The Lost Tools of the Witch
Author: BellaDonna Saberhagen
When you ask your average neo-Pagan or Wiccan what tools are on their altar (or are important to their craft) , you typically get the following list: athame, wand, pentacle, chalice, besom, cauldron, candles, incense, sometimes herbs and stones, sometimes a “white-handled knife” or boline. That’s about it though. A great number of the tools are things that would have been common household implements during the early-Modern Witchcraft trials. Every household needed a cup, a knife, a pot, a broom and firelight to see by (whether by candles or an oil lamp) . It’s interesting how the common daily tools became associated with witchcraft (it also made it exceedingly easy to tell the magistrate you suspected your neighbor of witchery and for “proof” of said witchery to be found) .
What I find interesting is that some of the most common tools that are also mythologically associated with magic are not mentioned amongst the tools of today. These are the tools of the textile industry; which in older times were the distaff, spindle and loom. Often, in Viking women’s graves, these tools are found amongst the grave goods, meaning they were important enough to be taken to the afterlife. Often, they were noted as the “women’s weapons.” Since they aren’t likely to be physically good at inflicting bodily harm, this must mean something else. That something else is magic.
Since these tools aren’t listed among modern witch and/or magician tools, we have to look to lore, myths and fairy tales to find their significance. This isn’t as hard as it might sound because the fairy tales we were told as children are filled with this information. The most famous example is Sleeping Beauty, but we’ll talk about that story later.
The most famous spinners in folklore are the spinners of fate, the three Fates of Greek mythology and the Norns of Nordic myth. The Fates spin the thread of your life, weave the story into a tapestry and cut the thread at the end of your life. Clearly, the tools of old textile work are deeply connected with fate. A lot of neo-Pagans blanch at the concept of fate; I know I used to be the same way. We make our own destiny and nothing three biddies can do can change that (sticks tongue out for cheeky emphasis) ! The truth is that both are correct. There are some things we cannot change; we will all die someday (after-all life is sexually transmitted and always fatal) . Basically, the choices you make throughout your life bring you to certain places where you make more choices. Now, based on your past choices there is a great likelihood that you will make specific choices at this new crossroads. However, once you become aware that you have a pattern, you can work to change that pattern. It’s a bit confusing, I realize, but it makes sense when you really think about it.
Now, if the Fates or Norns spin your fate and you are seeking to change it, how would you go about doing that? Well, sympathetic magic works wonders in other ways so why not here? If you are willing to concentrate on the fate you want and spin (with either a drop spindle or spinning wheel) , you may be able to spin that fate into existence yourself. In essence, you are replacing the thread spun by Fate with the thread of your choosing. I will admit that I am a failed spinner. I either cannot get fresh enough roving (unspun wool) so that the natural oils can hold my thread together, or I’m just plain rubbish at it. Spinning is hard and it may take years to master, especially in a society where you can just go out and get yarn and thread without the hassle. However, I think spinning will be worthwhile in the long run.
The Norse goddess Frigga, the wife of Odin, is also associated with fate. She knows all fate, but speaks nothing of her knowledge. She is also associated with spinning and some see her as the source of the master material from which all fate is spun. As far as I know, Frigga interceded on the fate she saw but once. Her son, Baldr, was doomed to die and she tried her best to prevent that from happening. She failed and his brother killed him. Baldr’s death might explain her silence, for if she cannot change fate, why speak of it at all? The story of Baldr mirrors the Greek vision of fate as shown in the story of Oedipus: everything done to try to prevent the fate is what brings it about. However, if we go through the thought that our choices bring about our fate, then Oedipus’s father was already patterned to throw his son away at the first sign of trouble (which may have been why he wanted his son’s fate read by the Oracle to begin with, to foresee any trouble) .
Beyond the usefulness of spinning (and by connection, weaving) in regards to fate, there are other uses magically. It is a common held belief that it is better to use natural materials; and that tools have more power if you make them yourself. By spinning your own thread and weaving your own fabric, you can make sure to use only natural fibers for your cords and cloths and you can put your intent into the very fibers of your creation. You may also be able to connect with ancestors that would have spent much of their time with the spindle and at the loom. (Now I am going to be realistic here, most of us have jobs and not as much time to spend on crafting — of any sort — as we would like. I would hazard that you can take shortcuts by mock-spinning pre-spun thread and yarn, as long as you visualize and focus intently.)
So, back to Sleeping Beauty. The spindle was very important in the tale, just as it was important to the very clothes on anyone’s back during the era from which it came. The bad fairy (having been slighted by not being invited to the baby princess’s party) curses her to prick her finger on a spindle on her sixteenth birthday and die. The only good fairy that could do anything to help (the rest having somehow used their blessing allotment for the princess, though what law only allowed each to give only one gift is not stated) only had enough power to put her to sleep if the events should come about rather than die. The King attempted to prevent the fate of his daughter (again with trying to out-maneuver fate) ; rather than keep spindles around and telling his daughter to be careful of them (you know, so she would know it’s not a good idea to play with the pointy ends) , he outlawed spindles, having all the spindles in the kingdom burned (thus, forcing his subjects to wear rags or spend exorbitant amounts of money on imported cloth and thread) . As an added bonus, this also effectively crippled women. If the spindle and loom were the weapons of women, outlawing them put women at an even lower status. So what does our princess do when she sees a spindle for the very first time? She touches its pointy tip, falls asleep, and has to be rescued by a handsome prince willing to fight his way through the briar-patch of doom. He kisses her, she wakes up and they live happily ever after. The spindle? Well, a good look at the Industrial Revolution lets you know its fate.
Fraue Holle is often associated as a witch goddess in Germanic lore and she, too, is associated with spinning. I mentioned in my Yule piece that if you hadn’t finished your years’ worth of spinning by the Solstice, she would come by and befoul it. If a witch goddess thought spinning was important, then it was once an important part of magic and is worth delving into even in this technological age. It’s not easy, but whoever said magic had to be easy?
Footnotes:
Our Troth Volumes 1 and 2 edited by Kveldulf Gundarsson
The Poetic Edda
Hedge-Rider by Eric De Vries
Mythology by Edith Hamilton
Oedipus Rex by Sophocles
Sleeping Beauty collected by Jacob and Wilhelm Grimm




In about 750 CE the word druid appears in a poem by Blathmac, who wrote about Jesus saying that he was “…better than a prophet, more knowledgeable than every druid, a king who was a bishop and a complete sage.” The druids then also appear in some of the medieval tales from Christianized Ireland like the Táin Bó Cúailnge, where they are largely portrayed as sorcerers who opposed the coming of Christianity. In the wake of the Celtic revival during the 18th and 19th centuries, fraternal and Neopagan groups were founded based upon the ideas about the ancient druids, a movement which is known as Neo-Druidism.
equities, or nobles), and were responsible for organizing worship and sacrifices, divination, and judicial procedure in Gaulish, British and Irish society. He also claimed that they were exempt from military service and from the payment of taxes, and that they had the power to excommunicate people from religious festivals, making them social outcasts. Two other classical writers, Diodorus Siculus and Strabo also wrote about the role of druids in Gallic society, claiming that the druids were held in such respect that if they intervened between two armies they could stop the battle.
Lucan, Julius Caesar, Suetonius and Cicero.Caesar claimed that the sacrifice was primarily of criminals, but at times innocents would also be used, and that they would be burned alive in a large wooden effigy, now often known as a wicker man. A differing account came from the 10th-century Commenta Bernensia, which claimed that sacrifices to the deities Teutates, Esus and Taranis were by drowning,mhanging and burning, respectively.
During the Middle Ages, after Ireland and Wales were Christianized, druids appeared in a number of written sources, mainly tales and stories such as the Táin Bó Cúailnge, but also in the hagiographies of various saints. These were all written by Christian monks, who, according to Ronald Hutton, “may not merely have been hostile to the earlier paganism but actually ignorant of it” and so would not have been particularly reliable, but at the same time may provide clues as to the practices of druids in Ireland, and to a lesser extent, Wales.
the term druid is sometimes used to refer to any figure who uses magic, for instance in the Fenian Cycle, both giants and warriors are referred to as druids when they cast a spell, even though they are not usually referred to as such; as Ronald Hutton noted, in medieval Irish literature, “the category of Druid [is] very porous.”
As the historian Jane Webster stated, “individual druids… are unlikely to be identified archaeologically”, a view which was echoed by Ronald Hutton, who declared that “not one single artifact or image has been unearthed that can undoubtedly be connected with the ancient Druids.” A.P. Fitzpatrick, in examining what he believed to be astral symbolism on Late Iron Age swords has expressed difficulties in relating any material culture, even the Coligny calendar, with druidic culture. Nonetheless, some archaeologists have attempted to link certain discoveries with written accounts of the druids, for instance the archaeologist Anne Ross linked what she believed to be evidence of human sacrifice in Celtic pagan society—such as the Lindow Man bog body—to the Greco-Roman accounts of human sacrifice being officiated over by the druids.
Caesar, conquered the many tribal chiefdoms of Gaul, and annexed it as a part of the Roman Empire. According to accounts produced in the following centuries, the new rulers of Roman Gaul subsequently introduced measures to wipe out the druids from that country. According to Pliny the Elder, writing in the 70s CE, it was the emperor Tiberius (who ruled from 14 to 37 CE), who introduced laws banning not only druidism, but also other native soothsayers and healers, a move which Pliny applauded, believing that it would end human sacrifice in Gaul A somewhat different account of Roman legal attacks on druidism was made by Suetonius, writing in the 2nd century CE, when he claimed that Rome’s first emperor, Augustus (who had ruled from 27 BCE till 14 CE), had decreed that no-one could be both a druid and a Roman citizen, and that this was followed by a law passed by the later Emperor Claudius (who had ruled from 41 to 54 CE) which “thoroughly suppressed” the druids by banning their religious practices.
glimpses of possible druidic survival in Britain after the Roman conquest: unfortunately, Nennius is noted for mixing fact and legend in such a way that it is now impossible to know the truth behind his text. He wrote that after being excommunicated by Germanus, the British leader Vortigern invited twelve druids to assist him.
From the 18th century, England and Wales experienced a revival of interest in the druids. John Aubrey (1626–1697) had been the first modern writer to connect Stonehenge and other megalithic monuments with the druids; since Aubrey’s views were confined to his notebooks, the first wide audience for this idea were readers of William Stukeley (1687–1765). It is incorrectly believed that John Toland (1670–1722) founded the Ancient Druid Order however the research of historian Ronald Hutton has revealed that the ADO was founded by George Watson MacGregor Reid in 1909. The order never used (and still does not use) the title “Archdruid” for any member, but falsely credited William Blake as having been its “Chosen Chief” from 1799 to 1827, without corroboration in Blake’s numerous writings or among modern Blake scholars. Blake’s bardic mysticism derives instead from the pseudo-Ossianic epics of Macpherson; his friend Frederick Tatham’s depiction of Blake’s imagination, “clothing itself in the dark stole of mural sanctity”— in the precincts of Westminster Abbey— “it dwelt amid the Druid terrors”, is generic rather than specifically neo-Druidic. John Toland was fascinated by Aubrey’s Stonehenge theories, and wrote his own book about the monument without crediting Aubrey. The roles of bards in 10th century Wales had been established by Hywel Dda and it was during the 18th century that the idea arose that Druids had been their predecessors.
You must be logged in to post a comment.