Calendar of the Moon for September 3

Calendar of the Moon

3 Coll/Metageitnion

Panathenaea Day 1: Athena’s Day

Colors: White and blue
Element: Air
Altar: Upon cloth of white and blue set a great statue of Athena, a spear, a pen, a spindle, a shield with a Gorgon’s head, and a brazier with charcoal that must never be allowed to go out until the Panathenaea is done.
Offerings: A new peplos for Her statue, which has been embroidered by the entire community, and is draped around Her statue after the invocation. The old peplos is given away to some other Pagan group in the community as a gift. Also wine, olives, beef, barley cakes, honeycombs.
Daily Meal: Greek food, including beef, olives, and wine.

(First, all walk in a procession around the property. Four carry the new peplos, four carry the baskets of wine and olives, four carry plates of honey and cakes, and the rest play musical instruments or carry oak or olive branches. The procession stops before the door and all call out: “Hail Athena Polias!” Then it winds inward into the sanctuary, at which point all cry out “Hail Athena Parthenos!” The offerings are placed before Athena’s altar.)

Athena Invocation:

I begin to sing of Pallas Athena,
The dread Protectress of the city,
Who with Ares looks after matters of war,
The plundering of cities, the battle-cry and the fray.
It is She who protects the people,
Wherever they might come or go.
Lady of the olive tree,
Lady of the shield and spear,
Lady of wisdom and strategy,
Cool head which advises the hot ones,
Mentor to princes and heroes,
Gracious grey-eyed daughter of Zeus,
You teach us all due thoughtfulness!
Hail, Goddess, and give us good spirits
And your blessed favor!

(The peplos is draped around her statue. The best of the food and wine is given as libation for her, and then the rest is taken to the dining room to be feasted on.)

[Pagan Book of Hours]

Calendar of the Sun for September 2

Calendar of the Sun

2 Halegmonath

Festival of the Grapevines II: Dionysos

Colors: Gold and purple
Element: Earth
Altar: Upon cloth of gold and purple lay eight purple candles, a chalice of wine, a thyrsus, a fawnskin, and many grapes and grapevines and bottles of wine.
Offerings: Do service work with alcoholics.
Daily Meal: Wine. Grape juice. Stuffed grape leaves. Goat meat. Lentils.

Invocation to Dionysos

Hail, Lord of the Vine!
Hail, Lord of the Lesser Madness
That keeps us safe from the Greater Lunacy!
IO Dionysos, Lord of the Vine,
We call upon the Womanly One,
child of Zeus and Semele.
We drink from your cup and join
The maenad train, O Lord of Masks
That teach the truth. In your cup we gain
Escape from care and ecstasy in the vine,
Your blessing under which
The sacred and profane became one
And the gods’ wedding party never ends.
Twice-born, we will give thanks,
We’ll tell our stories again and again
Of running with maenads
Of the secrets of the earth
And the heavens, and all that lies between,
Of fate, and time, and how to slip
Beyond their confines into immortality.
We’ll teach your mysteries,
Which teach other mysteries,
To all who will listen.
Hail, husband of Ariadne,
Hail, consort of the Mistress of the Labyrinth!
May we continue to be blessed with joy
And the yearly growth of all ripe fruiting.

Chant: Io Dionysos Io Dionysos

[Pagan Book of Hours]

Ivy (Sept 30 – Oct 27)

IVY LORE

  • 11th Moon of the Celtic Year – (Sept 30 – Oct 27)
  • Latin name: Osirian Ivy – hedera helix
  • Celtic name: Gort (pronounced: goert).
  • Folk or Common names: Ivy.
  • Parts Used: leaves, bark, berries. Caution: Some types of Ivy are poisonous.
  • Herbal usage: The leaves of Ivy can be used to make a douche for treating female infections. Ivy leaves can also be used externally for poultices to heal  nerves, sinews, ulcers and infections. Tender ivy twigs can be simmered in salves to heal sunburn.
  • Magical History & Associations: Ivy is the symbol of resurrection. Ivy is an herb of Jupiter and the sun, and is associated with positive ego  strength. The bird associated with this month is the mute swan, the color is blue, and the gemstone is yellow serpentine. Ivy is sacred to Osiris and Saturn.  It is also connected with the god Dionysus. When Zeus’s wife Hera, discovered that Zeus had bedded Semele, the daughter of Cadmus, King of Thebes, Hera  suggested to Semele that she should ask Zeus to unveil himself to her. When he did so, his divine flames consumed her and almost killed her unborn child,  Dionysus, but for a sudden growth of ivy. In still another story of the deities, Kissos is the name given to a nymph who dances so furiously at a Dionysian  feast that she collapses and dies of exhaustion. Dionysus, grieving her untimely death, changes her into ivy. Most Ivies have five-pointed leaves which are  sacred to the Goddess.
  • Magickal usage: The month of Ivy is a good time to do magick for rebirth and tenaciousness. Ivy has attributes of restraint of fear and dealing with  Emotions. Ivy grows in a sacred spiral, which symbolizes reincarnation, from lifetime to lifetime, and from minute to minute, day to day. Ivy travels  everywhere – it spreads happily and thrives in many places where no other greenery could survive – its determination to reach through obstacles toward light  and food is well known, and therefore Ivy symbolizes strength. Ivy has many uses in Magick done for healing, protection, cooperation, and exorcism, and is  very useful in fertility magick. Ivy is also equated with fidelity and can be used in charms to bind love, luck and fidelity to a person. A talisman made of  Ivy would be good to give a friend since it will help ensure eternal friendship. Ivy provides protection against evil when growing on or near a house but  should it fall off and die, misfortune was said to be on the way. Ivy was sometimes used in divination: an ivy leaf placed in water on New Year’ s Eve  that was still be fresh on Twelfth Night foretold that the year ahead would be favorable. Should ivy not grow upon a grave, the soul of the person buried  there is said to be restless – and should it grown abundantly on the grave of a young woman, then this meant that she died of a broken heart. Ivy is also  connected with the Winter Solstice and is often used for decorating at Yule-tide. Ivy, intertwined with Holly, is traditionally made into crowns for the  bride and groom at weddings/handfastings. Ivy was also used in ancient times for poet’s crowns, since Ivy was believed to be a source of divine  inspiration. Ivy was also used by the Greeks to make victory crowns for conquering heroes in the games held at Corinth. Holly and Ivy make excellent  decorations for altars. An early church council even attempted to ban the use of Ivy in church decorations because of its Pagan associations.

IN PRAISE OF THE GREAT MOTHER

IN PRAISE OF THE GREAT MOTHER

by H. Jeremiah Lewis

I know why they call you the Great Mother – Rhea, Cybele, Idaia or whatsoever thy name may be. You are the Mother of All Nations, the Queen whose Name is glorified everywhere and at every time.

You, Mother were the first, before you there were no gods. You brought all things into being and from your holy womb came the multitudes – stars, gods, men and all creatures that populate the world. We all share the same birth, the same flesh, the same Mother. It is to you that we return, when the measure of our days has been poured out. You are the comforter, and you welcome us back to you with wide-open arms. Mother, you are the end, and yet you promise us a new beginning as well – for in you all is made new.

Men know you by many names and  by  many  faces.  Sometimes  they  call  you “One”, sometimes “Many”. You are the fulfillment of the gods – you  are  the power by which they rule. This is why men  call  you  “Great”,  for  in  the world and among the gods you are indeed the Greatest.  Like  Zeus  you  have authority and power. Your words are commandments, and the  whole  of  nature hearkens to you. If you say  “Mountain,  be  lifted  up,”  the  earth  shall tremble and the great Parnassus shall be torn from its foundations and  hang in the air before you. If you say, “River, roll against  your  course,”  the water will leap at your word and rise like a salmon against the current.

And yet you are the one who set down Themis, who laid out  the  eternal  law by which even gods are bound to obey. With Pallas  you  are  the  keeper  of peace, and the protector of cities. You defend us from the wild  beast,  and the arrows of our enemies. You also assure that neighbors treat  each  other with civility, and that our appointed leaders govern us  according  to  your precepts.

The home is your primary concern, as it is with Hestia, and you watch  after women with a careful eye. You make sure  that  there  is  a  good  home  for children to be raised in; A clean place, with much  laughter  and  joy,  and always enough food for  their  bellies.  In  a  house  where  you  are  well honored, there is peace between  the  husband  and  wife  and  love  is  the foundation of the family.

But you watch over even the unhappy  family.  When  the  man  stumbles  home after too much time with Bacchus, you make sure that he  passes  out  before he can set into the woman, or you stop his angry hands from doing  too  much harm. Anyway, men like this usually die  early  and  leave  happy  widows  – which I think you have something to do with.

You are the Mother that Hera should be, for you do not make distinctions  in your love. All men and all gods are your children. You do not  pay  overmuch attention to our sins,  and  even  when  we  fall  short  of  our  goal  and disappoint you, your love is evident in  the  chastening  hand.  Men  should recognize that we share a common Mother and stop this endless bickering.  Do we think that it will make you love us any more?

Men and gods are not your only children. The animals share in your love,  as they share in Artemis’. You delight in the wild creatures, in the  lion  and the hound and the stag in the forest. You join them in  the  hunt,  in  wild dances through moonlit trees, and in the  tearing  of  raw  flesh.  You  are honored in the spilling of warm blood and in the glory of life continued.  I have seen you appear, goddess, in a swarm of bees and in  a  squirrel  in  a tree. You are the kitten’s warm underbelly, and the wise  old  crow  that  I share my lunch with.

That bread – I recognize as a gift from you, even as I give  it  to  you  as the crow. For you, goddess, as Demeter discovered and bestowed  to  man  the gift of grain, that we might put aside uncivilized fare, and eat  that  holy and nurturing food, bread. You have ordained that we should eat  other  food as well. Life-giving grains and fresh salads and grapes from  the  vine  and so much more. And all this bounty comes from you Mother,  for  you  are  the earth itself.

You are broad bosomed and firm of foundation, for  it  is  on  you  that  we build our homes and live out our lives. You rise  up  in  the  mighty  snowtopped  peaks, and you slope down into the gentle  valleys  rich  with  corn. The forest is one of your faces, and so  is  the  desert  valley.  A  single blossom reveals your presence in a barren field, and your hand  is  felt  in my garden. What extraordinary beauty you show to us  goddess,  it  fills  me with excitement just to think about it.

How like Aphrodite you are in this, for  love  of  the  general  can  easily shift to love of the specific. For instance, I hold in my heart  a  love  of all mankind, but when that pretty girl with the big brown eyes  comes  along it’s not her noble spirit that I am thinking about!  O  goddess,  thank  you for lust! When I am with my love, how  great  it  is  to  feel  your  warmth throughout my body, and to feel my flesh rise  under  your  gentle  coaxing. The smell of her hair, the taste of her  lips,  the  softness  of  the  skin beneath her knee, the breath she releases as I explore her body – these  all are sacraments and together we worship you, goddess, for  you  are  the  one who delights in life and all of its expression.

Though you share Poseidon’s realm, there is no animosity between you and Athena. Indeed, Mother, you are both wisdom and the inspiration of wisdom. All knowledge comes from you, especially the inspired and impassioned sort. You bring thoughtful men to greatness, and those that govern themselves according to your precepts are called “Wise”. You, Mother, are a Mystery. Only those who approach you with humbleness in their heart will gain an understanding of you, and even then, it will be a partial understanding – for you are too great to know in full. The fool approaches you boldly and proclaims that he knows all of your mysteries, but when questioned, he replies with nonsense. He knows nothing. (Although I know I’m right, I wonder if you give a special revelation to the fool. Is he more knowledgeable in your ways than I?  Would you tell me if it were so?)

Like the Muses you delight in music and in song, and you share these things with men. It was you who taught us to stretch skins across the drum, and to bring out its wonderful rhythms. You taught us to play on the pipes as well, and to chant hymns to you and your honor. This was the first music, and is still the best to my mind.

I shall come to you, Mother, whenever I am trying to craft a poem, and you will help me discover the right words and the right shape for the thing. This is how it has always been, even with this poem. It shall remain so forever.

The moon and the sun govern time, and you are revealed in both. Like the moon, you delight in torches, drums, and rituals at night. You, Mother, are many-formed like the moon, passing through one shape into another, embracing a multitude of meanings. You also govern magic, and bestow on your followers the utmost power. Your servants are only limited in what they can do by their imaginations, for you have taught them the secrets of the universe, and put into their hands the power to change their world.

Like the sun you are strong and all-powerful. You reach down and comfort us, pushing back the shadows that we might grow in the light. One may know that you are near by the attendant warmth and glow that can be found in only one other place – the sun. One of the greatest joys that I have had is to spend a day in the fields with a good book, lying out in the sun. This is another pleasure from you.

We come to you from diverse paths. War brings many, and disease. Old age is a great man-harvester, and so too the passions of youth which are frequently attended by folly and haste. You embrace all who come to you, Mother, and in your arms we find comfort and the pain that we felt in dying is gone. You wipe aside our tears, and sing to us comforting songs, for we are your children. All of the miseries that we felt in life, the pains and sorrows that continually assailed us are washed away in your embrace, and all that is left is joy. Death is not forever, and soon we are returned to the living, to struggle once more and to find joy in the moment.

In your many facets, you do not abandon those who are among the dead and those who are dying. No, you are with them ’till the end, and beyond. The soldiers laid out with their wounds too great, they call upon you, each one. “Mother,” they whisper and shout, as you walk among the line, offering what comfort you can. You stroke the cheek of this one, wiping the sweat from his brow, while the next man’s pain is too great, and all that you can do is close his eyes and help ease his way into Hades’ land.

You were with these brave young men when they were in  the  field,  and  you helped steady their spear and shield and urged them on  against  the  enemy. You made them noble, Mother, you filled their hearts with bravery  and  gave them strength to do what they must in this terrible situation. And if  their bravery began to wane, you were close at  hand,  riding  with  them  in  the chariot, marching with them through the mud.

To offer one’s life for the defense of another is the noblest thing  that  a man can do, and all who do so receive honors from you as well as from  Ares, for you, Mother, are the Queen of Hosts, and the defender of  the  innocent. You share with Hades the world below, and to you come all the multitudes  to be reborn. For the grave is your womb, and in its shadowed depths  men  find rebirth.

Another deep place that you rule is the sea. All waters belong to you, and their flow is governed by your hand. The mysteries of the ocean are your mysteries, and you know all that is hidden within them. You protect the ships on the surface, and many are your companions below the waves. The dolphin and octopus are most sacred to you, but you delight in all the creatures of the sea. It is fitting that this is one of your elements, for water sustains life. Without water nothing in the world could live. It is the same with you, Mother. No man could draw breath but for you.

This, then, is why they call you the Great Mother – for in all the world there is not another who possesses so much power and beauty, and unifies so many within herself. Blessed is the Mother, and blessed all who call upon her!

Calendar of the Moon for July 20

Calendar of the Moon

12 Tinne/Hekatombaion

Kronia

Color: Golden
Element: Earth
Altar: The Kronia celebrates the Golden Age when Kronos and Rhea ruled, when there was no order, so nothing is done ordinarily this day. The altar is laid with whatever cloths those present may bring, and set with whatever things they may think appropriate to the celebration of a mythical utopian anarchy.
Offerings: Do nothing in its order today. Invite in those not of the House and let them order the activities. The newest novice should replace the House Elder for the afternoon. Order is restored by Hesperis.
Daily Meal: Let those not of the house bring potluck. No one cooks today, and all fend for themselves.

Kronia Invocation
(With random shouting throughout)

Long ago, before there was Law,
Kronos inherited the throne
(Hail Kronos!)
From his mother, Gaea, who recognizes only
(Hail Gaea!)
The laws of nature, and his father Uranus,
(Hail Uranus!)
Who was capricious as the wind and the sky.
For hundreds of years he ruled their way,
Until he realized the value of Rules
(Hail Eunomia!)
And became their strongest servant.
When his son Zeus overthrew him,
(Hail Zeus!)
And with his thrice-blessed wife Hera
(Hail Hera!)
Ascended the throne, he kept the Rules.
Yet today we remember that time,
Like unto the childhood of the world,
Where there were no rules,
(Hail Chaos!)
Nor were any needed. Go now,
And spend one day without them,
That you may appreciate them the more in the end.
(All exit in a rush, snatching things from the altar, and have a drumming and dancing circle.)

[Pagan Book of Hours]

Calendar of the Moon for July 12

Calendar of the Moon

12 Duir/Skirophorion

Skirophoria

Colors: Grey and brown
Element: Earth
Altar: Divide the altar in half, with one grey cloth and one brown cloth. On the grey side place a ship and a fish for Poseidon, and for Athena a stack of books selected for their wisdom, the figure of a small city, and a glass cup of wine. On the brown side lay a sickle, a hoe, a basket full of poppies, many small bowls of grain, a cup of ale, and the figure of a small peasant’s hut. On the line between them, place the figure of a golden sun. Before it should be a bowl containing Pentaploa, a mixture of wine, honey, cheese, grains, and olive oil.
Offerings: If you are rural, visit the city. If you are urban or suburban, visit a farm. Do so in the spirit of discovery and appreciation. Also, the day’s exercise at Gymnastika should be running a race, and the runners should carry grapevines in their arms, in honor of the boughs brought to the temple of Athena by ancient runners. Deposit the grapevines before Athena’s shrine.
Daily Meal: Eat food on your trip, wherever you go.

Skirophoria Invocation

(To be given by five people, one each representing Athena, Poseidon, Demeter, Persephone, and Helios. They should wear white, blue, green, red, and gold respectively. They should come together under a white canopy.)

Athena: On this day, long ago, so tradition says, the first harvest was cut of the first grain that mankind ever sowed. Ever since then, the people have been fed from the land. Those of us whose hearts are in the city do come before you today to honor the givers of our nourishment.
Poseidon: From the metropolises of the coasts to the great gathering places of plateau and mountain we come on this day. For we could not live without you to support us. We feed from you, and give you little in return, save trinkets and trouble.
Demeter: We thank you for your honor, and we promise in turn that our abundance shall never cease, so long as you continue your respect. Our lands must remain clean and unfettered by disease and pollution. So long as you grant us that, and safety, and fair commerce, there will always be an equal exchange.
Persephone: We thank you for your honor, but you are wrong in that you give us nothing. You are the keepers of thought and culture. When darkness rushes across the land, as it sometimes must, it is in your domain that such things are kept. You are the memory of our people, as we in our eternal round of seasons cannot always be.
Helios: I have come before you to hear your oaths. Will you serve and protect each other?
All: We shall be as two hands on one body.
Helios: So it is witnessed by the overarching Sun. So shall it be written, so shall it be done.
All Present: So it is witnessed by the overarching Sun. So shall it be written, so shall it be done.

(The Pentaploa is passed and shared, and the ale and wine are poured as a libation.)

[Pagan Book of Hours]

The Ancient Druids

The Ancient Druids

In about 750 CE the word druid appears in a poem by Blathmac, who wrote about Jesus saying that he was “…better than a prophet, more knowledgeable than every druid, a king who was a bishop and a complete sage.” The druids then also appear in some of the medieval tales from Christianized Ireland like the Táin Bó Cúailnge, where they are largely portrayed as sorcerers who opposed the coming of Christianity. In the wake of the Celtic revival during the 18th and 19th centuries, fraternal and Neopagan groups were founded based upon the ideas about the ancient druids, a movement which is known as Neo-Druidism.

According to historian Ronald Hutton, “we can know virtually nothing of certainty about the ancient Druids, so that—although they certainly existed—they function more or less as legendary figures.” However, the sources provided about them by ancient and medieval writers, coupled with archaeological evidence, can give us an idea of what they might have performed as a part of their religious duties.

Druid History

One of the few things that both the Greco-Roman and the vernacular Irish sources agree on about the druids was that they played an important part in pagan Celtic society. In his description, Julius Caesar claimed that they were one of the two most important social groups in the region (alongside the equities, or nobles), and were responsible for organizing worship and sacrifices, divination, and judicial procedure in Gaulish, British and Irish society. He also claimed that they were exempt from military service and from the payment of taxes, and that they had the power to excommunicate people from religious festivals, making them social outcasts. Two other classical writers, Diodorus Siculus and Strabo also wrote about the role of druids in Gallic society, claiming that the druids were held in such respect that if they intervened between two armies they could stop the battle.

Pomponius Mela is the first author who says that the druids’ instruction was secret, and was carried on in caves and forests. Druidic lore consisted of a large number of verses learned by heart, and Caesar remarked that it could take up to twenty years to complete the course of study. There is no historic evidence during the period when Druidism was flourishing to suggest that Druids were other than male. What was taught to Druid novices anywhere is conjecture: of the druids’ oral literature, not one certifiably ancient verse is known to have survived, even in translation. All instruction was communicated orally, but for ordinary purposes, Caesar reports, the Gauls had a written language in which they used Greek characters. In this he probably draws on earlier writers; by the time of Caesar, Gaulish inscriptions had moved from the Greek script to the Latin script.

The Druid’s Religious Practices & Philosophy

Greek and Roman writers frequently made reference to the druids as practitioners of human sacrifice, a trait they themselves reviled, believing it to be barbaric. Such reports of druidic human sacrifice are found in the works of Lucan, Julius Caesar, Suetonius and Cicero.Caesar claimed that the sacrifice was primarily of criminals, but at times innocents would also be used, and that they would be burned alive in a large wooden effigy, now often known as a wicker man. A differing account came from the 10th-century Commenta Bernensia, which claimed that sacrifices to the deities Teutates, Esus and Taranis were by drowning,mhanging and burning, respectively.

Diodorus Siculus asserts that a sacrifice acceptable to the Celtic gods had to be attended by a druid, for they were the intermediaries between the people and the divinities. He remarked upon the importance of prophets in druidic ritual:

“These men predict the future by observing the flight and calls of birds and by the sacrifice of holy animals: all orders of society are in their power… and in very important matters they prepare a human victim, plunging a dagger into his chest; by observing the way his limbs convulse as he falls and the gushing of his blood, they are able to read the future.”

There is archaeological evidence from western Europe that has been widely used to back up the idea that human sacrifice was performed by the Iron Age Celts. Mass graves found in a ritual context dating from this period have been unearthed in Gaul, at both Gournay-sur-Aronde and Ribemont-sur-Ancre in what was the region of the Belgae chiefdom. The excavator of these sites, Jean-Louis Brunaux, interpreted them as areas of human sacrifice in devotion to a war god, although this view was criticised by another archaeologist, Martin Brown, who believed that the corpses might be those of honoured warriors buried in the sanctuary rather than sacrifices.Some historians have questioned whether the Greco-Roman writers were accurate in their claims. J. Rives remarked that it was “ambiguous” whether the druids ever performed such sacrifices, for the Romans and Greeks were known to project what they saw as barbarian traits onto foreign peoples including not only druids but Jews and Christians as well, thereby confirming their own “cultural superiority” in their own minds. Taking a similar opinion, Ronald Hutton summarised the evidence by stating that “the Greek and Roman sources for Druidry are not, as we have received them, of sufficiently good quality to make a clear and final decision on whether human sacrifice was indeed a part of their belief system.” Peter Berresford Ellis, a Celtic nationalist who authored The Druids (1994), believed them to be the equivalents of the Indian Brahmin caste, and considered accusations of human sacrifice to remain unproven,whilst an expert in medieval Welsh and Irish literature, Nora Chadwick, who believed them to be great philosophers, fervently purported the idea that they had not been involved in human sacrifice, and that such accusations were imperialist Roman propaganda.

Druids And The Irish Culture

During the Middle Ages, after Ireland and Wales were Christianized, druids appeared in a number of written sources, mainly tales and stories such as the Táin Bó Cúailnge, but also in the hagiographies of various saints. These were all written by Christian monks, who, according to Ronald Hutton, “may not merely have been hostile to the earlier paganism but actually ignorant of it” and so would not have been particularly reliable, but at the same time may provide clues as to the practices of druids in Ireland, and to a lesser extent, Wales.

The Irish passages referring to druids in such vernacular sources were “more numerous than those on the classical texts” of the Greeks and Romans, and paint a somewhat different picture of them. The druids in Irish literature—for whom words such as drui, draoi, drua and drai are used—are sorcerers with supernatural powers, who are respected in society, particularly for their ability to perform divination. They can cast spells and turn people into animals or stones, or curse peoples’ crops to be blighted. At the same time, the term druid is sometimes used to refer to any figure who uses magic, for instance in the Fenian Cycle, both giants and warriors are referred to as druids when they cast a spell, even though they are not usually referred to as such; as Ronald Hutton noted, in medieval Irish literature, “the category of Druid [is] very porous.”

When druids are portrayed in early Irish sagas and saints’ lives set in the pre-Christian past of the island, they are usually accorded high social status. The evidence of the law-texts, which were first written down in the 7th and 8th centuries, suggests that with the coming of Christianity the role of the druid in Irish society was rapidly reduced to that of a sorcerer who could be consulted to cast spells or practice healing magic and that his standing declined accordingly. According to the early legal tract Bretha Crólige, the sick-maintenance due to a druid, satirist and brigand (díberg) is no more than that due to a bóaire (an ordinary freeman). Another law-text, Uraicecht Becc (‘Small primer’), gives the druid a place among the dóer-nemed or professional classes which depend for their status on a patron, along with wrights, blacksmiths and entertainers, as opposed to the fili, who alone enjoyed free nemed-status.

Whilst druids featured prominently in many medieval Irish sources, they were far rarer in their Welsh counterparts. Unlike the Irish texts, the Welsh term commonly seen as referring to the druids, dryw, was used to refer purely to prophets and not to sorcerers or pagan priests. Historian Ronald Hutton noted that there were two explanations for the use of the term in Wales: the first was that it was a survival from the pre-Christian era, when dryw had been ancient priests, whilst the second was that the Welsh had borrowed the term from the Irish, as had the English (who used the terms dry and drycraeft to refer to magicians and magic respectively, most probably influenced by the Irish terms.)

As the historian Jane Webster stated, “individual druids… are unlikely to be identified archaeologically”, a view which was echoed by Ronald Hutton, who declared that “not one single artifact or image has been unearthed that can undoubtedly be connected with the ancient Druids.” A.P. Fitzpatrick, in examining what he believed to be astral symbolism on Late Iron Age swords has expressed difficulties in relating any material culture, even the Coligny calendar, with druidic culture. Nonetheless, some archaeologists have attempted to link certain discoveries with written accounts of the druids, for instance the archaeologist Anne Ross linked what she believed to be evidence of human sacrifice in Celtic pagan society—such as the Lindow Man bog body—to the Greco-Roman accounts of human sacrifice being officiated over by the druids.

An excavated burial in Deal, Kent discovered the “Deal warrior” a man buried around 200-150 BCE with a sword and shield, and wearing a unique crown, too thin to be a helmet. The crown is bronze with a broad band around the head and a thin strip crossing the top of the head. It was worn without any padding beneath, as traces of hair were left on the metal. The form of the crown is similar to that seen in images of Romano-British priests several centuries later, leading to speculation among archaeologists that the man might have been a druid.

The Demise And Revival Of The Druids

During the Gallic Wars of 58 to 51 BCE, the Roman army, led by Julius Caesar, conquered the many tribal chiefdoms of Gaul, and annexed it as a part of the Roman Empire. According to accounts produced in the following centuries, the new rulers of Roman Gaul subsequently introduced measures to wipe out the druids from that country. According to Pliny the Elder, writing in the 70s CE, it was the emperor Tiberius (who ruled from 14 to 37 CE), who introduced laws banning not only druidism, but also other native soothsayers and healers, a move which Pliny applauded, believing that it would end human sacrifice in Gaul A somewhat different account of Roman legal attacks on druidism was made by Suetonius, writing in the 2nd century CE, when he claimed that Rome’s first emperor, Augustus (who had ruled from 27 BCE till 14 CE), had decreed that no-one could be both a druid and a Roman citizen, and that this was followed by a law passed by the later Emperor Claudius (who had ruled from 41 to 54 CE) which “thoroughly suppressed” the druids by banning their religious practices.

The best evidence of a druidic tradition in the British Isles is the independent cognate of the Celtic *druwid- in Insular Celtic: The Old Irish druídecht survives in the meaning of “magic”, and the Welsh dryw in the meaning of “seer”.

While the druids as a priestly caste were extinct with the Christianization of Wales, complete by the 7th century at the latest, the offices of bard and of “seer” (Welsh: dryw) persisted in medieval Wales into the 13th century.

Phillip Freeman, a classics professor, discusses a later reference to Dryades, which he translates as Druidesses, writing that “The fourth century A.D. collection of imperial biographies known as the Historia Augusta contains three short passages involving Gaulish women called “Dryades” (“Druidesses”).” He points out that “In all of these, the women may not be direct heirs of the Druids who were supposedly extinguished by the Romans — but in any case they do show that the druidic function of prophesy continued among the natives in Roman Gaul.” However, the Historia Augusta is frequently interpreted by scholars as a largely satirical work, and such details might have been introduced in a humorous fashion. Additionally, Druidesses are mentioned in later Irish mythology, including the legend of Fionn mac Cumhaill, who, according to the 12th century The Boyhood Deeds of Fionn, is raised by the druidess Bodhmall and a wise-woman.

The story of Vortigern, as reported by Nennius, provides one of the very few glimpses of possible druidic survival in Britain after the Roman conquest: unfortunately, Nennius is noted for mixing fact and legend in such a way that it is now impossible to know the truth behind his text. He wrote that after being excommunicated by Germanus, the British leader Vortigern invited twelve druids to assist him.

In the lives of saints and martyrs, the druids are represented as magicians and diviners. In Adamnan’s vita of Columba, two of them act as tutors to the daughters of Lóegaire mac Néill, the High King of Ireland, at the coming of Saint Patrick. They are represented as endeavouring to prevent the progress of Patrick and Saint Columba by raising clouds and mist. Before the battle of Culdremne (561) a druid made an airbe drtiad (fence of protection?) round one of the armies, but what is precisely meant by the phrase is unclear. The Irish druids seem to have had a peculiar tonsure. The word druí is always used to render the Latin magus, and in one passage St Columba speaks of Christ as his druid. Similarly, a life of St Bueno’s states that when he died he had a vision of ‘all the saints and druids’.

Sulpicius Severus’ Vita of Martin of Tours relates how Martin encountered a peasant funeral, carrying the body in a winding sheet, which Martin mistook for some druidic rites of sacrifice, “because it was the custom of the Gallic rustics in their wretched folly to carry about through the fields the images of demons veiled with a white covering.” So Martin halted the procession by raising his pectoral cross: “Upon this, the miserable creatures might have been seen at first to become stiff like rocks. Next, as they endeavored, with every possible effort, to move forward, but were not able to take a step farther, they began to whirl themselves about in the most ridiculous fashion, until, not able any longer to sustain the weight, they set down the dead body.” Then discovering his error, Martin raised his hand again to let them proceed: “Thus,” the hagiographer points out, “he both compelled them to stand when he pleased, and permitted them to depart when he thought good.”

From the 18th century, England and Wales experienced a revival of interest in the druids. John Aubrey (1626–1697) had been the first modern writer to connect Stonehenge and other megalithic monuments with the druids; since Aubrey’s views were confined to his notebooks, the first wide audience for this idea were readers of William Stukeley (1687–1765). It is incorrectly believed that John Toland (1670–1722) founded the Ancient Druid Order however the research of historian Ronald Hutton has revealed that the ADO was founded by George Watson MacGregor Reid in 1909. The order never used (and still does not use) the title “Archdruid” for any member, but falsely credited William Blake as having been its “Chosen Chief” from 1799 to 1827, without corroboration in Blake’s numerous writings or among modern Blake scholars. Blake’s bardic mysticism derives instead from the pseudo-Ossianic epics of Macpherson; his friend Frederick Tatham’s depiction of Blake’s imagination, “clothing itself in the dark stole of mural sanctity”— in the precincts of Westminster Abbey— “it dwelt amid the Druid terrors”, is generic rather than specifically neo-Druidic. John Toland was fascinated by Aubrey’s Stonehenge theories, and wrote his own book about the monument without crediting Aubrey. The roles of bards in 10th century Wales had been established by Hywel Dda and it was during the 18th century that the idea arose that Druids had been their predecessors.

The 19th-century idea, gained from uncritical reading of the Gallic Wars, that under cultural-military pressure from Rome the druids formed the core of 1st-century BCE resistance among the Gauls, was examined and dismissed before World War II, though it remains current in folk history.

Druids began to figure widely in popular culture with the first advent of Romanticism. Chateaubriand’s novel Les Martyrs (1809) narrated the doomed love of a druid priestess and a Roman soldier; though Chateaubriand’s theme was the triumph of Christianity over Pagan druids, the setting was to continue to bear fruit. Opera provides a barometer of well-informed popular European culture in the early 19th century: in 1817 Giovanni Pacini brought druids to the stage in Trieste with an opera to a libretto by Felice Romani about a druid priestess, La Sacerdotessa d’Irminsul (“The Priestess of Irminsul”). The most famous druidic opera, Vincenzo Bellini’s Norma was a fiasco at La Scala, when it premiered the day after Christmas, 1831; but in 1833 it was a hit in London. For its libretto, Felice Romani reused some of the pseudo-druidical background of La Sacerdotessa to provide colour to a standard theatrical conflict of love and duty. The story was similar to that of Medea, as it had recently been recast for a popular Parisian play by Alexandre Soumet: the diva of Norma’s hit aria, “Casta Diva”, is the moon goddess, being worshipped in the “grove of the Irmin statue”.

A central figure in 19th century Romanticist Neo-Druidism is the Welshman Edward Williams, better known as Iolo Morganwg. His writings, published posthumously as The Iolo Manuscripts (1849) and Barddas (1862), are not considered credible by contemporary scholars. Williams claimed to have collected ancient knowledge in a “Gorsedd of Bards of the Isles of Britain” he had organized. Many scholars deem part or all of Williams’s work to be fabrication, and purportedly many of the documents are of his own fabrication, but a large portion of the work has indeed been collected from meso-pagan sources dating from as far back as 600 CE.Regardless, it has become impossible to separate the original source material from the fabricated work, and while bits and pieces of the Barddas still turn up in some “Neo-druidic” works, the documents are considered irrelevant by most serious scholars.

T.D. Kendrick’s dispelled (1927) the pseudo-historical aura that had accrued to druids, asserting that “a prodigious amount of rubbish has been written about druidism”; Neo-druidism has nevertheless continued to shape public perceptions of the historical druids. The British Museum is blunt:

Modern Druids have no direct connection to the Druids of the Iron Age. Many of our popular ideas about the Druids are based on the misunderstandings and misconceptions of scholars 200 years ago. These ideas have been superseded by later study and discoveries.

Some strands of contemporary Neodruidism are a continuation of the 18th-century revival and thus are built largely around writings produced in the 18th century and after by second-hand sources and theorists. Some are monotheistic. Others, such as the largest Druid group in the world, The Order of Bards, Ovates and Druids draw on a wide range of sources for their teachings. Members of such Neo-druid groups may be Neopagan, occultist, Reconstructionist, Christian or non-specifically spiritual.

Calendar of the Sun for Sunday, July 1

Calendar of the Sun

1 Haymonath

Day of the Mother of Volcanoes

Color: Red
Element: Fire
Altar: Upon a red cloth set the figure of a mountain, with incense coming out the peak, a piece of obsidian, and a bowl of cayenne tea.
Offerings: Sip the cayenne tea as a sacrifice. Deal openly with your anger. This is a propitious day to bring up difficult subjects that may spark argument, as long as the issues are actually resolved, and purifications done afterwards.
Daily Meal: Spicy food.

Invocation to the Mother of Volcanoes

Goddess of fire and earth
Goddess of sharp black rock
Goddess whose source is far under the earth
Goddess whom we dare not approach too closely
Goddess whose joyous dance
Broke an island from the sea,
Pele of the ocean islands,
Fuji of the high mountain,
Help me find the best place in my life
Where my rage may spring forth
And build more earth on which I may stand,
And someday grow green and fertile in memory
Of that moment of blazing truth.

Song: Rise with the Fires of Freedom

(All should pass the cayenne tea around and take a sip, and offer their discomfort to the Mother of Volcanoes. None may drink or eat anything else until they have left the room. The rest of the tea is poured out as a libation.)

[Pagan Book of Hours]

Calendar of the Moon for June 22

22 Duir/Skirophorion

Day of Thunder

Color: Grey and black
Element: Air
Altar: Upon cloth of black patterned with grey clouds and yellow lightning place nine yellow candles, a chalice of rainwater, and if possible, a Tesla coil or other static lightning lamp.
Offerings: Go out into the rain during the next storm, and stand unprotected in it.
Daily Meal: Cold food. Only rainwater to drink.

Day of Thunder Invocation

(Call and response, repeating:)

Dark powers of Air, we honor you!
Lords of the storm cloud, we honor you!
Dancers of the lightning bolt, we honor you!
Roar of the summer skies, we call you!
Zeus of the eagle’s eye,
Shango, leaper in the fire,
Oya, Lady of the Wild Winds,
Thor, Lord of the Hammer,
We acknowledge your power
And we give you our respect!
But rather than merely fear you
We ask for your protection,
For the Thunder can be your friend
If you know how to ask!
So we ask this, Gods of Thunder,
Summer storm that rolls across the land,
Protect us from your fury!
Protect us from your wrath!
Protect us from your destruction!
Protect us from your floods!
Protect us from your wrenching winds!
Protect us from the heat of your lightning!
Protect us from your eroding rain!
Protect us from your pelting hail!
Have mercy on us, Gods of Thunder!

(During the last nine lines, one candle is extinguished on each line. As the room falls into darkness, the snuffer of candles flings the rainwater into the libation well. All cry out, “Protect us!” and flee the room.)

[Pagan Book of Hours]

Solstice Day, Chasing the Clouds Away!

by Andy

Litha is the time of the sun. While  the sun was ascending at Beltaine, it  is in its full glory now. In the northern  latitudes, which we share with the  Northern European peasants who created many of our traditions, it doesn’t  even get dark until 10 o’clock. All  around the world, sun gods and goddesses from different mythologies  have Their special rites on this, the  longest day. They come in Their various guises, fighting the dark and bringing fertile, healing light. Today is the  day of Their greatest victories.

In ancient Greece, Helios was the  God of the Sun. Every day, He rode  across the sky in a chariot pulled by  four wild, flaming steeds. Every day  the horses fought Helios, but every day  He was their master. Helios had a son  named Phaëthon. He was a mortal and  with pride did he watch his father ride  across the sky. Phaëthon loved his  father and wanted to know more  about him and be like him. In short, he  wanted to drive the chariot for a day.

Phaëthon begged his father to  grant him his fondest wish. Helios, loving his son, agreed. Then the son revealed that his wish was to drive the  chariot, and Helios had to grant it.  Phaëthon put on the crown of golden  rays, mounted the chariot, and off he  went. Across the heavens he rode,  lighting the sky. The horses began their  daily struggle, but Phaëthon could not  master them. The horses rode wild.  They towed the chariot at the zodiac  animals who became enraged and  drove the it from the sky. When  Phaëthon neared the earth, it dried and  cracked. Lakes boiled away. Then he  rode up high again and the earth froze.

Zeus saw all this and knew He had  to step in. To prevent Phaëthon from  destroying the earth, He hurled his  great thunderbolts, slaying Phaëthon  and destroying the chariot. Helios’ grief  was terrible, and he vowed that no one  but He would ever drive His chariot  again.

The gods are at the height of their  power and majesty at Litha and now  is the time to meet them up close, but  not too close. It is dangerous to for  mortals to meet and interact with the  divine. As Phaëthon wanted to know  the Sun God, so do we go to the God  or Goddess. Let us hope that we don’t  get burned.

Calendar of the Moon for June 15

15 Huath/Thargelion

Hermes’s Day

Color: Light blue
Element: Air
Altar: Upon a light blue cloth place a winged hat, a pair of winged sandals, an image of the caduceus, a cup of sparkling alcohol, and incense of lemongrass and mint.
Offerings: Use your intellect for something. Learn something new.
Daily Meal: Light, cold, raw food.

Invocation to Hermes

Sing, O Muse, of the son of Zeus and Maia,
Lord of Arcadia and Cyllene rich in flocks,
Messenger of gods and bringer of luck,
Borne by Maia of the beautiful hair
Who brought forth to the light a remarkable child,
Devious, winning in his cleverness,
A robber, a driver of cattle,
A guide of dreams, a wind of opportunity,
A spy in the night, a watcher at the door,
Born at dawn, inventing the lyre by midday,
Stealing by evening the flocks of far-shooting Apollo.
Thrice-magical Trismegistus, watcher of magicians
And bearer of the serpents who heal,
Father of Aesclepius the great physician
And Hermaphroditos, both woman and man,
Embracer of both woman and man,
Lover of the Bearded Aphrodite,
Lord of Speed in all its forms,
We feel your passing like a breath of wind!
Bring us skill and luck, O God of the Stone Herm,
And may all our roads be marked first with your winged feet.

Chant:
I am word
I am wind
I am breath
I am spinning
On the edge
Of the blade

(The sparkling alcohol is poured out as a libation for Hermes. All breathe deeply and depart.)

[Pagan Book of Hours]

Deity of the Day for June 14 – Apollo

Greek all-rounder. The son of ZEUS and LETO, he has his Godly fingers in every pie.

Sun God. Music God. Archery God. Poetry God. Painting God. Prophecy God. Plagues and Healing God. Animal Welfare God. God of Radiance. God of Ploughing. And much much more!

Send for free brochure with no obligation. See him conduct the Holy Choir of MUSES, tickets available at the box office. Book now for Apollo Space Mission.

 
Also, he has undiminished Beauty and Virility. You name it, he has it. Thoroughly sickening to us mere mortals.

 
But he is not entirely the Mr Nice Guy he would have us believe. There are women he pursued who won’t talk due to transformation or worse. Daphne is now a laurel tree and Clytia is a sunflower.

 
Sudden deaths are not uncommon when he is around — and don’t try to compete with him musically. It’s all very well to be played alive but not flayed alive like poor old Marsyas. Or to be given the ears of an ass like poor old King Midas. CASSANDRA never got another chance either, nor was he very pleasant to the SIBYL-OF-CUMAE, granting her immortality but leaving out the age clause.

 

His son ASCLEPIUS was the result of another unfortunate lapse. Having had an affair with the mortal daughter of a king, APOLLO was consumed with jealousy when he discovered she had another suitor, and, out of control, he killed her. In a fit of remorse he was just in time to rescue her unborn child and have him brought up with the best education to be ASCLEPIUS, the Deity Doctor.

He met his match in ZEUS, and a tussle for power earned him a period in exile; but as ZEUS had zapped his son ASCLEPIUS, zapping the Cyclope thunderbolt makers seems justifiable. It can be very tough at the top and all in all APOLLO handles it very well what with ZEUS being his dad, having ARTEMIS for a twin sister, etc.

Calendar of the Moon for June 8th

8 Huath/Thargelion

Thargelia Day II: Festival of the First Fruits

Color: Green

Element: Earth

Altar: Upon a green cloth lay five stones of different colors, an urn of white wine, and a basket of the first produce of the year.

Offerings: The first fruits from the garden, some of which should be shared with outsiders.

Daily Meal: Vegan. Barley. Figs. Dates.

Demeter’s Thargelia Invocation

The road to which our feet are set
Is in a harvest way,
For to the fair-robed Demeter
Our comrades bring today
The first fruits of their harvesting
She on the threshing place
Great store of barley grain outpoured
For guardian of Her Grace.
O great earth-bound Demeter
Whose daughter is the spring,
Whose hands bring forth the golden grain,
These gifts to you we bring:
Our hands, our hearts, our bellies
Once empty and now filled,
The greening of the garden,
The flour of the mill,
We thank you for our sustenance
The bounty of field and hill,
Your touch upon the barren land
Will make it more fertile still.

Chant:
Demeter Demeter Mother of the Grain
Fruit of the Harvest come with the rain

(The produce is brought forward to the altar and laid in baskets, one at a time, kneeling. Afterwards it is shared with others brought in from outside, for generosity begets abundance. The wine is poured out as a libation for Demeter.)

[Pagan Book of Hours]

Calendar of the Moon for Friday, June 1

1 Duir/Skirophorion

Day of the Oak Tree

Color: Black
Element: Earth
Altar: Upon a black cloth set a vase of oak branches, a single black candle, a pot of soil, seeds of some tree or strong plant, a bowl of water, and a bell.
Offerings: Plant seeds. Stoke fires.
Daily Meal: Vegan

Invocation to the Green Man of the Oak Tree

Hail, Green Man of the Summer!
Great Oak Tree of grandeur,
Tree of the gods of kings,
Royal emblem of Zeus,
Lightning’s tree, struck from above,
Exploder of wrath, dying in flames,
Green shaft of the colossal Dagda,
Mighty-thewed as jovial Thor,
Fuel of the midsummer fires,
Stout guardian of the door,
Throne of two-faced Janus,
Your roots extend as far beneath
As your branches spread above,
Living avatar of the cosmic reflection.
Oak king, you who give your life
Every year at the midsummer,
Teach us when to stand strong
And when to gracefully yield.
We hail you, sacred Oak King,
Green Man of the Summer,
On this your day of greatest triumph.

Song: Oak and Ash and Thorn

(Each comes forward and plants a seed in the pot of soil, saying, “Hail Green Man of the Earth!” Water is poured onto the pot, and then the rest is poured out as a libation. Ring bell and dismiss.)

[Pagan Book of Hours]

Calendar of the Sun for Thursday, May 24th

24 Thrimilchimonath

Day of the Horae

Colors: Black, dark blue, and white
Element: Air
Altar: Divide the altar into three parts. The first part is covered with cloth of black, upon which is set a white candle and a scroll or book of the Principles. The second part is covered with a dark blue cloth, upon which is set a silver candle, a scale, and a blade. The third part is covered with a white cloth, upon which is set a green candle and a leafy wreath.
Offerings: Read the Principles and meditate on them.
Daily Meal: Vegan and simple.

Invocation to the Horae

Call: Hail Eunomia, Keeper of Rules!
Response: Hail Eunomia, She Who Draws Boundaries!
Call: For without boundaries, we trespass on each other.
Response: For without rules, we cannot find a path in the wilderness.
Call: Hail, Maiden who keeps the Laws of the Universe!
Response: Hail, Hora of the Upraised Hand!
Call: May your chains bring discipline to our lives!
Response: May your chains set our spirits free!
Call: Hail Dike, Giver of Justice!
Response: Hail Dike, She Who Returns All That Is Given!
Call: For without justice, all things fall into tyranny.
Response: For without return and recourse, the cycle is broken.
Call: Hail, Maiden of who balances all things in her scale!
Response: Hail, Hora of the Even Hand!
Call: May your keen blade cut fine and true through all wrongs!
Response: May your keen blade slice away our prejudices!
Call: Hail Irene, Keeper of the Peace!
Response: Hail Irene, She Who Brings Harmony!
Call: For without harmony, there is no progress.
Response: For without peace, we burn to nothingness.
Call: Hail, Maiden who walks unafraid toward the enemy!
Response: Hail, Hora of the Open Hand!
Call: May your flowering branch blossom into the fruits of serenity!
Response: May your holy name bring unity to the world!

Chant:
Narrow the Rule and just our hand,
We keep the peace and together we stand.

(Read the Principles aloud, and leave in silence.)

[Pagan Book of Hours]

The Wicca Book of Days for May 22nd – Castor and Pollux

The Wicca Book of Days for May 22nd

Castor and Pollux

The twins immortalized by the sign of Gemini are Castor and Pollux, as the ancient Romans knew them, while the Greeks called them Kastor and Polydeukes and referred to them as the Dioskouroi, “Sons of God.” The children of Leda, Castor was the mortal son of King Tyndarcus of Sparta, while Pollux was the immortal son of Jupiter (Zeus). On Castor’s death in battle, Zeus agreed to allow the bereft Pollux to share his immortality with his twin so that together they now spend half their time in the Olympian heaven and half in the Hadean underworld.

Yin and Yang

In life, Castor and Pollux were similar characters, but many mythological twins are polar opposites, like two sides of a coin. The concept of such duality is embodied in the iconic Taoist t’ai chi, or yin-ying, symbol. Meditate or reflect on this today.

Calendar of the Moon for May 16th

Calendar of the Moon
16 Saille/Mounukhion

Mounukhia: Artemis Moon Goddess

Colors: White and silver
Element: Water
Altar: Upon a cloth of white set with silver crescent moons, set five white candles, cypress incense, and a wide bowl of water surrounded by pine boughs, symbolizing a forest pool. In the bottom of it place a silver moon, and hang a silver moon above it. Lay also a platter of Amphiphontes, round white cakes with a candle lit in each one.
Offerings: The Amphiphontes, which are given to visitors of those in need as a gift.
Daily Meal: Goat meat. Extra Amphiphontes. White food.

Invocation to Artemis Moon Goddess

Lady of silver moonlight
Over the trees of the forest,
Lady of the forest pools
That sustain the hidden life of the darkness,
Lady who knows the hidden paths
And who sees the things that are not seen,
Light in the darkness, shining one of the silver bow.
On this day of double light,
When both the Sun and Moon can be seen at once,
On this day when you and your brother
Trade light between you,
On this day when all light
In the world is present to see,
We ask you, Lady of the forest pools,
Where the wild things slake their thirst,
To show us our own secret pools of wisdom
Where we, too, may send our wildest parts
To drink in safety from all that would harm them,
And let us accept those parts of us,
And find comfort in their continued freedom.

Chant: Full Moon Shining, Artemis, Artemis

(Each shall go forward to the altar and take into their hands one of the cakes, and say, “Artemis, Dear Mistress, to Thee I carry, Lady, this Amphiphon, and what shall serve to feed others in your name. I shall never forget your shining light.” Then all leave with the Amphiphons in their hands, and take them to the dining area, where invited guests are waiting, and give them unto the guests, saying, “I feed you in the name of Artemis, who knows the hidden ways. Remember this day and do likewise someday yourself.”)

[Pagan Book of Hours]

Fertility Deities of Beltane

Fertility Deities of Beltane

By Patti Wigington

Beltane is a time of great fertility — for the earth itself, for animals, and of course for people as well. This season has been celebrated by cultures going back thousands of years, in a variety of ways, but nearly all shared the fertility aspect. Typically, this is a Sabbat to celebrate gods of the hunt or of the forest, and goddesses of passion and motherhood, as well as agricultural deities. Here are a list of gods and goddesses that can be honored as part of your tradition’s Beltane rituals.

  • Artemis (Greek): The moon goddess Artemis was associated with the hunt, and was seen as a goddess of forests and hillsides. This pastoral connection made her a part of spring celebrations in later periods.
  • Bes (Egyptian): Worshipped in later dynasties, Bes was a household protection god, and watched over mothers and young children. He and his wife, Beset, were paired up in rituals to cure problems with infertility.
  • Bacchus (Roman): Considered the equivalent of Greek god Dionysus, Bacchus was the party god — grapes, wine, and general debauchery were his domain. In March each year, Roman women could attend secret ceremonies called the bacchanalia, and he is associated with sexual free-for-alls and fertility.
  • Flora (Roman): This goddess of spring and flowers had her own festival, Floralia, which was celebrated every year between April 28 to May 3. Romans dressed in bright robes and floral wreaths, and attended theater performances and outdoor shows. Offerings of milk and honey were made to the goddess.
  • Hera (Greek): This goddess of marriage was the equivalent of the Roman Juno, and took it upon herself to bestow good tidings to new brides. A maiden about to marry could make offerings to Hera, in the hopes that she would bless the marriage with fertility. In her earliest forms, she appears to have been a nature goddess, who presides over wildlife and nurses the young animals which she holds in her arms.
  • Kokopelli (Hopi): This flute-playing, dancing spring god carries unborn children upon his own back, and then passes them out to fertile women. In the Hopi culture, he is part of rites that relate to marriage and childbearing, as well as the reproductive abilities of animals. Often portrayed with rams and stags, symbolic of his fertility, Kokopelli occasionally is seen with his consort, Kokopelmana.
  • Pan (Greek): This agricultural god watched over shepherds and their flocks. He was a rustic sort of god, spending lots of time roaming the woods and pastures, hunting and playing music on his flute. Pan is typically portrayed as having the hindquarters and horns of a goat, similar to a faun. Because of his connection to fields and the forest, he is often honored as a spring fertility god.
  • Priapus (Greek): This fairly minor rural god has one giant claim to fame — his permanently erect and enormous phallus. The son of Aphrodite by Dionysus (or possibly Zeus, depending on the source), Priapus was mostly worshipped in homes rather than in an organized cult. Despite his constant lust, most stories portray him as sexually frustrated, or even impotent. However, in agricultural areas he was still regarded as a god of fertility, and at one point he was considered a protective god, who threatened sexual violence against anyone — male or female — who transgressed the boundaries he guarded.
  • Shiela-na-Gig (Celtic): Although the Sheela-na-Gig is technically the name applied to the carvings of women with exaggerated vulvas that have been found in Ireland and England, there’s a theory that the carvings are representative of a lost pre-Christian goddess. Typically, the Sheela-na-Gig adorns buildings in areas of Ireland that were part of the Anglo-Norman conquests in the 12th century. She is shown as a homely woman with a giant yoni, which is spread wide to accept the seed of the male. Folkloric evidence indicates that the figures are theory that the figures were part of a fertility rite, similar to “birthing stones”, which were used to bring on conception.
  • Xochiquetzal (Aztec): This fertility goddess was associated with spring, and represented not only flowers but the fruits of life and abundance. She was also the patron goddess of prostitutes and craftsmen

Goddesses Of Seasons

Goddesses Of Seasons
A Column By Heathwitch, WMS, Order of the White Moon
.
Lady of the Beasts
Sing of your magic
Greenwood Nymph
Dance in the green-glens
Virgin Huntress
Revel in the moonlight
Artemis, Artemis, Artemis!
Be joyful! Be blissful! Be playful! It is Beltane — that time of year when we celebrate new life, fertility and the earth’s ripe abundance in all its forms. It is the beginnings-time, when the divine union of the Goddess with Her Consort fertilizes ourselves and our lives. We celebrate this festival of fertility and fire by decorating our altars with greens and reds, fresh flowers and bright candles, and we honour Virgin-Mother Goddesses such as Artemis.

The Goddess of wild places and wild things, the Greek Artemis is a Lady of the Moon most commonly perceived as the Virgin Huntress. She roams the forests and mountains with Her band of nymphs and hunting dogs, in a chariot pulled by silver stags. A beloved deity to the Amazons, Artemis knows of the secret places in Nature where one can rest and regain lost strength.

However, these roles are not Her sole purpose: Artemis is also known as the patroness of nurturing, fertility and birth. Though Her priestesses did not consort with men, they and their Lady aided women in childbirth and defended women who were harassed or threatened by men.

Artemis’ colours are silver, white, green and red, and Her symbols are the sickle, bridle, the crescent (waxing) moon and hanks of wool. She has a fondness for dogs, horses and stags, and is beneficial when dealing with animals or the elemental kingdoms. Mother of the Mysteries, Artemis holds sacred the amaranth flower, which blooms purple and crimson. In the tarot, She can be found in The Star and The Moon.

You can invite Artemis into your life by mixing an oil for Her (add 20 drops jasmine oil and 4 drops verbena oil to 20ml of base oil) and including it in a ritual or meditation dedicated to Artemis. Alternatively you could make an incense blend to honour this Goddess – try the following recipe:

1 part ox-eye daisy flowers
1 part hazel wood
1 part beech bark
1 part willow wood
¼ part wormwood
½ part almond blossoms
¼ part cypress needles
¼ part fir needles
Few drops lemon balm (melissa) oil

You can also work with Artemis in ritual; She can be invoked to aid in all animal or elemental matters, any magick or sorcery, travel, healing and medicines, psychic ability, fertility (particularly female fertility), exercise and dance. She is also particularly useful in protecting and defending women against men. To honour Artemis you can use the following rite:

On the night of the Full Moon, set up an altar outside. On the altar have three candles, white, red and black. Behind the candles place a statue of a woman, with a quiver of arrows, and a dog at her feet. If you can’t get that, a statue of a woman, and separate statues of dogs will suffice. Wolves have long been a symbol of the Moon, and dogs are domesticated wolves. Pick some beautiful flowers, especially white ones, and place them at her feet.

Cast your circle in your usual manner. Be seated at your altar and go into meditation. Then repeat the following invocation:

Lovely Goddess of the bow!
Lovely Goddess of the arrows!
Of all hounds and of all hunting!
Thou who wakest in starry heaven,
when the sun is sunk in slumber.
Thou with moon upon thy forehead,
who the chase by night
preferrest unto hunting in the daylight,
with thy nymphs unto the music of the horn –
thyself the huntress, and most powerful:
I pray thee Think,
although but for an instant,
Upon us who pray unto thee!

Then light the candles, and meditate on the Full Moon. You may light some incense such as jasmine, sandalwood or mugwort or wormwood. Place nine white stones or shells at her feet, forming a crescent Moon, with the points towards the statues feet. Now is the time to ask for a request if needed.

Thank Artemis for Her presence and say goodbye. Blow out the candles and take up your circle.

Have a blessed Beltane!

Sources:
Conway, D. J. The Ancient and Shining Ones. Llewellyn: Minnesota (1993).

Franklin, Anna. Magical Incenses and Oils. Capall Bann: Berkshire (2000).

Grimassi, Raven. Italian Witchcraft: The Old Religion of Southern Europe. Llewellyn: Minnesota (2000).

Marashinsky, Amy Sophia. The Goddess Oracle: A Way to Wholeness through the Goddess and Ritual. Element: Boston (1997).
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About The Author: Heathwitch is a Witch, teacher and author. She runs courses and workshops on energy work, healing, Witchcraft and magic. High Priestess of the Circle of the Moon coven, Heathwitch lives in Cheshire, England. web: http://www.heathwitch.com – email: heathwitch@… See the books I’ve set free at: http://bookcrossing.com/referral/heathwitch

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Calendar of the Sun for April 19th

Calendar of the Sun
19 Eostremonath

Cerealia: Persephone’s Return

Color: Green
Element: Earth
Altar: Upon a green cloth set as many spring flowers as possible, a bowl of earth saved from the day of Persephone’s descent, and the figure of a girl’s head emerging from the earth.
Offering: Flowers. Begin something new.
Daily Meal: Dark, coarse bread. Root vegetables. Poppy seeds. Millet. Nuts and seeds.

Invocation to Persephone’s Return

Let the Earth take joy!
Demeter’s heart is warmed,
For her beloved daughter,
The maiden of Spring,
Has returned to the upper world!
Let all upon the Earth take joy!
Flowers spring from her footsteps,
Grass spreads between her toes,
The promise of the summer wind
Falls like butterflies newly loosed
From her hair the color of poppies and clay.
Let us all take joy!
She who descended in the autumn,
She who is married to Death
And yet arises in the bringing of Life,
She who has passed the bodies
Of a thousand corpses,
She who has sung with the shades
Of a thousand ancestors,
She rises to greet the morning sun
For as long as it is her time.
Then, like all things, she will descend again,
Into the depths of the Earth,
And we, we shall learn to love that cycle
Of rising and falling, of birth and death,
And truly call it a blessing.
Chant:
Kore Kore Kore Proserpina
(Let one chosen for the work of the daily ritual carry the bowl of earth from person to person about the hall, and let each one take a bit of the earth and rub it on their faces, and let it remain until the evening ablutions.)

[Pagan Book of Hours]