Calendar of the Moon for December 5th

Calendar of the Moon

5 Ruis/Poseideion

Plerosia: Honoring Zeus

Color: Purple
Element: Air
Altar: Upon a purple cloth set two torches, a sword, a chalice of Greek wine, a mash of barley, and the figure of an eagle.
Offerings: Barley. Wine. Gold coins.
Daily Meal: Poultry. Barley. Flatbread.

Plerosia Invocation

Most glorious of the Immortals,
Zeus that governest all things with law.
Hail! For lawful it is that all mortals should address Thee.
For we are Thy offspring, taking the image only of Thy voice,
As many mortal things as live and move upon the earth.
Therefore we shall sing Thy might forever.
Such a minister hast Thou in Thine invincible hands;
The two-edged blazing, imperishable thunderbolt.
For under its stroke all Nature shuddereth,
And by it thou guidest aright the Universal Reason,
That roams through all things,
Mingling itself with the greater and the lesser lights.
Thou knowest even to find a place for the small things,
And to order that which is disorderly,
And things forgotten of men are dear to Thee.
O Zeus, Dweller in the darkness of cloud,
Lord of thunder, save men from their unhappy folly,
So that being honored, they may pay Thee honor,
Singing Thy works continually.
Since there can be no greater glory for men of Gods than this,
Duly to praise forever the Universal Law.
Call: O Great Zeus, Lord of Olympos, we call you!
Response: O Great Zeus, Lord of Olympos, hear us!
Call: We hear your thunderbolt, and we are in awe!
Response: We hear your call, and we rise to our feet!
Call: Oi Theoi, genoisthe apotropoi kakon!
May the Gods turn away all evils!
Response: Oi Theoi, genoisthe apotropoi kakon!
May the Gods turn away all evils!

Chant: Lightning strikes, Thunder falls, Open me to the wind and the Fire…

[Pagan Book of Hours]

“The Mother’s Prayer”

Winter Comments & Graphics
“The Mother’s Prayer”

“Our Mother, whose body is the Earth,
Sacred is thy being.
Thy garden grow.
Thy will be done in our cities, as it is in nature.
Thanks be this day for food, and air, and water.
Forgive us our sins against Earth, as we are learning to forgive one
And surrender us not unto extinction, but deliver us from our folly.
For thine is the beauty, and the power, and all life, from birth to
death, from beginning to end, forever.
So be it,
Blessed be.”

1989 by Henry Horton

The Morrigan, Phantom Queen

The Morrigan

The Phantom Queen

The Morrígan (“phantom queen”) or Mórrígan (“great queen”), also written as Morrígu or in the plural as Morrígna, and spelt Morríghan or Mór-ríoghain in Modern Irish, is a figure from Irish mythology who appears to have been considered a goddess, although she is not explicitly referred to as such in the texts.

The Morrígan is a goddess of battle, strife, and sovereignty. She sometimes appears in the form of a crow, flying above the warriors, and in the Ulster cycle she also takes the form of an eel, a wolf and a cow. She is generally considered a war deity comparable with the Germanic Valkyries, although her association with a cow may also suggest a role connected with wealth and the land.

She is often depicted as a trio of goddesses, all sisters, although membership of the triad varies; the most common combinations are Badb, Macha and Nemain, or Badb, Macha and Anand; Anand is also given as an alternate name for Morrigu.

There is some disagreement over the meaning of the Morrígan’s name. Mor may derive from an Indo-European root connoting terror or monstrousness, cognate with the Old English maere (which survives in the modern English word “nightmare”) and the Scandinavian mara and the Old Russian “mara” (“nightmare”); while rígan translates as ‘queen’. This can be reconstructed in Proto-Celtic as *Moro-rīganī-s. Accordingly, Morrígan is often translated as “Phantom Queen”. This is the derivation generally favoured in current scholarship.

In the Middle Irish period the name is often spelled Mórrígan with a lengthening diacritic over the ‘o’, seemingly intended to mean “Great Queen” (Old Irish mór, ‘great’; this would derive from a hypothetical Proto-Celtic *Māra Rīganī-s). Whitley Stokes believed this latter spelling was a due to a false etymology popular at the time. There have also been attempts by modern writers to link the Morrígan with the Welsh literary figure Morgan le Fay from Arthurian romance, in whose name ‘mor’ may derive from a Welsh word for ‘sea’, but the names are derived from different cultures and branches of the Celtic linguistic tree.

Invocation of Morrigan

Morrigan Morrigan Three times Three,

Hear the words I ask of Thee.

Grant me vision, Grant me power,

Cheer me in my darkest hour.

As the night overtakes the day,

Morrigan Morrigan Light my way.

Morrigan Morrigan Raven Queen

Round and round the Hawthorn Green.

Queen of beauty, Queen of Art,

Yours my body, Yours my heart.

All my trust I place in thee,

Morrigan Morrigan Be with me…

Morrigan As The Triple Goddesss

The Morrígan is often considered a triple goddess, but this triple nature is ambiguous and inconsistent. Sometimes she appears as one of three sisters, the daughters of Ernmas: Morrígan, Badb and Macha. Sometimes the trinity consists of Badb, Macha and Anann, collectively known as the Morrígna. Occasionally Nemain or Fea appear in the various combinations. However, the Morrígan can also appear alone, and her name is sometimes used interchangeably with Badb.

The Morrígan is usually interpreted as a “war goddess”; W. M. Hennessey’s “The Ancient Irish Goddess of War”, written in 1870, was influential in establishing this interpretation. Her role often involves premonitions of a particular warrior’s violent death, suggesting a link with the Banshee of later folklore. This connection is further noted by Patricia Lysaght: “In certain areas of Ireland this supernatural being is, in addition to the name banshee, also called the badhb“. Her role was to not only be a symbol of imminent death, but to also influence the outcome of war. Most often she did this by appearing as a crow flying overhead and would either inspire fear or courage in the hearts of the warriors. There are also a few rare accounts where she would join in the battle itself as a warrior and show her favoritism in a more direct manner.

It has also been suggested that she was closely tied to Irish männerbund groups (described as “bands of youthful warrior-hunters, living on the borders of civilized society and indulging in lawless activities for a time before inheriting property and taking their places as members of settled, landed communities”) and that these groups may have been in some way dedicated to her. If true, her worship may have resembled that of Perchta groups in Germanic areas.

However, Máire Herbert has argued that “war per se is not a primary aspect of the role of the goddess”, and that her association with cattle suggests her role was connected to the earth, fertility and sovereignty; she suggests that her association with war is a result of a confusion between her and the Badb, who she argues was originally a separate figure. She can be interpreted as providing political or military aid, or protection to the king—acting as a goddess of sovereignty, not necessarily a war goddess.

There is a burnt mound site in County Tipperary known as Fulacht na Mór Ríoghna (‘cooking pit of the Mórrígan’). The fulachtaí sites are found in wild areas, and usually associated with outsiders such as the Fianna and the above-mentioned männerbund groups, as well as with the hunting of deer. The cooking connection also suggests to some a connection with the three mythical hags who cook the meal of dogflesh that brings the hero Cúchulainn to his doom. The Dá Chich na Morrigna (‘two breasts of the Mórrígan’), a pair of hills in County Meath, suggest to some a role as a tutelary goddess, comparable to Anu, who has her own hills, Dá Chích Anann (‘the breasts of Anu’) in County Kerry. Other goddesses known to have similar hills are Áine and Grian of County Limerick who, in addition to a tutelary function, also have solar attributes.

Morrigan Poem

by Anne-Christine Johnson 

 When the crows shriek thier frightening warnings,       

When autumn ends, and Winter falls,  

You will see a Lady a wondering,

weeping through the saddened fields.       

She is turning the Silver Wheel of the seasons.

When the crows heed their endless calling,  

Look to the Moon to see a Lady, dancing in the blackened clouds,

And when at night you see her coming, fall in wonder of what  

beauty she possesses, and shed your tears.  

The Great Queen is walking her footsteps once again.    

Morrighan, Morrighan, you’ll call her by name.

When the old earth opens from beneath your feet,   

crows will catch you before you fall and place you in

Her cauldron,  where rebirth waits and death awakens,   

your prophecy you will find. What you see is Her,

walking the shadows and howling to the Universe,  

forewarning Her arrival.

Black hair falling to Her feet, fill the ocean and become the waves,

Her legs become the forest; Her breasts become the mountains.     

Her womb becomes your ancient home.


by Danielle Dee
The Morrigan is a goddess of battle, strife, and fertility. Her name translates as either “Great Queen” or “Phantom Queen,” and both epithets are entirely appropriate for her. The Morrigan appears as both a single goddess and a trio of goddesses. The other deities who form the trio are Badb (“Crow”), and either Macha (also connotes “Crow”) or Nemain (“Frenzy”). The Morrigan frequently appears in the ornithological guise of a hooded crow. She is one of the Tuatha Dé Danann (“Tribe of the goddess Danu”) and she helped defeat the Firbolg at the First Battle of Mag Tuireadh and the Fomorians at the Second Battle of Mag Tuireadh.


The origins of the Morrigan seem to reach directly back to the megalithic cult of the Mothers. The Mothers (Matrones, Idises, Disir, etc.) usually appeared as triple goddesses and their cult was expressed through both battle ecstasy and regenerative ecstasy. It’s also interesting to note that later Celtic goddesses of sovereignty, such as the trio of Eriu, Banba, and Fotla, also appear as a trio of female deities who use magic in warfare. “Influence in the sphere of warfare, but by means of magic and incantation rather than through physical strength, is common to these beings.” (Ross 205)

Eriu, a goddess connected to the land in a fashion reminiscent of the Mothers, could appear as a beautiful woman or as a crow, as could the Morrigan. The Disir appeared in similar guises. In addition to being battle goddesses, they are significantly associated with fate as well as birth in many cases, along with appearing before a death or to escort the deceased.

There is certainly evidence that the concept of a raven goddess of battle was not limited to the Irish Celts. An inscription found in France which reads Cathubodva, ‘Battle Raven’, shows that a similar concept was at work among the Gaulish Celts.

Valkyries in Norse cosmology. Both use magic to cast fetters on warriors and choose who will die.

During the Second Battle, the Morrigan “said she would go and destroy Indech son of De Domnann and ‘deprive him of the blood of his heart and the kidneys of his valor’, and she gave two handfuls of that blood to the hosts. When Indech later appeared in the battle, he was already doomed.” (Rees 36)

Compare this to the Washer at the Ford, another guise of the Morrigan. The Washer is usually to be found washing the clothes of men about to die in battle. In effect, she is choosing who will die.

An early German spell found in Merseburg mentions the Indisi, who decided the fortunes of war and the fates of warriors. The Scandinavian “Song of the Spear”, quoted in “Njals Saga”, gives a detailed description of Valkyries as women weaving on a grisly loom, with severed heads for weights, arrows for shuttles, and entrails for the warp. As they worked, they exulted at the loss of life that would take place. “All is sinister now to see, a cloud of blood moves over the sky, the air is red with the blood of men, and the battle women chant their song.” (Davidson 94)

An Old English poem, “Exodus”, refers to ravens as choosers of the slain. In all these sources, ravens, choosing of the slain, casting fetters, and female beings are linked.

“As the Norse and English sources show them to us, the walkurjas are figures of awe an even terror, who delight in the deaths of men. As battlefield scavengers, they are very close to the ravens, who are described as waelceasega, “picking over the dead”…” (Our Troth)

“The function of the goddess [the Morrigan] here, it may be noted, is not to attack the hero [Cu Chulainn] with weapons but to render him helpless at a crucial point in the battle, like the valkyries who cast ‘fetters’ upon warriors … thus both in Irish and Scandinavian literature we have a conception of female beings associated with battle, both fierce and erotic.” (Davidson 97, 100)

The Morrigan and Cu Chulainn She appeared to the hero Cu Chulainn(son of the god Lugh) and offered her love to him. When he failed to recognize her and rejected her, she told him that she would hinder him when he was in battle. When Cu Chulainn was eventually killed, she settled on his shoulder in the form of a crow. Cu’s misfortune was that he never recognized the feminine power of sovereignty that she offered to him.

She appeared to him on at least four occasions and each time he failed to recognize her.

  1. When she appeared to him and declared her love for him.
  2. After he had wounded her, she appeared to him as an old hag and he offered his blessings to her, which caused her to be healed.
  3. On his way to his final battle, he saw the Washer at the Ford, who declared that she was washing the clothes and arms of Cu Chulainn, who would soon be dead.
  4. When he was forced by three hags (the Morrigan in her triple aspect) to break a taboo of eating dogflesh.

Encyclopedia Mythica

The Morrigu

 by J. Laskey 

She haunts you in your dreams

When you wake you can’t even scream

You hear the wind in the midnight sky

Upon which the Morrigu shall fly

She is justice and everything right

Look out for more than dreams tonight…

Between both worlds the crow awaits

This perfect twist of fate Life or death, living or dead

You can’t escape the places you’ve tread

Mark my words, make no mistake

It’s only everything she will take…

Morrigan’s Image Representation

“The Mare-Queen” is often shown as a black raven or hooded crow, who feeds on the killed warriors after battle. She appears also as a caillech, one-eyed old woman. As a shape shifter, she would often appear as a raven or red cow. But sometimes when she is hot and looking for love she is also an attractive young lady.

Morrigan’s Role

The origins of the Morrígan seem to reach directly back to the megalithic cult of the Mothers. The Mothers (Matrones, Idises, Dísir, etc.) usually appeared as triple goddesses and their cult was expressed through both battle ecstasy and regenerative ecstasy.

The Morrigu is prophetess of all misfortune in battle and has knowledge of the fate of humanity. She is also the messenger of death as the dark lady/washer at the ford : Morrigan is seen washing bloody laundry prior to battle by those destined to die.

Her personality is associated with the sometimes frightening aspects of female energy.

As a protectress she empowers an individual to confront challenges with great personal strength, even against seemingly overwhelming odds. Roman chroniclers reported that Celts went into battle naked, exposing tattoos to summon their magical forces.

Morrigan’s Signs & Symbols

Sacred animal: Cow and Mare, Raven and Crow

Ford of a river

The Colors RED and BLACK.

Weapons like spears,swords and shields.



Additional Information on Morrigan

Attributes: archetypal Goddess of war, death and passionate love.

Representation: as a black raven or crow, who feeds on the killed warriors after battle.

Relations: Wife or Lover of Dagda, Daughter of

Offerings: Blood sacrifice

“Shrine of the Forgotten Goddesses”

Happy Hump Day, dear friends!

I am celebrating myself being back to normal. So I am going to start today with a Re-Affirmation of Oath To Witchcraft.


Items You Will Need: A pitcher of wine or other (fruity) beverage on the Altar to refill (charge) the cup after the ritual.

1.  Raise open arms:

Lady and Lord, I call out to Thee! I hold Thee in honor and know that I am one with all the things of the Earth and Sky. My kin are the trees and the herbs of the fields; the animals and stones through the seas and the hills. The fresh waters and deserts are built out of Thee, and I am of Thee and Ye are of me.

2.  Lower arms:

I call upon Thee to grant my desire. Let me rejoice in my oneness with all things and let me love the life that emanates from my Lady and my Lord into all things. I know and accept the creed; and understand that if I do not have that spark of love within me, I will never find it outside myself, for Love is the Law and Love is the Bond! And this do I honor when I give honor to the Lady and the Lord.

3.  Kiss open right palm and then hold high:

My Lady and my Lord, know to me as (Names), I stand before Thee Both and initiate myself to Thy honor. I will defend and protect Thy spark within me and see Thy protection and defense of me. Ye are my life and I am of Thee. I accept and will ever abide by my family Rules of Conduct, and by the Witch’s Rede, that an’ it harms none, I may do as I will. So Mote It Be.

4.  Take up the goblet of wine and slowly pour the remainder of wine into the cauldron:

As this wine drains from the cup, so shall the blood drain from my body should I ever turn away from the Lady and the Lord or harm those in kinship with Their love, for to do so would to break trust, to cast aside the love of the Goddess and the God, and to break my own heart. Yet through Their continued love I know They would heal my heart and spirit that I might again journey through the cauldron of rebirth to embrace the love They freely give. So Mote It Be!

5.  Dip forefinger into the anointing oil and draw the sigil of the Solar Cross over the Third Eye, then draw the sigil of the Pentagram over the heart; and then draw the Sacred Triangle representing the Triple aspects of both Deities touching solar plexus (navel), right breast, left breast, navel.

6.  Refill the cup from the pitcher of beverage.

Proceed to Sabbat Conclusion and Cakes & Wine of the Circle Casting

“Grimoire for the Green Witch”
A Complete Book of Shadows
Ann Moura

Making Contact with the Lord and Lady

Making Contact with the Lord and Lady

(Pre Self Initiation Exercise)


By Karnayna Lilly



An Official Document of


The Green Man Craft Tradition


Copyright© 1999


I. Physical Preparations

In a convenient place, preferably in the North, set up a small altar. Cover the altar with a cloth of your choosing. Upon this altar have at each rear corner a candle. Use white at this time. Between these place a censer or incense burner. For this purpose a stick burner will work very well. Use incense that gives you a sense of power and connection with the Greenwood.


Images of the God and Goddess are a bonus however they are not mandatory. Framed images in this case work quite well. If you do not have images I will e mail you some to print. If you use them always remember that the Left side is for The Goddess and the Right, the God.


You will need a small bowl of water and one of salt.


Also a glass of wine or other suitable beverage. Any fruit juice works well however a good wine of your choice is best.


Finally you will need anointing oil. For this use Patchouli.


Your matter of dress is your choice. It is best to work in loose comfortable clothing and as you know Gardnerians work skyclad. At this point I want to make clear that my instruction will not make you an official Gardnerian because there is a strict rule that self initiation is an apostasy. You will however eventually self initiate yourself in the Green Man Craft Tradition.


II. The Ritual

Each evening approach your altar and sit before it. Use a chair if you must. Light the candles and incense and say:


“I welcome you Great Lord and Lady and invite you to attend my ceremony”


Now, to the best of your ability imagine that you are surrounded by a sphere of white light. Not just a circle. When this is accomplished take the salt and lift it as in offering and say:


“Lord and Lady (Your Choice of God Names will come later) I, a seeker of Thy mysteries do pray Thee, bless and purify this salt that it may be used for the good of all. So mote it be.”


Replace the salt and repeat the above with the water. Now place three pinches of the salt in the water. Hold up the mixture and say:


Lord and Lady Bless this union of earth and water that by Thy power all that is unclean will be cast away.”

Sprinkle the mixture in a CLOCKWISE direction three times. Replace the mixture and say:


“Blessed Be”


Take the incense and say”


“Lord and Lady Bless this union of fire and air that by Thy power all that is unclean will be cast away.”


Cense the incense in a CLOCKWISE direction three times. Replace the mixture and say:


“Blessed Be”


Now return to your place in front of the altar. Meditate for a moment on why you feel that you are being called to the Lord and Lady. Take your time. You will find that each night you will learn something different. When you feel ready begin the invocation:


“I invoke thee and call upon thee, O Mighty Mother of us all, bringer of all fruitfulness, by seed and root, by stem and bud, by leaf and flower and fruit do I invoke thee to bless me and admit me into the company of Thy hidden children, So Mote it Be!”


Make a pentagram before the altar with the words:


“Of the mother darksome and divine,
mine the scourge and mine the kiss;
here I charge you in this sign,
the five point star of love and bliss.”


Anoint yourself with the oil (forehead, solar plexus and above genital area)


Now invoke the Horned Lord:


Great Horned Lord, return to earth again!
Come at my call and show thyself to men.
Shepherd of Goats, upon the wild hill’s way,
Lead thy lost flock from darkness into day.
Forgotten are the ways of sleep and night –
Men seek for them whose eyes have lost the light.
Open the door, the door which hath no key,
The door of dreams, whereby men come to thee.
O Mighty Stag, O answer to me!”





III. The Proclamation


“Gentle goddess powerful god: I am your child, now and always. Your breath is my life. Your voice Great Mother and yours Great Father speak within me, as they do in all creatures, if we but only listen. Therefore here in your presence and before the Mighty Ones do I open my self to your blessing.”


Lift up the cup of wine and say:


Bless this wine with your essence Great Lady, Great Lord that by partaking of it I may also take part of you. Make a toasting gesture and drink. After consuming the wine lift up the cup and say:


“Flax Flags Fodder and Frig” (this is an old blessing )


Sit for a while in silent contemplation. Listen. You will hear the Gods within you. Speak with them and tell them why you wish to follow them. Afterwards put out the candles and thank the Lord and Lady for hearing you. Then Say So Mote it Be.



NOTE* Listen to your inner thoughts, feelings and dreams at all times while using this simple rite. The Lord and Lady will speak in many ways.


Do not underestimate the importance of this rite. It will prepare you for all further work.





Karnayna Lilly


Green Man Wicca

The Book Of Hours: Prayers to the Goddess



Your hair becomes a tangle of
green vines and wheat and sweet blossoms
of undefined fruit.
Your arms embrace the sky as
Terra is eternally begotten anew,
ever-emerging from Your boundless womb.
In rapture You call forth life
and without You all would be barren.
I call upon You with many-sided names;
You answer with your rainbow-colored smile.


Your garden grows (or sleeps) What do you see in the growing? What do you see as potential?

Daily Affirmation

In the Name of the All-Mother: I will complete a project today.

Closing Prayer

Terra Mater, Mother of all life. I give

Thee thanks for Thy blessings–

the fruit of the vanes;the fruit of my spirit;

life’s abundance.


Blessed Be



The Book Of Hours: Prayers to the Goddess

By Galen Gillotte

Lady A’s Spell of the Day for July 26th: Summer Ritual for a Sunny Will

Summer Ritual for a Sunny Will

Adapted from Witch in the Kitchen, by Cait Johnson (Inner Traditions, 2001).Good will is certainly a concept to ponder. How many of us can truly say we have it?

Now, as warm colors and blazing vitality evoke the power of the will, we can align ourselves with our deepest, best selves with this simple, ancient ritual. After all, summer invites us to think of ways we can harness our immense fiery will in order to give something unique and meaningful to the world, knowing that when we do the things we most love to do we nourish ourselves and others, for the good of all.

This just takes a sunny day and a little birdseed. And it is such a joyful way to celebrate the sun and our own capacity for a truly good will:

Go to a place where wild birds are known to congregate (if you’re a city-dweller, pigeons will do just fine). Stand facing the sun. Close your eyes and imagine that the golden sunlight is streaming into your solar plexus, your will center. Now visualize that you are beaming that golden light back to the sun as you say:

I will to will Thy will.

Now, carefully sprinkle the birdseed around yourself in as perfect a circle as you can, and say:

May my will grow lighter, to feed the world. Now it is done.

Step outside the circle and find a place to sit quietly and observe. Watch as the birds discover and feed themselves with your gift. As each bird takes flight after its meal, visualize your will center growing more light and generous and warm.

The Book Of Hours: Prayers to the Goddess

Your chalice is full–
lucid, inviolate.
Your ancient eyes reflect eternity’s
blue roses and
mirror the mysteries
hidden within my heart–
like a song unremembered;
a breath of thought.
Head high You dance the circle;
dance and reawaken longing.
Satisfied, complete yet untouched,
Your smile proclaims the dawn.
Smell the freshness of the morning. Now close your eyes and let it take you where it will.
Daily Affirmations
In the Name of the Maiden: I will remember harm none by thought, word, or deed.
Closing Prayer
Thanks to Thee Bright Maiden for Thy care,
for Thy green laughter and fire-edged dew and
for Thy blessing, a most precious jewel.
Blessed Be