So Mote It Be.
Tag: Wood
W is for Wand
W
Wand
The wand is a tool that is long associated with magic and Witchcraft. It is primarily used in rituals and spells to channel and direct energy. It can be used much in the way an athame (ritual knife) is used. However, a wand may be safer in houses where there are small children, and can be brought and waved anywhere without fear that local authorities will confiscate it or arrest you. While you can spend a great deal of money at your local occult shop on a delicate crystal wand etched with obscure, unknown symbols, it is not necessary. In fact, some Witches would say it is not recommended. There is a strong belief that creating your altar tools yourself imbues them with your own personal energies, making them more powerful for your use than any store-bought item.
Wands have been made of many materials. I have seen some amazing wands crafted of various metals, crystals, and even of bone. But this article will focus on wood, by far the most common material for wand crafting, past and present. This is partly for practical reasons, as wood is sturdy, inexpensive, widely available, easy to work with and beautiful. But there are magical reasons for using wood as well. Wood is an excellent conductor of energy, and, coming from nature, holds power all on its own.
Different trees are associated with different magical uses. When choosing the type of wood for your wand, you may wish to take into consideration the following correspondences between magical intent and type of wood:
ALL PURPOSE: oak, hazel, rowan.
BANISHING: birch, elder, juniper.
DIVINATION: cherry, fig, orange, pomegranate, willow.
FERTILITY: hawthorn, olive.
HEALING: apple, blackberry, cedar, eucalyptus, sandalwood, willow.
LOVE: apple, cherry, elm, willow.
PROSPERITY: blackberry, maple, pine.
PROTECTION: poplar, ash, elder, elm.
If you feel you will be using your wand for more than one type of spell or ritual, try using an all-purpose wood, or choosing a wood that falls into more than one category. Many Witches have several wands, each used for a different purpose, crafted from different kinds of wood. If there is a particular tree you feel a connection with, such as one that you spent much of your childhood sitting in, consider using a branch from that tree. The special bond you have forged with the tree will only lend to the wood’s power for any use.
There are several different beliefs floating around on the right way to obtain wood for a wand. Some people believe that a wand is only good if it is cut from a live tree rather than taken from “dead wood.” The thought is that the energy from a living tree will add to the wand’s power. If you are going to do this, it is best to ask the tree’s permission (a simple meditation under the tree should instill you with a strong feeling of the tree’s willingness). Leave an offering at the base of the tree, such as a coin or crystal. Another practical consideration you should make is to find out when the best time of year is to prune the particular tree you are cutting from so you will not damage the tree.
Some argue that once you take wood, it is physically dead anyway, so there is no need to impose upon a living tree for its wood. These people feel that the wood retains the tree’s power whether taken directly from the tree, or from the ground. In fact, it might even be considered better energy to take from the ground because the wood will lack any trauma that cutting may inflict. If this way of thinking makes more sense to you, obtain a wand by looking for a fallen branch. You can also, through meditation, ask a specific tree or group of trees to drop a branch for you to use, and then keep checking back in the area for the tree’s gift to you. Be sure to leave an offering in return.
Another way to obtain wood for a wand is to simply go to a hardware or craft store and purchase a dowel. The wood still comes from a tree and retains its energies, and is ready for you to begin working with it. While some purists may shun this idea, others of a more practical mind set see nothing wrong with it.
Since there is no rule or consensus on the best way to obtain the wood for your wand, you will need to trust your own instincts. However you obtain your wood, you will want to take a few things into consideration. First, make sure the wood you are using is healthy, and not rotted, soggy, or soft in any areas. Also ensure that it is not infested with insects. Second, you will want to find wood that is relatively straight. Make sure the wood section you are choosing feels good in your grip, well balanced, and that the length is satisfactory. A wand that is too long can be awkward and may cause you to knock things over as you are waving it around. A good length is from the crook of your elbow to the tip of your middle finger. Another option is to cut it to measure 13 inches; the number 13 is sacred to the Goddess as it represents the 13 lunar cycles in the year.
Once you have chosen your wood and cut it down to size, you are ready to begin your handy work. If the wood was from nature you should strip it of its bark and any leaves or twigs coming from it. You may wish to get some sand paper to smooth the wood. If it is very rough, start with a heavy grade sandpaper until you have all of the nubs and edges smooth, then go over it with a fine grade.
How you decorate your wand will be entirely up to you. Some people choose to leave the wand completely in its natural state. Or, you can leave it partially natural, but add a few embellishments. One option is simply carving magical symbols or runes into the wand. Another option is to do the same using a wood-burning tool. You can also use leather or silk cords to tie feathers to a wand, wrap animal skins around the handle, or affix it with small gems and crystals using a hot glue gun. Another addition you can make to your wand is wrapping it with copper wiring, easily obtained at a hardware store. Copper is a highly conductive metal that will give the wand that extra “zap.”
If leaving your wand in a natural state, or partially natural state, you should oil it from time to time. This practice will keep the wood from getting too dry or brittle, and protect it from humidity. The best oil to use is mineral oil. You can give it a kick and empower the mineral oil with a few drops of essential oils before rubbing it onto the wand with a soft cloth or paper towel. When it comes to how often you should oil your wand, a good rule of thumb to follow is: once a day for a week, once a week for a month, once a month for a year, and once or twice a year after that.
Another option for decorating a wand is to paint it with craft paints. If you are handy with paint you can create a beautifully decorative, colorful wand. However, if painting the wand, don’t rub the mineral oil on it. The paint itself will seal the wood, and the rubbing could damage your handiwork.
While it is not necessary, it is common for people to add a special tip to a wand. This can be something such as a pinecone, acorn, or, more commonly, a crystal. Whatever you choose, you might want to take into what purposes the wand will be for. If you are creating a wand out of pine to use specifically for empowering prosperity charms, you may want to choose a pinecone. If your wand is made of willow and will be used to draw loving energies into your life, you may want to consider a dried rose or rose quartz crystal. I find that for all-purpose wands the best tip is a clear, terminated quartz crystal. These easy to obtain stones can be used for any intent, and are like energy amplifiers. They are both projective (project energy) and receptive (receive energy), and the terminated (pointed) tip really helps to focus the energy.
To affix any item to your wand tip, you have several options. The first is to simply use masking tape, though most people are not satisfied with the appearance, or of using such an unnatural material. Another option (my personal favorite) is to wrap a piece of fabric or animal skin smeared with some glue so that it is half on the item and half on the wand. I have not had good results using glue alone without the skin or fabric, as it doesn’t hold well and repeated leave you with a clumped-up tip full of glue. The final option is to use the copper wiring and simply wrap and loop it around the tip and then around the wand until it holds.
One thing to keep in mind at all times when you are crafting your wand is the positive magic and rituals for which it will be used. As you work on in, feel the energies of the wood mingling with your own power that you are pouring into it, and it will serve you well for years to come. You will find that your hand-crafted wand is more personal and more powerful for your own use than anything money could buy.
Sunrise in the Snow
Sunrise in the Snow
An Evocation of Yule
by Levana Lindentree
A field of snow lies, shadows blue, in the gray before dawn. The air is so cold it pinches your nose shut; it smells crisp, like ice. Your breath around you is steam. You crunch forward in the snow, leaving footprints, one by one, in blank snow, like the first person on earth. Into silence, echoing silence.
At the edge of the field sits a wooden fence, wood of its ties gone silver-gray with age. You climb over, drop to the other side. You see that from the fence’s top tie you have peeled a splinter, and in the wound the wood shows warm tan-brown, the old wood still young beneath its skin. You brush yourself off, wondering where the splinter has gone, but you are bundled against the cold and you do not find it.
You stand still a moment on the snowy hill. The sky has lightened to a shining yellow-white, and along the blue mountains on the horizon flames a rim of coral. The sun is about to rise.
Ahead of you is a small wood. You crunch down to it through the cold. Oaks tower there, still holding their last brown leaves; dark firs stand, snow on their shoulders; low and merry holly-trees glisten, berries bright; ivy twines in the shadows.
At the wood’s edge, you greet a sentinel holly, touch one glossy leaf, feel its needle-spiked edge. Then you enter the darkness of the wood. Here the ground is barely snowy, just a few shakings on the path. The earth is deep in decaying leaves, turning to muck, in brown needles that muffle your steps. The air is hushed. Here, the night remains.
The wood’s darkness envelops you like a coat, protective, secret: secrets of earth. You breathe in. The air is warmer here; you smell fir and decaying leaves. You breathe in darkness, secrets, protection.
Now you walk forward, to the edge of the wood, and out again; you look back once, say farewell to the trees. The air is brighter, and ahead you see the red sun-disk poised on the horizon. The sun is rising, liquid fire, and as you watch, bit by bit it surfaces, the whole flaming round, the sun reborn at solstice. The light warms your face, and you reach out your hands.
Red light falls, colors the snow. All around you is silence. You breathe in cold fresh air, new light.
After a few moments, you turn your steps uphill to the small stone house where you are going. You tread fresh snow. Quickly you kneel, pull off a glove and take a handful of snow, bring it to your tongue. It tastes cold, empty. You rise and walk forward, reach the house’s doorstep. You feel nearly frozen; your ears are burning. The door is unlocked. You push inside.
Shutting the door behind you, you take off coat, gloves and boots. To the right is a stone fireplace, where someone has laid a fire. You find matches on the mantel and strike one, set it to the tinder, which blazes up. In a few moments, the fire is flaring, crackling, eating its wood, beginning to warm the house. You hold out your hands to it.
The house is decorated for Yule. Fir branches and holly drape the doorway, and in an arch hangs mistletoe, deep green, white berries, the semen of the God. On the fire is a large log, twined in ivy and fir, runes cut into its skin. You know this is the Yule log, beginning to burn.
There is only one thing missing. Then you hear stamping feet at the door, and it opens: a rush of cold air. There in the doorway stand the people you love best, come to celebrate Yule. You come forward and are enveloped in embraces.
Create Your Own Magical Tools
Author: Beverly Hill
Practitioners of magic know the value of having a finely crafted magical tool for spell work. Learn how to create your own magical stave or wand.
The decision to create a wand or stave should not be made impulsively. Each magical tool must have a clear purpose behind its creation. A wand, for instance, is a focusing tool for drawing in and directing magical energy. A stave’s purpose could be similar, or it might consist of a more protective nature used for radiating protective energies around it’s wielder. Whatever the purpose, the magical tool should be constructed in a respectful manner.
Selecting Wood For Crafting Magical Tools
The choice to use live or dead wood is a hotly debated topic amongst many practitioners of magic. Some would say that you should never use live wood, while others would contend that dead wood lacks any energy to lend toward a magical working. Ultimately the decision to use live or dead wood will lie with the tool wielder’s own beliefs and personal path.
When selecting a wood for creating a wand or stave, take time to review the magical properties of wood species and select one that will be consistent with the type of magic the wand will be used for. The lunar phase should also be noted. Most new projects should be begun on a new moon and culminate by the full moon.
If collecting from a live tree, ask the tree for permission before making any cuts. Take only enough of the tree to create the desired tool, being careful not to cause any additional damage or trauma to the tree. It is customary to leave a small token or offering in appreciation of the sacrifice.
Creating a Magical Wand or Stave
A good goal for a wand is to have a relatively straight piece of wood that measures from wrist to elbow, and then adjust the size downward from there. Using a piece of fine grain sandpaper, sand off any rough areas along the wood. It is not necessary to remove the bark from the wand, but it may be done if desired.
Once sanded, wipe down the wood with a good mineral or wood oil and then set aside. Each time the wood begins to dry, oil it again and set it aside. It could take several days for the wood to dry from repeated oiling before it finally stops soaking it in. The oiling process helps preserve the wood and keep it from drying out and becoming brittle.
A stave length should be no higher than head height, and may be shortened to whatever feels most comfortable for the practitioner. The stave should be sanded and oiled just as with the wand construction. When the stave or wand is sufficiently dry to the touch, finishing touches may be added such as the carving of runes and symbols, or the mounting of stones.
To seat a crystal into the tip of the wand, choose a crystal that is slightly smaller in diameter than the wood. Carefully bore out a small hole and fill it with gem glue. Insert the largest end of the crystal into the hole and tape it securely until dry. After the glue is dry, remove the tape. From this point wire wrap can be used to better secure the crystal to the wand if desired, or it can be left plain.
During all steps of construction, keep in mind the purpose for constructing a magical tool. Once the wand or stave construction is finished, it can be formally dedicated if the practitioner so desires. Wipe the wood with a fresh bit of oil every few months to help preserve it, and it will last for years to come.
Create Your Own Magical Tools
Create Your Own Magical Tools
Author: Beverly Hill
Practitioners of magic know the value of having a finely crafted magical tool for spell work. Learn how to create your own magical stave or wand.
The decision to create a wand or stave should not be made impulsively. Each magical tool must have a clear purpose behind its creation. A wand, for instance, is a focusing tool for drawing in and directing magical energy. A stave’s purpose could be similar, or it might consist of a more protective nature used for radiating protective energies around it’s wielder. Whatever the purpose, the magical tool should be constructed in a respectful manner.
Selecting Wood For Crafting Magical Tools
The choice to use live or dead wood is a hotly debated topic amongst many practitioners of magic. Some would say that you should never use live wood, while others would contend that dead wood lacks any energy to lend toward a magical working. Ultimately the decision to use live or dead wood will lie with the tool wielder’s own beliefs and personal path.
When selecting a wood for creating a wand or stave, take time to review the magical properties of wood species and select one that will be consistent with the type of magic the wand will be used for. The lunar phase should also be noted. Most new projects should be begun on a new moon and culminate by the full moon.
If collecting from a live tree, ask the tree for permission before making any cuts. Take only enough of the tree to create the desired tool, being careful not to cause any additional damage or trauma to the tree. It is customary to leave a small token or offering in appreciation of the sacrifice.
Creating a Magical Wand or Stave
A good goal for a wand is to have a relatively straight piece of wood that measures from wrist to elbow, and then adjust the size downward from there. Using a piece of fine grain sandpaper, sand off any rough areas along the wood. It is not necessary to remove the bark from the wand, but it may be done if desired.
Once sanded, wipe down the wood with a good mineral or wood oil and then set aside. Each time the wood begins to dry, oil it again and set it aside. It could take several days for the wood to dry from repeated oiling before it finally stops soaking it in. The oiling process helps preserve the wood and keep it from drying out and becoming brittle.
A stave length should be no higher than head height, and may be shortened to whatever feels most comfortable for the practitioner. The stave should be sanded and oiled just as with the wand construction. When the stave or wand is sufficiently dry to the touch, finishing touches may be added such as the carving of runes and symbols, or the mounting of stones.
To seat a crystal into the tip of the wand, choose a crystal that is slightly smaller in diameter than the wood. Carefully bore out a small hole and fill it with gem glue. Insert the largest end of the crystal into the hole and tape it securely until dry. After the glue is dry, remove the tape. From this point wire wrap can be used to better secure the crystal to the wand if desired, or it can be left plain.
During all steps of construction, keep in mind the purpose for constructing a magical tool. Once the wand or stave construction is finished, it can be formally dedicated if the practitioner so desires. Wipe the wood with a fresh bit of oil every few months to help preserve it, and it will last for years to come.
Applying the Feng Shui Five Elements to Your Home
Applying the Feng Shui Five Elements to Your Home
- Erica Sofrina
By Erica Sofrina- Author of Small Changes, Dynamic Results! Feng Shui for the Western World.
Bringing nature into our homes is a key component of the teachings of Feng Shui. The goal is to have all of the five elements of fire, earth, metal, water and wood balanced in every room of of our living space. By studying the Feng Shui Five Elements theory we can gain valuable insights as to why our lives are out of balance by looking at the elemental imbalances in our homes.
I have worked with many clients to improve their young children’s sleeping habits along with teens who were suddenly out of control. The culprit is often found in the elemental imbalances in their bedrooms. By bringing these into balance the child or teen comes back into balance as well. Clients think I have worked magic but I am merely applying these ancient, tried and true principles (also used in Chinese medicine) to physical environments.
The five elements can also be used in a powerful way to heal health issues, and to assist in personal growth. If we find we are staying ‘too small’ in our lives, our environment will often reflect too little of the wood element. We would want to both wear and bring into our living space objects and colors that reflect this element as shown in the chart below.
Please see the list on the next page of what the elements mean and what we experience when we have too much or too little of them in our lives and take advantage of my free offer to send you information about working with the elements at the end of this article.
If you are feeling over expanded and overwhelmed, you are experiencing too much of the wood element. In this instance you would benefit by bringing into your living space objects and colors that represent the element that cuts wood, which is metal. An example of too much of the wood element might be found in an all-green bedroom with floral prints and wooden furniture. What you thought would be soothing actually feels overwhelming.
The metal element is represented by white and cream colors, pastels, circular shapes, rocks and stones and metal. By changing the floral bedspread to a pastel or cream color and accessorizing with whites and pastels, you will begin to bring the room back into elemental balance.
Below is a Five Elements Map that will show you how they work together to balance each other.
The elements when closest to their natural state will contain the most vibrant ‘chi’ or energy. However, there are colors, objects and shapes that represent these elements as well. Some are subtle and some more obvious. A tall cylindrical shape (reminding us of a tree) represents the wood element, along with medium blues and greens, anything made of wood, plants and trees and pictures of them.
Here is a short summary of what we experience when the elements are out of balance:
Wood is about growth as reflected in trees and plants. We want the right amount in our environment, not too much or too little. Too much wood = over-expansion and overwhelm. Too little=staying too small. Bring in objects, shapes textures and colors of the metal element to cut the wood, or those of the water element to increase it if there is too little. See the controlling and nurturing cycles of the chart.
Fire is about passion. Too much, however will result in aggression and overly impulsive behavior. Too little will reflect as lack of enthusiasm, motivation and warmth. Add water to douse the fire when there is too much and wood to increase the fire when there is too little.
Earth is about staying grounded and being present. Too much= overly discipline and conservative. Too little= spacey, ungrounded as well as infertility issues. Add fire to increase it when there is too little and wood to decrease it when there is too much.
Metal is about mental clarity and determination. Too much= rigidity and inability to compromise. Too little=lack of back bone and indecisiveness. Add earth to increase it and fire to melt it when there is too much. There is a reason those who live in all- white houses tend to also be rigid… bring in fire and warm it up!
Water is about connection to spirit and synchronicity in our lives. Too much= not enough structure and being ‘wishy-washy’. Too little =the need to dominate, lack of flow and connection to spirit. Add metal to increase it and earth to dam it up when there is too much.
Please note that you can also just take away items in a particular element to decrease the amount of it in a space, or add it when you need more, you do not necessarily have to use the elements that either control it or nurture it.
I encourage you to learn more about these powerful concepts and utilize this powerful knowledge if you or your loved ones are experiences any of the imbalances as described above. I have seen profound shifts in my own life and those of my clients when applying these tried and true, age-tested principles that come out of the ancient practice of Chinese medicine and Feng Shui.
Collecting and Preparing a Magickal Wood
Collecting and Preparing a Magickal Wood
Most Witches prefer to use a fallen branch rather than cutting a limb from a tree, feeling that taking from the tree with a blade is disrespectful. Others believe that if you ask the tree and indicate your purpose, you can tell if the tree gives permission by laying your hand softly on the bark. If you feel unhappy, sad, or like you’re being brushed off, permission is not granted. If, however, you feel a warm flowing sensation, then the tree has give its permission. An offering should always be left at the base of the tree if a branch is taken in this way.
The wood should be left in a warm, dry place and allowed to cure, if it was living when taken. Fallen branches may already be sufficiently dried. If in doubt, treat it as living wood. Some Witches prefer to leave the bark on the wood, where others peel away the bark with a pocket knife, then sand the surface with sandpaper until smooth to the touch. The soft surface takes paint and wood-burning techniques better than the bark. The choice is yours. As a final touch you may wish to wrap the handle portion with leather or other soft cloth. Some Witches add crystals and gems to the point that will direct the current, either gluing or wiring the stone into place with thin copper or silver wire.
Witches Of The Craft® 
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