Tag: Brighid

As Imbolc Approaches

Imbolc/Candlemas Comments
As Imbolc Approaches

a guide to the Sabbat’s symbolism

by Arwynn MacFeylynnd

Date: February 1 or 2.

Alternative names: Imbolg, Candlemas, Oimelc, Brighid’s Day, Lupercus, the Feast of Lights, Groundhog’s Day

Primary meanings: The name “Imbolc” derives from the word “oimelc,” meaning sheep’s milk. It is considered a time of purification, preparation and celebration for new life stirring, anticipating spring. The holiday is also known as Candlemas; the custom of blessing candles at this time signifies awakening of life and honors the Celtic goddess Brighid, to whom fire is sacred. This Sabbat also celebrates banishing winter.

Symbols: Candle wheels, grain dollies and Sun wheels, a besom (witch’s broom), a sprig of evergreen, a bowl of snow and small Goddess statues representing her in the maiden aspect.

Colors: White, yellow, pink, light blue, light green; also, red and brown.

Gemstones: Amethyst, aquamarine, turquoise, garnet and onyx.

Herbs: Angelica, basil, bay, benzoin, clover, dill, evergreens, heather, myrrh, rosemary, willows and all yellow flowers.

Gods and goddesses: Brighid, the Celtic goddess of healing, poetry and smithcraft; all virgin and maiden goddesses; all fire and flame gods, connected with the newborn Sun.

Customs and myths: In Irish legends of the Tuatha De Danaan, Brighid is the name of three daughters of Dagda who over time were combined into one goddess. She was venerated in Scotland, Wales, on the Isle of Man and in the Hebrides. When celebrating Candlemas or Imbolc, spellwork for fertility, inspiration and protection are appropriate, defining and focusing on spiritual and physical desires for the future. Imbolc is a good time to get your life in order — physically, mentally, spiritually and emotionally. Make plans, organize, clean out drawers and closets to bring in the new and clearing out the old. Make and bless candles; light one in each room in honor of the Sun’s rebirth. Carry out rites of self-purification. Burn mistletoe, holly and ivy decorations from Yule to signify the end of harsh weather and old ways.

Setting Up Your Imbolc Altar

Setting Up Your Imbolc Altar

By , About.com

It’s Imbolc, and that’s the Sabbat where many Wiccans and Pagans choose to honor the Celtic goddess Brighid, in her many aspects. However, other than having a giant statue of Brighid on your altar, there are a number of ways you can set up for the season. Depending on how much space you have, you can try some or even all of these ideas — obviously, someone using a bookshelf as an altar will have less flexibility than someone using a table, but use what calls to you most.

Colors

Traditionally, the colors of red and white are associated with Brighid. The white is the color of the blanket of snow, and the red symbolizes the rising sun. In some traditions, the red is connected with the blood of life. Brighid is also tied to the color green, both for the green mantle she wears and for the life growing beneath the earth. Decorate your altar with a white cloth, and drape a swath of red across it. Add green candles in candleholders.

The Beginnings of New Life

Altar decor should reflect the theme of the Sabbat. Because Imbolc is a harbinger of spring, any plants that symbolize the new growth are appropriate. Add potted bulbs — don’t worry if they’re blooming yet — and spring flowers such as forsythia, crocus, daffodils, and snowdrops. If you don’t have much luck planting bulbs, think about making a Brighid’s crown as a centerpiece — it combines flowers and candles together.

Celtic Designs

Brighid is, after all, a goddess of the Celtic peoples, so it’s always appropriate to add some sort of Celtic design to your altar. Consider adding a Brighid’s cross6 or any other item incoporating Celtic knotwork. If you happen to have a Celtic cross, don’t worry about the fact that it’s also a Christian symbol — if it feels right on your altar, go ahead and add it.

Other Symbols of Brighid

  • Cauldrons or chalices — she’s often connected to sacred wells and springs
  • A small anvil or hammer — Brighid is the goddess of smithcraft
  • A Brighid corn doll and Priapic wand
  • Sacred animals such as cows, sheep or swans
  • A goddess statue
  • A book of poetry, or a poem you’ve written — Brighid is the patroness of poets
  • Faeries — in some traditions, Brighid is the sister of the Fae
  • Healing herbs — she’s often connected to healing rites
  • Lots of candles, or a cauldron with a small fire in it
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Giving Thanks to Brighid – Meal Blessing

Giving Thanks to Brighid – Meal Blessing

By , About.com

 
 
Giving Thanks to Brighid – Meal Blessing
 
This is the season of Brighid,
She who protects our hearth and home.
We honor her and thank her, for keeping us warm as we eat this meal.
Great Lady, bless us and this food,
and protect us in your name.

 

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Imbolc: Traditional Celebrations for a Modern Time

Imbolc: Traditional Celebrations for a Modern Time

Author:   Morgan 

This holiday is called many names including Imbolc, Oímealg, Lá Fhéile Bríde, Laa’l Breeshey, and Gwyl Mair Dechrau’r Gwanwyn and was originally celebrated when the ewes first began to lactate. Some older sources mention Imbolc being celebrated on February 13th, although now the date is fixed on February 2nd. This holiday is a celebration of the loosening of winters hold on the land and the first signs of spring’s immanent arrival. Three main types of ceremonies could be undertaken – purification with water, blessing with fire, and consecration of talismans or charms. In addition, the main ritual theme centered on inviting the goddess Brighid into the home, either in effigy or in the form of a person acting the part.

The fire represents the growing light of the sun. Candles are lit to celebrate the increased daylight, and often candles were blessed for use in the year to come; this connection to candles offers another alternate name for the holiday, Candlemas. In my personal practice I light special “sun” candles, and bless my candleholders for the year to come.

Ritual washing was done to cleanse and prepare the people for the agricultural work of the coming seasons. Water was blessed and then used to ceremonially wash the head, hands, and feet. Each year when I do this, I dip my fingers in the blessed water and run them over the body parts in question, asking that I be cleansed of winter’s cold and filled with summer’s warmth to work towards a new season. Then I pour the remaining water out onto the earth thanking Brighid for her blessing.

The main charms and talismans of Imbolc are related to Brighid. First there is the Brighid’s cross, a woven sun wheel shape which represented the cycle of the year and the four main holy days, according to the book Apple Branch. On Imbolc, you can weave new Brighid’s crosses, or bless ones you already have, although it may be better to burn the old and weave new each year when possible. A Brighid’s cross is protective and healing to have in the home.

A second talisman is the brídeóg, or “little Brighid” a small cloth or straw doll wearing white clothes which is an effigy of the goddess. In some cases, the brídeóg would be made from straw saved from the previous Lughnasadh. This doll played a role in ritual after being brought outside, usually carried by the eldest daughter, then invited to enter the home where it was led with all ceremony to a specially prepared little bed. The doll was left in the bed over night and its presence was believed to bless all those in the household.

Another talisman connected to Imbolc is Brigid’s mantle, or an brat Bríd, a length of cloth left out on the window sill over the course of the holy day and night. It is believed that this cloth absorbs the energy of the goddess during the ritual, and can be used for healing and protection throughout the year. This talisman would be kept and recharged every year, attaining full power after seven years.

The ritual for Brighid on Imbolc centers on inviting the goddess in and offering her hospitality. In some cases a woman was chosen to play the part of the goddess, in other cases the brídeóg was used. The door would be opened to her and she would loudly be invited in, shown to her “bed” and offered specially baked bread. Candles would be lit at the windows and next to her “bed”, songs would be sung and prayers said calling on Brighid to bless all present in the coming seasons, and grant health and protection to the household.

A small broom or white wand would be placed next to the “bed”, and the ashes from the fire would be smoothed down in the hopes that the morning would reveal the marks of the wand, or better yet, the footprints of the goddess herself, either of which would be a sign of blessing. Placing the doll in her bed at night would be followed by a large family meal.

In Scotland a hundred years ago when entire communities still celebrated Imbolc in the old way, a sheaf of corn would be dressed as Brighid and taken from house to house by the young girls. The girls would carry the doll from home to home where the “goddess” would be greeted and offered food and gifts. After visiting each home, the girls would return to the house they started from where a party would be held with music, dancing, and feasting until dawn; all the leftover food would be handed out to the poor the next day.

Other rituals involve blessing the forge fires for blacksmiths and Otherworld divinations. In some Scottish mythologies, it is believed that Brighid is held by the Cailleach Bhur during the winter months but escapes, or is rescued by her brother Aonghus mac óg, on Imbolc. In others, it is said the Cailleach drinks from a hidden spring and transforms into Brighid on this day.

For modern people seeking to celebrate Imbolc in a traditional way, there are many options. Rituals can be adapted to feature the brídeóg. If you celebrate in a group, you could have one person wait outside with the doll while the other members prepare her bed, and then the group leader could go to the doorway and invite the goddess in. This could even be modified for use in an urban setting with the brídeóg “waiting” out in a hallway or separate room to be invited in.

Once invited in the goddess can be offered food and gifts as was done in Scotland and stories about Brighid from mythology could be told. Water can be used for purification; blessing with fire or of candles can be done, as well as making and consecrating the charms associated with Brighid. After ritual, the doll could be left in the bed while the group celebrates with a party; to keep the spirit of the way this was done for a modern time all members should bring food to donate to a local food pantry. A solitary celebration could still include inviting the goddess in, placing the brídeóg in her bed, making offerings to her, and a private celebration and food donations.

Imbolc is a powerful holy day with many beautiful traditions. By understanding how this day was celebrated in the past, we can find ways to incorporate those methods into modern practice and preserve the traditions that have surrounded Brighid’s day for so many generations

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Footnotes:
Carmichael, A. (1900) . Carmina Gadelica. Floris books. ISBN-10 0-86315-520-0
Evert Hopman, E. (1995) . A Druid’s Herbal of the Sacred Earth Year. Destiny Books ISBN 0-89281-501-9
Kondrariev. K. (1998) . The Apple Branch: A Path to Celtic Ritual. Citadel Press ISBN 0-8065-2502-9
McNeill, F. (1959) . The Silver Bough, volume 2. McLellan and Co.

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Imbolc: A Midwinter Festival

Imbolc: A Midwinter Festival

Spring is stirring just beneath the surface at Imbolc, a Wiccan holiday when we anticipate the earth’s rebirth.

BY: Kaatryn MacMorgan

On January 31st, many Wiccans, practitioners of the religion of Modern Wicca, will celebrate Imbolc, a midwinter festival halfway between the beginning of winter, at the Winter Solstice, and the beginning of spring, at the Spring Equinox in March. The actual date of Imbolc varies within the many sects of Wicca, falling as early as January 29th and as late as February 3rd, but like all Wiccan holidays, it begins the moment the sun sets and ends just before sunset on the following day.

Wiccan holidays celebrate transitions, the passage from spring to summer, and from winter to spring, for example, so it is not surprising that the name of this holiday, also called Imbolg, the feast of Brighid, and the Calends of February, found its way into Wicca from its native Celtic peoples. Of course, it is not only the Wiccans who have decided to honor this holiday, as its main focus–the change from winter to spring–is most assuredly the point of our secular “Groundhog Day.”

The ancient Romans, Celts, Greeks, Chinese and many Native Americans all have similar holidays at this time of year, and many Reconstructionist, followers of ancient religions being resurrected through a combination of faith, scholastic research and imagination, practice Imbolc in forms far closer to the originals than the modern holiday practiced in Wicca.

For Wiccans the holiday is a break from the gloom of winter, a macroscopic version of the Wednesday parties that celebrate having more of the workweek behind you than before you. It is the day when spring begins to appear like the light at the end of a long tunnel, not really perceptible at first, but affecting the earth nonetheless.

Though we can’t see it through the cover of white, at Imbolc we know the spring bulbs have sent runners into the earth, that the ice floes on our lakes and rivers have begun to thin and move, and that the first of the young animals due in spring have been born. Many Wiccans celebrate this holiday as a group by standing in a dark room, with one small candle flame lighting their way, each Wiccan then lights their candle from that flame, until everyone in the room is bathed in the great light of their community’s bounty. Prayers are said for a gentle spring, and that stores of food and money, greatly depleted by the festivities of the winter solstice, last long enough to be supplemented by the first crops.

It is a holiday of preparedness. The houses of Wiccans are scrubbed floor to ceiling, bills are paid, and taxes are filed, so that none of the business of the winter interferes with the pure joy of the earth’s rebirth. When this has been done, we determine, by logic, by divination, or just an educated guess, what will not last until spring, or what excess is present in our houses. These things become a great feast, in my house, a huge kettle of “stone soup,” soup made by what is brought to it by those that would eat it. We share together in this great pot of soup, complete with a version of the stone soup story and send everyone home with a jar of it as a reminder of how the simplest things can become fantastic with the addition of one magic ingredient–community.

—beliefnet

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Brighid’s Crossroads Divination

Brighid’s Crossroads Divination

By , About.com

Imbolc is a time when the Wheel of the Year has reached a crossroads between light and dark. The earth is about to quicken, and yet no one knows exactly what lies ahead of us. There are twists and turns on the path to come, although where it leads is anyone’s guess.

Among her many aspects, Brighid is considered a goddess of the crossroads. She is said to be able to see where we’ve been, and where each road might take us, should we choose to follow it. A Brighid’s Cross unites the four elements, and creates paths which travel in the four directions. Because of this, Imbolc is an ideal time for divination. Not sure where your headed this year, or what choices lie before you? Let Brighid help guide you as you weave a crossroads of your own in her honor. As you create a Brighid’s Cross as part of this divination, ask her to inspire you, and guide you towards the right path in the coming months.

For this divination, you’ll want to find a place where you can be alone and undisturbed. If it’s warm enough, try to get outside, perhaps out in the woods where two paths intersect. Before you begin, read the instructions here on how to Make a Brighid’s Cross. Have all your supplies on hand prior to beginning your divination ritual.

Begin by closing your eyes, and thinking about where you’ve been in the past year, spiritually, emotionally, even physically. What things have you done that bring your regret? What things have brought you joy? Is there anything you wanted to do, but didn’t get a chance to? Picture yourself wandering along a path, out of the past and into the present. Let your mind roam freely, and visualize yourself approaching a crossroads. Perhaps it’s a place in a forest, where a pair of deer trails run together. Maybe it’s in the mountains, where streams intersect. Or maybe you picture yourself out in a wide open space, with roads connected in the middle of nowhere.

Regardless, see yourself at that crossroads. You are at the center, and branching out from where you stand are many paths. Each leads in a different direction. Each path will take you to something new. Begin creating your Make a Brighid’s Cross, and as you weave the straws together, think about what may lie in each direction. As you look out over your choices, thinking about which way to travel, Brighid herself is standing beside you. Continue weaving your cross, and watch her. She points out one of the roads.

When you’ve finished your cross, close your eyes once more, and meditate on the path which Brighid indicated for you. What lies in that direction? Is it something familiar and comforting? Something new and unknown? Focus on the cross you’ve made, and let this newly chosen path inspire you. Know that it will ultimately bring you to something good and positive and strong.

When you’ve finished, you may wish to make an offering to Brighid as a gesture of thanks for her guidance.

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Brighid’s Mantle – History and Lore

Brighid’s Mantle – History and Lore

By , About.com

Brighid is the Celtic goddess who is the keeper of the hearth, the deity who watches over nursing mothers and pregnant women, and who is the overseer of all things domestic. She is also connected to healing and wisdom. One commonly found symbol of Brighid is her green mantle, or cloak. In Gaelic, the mantle is known as the brat Bhride.

Although her origins are that of a Pagan goddess, at one point she became associated with Christianity and St. Brighid of Kildare. The legend has it that Brighid was the daughter of a Pictish chieftain who went to Ireland to learn from St. Patrick. In one story, the girl who later became St. Brighid went to the King of Leinster, and petitioned him for land so she could build an abbey. The King, who still held to the old Pagan practices of Ireland, told her he’d be happy to give her as much land as she could cover with her cloak. Naturally, her cloak grew and grew until it covered as much property as Brighid needed, and she got her abbey. Thanks to her roles as both a Pagan goddess and a Christian saint, Brighid is often seen as being of both worlds; a bridge between the old ways and the new.

In Celtic Pagan stories, Brighid’s mantle carries with it blessings and powers of healing. Many people believe that if you place a piece of cloth out upon your hearth at Imbolc, Brighid will bless it in the night. Use the same cloth as your mantle each year, and it will gain strength and power each time Brighid passes by. The mantle can be used to comfort and heal a sick person, and to provide protection for women in labor. A newborn baby can be wrapped in the mantle to help them sleep through the night without fussing.

To make a Brighid’s mantle of your own, find a piece of green cloth long enough to comfortably wrap around your shoulders. Leave it on your doorstep on the night of Imbolc, and Brighid will bless it for you. In the morning, wrap yourself in her healing energy.

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Brighid – Hearth Goddess of Ireland

Brighid – Hearth Goddess of Ireland

By , About.com

Origins of Brighid:

In Irish mythological cycles, Brighid (or Brighit), whose name is derived from the Celtic brig or “exalted one”, is the daughter of the Dagda, and therefore one of the Tuatha de Dannan. Her two sisters were also called Brighid, and were associated with healing and crafts. The three Brighids were typically treated as three aspects of a single deity, making her a classic Celtic triple goddess.

Patron and Protector:

Brighid was the patron of poets and bards, as well as healers and magicians. She was especially honored when it came to matters of prophecy and divination. She was honored with a sacred flame maintained by a group of priestesses, and her sanctuary at Kildare, Ireland, later became the home of the Christian variant of Brighid, St. Brigid of Kildare. Kildare is also the location of one of several sacred wells in the Celtic regions, many of which are connected to Brighid. Even today, it’s not uncommon to see ribbons and other offerings tied to trees near a well as a petition to this healing goddess.

Celebrating Brighid:

There are a variety of ways to celebrate the many aspects of Brighid at Imbolc. If you’re part of a group practice or a coven, why not try Honoring Brighid With a Group Ceremony? You can also incorporate prayers to Brighid into your rites and rituals for the season. Having trouble figuring out what direction you’re headed? Ask Brighid for assistance and guidance with a Brighid’s Crossroads Divination Ritual.

Brighid’s Many Forms:

In Britain, Brighid’s counterpart was Brigantia, a warlike figure of the Brigantes tribe near Yorkshire, England. She is similar to the Greek goddess Athena and the Roman Minerva. Later, as Christianity moved into the Celtic lands, St. Brigid was the daughter of a Pictish slave who was baptized by St. Patrick, and founded a community of nuns at Kildare.

In addition to her position as a goddess of magic, Brighid was known to watch over women in childbirth, and thus evolved into a goddess of hearth and home. Today, many Pagans and Wiccans honor her on February 2, which has become known as Imbolc or Candlemas.

Crafts to Honor Brighid:

In many Pagan traditions today, Brighid is celebrated with crafts that honor her role as the protector of the hearth. You can make a Brighid corn doll, as well as a Bride’s Bed for her to sleep in. Perhaps the best known decoration is the Brighid’s Cross, whose arms represent the place where a crossroads comes together, the space between light and dark.

Brighid and Imbolc:

Like many Pagan holidays, Imbolc has a Celtic connection, although it wasn’t celebrated in non-Gaelic Celtic societies. The early Celts celebrated a purification festival by honoring Brighid. In some parts of the Scottish Highlands, Brighid was viewed as a sister of Cailleach Bheur, a woman with mystical powers who was older than the land itself. In modern Wicca and Paganism, Brighid is sometimes viewed as the maiden aspect of the maiden/mother/crone cycle, although it might be more accurate for her to be the mother, given her connection with home and childbirth.

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Today Begins The Celtic Tree Month of Rowan

Celtic Tree Months

By , About.com

Rowan Moon: January 21 – February 17

The Rowan Moon is associated with Brighid, the Celtic goddess of hearth and home. Honored on February 1, at Imbolc, Brighid is a fire goddess who offers protection to mothers and families, as well as watching over the hearthfires. This is a good time of year to perform initiations (or, if you’re not part of a group, do a self-dedication). Known by the Celts as Luis (pronounced loush), the Rowan is associated with astral travel, personal power, and success. A charm carved into a bit of a Rowan twig will protect the wearer from harm. The Norsemen  were known to have used Rowan branches as rune staves of protection. In some countries, Rowan is planted in graveyards to prevent the dead from lingering around too long.

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How Do I Know if a Deity Is Calling Me?

How Do I Know if a Deity Is Calling Me?

By

About.com   Paganism/Wicca

Question: How Do I Know if a Deity Is Calling Me?

A reader writes in, “There’s been some weird stuff going on in my life, and I’m beginning to notice things happening that make me think a god or goddess is trying to contact me. How do I know that this is the case, and that it’s not just my brain making things up?”

Answer: Typically, when someone is “tapped” by a god or goddess, there is a series of messages, rather than a single isolated incident. Many of these messages are symbolic in nature, rather than actual “Hey! I’m Athena! Lookit me!” kind of things.

As an example, you might have a dream or vision in which you are approached by a human figure who has something different about them. You’ll probably know it’s a deity, but they are sometimes evasive when it comes to telling you who they are — so you could do some research, and figure out who it was based upon appearance and characteristics.

In addition to a vision, you might have an experience in which symbols of this god or goddess appear randomly in your daily life. Perhaps you’ve never seen an owl before in your area, and now one has built a nest above your back yard, or someone gives you a gift of an owl statue out of the blue — owls could represent Athena. Pay attention to repeat occurrences, and see if you can determine a pattern. Eventually you may be able to figure out who it is that’s trying to get your attention.

One of the biggest mistakes people tend to make, when they’re being contacted by a deity, is to assume it’s the god or goddess you’re most drawn to — just because you’re interested in them doesn’t mean they have any interest in you. In fact, it may well be someone you’ve never noticed before. Martina, a Celtic Pagan from Indiana, says, “I had done all this research about Brighid, because I was interested in a Celtic path, and she seemed like a hearth and home goddess I could relate to. Then I started getting messages, and I just assumed it was Brighid… but after a while I realized it didn’t quite fit. Once I actually paid attention, and heard was being said instead of just what I wanted to hear, then I discovered it was actually an entirely different goddess reaching out to me — and not even a Celtic one.”

Bear in mind as well that raising magical energy may heighten your awareness of this sort of thing. If you’re someone who raises energy a lot, that may leave you far more open to receiving a message from the Divine than someone who doesn’t do much energy work.

Goddesses of the Season

Goddesses of the Season
By: Heathwitch, The Order of the White Moon
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Flaming arrow of light Prophecy in your sight Inspire me this day Show me the world of Fey Power Renown, draw near Protect me without fear
May ink and quill flow free For Blessed Ladies three Your Fire ever a-burn By its light I do learn Secrets from birth to death Wisdom within your breath   Poetess, healer true Bring knowledge anew Teach spells and sacred rites Help me soar to new heights Let inspiration flow Oh Great Fiery Arrow
Yuletide is over, and though the land is still resting in the midst of winter, the days are gradually beginning to lengthen and the Goddess begins to plan. This is the time for new ideas, new thoughts, in the same way that the Earth’s new growth phase beginnings to stir. At Imbolc our thoughts turn towards new projects, new plans, with creativity and inspiration brimming forth to carry us into spring.
Imbolc is a true fire festival, with colours of red, white and orange, with black accents. In line with this festival’s name (the term “Imbolc” means “in milk” or “in the belly”), pregnant sheep begin to lactate and the natural world looks towards the joys of springtime. Soon, the land will be woken by the fire of the sun… A fire that, in the Celtic tradition, is ascribed to Brighid.
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Brighid is the Celtic Goddess of fire, healing, poetry, and smithcraft. She is seen as a goddess of regeneration and abundance, and protectoress of domesticated animals, livestock, healers, poets and smiths. Also known as Brigit, Bridget, Bride or Brigandu, she is seen as an “unconventional” Triple Goddess — three aspects of the one divinity, identical, and not part of the typical Maiden-Mother-Crone sequence. The three aspects of Brighid (the healer, the poet and the smith) were unified in the symbol of fire, for her name means “bright arrow,” or simply the “bright one.” Her sacred, undying fire at Kildaire was tended by 19 virgins except on the 20th day of each cycle, when the fire was miraculously tended by Brigid herself.
To mix an incense for Brighid, blend together the following:
1 part crushed rowan berries 1/4 part blackberry leaves 1 part birch bark 1 part willow bark 1/2 part bistort root 1 part oak bark 1/2 part snowdrop flowers 1/4 part flax flowers
Brighid’s symbols are the fire, sun, snake, cow, and wolf. Her colours are red and white. She is the Goddess of fertility, wells and springs, and of creativity. To invoke Brighid, why not try the “The Forge in the Forest” ritual by Mara Freeman:
Light your candle. Gaze into the flame for a few moments, then close your eyes. You will still see the image of the flame against your eyelids. Now imagine it is growing brighter and brighter, and go one step further and imagine you are standing in a place filled with the warmth and red gold light of leaping flames… Imagine, in fact, that you are standing in the entrance to a forge in a forest, where a blazing fire is roaring, and in front of it stands a woman. Thick, auburn hair is tied back, but a few rippling curls have escaped around
her face. She is dressed in dark green with sleeves rolled up to the elbows, revealing strong white arms. Brigit, for of course it is she, stands over a large anvil where all her concentration is focused on beating a sheet of soft gleaming bronze with a great hammer… At last, she looks up and smiles at you warmly. She has finished her creation and holds it up to the light of the fire for you to see. As you look at it, it appears to continually change shape: first it seems to be a leaf, then a globe, … and now it has become a star. Brigit laughs deeply, musically, and tosses the star into the air, where it sails into the night sky and takes its place among the glittering constellations…
And now Brigit turns towards you and asks: What have you come here to create? … You tell her of your vision, whether great or small, personal or for the wider community… and she beckons you over to the fire. As you look into the flames, pictures start to move and you see yourself at work, filled with enthusiasm and passion as you make your vision a reality… …  You and your creation are surrounded and shot through with the golden light of inspiration. Brigit is there too, watching over you with love as you work, encouraging you and filling you with confidence and creativity… If any self-doubt or fears start to arise, see Brigit surrounding you with her mantle of protection: a warm soft cloak of green that makes you feel safe and inviolable… Now see yourself with your vision turned into reality, feeling a sense of accomplishment and pride… Thank Brigit for showing you this vision, and ask her to tell you what your first step should be towards bringing it into reality….  Listen carefully, and ask her questions if you need more clarity…  When you have finished the conversation with her, see the forge suddenly glow even more brightly, so that all forms and shapes, including that of Brigit herself, melt into a suffusion of golden light… and now see that the light is just the candle flame reflected on your eyelids…Slowly come back to the room. Open your eyes and write down what she has suggested. In the coming weeks, call upon Brigit to help keep your inspiration alight.
. Have a Blessed Imbolc!
Sources: Franklin, Anna. Magical Incenses and Oils. Capall Bann: Berkshire (2000). Brighid, Goddess and Saint at http://www.brighid.org.uk/ The Wheel of the Celtic Year at http://www.celticspirit.org/imbolc.htm
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About The Author: Heathwitch is a Witch, teacher and author. She runs courses and workshops on energy work, healing, Witchcraft and magic. High Priestess of the Circle of the Moon coven
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About The Author: Heathwitch is a Witch, teacher and author. She runs courses and workshops on energy work, healing, Witchcraft and magic. High Priestess of the Circle of the Moon coven

The Witches Magickal Correspondence for Imbolc 2013

Imbolc/Candlemas Comments

The  Witches Magickal Correspondence for Imbolc 2013

Colors: White, Pink, Red, Orange, Yellow, Light Green, Brown.

Food: sunflower seeds, pumpkin seeds, muffins, diary products, peppers, onions, raisins, garlic, poppyseed breads and cakes, herbal teas, dairy, spiced wines, potatoes, turnips, bread, rabbit and venison. Use up last of winters supply of food.

Incense: basil, bay, cinnamon, violet, vanilla, rosemary, frankincense,  and wisteria.

Candles: brown, pink and red.

Gemstones: amethyst, garnet, onyx, bloodstone, ruby and turquoise

Deities: All Virgin/Maiden Goddesses, Brighid, Aradia, Athena, Inanna, Gaia, and Februa, and Gods of Love and Fertility, Aengus Og, Eros, and Februus.

Symbols: Brideo’gas, Besoms, White , Candle Wheels, , Priapic Wands (acorn-tipped), lamps, yellow flowers and Ploughs.

Herbs: Angelica, basil, bay, blackberry, celandine, coltsfoot, heather, iris, myrrh, tansy, snowdrop, violets, all white or yellow flowers.

Deity of the Day for August 17: Brigid

Brigid

by Lisa Spindler
Name Cognates: Breo Saighead, Brid, Brighid [Eriu], Brigindo, Brigandu [Gaul], Brigan, Brigantia, Brigantis [Briton], Bride [Alba].Breo Saighead, or the “Fiery Arrow or Power,” is a Celtic three-fold goddess, the daughter of The Dagda, and the wife of Bres. Known by many names, Brighid’s three aspects are (1) Fire of Inspiration as patroness of poetry, (2) Fire of the Hearth, as patroness of healing and fertility, and (3) Fire of the Forge, as  patroness of smithcraft and martial arts. She is mother to the craftsmen. Sons of Tuireann: Creidhne, Luchtaine and Giobhniu.

Excalibur, King Arthur’s sword, was forged by the Lady of the Lake, a figure sometimes associated with Brighid because of her fire and forgery aspect. Like the Arthurian Avalon, or “Isle of Apples,” Brigid possessed an apple orchard in the Otherworld to which bees traveled to obtain it’s magickal nectar.

Brigid, which means “one who exaults herself,” is Goddess of the Sacred Flame of Kildare (derived from “Cill Dara,” which means “church of the oak”) and often is considered to be the White Maiden aspect of the Triple Goddess. She was Christianized as the “foster-mother” of Jesus Christ, and called St. Brigit, the daughter of the Druid Dougal the Brown. She sometimes also is associated with the Romano-Celtic goddess Aquae-Sulis in Bathe.

Brighid’s festival is Imbolc, celebrated on or around February 1 when she ushers Spring to the land after The Cailleach’s Winter reign. This mid-Winter feast commences as the ewes begin to lactate and is the start of the new agricultural cycle. During this time Brigid personifies a bride, virgin or maiden aspect and is the protectoress of women in childbirth. Imbolc also is known as Oimelc, Brigid, Candlemas, or even in America as Groundhog Day.

As the foundation for the American Groundhog Day, Brigid’s snake comes out of its mound in which it hibernates and its behavior is said to determine the length of the remaining Winter.

Gailleach, or White Lady, drank from the ancient Well of Youth at dawn. In that instant, she was transformed into her Maiden aspect, the young goddess called Brigid. Wells were considered to be sacred because they arose from oimbelc(literally “in the belly”), or womb of Mother Earth.

Because of her Fire of Inspiration and her connection to the apple and oak trees, Brighid often is considered the patroness of the Druids.

Blessing For Hearth-Keepers

Brighid of the Mantle, encompass us,
Lady of the Lambs, protect us,
Keeper of the Hearth, kindle us.
Beneath your mantle, gather us,
And restore us to memory.

Mothers of our mother,
Foremothers strong.
Guide our hands in yours,
Remind us how
To kindle the hearth.
To keep it bright,
To preserve the flame.
Your hands upon ours,
Our hands within yours,
To kindle the light,
Both day and night.

The Mantle of Brighid about us,
The Memory of Brighid within us, The Protection of Brighid keeping us
From harm, from ignorance, from heartlessness.
This day and night,
From dawn till dark,
From dark till dawn.

(Brighid is the Irish saint whose following draws strongly upon the Celtic goddess of the same name; as hearth-keeper, she is venerated throughout the Celtic world.)

Candles and Lights

Candles and Lights

 
Candles (leading to the name, “Candlemas”) are sometimes burned in every window in the house, starting the night of February 1st, until the candles burn themselves out. (If you practice this, be watchful of fire hazards. We use battery-operated candles, and the if the bulbs and batteries are new, the lights remain on all night.)
 
This is yet another time to enjoy outdoor luminaria, as well. That’s when you take bags (lunch bags work fine, and you can cut designs in them), put a couple of inches of sand in the bottom of each bag, and then put a tea candle in each bag. If the bag is on a wooden porch or other flammable surface, make certain to use plenty of sand to insulate. Also check the bags regularly, in
case a stiff wind tilts a bag and the paper goes up in flames.
 
A similar tradition (in older houses where families have lived for generations) is to light a candle, one in the window of each room
where someone has died. One candle for each person who died in that room. Again, the candle is allowed to burn itself out.
 
A related tradition is to make candles the night before the holy day, thentake them to church to be blessed on the feast, and use those candlesthroughout the rest of the year.
 
Snow candles
 
Yet another candle tradition, which we have used with delight, is to collect a bowl of snow. (A white cereal bowl is perfect.) Bring the bowl indoors, place a “floating candle” in the center of the pile of snow and light it. As the snow melts, the candle will remain alight because it floats in the water. This is a very visual symbol for the return of light and heat to the earth, melting the snow.
 
Bride’s Bed
 
There are a variety of traditions related to making a “Bride’s bed” (also called “Brighid’s bed”) with a homemade cradle, an ear of corn, a wand (smaller but related to the coronation wand given to the kings of Ireland), and small tokens of respect and/or adornment. Many books on Celtic traditions give the details of this ritual.
 
St. Brighid’s Cross
 
“St. Brighid’s Cross,” is another tradition. It is a woven cross made from straw, sometimes with a diamond shape woven around the center. (Compare thiswith the Native American “God’s eye” crosses.) In some places, wells and other water sources (such as faucets) are decorated with ivy and early flowers.
 
Blessed clothing
 
Brighid’s healing arts are called upon in yet another delightful tradition.As night falls, place an item of clothing outside, for Brighid to bless as she passes over the earth on Imbolc. In the morning, bring the item indoors, and wear it whenever you need an extra blessing to heal. People with migraines are supposedly helped by this tradition, in particular. (Due to winter winds, it’s
a good idea to tie the item to a tree or fence so it doesn’t blow away during the night.)
 
And, in the morning…
 
In keeping with the milk theme of the holiday, some people pour a small amount of milk onto the soil early on February 2nd morning, as they thank Mother Earth for having fed them for the past year. The dairy theme of the festival also makes it appropriate to enjoy rich dishes and desserts such as cheesecake.
 
As with many holidays, it’s always appropriate to drum or ring in the festival, with a drum, rattle, or bells.
 
This is also a time for housecleaning and preparing for the new growing season. (Some women do a ritual “spring cleaning” of house, or use a cleansing tonic at this time, to mark a fresh start and a new year.)
 
In many ways, New Year’s Eve is somewhat misplaced. We do far better to begin our “resolutions” at Imbolc, which celebrates new beginnings.
 
Written by Fiona Broome http://www.fionabroome.com

Brighid Lore for Imbolc

Brighid Lore for Imbolc
by Doreen Motheral

 

The goddess Brighid (also known as Brigit, Bride, Biddy and other names throughout Europe) is a goddess who is near and dear to my heart for many reasons. I like the fact that she is associated with both water (her wells in Kildare and other parts of Ireland) and fire (her fire pit in Kildare). I like the fact that she spans both the pagan and Christian worlds and some of her traditions are still celebrated today.

Since the festival of Imbolc (also called Óimelc) is this weekend I thought I’d write a few thoughts for those who aren’t familiar with her (and perhaps renew an acquaintance for those who already were). Imbolc is the time of the year that the ewes lactated, and the successful timing of this event was approximate, so the exact date of Imbolc could vary from region to region and from year to year depending on the climate. Production of this milk supply was very important to both man and animal. From the milk comes butter and cheese. Newly calved cows were also put under Brighid’s protection. Here’s an old saying:

Samhain Eve without food,
Christmas night without bread,
St. Brighid’s Eve without butter,
That is a sorry complaint.

Cormac mac Cuillenàin, who lived in the 9th century said, “Brighid i.e. a learned woman, daughter of the Dagda. That is Brighid of learning, i.e. a goddess who filid worshipped. For her protecting care was very great and very wonderful. So they call her a goddess of poets. Her sisters were Brighid woman of healing, and Brighid woman of smithcraft, daughters of the Dagda, from whose names among all the Irish a goddess used to be called Brighid” In this writing, Cormac mentions her triple aspect of three sisters, common among the Celts. I often call on one or more of her aspects of creativity, writing and healing, but she is much more than that.

The Christian aspects of Brighid and the pagan aspects often overlap, so it’s difficult to figure out which stories have pre-Christian beginnings. I think there is a seed of paganism in many of the later stories associated with her. We’ll never know for sure, but in my own private practice I take many of her current customs and use them for my own worship of her – and I don’t worry about the pre-Christian aspect of the story or not. Your mileage may vary, of course.

On the eve of Imbolc, a piece of linen, other cloth or ribbons is placed outside (some folks put them on their window sill). This piece of cloth is called Brighid’s Brat or Brighid’s Mantle. It is said that Brighid travels all over the land on Imbolc eve and if she sees this cloth, she will bless it and give it healing powers. Some folks in Ireland say that the older your brat is, the more powerful it is. Mugwort Grove (the grove to which I belong) destroys ours from year to year. We put out a whole piece of linen and tear it into strips for members of the Grove during our Imbolc ritual. People take the strips home to use for healing and some are kept on personal altars throughout the year.

Other folklore says that if the mantle gets bigger overnight, you will be especially blessed. It’s a nice tradition, especially if you have a lot of illness to overcome for the following year, and a brat is nice to have for healing rituals later in the year.

Brighid’s fiery aspect makes her the perfect goddess of the hearth – in fact, my hearth at home is dedicated to Brighid. There are many hearth prayers dedicated to Brighid, especially concerning smooring. Ashes and embers were often deposited in the fields. Also, indoor activity associated with Imbolc often took place near the hearth, and if there was a feast, an extra place was set for Brighid. It is also considered bad luck to do any type of spinning on Brighid’s Day.

There is also the custom of Brighid’s Bed. A small bed is made near the hearth and a doll (called a Brídeog), often made from a sheaf of corn and made into the likeness of a woman and is sometimes placed in the bed. In Ireland the doll was often made from a churn dash decorated in clothing (associations t milk again). Sometimes the doll was carried around town to visit houses in the neighborhood. Songs, music and dances are performed – then prayers are said to St. Brighid for blessings upon the house (this is similar to wassailing in other countries around Christmas). Then the family is asked to contribute a donation – which used to be bread and butter (there’s that dairy again!) but now it’s often money (sometimes given to charity).

There is much, much more about Brighid I could share, but this is just the tip of the iceberg. A bit of trivia – Brighid is so loved by the Irish people that in 1942 a survey was taken on “The Feast of St. Brighid”. The replies about the customs run to 2,435 manuscript pages. A great book, if you can find it, is The Festival of Brighid Celtic Goddess and Holy Woman by Séamas Ó Catháin. There are many really cool stories and legends about her.

Last but not least one of the other interesting aspects of Brighid is a prayer attributed to her from the 11th century which goes like this:

I would like a great lake of ale, for the King of the Kings
I would like the angels of Heaven to be among us.
I would like an abundance of peace.
I would like full vessels of charity.
I would like rich treasures of mercy.
I would like cheerfulness to preside over all.
I would like Jesus to be present.
I would like the three Marys of illustrious renown to be with us.
I would like the friends of Heaven to be gathered around us from all parts.
I would like myself to be a rent payer to the Lord; that I should suffer distress, that he would bestow a good blessing upon me.
I would like a great lake of beer for the King of Kings.
I would like to be watching Heaven’s family drinking it through all eternity.

Drink up!

Imbolc Meditation

Submitted By: Cogar niMhorrighan

Here is an original meditation for the Imbolc festival (can be used at
any time):

It is a lovely spring day. The air is fresh with the fragrance of green
plants preparing to bloom. The sun’s radiance bathes you in comfort,
perhaps the first warmth you have felt in many months. You sense that
you are in Ireland, because it is green and everything feels clean and
alive. The landscape is timeless and magical. In the distance, you
hear birds singing as they welcome the unexpected warmth of the day.
Inside you, happiness begins to bubble and dance, very quietly at first.
It feels almost like anticipation, but it puts a smile on your lips as
well.

You are walking up a slight hill, not steep enough to tire you but just
enough to sense that something wonderful can be seen from the top. As
you walk, the grass is already tall enough to brush against your lower
legs. You know you are in a wild place where Nature flourishes.

Towards the top of the hill, you see a dolmen – two standing stones and
a large stone across the tops of them, like an arch. You wonder why you
didn’t see this dolmen sooner. It is as if it appeared when you were
just twenty feet from it. Does it mean something? Is it real? You do
not pause to wonder, but keep walking towards it.

As you walk between the stones, you notice carvings and symbols on the
sides of the dolmen. Some of them are lines and hash-marks, which you
suspect are an Ogham message. Others are just symbols, which you will
return to look at, another day.

As you pass through the dolmen, you feel an invisible curtain brush over
you gently. In the space of a blink, it is a clear, crisp night. The
stars are above you, brilliant and twinkling. You know the moon is
behind you, but you do not notice its light because there is a sparkling
fire just ahead. There is no breeze, but the evening is chilly as you
would expect when Winter is still in the air.

You pull your clothing more closely around you, as you continue up the
hill. You are eager to reach the warmth of the fire, which is bigger
than you thought at first. In fact, it is a bonfire and you realize you
have arrived at Imbolc.

You run the last few steps to stand next to the fire pushing your hands
towards it, to capture the heat from a safe distance. Tall yellow and
white flames seem to warm you inside and out. You pause to look at the
sky again, and savor the moment.

Looking across the flames, you suddenly realize that you are not alone.
You can see the top of someone’s head, and you aren’t certain if you
have intruded on a private ceremony. Slowly, you walk around the fire,
and your companion stands up from the rock she was sitting upon. She is
a tall, strong woman, with long hair so light you cannot tell if it is
blonde or white. She looks like the Queen of Pentacles in a way, with
an ageless sense of knowing and accomplishment. She wears a long gown
and an embroidered cape, yet you can see her bare feet peeking out from
under her skirt. You know she is someone noble yet without artifice.

Without a word, she stretches out her hands to take yours in welcome.
You know, as if you’ve known her all your life, that this is Brighid.
This is a special and sacred moment.

She welcomes you to her fire, which will burn tonight and every night,
for Imbolc is her festival and her fire is never extinguished.

You sit down next to her, on large flat rocks that are warm from the
fire, and very comfortable. She begins to explain to you the meaning of
Imbolc, and its promise of a fresh beginning–not just to the plants and
animals, but also to everyone on Earth who chooses to permit Imbolc into
their lives.

She helps you to remember your past dreams, especially the ones from
your childhood which began, “When I grow up…” And as you recall these
fantasies and goals, you realize how many of them were left behind with
your childhood, yet how many are still alive in what you do each day,
today. This is not a sad realization as much as it is a recognition
that you can start afresh now. Every one of those dreams is still with
you.

Brighid reaches to her side and picks up a fallen twig from a nearby yew
tree. It looks like any other twig, in the firelight. However, when
Brighid places it into the fire, the bark on it sparks and flames like a
sparkler, giving enough heat energy to set the twig burning brightly.
Without saying anything, Brighid is showing you how even a small spark
will set alight your oldest and most neglected dreams.

The lesson was simple, but vital. Now it is time to return to your own
world. As you stand, Brighid offers you a cup of clear water, which you
sip. The sensation in your mouth is unique. There is a kind of
life-giving energy, that is Spring itself. You take a large swallow of
the water, and feel your entire body respond to that water with a
vitality that–like your forgotten dreams–you had almost forgotten from
childhood.

After returning the cup to Brighid, and then a quick embrace, you stride
purposefully around the fire and back to the dolmen. Passing under it,
you emerge back into the daylight and the warm air and clear sunshine of
an early spring day. You know you have not merely learned the meaning
of Imbolc, but actually experienced it in your soul. From now on, every
time you sip fresh water, or see twigs and branches burning in a
bonfire, you will feel Brighid’s presence, and be reminded of the
fire–and dreams–that burn within you, too, and will never be
extinguished.

Brighid’s Fires Burn High

Brighid’s Fires Burn High

by Miriam Harline

 

Imbolc is a white time, a time of ice and fire. In many places, snow still sheets the ground. The fire is traditional: Europe observes this day, February 2, the Christian Candlemas, with candlelight processions, parades that go back to ancient torchlight ceremonies for purifying and reviving the fields at early sowing, according to Funk and Wagnall’s Standard Dictionary of Folklore, Mythology and Legend.At Candlemas, the people of ancient Europe made candles for the coming year, having saved the fat from meat eaten through the winter. Mexico, too, observes February 2, the Aztec New Year, with renewed fires and a festival that echoes agricultural rituals of early spring.

At Imbolc, the earth begins to wake from winter sleep. As Starhawk writes in The Spiral Dance, at Imbolc “what was born at the Solstice begins to manifest, and we who were midwives to the infant year now see the Child Sun grow strong as the days grow visibly longer.” At night the Wild Moon shines, illuminating the earth’s initial quickening. Seeds sown in autumn begin to stir; nature is potential waiting to be fulfilled. The Goddess too is changing: from crone to maiden, from winter to spring.

To Banish Winter

In The Wheel of the Year: Living the Magical Life, Pauline Campanelli writes, “Now is the time for the banishing of Winter. On the first night of February, the eve of Imbolc, gather together all of the greens that adorned the house throughout the Yuletide season, including a branch or two of the fir tree that was hung with holiday ornaments. Then, as a part of the Imbolc Sabbat rite, add these greens to the Sabbat Fire (a little at a time, and carefully, because by now they are hazardously dry), dancing and chanting all the while with words like:

“Now we banish Winter!

“Now we welcome Spring!”

Of Brighid and Her Realms

Today’s witches take many of their Imbolc associations from pagan Ireland. There, Imbolc belonged to the goddess Brighid or Bride (either is pronounced Breed), mother of poetry, smithcraft and healing.

In their Encyclopedia of Celtic Wisdom, Caitlin and John Matthews quote the tenth century Cormac’s Glossary: Brighid is “a poetess… the female sage, woman of wisdom, or Brighid the Goddess whom poets venerated because very great and famous for her protecting care.”Cormac’s Glossary gives Brighid the poetess two sisters, Brighid the smith and Brighid the “female physician”; Brighid thus occurs threefold, called by the Celts the Three Blessed Ladies.

The three Brighids multiply, to three times three: Caitlin and John Matthews call Brighid “a being who has nine separate spiritual appearances and blessings, which are ubiquitously invoked through Celtic lore.” Hers are the “nine gifts of the cauldron” mentioned in Amergin’s “Song of the Three Cauldrons”: poetry, reflection, meditation, lore, research, great knowledge, intelligence, understanding and wisdom. The Christianized St. Bridget had nine priestesses, the “Ingheau Anndagha,” or Daughters of the Flame, who lived inside her shrine and tended her fire, whom no man could look upon, according to Kisma K. Stepanich in Faery Wicca, Book One. Brighid is also a midwife and protector, a war-goddess and a teacher of the arts of battle.

Celtic lore makes Brighid the daughter of the Dagda, the Good God, and marries her to Bres of the Fomors, by whom she bears a son Ruadan. But, as Janet and Stewart Farrar write in The Witches’ Goddess, “The fact that Dana, though goddess/ancestress of the Tuatha, is sometimes referred to (like Brighid) as the Dagda’s daughter; the hints… that the Dagda was originally the son of this primordial goddess, then her husband, then her father; the dynastic marriage between Brighid and Bres – all these reflect a long process of integration of the pantheons of neighboring tribes, or of conquerors and conquered, and also of patriarchalization.” Like many goddesses, Brighid probably once birthed the god later called her father. Brighid’s name can be derived from the Gaelic “breo-aigit” or “fiery arrow,” but the Matthewses prefer a derivation from Sanskrit, “Brahti,” or “high one.”

The entire Celtic world worshipped Brighid. She was Brigantia in Britain, the patron goddess of the tribe of the Brigantines in northern England and of the Brigindo in eastern France, Stepanich says. The Celts continued to worship her in Christian times as St. Ffaid in Wales, St. Bride in Scotland and St. Bridget or Bride in Ireland. St. Bridget was said to be the midwife and foster mother of Christ, the helper and friend of Mary.

Making Bride’s Bed

Long before she befriended the Mother of God, Brighid was the Mother herself, her agricultural roots going back to the Neolithic. Campanelli describes an Imbolc ritual for creating Bride’s bed, drawn from ancient rituals in which harvesters at the Autumn Equinox would bring the last sheaf of wheat or other grain into the house, believing the Goddess of the Grain lived within. The harvesters often made this last sheaf into a woman’s shape, the Corn Bride or Maiden, dressing her in white.

If you have autumn harvest left, say a sheaf of Indian corn, as part of your Imbolc ritual you can create a Bride’s bed. Dress her in white and decorate her as you like, then place her in a basket or on a square of white cloth. Across her, lay a priapic wand – an acorn-tipped wand of oak – twined with ribbon, so that wand and bride form an X. Then place lit candles to either side, and chant to her something like, “Blessed be the Corn Bride! Blessed be the Great Mother!” At the height of the chant, extinguish the candles. Then, at sunrise the next morning, place the bride without her dress on your front door. There she forms an amulet of prosperity, fertility and protection, which can remain till after Samhain. Campanelli suggests you return her to earth before Yule, perhaps scattering her in the fields for birds.

Brighid the Midwife

Brighid is midwife as well as harvest mother. As late as 100 years ago in the west Scottish Highlands, the Matthewses write, the midwife traditionally blessed a newborn with fire and water in Brighid’s name. She passed the child across the fire three times, carried the baby around the fire three times deosil, then performed “the midwife’s baptism” with water, saying:

A small wave for your form

A small wave for your voice

A small wave for your speech

A small wave for your means

A small wave for your generosity

A small wave for your appetite

A small wave for your wealth

A small wave for your life

A small wave for your health

Nine waves of grace upon you,

Waves of the Giver of Health.

Brighid also protects and heals adults. She is a goddess of healing wells and streams; in her honor, Bridewell is one of the two most common well-names in Ireland, the other being St. Anne’s Well, remembering Anu, or Dana, the mother of the gods – a goddess sometimes conflated with Brighid. With Aengus Og, Brighid performs the role of soul-guardian, wrapping worshippers in her mantle of protection.

Making a “caim”

To protect themselves in Brighid’s name, the traditional Irish would recite a “caim,” the Matthewses write; “caim” means “loop” or “bend,” thus a protective circle. A caim would always name Brighid and the beings, household or body-parts to be protected.

Traditionally, you place a caim by stretching out your right forefinger and keeping that finger pointed toward the subject while walking about the subject deosil, reciting the caim. You can also say a caim for yourself. A caim can be made in all seasons and circumstances; it traditionally encircles people, houses, animals or the household fire. The Matthewses write:

“As her family prepared to sleep, the Gaelic mother would breathe these words (the caim) over the fire as she banked it in for the night…. As she said this, she would spread the embers into a circle, and divide it into three equal heaps with a central heap. To make the holy name of the foster mother (Brighid), she placed three turfs of peat between the three heaps, each one touching the center, and covered it all with ash. Such smooring customs and invocations are still performed in the West of Ireland. And so the protection of Brighid is wrapped about the house and its occupants.”

Augury in Brighid’s Name

Brighid is also a seer; the Matthewses describe her as “the central figure of the Celtic vision world.” She presided over a special type of augury, called a “frith,” performed on the first Monday in a year’s quarter to predict what that quarter would bring. The ancient Celts divided the year by Imbolc, Beltaine, Lughnasad, and Samhain, so the first Monday after Imbolc is appropriate for frithing.

To perform a frith, a traditional frithir would first fast. Then, at sunrise, barefoot and bareheaded, the frithir would say prayers to the Virgin Mary and St. Bridget and walk deosil around the household fire three times. Then with closed or blindfolded eyes, the frithir went to the house door’s threshold, placed a hand on either jamb and said additional prayers asking that the specific question about the coming quarter be answered. Then the frithir opened his or her eyes and looked steadfastly ahead, noting everything seen.

Frithing signs can be “rathadach” (lucky) or “rosadach” (unlucky). A man or beast getting up means improving health, lying down ill health or death. A cock coming toward the frithir brings luck, a duck safety for sailors, a raven death. About the significance of horses, a rhyme survives: “A white horse for land, a gray horse for sea, a bay horse for burial, a brown horse for sorrow.” The role of frithir passed down from generation to generation; according to the Matthewses, the name survives in the surname Freer, “held to be the title of the astrologers of the kings of Scotland.”

To perform a pagan version of frithing, fast the Sunday night before the first Monday after Imbolc and that night formulate your chief question about the coming three months. Monday morning at sunrise, say a prayer to Brighid and barefoot and bareheaded walk deosil around whatever seems the central fire of your house – maybe your kitchen stove, or if you’re not a cook your fireplace or heater. Then go to your doorway, put your hands to either side, and closing your eyes pray your question be answered. Then open your eyes, and note the first action you see. That action probably won’t be found in the traditional frithir’s lexicon, so the interpretation is up to you.

In another frithing technique, you curl the palms to form a “seeing-tube”; frithirs used such a tube to discover lost people or animals and to divine the health of someone absent. Frithirs also sometimes used divinatory stones; the Matthewses describe a “little stone of the quests” made of red quartz.

Imbolc Spells and Workings

Whether or not you try frithing, Imbolc is good for psychic work: still the dark time of the year, but looking toward spring. It’s also a good time to make your space hospitable for such work, banishing old energy to clear the way for new. Traditionally, witches purify themselves and their space at Imbolc. Any kind of cleansing or banishing will do, but consider ones that include fire and water, sacred to Brighid. Once purified, you’re ready to go further; at Imbolc, covens initiate new witches.

The spark of summer dances in the future now; Imbolc is a good time to seek inspiration, especially for healers and smiths of words or metal. To do so, try the following spell.

Bring to your ritual space a cauldron or chalice filled with earth or sand; a white, silver, green, purple or rainbow-colored candle; a candleholder; oil to anoint the candle; paper; and a pen you like or with appropriately colored ink. Ground and center, cast a circle and ask for Brighid’s presence. Then anoint your candle in Brighid’s name, and lighting it write on the paper the aspects of your work in which you want inspiration. When you’re done, raise energy and put it into the paper, then light the paper with the candle flame. Drop the burning paper into the cauldron, making sure the entire paper is blackened. Then thank Brighid and bid her farewell, and take down your circle.

The next day, relight the candle and by its light rub some significant tools of your work with the ashes. Then either sprinkle the remaining ashes onto your garden or houseplants or drop them in a park in a place that feels inspiring or pleasant.

Imbolc is a white time, burning with inspiration and protection, cool with healing and purification. Prophesy flares, painting luster on the dark. Light your candle, call on Brighid, and know that under the snow the seeds of spring stir.

Use Imbolc to Ask for Brighid’s Inspiration

Use Imbolc to Ask for Brighid’s Inspiration

by Melanie Fire Salamander

At a Northwest Imbolc, grey days pass under grey skies. The furor of the solstice holidays is over, and cold and rain face us for the next six weeks, or six months. Here, Imbolc lacks even the bracing snow of winter. Nor is it time for flowers and fresh breezes. A few crocuses may poke their heads above ground, but Imbolc, the first pagan holiday of spring, doesn’t speak of spring’s fulfillment, rather of spring’s promise.

Imbolc is the pregnancy of spring, the first stirring of seeds sown in autumn. One derivation of the holiday’s name, which is taken from the Irish, is “in the belly,” according to R.J. Stewart in Celtic Gods, Celtic Goddesses. Animal life also begins to stir. Around Imbolc, ewes begin to lactate, a time important to hungry traditional peoples. This association is reflected in medieval European writings. Cormac’s Glossary, composed around year 900, derives “Imbolc” from “sheep’s milk,” Ronald Hutton writes in The Stations of the Sun. In the tenth- or eleventh-century Irish tale “The Wooing of Emer,” this holiday is called “Imbolc, when the ewes are milked at spring’s beginning.”

At Imbolc, early Europeans also rendered fat for candles, having saved the fat from meat eaten through the winter. Hence the holiday’s alternate name Candlemas, from the Christianized version of the day. Christian Europe observes Candlemas with candlelight processions, parades that may hark back to ancient torchlight ceremonies for purifying and reviving the fields at spring sowing, according to Funk and Wagnall’s Standard Dictionary of Folklore, Mythology and Legend. The February ceremonies of the pagan Romans were also rites of cleansing and preparation for the coming year. Likewise, February 2 is the Aztec New Year, observed with early-spring agricultural rites and renewed fires. After other purifications, covens at Imbolc traditionally initiate new witches.

Around the Northern Hemisphere, Imbolc is a time of beginnings, of hopes for success in the coming year. But hope is double-edged; the ancient Greeks put it into Pandora’s box with other human ills, a lying daemon. In this grey weather, it’s easy to see hope as a lie. Of all holidays, Imbolc is the most based on faith. If you don’t feel faith, if you lack inspiration, Imbolc is a good time to seek it.

Brighid’s Day

Imbolc comes strongly associated with a Celtic goddess who oversees inspiration. The Irish, Scots and Manx considered this holiday to belong to Brighid or Bride (pronounced breed), a patroness of smithcraft, healing and poetic inspiration whose name can be derived from the Gaelic “breo-aigit” or “fiery arrow.”

Brighid’s attributes are many. She was known as a smith and fighter, patroness of the armies of Irish Leinster. As a healer, she rules wells and streams. Worshippers in medieval times walked around her holy wells deosil (sunwise) on hands and knees and left valuable pins or buttons in the water, or hung rags in the trees nearby, asking for relief.

An Irish celebration of Brighid’s day reflects another healing aspect. In this observance, Hutton writes, a family would hold a formal supper, during which they would place food, usually cake or bread and butter, on the windowsill as a gift for Brighid. The family might also leave a cloth, garment or ribbon on the sill overnight, asking Brighid to bless it. Family members would wear it later in the year to prevent headaches.

Brighid also oversees childbirth. In the west Scottish Highlands as late as 100 years ago, midwives would bless newborns with fire and water in Brighid’s name, Caitlin Matthews reports in The Encyclopedia of Celtic Wisdom. Fire and water come together also in Brighid’s water, which you make by plunging a burning coal into water while asking for the goddess’s blessing. The water, used to anoint and purify, combines Brighid’s natures of smith and healer.

Brighid’s midwife aspect perhaps conceals an earlier goddess of fertility, a corn-mother, as shown in the tradition of Bride’s bed. To create this bed, Pauline Campanelli in The Wheel of the Year has you decorate a grain maiden made at the autumn equinox or from the last harvest’s wheat or corn. You dress the maiden in white, lay her in a basket and set across her a priapic wand — an acorn-tipped wand of oak — twined with ribbon, so that wand and bride form an X. You then place lit candles to either side and hail the maiden with a chant, or incorporate her into a ritual saluting the fertility of the coming spring. After the ritual, you undress the maiden and at sunrise place her on your dwelling’s front door. There she forms an amulet of prosperity, fertility and protection, which can remain till the next Samhain.

The Celtic traditions behind this pagan practice are many and varied. In the Isle of Man, according to Hutton, followers of Brighid left her an empty bed in a corner of the house or barn, beside it bread, cheese, ale and a lighted candle. In the Scottish islands of the Hebrides, where householders made a figure of Bride from oats, families would leave her abed overnight and look for an impression of her wand in the hearth ashes the next morning. A mark meant a good crop and a prosperous year, and a footstep was held marvelous, but if nothing appeared the family took it as a bad omen. To avert misfortune, members would bury a cock at the junction of three streams or burn incense on their hearth fire.

Elsewhere in Ireland, people plaited a criosog Bridghe, St. Brighid’s cross, of rushes or straw, hanging it on Brighid’s Eve over a door or window or in the rafters to welcome her. Others set their crosses in stables to ask for blessings on the animals. The Irish left their criosogs up through the year, replacing them the next Brighid’s Eve.

Besides giving health and agricultural fertility, Brighid lends clear sight into the future and creative fertility. According to Matthews, she presided over a special type of Irish augury called a “frith,” performed on the first Monday after a cross-quarter day, such as Imbolc, to predict what the year’s next quarter would bring. Brighid was said also to inspire poetry, and many Irish poems hail her. Cormac’s Glossary calls her “a poetess… the female sage, woman of wisdom, or Brighid the goddess whom poets venerated because very great and famous for her protecting care.” Matthews attributes to her the “nine gifts of the cauldron” mentioned in the Irish poet Amergin’s “Song of the Three Cauldrons”: reflection, lore, research, great knowledge, intelligence, understanding, wisdom, meditation and poetry. If inspiration is what you seek at this grey Northwest Imbolc, Brighid is a good goddess to turn to.

A Ritual to Seek Inspiration

This ritual is to find hope and inspiration in a project or your life as a whole. Before you start the working, I’ll ask you to spend some time in journal work and meditation. For these and the magickal rite, give yourself at least one undisturbed hour (two is better). Turn off the phone, and put your pets in another room.

A good time for this ritual is first thing Imbolc morning. If that doesn’t work, try the night before, or during a waxing moon. It’s best done in spring, but don’t let the season prevent you from doing the ritual if you want.

Have on hand:

  • A white or pastel candle to meditate by, and a candleholder for it.
  • Paper and pen to create a journal entry and for use during meditation. (You can create the initial journal entry using a computer, but you’ll definitely want the old-fashioned tools later.)
  • A cauldron or earth-filled bowl large enough to contain a burning piece of paper safely.
  • Anointing oil or Brighid’s water.
  • A candle of a color that says inspiration to you, possibly rainbow-colored, silver, gold, lavender or
    green — use your own personal associations.
  • A candleholder for this inspiration candle.

Journal Work

First, create a journal entry looking at what you’re thinking and feeling. Whether or not you keep an ongoing journal, writing about your thoughts and emotions helps clear your head before a ritual and make sure that unconscious ambivalence doesn’t color your work. Even if you already know what’s in your head, getting your feelings out on paper may reveal new information or connections. And the simple act of formally acknowledging a thought or emotion by writing it down can help that energy move.

So ask yourself: How do I feel? Why?

Next, ask yourself: What do I want out of this ritual? Write the answer on a separate page as a single, formal statement; this will be the statement of your working.

Then ask yourself: What within me stands in my way? What benefits do I get from not succeeding here?

This ritual assumes you are already dealing with any practical roadblocks preventing your success. For me, it’s rarely the outer blockages that most hinder me — it’s the inner ones.

So look at the inner urges that block your desires. As they come up, don’t judge them, if you can avoid it. These shadows all exist for a reason. If you can honor these urges, understand them, talk to them, promise they will be met in some way other than preventing your success, you will clear the way for inspiration.

On a separate piece of paper, write out a list of your inner blockages for use in meditation, following.

Meditation

To meditate, start with relaxation. Light your white or pastel candle, and sitting in front of it relax your whole body. If this doesn’t come easily, try tensing each body part, then releasing it. (For more meditative techniques, see other articles in this issue.) Looking at the candle flame — if you don’t want spots before your eyes, look at the base of the wick — take 20 deep breaths, breathing into your belly, saying to yourself that each breath relaxes you further. Count each breath.

Once relaxed, ground and center. Make your grounding cord strong and deeply rooted, and center yourself in the middle of your head — your third eye, a neutral space. Neutrality is a good tool when looking at inner blocks. Next, create a protective energetic circle around yourself in whatever way you prefer.

For the following step, give yourself some latitude. Don’t force yourself to do work you’re not ready for; doing so will enforce rather than clear obstructions.

From your list of inner blocks, choose one. Let it be personified in a way that you can be neutral about — not a monster, simply a presence. Then ask the block in meditation: What do you want?

For me, the answers to this question always surprise me and usually simplify matters. What your blockage will usually want, first, is acknowledgement. Then it might have some specific request. Nine times out of ten, at least for me, such requests can be dealt with in ways that allow me to move forward with my desired goal.

On a separate piece of paper, write down what the block wants. If you can, promise to fulfill that need, but at very least write it down for your knowledge.

Thank the block, bless it and let it go.

Then choose the next block on your list (unless you have only one), and repeat the process, collecting all the blocks’ requests on one sheet.

When you’re done figuring out what your blockages want, briefly decide how to address the requests. Often the action required is something simple, such as recognizing and honoring a formerly hidden emotion. Sometimes addressing the blockages’ needs will take further practical or ritual work. The answer isn’t to do the work right now, but to make an honest commitment to do it over time. If you don’t feel you can do what your blocks request, at the very least promise to keep thinking about the issues raised till solutions can be found. However works best for you, make a commitment to do the work to satisfy and thus release these blocks.

Write that commitment down on the page with the blocks’ requests, fold the paper and, when you can, set it in some place you will see daily, such as on your altar.

Now ground and center once more. Connect with the energies of earth and sky, and from the sky draw down cleansing, healing energy. Let it meet healing earth energy within you, and fill yourself completely with healing and comfort. Wash any pain or negative emotion down your grounding into the earth. Take time to do this slowly and fully and come back to equilibrium.

The Rite Itself

Now that you’ve done your personal work in journal and meditation and cleansed yourself, it’s time to ask for inspiration from the goddess.

Connect again with your grounding, center yourself and renew the circle around you, this time so as to work magick. Call the elements, directions, fey or all three to your circle as you usually do.

Now call to your circle the Celtic goddess Brighid. Do so in a speech inspired in the moment; call to her from your heart. The description earlier should give you a feeling for her attributes and nature. Call her strongly; let her fill your circle.

Besides your original journal entry and the page listing your blocks’ requests and your commitment, you should have two slips of paper: the list of the blocks themselves and your formal statement of ritual intent. From that statement, read aloud what you want this ritual to do. Feel free to amend your statement based on what you learned from journal work and meditation.

Now take up the list of things obstructing you. Say aloud the following, or something like it:

“To do (my project), I have committed to satisfy these blocks. Having made that commitment, I release them.”

Focusing on letting go your inner blocks, fold the page and light it in the flame of your meditation candle. Let the flame burn up everything that stands in your way. Drop the burning page in your cauldron or earth-filled bowl, and watch till it flares out.

Now pick up the anointing oil or Brighid’s water. Hold it above your head, and call out the following or something similar:

“I dedicate this (oil or water) to the Goddess Brighid and her brilliant inspiration!”

With the dedicated oil or water, anoint the candle you’ve chosen to represent inspiration. Holding the candle above your head, stand and raise the energy of inspiration either by toning wordlessly or by chanting:

“As this candle flames and fires,

Let me be renewed, inspired.”

Pour energy into the candle, imagining yourself filled with inspiration and hope. Imagine too the goddess lending you her aid.

When you have sent the power you raised into the candle, touch the surface below you and ground out any excess energy. Set the candle in its holder, ready for use. Then thank and release the goddess and other entities (directions, elements, fey), and take down your circle.

Light the candle whenever you work on the project you created it for, or whenever you’re in need of inspiration or hope.