The Lost Tools of the Witch

The Lost Tools of the Witch

Author: BellaDonna Saberhagen

When you ask your average neo-Pagan or Wiccan what tools are on their altar (or are important to their craft) , you typically get the following list: athame, wand, pentacle, chalice, besom, cauldron, candles, incense, sometimes herbs and stones, sometimes a “white-handled knife” or boline. That’s about it though. A great number of the tools are things that would have been common household implements during the early-Modern Witchcraft trials. Every household needed a cup, a knife, a pot, a broom and firelight to see by (whether by candles or an oil lamp) . It’s interesting how the common daily tools became associated with witchcraft (it also made it exceedingly easy to tell the magistrate you suspected your neighbor of witchery and for “proof” of said witchery to be found) .

What I find interesting is that some of the most common tools that are also mythologically associated with magic are not mentioned amongst the tools of today. These are the tools of the textile industry; which in older times were the distaff, spindle and loom. Often, in Viking women’s graves, these tools are found amongst the grave goods, meaning they were important enough to be taken to the afterlife. Often, they were noted as the “women’s weapons.” Since they aren’t likely to be physically good at inflicting bodily harm, this must mean something else. That something else is magic.

Since these tools aren’t listed among modern witch and/or magician tools, we have to look to lore, myths and fairy tales to find their significance. This isn’t as hard as it might sound because the fairy tales we were told as children are filled with this information. The most famous example is Sleeping Beauty, but we’ll talk about that story later.

The most famous spinners in folklore are the spinners of fate, the three Fates of Greek mythology and the Norns of Nordic myth. The Fates spin the thread of your life, weave the story into a tapestry and cut the thread at the end of your life. Clearly, the tools of old textile work are deeply connected with fate. A lot of neo-Pagans blanch at the concept of fate; I know I used to be the same way. We make our own destiny and nothing three biddies can do can change that (sticks tongue out for cheeky emphasis) ! The truth is that both are correct. There are some things we cannot change; we will all die someday (after-all life is sexually transmitted and always fatal) . Basically, the choices you make throughout your life bring you to certain places where you make more choices. Now, based on your past choices there is a great likelihood that you will make specific choices at this new crossroads. However, once you become aware that you have a pattern, you can work to change that pattern. It’s a bit confusing, I realize, but it makes sense when you really think about it.

Now, if the Fates or Norns spin your fate and you are seeking to change it, how would you go about doing that? Well, sympathetic magic works wonders in other ways so why not here? If you are willing to concentrate on the fate you want and spin (with either a drop spindle or spinning wheel) , you may be able to spin that fate into existence yourself. In essence, you are replacing the thread spun by Fate with the thread of your choosing. I will admit that I am a failed spinner. I either cannot get fresh enough roving (unspun wool) so that the natural oils can hold my thread together, or I’m just plain rubbish at it. Spinning is hard and it may take years to master, especially in a society where you can just go out and get yarn and thread without the hassle. However, I think spinning will be worthwhile in the long run.

The Norse goddess Frigga, the wife of Odin, is also associated with fate. She knows all fate, but speaks nothing of her knowledge. She is also associated with spinning and some see her as the source of the master material from which all fate is spun. As far as I know, Frigga interceded on the fate she saw but once. Her son, Baldr, was doomed to die and she tried her best to prevent that from happening. She failed and his brother killed him. Baldr’s death might explain her silence, for if she cannot change fate, why speak of it at all? The story of Baldr mirrors the Greek vision of fate as shown in the story of Oedipus: everything done to try to prevent the fate is what brings it about. However, if we go through the thought that our choices bring about our fate, then Oedipus’s father was already patterned to throw his son away at the first sign of trouble (which may have been why he wanted his son’s fate read by the Oracle to begin with, to foresee any trouble) .

Beyond the usefulness of spinning (and by connection, weaving) in regards to fate, there are other uses magically. It is a common held belief that it is better to use natural materials; and that tools have more power if you make them yourself. By spinning your own thread and weaving your own fabric, you can make sure to use only natural fibers for your cords and cloths and you can put your intent into the very fibers of your creation. You may also be able to connect with ancestors that would have spent much of their time with the spindle and at the loom. (Now I am going to be realistic here, most of us have jobs and not as much time to spend on crafting — of any sort — as we would like. I would hazard that you can take shortcuts by mock-spinning pre-spun thread and yarn, as long as you visualize and focus intently.)

So, back to Sleeping Beauty. The spindle was very important in the tale, just as it was important to the very clothes on anyone’s back during the era from which it came. The bad fairy (having been slighted by not being invited to the baby princess’s party) curses her to prick her finger on a spindle on her sixteenth birthday and die. The only good fairy that could do anything to help (the rest having somehow used their blessing allotment for the princess, though what law only allowed each to give only one gift is not stated) only had enough power to put her to sleep if the events should come about rather than die. The King attempted to prevent the fate of his daughter (again with trying to out-maneuver fate) ; rather than keep spindles around and telling his daughter to be careful of them (you know, so she would know it’s not a good idea to play with the pointy ends) , he outlawed spindles, having all the spindles in the kingdom burned (thus, forcing his subjects to wear rags or spend exorbitant amounts of money on imported cloth and thread) . As an added bonus, this also effectively crippled women. If the spindle and loom were the weapons of women, outlawing them put women at an even lower status. So what does our princess do when she sees a spindle for the very first time? She touches its pointy tip, falls asleep, and has to be rescued by a handsome prince willing to fight his way through the briar-patch of doom. He kisses her, she wakes up and they live happily ever after. The spindle? Well, a good look at the Industrial Revolution lets you know its fate.

Fraue Holle is often associated as a witch goddess in Germanic lore and she, too, is associated with spinning. I mentioned in my Yule piece that if you hadn’t finished your years’ worth of spinning by the Solstice, she would come by and befoul it. If a witch goddess thought spinning was important, then it was once an important part of magic and is worth delving into even in this technological age. It’s not easy, but whoever said magic had to be easy?

Footnotes:
Our Troth Volumes 1 and 2 edited by Kveldulf Gundarsson
The Poetic Edda
Hedge-Rider by Eric De Vries
Mythology by Edith Hamilton
Oedipus Rex by Sophocles
Sleeping Beauty collected by Jacob and Wilhelm Grimm

Dieties of Marriage

Dieties of Marriage

by Divine Spirits

Deities Of Marriage These deities can be invoked in rituals concerning the family and the home. Frigg Frigg was the Viking Mother  Goddess whose jewelled spinning wheel formed Orion’s belt; as patroness of marriage, women, mothers and families, she can be invoked for all rituals  concerned with families and domestic happiness. She invited devoted husbands and wives to her hall after death so that they might never be parted again and  so is goddess of fidelity. As Ostara, goddess of spring, she was known among the Anglo-Saxons and is remembered in the festival of Easter as a fertility  goddess and bringer of new beginnings. In her role as Valfreya, the Lady of the Battlefield, Frigg recalls the Northern tradition of warrior goddesses and  offers courage to women. Hera Hera, the wife-sister of Zeus, is a the supreme Greek goddess of protection, marriage and childbirth whose sacred bird is the  peacock. She is a powerful deity of fidelity and is called upon by women seeking revenge upon unfaithful partners. Hestia Hestia is the Greek goddess of the  hearth and home, all family matters and peace within the home. She is a benign, gentle goddess and so can be invoked for matters involving children and pets.  Juno Juno, the wife-sister of Jupiter, is the Roman queen of the gods, the protectress of women, marriage and childbirth and also wise counsellor. Together  with Jupiter and Minerva, the goddess of wisdom, she made up the triumvirate of deities who made decisions about humankind and especially Roman affairs. Her  month, June, is most fortunate for marriage and, like Hera, her Greek equivalent, her sacred creature is the peacock. She is invoked in sex magick as well as  for all matters concerning marriage, children, fidelity and wise counsel. Parvati Parvati is the benign and gentle Hindu Mother Goddess, consort of the god  Shiva and the goddess daughter of the Himalayas. Her name means ‘mountain’ and she is associated with all mountains. She and Shiva are often pictured  as a family in the Himalayas with their sons Ganesh, god of wisdom andlearning, and six-headed Skanda, the warrior god. She is invoked for all family matters  and those concerning children and by women in distress. Vesta Vesta is the Roman goddess of domesticity and of the sacred hearth at which dead and living  were welcomed. The Vestal Virgins of Rome kept alight the sacred flame in Vesta’s temple and this was rekindled at the New Year, as were household  flames. Vesta can be invoked in rituals centred around the element Fire.

Hecate – Dark Goddess of Magic & Sorcery

Hecate – Dark Goddess of Magic & Sorcery

By , About. com

Hecate (sometimes spelled Hekate) was originally a Thracian, and pre-Olympian Greek goddess, and ruled over the realms of earth and fertility rituals. As a goddess of childbirth, she was often invoked for rites of puberty, and in some cases watched over maidens who were beginning to menstruate. Eventually, Hecate evolved to become a goddess of magic and sorcery. She was venerated as a mother goddess, and during the Ptolemaic period in Alexandria was elevated to her position as goddess of ghosts and the spirit world.

Much like the Celtic hearth goddess Brighid, Hecate is a guardian of crossroads, and often symbolized by a spinning wheel. In addition to her connection to Brighid, she is associated with Diana Lucifera, who is the Roman Diana in her aspect as light-bearer. Hecate is often portrayed wearing the keys to the spirit world at her belt, accompanied by a three-headed hound, and surrounded by lit torches.

The epic poet Hesiod tells us Hecate was the only child of Asteria, a star goddess who was the aunt of Apollo and Artemis. The event of Hecate’s birth was tied to the reappearance of Phoebe, a lunar goddess, who appeared during the darkest phase of the moon.

Today, many contemporary Pagans and Wiccans honor Hecate in her guise as a Dark Goddess, although it would be incorrect to refer to her as an aspect of the Crone, because of her connection to childbirth and maidenhood. It’s more likely that her role as “dark goddess” comes from her connection to the spirit world, ghosts, the dark moon, and magic. She is known as a goddess who is not to be invoked lightly, or by those who are calling upon her frivolously. She is honored on November 30, the night of Hecate Trivia, the night of the crossroads.

Calendar of the Moon for October 10th

Calendar of the Moon

9 Gort/Puanepsion

Stenia Day 1

Color: Brown
Element: Earth
Altar: Upon cloth of brown set two green candles and the Thesmoi, the sacred figures to be put into the Mundus Cereris. They include snakes, phalli, and pigs all made of bread. Unlike the regular opening of the Mundus Cereris, only women with wombs can move the stone today.
Offerings: Thesmoi. Ritual sex is an appropriate offering for this day.
Daily Meal: Pork and bread.

Stenia I Invocation

We gather today in the name of Demeter,
To fertilize the Earth with our spirits.
The Earth yields to us, and gives us nourishment,
But we must return our energy to Her body,
Give and take in equal parts. So today we give forth
What energy we can. Bring forth the Thesmoi,
Give them the warmth of your love.

(The women with wombs take the Thesmoi from the altar, and bring them to any men with testicles to hold, bless, and place energy within them. Women without wombs and men without testicles must watch and chant, but cannot touch the Thesmoi once they are placed on the altar, for this magic must be that of fertility.)

Hail, Demeter! We bring you our gifts,
To be placed in the dark of your womb!
We bring you our hopes, our joys,
Our passions and desires, that you may
Enjoy them, and your womb fill to overflowing
And burst forth in goodness upon our world.
As you have given to us, so we give to you.

Chant: Mother Earth I sing to you
Demeter and Gaia
Mother Earth I bring to you
All within my hands

(The women with wombs carry the Thesmoi to the Mundus Cereris, roll back the stone, and place them within, also chanting. They reset the stone, return to the altar room, and announce, “It is done!” All who have been chanting cry out “Hail Demeter!” and the rite is ended.)

[Pagan Book of Hours]

Calendar of the Sun for October 4th

Calendar of the Sun

4 Winterfyllith

Jejunium Cereris: Fast for Demeter

Color: Brown
Element: Earth
Altar: Upon cloth of brown place a clay cup of water, empty bowls, plates, and an empty cornucopia.
Offerings: Give food to the hungry.
Daily Meal: Fasting today, from the night before until Hesperis.

Jejunium Cereris Invocation

Demeter weeps.
She mourns all losses,
All that passes from our hands
Into the gaping earth of the Mother’s womb.
Across the land, there are places
Where the Earth is barren, and no mouths
Shall be fed from Her soil.
The people starve, they cry out, they fall,
But there is no mercy for them
Until the Wheel turns yet again.
So if we cannot feed them all,
If we cannot be Demeter Herself,
For our hands are too few,
Our work is too little,
Our efforts fall like a drop into a wasteland,
Let us still be that drop of hope
And let us, for one day, mourn with them.
For all that we have not, there are others
Who have less, and on this day
We give out some of what we have,
For true wealth is counted only
By how much you can give away.
For today, we shall fast with them
And we shall remember.
Blessed be Demeter in Her weeping,
Blessed be Demeter in Her mourning,
May we be blessed with Her tears.

Chant: By the dust of the Earth we live
By the work of our hands we give
By the work of our hearts we open the world.

[Pagan Book of Hours]

Your Ancient Symbol Card for October 3rd is The Phoenix

Your Ancient Symbol Card for Today

The Phoenix

The mythical, endearing Phoenix has long been a symbol of rebirth, renewal, and coming full circle. Tired in both body and spirit the aged Phoenix combust into flames and from its ashes is reborn. The Phoenix does not indicate change so much as it does renewal and revitalization. It denotes the completion of a cycle and beginning anew.

As a daily card, The Phoenix suggest you are at a place where some aspects of your life have reached the end of a cycle. Your energies may be weakened from use and stretched over too many arenas to be as effective as they once were. As a result, now may be a good time for you to take a step back and allow yourself time to revitalize both your physical and spiritual self.

Spell for Forgiveness

Spell for Forgiveness

This is a spell for self-acceptance when you have made a mistake or are filled with guilt or regrets.

You will need

1 black candle
1 white candle
cup or chalice of clear water
either milk or juice
image of the Goddess
green plant

Cast a circle. Sit facing North
Light white candle and say;

Here is ________whose spirit burns as
brightly as this flame.
I come to you for forgiveness
Light the black candle and say;
Here are the negative things in my life.
All my anger and shame are here.

Hold the cup in both hands, filled with clear water.
You should have before you the image of the goddess and the green plant.
Visualize all the negative things you are feeling about yourself, the mistakes you have made, the things you have done wrong. Admit you feel bad, think about what you have done wrong, and let your emotion build energy.

Project all the energy into the cup. Breathe on the water to raise your power.
Visualize the Goddess as a forgiving Mother. Imagine her hands cover yours. Hear Her say:

I am the Mother of all things,
I pour my Love upon the earth.
I drink you in with perfect love,
Be cleansed. Be healed. Be changed.

Pour the water onto the plant, and feel all your negative emotions draining out of you.

Fill the cup with milk or juice. Raise more power, and visualize yourself as you would like to be, free of guilt and sorrow. Now say,

“Mine the cup, the waters of life. Drink deep!”

Know that you have changed, that you are now a new person, not affected by the
patterns and errors of the past. Ground yourself and open the circle.

Your Ancient Symbols Card for August 21 is Futility

Your Deck of Ancient Symbols Card for Today

Futility

Sadly sometimes our desires lead us down paths which have no end and offer us no chance of achieving the results we want. If we persist we end up like Sisyphus: forever rolling a boulder uphill only to have it roll back downhill before we ever get to the top. Futility suggest the existence of just such a situation–we are chasing a prize that will never be ours. Futility indicates a need to rethink our ambitions and direct our energies towards a goal or goals that can be attained.

As a daily card, Futility implies that you are putting energy into goals that cannot be met. It suggest the need to rethink your desires and possibly find a new goal or goals to chase.

Learning To Walk Alone

Learning To Walk Alone

Author: Mistress Ravenfyre

Requests. Requests. Requests.

Is this all the Gods and Goddesses ever hear? Over and over again they listen to us who worship them tell of our woes, tales of sorrow, our despair. In times of sorrow, stress and loneliness, we reach out for them. Calling their names individually, seeking their guidance. Pouring out our trials and tribulations hoping to be heard. Hoping to have some kind intervention. Will there be a miracle to save us from whatever is going on in our lives that is making us call them in this manner? Are we seeking instant gratification instead of taking the long road ourselves?

Do the Gods and Goddesses ever tire of these requests placed upon their shoulders? When they know that they are unable to intervene even in a small way, do they hang their heads and say a silent prayer for us? Do the thoughts run through their heads that certain people only call upon them when they are in trouble but no other time? Knowing that the reason that there will be no help from them is because these people have to learn to help themselves. Just as we parents must let go of our toddlers, letting them experiment. Using trial and error. They too do the same for us.

I am sure that they do tire of all this. Hearing it from thousands upon thousands, day in and day out. This can be wearisome. Not to mention – do these same people give thanks to the Gods and Goddesses when times are good? Or simply when the going gets tough? Hearing the pain in their voices, seeing the tears cascade down their faces. Holding their heads in hands, weeping. No, I am not talking about us, mortals. I am speaking of our Gods and Goddesses. Are we so selfish and wrapped up in our lives and ego that we forget that they too feel these pains from us? They feel our despair. Yet they at times know that it is our job, here on our planet, to solve our problems without their help.

They are giving their help. They are helping us by not helping. Letting us make mistakes, solve these mistakes and pave the road smoother for our travels. Each individual, as they know, has a path to walk. This path may be filled with ruts and holes, but it is the path we must travel. To learn to fill in these ruts is our job. Not the Divine Ones. We need to learn to fill these ruts with concrete. Filling one hole at a time. Once we do this, our travels are not as burdened.

Our Gods and Goddesses, whoever they may be, know that we must learn to solve our own problems. Solving our own problems alone teaches us those life lessons that are needed for us to grow inside. Each time we solve these problems we have laid another new section on our road.

This re-building of our paths seems to be never-ending. Obstacles seem to be placed in front of us. Making us stop, not being able to go around whatever is there. Sometimes we must open our mind’s eye to see the solution. Causing us to bring out our inner strengths and trust. Worry, doubts, fears are those main obstacles that, in any given situation, prohibit us from coming up with a viable solution. Once we are able to overcome the fears, doubts and worries, we are able to free our mind and let the soft inner voice caress us with the answers. Listening to this voice can be all the help that you need. For you have opened up to see and hear the signs that are leading you to the solution. You are now able to walk straighter and see the light at the end of the tunnel.

Nobody said that life was easy all the time. If it were easy what would we learn? Would we in fact have our faith?

If we did not have these opportunities to overcome obstacles would we recognize a Divine Intervention? Would we appreciate it? The awe would seem to be gone.

Our Gods and Goddesses may revel in our accomplishments. For they know that even by the tough love that they sometimes send out, we have survived another passage. Instead of tears of sadness, they shed tears of happiness in our advancements.

We will grow each time by learning to be strong, independent and happy individuals.

They see us and smile, knowing that we are doing fine alone most of the time. Our faith guides us. Our intelligence and perseverance to face the hardships are only stepping stones on the way to enlightenment.

You know and feel that their eyes and hearts are never closed to us. They are doing us a favor by allowing us “free will.” Their silent prayers are our answers to our requests. We just have to learn to open our minds and listen for them. They have done more for us by doing nothing.

After the hardships are behind you, please remember to thank your Gods and Goddesses for the blessings that you have in your life. One should do this daily. Whether in time of need or not. Don’t just call upon them in times of sorrow or hard times. Share your happiness with them. Your love and faith should be shown to them continuously by the things you do each day. Use personal words or prayers created just for them. Speak to your chosen Gods and Goddesses as if they are with you, because they are. Choose to do whatever makes you feel closer to them.

While you are alone, look again at the path you are traveling. See where you have been, where you are and where you are going. See how far you have come. See the things that brightened your life.

Finally, raise your eyes and arms to the heaven; say a silent prayer of love and gratitude to your Gods and Goddesses for their safe travels.

Lady of the Crossroads

Lady of the Crossroads
by
Heathwitch

One on three
which way to go
a second stood
still
faces outcast
Darkness about clasped
with snake and lion and
hound
thin veins under leather
untouched by time
outstretched a
touch
with eyes of heaven.
One on three
take a step
make a
choice
I will be with you
silent when needed
A fury when you
fear
Face the Moon
I will be here.
.
At Samhain, our thoughts turn
toward the memory of our ancestors, the mysteries of death and rebirth, the
practice of divination. We decorate our altars with blacks and oranges,
photographs of those who have passed on, and we commune with the Lords and
Ladies of the Underworld  such as the Greek Goddess Hecate.

Hecate is
the Thracian Goddess of the moon, absorbed as a Titan by the Greeks and
worshipped at crossroads, for She has the ability to see past, present and
future pathways. Though most commonly perceived as a Crone Goddess, Hecate can
also appear as a Maiden, terrible and beautiful to behold.

She is the
dark Goddess, the Lady of the Wild Hunt and keeper of occult knowledge and
wisdom. Known as the “Goddess of Witches” and the “Patroness of Priestesses”,
Hecate stands at the gateway between life and death, such is Her role as Queen
of the Underworld and the Lady of Spirits. She is also the changer, the one who
destroys in order to cause rebirth and regeneration.

Hecate’s roles are
not solely tied to the “darker” aspects of life however. She is also the midwife
who blesses new life in the world, the teacher who guides seekers and the
witness who aides with decision-making and determining truth, the giver of
courage and strength. She is intuition and psychic ability, the Lady of dreams
and nightmares who helps us see the deeper, shadow-side of our psyches. She is
the Wise Woman who sees all and knows all, and who will willingly share Her
knowledge and wisdom with you, if you but ask.

Hecate’s colours are deep
reds, purples and black, and She rules over all wild animals  in particular
dragons, dogs, frogs, horses, reptiles, toads and snakes. Her trees are willow
and yew, most commonly seen in graveyards, and She can be found in the tarot
cards the Hermit, the Moon and the High Priestess.

You can invite Hecate
into your life by mixing an oil for Her (add 10 drops cypress oil, 6 drops
patchouli oil and 4 drops sandalwood oil to 20ml of base oil) and including it
in a ritual or meditation dedicated to Hecate. Alternatively you could make an
incense blend to honour this Goddess  try the following recipe:

½ part
crushed garlic
½ part mandrake root
½ part mugwort
2 parts willow
bark
1 part lavender
4 parts myrrh
A few drops of cypress oil
A few
drops of myrrh oil

You can also work with Hecate in ritual; She can be
invoked to aid in inner exploration, dream-work, divination, healing, spells of
all kinds, banishings and the release of negativity, communicating with the
dead, and meditations and journeys to your inner self.

At Samhain,
Hecate can be called upon to focus your intuition when practicing divination on
this night when the veils between the world are thin. She can be invoked for
help in spell workings and the making of charms, or to help in soul-searching
meditations.

Most often, though, Hecate is invoked at Samhain to aid in
honouring and contacting our Beloved Dead, those who have passed from this
physical life before us:

Decorate the altar with blacks and oranges. Use
flowers of the same colours, and fruits of the season (pumpkins, root
vegetables). Light orange and black candles if possible and use a mixture of
cedarwood and sweetgrass incense — cedarwood for purification, sweetgrass for
your ancestors.

Assemble on your altar pictures of your ancestors and
mementos you may have received from them.

Cast circle in your usual way.
Invoke Hecate:

“Hecate, Goddess of the Realm of Spirits,
She who
stands at the crossroads,
Seer of past, present and future,
Guardian of
all Witches and Lady of the Dark,
I ask you to come forth into my
circle
And stand with me this night
Hail and welcome!”

Feel Hecate
come into your circle. Sit with your altar and slowly focus on each of your
ancestors. Speak aloud of their life and their impact on you. Ask Hecate to
acknowledge your reverence of those who have gone before, and ask that your
ancestors know of your love and thoughts.

Take your time and do not be
afraid of the emotions which may come to you; embrace them and welcome them into
your circle. As you speak of your ancestors you may feel them draw near from the
Summerlands; do not be afraid — instead, feel touched by their presence and
thank them for all they mean to you.

Thank Hecate and your ancestors for
their presence and say goodbye. Blow out the candles and take up
circle.

Have a Blessed Samhain!

Sources:
———-
Ann,
Martha, and Dorothy Myers Imel. Goddesses in World Mythology: A Biographical
Dictionary. Oxford University Press: New York (1995).
Ardinger, Barbara.
Goddess Meditations. Llewellyn: Minnesota (1998).
Conway, D. J. The Ancient
and Shining Ones. Llewellyn: Minnesota (1993).
Franklin, Anna. Magical
Incenses and Oils. Capall Bann: Berkshire (2000).
Marashinsky, Amy Sophia.
The Goddess Oracle: A Way to Wholeness through the Goddess and Ritual. Element:
Boston (1997).
Sjöö, Monica & Mor, Barbara. The Great Cosmic Mother:
Rediscovering The Religion of the Earth. HarperCollins: San Francisco (1991).

Zell, Morning Glory. “Manifesting Hecate”, SageWoman # 60 (Winter 2003).
Blessed Bee: California (2003).
.
About The Author: Heathwitch is a
Witch, teacher and author. She runs courses and workshops on energy work,
healing, Witchcraft and magic. High Priestess of the Circle of the Moon coven, Heathwitch lives in Cheshire, England.

Excerpt taken from:

Seasons of the Moon E-zine

Guide To The Goddesses

Guide To The Goddesses

A
APHRODITE: She is the Greek Goddess of sexual love. She was born from the bloody foam of the sea where Cronus threw the genitals of his father Uranus after castrating him.

ARACHNE: She is the Greek spider goddess. She was skilled in weaving and challenged Athene to compete with her. The contest was held and Arachne’s weave was flawless. Enraged, Athene turned her into a spider, doomed to eternally spin thread. She represents the spinning and weaving pattern of destiny.

ARADIA: She is the Italian goddess born from Diana and Lucifer. She came to earth to teach the witches her mother’s magick.

ARANI: Hindu Goddess of Fire, including female sexual fire. Her symbol is the firewheel. Her rituals include female masturbatory and/or lesbian practices.

ARIADNE: She is Cretan and Greek. Her festival is December 26th.

ARIANRHOD: She is a major Welsh Goddess. Is sometimes considered the goddess of the stars, to which souls withdraw between incarnations. She is the goddess of reincarnation. She is honored at the Full Moon.

ARTEMIS: She is the Greek Nature and Moon Goddess. Her name means “High Source of Water” which means she is the ruler of all waters, oceanic,psychic, and menstrual tides. She is invoked by women in childbirth. She is the protectress of youth, especially young women. She is also invoked by travelers to bring good weather.

ARIEL: European goddess fairy/queen linked to the magickal power of the moon.

ASTARTE: She is a fertility goddess. She is associated with the planet Venus.

ATHENA: She is the Greek Warrior Goddess. She is also the goddess of intelligence, war, and the art of peace. She is the protector of towns, heroes, and patroness of architects, sculptors, spinners and weavers.

ATHTOR: Egyptian Goddess. She is the personification of Mother Night, the element covering the infinite abyss.

——————————————————————————–
B
BAST: Egyptian cat Goddess. She represented the beneficent power of the Sun in contrast to Sekhamet who represented the destructive powers of the Sun. She is a kind goddess of joy, music, and dancing. She also protected men from contagious diseases and evil spirits.

BEAN-NIGHE: Scottish and Irish Goddess that haunts lonely streams washing the bloodstained garments of those about to die. A Bean-Nighe is said to be the spirit of a woman who died in childbirth, and fated to act this way until the day she was supposed to die.

BEFANA: The Italian witch-fairy who flies her broomstick on Twelfth Night to come down chimneys and bring presents to children.

BRIGHID: She is the Irish Goddess of fertility and inspiration.

——————————————————————————–
C
CALLISTO: The Greek Moon Goddess.

CERRIDWEN: She is the Welsh Goddess of the moon and grain, the giver of inspiration and knowledge. She is famous for her cauldron of wisdom.

CYBELE: Greek Goddess of caverns, the Earth in its primitive state, and worshipped on mountaintops. She ruled over wild beasts, and bees.

——————————————————————————–
D
DARK MAID, The: The Chinese Goddess who sends frost and snow.

DEMETER: The Greek Goddess of the fruitful Earth. She is the mother of Persephone.

DEVI: Hindu mother goddess. She embraces all things from a pure spirit. She is the goddess of Intelligence, the elements of Earth, Air, Fire, Water. She embodies the creative love and motherly love.

DIANA: Roman Goddess equivelent to Artemis. She is the Goddess of light, mountains, woods, and the Goddess of witches. She is invoked to protect the harvest against storms. She is also the Goddess of the Moon.

——————————————————————————–
E
EDAIN: Irish Goddess of reincarnation.

ERZULIE: Haitian voodoo goddess of love. She expresses the worshippers dreams of luxury and wealth.

——————————————————————————–
F
FAUNA: Roman Goddess of the Earth and fields.

FLORA: Roman Goddess of everything that flourishes, i.e. budding springtime, fruit trees, flowers, and the vine.

FREYA: Teutonic Goddess. She protected marriages and made them fruitful.

——————————————————————————–
G
GAIA: The Greek Earth Mother, the first to emerge from Chaos. She created the Universe, the first race of gods, and mankind. She presides over marriages, was invoked in oaths, and offered the first of fruit and grain.

——————————————————————————–
H
HATHOR: Egyptian goddess of the sky. She is the goddess of pleasure, joy, love, makeup, music, and dancing. She is the protectress of women.

HECATE: Greek Goddess of the Moon, Underworld, and magick. She is associated with the Crossroads, and is the Crone.

HEKET: Egyptian Goddess of childbirth and resurrection. She is the midwife of kings and queens, and also of the sun every morning.

HERA: Greek Goddess of marriage and maternity.

HESTIA: Greek Goddess of the domestic fire and of the home.

——————————————————————————–
I
INANNA: The Sumerian Queen of Heaven. She is the mother goddess, associated with Earth, love, grain, oracles, battles, weaving, and wine. She is also the goddess of sovereignty.

ISHTAR: She is the Assyro-Babylonian mother goddess. She is the goddess of Earth, fertility, love, battles, storms, marriage, the moon, and divination. She is honored on the Full Moon.

ISIS: Egyptian Goddess of reincarnation, rebirth, etc. She has a very rich history and the mythology stories about her are fascinating but lengthy.

——————————————————————————–
J
JANA: Roman Goddess, guardian of doors and of the turn of the year. January was named after her.

JUNO: Roman Goddess of the new moon and sky.

——————————————————————————–
K
KALI: Hindu Goddess, one of the DEVI. She is often called Kali Ma, which means “the black mother.” She is the goddess of demons, the creative force, she is a terrible but necessary destroyer.

KUNDALINI: Hindu Goddess, she is the universal life force.

KWAN-YIN: Chinese/Buddhist Goddess of healing and children. Her image is of sitting on a lotus flower and a child in her arms. She is a magician, a teacher of magick, sometimes a prostitute.

——————————————————————————–
L
LAKSHMI: Hindu Goddess of good fortune and beauty. She was an early mother and earth goddess.

LI: Chinese Goddess of solar feminine aspects, fire, the middle daughter, the lucid, the bride. She is associated with Mid-summer and noon.

LILITH: Hebrew goddess, Adam’s first wife. She would not subordinate herself to him and was thus turned into a demoness.

LILITU: Sumerian goddess that brought nightmares and other nocturnal menaces. She was also a storm goddess and the name is often associated with Lilith.

LUNA: Roman Moon Goddess, identified with Diana and the Greek Selene.

——————————————————————————–
M
MA’AT: Egyptian Goddess of justice, truth, law, and the divine order, the natural and inevitable order of the universe rather than artificially imposed rules. She played an important part in the judgement of the dead.

MAYA: Hindu Goddess of nature, she is the universal creatress. She is associated with magick, witches, and knowledge.

MESHKENT: Egyptian goddess of childbirth.

MINERVA: Roman Goddess of industry, commerce, and education. She was also a war goddess.

——————————————————————————–

N
NEMESIS: Greek Goddess of divine anger, against mortals who offended the moral law, broke taboos, or achieved too much happiness and wealth.

NEPHTHYS: Egyptian Goddess of the desert. She was a mourner with Isis and also guardian of the dead. She stood at the head of the coffin, Isis stood at the foot.

NIKE: Greek goddess of victory.

——————————————————————————–
O
None at this time.

——————————————————————————–
P
PANDORA: Greek Goddess. Each God and Goddess gave her a gift, Zeus put it in a box and gave it to her, instructing her not to open it. She did anyways and all the evils that plague mankind came out of it. All that was left at the bottom was Hope.

PARVATI: Hindu Goddess of love, metaphysics, and power.

PERSEPHONE: Greek Goddess, daughter of Demeter. She is an Underworld goddess, and a corn-seed goddess. Her attribute is the pomegranate.

——————————————————————————–
Q
None at this time.

——————————————————————————–
R
RHIANNON: Welsh Goddess of fertility, otherworld, horses, night, death, and the moon.

——————————————————————————–
S
SARASVATI: Hindu goddess of speech, music, wisdom, knowledge, and the arts. She was originally a river goddess.

SEKHMET: Egyptian goddess of war, the destructive power of the Sun, and also the defence of the divine order.

SELENE: Greek Moon goddess.

——————————————————————————–
T
TARA: Hindu star goddess, teacher of the gods, the founder of the lunar dynasties.

——————————————————————————–
U
UMA: Hindu Goddess of light and beauty, called the Golden Goddess.

——————————————————————————–
V
VENUS: Roman goddess of spring, protectress of vegetation and gardens, goddess of love.

VESTA: Roman goddess of fire both domestic and ritual. Her name means torch or candle.

VICTORIA: Roman goddess of military success, protectress of fields and woods.

——————————————————————————–
W
None at this time.

——————————————————————————–
X
XOCHHIQUETZAL: Aztec goddess of the moon and magick, the deity of flowers, spring, sex, love, and marriage.

——————————————————————————–
Y
None at this time.

——————————————————————————–
Z
None at this time.

Calendar of the Sun for September 29

Calendar of the Sun

29 Halegmonath

Day of Hestia Tamia

Color: Brown
Element: Fire
Altar: Like all rituals to Hestia, this ritual takes place in the kitchen and not the altar room. A fire should be lit at the main hearth, and fresh-baked bread spread upon the table. The tables should be laid with the preserved jars and cans and bottles of the harvest.
Offerings: Have in visitors, and feed them. Feed the hungry.
Daily Meal: Any correct food, eaten with outsiders.

Invocation to Hestia Tamia

Call: Hail, Hestia Tamia, Lady of the Pantry!
Response: Hail, Keeper of the Storehouse!
Call: Hail, Lady who counts each grain
That each of your charges may eat,
That there be no waste and no greed,
That there be no inequality in hunger.
Response: We must sacrifice to Hestia!
Call: This is the saying of our ancestors,
But they did not mean food thrown
Into flames, or rivers; this is not the way
Of the Lady of the Storehouse.
To sacrifice to Hestia is to put that food
In the bellies of others than yourselves.
To sacrifice to Hestia is to bring in strangers
From the cold and the wet, and offer them food
And drink, no matter how little you have.
To sacrifice to Hestia is to remember the Law
Of Hospitality, and how the Gods all love that Law,
And that the stranger most soiled and tattered
May be a vessel of the Gods in disguise.
Response: We must sacrifice to Hestia!
Call: For the counting of one’s resources
Is a holy act, sacred to Hestia Tamia
And her never-emptying pantry.
May our own pantry be as generous, Lady
Whose face is never shown
As she would rather be known by her deeds
And her gentle presence. Hail Hestia Tamia!
Response: Hail Hestia Tamia!
(The rest of the afternoon until Hesperis is spent tallying the stores in honor of Hestia.)

[Pagan Book of Hours]

The Threefold Goddess

The Threefold Goddess


To understand the concept of Goddess requires more than the ability to visualize
God as a woman. The Goddess concept is built around the myth and mystery of the
relationship between God and Goddess, and beneath that, and part of it, Her
Threefold Aspect … Maiden, Mother and Crone.

One of the oldest recognized Goddess forms is the first Greek Goddess – Gaia,
the Earth Mother; the Universal Womb; Mother of All. The most ancient Goddesses
were most often Earth and Mother Goddesses. The were worshipped and revered as
bearers of life … fat, healthy, pregnant and fruitful. As the Goddess concept
developed, then came the Harvest Goddesses, who were also Earth Goddesses.
Understand that this was a time when people did not even understand the basic
mechanics of procreation.  Life was very sacred and mystical indeed!

Gradually, myth and mystery developed and revealed themselves, creating the
legend which we honor in the modern Wiccan Craft.

We recognize the Goddess as the mother of all, including her Mighty Consort, the
God.  To Her he is Lover and Son, and together they form the Ultimate, the
Omniverse, the Dragon, the Mystery.

Now that is a pretty tough concept all things considered. Especially in our
society as it sounds rather incestuous.  From a mundane perspective, it gets
worse as the Wheel of the Year Turns, and the Oak and Holly Kings battle …
eternal rivals and
sacrificial mates.

In the pages that follow, we will explore the Goddess foundation concepts and
try to reach an understanding of the basis of the Mystery.

I don’t want to get off into all the names of all the Goddesses in all the
mythology in all of history.  While that is certainly a noble endeavor, it is
not the objective here.  What I do want to do is look at the Goddess, in whole
and in part, and see just who and what she is.

First and foremost, the Goddess is the symbol of the Cycle of  Everlasting.  She
is constant, ever present, ever changing, and yet always the same.  She could be
compared in that respect to the oceans.

As a part of that, she is that from which we have come, and to which we will
return.  She is the Universal Mother, the Cosmic Womb. While those are largely
symbolic images, as opposed to literal ones, they are important to bear in mind
about any aspect of the Goddess. She never harms, she is Mother.

One of the most difficult throwback mentalities to dispel in a student is the
difference between “dark and light” and “bad and good”. Societally, and often
religiously, we are trained to see bad and dark and evil as being the same.
Hence, we are also taught to hate and fear our own mortality.  All too often I
see practicing Wiccans, who ought to *know* better, fall back on these concepts
when trying to explain or understand a concept.

The Goddess is dark, she is light, she is birth, she is death, and she rejoices
in all things.  With death comes joy, for with death comes renewal.  With life
comes joy, for with life comes promise. With growth comes joy for with growth
comes wisdom.  Sorrow and fear are not a part of her, not the way we feel those
emotions.  She is incapable of sorrow without joy, she fears nothing, because
fear is not real. It is a creation of the mind.

Whether you see the Goddess as a Warrior Queen, or like the Good Witch of the
North in the Wizard of Oz, she is the Goddess.  And she has many parts and
facets which defy comprehension as “One”.  She simply IS, and in that, can be
whatever you need her to be in order to establish a relationship with her.  But
none of that changes what she IS.

“I greet thee in the many names of the Threefold Goddess and her Mighty Consort.
Athe, malkuth, ve-guburah, ve-gedulah, le-olam, Amen. Blessed Be.”

So here, at the Circle Door, greeted by the High Priest or Priestess we first
see mentioned the Threefold Goddess.  Full-sized covens have three priestesses
who take the specific roles of Maiden, Mother and Crone, the High Priestess
being Mother.

The Threefold Goddess however is NOT three entities, she is one. Her aspects
represent Enchantment, Ripeness and Wisdom.

Taking first things first is usually best, so we shall start with a look at one
side of the Maiden.

Quoting “The Myth of the Goddess” as found in Gardenarian Wicca (Gerald B.
Gardner, The Meaning of Witchcraft, Aquarian Press, London, 1959.):

Now Aradia had never loved, but she would solve all the Mysteries, even the
Mystery of Death; and so she journeyed to the Nether Lands.

The Guardians of the Portals challenged her, “Strip off thy garments, lay aside
thy jewels; for naught may ye bring with ye into this our land.”

So she laid down her garments and her jewels and was bound, as were all who
enter the Realms of Death the Mighty One.  Such was her beauty that Death
himself knelt and kissed her feet, saying, “Blessed by thy feet that have
brought thee in these ways.  Abide with me, let me place my cold hand on thy
heart.”  She replied “I love thee not. Why dost thou cause all things that I
love and take delight in to fade and die?”

“Lady,” replied Death, “it is Age and Fate, against which I am helpless.  Age
causes all things to wither, but when men die at the end of time I give them
rest and peace, and strength so that they may return.  But thou, thou art
lovely.  Return not; abide with me.”

But she answered, “I love thee not.”

Then said Death, “An’ thou receive not my hand on thy heart thou must receive
Death’s scourge.”

“It is Fate; better so”, she said, and she knelt, and Death scourged her and she
cried “I feel the pangs of love.”

And Death said, “Blessed be” and gave her the Fivefold Kiss, saying “Thus only
may ye attain joy and knowledge.”

And he taught her all the Mysteries.  And they loved and were one, and he taught
her all the Magicks.

For there are three great events in the life of Man:  Love, Death and
Resurrection in a new body, and Magick controls them all. For to fulfill love
you must return again at the same time and place as the loved one, and you must
remember and love them again.  But to be reborn you must die, and be ready for a
new body; and to die you must be born; and without love you may not be born.
And these be all the Magicks.

So there in the Gardnerian Myth of the Goddess we have her Maiden aspect,
seeking, searching and opening herself to the mysteries.  But it is well to
remember that the Goddess herself is a mystery, and the primary gift of the
Goddess is intuitive Wisdom.

Beltaine (Bealtain) is the only Sabbat where the Goddess is entirely devoted to
the Maiden.  Here, she revels in the enchantment, in the joy of coming into
fullness and mating with the God.  Here, she is maiden bride and we can most
easily understand that facet of the Maiden aspect.  I should probably note here
that some see this festival as maiden turning into mother, with the maiden being
in full at Candlemas, but I do not agree with that.

Youth, newness, innocence and beauty are fundamental facets of  the Maiden
aspect.  But beneath those are seeking, and love, and love of  seeking.  There
is more to understand of the Maiden though. Enchantment does not end with
maidenhood, it is simply the beginning of the Mystery of Life, for that, above
all, is what the Goddess stands for.

In Circle, in the Balanced Universe, the Maiden takes her place in the East.  In
examining this most comfortable quarter, you learn more about the Maiden Aspect.
East (Air) rules the free mind and intellect.  It is the place to seek the
ability to learn and to open spiritually, to open your mind and find answers.
It is a masculine quarter, ruled by intellect, and analytical logic, but she
brings to it an intuition which is required to use these to best advantage.

“The river is flowing, flowing and growing, the river is flowing back to the
sea.  Mother carry me, a child I will always be.  Mother carry me, back to the
sea.”

This Circle chant, sung in joy, sung in sorrow, is a cry to the Mother Aspect
for comfort and warmth, a power chant calling upon the steady power and fullness
of the Mother and a plea for guidance. While the Earth Mother, and the fully
aspected Goddess are placed North in the Earth quarter, the Mother aspect alone
belongs in the west.

Comfort and love rule here.  Emotions, sorrow, joy, tears, these belong to the
ripeness of the Mother.  Caring and loving for all her children, watching in
pain and pride as they struggle to gain their own, knowing full well she could
reach out and do it for them, but being both bound and desirous to let them do
it for themselves.

There is a considerable difference, as you might have interpreted from the
above, between the Earth Mother and the Mother Aspect of the Goddess.  That is
why we’ve started with her quarter, because it  reveals the limitations of the
Aspect.

The Mother aspect is ripeness, the ancient bearing of fruit, child and grain.
She represents emotion and sexuality.  The Goddess in that aspect is most of the
altar (as discussed in the Great Rite lesson.)  It is interesting to note the
practice in numerous ancient cultures of lovemaking or outright sex magick in
cornfields to help make the corn grow.

The Dark Mother should also be placed here, although culturally, I have a
tendency to think of the Dark Mother as more in keeping the Crone Aspect.  It is
a bit of work to see the Dark Mother in the West, to separate Dark Mother from
Crone, but it is worthwhile.  If you have any background with the tarot I would
suggest you take it in that context, it is beyond the scope of this text.

Our exploration of the Goddess and her Aspects brings us now to the Crone.  For
me, the Crone is the most fascinating of the Aspects of the Goddess.  Partly I
suppose because she is the most mysterious and paradoxical.

“Blessed Goddess, old and wise, open mine, thy child’s, eyes. Speak to me in
whispered tones that I may know the rune of Crones.”

With life and growth comes age and wisdom, and the Crone is this in part.  She
holds fire and power, which wisely used can be of great benefit, but hold great
danger for the unaware.  Hers are the secrets of  death and of life, and the
mystery beyond the mystery.

Part of the pleasure in knowing the Crone aspect is that while, unlike the fully
aspected Goddess, she is not also Maiden and Mother, she does retain the
experiences of both those Aspects in order to be Crone.  The Crone, wizened
though she is, must still be able to reach into herself and recall the innocent
joys and high passions of the Maiden and the love and warmth of the Mother.  To
be Crone and to not have forgotten, to still be able to experience Maiden and
Mother is, to me, very appealing.  More importantly, to be comfortable in that
Aspect, where you have truth and knowledge but have left youth and physical
beauty behind, and to still _feel_ youth and beauty without being desirous of
them is an admirable quality.

Crone is the least paralleled Aspect of the Goddess to our human society.  We
discard our old and wise, not understanding their value as teachers and models,
and fearing their appearance as a reminder of  our own mortality.

Knowing Crone is a door we much each open for ourselves for to know and love her
is to cast aside a great many of our cultural and societal malteachings.

While the individual Aspects of Threefold Goddess are certainly valid concepts
and paths to knowing Goddess, I should caution that most mythological Goddess
figures are composite Goddesses.  Earth Mother Goddess figures are fully
aspected Goddess by definition because they represent the full cycle of the
Wheel.  Most other Goddess figures can be classified as having a dominant (or
operative) aspect and recessive (promised, or in some cases past) aspect.
Future and past should not be taken literally, mythological Goddess figures are
always whatever they are eternally, they do not tend to change (ie age).

Maiden Goddesses possessing their operative in the Huntress or Warrior aspects
most often have a promise of Crone. Maiden Goddesses expressing their dominance
in beauty and/or love usually have their recessive aspect as Mother.  For
example, Athena is a Maiden Goddess with Crone attributes (the combination
produces many Mother-type qualities, and this results in the Crone aspected
Maiden being the most complete of the Mythological Goddesses, with the exception
of  Earth Mother Goddesses.) Aphrodite is of course a Maiden Goddess with Mother
attributes.

Similarly, Dark Mother Goddess figures mostly find their promise in Crone and
Light Mother figures their recessive in Maiden. Crone recessives work the same
way, although sometimes it takes a bit of  close examination to find the
“hidden” aspect.

One should note that this is not a formula, rather a tool to assist in examining
and understanding Goddess figures and creating one’s own personal spiritual link
with Goddess.  It is also a useful consideration when invoking a specific
Goddess with purpose in ritual. The purpose of this course has been to open
avenues of approach in discovering and developing a relationship with Goddess.
For me personally, I do not “believe” in the reality of mythological Goddess
figures as they were presented, but I do believe they are a valid way to
establish communication with Goddess.  I also believe Goddess will appear in
whatever form we are most ready to accept.  The real Goddess, by my belief (and
this is personal, not trad) is an entity beyond my comprehension, perhaps
composed of light (could 5000 sci-fi films be wrong?), most assuredly unlike
anything I could ever imagine in true form.  However, I do find mythological
Goddess figures highly useful for ritual, and of some help in my personal
relationship with Goddess. I hope you will too.

The Goddess In The Kingdom Of Death

The Goddess In The Kingdom Of Death

In this world, the Goddess is seen in the moon, the light that shines in darkness, the rain bringer, mover of the tides, Mistress of mysteries. And as the moon waxes
and wanes, and walks three nights of its cycle in darkness, so, it is said, the
Goddess once spent three nights in the Kingdom of Death.

For in love She ever seeks Her other Self, and once, in the winter of the year, when
He had disappeared from the green earth, She followed Him and came at last to the
gates beyond which the living do not go.

The Guardian of the Gate challenged Her, and She stripped Herself of Her clothing
and jewels, for nothing may be brought into that land. For love, She was bound as
all who enter there must be and brought before Death Himself.

He loved Her, and knelt at Her feet, laying before Her His sword and crown, and gave
Her the fivefold kiss, and said,

“Do not return to the living world, but stay here with Me, and have peace and rest
and comfort.”

But She answered, “Why do you cause all things I love and delight in to die and
wither away?”

“Lady,” He said, “It is the fate of all that lives to die. Everything passes; all
fades away. I bring comfort and consolation to those who pass the gates, that they
may grow young again. But You are My heart’s desire — return not, but stay here
with Me.”

And She remained with Him three days and three nights, and at the end of the third
night She took up His crown, and it became a circlet that She placed around Her
neck, saying:

“Here is the circle of rebirth. Through You all passes out of life, but through Me
all may be born again. Everything passess; everything changes. Even death is not
eternal. Mine is the mystery of the womb, that is the cauldron of rebirth. Enter
into Me and know Me, and You will be free of all fear. For as life is but a journey
into death, so death is but a passage back to life, and in Me the circle is ever
turning.”

In love, He entered into Her, and so was reborn into life. Yet is He known as Lord
of Shadows, the comforter and consoler, opener of the gates, King of the Land of
Youth, the giver of peace and rest. But She is the gracious mother of all life;
from Her all things proceed and to Her they return again. In Her are the mysteries
of death and birth; in Her is the fulfillment of all love.

*Traditional Craft Myth

Water

Water

 

Direction: west

Time: dusk

Season: autumn

Colours: blue, from dark, inky or grey blue to brilliant Mediterranean turquoise;  silver

Qualities: intuition, empathy, sympathy, healing powers, inner harmony, peacemaking, unconscious  wisdom, divinatory powers especially connected with water scrying, ability to merge and interconnect with nature, the cycles of the seasons and life  cycle.

Rules over: love, relationships, friendships, dreams, the cycle of birth, death and rebirth,  purification rites, alternative healing, using the powers of nature, especially crystals and sacred water, all water and sea magick, moon magick, travel by  sea.     Animals: albatross, dolphin, frog, heron, seagull, seal, shark, toad, whale, all fish, especially salmon, fish of the summer on the native North American  Medicine Wheel and of wisdom in the Celtic tradition.

Archangel: Gabriel, archangel of the moon, who represents the fruits of the harvest, the rewards of  our successes and the need to let go of our failures and regrets.

Gabriel protects fish stocks, those who travel across water and against inclement weather. He  cleanses polluted seas, lakes and rivers.

Visualize him in robes of silver and midnight blue with stars interwoven on the crescent moon in his  halo.

Crystals: aquamarine, blue and pink chalcedony calcite, coral, fluorite, jade, moonstone, ocean or  orbicular jasper, opal, pearl, tourmaline

Elemental creatures: naiads

Goddesses: all moon and water deities

Coventina, indigenous British water goddess of sacred springs; also revered at sacred wells in Spain  and Gaul.

Ganga, the Hindu healing water goddess who is manifest as the sacred river Ganges and was daughter  of the Himalayas

Heket or Heqet, the frog-headed Ancient Egyptian goddess who breathed life into the clay figures  that her husband Knum the potter god made; a goddess of fertility and creativity.

Mama Cocha or Mother Sea, the Peruvian whale goddess.

Ran, the Norse sea goddess who loves gold more than anything else; a goddess of  protection.

Sedna the ancient sea mother of the Inuit people who releases the seals and shoals of fish for  hunting.

Stella Maria, patroness of sailors, fishermen and travelers by sea, once identified with Isis and  now associated with the Virgin Mary who is depicted in this role with a crown of stars.

Gods: Hapy or Hapi, the god of the Nile flood, who wears flowing papyrus and lotus flowers on his  head, carrying a loaded offering dish with wine, food and lotus blossoms, as a symbol of his fecundity.

Mannanan or Manannan macLir, Lord of the Otherworld Isles of the Blest which include the Isle of Man  and Arran; he casts magical mists around them to keep away danger.

Poseidon, Greek god of the sea, who carried a trident, became Neptune in the Roman tradition and was  said to have drowned Atlantis (or some blame Zeus) because of the corruption of this Golden Race.

Tlaloc, the Aztec god of rain, whose eyes and nose were formed of intertwined serpents and who was  entreated in annual ceremonies to bring rain to fertile the crops.

Herbs and incenses: apple blossom, apricot, Balm of Gilead, camellia, catnip, coconut, coltsfoot,  cowslip, cyclamen, eucalyptus, feverfew, hyacinth, iris, jasmine, lemon, lemon balm, lilac, lily, lotus, lucky hand, myrrh, orchid, passionflower, peach,  sandalwood (sometimes under air), strawberry, sweet pea, tansy, thyme, valerian, vanilla, violet, yarrow.

Places: flooded land, flood plains, fountains, lakes, marshland, the ocean, ponds, pools, rainy day,  rivers, sacred wells and streams, water features.

Sacred substance: water

Zodiacal signs: Cancer, Scorpio, Pisces

The Wicca Book of Days for July 19 – The Adonia

The Wicca Book of Days for July 19

The Adonia

The Adonia, a festival dedicated to Adonis was once celebrated today in parts of Greece. One story tells that this handsome youth was much loved by Aphrodite (Venus in Rome), and that when he was killed by the jealous Ares (Mars), the grief-stricken Goddess of Love persuaded Persephone (Proserpina), Queen of the Underworld, to let him spend a third of the year with her. His reappearance on Earth was feted to Spring, while women mourned his return to the underworld at the end of Summer, during the Adonia

Adonis’s Flowers

An ancient Greek myth relates that an Adonis’s blood soaked into the ground, anemones or windflowers, sprung up.  Either pick some anemones today, or do as women once did during the Adonia, and plant such quick growing, but short lived, herbs as fennel and basil in pots to create “gardens of Adonis.”

The Ancient Druids

The Ancient Druids

In about 750 CE the word druid appears in a poem by Blathmac, who wrote about Jesus saying that he was “…better than a prophet, more knowledgeable than every druid, a king who was a bishop and a complete sage.” The druids then also appear in some of the medieval tales from Christianized Ireland like the Táin Bó Cúailnge, where they are largely portrayed as sorcerers who opposed the coming of Christianity. In the wake of the Celtic revival during the 18th and 19th centuries, fraternal and Neopagan groups were founded based upon the ideas about the ancient druids, a movement which is known as Neo-Druidism.

According to historian Ronald Hutton, “we can know virtually nothing of certainty about the ancient Druids, so that—although they certainly existed—they function more or less as legendary figures.” However, the sources provided about them by ancient and medieval writers, coupled with archaeological evidence, can give us an idea of what they might have performed as a part of their religious duties.

Druid History

One of the few things that both the Greco-Roman and the vernacular Irish sources agree on about the druids was that they played an important part in pagan Celtic society. In his description, Julius Caesar claimed that they were one of the two most important social groups in the region (alongside the equities, or nobles), and were responsible for organizing worship and sacrifices, divination, and judicial procedure in Gaulish, British and Irish society. He also claimed that they were exempt from military service and from the payment of taxes, and that they had the power to excommunicate people from religious festivals, making them social outcasts. Two other classical writers, Diodorus Siculus and Strabo also wrote about the role of druids in Gallic society, claiming that the druids were held in such respect that if they intervened between two armies they could stop the battle.

Pomponius Mela is the first author who says that the druids’ instruction was secret, and was carried on in caves and forests. Druidic lore consisted of a large number of verses learned by heart, and Caesar remarked that it could take up to twenty years to complete the course of study. There is no historic evidence during the period when Druidism was flourishing to suggest that Druids were other than male. What was taught to Druid novices anywhere is conjecture: of the druids’ oral literature, not one certifiably ancient verse is known to have survived, even in translation. All instruction was communicated orally, but for ordinary purposes, Caesar reports, the Gauls had a written language in which they used Greek characters. In this he probably draws on earlier writers; by the time of Caesar, Gaulish inscriptions had moved from the Greek script to the Latin script.

The Druid’s Religious Practices & Philosophy

Greek and Roman writers frequently made reference to the druids as practitioners of human sacrifice, a trait they themselves reviled, believing it to be barbaric. Such reports of druidic human sacrifice are found in the works of Lucan, Julius Caesar, Suetonius and Cicero.Caesar claimed that the sacrifice was primarily of criminals, but at times innocents would also be used, and that they would be burned alive in a large wooden effigy, now often known as a wicker man. A differing account came from the 10th-century Commenta Bernensia, which claimed that sacrifices to the deities Teutates, Esus and Taranis were by drowning,mhanging and burning, respectively.

Diodorus Siculus asserts that a sacrifice acceptable to the Celtic gods had to be attended by a druid, for they were the intermediaries between the people and the divinities. He remarked upon the importance of prophets in druidic ritual:

“These men predict the future by observing the flight and calls of birds and by the sacrifice of holy animals: all orders of society are in their power… and in very important matters they prepare a human victim, plunging a dagger into his chest; by observing the way his limbs convulse as he falls and the gushing of his blood, they are able to read the future.”

There is archaeological evidence from western Europe that has been widely used to back up the idea that human sacrifice was performed by the Iron Age Celts. Mass graves found in a ritual context dating from this period have been unearthed in Gaul, at both Gournay-sur-Aronde and Ribemont-sur-Ancre in what was the region of the Belgae chiefdom. The excavator of these sites, Jean-Louis Brunaux, interpreted them as areas of human sacrifice in devotion to a war god, although this view was criticised by another archaeologist, Martin Brown, who believed that the corpses might be those of honoured warriors buried in the sanctuary rather than sacrifices.Some historians have questioned whether the Greco-Roman writers were accurate in their claims. J. Rives remarked that it was “ambiguous” whether the druids ever performed such sacrifices, for the Romans and Greeks were known to project what they saw as barbarian traits onto foreign peoples including not only druids but Jews and Christians as well, thereby confirming their own “cultural superiority” in their own minds. Taking a similar opinion, Ronald Hutton summarised the evidence by stating that “the Greek and Roman sources for Druidry are not, as we have received them, of sufficiently good quality to make a clear and final decision on whether human sacrifice was indeed a part of their belief system.” Peter Berresford Ellis, a Celtic nationalist who authored The Druids (1994), believed them to be the equivalents of the Indian Brahmin caste, and considered accusations of human sacrifice to remain unproven,whilst an expert in medieval Welsh and Irish literature, Nora Chadwick, who believed them to be great philosophers, fervently purported the idea that they had not been involved in human sacrifice, and that such accusations were imperialist Roman propaganda.

Druids And The Irish Culture

During the Middle Ages, after Ireland and Wales were Christianized, druids appeared in a number of written sources, mainly tales and stories such as the Táin Bó Cúailnge, but also in the hagiographies of various saints. These were all written by Christian monks, who, according to Ronald Hutton, “may not merely have been hostile to the earlier paganism but actually ignorant of it” and so would not have been particularly reliable, but at the same time may provide clues as to the practices of druids in Ireland, and to a lesser extent, Wales.

The Irish passages referring to druids in such vernacular sources were “more numerous than those on the classical texts” of the Greeks and Romans, and paint a somewhat different picture of them. The druids in Irish literature—for whom words such as drui, draoi, drua and drai are used—are sorcerers with supernatural powers, who are respected in society, particularly for their ability to perform divination. They can cast spells and turn people into animals or stones, or curse peoples’ crops to be blighted. At the same time, the term druid is sometimes used to refer to any figure who uses magic, for instance in the Fenian Cycle, both giants and warriors are referred to as druids when they cast a spell, even though they are not usually referred to as such; as Ronald Hutton noted, in medieval Irish literature, “the category of Druid [is] very porous.”

When druids are portrayed in early Irish sagas and saints’ lives set in the pre-Christian past of the island, they are usually accorded high social status. The evidence of the law-texts, which were first written down in the 7th and 8th centuries, suggests that with the coming of Christianity the role of the druid in Irish society was rapidly reduced to that of a sorcerer who could be consulted to cast spells or practice healing magic and that his standing declined accordingly. According to the early legal tract Bretha Crólige, the sick-maintenance due to a druid, satirist and brigand (díberg) is no more than that due to a bóaire (an ordinary freeman). Another law-text, Uraicecht Becc (‘Small primer’), gives the druid a place among the dóer-nemed or professional classes which depend for their status on a patron, along with wrights, blacksmiths and entertainers, as opposed to the fili, who alone enjoyed free nemed-status.

Whilst druids featured prominently in many medieval Irish sources, they were far rarer in their Welsh counterparts. Unlike the Irish texts, the Welsh term commonly seen as referring to the druids, dryw, was used to refer purely to prophets and not to sorcerers or pagan priests. Historian Ronald Hutton noted that there were two explanations for the use of the term in Wales: the first was that it was a survival from the pre-Christian era, when dryw had been ancient priests, whilst the second was that the Welsh had borrowed the term from the Irish, as had the English (who used the terms dry and drycraeft to refer to magicians and magic respectively, most probably influenced by the Irish terms.)

As the historian Jane Webster stated, “individual druids… are unlikely to be identified archaeologically”, a view which was echoed by Ronald Hutton, who declared that “not one single artifact or image has been unearthed that can undoubtedly be connected with the ancient Druids.” A.P. Fitzpatrick, in examining what he believed to be astral symbolism on Late Iron Age swords has expressed difficulties in relating any material culture, even the Coligny calendar, with druidic culture. Nonetheless, some archaeologists have attempted to link certain discoveries with written accounts of the druids, for instance the archaeologist Anne Ross linked what she believed to be evidence of human sacrifice in Celtic pagan society—such as the Lindow Man bog body—to the Greco-Roman accounts of human sacrifice being officiated over by the druids.

An excavated burial in Deal, Kent discovered the “Deal warrior” a man buried around 200-150 BCE with a sword and shield, and wearing a unique crown, too thin to be a helmet. The crown is bronze with a broad band around the head and a thin strip crossing the top of the head. It was worn without any padding beneath, as traces of hair were left on the metal. The form of the crown is similar to that seen in images of Romano-British priests several centuries later, leading to speculation among archaeologists that the man might have been a druid.

The Demise And Revival Of The Druids

During the Gallic Wars of 58 to 51 BCE, the Roman army, led by Julius Caesar, conquered the many tribal chiefdoms of Gaul, and annexed it as a part of the Roman Empire. According to accounts produced in the following centuries, the new rulers of Roman Gaul subsequently introduced measures to wipe out the druids from that country. According to Pliny the Elder, writing in the 70s CE, it was the emperor Tiberius (who ruled from 14 to 37 CE), who introduced laws banning not only druidism, but also other native soothsayers and healers, a move which Pliny applauded, believing that it would end human sacrifice in Gaul A somewhat different account of Roman legal attacks on druidism was made by Suetonius, writing in the 2nd century CE, when he claimed that Rome’s first emperor, Augustus (who had ruled from 27 BCE till 14 CE), had decreed that no-one could be both a druid and a Roman citizen, and that this was followed by a law passed by the later Emperor Claudius (who had ruled from 41 to 54 CE) which “thoroughly suppressed” the druids by banning their religious practices.

The best evidence of a druidic tradition in the British Isles is the independent cognate of the Celtic *druwid- in Insular Celtic: The Old Irish druídecht survives in the meaning of “magic”, and the Welsh dryw in the meaning of “seer”.

While the druids as a priestly caste were extinct with the Christianization of Wales, complete by the 7th century at the latest, the offices of bard and of “seer” (Welsh: dryw) persisted in medieval Wales into the 13th century.

Phillip Freeman, a classics professor, discusses a later reference to Dryades, which he translates as Druidesses, writing that “The fourth century A.D. collection of imperial biographies known as the Historia Augusta contains three short passages involving Gaulish women called “Dryades” (“Druidesses”).” He points out that “In all of these, the women may not be direct heirs of the Druids who were supposedly extinguished by the Romans — but in any case they do show that the druidic function of prophesy continued among the natives in Roman Gaul.” However, the Historia Augusta is frequently interpreted by scholars as a largely satirical work, and such details might have been introduced in a humorous fashion. Additionally, Druidesses are mentioned in later Irish mythology, including the legend of Fionn mac Cumhaill, who, according to the 12th century The Boyhood Deeds of Fionn, is raised by the druidess Bodhmall and a wise-woman.

The story of Vortigern, as reported by Nennius, provides one of the very few glimpses of possible druidic survival in Britain after the Roman conquest: unfortunately, Nennius is noted for mixing fact and legend in such a way that it is now impossible to know the truth behind his text. He wrote that after being excommunicated by Germanus, the British leader Vortigern invited twelve druids to assist him.

In the lives of saints and martyrs, the druids are represented as magicians and diviners. In Adamnan’s vita of Columba, two of them act as tutors to the daughters of Lóegaire mac Néill, the High King of Ireland, at the coming of Saint Patrick. They are represented as endeavouring to prevent the progress of Patrick and Saint Columba by raising clouds and mist. Before the battle of Culdremne (561) a druid made an airbe drtiad (fence of protection?) round one of the armies, but what is precisely meant by the phrase is unclear. The Irish druids seem to have had a peculiar tonsure. The word druí is always used to render the Latin magus, and in one passage St Columba speaks of Christ as his druid. Similarly, a life of St Bueno’s states that when he died he had a vision of ‘all the saints and druids’.

Sulpicius Severus’ Vita of Martin of Tours relates how Martin encountered a peasant funeral, carrying the body in a winding sheet, which Martin mistook for some druidic rites of sacrifice, “because it was the custom of the Gallic rustics in their wretched folly to carry about through the fields the images of demons veiled with a white covering.” So Martin halted the procession by raising his pectoral cross: “Upon this, the miserable creatures might have been seen at first to become stiff like rocks. Next, as they endeavored, with every possible effort, to move forward, but were not able to take a step farther, they began to whirl themselves about in the most ridiculous fashion, until, not able any longer to sustain the weight, they set down the dead body.” Then discovering his error, Martin raised his hand again to let them proceed: “Thus,” the hagiographer points out, “he both compelled them to stand when he pleased, and permitted them to depart when he thought good.”

From the 18th century, England and Wales experienced a revival of interest in the druids. John Aubrey (1626–1697) had been the first modern writer to connect Stonehenge and other megalithic monuments with the druids; since Aubrey’s views were confined to his notebooks, the first wide audience for this idea were readers of William Stukeley (1687–1765). It is incorrectly believed that John Toland (1670–1722) founded the Ancient Druid Order however the research of historian Ronald Hutton has revealed that the ADO was founded by George Watson MacGregor Reid in 1909. The order never used (and still does not use) the title “Archdruid” for any member, but falsely credited William Blake as having been its “Chosen Chief” from 1799 to 1827, without corroboration in Blake’s numerous writings or among modern Blake scholars. Blake’s bardic mysticism derives instead from the pseudo-Ossianic epics of Macpherson; his friend Frederick Tatham’s depiction of Blake’s imagination, “clothing itself in the dark stole of mural sanctity”— in the precincts of Westminster Abbey— “it dwelt amid the Druid terrors”, is generic rather than specifically neo-Druidic. John Toland was fascinated by Aubrey’s Stonehenge theories, and wrote his own book about the monument without crediting Aubrey. The roles of bards in 10th century Wales had been established by Hywel Dda and it was during the 18th century that the idea arose that Druids had been their predecessors.

The 19th-century idea, gained from uncritical reading of the Gallic Wars, that under cultural-military pressure from Rome the druids formed the core of 1st-century BCE resistance among the Gauls, was examined and dismissed before World War II, though it remains current in folk history.

Druids began to figure widely in popular culture with the first advent of Romanticism. Chateaubriand’s novel Les Martyrs (1809) narrated the doomed love of a druid priestess and a Roman soldier; though Chateaubriand’s theme was the triumph of Christianity over Pagan druids, the setting was to continue to bear fruit. Opera provides a barometer of well-informed popular European culture in the early 19th century: in 1817 Giovanni Pacini brought druids to the stage in Trieste with an opera to a libretto by Felice Romani about a druid priestess, La Sacerdotessa d’Irminsul (“The Priestess of Irminsul”). The most famous druidic opera, Vincenzo Bellini’s Norma was a fiasco at La Scala, when it premiered the day after Christmas, 1831; but in 1833 it was a hit in London. For its libretto, Felice Romani reused some of the pseudo-druidical background of La Sacerdotessa to provide colour to a standard theatrical conflict of love and duty. The story was similar to that of Medea, as it had recently been recast for a popular Parisian play by Alexandre Soumet: the diva of Norma’s hit aria, “Casta Diva”, is the moon goddess, being worshipped in the “grove of the Irmin statue”.

A central figure in 19th century Romanticist Neo-Druidism is the Welshman Edward Williams, better known as Iolo Morganwg. His writings, published posthumously as The Iolo Manuscripts (1849) and Barddas (1862), are not considered credible by contemporary scholars. Williams claimed to have collected ancient knowledge in a “Gorsedd of Bards of the Isles of Britain” he had organized. Many scholars deem part or all of Williams’s work to be fabrication, and purportedly many of the documents are of his own fabrication, but a large portion of the work has indeed been collected from meso-pagan sources dating from as far back as 600 CE.Regardless, it has become impossible to separate the original source material from the fabricated work, and while bits and pieces of the Barddas still turn up in some “Neo-druidic” works, the documents are considered irrelevant by most serious scholars.

T.D. Kendrick’s dispelled (1927) the pseudo-historical aura that had accrued to druids, asserting that “a prodigious amount of rubbish has been written about druidism”; Neo-druidism has nevertheless continued to shape public perceptions of the historical druids. The British Museum is blunt:

Modern Druids have no direct connection to the Druids of the Iron Age. Many of our popular ideas about the Druids are based on the misunderstandings and misconceptions of scholars 200 years ago. These ideas have been superseded by later study and discoveries.

Some strands of contemporary Neodruidism are a continuation of the 18th-century revival and thus are built largely around writings produced in the 18th century and after by second-hand sources and theorists. Some are monotheistic. Others, such as the largest Druid group in the world, The Order of Bards, Ovates and Druids draw on a wide range of sources for their teachings. Members of such Neo-druid groups may be Neopagan, occultist, Reconstructionist, Christian or non-specifically spiritual.

When Walking The Path, Wear Shoes

When Walking The Path, Wear Shoes

Author: Charmed Boy

I have often asked myself, “Are there others like me?” I am what I like to call a “non- magical” Pagan. I don’t do spell work or ritual. I am just a humble servant of the Goddess. I have tried to cast spells and perform rituals but it never seems to work. I have come to the realization that there are many different types of Pagans out there. There are those of use who cast circles and spells and perform rituals. There are also those like myself who are contented to just be of service.

I began my journey in my sophomore year of high school. I had always known there was something or someone watching over me, I just hadn’t figured what that was yet. I began studying various religions such as Buddhism and Quabalah, which I am still interested in after all these years.

One day I was at the library with my father when I came across the New Age section. I looked at some of the titles and when I found a book on Wicca, I picked it up and started reading.

A friend from high school was also into Wicca. We started wearing black clothing and pentacles. My high school had its various groups. The jocks, the preps, the goths. We were the Witches. Or so we thought. We would meet at a friend’s house and try and cast spells. There is a line from one of my favorite “witchy” movies Practical Magic that applies here: “You can’t practice Witchcraft while looking down your nose at it.” That is, in a sense, what we were doing. We were teenagers. We didn’t know any better.

Later, I discovered Gaia. I was reading a book about various Greek Gods and Goddesses and when I came to the part about Gaia something inside me clicked. For those who don’t know (and I am sure there aren’t very many) , Gaia is the Greek Goddess of Earth. She is the creator of everything that exists in nature. The birds and the winds and the oceans. That is why she is called “Mother Earth”. I felt like I had found what I had been looking for.

I had been hearing a gentle voice in my head comforting me when things went wrong. No, I wasn’t turning into Norman Bates! I had no desire to run a motel or dress in woman’s clothes and chase anyone around with sharp butcher knives. I knew this loving, caring voice could be none other than the Goddess speaking to me.

After High School, I moved from Illinois to Arkansas with my parents. I was bummed because I didn’t know what to expect. I didn’t know if there were any Pagans and Wiccans. I was entering part of the “Bible Belt”. To my amazement, I came across WitchVox.com. I noticed that an event called Pagan Pride Day was going on in Little Rock. I asked my dad if we could go. My father has been supportive of my choice of religion since I first talked with him about it.

On the day we went, I popped a Loreena McKennitt cd in the car’s cd player to get us in the mood. I had never been to an event like PPD and I didn’t know what to expect. The event was being held at a place called Burns Park. We didn’t know where to go, so we stopped at the visitors’ center to ask. The man behind the desk looked up at me when I asked him where the event was and said, “Are you one of them Witch people?” I laughed and said I was. He was smiling when he asked me so I knew he meant no harm.

We followed the directions until we came to a group of tents. We parked and walked across to the entrance. At this point, I was buzzing with excitement. There was the scent of patchouli in the air. We paid the entrance fee and looked around us. There were tents arranged in a circle. We walked around and looked at all the things people were selling. One woman was doing henna tattoos. My dad bought me my first pentacle. We came to a tent where two women were selling homemade perfume and body spray. This was where the patchouli scent was coming from.

I picked up a bottle and smelled it. It smelled like mint and patchouli. One of the women saw me holding the bottle and struck up a conversation with me. Little did I know she would become one of my best friends. She told me her name was Fran and she was the High Priestess of a coven. She held rituals and celebrated the holidays from the circle she had built in the back yard of her trailer. She invited me to attend the next holiday, which was Samhain. We e-mailed each other and on Samhain I went to her house with another friend. When I got there and saw the Circle she had built I was blown away. It was beautiful. The moment I took off my shoes and stepped inside the circle I felt its power and was at peace.

My friend was not Pagan and opted to observe. I had a lot of fun that night. I tasted mead for the first time. It is very good but very strong. Fran and I kept in touch through e-mail and by phone. I was able to attend the next PPD. When I got there Fran was talking with a friend of hers. She ran a tent with friends. When I went up to her to say hello, she didn’t recognize me at first. When I told her who I was she hugged me. We spent most of the day together. She made my father feel welcome. There was entertainment and belly dancing. After it was over and everyone began packing, I was walking to the car with my father when Fran called to me. She gave me a homemade besom her friend had made. A besom is a broom used to clear any negative energy from a room. I will never forget the gift she gave me as long as I live.

The last time I saw Fran was at the last PPD I went to. She was hosting a seminar on Egyptian Gods and Goddesses and history. After that, Fran and I lost touch. One day I decided to e-mail her just to see how she was. We hadn’t spoken for a while, but not because of any hostility between us; we were just busy. I received an e-mail from her husband informing me Fran had passed away. I was heartbroken.

I miss Fran a lot. There isn’t a day that goes by that I don’t think about her. She was a wonderful, courageous woman who loved to laugh and enjoyed the occasional dirty joke. I thank the Goddess every day for the privilege of having known her. One thing I took away from attending the rituals at Fran’s was the realization that spells casting and ritual isn’t for me. I am content with just serving the Goddess to the best of my abilities.

What do I hope you take from this article? Be content in your own skin. So you don’t cast spells. So you don’t do ritual. You are serving the God and or Goddess by praying and making offerings. They are spiritual Parents and They love us whether we choose to perform an elaborate ritual… or just to say a prayer and make an offering.

Also, cherish the time you have with your friends. You never know when they might not be there anymore.

Cast your eyes to the ocean. Cast your soul to the sea. When the dark night seems endless, please remember me.” — Loreena McKennitt

Fertility Deities of Beltane

Fertility Deities of Beltane

By Patti Wigington

Beltane is a time of great fertility — for the earth itself, for animals, and of course for people as well. This season has been celebrated by cultures going back thousands of years, in a variety of ways, but nearly all shared the fertility aspect. Typically, this is a Sabbat to celebrate gods of the hunt or of the forest, and goddesses of passion and motherhood, as well as agricultural deities. Here are a list of gods and goddesses that can be honored as part of your tradition’s Beltane rituals.

  • Artemis (Greek): The moon goddess Artemis was associated with the hunt, and was seen as a goddess of forests and hillsides. This pastoral connection made her a part of spring celebrations in later periods.
  • Bes (Egyptian): Worshipped in later dynasties, Bes was a household protection god, and watched over mothers and young children. He and his wife, Beset, were paired up in rituals to cure problems with infertility.
  • Bacchus (Roman): Considered the equivalent of Greek god Dionysus, Bacchus was the party god — grapes, wine, and general debauchery were his domain. In March each year, Roman women could attend secret ceremonies called the bacchanalia, and he is associated with sexual free-for-alls and fertility.
  • Flora (Roman): This goddess of spring and flowers had her own festival, Floralia, which was celebrated every year between April 28 to May 3. Romans dressed in bright robes and floral wreaths, and attended theater performances and outdoor shows. Offerings of milk and honey were made to the goddess.
  • Hera (Greek): This goddess of marriage was the equivalent of the Roman Juno, and took it upon herself to bestow good tidings to new brides. A maiden about to marry could make offerings to Hera, in the hopes that she would bless the marriage with fertility. In her earliest forms, she appears to have been a nature goddess, who presides over wildlife and nurses the young animals which she holds in her arms.
  • Kokopelli (Hopi): This flute-playing, dancing spring god carries unborn children upon his own back, and then passes them out to fertile women. In the Hopi culture, he is part of rites that relate to marriage and childbearing, as well as the reproductive abilities of animals. Often portrayed with rams and stags, symbolic of his fertility, Kokopelli occasionally is seen with his consort, Kokopelmana.
  • Pan (Greek): This agricultural god watched over shepherds and their flocks. He was a rustic sort of god, spending lots of time roaming the woods and pastures, hunting and playing music on his flute. Pan is typically portrayed as having the hindquarters and horns of a goat, similar to a faun. Because of his connection to fields and the forest, he is often honored as a spring fertility god.
  • Priapus (Greek): This fairly minor rural god has one giant claim to fame — his permanently erect and enormous phallus. The son of Aphrodite by Dionysus (or possibly Zeus, depending on the source), Priapus was mostly worshipped in homes rather than in an organized cult. Despite his constant lust, most stories portray him as sexually frustrated, or even impotent. However, in agricultural areas he was still regarded as a god of fertility, and at one point he was considered a protective god, who threatened sexual violence against anyone — male or female — who transgressed the boundaries he guarded.
  • Shiela-na-Gig (Celtic): Although the Sheela-na-Gig is technically the name applied to the carvings of women with exaggerated vulvas that have been found in Ireland and England, there’s a theory that the carvings are representative of a lost pre-Christian goddess. Typically, the Sheela-na-Gig adorns buildings in areas of Ireland that were part of the Anglo-Norman conquests in the 12th century. She is shown as a homely woman with a giant yoni, which is spread wide to accept the seed of the male. Folkloric evidence indicates that the figures are theory that the figures were part of a fertility rite, similar to “birthing stones”, which were used to bring on conception.
  • Xochiquetzal (Aztec): This fertility goddess was associated with spring, and represented not only flowers but the fruits of life and abundance. She was also the patron goddess of prostitutes and craftsmen

Dragons and Apples Spell (Seed Moon)

Dragons and Apples Spells

(Seed Moon)

Dragons always indicate magick is afoot. Draco the dragon is a circumpolar constellation that wraps itself around the northern hemisphere. Draco’s face and head look different depending upon the time of year. It is an ancient constellation that once had more stars and is associated with Ladon from Greek Mythology, the monstrous dragon with a hundred heads. Ladon guarded the Golden Apples of Hesperides in the Goddess Hera’s garden. Hercules in his eleventh task slew Ladon and stole the apples. Hera was heartbroken over the loss of Ladon and put the dragon in the skies, coiled around the North Pole. The purpose of this spell is to call upon the stellar dragon energy to bring more sweet love into your life.

You will need a white candle, a dragon figurine or a picture of a dragon, your athame, and an apple.

At midnight, draw a magick circle and call in the elements. Also invite the helpful dragon powers into your circle. Set up your altar in the north sector of your circle. Light the candle, dedicating it to your lover or would be beloved. Place the dragon figurine or picture by the candle so that it is illuminated by the candlelight. Focus your awareness on the dragon in front of you, and say:

Magick dragon of midnight light
Bring more sweet love into my life.
As I will, so shall it be!

Use Your athame to cute the apple in half from side to side instead of from end to end. This reveals the star or five-pointed pentacle in the apple core. Before eating each half of the apple, repeat:

Magick apple of midnight light
Bring more sweet love into my life.
As I will, so shall it be!

When you are done, allow the candle to safely burn down. Thank the dragon powers, bid farewell to the elements, and pull up the circle. Put the dragon figurine on your altar or somewhere close to your bed to draw more sweet love into your life.