Calendar of the Sun for November 15th

Calendar of the Sun

15 Blutmonath

Nidhogg’s Blot

Color: Black
Element: Earth
Altar: On a black cloth set several bare tree branches in an earthenware vase, a horn of mead, and the figure of a dragon.
Offerings: Pieces of wood with the name of a missed duty scratched on them.
Daily Meal: Tree fruit such as apples or pears or cherries or peaches.

Invocation to Nidhogg

At the base of the great World Tree
Dwells a black dragon
Whose name is Nidhogg,
Whose sole task is gnawing
At the roots of Yggdrasil.
As quickly as it gnaws away,
New growth comes forth
In a never-ceasing spiral.
At the base of each soul
Dwells a black dragon
Whose name is Conscience,
Whose sole job is gnawing
On our blithe thoughtlessness.
As it gnaws and forces us
To do what should be done,
It clears away our disorder
And allows for new growth
In the tangle of our lives.
Teach us, gnawer at the roots,
How to listen and decide.

Chant:
Roots of the Tree,
Hidden, mysterious,
Reveal them to me,
Dragon of Earth.

(Each person shall snap a twig from the branches on the altar and take it with them, laying it under their pillow to remember Nidhogg and their own consciences. The mead is passed around and shared, and the remainder poured out as a libation to Nidhogg.)

[Pagan Book of Hours]

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Calendar of the Sun for November 26th

Calendar of the Sun

 

26 Blutmonath

Valraven’s Day

Color: Black
Element: Air
Altar: Upon a black cloth set a black stone, a white stone, a chalice of mead, a knife, a skull, and the figure of a black winged horse.
Offerings: Kneel and meditate on Death. Face a fear that is long overdue.
Daily Meal: Meat.

Invocation to Valraven

Black horse that runs across the sky
Ridden by Valkyries in their battle-wrath
Ridden by Hel in her implacable coldness
Riding the spirits of the air in turn,
Show us our dreams
And not our nightmares,
Yet if you must bring us nightmares,
Let them be guides to the darkest corners
Of our hidden mind and soul,
The better to know ourselves.
Black horse that runs across the sky
On great black wings,
Let us listen for the rustle of your feathers
In our ear as we lie awake
In that moment before sleeping.
Let us go to visit you
Where you are enthroned
In the place of smooth black stone
The place where no light falls
The place where the Dead pass by
On their way from rainbow to earth
On their way past Mordgud’s toll
On their way past Nidhogg’s working
On their way over chill water
Into the icy realm of Death
Where only your Queen rules.
And when we come as your guests,
Lord who lives beneath the ground
And rides the winds in the sky,
May we always be free to leave.
(Hum one wordless note, then blow out the candles and leave in silence.)

 

 

[Pagan Book of Hours]

Calendar of the Sun for November 15

Calendar of the Sun

 

15 Blutmonath

Nidhogg’s Blot

Color: Black
Element: Earth
Altar: On a black cloth set several bare tree branches in an earthenware vase, a horn of mead, and the figure of a dragon.
Offerings: Pieces of wood with the name of a missed duty scratched on them.
Daily Meal: Tree fruit such as apples or pears or cherries or peaches.

Invocation to Nidhogg

At the base of the great World Tree
Dwells a black dragon
Whose name is Nidhogg,
Whose sole task is gnawing
At the roots of Yggdrasil.
As quickly as it gnaws away,
New growth comes forth
In a never-ceasing spiral.
At the base of each soul
Dwells a black dragon
Whose name is Conscience,
Whose sole job is gnawing
On our blithe thoughtlessness.
As it gnaws and forces us
To do what should be done,
It clears away our disorder
And allows for new growth
In the tangle of our lives.
Teach us, gnawer at the roots,
How to listen and decide.

Chant:

Roots of the Tree,
Hidden, mysterious,
Reveal them to me,
Dragon of Earth.

(Each person shall snap a twig from the branches on the altar and take it with them, laying it under their pillow to remember Nidhogg and their own consciences. The mead is passed around and shared, and the remainder poured out as a libation to Nidhogg.)

 

[Pagan Book of Hours]

Dragons of Chaos and Destruction

Dragons of Chaos and Destruction

These dragons represent the negative power currents necessary to dissolve problems and sweep away troublesome people. They are of very dark colors: Black, gray, pewter, iron, dark magenta, purple, reds and greens so dark that they appear to be black. Their bodies are heavy and huge: in fact, they are the largest of all dragons. Their wide wedge-shaped heads sit atop long necks. Their serpentine tails are either barbed or with a spiked knob on the ends. Enormous wings carry them on swift flights.

When dragons of chaos and destruction make changes and help in rituals, they do everything in a big way. They go past your limited view of happenings, straight to the heart of the problem, so be certain you can stand their help before you call on them. These dragons work with re-creation of lives, relationships, and careers; breaking of barriers; changing luck; vast changes in general; work on past lives; divination; the confining or enemies or anyone who will hinder your forward growth or movement.

One of the very first recorded descriptions of a dragon is found in Babylonian records. The goddess Tiamat was considered to be the Great Mother Creator who built order our of chaos, on her own body. She was called a dragon and was said to be a monstrous creature with a scaly serpentine body, four legs, and horns on her head. After her spirit of initial creative activity. Tiamat spent her existence in repose. One of her offspring, the god Marduk, eventually killed her and build the earth and sky out of her body. This is a symbolic description of the activities of a chaos dragon: the breaking down of a static life-form and re-creation of another.

The ancient Egyptians said that before heaven and earth appeared a brood of serpents was created. They called these the Oldest of the Old. These serpents were very long and had only two legs. After the creation of the world and the universe, these serpents were confined, whether deliberately or by choice is not certain, in the Underworld, which every soul had to pass through on it way to judgment. The Egyptians advised that the soul should tread carefully on its journey, treating with respect the Oldest and his wife who reigned there.

The Egyptians also had a legend about the great serpent dragon Apep who daily threatened the sun god Ra when the Sun boat had to pass through darkness each night. The god Set who rode in the boat with the Sun god battled Apep on each nightly journey. When there was a solar eclipse, the Egyptians believed that Apep had broken out of his Underworld realm and had come into the physical world to do battle with Ra.

In Nordic myth, Niflheim was the lair of the great destructive dragon of chaos whose name was Nidhogg or Nidhoggr. Dread Biter, as he was called, lay coiled abut the root of the World Tree, constantly gnawing at it to destroy it. Nidhogg’s attempts at destruction were countered daily by the Norms who sprinkled the tree with water from their sacred well. But when Ragnarok, or the end of the world, comes the Norse say that Nidhogg will fly over the Hills of Darkness with the bodies of the dead on his wings. Another of Dread Biter’s tasks was to strip the flesh off all corpses.

Although dragons in general were looked upon as bringing disaster, depending of course upon their actions, chaos dragons are often quite literally omen of catastrophe. They can be seen in the area of disaster when other dragons create such things as great storms, earthquakes or floods, but their power lies in creating or precipitating wars, bloodshed, plagues, and desolation when humans have gotten things out of balance. Unfortunately, it seems to take such occurrences to make humans want to find a better way of doing things.

Although the dragons of chaos and destruction create upheavals and complete transformations and rebirths, they are not evil. Their magic power is vital to the magician. They require as much forethought and caution as when working with Fire dragons. But if your life and plans have become static, your luck stuck in a negative mode, or circumstances or people are making you feel helpless and hopeless, then these dragons will turn the tide of events. Just be very certain that you are prepare for the drastic change tat will come.

As with many kinds of dragons, the chaos dragons are connected with death and rebirth; in fact, more so than others of their species. Often, when riding the dragon in an attempt to destroy barriers and remove enemies, one finds oneself face to face with oneself–the worst enemy of all. This ride can turn into a dramatic rebirth for the magician if she/he is willing to accept what is being shown by the dragon.

This connection with death and rebirth can still be seen on coffin decoration well into the Middle Ages. A wooden coffin from Zobingen, Wurttembergisches Landesmuseum, Stuttgart has a beautifully carved and coiling serpent on it.

A close magician friend of mine had a problem, not of her making, with another magician. Louise’s problems began when she married and no amount of magic seemed to lessen the mental attacks. Finally she called upon the dragons of chaos and destruction. She did not specify what they should do; she only stated the problem and the fact that she wanted a definite end to the situation. Up until the final moments of the ritual, Louise had not been sure exactly how she was being attacked and had only a suspicion by whom, but the dragons let her clearly know. As she was working with the dragon mirror, she was given a glimpse of her attacker, heard an audible crack, and “saw” a second mirror shatter. The attacking magician must have had a shock upon finding her ritual mirror in pieces. The attacks stopped. Louise now has a huge dragon that protects her home as well as the little guardian dragon who plays with her cat. The positive results of this ritual came from several important factors; the cause was just; there were no specifics given as to what should be done; harm was not intended.

The dragons of chaos and destruction must be called only within a cast and sealed circle. All movements and gestures within the circle must be counterclockwise. Burn patchouli, basil and dragon’s blood or binding incense. Use black or the darkest of purple candles. Greet these dragons with the sword in your power hand, the staff in the other.

Credit for this information
 
“Dancing with Dragons”
 
D. J. Conway