pondered why Charles Cardell would steal the head from Raymond Howard if the head were a fake. She later noted that the head was buried in Charlwood in the county of Surrey in the UK.

It was reported to a few people that the son of Mr. Raymond Howard recalls observing his dad work on the head. This has made some to believe the head was a fake. In a brief correspondence in 2009 the son of Raymond Howard told me that while he did recall observing his dad work on the head of Atho he could not be positive he recalls him starting it from the beginning. Mr. and Mrs. Cardell hired Mr. Raymond Howard as their ‘handyman’ in 1959 but they had already were teaching witches in 1958 and corresponding with witches like Gerald Gardner and Doreen Valiente in 1958. Also in 1958 Mr. Cardell published in a magazine called “Light” an article entitled “The Craft of the Wiccens”.

In one of Doreen Valiente’s journals I borrowed and transcribed from, there were some descriptions of various photos and in one was the head of Atho at Stonehenge “with two cloaked figures kneeling on either side of stone altar, on which is Head of Atho” was placed. In the Coven of Atho books I studied were a list of ‘witch words’ it included the word “Atho – The God or visual image”. A similar list of ‘witch words’ was shared with Jack Bracelin by Gerald Gardner that also contained the word ‘Atho’. It is still possible Raymond Howard was commissioned by Charles Cardell to carve this head of Atho. It is also possible the head of Atho was first created by Charles Cardell and was later handed over to Raymond Howard to make further modifications. But I’m quite certain the word ‘Atho’ was in use by Mr. Cardell before Mr. Raymond Howard was ever hired as the handyman in 1959.

It was Doreen Valiente who wrote down in one of her smaller diaries “ATHO=Welsh Addhu or Arddhu. (Look this up in Welsh Dictionary) .” Later she would publish in An ABC of Witchcraft that the name “Atho is evidently a Sassenach version of the Old Welsh Arddhu, ‘The Dark One’. She wrote that ‘dd’ in Welsh is pronounced as ‘th’. So this would give us ‘athu’ and arthu’. These are quite close to the word Atho and yet there is nothing else Welsh about the Atho material I studied and transcribed. It has closer ties to Greco and Roman Paganism with stories of Atlantis, and the Gods Mercury and Diana. So I wondered why would some Welsh God get paired up with the Goddess Diana who is the Goddess worshiped in the Coven of Atho.

I came across one reference in the book The Mothers by Robert Briffault and in Volume III he wrote that “ ’Arthur, ’ that is to say, ‘the Black One’ (ardu = ‘black’) …”. Doreen is possibly correct that these two words ‘addhu’ and ‘arddhu’ might have something to do with the color black. In using an online Welsh dictionary I did get ‘âr = ploughed land” and ‘du = black’ which came out to be “black plough”. If it were ‘yr du’ it would be ‘the black’. Another similar word in Welsh could be ‘aradr’ which is the plough but it does not have the ‘th’ sound in it. In Gaulish ‘art’ means ‘Bear’ and this is close to the Welsh word ‘arth’ for bear and in Irish it is also ‘art’. Some researchers have speculated that this might be the root of the modern name Arthur. There might possibly be some sort of connection between the God Atho with Arthur, or the color black, or the plough or even all of them. While this may not seem relevant Doreen seemed to think there might be a connection because she wrote a good bit about the constellation “The Plough” which consists of Seven Stars which is also called “the Great Bear”. This had even some deeper meanings to even more symbols found in the Coven of Atho.

One of the symbols of Atho was the trident but another symbol used for Atho was an old symbol for Mercury and was called the “Monogram of ATHO”. In a drawing of the eight paths of magick in the Coven of Atho a better known image for the symbol of mercury was used which stood for “Atho, The Horned God of Witchcraft. This is the study of all the Arts and Teachings of our Order and it is only the Initiated Members of the Coven of Atho who can learn all these things.”

Yet another symbol used for this God Atho written about in the Atho material I studied is the Monas Hieroglyphica first drawn by Dr. John Dee in 1564. Again there is nothing Welsh about the symbols associated with the God Atho and it is wrong to just state Atho is a ‘horned god’. In many ways he is a guardian of the mysteries of magick. He is a mystery to be solved through communion and gnosis. While the symbols all used are quite complex they only tough the surface for the deeper Mysteries of Atho.

Since the head of Atho is sort of frightening looking with big horns it made me think more of the Minotaur at the center of the maze. Even in Mr. Raymond Howard’s lesson he wrote that the head is “a rather frightening thing.” Lois Bourne wrote in Dancing with Witches that the head of Atho was “most curious and slightly repellent”. Doreen wrote in An ABC of Witchcraft that the head was “very impressive carving, having a crude strength and power”. When I was first shown a drawing of the Head of Atho by Raymond Howard I must admit my first impression of Atho was repulsive and yet there was this strong strength in him.

This year in reading about the God Mercury I came across a reference by a Dr. Miranda Green who wrote some about an epithet that has the words “Mercvrio Avg Artaio” on it. She believes this ‘Mercury Artaius” to be a “bear-god”. Besides the lore Doreen transcribed between 1958 and 1963 from first Charles Cardell and later from Raymond Howard this is the first actually historic reference I’ve come across that link the Gaulish word ‘artos’ or bear with the God Mercury. There apparently was some sort of Romano-Celtic period of influence.

During one of the first meetings Doreen Valiente had with Charles Cardell in 1958, he had tried to pass off a statue of Thor as a Celtic Horned God. Doreen had to tell him he was very wrong. So I do wonder how could he have known or guessed that Atho was maybe an old Welsh word and yet also have known about this Celtic-Romano period and have included a lot of teachings from the Mediterranean Mystery schools.

Doreen wrote in one of her journals that it was Charles Cardell who stole back the head of Atho from Raymond Howard. She wondered why he would steal back the head if it were a fake. Later in her personal diaries she would write the location of the head of Atho is buried in Charlwood which is a particularly large 1, 000 acre wood in the UK close to where both Raymond Howard and Charles Cardell lived in Surrey.

Doreen made one comment about some of the material in the Coven of Atho to being much more complex than it first appears. Atho is one of those complexities and is not just a simple “horned God of the Witches”, but then is any God really all that simple? Atho is if anything a reflection of the complexities of our own minds and imaginations and yet as a Priest and Witch in BTW and now a follower of Atho I’ve come to see this God as independent of me. He is a harsh teacher of the Mysteries of Magick and a guardian to it as well.

Atho was worshiped by a few who called themselves Witches and if anything Atho is quite similar to the God Baphomet. They are both a mass of symbolism and have many facets of light and dark to them. The first response many get when seeing this Horned God might be repulsion and I suspect many will then turn away. It takes a bit of understanding and wisdom to see the light in the dark. Atho is only half the Mystery.

I would like to end with giving a great deal of credit and thanks to The Centre For Pagan Studies and to Doreen Valiente’s last High Priest John Belham-Payne who graciously lent to me a few of Doreen’s journals and notebooks containing her writings on The Coven of Atho. I also would like to thank Doreen Valiente for sharing her insight into the Craft and the Arts and sharing her research into magick and witchcraft.

Seven words of blessing to remember given by a member of The Coven of Atho are “Blessed Be They Who Worship The Goddess”

A House Faery Charm

A House Faery Charm

 
 
Go through your usual evening routine. For me that includes one last trip through the living room and kitchen to tidy up and make sure all the doors are locked, all the lights are turned out, and any burning candles have been snuffed. Then, as you are ready to turn in, go to the heart of the home and quietly whisper this charm:

Beloved brownies and faeries of my house,
I whisper my thanks, as quiet as a mouse.
Watch over my family, protect my pets,
Thank you for your help as I go off to rest.
Close the charm by saying:
By the hearth and home this charm is sung.
For the good of all, with harm to none.

The Way We Were vs The Way We Are

The Way We Were vs The Way We Are

Author: Ryan Hatcher

If we are to look back to the inception of modern paganism and the people who were the force behind it and were to observe how they practiced, worshipped and worked magic and compared it to how we practice, worship and work magic in modern times, while there is guaranteed to be a great deal of difference, the basic, core values should have remained the same.

I was in Norwich yesterday, a city with a strong pagan undercurrent of its own, for a brief look around the shops to pass some time while my partner enjoyed a 2-hour birthday massage, because of which my wallet had experienced a mass weight loss. So window-shopping it was. On my journey around the city I ventured into a Waterstones bookshop to have a look at their MBS section and had a skim through some of the material. Now, 90% of these books were paganism 101, which is fair enough for a standard mainstream bookshop, but reading through some of these 101 books — some of them recently published — it got me to reflecting: what is taught and considered western paganism now is much different than what it would have been considered to be 60-70 years ago.

What do I mean by this? Well, much of my personal pagan practice is inspired by these ‘old school’ methods with a touch of the modern for flavor (I’m talking about Doreen Valiente and Kevin Cochrane for the older styles, particularly Valiente; the Farrars (Stewart and Janet) represent an in-between period. Kate West and Christopher Penczack add the modern flare.) as I feel their values and ideas resonate with me. Now, keeping Valiente and Cochrane’s ideals in mind (again, more Valiente than Cochrane) , compare them to a lot of Penczack’s work and the work of similar contemporary styles and you’ll see what I’m trying to get at.

The styles and traditions of Valiente and Cochrane (hereon called the ‘older styles’) focus more on the earth-based worship side of paganism: seeing their Gods as personified manifestations of the forces of Life, Love, Death and Rebirth as well as the forces of nature in all it’s guises (be this as the four elements or simply as the grass in your lawn) . I also feel that animism in a subtler form was still there, if only felt and respected rather than overtly expressed.

The crafting of magic seems to have been simpler, as was the training (which doesn’t mean it was by any means easier than today; I’m inclined to say it was harder) . Metaphysical ideas such as energy centres, auras and layers of existence appear to have been acknowledged but were not the priority. The same for ‘the mysteries’ of the craft such as hypnosis, astral projection/trance journeying and psychism in all its forms. The works of the older styles show that they were an important part of their practice along with magic, but they were not the primary focus. I feel they were considered tools and techniques that developed along with the witch as he or she progressed down the spiritual path and was able to understand themselves and their developing abilities better and learn to control, focus and use them.

In contrast, the works of Penczack and his contemporaries (hereon called the ‘newer styles’) seem to focus more on the metaphysical ideas of paganism (energy centres, auras and layers of existence) , ‘the mysteries’ of the craft and magic as being of primary importance and therefore many chapters are devoted to these concepts. Now, I’m not saying this is strictly a bad thing; it may well suit many a new student to paganism, but when it comes to the core values about the spiritual and worship side of paganism, we start to enter the world of ‘love, light and blessed be’.

The realm of the FB, and those big furry ears seem to be cropping up more frequently in pagan literature. The spirituality of the newer styles appears to see the Old Gods as playmates: happy, fun, smiley and They do anything their precious ‘hidden children’ ask for. And unfortunately kids, you just have to look at the global history of paganism and myths of the world to now that is definitely not true. The honouring of nature and the earth extends as far as litter picking and recycling, which are very, very good ideas, and more is being suggested such as planting new trees, getting involved with wildlife protection trusts etc. Unfortunately, I feel many of the witches of the older styles, though some did get involved in these things, chose not to, possibly considering ritual devotion to be sufficient.

Ritual then is the moot point of both the old and new styles. As we are all aware, spiritual practice is a subjective thing, especially when it comes to ritual. Both new and old styles of witchcraft and paganism have placed varying levels of focus on ritual, and all have varying styles and methods in ritual that meets with their needs and the ideals of their respective traditions. However (there had to be a however) , and this goes for both old and new styles of paganism, whatever happened to just going out there and communing with nature face-to-face? No pomp and ceremony, no matter how elaborate or simple, just getting out there and being in the presence of the forces that we as pagans honour and worship.

I say, if you’re in a situation where celebrating a sabbat or an esbat with formal ritual isn’t an option, but you are within distance of a beautiful woodland, then screw it! Go for a walk in the woodland, sit under a tree and meditate! Commune with the spirits of the natural world around you and feel the power of the Old Gods, the powers of life, love, death and rebirth and pour your heart out in gratitude for all you have and for all that it means to be alive.

Wrapping it up: to me, the older styles and the newer styles and those of the styles in-between all have their good points and their bad points. The older styles are more grounded, simple and earthly. The newer styles are more flighty, ‘new-age’, hippy-esque and spiritual (in the modern concept of the word) . I’m sure you can see we have a Yin-Yang situation. And like the Yin and Yang, symbols of the older and newer styles do have parts of the other within them, but what we need to achieve is a balance between the two.

Paganism is a living and growing spiritual path and naturally changes with time, but it shouldn’t lose its heart. If we can bring together old and new, Yin and Yang, then we might be able to evolve paganism further, making it stronger, more refined and give us a definitive direction for us to aim for.

I hope that this essay will encourage pagans, both old hands and new, to review their beliefs, practices and crafts… to look back at the old, and freely explore the new and therein decide what is the best way forward in their spiritual path.



Footnotes:
Witchcraft for Tomorrow – Doreen Valiente

Witchcraft a Tradition Renewed – Evan John Jones with Doreen Valiente

The Witches’ Bible – Janet and Stuart Farrar

The Real Witches’ Handbook – Kate West

Gay Witchcraft – Christopher Penczack

Instant Magick – Christopher Penczack

Daily Devotional Practises

Daily Devotional Practises

Author: Mr Araújo

For as long as I have been chatting online with other Pagans, I have been told stories of how life was somewhat sad without the presence of a religion with which a person can identify itself. I believe that this must be the case of nearly everybody here at The Witches’ Voice and it happens to be my case, of course. This is going to be an essay that explains my point of view on my own practices and how they came to be.

When one first decides to take the first step and enter the Craft, it is hard to avoid the temptation of jumping headfirst to the Initiation Ceremony. Although I have not discussed this with anyone else, I imagine that it might be quite true. After I decided that Wicca was a good Path for me, I immediately began searching online for its history and I was shocked – nearly all of the “founders” and their “heirs” belonged to covens and from what I could tell, their knowledge seemed so vast.

“How will I ever be as good as them?” I thought, worried that Gerald Gardner’s, Doreen Valiente’s, Raymond Buckland’s, Dayonis’ (amongst many others) legacy would be doomed in my hands. Whatever could I do not to venture off, far away from Wicca? And, most importantly, from the God and the Goddess?

First of all, I did a small Dedication ceremony – which was my very first ritual, in fact. I then began to focus very hard on my study of the Craft and I chose my sources very carefully. After I had read some of writings of the Founding Fathers and Mothers of Wicca, I decided to study earlier Pagan rituals.

Eventually my studies, beliefs and emotions led me to instituting my own set of devotional practices that filled in the blank left by the joy of the previous Sabbath and the yearning for the next one (I have never had the chance of safely celebrating an Esbat) . And so I began to wonder, yet again, if others did the same. But since I didn’t know of any other Pagan, let alone a Wiccan, I kept going. Today I know quite a few Pagans and most like to frequently keep in touch with the Gods, one way or another.

Yet, there are those – I have never met them, but I have been told that they are out there – who only celebrate the Sabbaths and Esbats and probably exclude any other contact with the divine. Forgive me for sounding too full of myself, but I don’t know how they do it. Perhaps it’s because they celebrate 20 or 21 rituals per year and that satisfies them – whilst I only have an average of 6 or 7, since I’ve never managed to celebrate Yule and I sometimes can’t celebrate Ostara or Mabon.

Personally, I feel a need, a thirst and a hunger to be in almost constant contact with the Gods! I’m not a religious fanatic, but ever since I discovered Wicca, I can’t have enough of the joy that is Their presence wherever I am.

So what are my daily rituals? To me, they aren’t very orthodox, since I am quite fond of my European background and heritage, but my research led me to the Ancient Egyptian practices. In case you’re familiar with them, yes, you’re right – I’ve adapted some of their rituals to my little “tradition”. Basically, I try to recognize the God and the Goddess in Their different aspects as the day goes by, and so I’ve adapted and made up small rituals for each aspect – devoid of almost all previous Egyptian symbolism.

When I wake up, I thank the Goddess for having protected me during my slumber. When I’m done with my morning routine, I go outside and greet the Sun Child and ask for His energy throughout the morning. If I happen to pass by my town’s river, I greet the Maiden; if I don’t, I do it in the bathroom (yes, that’s right) .

Once it’s time for lunch, I pray to the Sun Father for his strength, outside. If I have a patch of earth close to where I am, I drop by and give thanks to the Earth Mother for the meal I will enjoy in a few moments from then.

Finally, at dusk, I say my goodbye to the Elder God and give thanks for His gifts. At night, I greet the Goddess in whichever aspect She has taken, according to the Moon’s phase, of course – this can be considered a mini-Esbat, in fact. When I have the time, I actually gift the God and Goddess with offerings and I might use a Sacred Circle.

I know there are still other aspects of the Gods, but I doubt I could ever make up a ritual for each and every one of them and insert them into my daily routine. I also take some time to take care of my plants and to go to one of my town’s parks, where I enjoy the silent company of the trees.

I’ve never encountered anyone else who has such a need for daily devotions, or any website that details how they can be performed. That might be because they’re personal and intimate things that you simply don’t do if you’re not into them. Perhaps they can only be found after some research and introspection, but I bet most can find a personal little niche – be it praying, making offerings, meditating…

However I consider this to be an interesting subject, since Wicca has been evolving for many decades and its current diversity is overwhelming, even if we don’t take the unknown Traditions that have sprouted all over the world into consideration. Wicca began with just four Sabbaths and the Esbats; then, another four Sabbaths were added. Wiccaning, funeral, marriage and divorce rites followed.

Are daily devotions the next addition? Only time, the Wiccans, and the Gods will tell.

Merry meet and merry part, until we happily meet again!

Lemon Magic

Lemon Magic

Author: Janice Van Cleve

Lemon magic is a form of alchemy that has been practiced around the world in many different cultures for over 2500 years and it is still very alive and effective today. The word “alchemy” itself comes from the Arabic al-kimia, which is translated as the art of transformation. The fundamental ideas of alchemy are supposed to have begun in the ancient Persian Empire sometime before 500 BCE. In the Middle Ages its more popularized pursuits were alleged to be the transformation of lead into gold, the creation of the elixir of life, and the search for something called the philosopher’s stone. It was not until the Seventeenth Century that alchemy was itself transformed into modern chemistry.

Today in America, lemon magic is usually thought of as “turning lemons into lemonade.” There are various modern applications of this magic worked by different methods for different ends. One of the most common is “spin”. Spin is the reinterpretation of one set of words or events from a negative connotation to a connotation that is positive or at least neutral. It sometimes manifests itself as damage control. The alchemists who practice this art are called spin-doctors and they are found mainly in the arenas of government and politics, but they also proliferate as corporate lawyers and lobbyists.

Another application of lemon magic is in the business world. There it is found in mergers and acquisitions. The objective here is to identify struggling companies whose stock price is less than the value of their assets. When a target is found, corporate lawyers swoop in and devour the victim, absorbing it into their own company. Thus a liability for one set of investors is transformed into an asset for another set. A by-product of this process is usually downsizing and more people out of work.

These examples and many more demonstrate tangents of lemon magic where the effect is upon things and people outside of the magic worker. The magic worker remains unchanged in the process. However, the ancient art of alchemy went much deeper than this. It envisioned transformation of the alchemist herself with the ultimate goal of perfecting the state of humanity. Certain schools have argued that the transmutation of lead into gold is really an allegory for transmuting the imperfect human body into a perfect immortal body.

This, of course, ran counter to the concept held by official church doctrine that all human beings were corrupt, stained by sin, and condemned to hellfire unless they put their faith in the authority of the church and bought their indulgences. So alchemists dissembled the true intent of their work with cryptic symbology and vague rhetoric to avoid the tortures of the Inquisition.

Today we have no need to hide our alchemy, but often we don’t realize that we are using it. Turning lemons into lemonade by willfully changing our attitudes or perceptions toward the lemons is truly a transformation of magical proportions.

Starhawk – a well-known ecofeminist, author, activist, and priestess – defines magic as the art of changing consciousness at will. Aleister Crowley – poet, prophet, and magician – defined magic in much the same way. He called it the science and art of causing change to occur in conformity with will. These folks and others who have written about magic are not talking about parlor games like levitating tables and making coins disappear. They are talking about understanding ourselves and the world around us so well that by our wills we can make of our situation what we want it to be.

Doreen Valiente, who with Gerald Gardner was chiefly responsible for bringing Wicca and Witchcraft into the 20th Century, sums it up best: “By developing their powers, the magician or witch develop himself or herself. They aid their own evolution, their growth as a human being; and in so far as they truly do this, they aid the evolution of the human race.”

So changing lemons into lemonade is truly a magical act. By seeing and acting upon the positive opportunities that lemons present to us, we not only improve our journey through the world, but we make it a more pleasant place for everyone else. This is not about “looking on the bright side” like some Pollyanna. This is about acknowledging the whole package – bright and dark – and by will and energy making it useful.

For example, a friend recently called me about 7:00 pm. It was already dark and I was settling in for the evening. She said that her car had been towed. Did she sob about her misfortune? Did she anguish about the $200 it would cost to get it out of impound? Did she even ask me for a ride home?

No. She asked me out for a drink!

She happened to be in my neighborhood and we had not seen each other for a while. We enjoyed a lovely conversation, a couple of nice drinks, and I drove her to the impound place for her to retrieve her car. It still cost her $200 and a complete alteration of her plans and mine for the evening, but she transformed that lemon into a delightful reunion and evaporated the stress it could have generated. That’s lemon magic!

The same thing happened to me just the evening before. I was at the house of some dear friends on the other side of Puget Sound. That means I had to take a ferry to get back home. The ferry website said there would be a boat leaving at 9:45 pm but in reality the next boat was not until 11:40. By the time I got back to Seattle, it was nearly one o’clock in the morning and there were no busses. So I had to march two miles uphill through the center of town in the middle of the night to get home.

Did I get angry with the webmaster or the ferry system? Not at all.

It was an opportunity for additional exercise and to work off calories. It was a beautiful night and a chance to experience my city in its quiet stillness. Best of all, it underscored my health and stamina and confirmed that I could still depend on my old body to function. It even prepared me for two glorious hikes in the mountains later that week. Lemonade!

Some folks go to the gym to work out when Life hands them a lemon. They not only dispel the negativity via vigorous exercise, but also shed some pounds in the process. Others learn from their lemons and pass on their lessons in the form of teaching or they modify their own behaviors to avoid those lemons in the future. By all these methods, and others besides, people can transform their mis-fortunes into positive fortunes.

Now if we could only learn to transform our lemons into a deep rich Burgundy, we’d really have something!

How Do You Draw Your Pentagram?

How Do You Draw Your Pentagram?

Author: Brunhilde

If you’d like to initiate a lively discussion among Wiccans, just ask us how we draw our pentagram and why we draw it that way. Our answers and explanations will fly fast and furious. First of all, what is our orientation of the star—one point up or two? For Wiccans the single point up orientation is the standard position. There is a short time when we feature the pentagram in its two points upward orientation; when an initiate into a coven enters their Second Degree of training. But for most purposes, the orientation of our pentagram displays one point up. But beyond that general preference, how do we draw it? And why do we draw it that way?

Different Strokes for Different Folks

An investigation of past practices by different authors reveals a wide variety of drawing choices and explanations. Most agree that the five points of the star can represent Spirit, earth, air, fire and water, with the top point designating Spirit. However, they differ on their placement of the four elements. They also differ in the manner of drawing the pentagram. While many begin the pattern by starting at the top (Spirit) , some do not.

Wherever you position each element around your pentagram will influence your drawing of it, especially if you are aligning your star to invoke a particular element for magickal work. Vivianne Crowley, author of Wicca (2000) , outlines a ceremony for consecrating ritual objects. She starts at the top (Spirit) , with her first stroke moving down and to the right—the point she designates for fire. She is drawing the “invoking pentagram” of the element fire. Her second stroke is drawn diagonally up and across to the upper left for air, then horizontally across to the upper right for water, then diagonally down to the lower left for earth, then back up to the top. She finishes by drawing an additional “sealing stroke, ” from the top down to the lower right point again.

Raven Grimassi (b. 1951) , author of Italian Witchcraft: The Old Religion of Southern Europe (2005) , outlines a rite of dedication for those pagans who wish to become practitioners of Stregheria, the Italian word for the religion of witches. As part of their initiation ritual, Grimassi instructs the seekers to anoint themselves in the manner of the pentagram. His sequence is the same as Crowley’s: forehead—right breast—left shoulder—right shoulder—left breast—forehead.

Raymond Buckland (b. 1934) , author of Buckland’s Complete Book of Witchcraft (2004) , details a different manner of drawing the pentagram. Instead of drawing the first stroke down to the lower right, he moves down to the lower left, then diagonally across to the upper right, straight across to the left, down to the lower right, and back up to the top.

In his book Witchcraft From the Inside (1995) he features the classical pentagram image taken from old books of magick, with the figure of a man standing with arms raised sideways and legs spread apart, with a five-pointed star superimposed on top of the figure. The various points of the pentagram display the astrological symbols for Mercury, Venus, Mars, Jupiter and Saturn, not directions or elements. He states that this pentagram is a symbol of the life force, a very positive symbol.

Janet Farrar (b. 1950) and Stewart Farrar (1916-2000) , authors of A Witches’ Bible: A Complete Witches’ Handbook (1996) describe their version of diagramming the pentagram for use in sabbats. Their sequence of strokes is the same as Buckland’s. In their discussion of an opening ritual, they describe two methods of drawing the pentagram. The first method comes at the beginning of the ceremony. It is called the “Invoking Pentagram of Earth.”

The element of earth is placed at the lower left point of the star. It is delineated by the Priestess as she (1) starts at the top and (2) draws a diagonal line down to her lower left to earth, (3) then up and across to her right, (4) then horizontally to her left, (5) then diagonally down to her lower right, and (6) up again to the top. She finishes by adding a final sealing stroke; drawing down again from the top center to her lower left point.

Their second method of drawing of the pentagram occurs towards the end of the ceremony, when the Priestess draws the “Banishing Pentagram of Earth.” It is a reversal of the invoking pentagram. She begins (1) at the bottom left of the star, (2) then draws the line up to the top center, (3) then diagonally down to her lower right, (4) then across to her upper left and (5) horizontally across to her upper right, (6) then diagonally down to her left, where she started. Again, she finishes the act by retracing the line from the lower left to the top center, the sealing stroke. The Farrars state in a footnote to their text that they are basing their pentagram strokes on the practice followed by the members of the Golden Dawn.

Doreen Valiente (1922-1999) , author of Witchcraft for Tomorrow (1993) , uses the same method as that described by the Farrars and Buckland. She provides additional information by detailing the reasons behind the sequence of her strokes. Valiente states that the topmost point of the pentagram is regarded as representing Deity, the divine Source of life.

The first stroke starts from the top and proceeds down to the lower left, representing life descending from its divine source into the lowest and simplest forms of living matter. The second stroke ascends up and across to the right, representing the ascent of life from primitive forms, by the process of evolution. The third stroke moves across to the upper left, representing man’s earthly progress, his accomplishments on the physical plane. The fourth stroke moves diagonally down to the right point, signifying the fall of man, as his focus and his pride in his material achievements leads him into danger. The final stroke rises back up to the topmost point, indicating that because mankind descends from a divine source, he will always strive upwards to reunite with that source.

Starhawk (b. 1951) author of The Spiral Dance: A Rebirth of the Ancient Religion of the Great Goddess (1979) also teaches an invoking and a banishing pentagram design. Her sequence of strokes is akin to that of Buckland, the Farrars, and Valiente. Further, she advocates using the pentagram in a variety of ways as an aid to visualization and meditation exercises. Depending on the exercise, each one of the five points of the star can be assigned to different ideas. For example, in an exercise she calls the “Pentagram of the Pearl” she designates the top point of the star as the concept of Love, the upper right point becomes Wisdom, the lower right point is Knowledge, the lower left point is Law and the upper left point is Power.

The seeker is told to meditate on these concepts, as they move clockwise around the pentagram, to think of the meaning of each word and how it interacts with the words adjacent to it. She also encourages the seeker to lie down in the pentagram position, with their head as the upper single point, to feel the points as part of their being. She states that during meditation in this fashion, one may also become aware of imbalances in their personal well-being, in relation to these concepts.

Silver Ravenwolf (b. 1956) , author of Solitary Witch: The Ultimate Book of Shadows for the New Generation (2003) discusses the various historical origins of the pentagram. She states, “If you draw the design from the top down, you are saying that Spirit comes down to matter, and if you draw from the bottom to the top, you are symbolizing matter in its highest form. The horizontal line across represents our development of intellect and the connection of force and form.”

She designates the element of air at the upper left, water at upper right, earth at lower left and fire at lower right. She also details several methods of drawing the pentagram to invoke/banish different elements.

The Case for Consistency

Many Wiccans trace the design of their pentagram in the same manner every time they draw it. What might change would be the orientation of their top point (Spirit) towards a specific direction—north, south, east or west—if they wish to invoke the spirits of a particular element during their ritual. This attention to a particular element can sometimes be found in lunar ceremonies, esbats. The zodiac sign occupied by the moon on the night of the ritual influences Esbats. And each of the twelve zodiac signs corresponds to one of the four elements, earth, air, fire and water.

For example, if their ritual is celebrated during a Full Moon in the sign of Scorpio, they may focus on the element of water. The goal of the esbat could be to ritually charge water for use in future ceremonies. The Priestess could cast the circle, and then stand in the quarter of the circle that is assigned to water—west. She might face west and draw a pentagram by orienting the top point of the star towards the west, paying homage to the moon in Scorpio and the energies of water.

Also, pentagrams created to invoke and then banish specific elements don’t have to begin at the top point. For example, if you are employing an invoking pentagram of air, you might begin at the point across from air on your star and make your first stroke travel towards the point of air. At the end of the ritual, you will banish that same pentagram by beginning at the point designated by air and make your first stroke move away from there.

Reflector on the Roof

For me, like many Wiccans, the pentagram is a symbol of the feminine divine and a sigil for the planet Venus. Since grade school, my hobby has been astronomy. As a child, I spent many nights on the roof of my home, with my little 3-inch reflector telescope, mesmerized by my view of the heavens. (My mom would make my dad put me on the roof because she was afraid some wild animal would bite me.) Venus quickly became one of my favorite subjects for observation. Sometimes she was close and large. Other times she was far away and faint. I could discern all of that, even with the limited capabilities of my little telescope. Sometimes she rose in the morning just before the sun. Other times she appeared at dusk just as the sun had set. She even changed shape, exhibiting phases like the moon. I was hooked!

Asymmetrical Pentagram

Although my pentagram traces the path of the planet Venus, I do not use the shape we can see her outline from standing on our planet. That view is rather distorted. It does not have the shape of a symmetrical five-pointed star, because we are viewing it from within the same orbital plane as Venus; we are moving parallel to her motion. An analogy would be to imagine that we were standing on the ice of a skating rink with stadium seating. We are watching a skater move around the rink.

From our perspective standing on the surface of the ice in the same flat plane as the skater, they would only seem to be moving towards us or moving away from us. However, if we are seated high up in the arena, we can look down on the skater and see that they are tracing a pattern on the ice.

In similar fashion, I draw my pentagram from the viewpoint of hovering high above our solar system. That way, my pentagram has the more classic symmetrical shape.

Points in Space

Try to imagine yourself hanging suspended a few millions miles above the north pole of the sun, floating effortlessly in space. From your perspective, you can see the counter-clockwise spin of the sun. You also see the counterclockwise orbital motions of most of the planets and their moons, sweeping around in a celestial ballet. Now focus in on Venus and Earth. Watch their pas de deux.

It takes the Earth about 365 days to swing completely around the sun. Venus, being closer to the sun, manages the same feat in a shorter amount of time. And periodically, Venus is positioned precisely between the Sun and Earth. This alignment is called an “inferior conjunction.” Whenever she lines up on the other side of the sun, with the sun positioned precisely between us, she is creating a “superior conjunction.”

Because Venus and Earth take different times to complete one orbit around the Sun, 8 years must pass before the two planets are finally lined up back at the same point. In those 8 years Venus has completed 10 orbits around the sun as compared to 8 Earth orbits. And within her 10 orbits, Venus has achieved 5 inferior conjunctions and 5 superior conjunctions.

Connecting the Dots

I use the same sequence as Crowley and Grimassi, but my reasons relate to astronomy and conjunctions. My five pentagram points can use either the five inferior or the five superior conjunctions of Venus, in a row. Pick at random one of the two systems and start there. On paper, make a dot and label it the sun. Draw a large circle around the sun to represent the orbit of Venus. Put a point anywhere on that circle. That point will be your first conjunction spot and become the top point of your pentagram. Label it No. 1.

Next, put four more dots on the circle, so that all five dots (conjunction points) are equally distant from each other. Now you will draw your sequence of pentagram strokes. In doing so, you will mimic the orbit of Venus.

In order to draw the lines to your dots in the sequence that the conjunctions actually occur you must move from your first dot at the top down to the lower right point (2) , then up and across to the upper left point (3) , then straight across to the upper right (4) , then down and across to the lower left point (5) , then back up to the starting point at the top, where Venus returns to her original position in her orbit after 8 years. That sequence of strokes is my pattern; how I draw my pentagram.

So, why do I bother to trace my pentagram in keeping with the orbital motion of the planet? Because it resonates with me. It reflects my personal experience of life. It reminds me of why I took the Pagan path, because of Paganism’s devotion to the sky and the natural world. It recalls my early fascination with the heavens, a fascination that steered me ultimately to Wicca. Every time I draw my pentagram I can recall my youthful excitement under the starry skies and I feel the embrace of the heavens. At that moment my pentagram becomes more than a star; it becomes an energized, charged sigil.

Where, O Where Do the Elements Go?

Where do I assign my four elements: earth, air, fire and water? That decision is also a personal preference. I was born in the sign of Taurus, an earth sign. I like to connect my first line from Spirit down to my personal element, earth. Since the first actual Venus conjunction spot is down to the lower right, I designated that point to be earth for me. I also like to trace my strokes in the sequence of the chant: earth, air, fire, water. I wanted to be able to trace out the conjunctions and say the chant as I make my strokes.

So, air is placed at my third conjunction point on the upper left, fire is placed at my fourth conjunction point in the upper right, and water is placed at my fifth conjunction point in the lower left. Then I make one last stroke from water back up to Spirit at the top, which completes the sequence for Venus conjunctions and brings her back to where she started in space and in my pentagram.

Venus Makes Her Point

When is the next conjunction for lovely Venus? An inferior conjunction, when Venus is placed directly between us and the sun, occurred in March of 2009. The next two conjunction events will occur in 2010. The first one will be a superior conjunction, when Venus is lined up on the far side of the sun from us, in January. Then the next event, an inferior conjunction, will occur around the end of October, just is time for Samhain—a Wiccan sabbat and the beginning of the new year in the old Celtic religions—very auspicious!

Let Your Path Be Your Guide

If you have been initiated into an established circle, then you will draw it the way you were instructed. It is part of the tradition of your Wiccan community. But all those teeming multitudes of solitaries out there, like me, what do we do? Well you can purchase books from reputable authors. I have mentioned several in this article. You can certainly browse the Internet. There are several sites devoted to the pentagram.

But before you follow someone else’s example, think about what the symbol means to you. What do you want it to represent? How does the symbol resonate with you? Which of the four elements do you wish to assign to which points and why? Do you want it to focus on the element of your birth sign? How has your life experience influenced your ideas about the pentagram? What thoughts do you ponder as you move through your sequence of strokes?

Ultimately, it doesn’t matter HOW you draw it as long as your method incorporates meaning. Formulate your own approach to the pentagram, so that every time you draw it you are creating a symbol of power, blessing and protection. It will become for you a useful tool in your journey to achieving altered states of awareness. If your sequence resonates with you, then it is the correct way for you to draw it.

Blessed Be.



Footnotes:
SOURCES FOR FURTHER READING:

Buckland, RaymondBuckland’s Complete Book of Witchcraft. Llewellyn Publications, 2004.

Crowley, VivianneWicca. Thorsons First Directions, 2000.

Farrar, Janet and StewartA Witches’ Bible: The Complete Witches’ Handbook. Phoenix Publishing, Inc., 1996.

Grimassi, RavenItalian Witchcraft: The Old Religion of Southern Europe. Llewellyn Publications, 2005.

Ravenwolf, SilverSolitary Witch: The Ultimate Book of Shadows for the New Generation. Llewellyn Publications, 2004.

StarhawkThe Spiral Dance: A Rebirth of the Ancient Religion of the Great Goddess. HarperCollins Publishers, Inc. 1979.

Valiente, DoreenWitchcraft for Tomorrow. Robert Hale, Ltd., 1993.

http://www.mikecrowson.co.uk/pentagram.html

http://paganinstitute.org/PI/ElementalPentagrams.html