Today We Honor The Goddess Danu

The Goddess Danu

As the mother of the gods, Danu has strong parallels with the Welsh literary figure (or goddess) Dôn, who is the mother figure of the medieval tales in the Mabinogion.

Danu was considered as the mythic mother goddess of the Tuatha Dé Danann, the Celtic tribes that first invaded Ireland. The Celts, also on the continent, had several goddesses, also of war. “Apart from these goddesses of war, there were other Amazonian figures who led armies into battle. Often they were also endowed with legendary sexual prowess…” “The Celts included the cult of the mother goddess in their rites, as archeological evidence testifies. Indeed, the Tuatha Dé were the descendants of the goddess Danu, and in some local instances, the ruler of the otherworld was a goddess, rather than a god, just as some folktales represented the otherworld as ‘the Land of Women’. Danu may be connected with Bridget, daughter of Kildare and of learning, culture and skills. She was known as Brigantia in northern England, and survived as St Bride in Christianity”

Goddess Of The Month

DEMETER

Goddess of grain and agriculture, pure Nourisher of youth and the green earth, health-giving cycle of life and death, and preserver of both marital fertility and the Sacred Law.

In Greek mythology, Demeter (Greek: “mother-earth” or possibly “distribution-mother” from the noun of the Indo-European mother-earth) is the goddess of grain and agriculture, the pure nourisher of youth and the green earth, the health-giving cycle of life and death, and preserver of both marital fertility and the sacred law. She is invoked as the “bringer of seasons” in the Homeric hymn, a subtle sign that she was worshiped long before the Olympians arrived. The Homeric Hymn to Demeter has been dated to sometime around the seventh century B.C.E. She and her daughter Persephone were the central figures of the Eleusinian Mysteries, which also predate the Olympian pantheon. The Roman equivalent is Ceres, from whom the word “cereal” is derived.

Demeter is easily confused with Gaia or Rhea, and with Cybele. The goddess’ epithets reveal the span of her functions in Greek life. Demeter and Kore (“the maiden”) are usually invoked as to theo (‘”The Two Goddesses”), and they appear in that form in Linear B graffiti at Mycenaean Pylos in pre-classical times. A connection with the goddess-cults of Minoan Crete is quite possible.

According to the Athenian rhetorician Isocrates, the greatest gifts that Demeter gave were cereal, which set humans apart from wild animals, and the mysteries, which give humankind higher hopes in this life and the next.

The Eleusinian Mysteries

Without a doubt, the most important role of Demeter was as a goddess of the Elusinian mystery religion. In this capacity, her primary function was to provide the cultic adherents with hope for eternal life (or a pleasant afterlife). Though little is known of the specifics of worship, it appears that it involved a hidden knowledge (gnosis) being shared by the participants:

The object of the [mystery] is to place the [participant] in a peculiarly close and privileged relation with the divinity or the deified spirit…. all of the members of the city, gens or household could freely join in the cult, if they were in the ordinary condition or ritualistic cleanliness; and the sacrifice that the priest performed for the state might be repeated by the individual, if he chose to do so, for his own purposes at his own house-altar. Both in the public and in the mystic service a sacrifice of some sort was requisite, and as far as we can see the religious conception of the sacrifice might be the same in both. But in the former the sacrifice with the prayer was the chief act in the ceremony, in the latter it was something besides the sacrifice that was of the essence of the rite; something was shown to the eyes of the initiated, something was done: thus the mystery[.]

These rites are one of the most compelling enigmas in human religious history, as the vow of secrecy that all participants were obliged to take has remained largely unbroken—meaning that many elements of these practices have been lost to the mists of time.

Demeter and Poseidon

Demeter and Poseidon’s names are linked in the earliest scratched notes in Linear B found at Mycenaean Pylos, where they appear as PO-SE-DA-WO-NE and DA-MA-TE in the context of sacralized lot-casting. The ‘DA‘ element in each of their names is seemingly connected to an Proto-Indo-European root relating to distribution of land and honors (compare Latin dare “to give”). Poseidon (his name seems to signify “consort of the distributor”) once pursued Demeter, in her archaic form as a mare-goddess. She resisted the sea king’s advances, but she could not disguise her divinity among the horses of King Onkios. Poseidon became a stallion and “covered” (read: violated) her. Demeter was literally furious (“Demeter Erinys”) at the assault, but washed away her anger in the River Ladon (“Demeter Lousia”). She bore to Poseidon a daughter, whose name could not be uttered outside the Eleusinian Mysteries, and a steed named Arion, with a black mane. In Arcadia, Demeter was worshiped as a horse-headed deity into historical times:

The second mountain, Mt. Elaios, is about 30 stades from Phigaleia, and has a cave sacred to Demeter Melaine [“Black”]… the Phigalians say, they accounted the cave sacred to Demeter, and set up a wooden image in it. The image was made in the following fashion: it was seated on a rock, and was like a woman in all respects save the head. She had the head and hair of a horse, and serpents and other beasts grew out of her head. Her chiton reached right to her feet, and she held a dolphin in one hand, a dove in the other. Why they made the xoanon like this should be clear to any intelligent man who is versed in tradition. They say they named her Black because the goddess wore black clothing. However, they cannot remember who made this xoanon or how it caught fire; but when it was destroyed the Phigalians gave no new image to the goddess and largely neglected her festivals and sacrifices, until finally barrenness fell upon the land.

Demeter, Persephone and the Eleusinian Mysteries

The central myth of Demeter, which is at the heart of the Eleusinian Mysteries, is her relationship with Persephone, her daughter through a dalliance with Zeus. In the tale, Persephone becomes the unwilling consort of Hades (Roman Pluto, the underworld god of wealth) and is taken from her mother’s side into her new spouse’s dusky kingdom. Demeter, distraught over the loss of her precious daughter, devoted the entirety of her time and attention to seeking her, which had the consequence of halting the progression of seasons. During her search, she had many additional adventures, though none of them were sufficient to distract her from her maternal concerns. Eventually, the situation on Earth grew so dire that Zeus found it necessary to intercede directly, imploring his brother to return Persephone to her mother. Before she was released, however, Hades tricked her into eating six pomegranate seeds, which forced her to return to his realm for six months each year. When Demeter and her daughter were together, the earth flourished with vegetation. But for six months each year, when Persephone returned to the underworld, the earth once again became a barren realm. This myth, in addition to providing an aetiological explanation for the progression of the seasons, also explain the connection between Demeter/Persephone and the Eleusinian Mysteries (which were centered around the achievement of eternal life).

Demeter’s stay at Eleusis

While Demeter was searching for her daughter Persephone, she found it expedient to adopt the guise of an old woman (Doso). In this form, she received a hospitable welcome from Celeus, the king of Eleusis in Attica (and also Phytalus). He asked her to nurse Demophon and Triptolemus, his sons by Metanira.

As a gift to Celeus (in thanks for his hospitality), Demeter planned to make Demophon as a god, which was achieved by coating and anointing him with Ambrosia, breathing gently upon him while holding him in her arms and bosom, and by burning away his mortal spirit in the family hearth every night. Unfortunately, Demeter was unable to complete the ritual because one night Metanira (the child’s mother) walked in and saw her son in the fire and screamed in fright. This angered the fertility goddess, who lamented that foolish mortals did not understand the power of her ritual.

Instead of making Demophon immortal, Demeter chose instead to repay her host’s generosity by teaching Triptolemus the art of agriculture. From him, the rest of Greece learned to plant and reap crops.

Portrayals of Demeter

  • Demeter is usually portrayed on a chariot, is frequently associated with images of the harvest, including flowers, fruit, and grain. She was also sometimes pictured with Persephone.
  • Demeter is not generally portrayed with a consort, though the exception is Iasion, the youth of Crete who lay with the goddess in a thrice-ploughed field and was sacrificed afterwards.
  • Demeter placed Aethon, the god of famine, in Erysichthon’s gut, making him permanently famished. This was a punishment for cutting down trees in a sacred grove.

Reference:

New World Encyclopedia

The Cauldron

The Cauldron
 

The Cauldron has a mythological based on the Celtic traditions, and another on popular beliefs. It has been associated with witches from the begining, as the place where the infamous potions were boiled. The symbology takes it both as a tool of transformation (elements enter it in one state and leave it in another) and as an image of the mother’s womb.

Celtic mythology tells us about the Goddess Cerridwen, who cooked in her cauldron the potion for wisdom for a year and a day, curiosly the same time one needs to serve as an acolite before being formally initiated. There are many mentions to the witches’ cauldron, and among the most famour we can name the one featured in a scene in Shakespeare’s Macbeth, when they make a potion as Macbeth decides his future as a traitor. Another legend taken from the Mabinogion tells us of a cauldron that has the virtue of bringing dead warriors back to life.

The cauldron we’re talking about here doesn’t need to be enourmous like we see in the movies. It’s still somewhat easy to find cooking pots very much like we need, even though they’re not the average nowadays. During rituals, depending on the size, we can either put it on the altar, or on the floor, to our left.

The uses of the cauldron varies. As representing the Primal Womb, is obviously feminin, belonging to the element of water. But as it’s solidly built, and usually isolated from the floor by three legs, we can use it, for instance, for every ritual that requires a small fire, or the burning of an element (paper or candles), without worries about security risks. It’ll be usefull in every case we need to symbolise a transformation or rebirth. Also, when full of water it can symbolise the element, though we’ll generally use the chalice. Another of it’s ritual uses can be as a place to discard every material used along the ritual, for instance matches or ashes, to keep them off the altar.

As with all tools, but with this in particular due to it’s possible uses, we must remember to scrupulously clean it after it’s use.

If necesary, it can be replaced by a small metal bowl if we need to burn something, or with the chalice if we just need it to contain water.