Tag: Religion Spirituality

Before a Performance Spell

Before a Performance Spell

In the tarot, the Moon card represents the powers of the unconscious. Before you go onstage for a public presentation, take a moment. Stand straight, close your eyes, and relax your shoulders. Place your heels close together, but not touching, with your feet at about a right angle. Envision the Full Moon, overhead and slightly in front of you, glowing blue-white and clear. All that you have studied and practiced is within your unconscious. The light of the Moon will free this, and let it flow through your performance. Open your eyes very slowly, and feel this light continuing to flow. Take a slow breath, and let it flow easily out of you as you step on stage.

By: Therese Francis

BLACK OPAL CHARM

BLACK OPAL CHARM

Ingredients

The black opal is widely known as the “Witches Stone” and is prized for its magick enhancing properties. To increase your magickal power, charge the stone with the following chant and place it on your altar.
“Opal black, of burning fire
Add the power that’s required
To make my magick hit its mark,
By light of day, or night so dark.”

WIND SCRYING

WIND SCRYING

 
 
Ancient Greeks practised wind scrying in the sacred grove of Dodona, which was dedicated to Zues. Psellus refered to this technique writing “there is a mode of predicting by means of the air and the leaves of the trees.
The method seemed to involve the hanging of striking wands from branches of sacred oak tress in a way that they struck resounding brass basins when the wind blew. Interpretations were made of these sounds and that of the wind. The wind gives itself naturally to scrying because it talks the same as you or me. Find a quite place in the bush where there is no noise of cars, music, etc. A place among the trees is the best. Find a tree and sit under it.
Casually focus your attention on the wind, blocking out all other thoughts. In time the wind will talk to you.
In order for you to scy the wind, you must, for a time, become the wind.
Egyptian dream scrying may be traced back thousands of years. The method used by the Egyptians was recorded in the Greek magical papyri which were written between 200 B.C. to 500 A.D.
In preparing to use the Egyptian dream scrying method you must not speak to anyone on the evening you plan to scy. You should remain in silence after the setting of the sun.
Do not consume alcohol on that day or engage in sex. You must refrain from consuming food for up to four hours before the scrying.
After having a warm bath you anoint your temples with olive oil. You will need an oil lamp which must not be coloured red or bear any inscription.
Write on a short narrow strip of white linen with ink mixed with myrrh the name of the dream God and the purpose for the dream scrying. Twist the linen strip into a wick and insert into the oil of the lamp.
Place the lamp on a table beside your bed. Using the ink draw the image of the dream God upon your left palm.
You must decide which God or Goddess you wish to use. Thoth was well used with the Egyptians.
Light your lamp. Kneel before the lamp.
Concentrating on the image on your left hand recite the following invocation : Thoth I invoke, blessed power of dreams divine, Angel of future fates, swift wings are thine, Great source of oracles to human kind, When stealing soft, and whispering to the mind, Through sleep’s sweet silence and the gloom of night, Thy power awake the sight, To silent souls the will of heaven relates, And silently reveals their future fates.
You need to concentrate on your question you wish to know the answer to. Around your left hand wrap a piece of black linen about four inches wide and about thirty inches long.
The black cloth is called “black” of Isis. Blow out the flame of the lamp.
Now go to bed, clear your mind and go to sleep. Have a tape recorder beside your bed so that when you awaken you may recrd your dreams while still fresh in your mind.
You will find that the dream will come to you in a voice that is clear and powerfull rather than in dream images. Sometimes the message is sent in cryptic form so take your time in working out the answer.

 

OIL SCRYING

OIL SCRYING

 
The history of oil scrying can be traced back to the ancient Babylonians. Some of their magic books have survived down through the centuries with details of the methods they used.
 
One of their techniques was called the “Princess of the Thumb”. A scryer annointed the forehead and thumbnail of a subject. The shiny nail acted as a magic mirror in which the scryer saw spirits. Another version was called the “Princess of the Hand”. Oil was mixed with black soot to make a black paste that was then smeared upon the hand. The scryer then used the hand as a mirror to scry future events.
 
A third type of oil scrying was called the “Princess of the Cup”. Sesame seed oil was used to coate the inside of a cup that was rested on its side.
The cup was used as a concave magic mirror to capture and magnify the light of a candle that was fixed on its inner rim.
 
From the Babylonians oil scrying found its way to the Egyptians and Hebrews. The most detailed examples of oil scrying are written in the Greek Magical Papyri written in Egypt between 200 B.C. and A.D. 500.
 
Four kinds of water which is to be mixed with the oil is used for four types of divination.
If you call upon the services of the heavenly Gods then use rainwater. If you invoke the terrestrial Gods then use sea water. If you invoke the Gods Osiris or Serapis use riverwater. And if you call upon the souls of the dead then use spring water.

LAMP SCRYING

LAMP SCRYING

 
 
Both the Egyptions and Babylonians scryed by means of an oil lamp. The lamp itself was in fact a stone shaped as a low open dish with a strip of white linen coiled in the oil that had an end hanging over the end of the dish.
 
The Egyptians used clear Oasis oil which was a kind of palm oil. The clearer the oil the better.
The Egyptians used a lamp that was red in colour which is the colour of the God Set. Set is in fact the God of evil.
 
It may be advisable for you to use a white lamp. Place your lamp on a table and sit on the west side facing east across the lamp.
 
You should address your invocation to the Greco Roman God who rules the day you scy on.
Sunday : Sun.
Monday : Moon.
Tuesday : Mars.
Wednesday : Mercury.
Thursday : Jupiter.
Friday : Venus.
Saturday : Saturn.
Using the name of the God of the day you should chant a suitable invocation doing so directly into the flame. This invocation should be chanted in a soft voice and done so several times.
 
Gently focus on the flames of the lamp. You will begin to see moving shadows off to the side.
Do not look directly at the shadows or they will vanish. Ask the shadows what it is you seek.
You may hear voices or you may see images.

Scrying

Scrying

Scrying is the ancient act of divination for the purpose of clairvoyance. It is usually achieved by concentrating on or staring at an object having a shiny surface until a vision appears. Magicians and witches have practiced scrying throughout the ages. The typical stereotype of a person scrying is a Gypsy fortune teller looking into her crystal ball.

Scrying comes from the English word “descry” which means “to make out dimly” or “to reveal.” There have been and are many purposes for the activity; to see into the future, to find lost objects or persons, and track criminals, among others. In the Middle Ages a wise woman or a wise man, perhaps also called a witch, with a natural gift of second sight was called upon for scrying purposes.

Although the object used for scrying usually has a shiny surface, innumerable objects have been used for the practice over the centuries. The Egyptians used ink, blood and other dark liquids. The Romans used shiny objects and stones. Water has been used for gazing into. Mirrors are often used.

There is an example of the interior of a cauldron being painted black, then filled with water at night, a silver coin was dropped into the water so to reflect moonlight. Such means have been employed to see visions and read mystical signs.

Many witches scry in a magic circle to prevent outside influences from distorting their visions. Also, this is why most scrying is done at night in order to receive better psychic vibrations. As a general rule most diviners work at night in order to avoid the excessive psychic vibrations that are generated in the day due to the confusion of everyday living. The methods of scrying differ but after a period of concentration on the speculum visions, mental images, or impressions appear. Frequently the visions are symbolic and the scryer must be trained and skillful in interpreting their meanings.

BASIC PREPARATION FOR SCRYING

BASIC PREPARATION FOR SCRYING

It is always best to scry at night, because this method of divination is closely related to the Moon and all other Lunar correspondences. If you are indoors, you should extinguish all of the lights except for one candle. The candle should be out of your line of sight when you are looking at your scrying tool. Above and behind you is a good placement. Some people prefer that the candle flame flickers, others like the flame to remain still. Experiment and see what you like.
The room should be as quiet as you can make it. If you live in an apartment or with someone else, some quiet instrumental music can be used to drown out any unwanted sounds. Don’t use music with lyrics, because at the least, the lyrics might influence your visions. At the most, they might prevent you from concentrating enough to see anything.
Make sure that you will not be disturbed, and figure out a comfortable way to sit either holding your scrying tool or with it resting before you on the floor or a table.
If you are scrying on a particular subject, you might get better results if you schedule your scrying time for when the Moon is aspected favorably to the corresponding planet. Visions are always stronger around the time of the full Moon.

TIPS AND TECHNIQUES FOR SCRYING

TIPS AND TECHNIQUES FOR SCRYING

  • A short meditation session before you begin to scry often helps to get you into the mood and release some of your tension. You must be feeling as relaxed and receptive as possible. Make sure that you are sitting as comfortably as possible. It is quite frustrating to be on the verge of perceiving something when a leg or arm falling asleep breaks your concentration.
  • When you look into your scrying tool, try to look past the surface and into the center of it.Try to keep your eyes fixed on one spot, but don’t prevent yourself from blinking. Since you are in a dark room, the need to blink might lessen as your body relaxed, but don’t try to force yourself not to. That will only cause discomfort and distraction.
  • Limit your sessions to a set period of time. Don’t be discouraged if you can not remain focused during the entire session or if you feel the need to stop before the session is over. If you are not used to meditating, try to start out with a 15 minute session. You will be surprised to experience how long 15 minutes will see as you try to keep your mind from wandering. Ultimately, scrying sessions should last up to an hour in length. Don’t set a timer or try to keep track of time. This will create a distraction and you don’t want to be in the middle of a particularly vivid image when the timer goes off!
  • Keep in mind that though the words “vision” and “scry” almost always call to mind information that is perceived with the eyes, that this is not necessarily the case. While scrying, information can come to you via all five of the senses and also as intuitive flashes. When reviewing the information that you have perceived, take all you senses into account.
  • Start a scrying journal if you intend to scry on a regular basis. Date each entry, and make sure that it is close by during each scrying session. Note down all your perceptions after your session, sleep on them, and then work on interpreting them the next day. Though it is true that some visions come through so clearly that they need little interpretation, most of the time you need to meditate on your visions for a while to absorb their true meanings.
  • If you are familiar with another method of divination (Ruins, Tarot, Pendulum, etc.) you can use their help with interpreting the information you get from scrying. Simple one card/one ruin spreads are the best to give you an overview of your vision’s meaning. Or if you are familiar with a dream interpretation spread, you can use that to help you figure it out.
  • Often at the beginning of a scrying session, you will start to see clouds of colors in your scrying tool. Some scryers never get past this stage. If you find this to be the case, you can interpret the colors using traditional color symbolism.

Introduction To Scrying – The Magick Mirror

Introduction To ScryingIntroduction To Scrying

 

The Magick Mirror

The next method is very close to a “classical” scrying method, save that the appurtenances are astral rather than physical. The method is capable of endless variations, of which only a few will be described.

Pick a convenient location within your magickal space. If you intend to scry in conjunction with invocations of magickal forces, a temple or magickal workroom would be the best place; otherwise, any place where you feel most comfortable and secure.

In that place, imagine a frame, as for a large mirror. This should be at least your own height, and of a width such that all of it can be in your field of vision at the same time. Now imagine that this frame contains a sheet of glass. But rather than being a silvered mirror the glass appears to contain a deep, transparent blackness; as if behind the glass were a void of indefinite extent.

You can get an idea of the correct appearance — and construct a physical magick mirror at the same time — by taking a piece of half-silvered or quarter-silvered glass (from a scientific supply house) and laying it on a piece of good-quality black velvet. Look into this under very low illumination and it will seem to have an indefinite depth; that is, it will seem to have depth, but you will be unable to tell exactly how deep it is.

You should at the same time imagine, and _feel_ a total confidence, that the answer to anything you look for will appear to you in this mirror. Don’t get bogged down in _how_ the mirror does this, simply generate an emotional confidence that it works.

The basic use of this mirror is fairly simple. You hold the thought of what you want to know about in your mind, and then you imagine that the mirror is “tuning in” to that thought, using the thought to make a connection to some place where the answer can be found. Once you feel that the mirror is tuned, release the thought and wait in mental silence for images to arise out of the darkness of the mirror. And as with the “mystery tour” technique, the images will be accompanied by meanings that you will be able to “hear” or sense in your mind.

There are several variations on the basic method for different purposes. Once you get accustomed to the basic method, you can make use of those described or invent your own. As you come to be familiar with the method, your own intuition will become a better guide to its use than any “official” technique; do not be afraid to experiment.

For psychometry, hold an object in your (physical) hand, and imagine that there is a link between it and the mirror. Then look to the mirror to reflect the “impressions” contained in the object. If it is an object that is connected by use to some person, you must specify that it is impressions of the person that you want, not impressions of the object itself; otherwise you may get some odd results. For example, I once tried to psychometrize a flint knife-blade, and got a geological history of the stratum from which the flint had come. It’s connections to its rocky origins were stronger than its connections to the persons who had made and used it, and these came across most intensely.

You can also “psychometrize” a person — give them a “life reading” or answer specific questions — by holding their hands and looking to your magickal mirror to reflect impressions you get from their spirit. This is more difficult, takes more practice, and works best when you have no personal relationship with the person in question. It should _never_ be done with people with whom you have an emotional entanglement of any sort.

To get basic ideas and meanings related to visual symbols, imagine the symbol drawn on the face of the mirror in glowing lines. Then imagine that you are pushing the symbol into the mirror, so that it recedes in the distance and eventually vanishes from sight. Sending the symbol into the mirror “tunes it in”; wait in mental silence for images to arise, and these will bear in some way on the symbol.

Magickal invocations can be used to enhance the power of the mirror. As an example, you might want to explore the nature of the element of Fire. You could begin by performing the Lesser Pentagram ritual to banish extraneous influences, directing that the banishing include the mirror. Then you could use the Greater Pentagram ritual to invoke the element of Fire. When you have a strong sense of the element’s force being present, direct that force into the mirror, simultaneously imagining that the force is not only tuning the mirror to the element, but is also charging it up and clearing the channels so that the mirror works with its best effect. Or alternately, you could request that the archangel or angel of the element appear to you in the mirror and answer your questions.

With any of these methods, the images you get will at first be vague and static. But with practice the images will sharpen, expand and become active, presenting whole landscapes and long storylines that dramatically present the answers you are seeking. The mirror will seem to become a window opening on the part of the astral plane that relates to your search.

Once you achieve this, the mirror can be used as a “gate”, an opening through which you can travel directly to the plane being viewed, to experience events there first-hand. From the standpoint of initiatory magick, this is the preferred mode of operation, since it immerses your consciousness in the power you are exploring. Immersion increases the potential for real and lasting changes in awareness and enhances your power to achieve insights and realizations from the power.

To convert the mirror to a gate, imagine that the image in the mirror becomes three-dimensional, as if you were actually looking through a window at a real place instead of just seeing a picture of it. Then imagine that the glass of the mirror dissolves and vanishes while the image in the mirror remains in place. Or if it is easier for your mind, imagine that the glass is in fact a hinged window in a frame, and open the window.

You will usually find that unless your being is totally in tune with the force you have invoked, you will have some difficulty passing through the frame and into the world on the other side. The Golden Dawn’s “Sign of the Enterer” will help to overcome the resistance. Stand just short of arm’s length from the gate; raise your arms directly above your head, and then bring them down and forward with the fingers straight, while at the same time taking a step forward. Alternately, pull your hands back so that they are close to your body at shoulder level, and then extend your arms sharply forward while taking the step. Imagine that these gestures are punching a hole in whatever is resisting your entry, and that the momentum of your forward movement is carrying you through the gate and into the world beyond. If you still feel resistance once you are through the gate, repeat the gestures again.

Once you are though the gate, look around and make note of everything you see. Start with the major features of the landscape, then focus in on the details. If you have invoked the power correctly, you should see objects and events that reflect parts of the power’s nature.

It is good practice to test the world you enter, and any beings you encounter, to ensure that they are in fact related to the power you invoked, and are of a good nature. The means of testing will be discussed in detail in the next installment of this series.

If you find that you have difficulty turning the mirror into a gate, or that the mirror won’t give you images of complete landscapes and storylines, a variation on the magickal practice of “pathworking” will help. The practice as described below is halfway between scrying a simple symbol and doing a freeform exploration of an invoked force, and will thus assist in the transition between them.

Introduction To Scrying – The Magickal Mystery Tour

Introduction To Scrying

 

The Magickal Mystery Tour

The first scrying technique is very simple, and can be very entertaining. The results you get with this method can range from silly to sublime, from inconsequential to important, depending on the conditions of the moment. This method lets you acquire a feel for the ways in which your unconscious mind symbolizes things, and gives it some practice in doing so in a non-critical situation.

Enter your magickal space and re-affirm your safety there, using the method previously described. Then go to some familiar outdoor location in your space, and look around to establish your bearings and the relative positions of the other familiar regions.

Having done this, imagine that these familiar territories are surrounded by vast areas about which you know nothing as yet, in which anything at all might be happening at any given moment. Decide that you are going to take a walk and look around some part of those areas. Then look around you again, pick a direction, and start walking. As you move out of your familiar areas, don’t try to imagine that you will find any particular features in the landscape, and don’t try to look for any particular thing. Let the your imagination fill in the features of the areas you pass through without interference.

Move around in the wilderness until you find some interesting item. It might be an interesting natural feature, an object, a building, a person or animal. Examine the object or explore the building, remembering that everything unusual has some sort of meaning in a magickal space. If nothing clear comes to you, move along in the direction you were going. Sometimes it happens that several locations in sequence tell a story that isn’t clear until you have been to all of them; other times, the first locations you come to simply aren’t very important.

Talk to a person or animal as if they existed independently of yourself; treat them with the respect and politeness you would give to any stranger you encounter in an isolated place; try to maintain a friendly and unthreatening attitude no matter what the being does, and remember that since all this is taking place in your private world, you are perfectly safe. Don’t try to script their actions, just let them speak and act spontaneously. Asking a person you meet to tell you about himself and what he is doing will nearly always get a positive response.

If the person does not acknowledge your presence, or does not respond to your queries, then watch what they are doing for a time, until you don’t see any point in continuing to do so. Then move on to another location. If they do respond, when you have run out of questions then ask them if there is anything else interesting to see in the neighborhood, and follow any directions they might give you.

Usually such explorations will tell you something about yourself, your life-situation, or your current magickal environment. It will all be in symbolic form, of course; the obvious meaning of the events won’t always be their deepest significance. But once you understand the symbolism, the results usually turn out to be something useful or interesting, though not always important.

This method is particularly good for those times when you know something important is going on in the magickal side of your life, but you can’t tell what it is. It is also very good for any situation where you aren’t certain what questions you should be asking. To use the method in such a way, hold the idea that you need information or answers in your mind while you are picking the direction for your tour, and try to sense the direction in which the answers lie; there will always be such a direction. Then go in that direction and continue finding interesting things until you feel like you have received all of the answer; this will usually manifest as a sense of relief or a reduction in some vaguely-sensed pressure. Then consider the things you have seen in relation to your current situation; the meanings they contain will usually provide essential clues you need.

Introduction To Scrying – Establish a body in the magickal space

Introduction To Scrying

 

Establish a body in the magickal space

The final step in the basic process of creating a magickal space is to create a body for yourself within that space. Up to this point in the exercises, you have been pretty much a naked viewpoint, seeing the world but not interacting with it to any great extent. Now you need to build up an image of your body within the space, and learn to use it. To do this, you need to develop a conscious awareness of the sensory surface of your body and of its kinesthetics, and duplicate these in an “astral” body. Judging from accounts by students at the Fellowship of the Inner Light, this part of the work gives people the most difficulty, and people will have widely varying degrees of success in it.

Before entering your magickal space, stand up and relax, preferably without any clothes or jewelry. Close your eyes and put your attention onto your skin. Even without anything touching you, you should be able to feel a sense of activity or sensitivity in your skin, a “readiness to feel”. Note the way your body’s shape is outlined by the skin sensations.

Next, plan out some series of movements that will move every part of your body in turn, through most of its range of movement. Tai Chi or Yoga exercises are good for this if you know them. Still keeping your eyes closed, go through the movements and note how each part of your body feels in different positions, and note what your kinesthetic sense tells you about the positioning of your limbs as you move.

Finally, do the same sequence again with your eyes open. This time pay attention to the way what you see of your body changes as you go through the movements. Pay particular attention to your hands and arms. Try to consciously associate the image of your body with the sensations you get as you move.

Each of these three steps focuses on one of the major aspects of your body image: your sense of the body’s boundaries, its internal sensations, and its appearance to your eyes as you interact with your surroundings. Under normal conditions, these sensations are half-unconscious, and are always secondary to whatever activity you are engaged in. You need to be aware of them consciously in order to build yourself a second body inside your magickal space. If you wish, you can do these exercises separately from your practice in your space, until you are ready to make your magickal body.

Once you are ready, sit down and go through the relaxation exercises, and enter your magickal space. Once there try to feel as if you have a body in the magickal space that feels exactly like your physical body, but is completely separate from the physical. Go through the three steps in your imagination, and try to duplicate all the sensations you had while doing them physically. By doing this you will, over time, gradually build up a perception of your “astral body” as a distinct entity, within and a part of your magickal space.

After finishing this exercise in each session in your magickal space, spend some time just moving around your world, touching and manipulating things as if they were physical objects. Things you touch should give sensations appropriate to their nature; bricks and stone should feel hard and rough; metals should feel cool, with textures appropriate to their shape; wood should feel warm and grainy, etc.

If you have rituals that you do on a daily basis (and haven’t already started doing them in your magickal space) create a dedicated place in your magickal space for ritual work and begin doing them there as part of this practice. The regular, repetitive movements of ritual work will serve to reinforce your body image, and doing the rituals will begin to turn your space from a mere refuge into something useful for your magickal work. In particular, I would recommend practicing the Golden Dawn’s pentagram and hexagram rituals; these will be important later, as a means of testing the visions you obtain when you start scrying.

Introduction To Scrying – Scrying with the Enochian Magick

Introduction To Scrying

 

Scrying with the Enochian Magick

There are several considerations for Enochian magick work that do not apply to scrying using other systems.

The first of these is the unquestionable power of the Calls and the divine and angelic names. As Crowley once said, other systems require effort; Enochian magick requires caution. While the power built up in any one session is almost never of an unmanageable level, some effects of the magick tend to accumulate across sessions; it is easy for an overeager beginner to get in deeper than he expects. Added to this, the powers invoked through the Calls seem to enter into the magician’s field of awareness along some spiritual dimension that is outside those we consider “normal”; it seems to operate through some sort of meta-space with qualities different from those that compose the magickal worlds to which we are accustomed.

The consequence of these factors is that any work with the magick places a certain amount of stress on the magician’s mind and body, and over-use can lead to various stress-related forms of illness. Anyone working regularly with the magick should keep an eye out for signs of this stress in himself. The typical symptoms are similar to those that come from abusing methedrine or “speed”: nervous exhaustion, severely lowered immune response, inability to concentrate, hypersensitivity, hyper-reactivity, reduced judgment, flights of ideas, and paranoia.

One time in my own career, the stress of overusing this magick combined with an equally stressful mundane occupation to give me the worst of both the physical and mental consequences. On the physical side, I contracted mononucleosis, effectively stopping all my magickal work for six months or so. On the mental side, the changed viewpoint and loss of judgment caused me to make seditious remarks to a class of Federal employees I was training, resulting in the loss of my livelihood.

So caution is well-justified. But with a few easy, obvious precautions, these problems can be avoided.

  • Avoid using the magick at times when other parts of your life are unusually stressful. Try to arrange your affairs so as to reduce the social and economic pressures to the minimum level compatible with your needs.
  • Get regular exercise; a healthy body handles stress better.
  • Don’t use recreational drugs while working with the magick. Aside from being illegal (jail is a poor place for magickal work), all of them add to the stress on your body. Most stimulants and sedatives also reduce your magickal sensitivity and ability to focus in your magickal space. Hallucinogens make you _too_ sensitive, and reduce your level of control.
  • Learn to pace yourself. When first starting out, allow a day or two between Enochian invocations to absorb the results and “cool off”. Later, when you get to the point where you need to accumulate power over several day’s worth of invocations, allow at least as many days off after the series as you spent in doing the work. Take longer vacations from the work every few months to keep yourself grounded.

The importance of pacing yourself cannot be overemphasized. When you begin getting significant results from your Enochian work, it is very tempting to keep going; the anticipation of even more amazing results drives you on. But the extra-dimensional or meta-dimensional character of these forces allows them to influence all levels of your being simultaneously, including many levels of which you are not consciously aware. The cumulative effects of this influence can cascade into a dangerous level of stress before you become aware of it. Regular intervals of rest and relaxation, and of immersion in the everyday world, are the only sure way to avoid the problems.

Another difficulty, which bears more directly on scrying, is that the Calls allow you to invoke a force without having any knowledge of its nature. In normal methods of invocation, one begins with a symbol or set of symbols, and seeks by their use to bring about the manifestation of the corresponding powers. The symbols you use define the power to be invoked. In contrast, the Calls produce a manifestation of power regardless of whether you comprehend their symbolic content.

Adding to the confusion is the fact that, from a perspective accustomed to the traditional magickal powers (i.e., the elements, planets, and zodiac) the nature of the invoked powers seems to change depending on the depth of one’s penetration into their realms. Or from another angle, the Calls and Names open up different realms, depending on the level of existence at which you are operating. On the most superficial level, they appear to be more or less “elemental” in nature, with an overlay related to the functions of the angels’ specific offices; but at “deeper” or “higher” levels, this elemental aspect fades, to be replaced by a succession of increasingly complex and inclusive expressions that may bear little or no relation to the most superficial appearance.

Unless the magician supplies an explicit set of symbols to which the invoked powers can be anchored, the powers will tend to remain in an indeterminate state; a sort of “fuzzy cloud” of energy which contains all the power’s potential expressions, but which manifests none of them explicitly. A visual symbol used as an anchor causes this indeterminacy to “collapse” into that aspect of the power which is most nearly similar to the symbol’s innate associations. The congruency between the symbol and the invoked power does not have to be very great. It is sufficient that some small aspect of the symbol’s associations be similar to the power’s; the major associations of the symbol can be entirely inappropriate, and this collapse will still occur.

So the symbol the scryer uses will determine, in part, the initial manifestation of an invoked Enochian power; the scryer’s expectations or preconceptions of the power’s nature will also be partially determining. This accounts for the documented fact that different magicians have produced widely varying — sometimes even contradictory — results using the system. However, it is my observation that with repeated invocations and scryings, the true nature of the invoked power will break through these initial, superficial expressions. The longer you work with a particular Enochian power, the more closely your results will accord with that nature, and the deeper you will penetrate into the realms to which the power connects.

Since penetration past the sometimes-deceiving surface manifestations takes time, orderly, methodical work habits are necessary to get the most value of your Enochian work. The fact that invocations have a cumulative effect can be used to advantage if you plan out your course ahead of time, and stick to it. The following suggestions will all enhance the effectiveness of your Enochian scryings:

  • For every angel or other power that you invoke, do several scrying sessions. Allow time for a connection to be built up between you and the angel, and for your mind to become accustomed to its power.
  • Work for an extended period solely with powers from a single Tablet. Or if you are working with the Aethyrs or the 91 Parts of the Earth, pick a set of contiguous Aethyrs or Parts and do them sequentially.
  • If you are invoking single squares of some angelic or divine name, plan to do all the squares of that name in sequence.
  • Plan out a series of invocations to investigate all the angels of a given rank within one of the Tablets, in some logical sequence. Complete the series before working with any other rank or Tablet. Alternately, plan out a series to investigate all the powers within a given Lesser Angle, in order of rank.

 

Introduction To Scrying – Putting your magickal space to work

Introduction To Scrying

 

Putting your magickal space to work

By the time you have worked the exercises in the previous sections for a few months, you will have established a solid foundation for all your future magickal work. Practically every magickal and meditation technique you will ever encounter is a variation or extension of the skills you have learned in building your magickal space.

Every person will have a different level of “peak performance” with these techniques. Only a rare few are able to enter wholly into the magickal space, and become entirely unconscious of their physical body; for these people, the end result of this work is indistinguishable from the classical descriptions of astral projection. Most people will find that a certain portion of their awareness remains “outside”, and that the intensity of the sensations they have never attains the brightness and clarity of normal perception. I fall at the low end of this latter category myself; in my visions, colors are more implied than they are perceived directly, and most of the time I need to focus intently to perceive fine details.

Being able to put all of your awareness into the magickal space is not necessarily an advantage. What matters more is that you make the best use of the level of skill you do have. It is the meaning you can extract from your experiences, the insights you gain into yourself and the world, and the uses to which you can put them, that count the most. Bright and glorious visions are nothing, if they have no useful content or if your awareness and understanding are not (gradually but permanently) expanded thereby.

Having established the basics, in the following sections we are going to look at various exercises, all of which are forms of “scrying”. Before going into the details, we need to consider — in a general way — the nature of the things a person experiences while scrying.

Dreams, it is often said, are the realm of symbols; the same is true of scrying. But while the symbols of dreams are usually expressions of processes happening below the conscious level of awareness, the symbols seen in scrying are often (in an ideal world, always) the expression of processes and events occurring _above_ the level at which consciousness resides. They are the lowest and most readily apprehended aspect of processes that the consciousness can not yet completely encompass. In a sense, the symbols you see are no more than anchor points; a convenient means by which your awareness is given a connection to something coming from outside its current scope.

The form of the symbol does not necessarily bear any direct relation to the nature of that to which you are being connected. Some symbols — such as the Greek gods or the cabalist’s Tree of Life — have forms that directly reflect some aspect of the inner reality. Others have connections that are largely a matter of convention; they relate to particular aspects of the inner reality only because we habitually use them in such a way. The cabalistic color attributes are in this category. And others yet are seized upon to serve the needs of the moment, and have no particular meaning outside the context of the vision in which they occur.

But in all these cases, when a symbol is seen in a vision it has a direct connection to some magickal power, archetype, thought-form or entity. In order to get the greatest benefit out of your scrying, you must continually attempt to sense _beyond_ the symbol, to extend your awareness along the path it provides and apprehend that which it embodies.

Accomplishing this is a delicate task. The relaxation exercises described previously again become important, this time the portion of them dealing with quieting the mind. This is important in two ways: first, because the mind’s internal chatter will tend to overshadow and conceal that which is being communicated through the symbol, and second, because active parts of the mind will attempt to twist the meaning of the symbol to fit with their own preconceptions.

This is especially the case where the practitioner has personal desires that relate to the information being conveyed, or where the person’s self-image feels threatened. If your conception of yourself is dependent on a particular world-view and the information does not accord with that view, it will be almost impossible for you to see it clearly.

To reduce the possibility of this happening, you should also work consciously to develop a mental state of unattachment towards the content of your visions, a deliberate disregard for any personal significance they contain, and a deliberate refusal to evaluate the contents for truth or falsity. Critical evaluation of the results of a scrying session is definitely necessary, but the time for that evaluation is _after_ the session is completed. While the work is proceeding, you should seek to be in a perfect state of suspended judgment; neither believing nor disbelieving anything that you see or sense, simply seeking to receive the symbols and their attached meanings precisely as they present themselves.

When using scrying techniques in magickal work, you are always trying to penetrate unknown “territory”. Any work that can result in a spiritual advance will be, by definition, at least partly outside the scope of your current perspective and understanding. Like anything truly new, it takes the mind a while to adjust and be able to see it clearly. Further, the meanings behind any symbol can have many different levels; it may take a long time for these to “soak in” to your awareness, and the final significance may be very different from the first, superficial appearances. In my own work, it has sometimes taken up to a year and a half, with repeated exposures, before I fully comprehended what I was being shown. Thus, no evaluation you make should ever be so definite that you cannot change it; all meanings should be tentative until they have been repeatedly reinforced by additional experiences.

I cannot give any assurance as to the manner in which the meanings attached to a symbol will appear to a particular person. I do not have enough information from other people to characterize any particular way as “typical”. In my own case, they come in two or three ways, depending on the amount of power I have managed to invoke and how high above my normal level of consciousness I have managed to raise my awareness.

Usually, they appear as groups of thoughts or associations that appear simultaneously in my mind with the words spoken by some entity, providing a detailed context for the words; it is as if the thoughts out of which the entity produced the words were being transmitted along with the words. If I am looking at a visual symbol rather than hearing words, then they appear as sudden detailed “realizations” of what the symbol is intended to represent, which appear instantly in my awareness.

Less frequently, the hidden meaning of symbols appears as an entire storyline, a long series of events that appear in the mind as if some part of myself had been taken away, taken on a long tour through magickal spaces, and was then returned to the exact moment in time from which it had left. The complete tour is instantly “remembered” as it happened, even though for my conscious awareness, no time at all has passed.

In the rarest case, the meaning appears to my awareness as a tightly-bound packet of mystical energy, which sits in my mind and gradually “unravels” itself into words, images, and meanings over a period ranging from minutes to weeks. These “packets” seem to be some magickal equivalent of books. Their content usually does not seem to be directed at the particular person receiving them, but rather at some general audience; and the content is often radically different from the perspectives and ideas the seer would normally be interested in.

You should not take these as being the only ways in which the meanings behind symbols can present themselves to you; you may find that some other means is more typical for you. But if you do happen to receive information in any of these ways, you can feel confident that you have had some success in this matter.

Gemstone of the Day for August 4th is Azurite

Azurite

A popular crystal for its beautiful deep blue colour; this stone has a startling blue edge, which is the key to its healing powers. Azurite forms when copper ones oxidize. It is associated with the green mineral malachite, with which it shares a similar chemical structure. In the Middle Ages, powdered azurite was used as a blue pigment in paints and dyes. As it absorbed atmospheric moisture, it used to oxidize to malachite, which explains why the sky is green in some early Renaissance paintings. The two minerals can be found in a form called azurite-malachite, which is excellent, for “cleaning out” deep-rooted emotions. The finest large azurite crystals come from Namibia.

Identification and care

  • Small crystals appear a powdery blue and are often small, round nodules.
  • Large crystals are often very dark and shiny, with an electric blue edge.
  • Crystals are soft, so need careful handling.
  • Do not clean nodules in water.

Magick

  • Helps you to achieve swift, results
  • Reveals mysteries
  • Transmits messages from the unknown

Healing functions

  • Accesses deep levels of body-consciousness
  • Draws out memories or old stress, allowing them to be released in healing
  • Improves communication and creative flow

Practical ideas

  • To encourage expansion of consciousness, place four pieces of azurite on and around the body; one above the crown, one either side of the head and one at the solar plexus.

 

Essential Pagan Etiquette

Essential Pagan Etiquette

by Amanda Silvers

 

I have been to a number of “open pagan events” recently, and I’ve observed that some people don’t seem to know the generally understood codes of conduct. Since I hadn’t seen a good piece on pagan etiquette for a good long spell, I thought I’d put a few of my reflections on paper.

I know that not everyone will know how things should go, for example if you’ve never attended a ritual before. That’s okay; every one of us began somewhere, and we didn’t know how to act either! If you’re a beginner, say so. People will help you and introduce you around and forgive your faux pas (if you make any).

On the other hand, most of my suggestions will come as nothing new to many of you. Practically all standard rules of courtesy pertain to pagan events and gatherings.

The following bits of advice, some general and some specific, cover open pagan events, festivals and rituals. They are commonly relevant to private functions as well. Don’t regard them as comprehensive, though. Always investigate and find out whether there are any special rules for the gathering that you are planning on attending.

Arrival times

Arrival times are frequently set at a certain interval of time preceding the actual beginning of the ceremony, feast or festivity. For example: Arrival time 4 p.m., ritual to follow at 6 p.m., feast after, then drumming. This time interval is generally built in – for latecomers, for people to get their energy settled, visit, have a drink or bathroom visit and so on.

Check with the high priestess, host or event coordinator to confirm that this is the custom of the group you are joining for the event. Festivals generally have a set time at which the space opens, and you cannot arrive prior to that. There is often an opening festival ritual that you will want to attend. Try to arrive in time to participate; it helps the whole group feel cohesive and connected in a different way than if you miss it.

Double-check times always, and don’t arrive after the rite has begun unless you’ve cleared it with the hosts ahead of time. It is generally safe to arrive a bit early and volunteer to help with setup. Particularly if you are new to the area or are attending an event put on by a particular group for the first time, assisting will give the impression that you are sociable and helpful, and people will remember you.

If you do arrive early, and the ritualists are conferring or doing a pre-ritual run through, don’t disturb them!

Certain groups have a policy to lock the door after a certain time, and you won’t be able to get in if you are later than that. “Pagan standard time” (that is, late) is not a standard to aspire to!

What to bring

Do bring a benevolent disposition, a cooperative spirit and an open attitude. Shower or bathe and brush your teeth just prior to ritual if you can; it gets very gamy quickly when 50 to 100 people are in a warm closed room, very close together. Besides, you should cleanse your body just prior to ritual anyway, as an offering to the gods! Also, don’t wear heavy perfumes. They can be almost as offensive as bad body odor. Especially, patchouli and musk oil can be very potent.

Wear a smile, and for most events your fanciest ritual wear (if you have it), ritual jewelry and so on will be appropriate. This is the time and place to don a cape and your best or weirdest ritual array – entirely black clothes or your coffee-cup-sized pentagram.

It is always a good idea to bring a snack or a nonalcoholic drink to share. Offering a snack is a really good way to make new acquaintances! Bring any flyers, announcements, business cards and so on that you want to share with the community.

Bring drums, rattles and musical instruments for yourself and one or two extra to share, if you have them, especially if music or drumming is mentioned in the invitation.

Bring the site fee if there is one, in cash – check ahead to find out so there are no surprises. More about site fees later on.

What to leave at home

Do not bring your disagreeable or superior attitude, head games or grudges or animosity toward others into the circle.

Do not bring animals of any kind. As much as most of us like them, many people are allergic, they can be disruptive to the circle, they may get into the food and so on. It’s okay to allow your familiar into your own circles if you like, but please don’t presume to subject a public group to your pets.

Please, do not bring small children – unless you are prepared to supervise them closely, and to get cut out of the ritual if they become disruptive. (If they do become obtrusive, please motion to one of the ritual staff that you’d like to depart from the circle.) It’s very difficult to concentrate or meditate when there’s an infant shrieking beside you. We all (or most of us, anyway) actually enjoy children when they are reasonably well-behaved, but tempers flare when they begin to encroach on the experience of those who took the trouble to get a sitter or are childless by choice.

Do not bring illegal drugs or alcohol unless you have been assured by the hosts that such is gladly received. With innumerable pagans in recovery now, it’s a good bet that a lot of the people attending an event will be clean and sober. If you do feel that you must have a wee drink or toke, do so very prudently. You never know which person around you might be inclined to call security.

Munchies

Make sure to determine if there is a potluck, and if there is, bring a dish to share that will feed 8 to 12 people. Please be creative when you select what to bring for the potluck. Many times, I have seen four or five containers of deli potato salad and no cheese, bread, drinks, fruit, veggies – well, you get the idea. I recently brought fresh fruit of various kinds and Devonshire cream to an open full moon – it went over very well and was gone in a twinkle.

Homemade is always preferred, hot dishes are frequently at a premium, and meat is popular. However, vegetarian dishes are always a reliable bet, and if you have a specialty that you feature, bring that! Unusual drinks, breads, cheeses, desserts and appetizers are a good risk, as is unique ethnic cuisine.

Check to see if you need to provide your own dishes and tableware, and don’t forget a serving spoon or fork for your contribution, as well as napkins, cups or glasses! I have a fairly large picnic basket that I keep packed with everything I might need – plates, bowls, knives, forks and spoons, napkins and all, including blue plastic goblets and salt and pepper!

If there is no potluck planned, be sure to eat something substantial prior to attending. Keep your blood sugar level up, and you have less of a chance of falling over due to hunger.

Social interaction

Behave toward others with courtesy, kindness and respect. Introduce yourself to and make an authentic effort to meet and make the acquaintance of at least three additional people at each gathering you attend. Expand your foundation of friends, and make other newcomers feel like the local pagan community is gracious and sociable.

Do be cautious when encountering strangers – don’t rush up and leap on them like a puppy with bad manners! Approach them with consideration. Don’t interrupt a conversation, but do contribute if you sense that you have something to add. Query, but don’t pry. Certain pagans are yet in the broom closet and may not wish to divulge a lot of personal information. Take a cue from how candid and friendly they appear to be.

Bringing a small gift for the host or something for the altar is an excellent notion. Flowers are usually appreciated for either.

Ritual behavior

Attempt to observe the customary conduct of others and follow along. Please do not talk, jest or criticize the ritual cast during the ritual. (I have been guilty of this one myself, and I apologize!) Endeavor to not disrupt the ritual energy at all, unless you absolutely can’t wait, and use the bathroom prior to joining the circle!

If there is music, chanting, singing and so on – don’t sing along with the music unless invited to do so by the performers. Then sing only after you’ve listened long enough to be able to sing the words and melody correctly. Respect and honor what the performers have spent their time and energy learning by lending an ear.

Do not touch the altar, ritual items, the ritual cast or anything that does not belong to you without asking first! This includes people’s jewelry and knives. Keep your paws off if it’s not yours!

Energy

You may or may not experience the energy in a public ritual. Practically all are intentionally performed at a “lite” energy level, for the best interests of the collective. The ritualists can never know the skill level of all of the participants.

If you focus and breathe and follow along with the priest or priestess, you will get much more out of the experience. Furthermore, why take the time and effort to attend an event just to convince yourself that it was not satisfactory and then complain about it. Where is the fun in that?

Be mindful, though, that you don’t get “ritual energy overload” if the ritual does in fact have some “juice” to it. If you feel that this is happening or if you get any symptoms such as ringing or buzzing in the ears, dizziness, nausea, queasy stomach, feeling suddenly very hot or flushed or very cold (unless you’re outdoors in October!), you may be getting an energy blast.

If you think you might collapse, or vomit, please make your condition known to the high priestess or priest. It will be much less embarrassing to be ushered out of ritual than just to crash to the ground! Not to mention how unpleasant it might be for others if they believe that you’ve had a heart attack or something.

Not infrequently, you can surf through an intense energy surge by grounding and breathing slowly, maybe by moving your body or by eating or drinking something, if possible.

Personal matters

In my experience producing events, there is no way you can ever make all the people happy all the time – no matter how hard you strive. Please take the time to think about your complaint prior to voicing it. Is it that important to you? Will it be productive? Will it make any kind of difference? Are you willing to help or offer useful, positive suggestions on how to improve things? Are you just having a bad day? My opinion is, if I’m the hostess, I get to do things my way. If someone else has a better idea, they’re welcome to go do it! Don’t just bitch at the producers of an event because you don’t like what they’re doing. If you positively don’t like it, make a note not to attend again, but endeavor to have the best time you can while you’re there and permit others their experience.

Again, please abandon your “attitude” at the door. I have attended numerous events where there were one or two troublemakers, complainers, disrupters and just ordinary assholes. Such people are a pain in the butt for the ritual staff, and often for the attendees as well. After the staff works really hard to make an event happen for the community, then they are subjected to a person who does nothing but complain because the staff hasn’t provided especially for the complainer’s particular, probably unexpected requirements.

Hedonistic composure

I am extremely sex-positive, but I want to say that pagan events are not a place to try to get laid. Ritual is not a place for sexually predatory behavior, and if you do exhibit this, you will quickly gain the reputation of a wolf, cad, or loose woman. You may not be invited – or allowed – to return.

It’s okay to flirt and even to “come on” to someone if who seems receptive, but make sure that person is interested and that you know his or her relationship status (and that person knows yours) before you leap!

If a person says no, respect that! No means no! If someone is not interested, move on to someone else. If you do move from man to man or woman to woman at a ritual or festival, be assured there will be some people who will notice your conquest mentality. A lot of people won’t want to be just another notch on your wand. So use discretion and common sense when choosing sex partners.

At some events, there will be the opportunity for sexual expression for those who wish to revel in it. I really appreciate it when there is a shrine provided for worship of Aphrodite or Pan or other gods that are sexually oriented, and I feel it is appropriate to make a sacrifice to them in this way.

However, if you partake of the shrines and make a mess, please clean it up! Dispose of condoms, gloves and dams properly by wrapping them in a tissue and putting them in the garbage. I don’t know how many times I’ve found used condoms lying in a shrine. Ugh!

Furthermore, wipe up any spills or mess, put out the candles and the incense, throw away the tissues, fold the blankets and so on. Leave the place as you would like to have found it. Remember this is the gods’ domain; you owe it to them.

Also, just as in any similar situation – if you are having sex with a new partner, use latex! We’re living in the ’90s, people. There are many, many incurable diseases that you can catch or pass on. Some strains of hepatitis can be fatal, and several are sexually transmitted. Thus, even if your partner is not at risk for HIV, they could give you hepatitis B or C or herpes. Latex should always be used for all activities involving body fluid exchange with a new partner.

Cleanup

Please pick up after yourself and your party. Make sure the area is as clean or cleaner than when you arrived. You might ask the ritual staff if they need any help with cleanup of the ritual space, kitchen or whatever. Again, volunteering to do these little things shows you are willing to go out of your way, and that is a welcome trait. It also helps you get acquainted with people you may never have met.

Some groups have a work exchange program, so if you want to get in free, ask. Some will require you to do setup and cleanup. Some will not require much at all. It doesn’t hurt to ask, and pay if you’re able. If you want the events to continue to be available – support them, bring your pagan or pagan curious friends!

Time to go?

There are usually times posted for public events, as in: Ritual from 7-8:30. Such a schedule is sometimes loose, and sometimes not. If the event promoters have to pay extra for the building after a certain time, it is annoying to have people just hang out for hours after the ritual is over. Take your cues from the majority of the people: When they leave, make for the door.

When you are at someone’s home, be sensitive to the fact that your host may be tired and want to go to bed. If he or she is yawning and everyone else is gone – go home!

Final suggestions

The time to discuss, analyze or process your experience is when you’re home, behind closed doors. If you have serious criticism, call the promoter or ritualists and ask if they want your feedback. If so, try to convey it in a nonjudgmental tone. If you come across as a whiner, they won’t hear or heed your words!

Don’t forget to express your thanks and appreciation of an event well done, too. Remember, no one and nothing is perfect, so if things went fairly well and you had a good time – call and let them know that too! It’s is a thankless job (most of the time) to produce events, and it’s nice to get some positive feedback occasionally instead of just bitching.

Take advantage of the public events to connect with the pulse of the local pagan community. Experience the diversity of the traditions in the area. Enjoy yourself and learn something new, and honor the people who produce the events and rituals with your presence, attention and energy. Most of all, worship the God and Goddess with those of a like mind. And have a great time doing it!

Tell them I sent you.

Crystal Lattice Patterns

Cubic

A cube-shaped lattice. Most crystals  of this type consist of a number of interpenetrating cubes, rather than single cubes. Examples: garnet, pyrite, sodalite, diamond, halite, fluorite and copper. Qualities: releasing tension and encouraging creativity

Tetragonal

This lattice is shaped like two pyramids joined base to base, with elongated upper and lower points. Examples: apophyllite pyramid, zircon, rutile and chalcopyrite Qualities: balancing and harmonizing

Orthorhombic

Shaped like a small squashed matchbox, with all sides unequal in length. Examples: danburite blade, peridot, topaz and celestite. Qualities: linking, aiding, the flow of information.

Trigonal

This lattice is shaped like a diamond or a barrel-shaped lozenge. Examples: sapphire, alpha quartz, tourmaline and ruby. Qualities: energizing and anchoring

Monoclinic

Shaped like an elongated squashed matchbox. Examples: selenite wand and kunzite Qualities: affects movement and perception.

Hexagonal

Shaped like a hexagonal prism. Examples: aquamarine, beta quartz, emerald and apatite. Qualities: organizing and supporting.

Triclinic

This lattice is the most variable, having no set angles or lengths. Examples: kyanite blade, labradorite and ulexite Qualities:  opening and protective.

Crystal Systems

Crystals can remain unchanged for millions of years because their constituent atoms are arranged in a stable, regular pattern, called a lattice. This lattice repeats throughout the crystal and ensures that every crystal of the same mineral will show the same geometrical characteristics, with the same number of flat faces always meeting at the same angles. This precise repetition is the same no matter what size the crystal or whether it is a faceted gem or a dull, rough piece. A crystal’s external form is simply a reflection of its internal atomic structure. These shapes have a significant influence over the magickal and healing properties of a crystal.

The lattices fall into seven major types. Different minerals that share the same core pattern will have similar basic shapes. Unfortunately, these simple forms are seldom obvious from the external appearance of crystals owing to the variable conditions in which they form. However, careful scrutiny will allow you to recognize certain identifying traits (for example, the hexagonal cross-section of quartz or emerald).

Tell It Like It Is – And Make It Count

Tell It Like It Is – And Make It Count

Author: Autumn Heartsong
“I’m not a pussy-foot Pagan; I speak my mind I don’t care if everybody gets mad at me.”

“I call it like I see it. If you’ve got a lousy attitude I’m going to tell you about it. That’s what makes me such a terrific high priestess.”

“I hate that we’re not friends anymore. I was just trying to help and she got so angry.”

Know any of these people? Maybe you’ve made one of those statements yourself.

There’s no doubt that honest feedback is helpful. People with the skill and willingness to provide good feedback are valuable in any community. Unfortunately, some people are long on willingness and short on skill. They tell it like they think it is, like they wish it were, like they hope it will be, but without the skill needed to make all that telling count for something. Some succeed handily in expressing their opinions and making people angry, and they excel at turning angry reactions into badges of honor. They may even feel a little smug when they tell everyone exactly what they’re doing wrong and no one does anything about it. There’s a lot of moral superiority in being the one with the answers and even more intellectual smugness when no one else is smart enough to take your good advice. More often, though, people are just sad and disappointed when their attempt to help is, at best, rejected or, at worst, creates angry confrontation and lasting resentment.

Why should we care about the effectiveness of our communications? Because honest, helpful feedback is essential to any community. Whether you’re addressing your circle, your coworkers, your family, or the customer service rep with whom you’re trying to resolve a problem, clear, effective communication gets the best results.

Nowhere is the need for good feedback skills more evident than in our spiritual communities. In a spiritual path that stresses personal accountability, each of us is responsible not just for what we say but how we say it. If we truly have the best interest of another in mind, we have a responsibility to do the best job we can when we offer constructive criticism or positive feedback. And for those who hold positions of leadership, the ability to guide a coven or circle is directly tied to the ability to effectively deal with behaviors that can erode the group’s foundation, as well as to offer praise that is meaningful and encourages continued success. Yet time and again, circles and covens undergo major upheavals over poorly thought-out and badly delivered feedback. Broader communities experience rifts that all but destroy those communities. Online groups explode into flame wars over emails that set out to improve some situation but miss the mark. Best friends have walked away from each other over what was meant to be helpful guidance but was delivered and received as anything but helpful. The phrase heard most often after such events is, “What just happened?”

Fortunately, willingness to engage in feedback is more than half the battle, and anyone with a sincere desire to tell it like it is and make it count can learn how to give feedback that is both honest and helpful. Whether you’re telling someone that their habitual Pagan Standard Time arrival for ritual is impacting the group or complimenting them on the stellar job they did organizing the community clean-up event, you will create more impact with a well crafted and delivered message.

In this article, I’ll discuss the characteristics of effective feedback. I’ll also outline models for giving honest, direct feedback with candor and skill. Finally, I’ll share a model for how we receive feedback to help us understand and plan for reactions in others and ourselves.

For those of you who are thinking, “This isn’t standard Pagan essay material, ” I respectfully disagree. This is EGM – Elbow Grease Magick, physical effort to accompany your energetic contribution in your community. Just as doing a “find a job” spell without sending out a resume or filling out an application isn’t likely to land you employment, opening your mouth to deliver constructive feedback without paying attention to how you do it isn’t likely to net the results you hope for. By combining a willing spirit with proven techniques, we can strengthen our relationships and our communities.

Characteristics of Effective Feedback

Think back to a time when you received truly helpful feedback from someone – maybe a teacher, a boss, a coworker or friend. What made it helpful? If you’re like most people, your recollections will include some or all of the following:

They were specific and used examples.
Vague feedback isn’t very helpful. Telling someone, “You need to do better in circle, ” doesn’t offer any clues as to what “better” means. “Your ritual robe has a wine stain on it from when you dropped the chalice at our last moon. You should make sure your robe is clean before you come to circle, ” is more effective. Likewise, “You’re such a joy to work with, ” doesn’t give the recipient any guidance on how to continue to be a joy. Try, “I enjoy working with you on community projects because you’re energetic, detail oriented, and always willing to pitch in wherever needed.”

They focused on behavior, not a personal attack.
Telling someone, “You’re a slob!” is far less effective than, “You left your feast gear unwashed on the counter and Moondrop had to clean up after you.”

They were sincere, had my best interest at heart.
Sincerity is often a matter of perception. Body language and tone can speak louder than our words. It’s estimated that in face-to-face communications as little as seven percent of a message is perceived from the actual words. (Read Radical Collaboration, by James W. Tamm and Ronald J. Luyet) .

They helped me understand why it was important.
Everyone receiving feedback asks, at some level, “So what?” When we include the why, the what has more impact. “When you’re late for ritual, feast runs late, the children get hungry and cranky, and everyone’s enjoyment of the evening is lessened.” The why can also include the benefits of change or the consequences of continued behavior. “In the future, we’ll have to start without you if you’re late.”

They included suggestions for improvement or alternate behavior.
If a behavior is causing problems, suggest a better behavior. “We need you to be here at least 15 minutes before ritual is scheduled to begin.”

They chose an appropriate time/place.
Common wisdom suggests that we correct privately and praise publicly. While public praise isn’t always necessary, constructive criticism is almost always best done privately. An embarrassed person is not receptive.

They kept their emotions in check.
If you cannot control you own emotions when delivering feedback, the message will be lost. Crying and anger are sometimes understandable reactions to bad behavior, but get them under control before you enter into dialog about the behavior. If you lose your cool, you lose control.

Models for delivering feedback

Two models provide specific steps to help craft and deliver effective feedback.

NORMS is a model for crafting your message and helps ensure that you’re focusing on behavior and that your feedback is specific. This should be your first step every time to make sure your feedback is behavior focused. NORMS is an acronym for five attributes of objective feedback.

N – Not an interpretation. Address the behavior, not how you interpret the behavior. “You’ve been late for the last three circles, ” is behavior. “You don’t have enough respect for me, your coven, or the gods to show up on time, ” is an interpretation.
O – Observable. Address behavior that can be seen, heard, or otherwise observed by more than one person.
R – Reliable. Goes along with observable. Base your feedback on reliable observations, not hearsay or conjecture.
M – Measurable. Address behavior in terms of how many, how long, etc. Avoid absolutes like never and always. Use actual numbers, times, etc., whenever possible.
S – Specific. Address specific behaviors and cite specific examples.

DISC is a model for delivering your message and is an acronym for four steps to ensure that your message conveys both what and why, offers suggested alternative behavior, and identifies benefits/consequences.

D – Describe the behavior. Describe the behavior you identified using the NORMS model. Include measurements and observations when possible.
I – Identify the impact. Why is this behavior a problem? How is it impacting the individual, you, or the group?
S – Specify what you would like to see. Suggest alternate behavior or ways to improve.
C – Clarify the benefits/consequences. What will the individual gain by changing behavior? What are the consequences if she doesn’t change?

Putting it together

Scenario: Oak Moon, a member of your coven, wears a strong patchouli oil fragrance. Three coveners have commented on it and at least one covener, Starlight, is asthmatic and has difficulty breathing when she stands next to Oak Moon in circle.

Using NORMS, you focus only on the behavior – wearing strong fragrance that bothers others in circle. The strong fragrance is easily observable by anyone present and has been reliably observed by other coveners. It is measurable – three coveners have spoken up about it. You’ve made your message specific – the strength of the patchouli oil fragrance and its effect on other coveners is the issue.

Delivering the message using DISC might sound like this:

Describe: “Oak Moon, your patchouli oil is a lovely, strong fragrance – sometimes a bit too strong for the closeness of circle. Three people have come to me because the fragrance bothers them when we’re in circle, including Starlight.”
Identify: “You may not know that Starlight is asthmatic and has trouble breathing around strong fragrances.”
Specify: “Could you skip the patchouli when we’re in circle?”
Clarify: “It will let everyone breathe easier and focus more on what’s happening in the circle.”

The DISC model works well with positive feedback, too. Here’s an example:

Describe: “Oak Moon, you did an exceptional job on the essay you sent to WitchVox last month. The organization was excellent, and your analogies really helped me understand your point of view.”
Identify: “Sharing experience and thoughts with others helps our larger community grow and sets a good example for newer members of the coven.”
Specify: “I hope you’ll write more articles in the future.”
Clarify: “You’ll probably get a lot of comments and make some good contacts from your writing.”

Receiving feedback – the SARAH Model

So far, our examples have all been delivering feedback with no response from the person receiving. Of course, the person receiving will respond, and anticipating and preparing for the reaction is part of the effective feedback process.

SARAH is an acronym for five stages people go through when receiving constructive feedback. In addition to helping us deliver effective feedback, SARAH also helps us when we’re on the receiving end of constructive criticism. Recognizing our reaction can help us move more quickly through the stages and get the most benefit from the feedback.

S – Shock. “What? You’ve got to be kidding? I can’t believe anyone would say that about me!”
A – Anger. “How dare she! Who does she think she is? She’s got no right to talk to me that way. It’s none of her business.”
R – Rejection. “Well, that’s just stupid. She doesn’t know everything and I don’t need her advice.”
A – Acceptance. “Well, she did say it…and maybe there’s some truth in it.”
H – Help. “I can see her point. Maybe I’ll try her suggestions and see what happens.”

Do you recognize your own reactions? Have you experienced those reactions from others? When planning your feedback, take some time to anticipate the reactions and think about how you will respond. How can you keep the conversation on track? By thinking through the possible conversation ahead of time, you can avoid being caught off guard by emotional response from the recipient.

What if they just won’t listen?

It’s important to note that people don’t always get through all five stages. Shock, anger, and rejection may be as far as it goes. What do you do when your best efforts fail to produce results?

Perhaps the best advice is an adaptation of The Fourfold Way by Angeles Arrien:

Show up.
Pay attention.
Speak your truth.
Let go of the outcome.

You’ve shown up when you care enough to give feedback. You’ve paid attention when you learn and practice effective feedback skills. Once you’ve spoken your truth, the rest is up to the recipient. Let go of the outcome and let the recipient process your message and do with it what they will. For every friendship that is lost because someone gets angry over feedback they’ve received, another is lost because the person giving the feedback becomes angry and frustrated when their good counsel isn’t taken. Don’t let that happen to you.

Thanks for reading this far. I hope you’ll consider applying these skills in your interactions. Sharing our love for each other with honest, candid, effective feedback is a great gift. May all your efforts be blessed and rewarded.

The Magick of Life

The Magick of Life

Author: Crick

Have you ever taken a moment to notice the magick of life?

While walking along a country road, the reeds off to the side begin to waver to and fro. Is there a Sylph at play? Or is it Father Time heaving a sigh as he passes through?

Have you ever had the pleasure of listening to an old bullfrog bellowing out the blues? A grand old song of love lost and of love yet to be realized. An adage of life presented by way of the lyrics of nature in a symphonic way.

Have you watched as a caterpillar goes wafting along a rough barked tree? She is a beautiful metamorphous in motion, a budding mystery waiting to transform into a colorful and majestic form. From earth to sky, a wonderful delight forever touching our souls. The magick of life in a brief expanse of titillating color.

Have you ever noticed mother spider silently gazing over her web of silken strands. A superb artisan as she quietly guards the doorway to a special realm. Hers is an ancient lesson in patience. Sitting off to the side as a master shaman stealthily traverses from this realm to that using the glistening web as a mystic gateway into orbs of awareness floating about just beyond our senses.

Have you listened to the crescendo of a community of crickets as they sing in unison? First softly then loudly, then softly again, never missing a beat. An exercise in harmony, an everlasting bond of harmony. An awareness of their surroundings woven into the tapestry of their opera.

Such is the magick of life.

Have you ever noticed tiny dewdrops glistening like little diamonds clinging to the tall green blades of grass? An Undine child in the making perhaps as Father Sun draws them up into his warm embrace. Or perhaps a treasure forever in the making and yet never to be harvested.

Have you ever watched as a solitary leaf floats lazily out of the sky? Going this way and that and yet with a sure purpose. Directed by the currents of the breeze, much like life that is influenced by the changing winds of society. And yet a steady yet unseen goal looms before it.

Have you ever watched as a mother bird feeds her young? A bond of love stronger then steel and yet undetected by the human eye. The continuation of life, a magick ever so strong. For love can lead to birth as well as to death.

And so the wheel turns.

Have you ever watched as a black snake silently slithers across a path? A symbol of evil to some and yet seldom seen. Misunderstandings leading to fear, spiraling about in the darkness of ignorance. And yet knowledge will bring you back to the depths of understanding. And such awareness leads to tranquility and peace.

For such is the magick of life.

Have you ever watched a busy colony of ants? Oh the magick that resides within. A common purpose and involvement by all. No obstacle too great. No task too small. Surely lessons here to be learned by those who seek out such mysteries.

For the magick of life offers lessons not to be seen nor heard but to be felt and absorbed when we open up our hearts. Some teach that humans tower above nature. But as pagans it’s our way to be as one with life. For nature is life and the magick that she offers transcends all such misguided beliefs.

Have you noticed?

Deep within the forest, mother bruin lies within the embrace of hibernation, new life forming within her womb. An ancient ritual practiced through the ages. Have you ever wondered about her dreams as she sleeps through the frigid months of winter?
Now that is the magick of life.

Have you ever stood at the waters edge and watched as a mighty fish comes bursting through the surface of its watery domain? Perhaps it is carrying a message of truth and wisdom from He who resides in the murky depths.

Awaken witch, to the wonders of this realm. Listen to all that your ancestors knew to be true. Perhaps it is telling you to shake off the detritus of the mind and to feel with your heart that which is your destiny to experience as a pagan.

Far too long such knowledge has been suppressed by man; let nature be your ears and eyes.

Have you ever listened to the lone cry of a coyote during the moon lit night? A primal reaction to an awareness that has always been and will always be. Shaman quietly smiles in acknowledgement as his brother bids him welcome.

Such, my friend, is the magick of life.

Have you ever come upon the empty shell of a cicada clinging silently to a tree?

It would appear that death in place of life is in evidence; however a metamorphism onto a greater reality is the result of such an event. For death is the balance that creates life, one without the other is an energy, which has not come full circle, a partial reaction to what must be in order to be complete.

Have you ever sat amidst a field on the edge of dusk as an owl goes gliding quietly by? Some would say a witch in flight. Striking fear into its potential prey as it wings by on its deadly mission. And yet even fear has its place in the magick of life.

As pagans of whatever path, we too have something to contribute to the cacophony of magick that swirls all about us like a silent mist contained within the fog of reason.

Freeing our minds from the shackles of fears and insecurities that such knowledge brings to those who are not of pure heart is a step forwards towards such a contribution.

Acknowledging that such wisdom is within our ability to accept is a gift of awareness and acceptance that has been sorely lacking by so many of our species.

Throw off the blinders of prejudice and ignorance and allow yourself to be a student of life.

For the path of the pagan is truly the magick of life.

My Goddess in My Life

My Goddess in My Life

Author: Frostig

My eyes wander up to the sky and back to the earth, my mind drifting as my body slows. I feel her around me. My heart quickens. A light sweat forms on my brow but still knowing she is near calms my muscles. All at once, I am ready to move or ready to relax. I know she helps guide my path in this world. I asked her to help me make decision with me, not for me.

She is Freya, the Goddess whom I love with all of me. By profession, I am a soldier and have been for 18 years, but I enjoy a softer side of life as well in writing and poetry. She is my muse; she is a lover and a warrior, a strong woman who knows what she wants and is willing to make sacrifices to meet her goals, inspiring me to do the same: to look at the world through another’s eyes, from a different point of view, to see things with a glowing halo of light.

I feel her presence in the love of my wife. The tender care she gives me. Her understated strength; I can feel it in her words. She helps me and guides me. We are a team and accomplish things as one.

I have written before here and some of you may remember that this is my third tour in Iraq. I have never asked to given anything from her, but for advice and guidance only. I ask for safe journeys and if I must fight that, I do so with honor and integrity. That if I die it is on my own terms and that I may do so with respect and honor and in the aid my friends.

In my life, I have always felt the strength in a feminine power. A mother watching over me keeping me safe, a lover holding me in her arms letting my soul rest in her tender hold. In the presence of women I feel refreshed.

When I feel the presence of my Goddess near I feel as if the world will bow to me. I ask her to guide me and help the things in my life have fall into place. I trust in her and knowing that as long as I uphold the promises I have made, not only to myself but to her as well.

The devotion I have for my Goddess feels more like a relationship than worshipping. We seem to have a give and take. Sometimes if I get too full of myself she lets me stubble a bit to remind me I need to have humility.

When I am living clean and doing the right thing, I have found that for no reason things fall into my lap and gifts both mental and physical appear in my path for me. I know at that time I need to share them, not hold them all for me. True gifts are not yours to keep they are yours to share; it is a great responsibility and not one to be taken lightly. Even if the gift is a part of you, we must learn to give our time and our knowledge to help others.

I carry with me a few things at all times. One is a copy of the Nine Noble Virtues the other is a picture with a memorial poem of a friend, killed last year by a roadside bomb in Baghdad. The virtues are a constant reminder to me of the guidelines I work to live by each day. The picture of my friend reminds me that we can be taken at anytime and to live your life by touching and enriching the lives of others.

So here I sit, the middle of Iraq again. I know I am here for a reason; something started but left undone. I have begun by strengthening the position of the Pagan Open Circle here and with the help of other friends’ state side I am working towards a higher level of religious awareness in the military. I know if I trust in her and make sound decisions our goals will be met, together.

I know she will not do everything for me, I would never ask that, if she did the goals that are met would not feel as sweet and I would feel a lacking inside of me. I need to earn my accomplishments.

I have learned that you must have honesty with yourself before you can have a trusting relationship with anyone else. Feel the honesty deep with in your soul. When I first felt it, I was scared, scared because of the raw truth I told myself. I instantly had to be with others; solitude was not what I felt I needed.

Nevertheless, it is exactly what I needed, the time to go over things in my mind to see that this is what I needed; it was the truth in my soul.

This is when I first felt her with me, I did not know who “She” was it was my first time with this emotion, this feeling, this presence. I started asking questions in the dim light of a campfire, seen flickering through the nylon of a tent. Speaking with a woman, a Goddess in her own right, her answers led me to more questions. I began reading and reading and reading.

Then a day came while reading, I saw her name and it felt good inside me when I said it, I know now it was her. She came to lift me up, to show me who I could become; the man I was meant to be. I thank her everyday for holding me safe for all these years, always there holding me but never wanting me to know she was there.

Now I’ve seen her in my heart and I feel her smile upon me.

By living a good life, acknowledging my weaknesses and my strengths, knowing my limitations, and pushing them a little further everyday, this is how I honor her. To show I am worthy of her graces, this is how I live. I thank her and every woman who has the Goddess in her — you know who you are –

You have touched my life and prepared me to be the man I am to become