W is for Wand

W

Wand

The wand is a tool that is long associated with magic and Witchcraft. It is primarily used in rituals and spells to channel and direct energy. It can be used much in the way an athame (ritual knife) is used. However, a wand may be safer in houses where there are small children, and can be brought and waved anywhere without fear that local authorities will confiscate it or arrest you. While you can spend a great deal of money at your local occult shop on a delicate crystal wand etched with obscure, unknown symbols, it is not necessary. In fact, some Witches would say it is not recommended. There is a strong belief that creating your altar tools yourself imbues them with your own personal energies, making them more powerful for your use than any store-bought item.

Wands have been made of many materials. I have seen some amazing wands crafted of various metals, crystals, and even of bone. But this article will focus on wood, by far the most common material for wand crafting, past and present. This is partly for practical reasons, as wood is sturdy, inexpensive, widely available, easy to work with and beautiful. But there are magical reasons for using wood as well. Wood is an excellent conductor of energy, and, coming from nature, holds power all on its own.

Different trees are associated with different magical uses. When choosing the type of wood for your wand, you may wish to take into consideration the following correspondences between magical intent and type of wood:

ALL PURPOSE: oak, hazel, rowan.

BANISHING: birch, elder, juniper.

DIVINATION: cherry, fig, orange, pomegranate, willow.

FERTILITY: hawthorn, olive.

HEALING: apple, blackberry, cedar, eucalyptus, sandalwood, willow.

LOVE: apple, cherry, elm, willow.

PROSPERITY: blackberry, maple, pine.

PROTECTION: poplar, ash, elder, elm.

If you feel you will be using your wand for more than one type of spell or ritual, try using an all-purpose wood, or choosing a wood that falls into more than one category. Many Witches have several wands, each used for a different purpose, crafted from different kinds of wood. If there is a particular tree you feel a connection with, such as one that you spent much of your childhood sitting in, consider using a branch from that tree. The special bond you have forged with the tree will only lend to the wood’s power for any use.

There are several different beliefs floating around on the right way to obtain wood for a wand. Some people believe that a wand is only good if it is cut from a live tree rather than taken from “dead wood.” The thought is that the energy from a living tree will add to the wand’s power. If you are going to do this, it is best to ask the tree’s permission (a simple meditation under the tree should instill you with a strong feeling of the tree’s willingness). Leave an offering at the base of the tree, such as a coin or crystal. Another practical consideration you should make is to find out when the best time of year is to prune the particular tree you are cutting from so you will not damage the tree.

Some argue that once you take wood, it is physically dead anyway, so there is no need to impose upon a living tree for its wood. These people feel that the wood retains the tree’s power whether taken directly from the tree, or from the ground. In fact, it might even be considered better energy to take from the ground because the wood will lack any trauma that cutting may inflict. If this way of thinking makes more sense to you, obtain a wand by looking for a fallen branch. You can also, through meditation, ask a specific tree or group of trees to drop a branch for you to use, and then keep checking back in the area for the tree’s gift to you. Be sure to leave an offering in return.

Another way to obtain wood for a wand is to simply go to a hardware or craft store and purchase a dowel. The wood still comes from a tree and retains its energies, and is ready for you to begin working with it. While some purists may shun this idea, others of a more practical mind set see nothing wrong with it.

Since there is no rule or consensus on the best way to obtain the wood for your wand, you will need to trust your own instincts. However you obtain your wood, you will want to take a few things into consideration. First, make sure the wood you are using is healthy, and not rotted, soggy, or soft in any areas. Also ensure that it is not infested with insects. Second, you will want to find wood that is relatively straight. Make sure the wood section you are choosing feels good in your grip, well balanced, and that the length is satisfactory. A wand that is too long can be awkward and may cause you to knock things over as you are waving it around. A good length is from the crook of your elbow to the tip of your middle finger. Another option is to cut it to measure 13 inches; the number 13 is sacred to the Goddess as it represents the 13 lunar cycles in the year.

Once you have chosen your wood and cut it down to size, you are ready to begin your handy work. If the wood was from nature you should strip it of its bark and any leaves or twigs coming from it. You may wish to get some sand paper to smooth the wood. If it is very rough, start with a heavy grade sandpaper until you have all of the nubs and edges smooth, then go over it with a fine grade.

How you decorate your wand will be entirely up to you. Some people choose to leave the wand completely in its natural state. Or, you can leave it partially natural, but add a few embellishments. One option is simply carving magical symbols or runes into the wand. Another option is to do the same using a wood-burning tool. You can also use leather or silk cords to tie feathers to a wand, wrap animal skins around the handle, or affix it with small gems and crystals using a hot glue gun. Another addition you can make to your wand is wrapping it with copper wiring, easily obtained at a hardware store. Copper is a highly conductive metal that will give the wand that extra “zap.”

If leaving your wand in a natural state, or partially natural state, you should oil it from time to time. This practice will keep the wood from getting too dry or brittle, and protect it from humidity. The best oil to use is mineral oil. You can give it a kick and empower the mineral oil with a few drops of essential oils before rubbing it onto the wand with a soft cloth or paper towel. When it comes to how often you should oil your wand, a good rule of thumb to follow is: once a day for a week, once a week for a month, once a month for a year, and once or twice a year after that.

Another option for decorating a wand is to paint it with craft paints. If you are handy with paint you can create a beautifully decorative, colorful wand. However, if painting the wand, don’t rub the mineral oil on it. The paint itself will seal the wood, and the rubbing could damage your handiwork.

While it is not necessary, it is common for people to add a special tip to a wand. This can be something such as a pinecone, acorn, or, more commonly, a crystal. Whatever you choose, you might want to take into what purposes the wand will be for. If you are creating a wand out of pine to use specifically for empowering prosperity charms, you may want to choose a pinecone. If your wand is made of willow and will be used to draw loving energies into your life, you may want to consider a dried rose or rose quartz crystal. I find that for all-purpose wands the best tip is a clear, terminated quartz crystal. These easy to obtain stones can be used for any intent, and are like energy amplifiers. They are both projective (project energy) and receptive (receive energy), and the terminated (pointed) tip really helps to focus the energy.

To affix any item to your wand tip, you have several options. The first is to simply use masking tape, though most people are not satisfied with the appearance, or of using such an unnatural material. Another option (my personal favorite) is to wrap a piece of fabric or animal skin smeared with some glue so that it is half on the item and half on the wand. I have not had good results using glue alone without the skin or fabric, as it doesn’t hold well and repeated leave you with a clumped-up tip full of glue. The final option is to use the copper wiring and simply wrap and loop it around the tip and then around the wand until it holds.

One thing to keep in mind at all times when you are crafting your wand is the positive magic and rituals for which it will be used. As you work on in, feel the energies of the wood mingling with your own power that you are pouring into it, and it will serve you well for years to come. You will find that your hand-crafted wand is more personal and more powerful for your own use than anything money could buy.

Eleven Things Every Witch Should Know

1. Magic is what happens when you open yourself to the Divine. All real magic is
a manifestation of the Divine – it is how you co-create reality with deity.

2. The Divine is within you and is everywhere present in the natural world. And
everything is interconnected by this sacred energy.

3. Wicca is not about information — it’s about transformation, so practice,
practice, practice — and do it as much as possible in Nature! Witchcraft
enables you to commune with divinity and to manifest your destiny, your desires
and your highest and sacred self.

4. The real ethics of how Witches live and practice magic are simple: Witches
live in a sacred manner because we live in a sacred world. We therefore treat
all of life with reverence and respect.

5. Because all magic flows from our connection to the Sacred, our lives and our
magic, must be guided by the sacred nature of the energy with which we work.

6. The energy Witches work with is not neutral — it is divine love.

7. Magic often works in unexpected way because it is not a mechanical process,
and the Universe is not a machine. You are living and making magic within a
divine, organic, living reality.

8. Witches don’t command and control — they commune and co-create.

9. The real secret of successful spellcasting, as with all of magic, is your
connection to the Divine power that dwells within you, and surrounds you. And
spells do work so be careful what you ask for!

10. Nature makes the Divine tangible. By working, living, and practicing your
magic in harmony with Nature, you are in harmony with the Divine.

11. The ultimate teacher is the God/Goddess inside you and in the world of
Nature all around you.

Author unknown

“Harm None”

Burning Times Comments & Graphics

Because Witches have been persecuted for so many centuries. Wiccans and Witches believe in religious freedom first! We do not look at this Path as the only way to achieve spirituality, but as one Path among many to be the same end. We are willing to share experience and knowledge with those who seek wisdom and perspective. Wiccans and Witches practice tolerance and acceptance toward all other religions as long as those faiths do not persecute others or violate the tenant of “Harm None.”

~Magickal Graphics~

A Very Blessed & Happy Tuesday To All Our Dear Friends!

We wanted to start the day by sharing an article from one of our favorite Pagan writers, Mike Nichols. We don’t know if you are familiar with his work or not, but he writes articles about all of our Sabbats and then a few others ones like the one below. We hope you enjoy the article and his writing as much as we do.

Goddess Bless You & Yours,

The WOTC

Two Witches

A Modern Craft Fairy-Tale

by Mike Nichols

Once upon a time, there were two Witches. One was a Feminist Witch and the other was a Traditionalist Witch. And, although both of them were deeply religious, they had rather different ideas about what their religion meant. The Feminist Witch tended to believe that Witchcraft was a religion especially suited to women because the image of the Goddess was empowering and a strong weapon against patriarchal tyranny. And there was distrust in the heart of the Feminist Witch for the Traditionalist Witch because, from the Feminist perspective, the Traditionalist Witch seemed subversive and a threat to “the Cause”.

The Traditionalist Witch tended to believe that Witchcraft was a religion for both men and women because anything less would be divisive. And although the Goddess was worshipped, care was taken to give equal stress to the God-force in nature, the Horned One. And there was distrust in the heart of the Traditionalist Witch for the Feminist Witch because, from the Traditionalist viewpoint, the Feminist Witch seemed like a late-comer and a threat to “Tradition”. These two Witches lived in the same community but each belonged to a different Coven, so they did not often run into one another. Strange to say, the few times they did meet, they felt an odd sort of mutual attraction, at least on the physical level. But both recognized the folly of this attraction, for their ideologies were worlds apart, and nothing, it seemed, could ever bridge them.

Then one year the community decided to hold a Grand Coven, and all the Covens in the area were invited to attend. After the rituals, the singing, the magicks, the feasting, the poetry, and dancing were concluded, all retired to their tents and sleeping bags. All but these two. For they were troubled by their differences and couldn’t sleep. They alone remained sitting by the campfire while all others around them dreamed. And before long, they began to talk about their differing views of the Goddess. And, since they were both relatively inexperienced Witches, they soon began to argue about what was the “true” image of the Goddess.

“Describe your image of the Goddess to me,” challenged the Feminist Witch. The Traditionalist Witch smiled, sighed, and said in a rapt voice, “She is the embodiment of all loveliness. The quintessence of feminine beauty. I picture her with silver-blond hair like moonlight, rich and thick, falling down around her soft shoulders. She has the voluptuous young body of a maiden in her prime, and her clothes are the most seductive, gossamer thin and clinging to her willowy frame. I see her dancing like a young elfin nymph in a moonlit glade, the dance of a temple priestess. And she calls to her lover, the Horned One, in a voice that is gentle and soft and sweet, and as musical as a silver bell frosted with ice. She is Aphrodite, goddess of sensual love. And her lover comes in answer to her call, for she is destined to become the Great Mother. That is how I see the Goddess.”

The Feminist Witch hooted with laughter and said, “Your Goddess is a Cosmic Barbie Doll! The Jungian archetype of a cheer-leader! She is all glitter and no substance. Where is her strength? Her power? I see the Goddess very differently. To me, she is the embodiment of strength and courage and wisdom. A living symbol of the collective power of women everywhere. I picture her with hair as black as a moonless night, cropped short for ease of care on the field of battle. She has the muscular body of a woman at the peak of health and fitness. And her clothes are the most practical and sensible, not slinky cocktail dresses. She does not paint her face or perfume her hair or shave her legs to please men’s vanities. Nor does she do pornographic dances to attract a man to her. For when she calls to a male, in a voice that is strong and defiant, it will be to do battle with the repressive masculine ego. She is Artemis the huntress, and it is fatal for any man to cast a leering glance in her direction. For, although she may be the many-breasted Mother, she is also the dark Crone of wisdom, who destroys the old order. That is how I see the Goddess.”

Now the Traditionalist Witch hooted with laughter and said, “Your Goddess is the antithesis of all that is feminine! She is Yahweh hiding behind a feminine mask! Don’t forget that it was his followers who burned Witches at the stake for the “sin” of having “painted faces”. After all, Witches with their knowledge of herbs were the ones who developed the art of cosmetics. So what of beauty? What of love and desire?”

And so the argument raged, until the sound of their voices awakened a Coven Elder who was sleeping nearby. The Elder looked from the Feminist Witch to the Traditionalist Witch and back again, saying nothing for a long moment. Then the Elder suggested that both Witches go into the woods apart from one another and there, by magick and meditation, that each seek a “true” vision of the Goddess. This they both agreed to do.

After a time of invocations, there was a moment of perfect stillness. Then a glimmer of light could be seen in the forest, a light shaded deepest green by the dense foliage. Both Witches ran toward the source of the radiance. To their wonder and amazement, they discovered the Goddess had appeared in a clearing directly between them, so that neither Witch could see the other. And the Traditionalist Witch yelled “What did I tell you!” at the same instant the Feminist Witch yelled “You see, I was right!” and so neither Witch heard the other.

To the Feminist Witch, the Goddess seemed to be a shining matrix of power and strength, with courage and energy flowing outward. The Goddess seemed to be holding out her arms to embrace the Feminist Witch, as a comrade in arms. To the Traditionalist Witch, the Goddess seemed to be the zenith of feminine beauty, lightly playing a harp and singing a siren song of seduction. Energy seemed to flow towards her. And she seemed to hold out her arms to the Traditionalist Witch, invitingly.

From opposite sides of the clearing, the Witches ran toward the figure of the Goddess they both loved so well, desiring to be held in the ecstasy of that divine embrace. But just before they reached her, the apparition vanished. And the two Witches were startled to find themselves embracing each other.

And then they both heard the voice of the Goddess. And, oddly enough, it sounded exactly the same to both of them. It sounded like laughter.

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