Category: Rituals

Experimenting with Circles

Experimenting with Circles

When you feel comfortable in your ability to cast a circle, it is time to start finding new ways to do it. There is no limit to what you can do to create sacred space. It can be as simple as sitting and drumming the circle into existence or chanting something to create the energy to draw your circle. Movement is something used in lieu of everything else. It is possible to use a piece of recorded music to cast it, or to dance to the music to cast the circle. You can create a circle by telling stories or sharing your day with others.

Some of the techniques that can be used will be very difficult at first, and that is why you should learn to cast in one of the first two ways before you begin experimenting. If you do, you know what the end result should be and will know when you reach it. As you develop a new way to cast a circle, you will find certain things that work and certain ones that don’t. Don’t be afraid to change elements around or substitute things in or out to make it work. This is one of the first totally creative things that you will do as a witch.

Copyright © 2000, Jet Blackthorn

Casting a Formal Circle for a Group or Solitary

Casting a Formal Circle for a Group or Solitary

If there is a limited amount of space within the circle, it is often easier to cast the circle and admit the participants after creating the space. There are pros and cons of doing it this way, mainly having to do with making the participants feel excluded from part of the ritual. In order to avoid this, it is important to have them focus on the people or person casting the circle and adding their energy to what is going on. If you choose to have them within the circle, it is best to have them kneel at the boundary and cast the circle just behind them and over their heads, having them focus on the casting.

With this particular method, you can have one, two, or three people cast the circle, splitting the parts up as you desire. In a large group, splitting up the jobs in this manner helps everyone to participate when there are a limited number of things to do. Any of the parts of the ritual can be split up this way, but some will work better than others. Having more than one person cast the circle is a nice way for a group to maintain the bonds of working together.

When everyone is prepared and quiet, the person casting the circle should move to the altar and touch the pentacle with his or her athame. If the altar is set in the north, all that they need to do now is to visualize energy coming from the pentacle and walk the edge of the circle until they return to the starting point again. Once the caster is there, they should touch the pentacle with the athame again to seal the circle and then visualize pulling the edges of the boundary around to form a sphere above and below. This can also be done by actually using the athame to cast by starting at the pentacle and pushing the energy up over the heads of everyone, around, down through the floor, and back to the pentacle.

If the altar is elsewhere in the circle, the person touches the athame to the pentacle to perform a connection to it and then walks to the east to begin casting. They proceed to the south and then the west and then finally to the north before returning to the east. At that point, they can return to the altar and finish sealing the circle.

NOTE: Circles may be cast in either direction, depending on the work being done. Clockwise (N, E, S, W) tends to be the most common. This sunwise direction is used to invoke and bless. It is useful when the ritual has an outward focus. Moonwise circles (N, W, S, and E) tend to be used for banishing or rituals that focus inward or on the self.

Once the circle is cast, the next person should bless the salt and water to use for purification. Tip three pinches of salt into the water and stir it three times moonwise saying, “By the powers of Life, Death, and Rebirth.” Take this water and go to the east, sprinkling it around the edges of the circle, walking in the opposite direction of the circle caster. Once you have moved all the way around the circle, and if the people are within the circle, sprinkle each of them saying “Be washed clean.” (Make certain that you have someone do this for you, as well.) If they are not in the circle, place the salt water on the altar for later use.

The third person (Or the first, if you are only having two perform this) will bless the incense to consecrate and fill the circle. Place some of the loose powder incense on the hot coal (or light a stick incense) and draw a pentagram over the burning saying, “Blessed be the union of fire and air, the breath of the Gods.” Walk around the edge of the circle with the incense in the direction that it was cast in, slowly, and call the Ancestors to come and witness your circle.

Finally, the fourth person (or number two) moves to the center of the circle and declares that this is sacred time and sacred space. The circle exists outside of our normal time and reality. The shift from mundane to sacred should now be complete and should be a tangible feeling for everyone. The air may look or feel different, or the people may experience a shift in consciousness.

At this point, if you have cast the circle with the people outside, it is time to let them into the circle. The person who cast the circle will take their athame and cut a doorway into the boundary. This is done by inserting the tip of the athame into the circle at the level of the floor and cutting along it to make a wide enough entry for people to pass through. Then they cut upwards to the height of the people outside the circle. They should arch the top and then cut down the other side and across to meet the original point on the floor.

The person who blessed the salt water will switch places with the caster and stand in the doorway before each person as they enter, sprinkling to cleanse them. The caster will hug the person and pull or spin them over the threshold of the circle, bringing them in as a part of the company that will perform the ritual.

Once everyone is inside the circle, the caster will “erase” the doorway by placing the tip of the knife to the floor again and move it upwards, “sealing” the circle again. The “door” should be removed exactly opposite of how it was placed. When you are finished, there should be no trace of a break left in the circle wall. If you can see one, mend it with your own energy and close the break.

Copyright © 2000, Jet Blackthorn

Grounding Energy and Releasing What Was Called

Grounding Energy and Releasing What Was Called

 
Before you end a circle, it is important to leave everyone feeling refreshed and the space in its original state. When rituals are long and complex or there is a great deal of energy raised, quite often there will be energy left that wasn’t used, both in the participants and the circle itself. Grounding this extra energy prevents it from escaping to run into an unsuspecting person when they visit the space next and allows the participants to center themselves again and prevent having jittery nerves or suffering from an inability to rest or sleep.
 
Take time to have everyone sit in a circle with his or her palms pressed to the floor. Visualize the extra energy passing into the hands and out into the earth, only keeping enough to be balanced and centered. The leaders of the ritual should then gather up all the excess energy free in the room and send it down into the earth as well. Everyone present should, at the end of the ritual, have a sense of wholeness within themselves.
 
Once this is accomplished, releasing the Gods and elements with the participant’s thanks can begin. Usually, proceeding in reverse order of calling is appropriate. When the Gods and elements are release, they should be thanked and told that they may stay as long as they are needed and they will be welcomed by all present again.

RITUAL TO FIND YOUR SPIRIT GUIDE

RITUAL TO FIND YOUR SPIRIT GUIDE

Items Needed
Altar Candle
Day Candle (Monday-white, Tuesday-red, Wednesday-purple, Thursday-blue,
Friday-green, Saturday-black, Sunday-yellow)
Offertory Candles – 3 Violet Candles
3 White Candles

Tools
Athame to inscribe candles
Crystal ball or clear glass of water

Incense
anise, cardamom, and coriander.

Oil
jasmine, lemon, rose and sandalwood

Timing
Best done during the Mercury hour of the day, although any hour should work.
Any moon phase is appropriate.

Preparation
Breathe deeply and build a ball of protective light around you. While soaking
in your ritual bath, meditate on the whole ritual: the steps you will take
and what you wish to say to your spirit guide when you make contact.

Ritual
Enter the circle in the Hour of Mercury. Light the incense. With the oil,
dress the Altar Candle and the Day candle while concentrating on the purpose
of the ritual. Light your Altar Candle and Day Candle and state your intent:

I am here to make contact with my Spirit Guide, and to acknowledge him or
her.

With your Athame, inscribe Violet Candle #1 with the word “Spirit.” Dress it
with oil. Light the Violet Candle #1, direct your energies into it and say:

Here do I light the first Lamp of Spirit.
May its light reach out across the barriers from this world to the next.
May it make contact with that World of Spirit into which we will eventually
enter.

Take your censer or incense wand and swing it around, sensing the whole area
around the altar while rhythmically repeating the word “Merge” and building
up energy to focus. Replace the censer and pick up Violet Candle #2.

Inscribe it with the word “Spirit” and dress it with oil. Put it back on the
altar, light it and say:

Here do I light the second Lamp of Spirit.
May its light also reach out across the barriers from this world to the next?
May it make contact with that World of Spirit and help spread the light,
illuminating the passageway between our worlds.

Again take the censer or incense wand and sense the entire area around while
chanting the word “Merge.” Build up your energy to focus. Take Violet Candle
#3, inscribe it with the word “Spirit,” dress it with oil, charge with your
energy, light it and say:

Here do I light the third Lamp of Spirit.
May the light from these three lamps blend and grow, dispelling all darkness
and lighting the way that my Spirit Guide may come to me and speak with me
here today.

Inscribe the three white candles with the word “Truth” and anoint each candle
with oil. Light the three candles in the order of 1, 2, 3, and say:

Here do I build Truth.

As these candles burn throughout this ritual, their power generating nothing
but truth in all that transpires between this world and the next. Through
these candles there is truth in all communications that come to me. Again
cense the altar area while chanting “Merge.” Replace the censer and continue
chanting. Sit comfortably while chanting, and gaze into the crystal ball, or
the clear glass of water. Continue chanting until you feel it is right to let
the chant taper off. Continue to quietly look into the crystal ball or glass,
not trying to picture anything. Keep your mind blank, so whatever comes will
appear and will come in it’s own free will. Gaze into the center of the
crystal, there is no need to try not to blink. Look into the crystal and
blink naturally. Try not to notice anything in your peripheral vision, just
the center of the crystal. Eventually a face or figure will appear. This may
take a long time, or it may appear almost immediately. If it doesn’t come at
all within approximately 20 minutes, abandon this attempt, extinguish the
candles in the order in which they were lit, leave the altar set up, and try
this ritual again in three days.

You should have results within a month at most. When a figure does appear,
ask if he/she is your Spirit Guide. You will hear an answer, you may not hear
it out loud, or even see the figures lips move, but you will be aware of the
answer. This is how most conversations will proceed. You will ask your
questions mentally (or out loud) and the answer will be clear inside your
mind. Ask if you have more than one Spirit Guide. If yes, ask them to appear
also. You may ask anything you wish to know, but it is better to establish a
connection first where your Spirit Guide may appear to you at any time, or at
specific times, so that you can converse with any other spirits through
him/her. When you have finished speaking with your guide, thank him/her, then
sit for a moment with your eyes closed, meditating on all that you have
learned. Extinguish the candles in reverse order to clear the circle.

Book of Shadows Blessing Ritual

Book of Shadows Blessing Ritual

 Decorate your altar to Brigid with her cross or any other appropriate symbols because she is the Goddess of inspiration and poetry. She is also a warrior for the weak and Goddess of Mid-wifery. To me, she represents everything women embody – strength, nurturing, creativity. That is why she gives me power when I speak to her in my magickal workings and also why I chose her to call upon when blessing my BOS.

Perform this on a New Moon because this is the time for new beginnings. Light one white candle dressed in an appropriate oil with her name inscribed on it. Burn some incense as an offering. Then speak this prayer aloud while handwriting it in your Book of Shadows.

Great Goddess, Brigid
to you I send
a Witch’s words
from start to end.

I seek your help
so wisdom grows
and from my pen,
magick flows.

Please bless these pages
with your light
and keep this book safe
day and night.

Let the candle burn out on its own and save some left over wax. Take this wax and place it in something safe. Then secure it to your book’s blessing page for good luck. Brigid will inspire you with her magick every time you write in it.

Please note that this does not have to be done on Imbolc for the Gods are always with us. If done on Bride’s Day, however, your Book will be especially blessed.

(c) Kelli Sposato, 2003

Ritual of Conjuring Spirits

Waxing Moon or Full Moon

Waning or New Moon

Two tall purple candles

Two tall green candles

A purple Amethyst

Green Jade or Agate – in center of altar

Sandalwood & Lavender Incense

Sandalwood & Willow Bark Incense

Spirit Candle

Cast a triple circle. Conjuring of Spirits is always done in hours of darkness, not necessary to be midnight, but preferred.

After you have performed your primary ritual, cast the incense into your burner, Place the Spirit Candle into the center of the altar and say:

“Spirit of good will, I bid thee enter

The Outer Circle.

The Second Circle.

The Inner Circle.

I am protected by this Pentacle upon my breast.

Which bears the name of (your Spirit Guide)

I bid thee, Spirit, Reveal thy Earthly name!

(turn slowly deosil as you speak)

Repeat this conjuration three times.

Perform a nine card Tarot Divination for the Spirit’s name, unless the Spirit replies in some other manner.

Ask: Have you a message for me?

Perform ATarot Divination or use the Witches’ Bowl to ask questions.

Spirit, is it true that….?

Deal gently with the friendly Spirits and they will lead you to the Greater Mysteries.

During your questioning, observe the Spirit Candle. If it wavers or rises and falls, or flickers unevenly, use the Tarot to see if the Spirit has a message.

You may ask 3 questions, after that you must ask:

May I seek further guidance?

Ask only 3 more questions.

Bid the Spirit depart, saying:

(Name), Good Spirit,

Thou hast diligently answered my questions and I do thank thee. I hereby give thee license to depart. Depart, thrice – blessed Spirit, and be thou willing to return when next I conjure thee. By the sound of this bell(Use your Witche’s Bell), do I bie thee leave. Depart, Depart. Depart!

Ritual to Journey To the Universal Circle

 

Adapted from The Cherokee Full Circle, by J.T. Garrett and Michael Tlanusta Garrett (Inner Traditions, 2002).The Universal Circle, a symbol of balance and harmony, is included in every aspect of the Native American way of life. In many Native American traditions, to “offer prayers” means calling out to the four winds for their sacred powers, since the four winds offer lessons from the four directions that make up the Universal Circle.

Each of us experiences this Circle and the four directions as we continue our journey of life. What are the lessons of the four directions? How do we experience this powerful image of wholeness? Find out here:

Circle of Life
The circle of life begins with the fire in the center, the birth, that spirals into the direction of the East for the protection of family while developing.

Then life spirals to the direction of the South to learn how to play, “and to learn of the fairness of games in nature.”

At about the age of seven we start our spiral to the direction of the West, where we learn competition and endurance for work and play through the teen years.

Then we spiral to the direction of the North, where we learn the skills and knowledge of an adult to be a teacher and master of our abilities or trade. We continue to spiral until we reach our elder years as we return to the sacred fire of life, to begin again the spirit world as ancestors.

This is the Universal Circle of life that brings us the understanding of our connections with all things within that circle.

A Witchy Wedding Album

Unlike a non-Wiccan wedding album, which usually holds photographs of the happy couple and their immediate family, a Wiccan wedding album is a more interactive remind of the couple’s special day.  Usually, the right-hand man purchases a large hardback book and decorates the outside in some way. Inside, there is a written copy of the sermon and vows from the ceremony. After the ceremony each guest writes a “well wishing” note on the pages that follow, and some of the dried lavender is collected from the ground and pressed into the book. Later, photographs can be added, along with other mementos, such as cards from guests or a copy of the invitation. This treasure is then kept in a special area in the couple’s home so that they can maintain all their wonderful memories in one place.

The Party

This is a wedding reception with a difference. There is no first dance. Instead, live musicians play instruments such as the fiddle, the cello, and the accordion throughout the dinner. After eating and drinking, the guest, in high spirits, start to dance. After a few dances, the groom makes a speech and thanks all of his guests and his right-hand man for their help and assistance. The bride next make a thank you speech and gives small gifts to each of her handmaidens, the high priestess, and her new mother-in-law. This offering is usually in the way of something small and personal, such as a crystal, a magickal pouch, or a fresh bunch of herbs. Right after she has given her presents, she summons all the single people (male and female) for the bouquet toss. Whoever catches this bouquet must take it home and dry it to ensure that they meet their true love in this lifetime.

The Cake

It has always been customary for the bride and groom to slice a fruitcake, holding the knife together and showing their affection by kissing over the top of it. This is supposed to guarantee that together they will bring forth many children. Then, by sharing the cake with their guests, they are indirectly sharing the magickal energies of their love and passing it on to everyone present. Some are terribly lucky, because their maids of honor will bake cakes in the shape of pentagrams. While making the cake, a lovely spell will be casted over the cake to make the marriage a happy one.

The Binding

The handfasting ceremony culminates in hand binding. In the past, couples would have their hands bound together and knotted with cord. Although some witches still like to use cord, many brides and grooms today opt for satin ribbons in purple, green, and white. These are about six and a half feet in length and wound around the bride’s and groom’s clasped left hands. The expression “tying the knot” likely derives from this ritual.

The high priestess coils the ribbons, weaving them in and out of the couple’s fingers before holding their tied hands in the air for a few moments. Ethereal, angelic music plays as the pair begin to walk around the circle, displaying their joined hands and sharing their happiness with everyone. In turn, the guests shower the newlyweds with rice (contrary to popular belief, it’s a myth that raw rice will injure birds). In Pagan times rice throwing was believed to transfer the spirit of the fertile grain to the bride and groom, ensuring that they would have a prosperous harvest and a fertile union.

Once this ancient ritual has been completed, the high priestess unties the couple’s hands and pronounces them handfasted; the groom then kisses his bride. However, it doesn’t end there, because many witches love to follow tradition and jump the broom, which has been propped up against the altar. The drummers bang on their drums as the newlyweds take a running jump over this ornate broom to finalize the marriage. The British phrase “living over the brush” comes directly from this custom; it signifies a couple who have not had an official wedding ceremony but are wed in the eyes of the community. At this point everybody cheers and applauds the newlywed couple and the ceremony is over.

The Sermon and Vows

There are many different types of handfasting services. They can last from around fifteen minutes to a half hour, and the ceremonial texts can vary considerably. Sermons are read and vows are exchanged, as in traditional non-Wiccan/Witch weddings; prewritten sermons are available on the Internet to download. In Angelic Wicca, the sermon focuses on angels; archangels are called upon to bless the couple to ensure that they go on to have a happy union together.

Once the bride and groom are standing in front of the altar, the high priestess takes a handful of salt and casts it at their feet. This is said to purify the ground they stand on. She asks the bride and groom to lower their heads, then throws a handful of salt above them to cleanse the air around them. After the high priestess has given her sermon and ask the angels to send eternal blessings, she take a small silver spoon dipped in honey and gently places it on the lips of the couple to sweeten their life together. A goblet of wine is then offered to each of them, and they drink in turn from the same vessel. The bridesmaids offer baskets to the couple and to all the guests; as the bride and groom each take a bite from theirs, so do their guests, to symbolize sustenance.

The bride and groom have usually written their personal vows in private and have not shared them with each other beforehand. Many witches like to stand at a lectern and speak their promises to their partner so that all can hear. When the vows have been spoken, the bride and groom exchange rings and the high priestess prepares to bind the couple’s hands.

The Ceremony

The service commences with the groom and the high priest or priestess approaching the altar, accompanied by hand drummers. Let’s imagine that this ceremony is conducted by a high priestess. The high priestess carries an ornamental cushion with colorful ribbons or cords, draped across it. These will be used later to bind the couple’s hands in matrimony. If it’s a breezy day, the ribbons are pinned to the cushion to keep them in place.

After the groom and the priestess have taken their places at the altar, the drummers return to the bridal party and drum the bride and the handmaidens into the circle. The groom’s attire is of his choosing: he may be wearing a frock coat or a fancy, colorful vest. The bride is usually color-coordinated with the groom. She may wear something long and flowing, not necessarily white, accessorized with a headdress or a wreath of seasonal flowers on her head and possibly a wand tipped with rose quartz. The bride has her handmaidens in attendance  throughout the service, and there can be as many or as few as she wants. Their costumes are often very witchlike – long, dramatic, gothic-style dresses in rich fabrics such as velvet, with colors ranging from deep purples and reds to vibrant turquoise. Each handmaiden wears a pentagram necklace or ring.

Guests, Gifts and Potluck

As with non-Wiccan weddings, the number of guests in attendance depends on how many people the couple chooses to invite. Most handfastings are very informal, and they’re usually not catered. Guests may be asked to prepare a signature dish, cook an old-fashioned delicacy, or bring a first-rate bottle of wine or a case of imported beer. These days, it is not so fashionable to buy large, expensive gifts or home appliances, most witches feel that small, homemade items or foods are more personal and allow each and every person invited to contribute in some way.

All of these offerings are placed on trestle tables, and once the wedding ceremony is over, the guests help themselves to the many mouth-watering contributions. Witches don’t tend to be materialistic, so this potluck arrangement is ideal for us and it keeps the cost to a minimum. I’m sure you’ll agree that this make the term ” the more the merrier” is very true indeed.

 As guests arrive, gentle music is played in the background, and each person is offered a glass of wine. Chairs are placed in a large circle around the altar (which is off-center in the circle), and the guests sit, drink and await the celebration.

Once all the guests are seated, the “right-hand man” (usually a member of the groom’s family or a good friend) walks into the circle, ringing a handbell. This cleanses the area inside the circle of any negative energy. The bride’s made of honor then takes dried lavender flowers mixed with small chips of rose quartz and casts them at the feet of the guests for good luck. At the same time, one of the bride’s handmaidens or bridesmaids follows the right-hand man, waving a smudging stick or some sage incense from the altar to further purify the circle.

Ceremonial Officiants

As in the olden days, a high priest or priestess usually performs the handfasting ceremony either outdoors or in a place of worship, such as a Christian church. Rings are exchanged to symbolize unbroken union and the eternal circle of life  It is interesting to note that the wedding ring, which is traditionally worn on the fourth finger of the left hand, came to be place there because our ancestors believed that it sat over an artery that ran directly from the hand to the heart.

The high priest or priestess is traditionally clothed in a gothic-style outfit, usually in green, gold or lavender. These outfits typically include ornate headdresses, and the priestess may wear a crown graced with a variety of crystals and feathers. These high-ranking clergy are mostly mature members of covens who have a wealth of knowledge about spell casting and all things magickal.

Handfastings

The glitz and glamour of today’s white weddings actually derive from the ancient pagan betrothal ceremony called the handfasting.  The tradition of this hand-clasping ritual is believed to date back to Roman times. It is thought that a handfasted bride and groom initially took their vows only for a year and a day. After that time, if they were still madly in love, another ceremony was held to united them permanently. In the twenty-first century, Wiccans and Witches do still get handfasted but like most things, handfasting has evolved with the times. Angelic Wiccans tend to have ceremonies based on conventional handfasting, but with services attuned to the vibration of angels rather than the Pagan Gods and Goddesses.

Spellcraft And The Divine

Some modern religions use spellcraft regularly as part of their worship. Neo-Pagan religions such as Wicca, Druidry, Ásatrú, and other established path such as Santeria, Voudoun, and Candomblé all use spellwork as part of their worship process. Spellwork can certainly be done within a religious context, whether the religion is one of those mentioned or not. Within a spell, the inclusion of a deity or a higher power of some kind immediately transforms the spell into a spiritual act. However, the deity you appeal to in a spell should be a deity to whom you have at least introduced yourself, and have obtained their permission to work with them, otherwise you’re not going to get much out of it. Several spells in the “cookbook craft” category toss around invocations to Hecate as the Queen of Witches or invoke Aphrodite to help out in a love spell. These are ancient deities, now often thought relegated to mythology books. You can’t just harness their energies; there has to be more to it than that., If your spell knocks at their door, they’re likely to take a look through the spyhole, not recognize you, and won’t answer. Even ancient deities understand what dangers lie with inviting just anyone into their home. Conversely, why invoke a deity associated with another culture or religion just because a spell in a book tells you to do it? What do you know about them? Who knows what kind of energy you might be inviting into your spell?

If you function within an established faith, your best bet is to appeal to the deity or aspect of the Divine that you already work with. You have an established relationship with this deity. When your spell comes knocking,k the deity will recognize your energy, and your spell will have the added boost of love and energy freely given.

If you involve a spiritual entity such as a deity or an angel in a spell does it become a ritual? Not necessarily. It depends on your goal. Is your goal to achieve nirvana, or to become spiritually balanced within your religious path? Then you’re performing a ritual. Is it to obtain a new cat, or to release anger or stress? Then it’s a spell. When you’re not precisely sure if your goal is spiritual or practical, then it’s probably still a spell.

When To Cast a Spell—and When Not To

You can pretty much cast a spell any time you feel comfortable doing so. However, there are a few things to keep in mind. You must:

  • Have a valid need or desire, clearly delineated

  • Be in the correct frame of mind

  • Be in the proper state of health

If you cannot aim your spell as a clearly defined goal, then you have no concept of what you truly wish to manifest as a result of that spell. Apart from being a waste of energy, this can create more problems as the energy your spell casts out into the world bounces randomly like a pinball around and through the issues in your life. With no clear goal or need, a spell becomes dangerously unpredictable.

Your mental state is crucial to your success. Being distracted or worried will weaken your focus and your subsequent effects. States of high emotion can also be dangerous. Emotion is one of the energy sources that fuels spells. This might sound ideal to you, and in one respect, it is: the ability to feel intense emotion during the casting process can help you a lot. However, that intense emotion should be summoned and accessed during the process. If you fire off a spell as an emotional reaction to something, you are guilty of not thinking the situation through. You are not in proper command of yourself, which you need to be in order to cast a focused and well-aimed spell. Spells are a method of controlling yourself and your life, and to cast like this is not only irresponsible, it undermines the whole principle of creating positive change in your life.

Your state of health is also vitally important. When you are ill, your personal energies are unbalanced, and your handling of outside energies will be affected. Every spell, no matter how many other power sources you pull in such as components and correspondences, uses your own personal energy to guide it. Casting while ill can worsen your physical health, leaving you low on vital energy. Raising energy is a crucial step within the spellcasting process, and it takes energy to raise energy. Remember, spells don’t replace work: they are work. Many practitioners feel like they’ve run a marathon after casting a spell. If you had the choice, would you run a marathon if you were sick? Probably not: in fact, most of us want to stay home from work as soon as we experience the first warning signs of a cold. Casting while ill is irresponsible, as it counters the principle of creating beneficial change. It is somewhat hypocritical to attempt to create beneficial change in your life when you’re making yourself more ill by doing so.

What about casting a spell to regain your health? This is the one and only exception to the rule about performing spells while ill. However, make sure the spell you craft or use isn’t too taxing, and choose a gentler method of raising energy.

Magickal Focals

Focals are used for amplifying, focusing and concentrating magickal energy. They should blend with the potion you are making or spell you are casting. You can use many focal blended together. You will find that focals like food, music, scented oils, candles, incense and decoration, all add more power to your magick. The following is a list of focals used in magick.

Visual Focals—-Sight. Things you look at. Examples include: photographs, symbols, drawings, paintings, statues, flowers.

Auditory Focals—-Sound. Thing you hear. Examples include: music, singing, chanting, drumming, humming, breathing, ocean, fountains, birds.

Gustatory Focals—-Taste. Things you taste. Examples include: food, beverages, and the salt on your skin.

Kinesthetic Focals—-Touch. Things you can touch. Examples include:  skin, plants, fabrics such as velvet, carved chalices, shells and crystals.

Olfactory Focals—-Smell. Things you can smell. Examples include:  scented oils, scented candles, foods and incense.

Intuitive Focals—-Psychic. Sense. Things you can sense intuitively. Examples include: ritual jewelry and talismans.

The Three Steps of Magick

Your altar provides the sacred space for doing magick to attain your goals. The three basic steps of magick are:

  1. intention and expectation

  2. desire

  3. experiencing

You can apply the three steps to all your magick making. First, you need really understand what your intentions are and what it is you expect, and most of all, that you really want it. Second, you must have a strong desire to attain your magickal goal. Third, you must merge with Oneness, with divinity, as deeply as possible, and then a little deeper still, allowing your intention, expectation, and desire to flow out of you and move out into the world. Imagine releasing thought energy so strong that it becomes real.