WOTC Extra – Very Simple Dedication Ritual

Witch

Very Simple Dedication Ritual

 

Here is a simple dedication ritual. On the night of a full moon, go outside and draw a circle around yourself with your athame. Once you are inside your circle, light a white candle and gaze at it until you can feel the moonlight filling ing your soul. Then pour a libation to the goddess from your chalice onto the ground. Hold the chalice up to the moon and say,

“With all my heart and soul, I, __________, willingly dedicate myself to the Craft and to you.

So mote it be.”

Drink from the chalice, and then sit quietly in your circle until it feels like the right time to go back inside.

 

 

Everyday Witch A to Z: An Amusing, Inspiring & Informative Guide to the Wonderful World of Witchcraft

Deborah Blake

 

WOTC Extra (b) – The Actual Ritual Bath

Pentagram

The Actual Ritual Bath

 

If you are intending to take a ritual bath you should, as you mix in your salts, bless the water and charge it with your intent – be that a particular ritual, a relaxing evening or a successful meeting. In this ritual you will use candles. These can be in the colours of the Elements or the colours most appropriate to your purpose, for example – pink (peace and tranquillity), blue (wisdom), green (self-awareness) and red (passion). For spiritual matters, use purple.

YOU WILL NEED

Bath Salts

Votive candles according to your need

Large white candle

Essential oil to remove negativity, e.g. Rosemary

Large glass of mineral water or juice

 

METHOD

Anoint the large white candle with the essential oil and ask for positivity, health and happiness as you do so. Do the same with the votive candles according to your need. You may, if you wish, inscribe a symbol to represent your purpose on each candle.

Run your bath and mix in the bath salts.

Light the candles, the white one first followed by the votives and place the latter safely around the bath. The white candle should be placed wherever you feel is safest. You have now created a sacred space.

Lie back and enjoy your bath and at some point drink your water or juice visualizing your whole system being cleansed inside as well as out. Before you get out of the bath, thank the water deities for this opportunity to prepare thoroughly for the new energies available to you. If you are to perform a ritual, then keep your mind focussed on that intent.

On this occasion, for safety’s sake, when you have finished your bath, snuff out the candles.

 

Natural Magic: Spells, Enchantments & Self-Development

Pamela Bell

WOTC Extra (a) – A Method of Ritual Bathing

Pentagram
A Method of Ritual Bathing

 

Many practitioners prefer to take a ritual bath before performing any magical workings. You will probably develop your own routine, but below we show the basic sequences that can work very well.

Bath Salts

Commercial bath salts will do absolutely nothing on an esoteric level – they have too many chemical additives and artificial perfumes, so it is a nice touch to make your own using essential oils, blends such as those shown below and/or herbs. The fact that you have mixed them yourself means that they are infused with your own vibration and therefore will work on a very subtle level.

Matching your bath salt perfume to your incense perfume will do wonders for your psyche.

On a slightly more practical level, bath salts with an esoteric theme are an effective and gentle way of introducing someone to the delights of ritual.

YOU WILL NEED

3 parts Epsom salts

2 parts baking soda

1 part rock salt (or borax)

Bowl for mixing Essential Oils in your chosen perfumes

Handful of herbs (optional)

Natural food colouring

 

METHOD

Mix the first three ingredients thoroughly in the mixing bowl. Use your hands as this will enable you to imbue the salts with your own energy. This is your basic mixture and can be perfumed or coloured in any way that you please.

Note: It is wise when using essential oils to mix them first if you are using a blend to allow the synergy between the oils to develop.

Add your colouring first and mix to your satisfaction, then follow with your oil or blend a drop at a time. Next add the herbs to the mixture and combine thoroughly. Be generous with the oils since the salts will absorb a surprising amount. Your nose, however, as with all oils and perfumes is the best judge – there is no right or wrong amount.

If you wish to call upon one of the water gods, now is a good time to do so since you should take your time in blending the ingredients.

When you wish to use your salts, add approximately 2 tablespoons to a full bathtub and mix well.

 

Natural Magic: Spells, Enchantments & Self-Development

Pamela Bell

Let’s Talk Witch – Preparation for Rituals

Pentagram

Preparation for Rituals

 

Inevitably there are certain things to remember before the ritual proper begins. While you are preparing for the ritual, when putting on your robes or ritual gowns you might spend time in reflection, silent meditation or prayer. Prior to the beginning of any ritual, and while enrobing, concentrate on the matter in hand, if the ritual has a special intent. Alternatively, simply focus on the Supreme Being, Cosmic Responsibility and/or a successful outcome and ask that the event to follow helps you in your learning.

There is no limit to what can be worn in a ritual. Some groups will suggest white robes with black cords or vice versa for everyone, thus ensuring that everyone starts off on an equal footing. Others may designate certain colours for leaders of the group and other colours for trainees, while yet others will simply suggest that you are comfortable in what you wear. Many people will spend a great deal of time, energy and effort on fashioning suitable robes, and we suggest that you use sigils and symbols appropriate to your own beliefs.

The idea is that when working magically you leave behind the ordinary mundane world, so you will probably prefer to turn off mobile phones, put away keys and name tags and remove money from pockets and so on. It will be a matter of group preference as to whether you wear jewellery or not. In some circles, magical jewellery such as the pentagram, the ankh or rings with magical symbols or significance may be allowed while in others they are not. Many groups will not allow the use of watches, since time is considered irrelevant. It is often better not to use perfume or cologne unless it is based on essential oils which are suitable for the work in hand, or complement any incense being used.

 

Natural Magic: Spells, Enchantments & Self-Development

Pamela Bell

 

A Self-Dedication Rite

A Self-Dedication Rite

 

Prepare yourself by doing the Ritual Bath and Self Blessing. If you,re performing this ritual at the sea or a river, bathe there if you so desire.

 

As you bathe, prepare for the coming rite. Open your consciousness to higher levels of awareness. Breath deep. Cleanse your mind as well as your body.

 

After bathing, dry and dress for the journey. Go to a place in the wild where you feel safe. It should be a comfortable spot where you won’t be disturbed by others, an area where the powers of the Earth and the Elements are evident. It may be a mountain top, a desert canyon or cave, perhaps a dense forest, a rocky outcropping over the sea, a quiet island in the center of a lake. Even a lonely part of a park or garden can be used. Draw on your imagination to find the place.

 

You need take nothing with you but a vial of richly scented oil. Sandalwood, frankincense, cinnamon or any other scent is fine. When you arrive at the place of dedication, remove your shoes and sit quietly for a few moments. Calm your heart if you’ve exerted yourself during your travel. Breathe deeply to return to normal, and keep your mind free of cluttered thoughts. Open yourself to the natural energies around you.

 

When you’re calm, rise and pivot slowly on one foot, surveying the land around you. You’re seeking the ideal spot. Don’t try to find it; open your awareness to the place. When you’ve discovered it (and you’ll know when), sit, kneel or lie flat on your back. Place the oil on the Earth beside you, Don’t stand – contact the Earth.

 

Continue deep breathing. Feel the energies around you. Call the Goddess and God in any words you like, or use the following invocation. Memorize these words before the rite so that they’ll spill effortlessly from you, or improvise:

O Mother Goddess,

O Father God,

Answers to all mysteries and yet mysteries unanswered;

In this place of power I open myself to Your Essence.

In this place and in this time I am changed;

From henceforth I walk the Paths of the Craft.

I dedicate myself to you,

Mother Goddess and Father God.

 

(rest for a moment, silent, still. Then continue)

 

I breathe you energies into my body,

commingling, blending,

mixing them with mine,

that I may see the divine in nature,

nature in the divine, and divinity within myself and all else.

O Great Goddess, O Great God,

Make me one with your essence

Make me one with your essence

Make me one with your essence.

 

You may feel bursting with power and energy, or calm and at peace. Your mind might be in a whirl. The Earth beneath you may throb and undulate with energy. Wild animals, attracted by the psychic occurrence, might grace you with their presence.

 

Whatever occurs, know that you have opened yourself and that the Goddess and God have heard you. You should feel different inside, at peace or simply powerful.

 

After the invocation, wet a finger with the oil and mark the symbols of the Goddess and God somewhere on your body. It doesn’t matter where; you can do this on your chest, forehead, arms, legs, anywhere. As you anoint, visualize these symbols sinking into your flesh, glowing as they enter your body and then dispersing into millions of tiny points of light.

 

The formal self-dedication is ended. Thank the Goddess and God for Their attention. Sit and meditate before leaving the place of dedication.

 

Once home, celebrate in some special way.

Lammas/Lughnasadh Ritual for Online Coven Gathering

Anyone attending our online coven gathering on Saturday, August 1, 2015 this will be the ritual we are following. Nothing is needed to participate in this ritual.  For more information on where and when the gathering will take place please scroll down and click on the banner for Coven Life’s “Home” page. Any questions please email me at ladybeltane@aol.com

LAMMAS GATHERING

I will be closing the circle around us:

With my Sword pointed at the ground: I call upon Fire to guard this circle from all things negative outside of it.

With my Sword pointed at shoulder level: I call upon Water to keep this circle safe from all things negative.

With my Sword above head: I call upon Air to keep this circle safe from all things negative.

We enter this circle in perfect love and perfect trust. We stand in a place that is not a place. In a time that is not a time.

Calling the Watchtowers:

Lay sword on altar.

Facing East: Power of ancient dreams, ancestors of the mighty east

Come forth, O guardians of Air.

Let your wings of intelligence my protection be

Hear this call, let my words draw you near.

Lock the gate that none may pass unless

They come in love and trust. Blessed Be!

Facing South: Power of ancient dreams, ancestors of the mighty south

Come forth, O guardians of Fire.

May your firey breath cleanse my work.

Hear this call, let my words draw you near.

Lock the gate that none may pass unless

They come in love and trust. Blessed Be!

Facing West: Power of ancient dreams, ancestors of the mighty west

Come forth, O guardians of Water.

May your sweeping waters bring protection all around.

Hear this call, let my words draw you near.

Lock the gate that none may pass unless

They come in love and trust. Blessed Be!

Facing North: Power of ancient dreams, ancestors of the mighty north

Come forth, O guardians of Earth.

Let the North Star crown your brow.

Hear this call, let my words draw you near.

Lock the gate that none may pass unless

They come in love and trust. Blessed Be!

This circle is now closed around us and I say: We stand in a place that is not a place, in a time that is outside of time. I welcome you in perfect love and perfect trust. Merry Meet and Merry greet.

I invoke Mother Earth, her of bounty and beauty to come into our circle. I invoke the Lugh, he of craftsmanship in beauty and toil to come into our circle.

Waiting for the power to rise and the deities to enter.

Sitting before me is a loaf of bread made in the shape of a sickle. With it cradled in my hands:

“We thank Mother Earth, Air, Water, Fire and Earth for the grain and other things that made it possible to make this loaf.” (I tear a bite off to save for an offering, that I will place outside for all attending after we are through. Then put the loaf down)

I pick up my chalice: “Lugh we thank you for all the know how you have given us to make instruments for many purposes in our lives.” (I set the chalice back down so the first sip maybe poured on the ground as an offering to Lugh for all attending after we are done.)

Before dismissing the Watchtowers and opening the circle I say: May no harm come to those within or without as we honor this goddess, god, and the elements of Air, Water, Fire and Earth.

I dismiss the Watchtowers starting in the North and walking counter clockwise/witthershins.

Earth I now send you back for where you came with thanks for your protection and power you have given this circle.

Water I now send you back for where you came with thanks for your protection and power you have given this circle.

Fire I now send you back for where you came with thanks for your protection and power you have given this circle.

Air I now send you back for where you came with thanks for your protection and power you have given this circle.

Walking counter clockwise/witthershins

Holding my sword above my head Air I send you back from where you came with heartfelt thanks for your protection.

Holding my sword at should height Water I send you back from where you came with heartfelt thanks for your protection

Holding my sword towards the ground Fire I send you back from where you came with heartfelt thanks for your protection

The circle is now closed. May you go from it with peace and love. Merry part until we Merry meet again.

WOTC Extra – Casting the Circle

Casting A Circle

 

A circle is cast before you perform spell-work. The circle forms two purposes – it protects you from negative energy and it provides energy for the spell being cast.

Face the north quarter and point at it, either with you finger or your athame, while saying, “Hail and welcome.” Light the candle that represents that quarter, if applicable. Repeat this for each other quarter, moving in a clockwise direction to form a complete circle.

When you get back to the beginning again, ask the God or Goddess for their blessing and ask them to seal the circle and protect those working within it.

After you have finished the spell-casting, you will need to close off the circle properly. This is done by the same person who originally cast the circle. Thank the God and Goddess and face each quarter again – this time pointing towards the ground. This will safely disperse the energy.

 

 

Witchcraft: The Ultimate Bible: The Definitive Guide on the Practice of Witchcraft, Spells, Rituals and Wicca

Justin Kase

 

Let’s Talk Witch – Preparing Yourself for Ritual: Cleansing Yourself & Your Sacred Space

Cleansing Yourself and Your Sacred Space

 

 

Before any ritual, you need to make sure that the space set aside for it is clean. Try to keep the space uncluttered and get rid of any dirt. Cleanliness is a sign that you respect the sacredness of the space.

The next thing to do is to prepare the space for the cleansing of any negative energy. In witchcraft, drawing on the power of the elements is a good way to increase the potency of your spell. Having items that represent the various elements is how you will incorporate the power of these elements.

First divide the space into quarters that correspond with the four cardinal points.

Air can be represented by a feather and the color yellow – these are normally set up in the east quarter.

Water can be represented by a shell or sea glass and the color blue – these are normally set up in the west quarter.

Fire can be represented by a candle and the color red – these are normally set up in the south quarter.

Earth can be represented by a stone or piece of natural rock and the color green – these are normally set up in the north quarter.

Although not an element as such, spirit is also considered important and is represented by a figure of a person and the color purple – these are normally placed in the center of the room.

Now that you have all the items in place, you are able to start the cleansing ritual.

Burning sage – either the dried herb or incense – is a really good way to purify the space of negative energy. You can also use a solution of water and salt to cleanse the space.

The following spell employs a combination of the two:

Hold the water in one hand and the salt in the other and say – “In the name of the Lord and Lady, I cast out all impurities.”

Mix the salt with the water and put it down.

Light the sage and pass it over the water and repeat,

“In the name of the Lord and Lady, I cast out all impurities.”

Now that the water is cleansed, sprinkle it around the room and onto the people present. Be sure to also sprinkle the salt water in the doorways and on the windowsills.

Pick up the burning sage and cleanse the air with it – paying particular attention to the corners of the room.

The space is now ready to be used.

 

 

Witchcraft: The Ultimate Bible: The Definitive Guide on the Practice of Witchcraft, Spells, Rituals and Wicca

Justin Kase

 

Let’s Talk Witch – The Right State of Mind


Celtic Comments & Graphics
The Right State of Mind

I have always believed that acquiring the right state of mind is an important part of any ritual, because it opens the pathways to the ether, so to speak, besides expanding the spirit. Much of any ritual is devoted to changing the state of consciousness of the practitioner anyway. However, spells sometimes work when the practitioner doesn’t believe in them, or when little effort is actually put in, such as my ‘blessing’ of the water. Something strange and mysterious is indeed at work here. However, I do not advocate a careless approach, because these things deserve to be taken seriously, if playfully – ‘mirth with reverence’. Nor do I recommend doing a spell in a spirit of experiment, ‘just to see’. The universe has a sense of humour and the laugh could be on you. Most likely, nothing will happen, and nothing will be proved.

Getting in the right state of mind is mostly the point of magical ritual. It starts with relaxation, and total relaxation, while a most simple thing, is hard to achieve. If you wish to become proficient at rituals then daily practice of conscious relaxation is a good start and will benefit you generally, into the bargain.

Choose a time of day to practice your relaxation and decide that you will do it every’ day, Five minutes spent daily is better than an hour, once a week. Morning or evening may be best, and devote as much time as you can to it without getting bored and without overstretching your schedule. The most important thing is that you keep it up, for this is a ritual in itself and will be strengthened by habit. I suggest that you start with ten minutes and work up to half an hour, or more, if you wish. Try not to miss a day. If you do, forgive yourself, start again, and tell yourself you won’t miss any more. Or, if you must, take one day off a week, then limit yourself to that.

Settle yourself on your bed, for that will suggest relaxation to your unconscious mind. As you become more adept you may wish to move to a chair, so you do not fall asleep. Concentrate on your body, using whatever means most appeal to let go of tension. Some people favour the tensing of each muscle in turn to unbearable intensity, and then relaxing. I think that’s a good way to get cramp. Just allow all the tenseness to flow out of you, as if a river of light is passing through you, or you are rocking on the waves of an unseen ocean. If you prefer, you could imagine that all your muscles are powered by little people who now, in response to your command, are downing tools and walking out. Whatever your preferred method, go through your whole body slowly, either from head downwards, or feet upwards, spending special time with the altitude of tiny facial muscles. Check, and check again, gently and lovingly rooting out any pockets of tension and liberating them.

When you feel that you are successful in relaxing you may progress to rhythmic breathing; in a 2/ 4 sequence, breathe in to a count of four, hold for a count of two, breathe out to a count of four, hold for a count of two. Use your abdominal muscles, not your throat, and do not strain at any time. After a while your mind will associate this rhythm with relaxation and the process will become effortless. This, in itself, is a ritual that can be of great benefit to you, for when you receive a shock, or are in a state of strain, you can turn on your rhythmic breathing and it will calm you down. I have found that this does work in many life situations, if you can separate yourself for a while from the stressor.

Having achieved this relaxed state, you can now progress to visualization, pathworking or shamanic journeying, if you so wish. These are outside the scope of this book. However, I do suggest two things you may concentrate upon while you are in this state of relaxation. One is building an ‘astral temple’ – a sanctuary made of mind-stuff, where you may retreat inwardly when you relax. This is a safe base on the subtle planes for any other visualizations or inward journeys you may choose to undertake. Build a place that feels right, don’t have a hut on an exotic beach just because it is somewhere you would like to go for a holiday. Often if you ask your inner self. while you are in a state of relaxation, to provide an image of a safe and beautiful haven, one will spontaneously arise for you and might not be as you imagine. Go into your astral temple each time you are in a relaxed state. This will reinforce and strengthen your temple.

Alternatively, an obvious use of your relaxed and open state is the simple visualization of your wishes. If you have a purpose in life such as a job, relationship, travel, then imagine that this is now real. Imagine in delightful detail how it is to receive the letter, get the keys, step off the plane, be in a loving relationship. (Steer clear of erotic imaginings, because you will get distracted’) Affirm to yourself that this is real in your life, not ‘going to come’ but actually manifesting. Doing this regularly is a powerful tool for progress. If you do these visualizations, don’t forget to ground yourself before resuming daily life. This is explained in the step-by-step ritual description. For the purposes of ritual, this relaxation is of great benefit for it breaks down some of the barriers that we erect against the vast ocean of spiritual power that is available. Having learn to relax, you may choose to adopt this process before embarking on ritual. Or having perfected the association between breathing and relaxing, you can use it as a short cut, to unwind you, and get you closer to the required state.

Having relaxed, ‘ritual’ consciousness is well within your grasp, for it is more or less similar to that ‘floaty’ state we all go through twice a day, as we fall asleep and as we wake up. Attaining this drifty state paradoxically makes you more aware of subtle reality.

Another aspect to state of mind is whether or not you ‘feel good’ about the whole process. If you do not, I would strongly recommend that you leave it well alone. Remember, magic works in the direction of belief, not intent. If you really do not believe that you can possibly get that job, don’t do any spells for it. Choose, perhaps, a general spell for luck and prosperity that you can do with conviction, or just don’t do anything and get a good night’s sleep, instead. Of course, a negative state of mind may be something you need to address in yourself, but that will need to be done in a general manner, not forced on an issue, for in a battle between the will and the imagination, imagination always wins. Perhaps this particular job is not for you, anyway. Only you can distinguish between negative thinking and true intuition.
 
Spells and Rituals: A Beginners Guide To Spells And Rituals
Gabby Benson

 

Let’s Talk Witch – Energy Play

Egyptian Comments & GraphicsLet’s Talk Witch – Energy Play

 

The energy and magickal powers at work in Wicca are real. They aren’t of some astral plane. They’re within the Earth and ourselves. They maintain life. We daily deplete our store of energy and replenish it through the air we breathe, the food we eat, and the powers that stream down from the Sun and Moon.

Know that this power is physical. Yes, it’s mysterious, but only because so few investigate it in magical ways. Following are some exercises to help you do just that.

Calm yourself. Breathe deeply. Rub your palms together for twenty seconds. Start slowly and rub faster and faster. Feel your muscles tense. Feel your palms grow warm. Then, suddenly, stop and hold your palms about two inches from each other. Feel them tingling? That’s a manifestation of power. By rubbing your palms together and using the muscles in your arms and shoulders you’re raising energy-magical power. It’s flowing out from your palms as you hold them apart.

If you don’t feel anything, practice this once or twice a day until you have success. Remember, don’t force yourself to feel the power. Trying harder won’t accomplish anything. Relax andallow yourself to feel what’s been there all the time.

After you’ve actually sensed this energy, begin to fashion it into shapes. Use your visualization to do this. Directly after rubbing your hands, while they’re still tingling, visualize jolts of energy-perhaps electric blue or purple-passing from your right (projective) palm to your left (receptive) palm. If you’re left-handed, reverse the directions.

Now envision this energy slowly swirling in a clockwise direction tion between your palms. Form it into a ball of glowing, pulsating magical energy. See its dimensions, its colors. Feel its force and heat in your palms.

This is a bit of energy which you’ve released from your body. There’s nothing supernatural about it. Cup your hands around the ball. Make it grow or decrease in size through your visualization. Finally push it into your stomach and absorb it back into your system. This is not only great fun but is a valuable magical learning experience. When you’ve mastered the art of energy spheres, go onto feel energy fields.

Sit or stand before any plant. Herbs and plants in bloom seem to work best. Ina pinch, cut flowers can be used as well. Breathe deeply for a few moments and clear your thoughts. Hold your receptive (left) palm a few inches above the plant. Pinpoint your consciousness to your palm. Do you feel a dull throbbing, a hum, a wave of heat, or simply a shift in the energies within your palm? Do you feel the inner force of the plant?

If so, good-you’ve felt energy. After you’ve accomplished this, try sensing the energies of stones and crystals. Place a quartz crystal, say, on a table and pass your receptive hand over the crystal. Stretch out with your feelings and become aware of the non-visible but viable energies that pulsate within the crystal.
All natural objects, remember, are manifestations of divine energy. With practice we can feel the power that resides within them.

If you have difficulty feeling these powers, rub your palms lightly together to sensitize them and try again.

This energy is the same power we’re filled with when we’re angry, nervous, terrified, joyous or sexually aroused. It’s the energy used in magic, whether we pull it from ourselves or channel it from the Goddess and God, plants, stones and other objects. It is the stuff of creation which we utilize in magic.

Now that you’ve felt the power, use visualization to move it around. You needn’t rub your palms together to raise energy-you can do this simply by concentrating on doing so. One of the easiest methods is to tighten up the muscles-tense your body. This raises energy, which is why we must relax in meditation. Meditation lowers our energy and allows us to drift from this world.

When you feel yourself bursting with power, hold out your right (projective) hand and direct energy from your body, through your arm and out your fingers. Use your visualization. Really see and feel it streaming out.

For practice, stand in your home. Build the power within you. Direct it into each room, visualizing it sinking into the cracks and walls and around doors and windows. You’re not creating a psychic burglar alarm but a magical protectant, so visualize the energy forming an impenetrable barrier across which no negativity or intruders can cross.

After “sealing” the house, halt the flow of energy. You can do this by visualizing it stopping and by shaking your hand. Sense your protective-powered energy resting within the walls. A secure, safe feeling should flood through you as you stand within your now guarded home.

Yes, you’ve done this with your mind, but also with power. Energy is real, and your ability to manipulate energy determines the effectiveness of your circles and rituals.

Work with feeling and directing the power daily. Make this a sort of magical play until you reach the point where you won’t have to stop and think, “Can I do it? Can I raise the power?”

You’ll know you can.

 

 

Wicca: A Guide for the Solitary Practitioner
Scott Cunningham.

 

WOTC Extra – Ritual and Magic

Memorial Day CommentsRitual and Magic

The most exciting meaning of ‘ritual’ is connected to magic. There is an underlying belief that, if we do or say the right things in the right order, we will get what we want and open the enchanted door. Popular superstitions are connected to the belief that certain actions can bring about certain results by some means other than cause and effect – such as bad luck from walking under a ladder. Often there is some sound symbology underlying this. When we are young we more readily revert to ‘magical thinking’ – ‘everything will be all right as long as I don’t step on any of the cracks in the pavement’. As we mature we leave this behind in favour of the rational approach. Indeed, ‘magical thinking’ is considered by psychotherapists as a sign of mental or emotional instability.

However, if you take the view that we are architects of our own reality in a very real sense, magical thinking brings results. Not stepping on the cracks can be a little ritual to convince ourselves that we can indeed structure our lives. However, this is rather negative. It is a way of achieving an illusion of control, when we feel fearful and powerless, and in a sense we relinquish control in such a ritual, for it often turns into ‘I must not step on the cracks, or something dreadful will happen’. True magical ritual is a set of actions to convey intent, to focus the consciousness and to bring about change.

Magic, is the art of causing change to occur in conformity with the will. The change first takes place in the mind of the practitioner and extends into the ether, cosmos, call it what you will.

Metaphysicians in ever greater numbers tell us that it is we who create our own reality. Things don’t happen to us, they happen because of us, manifesting our conscious and unconscious beliefs and expectations. The only reason that we are able to ignore this, and argue with it is because of the time lag. Things take a while to happen and some take many years. In the higher dimensions, we are told, our visualizations take on immediate reality. Here, although it is a slower process, it is equally real. Scientific thinking, of course, rules this out. Science is the current tyrant, the sanctified dogma, although at the cutting edge, scientists are realizing that mind is present within all matter. One current joke tells how the most advanced and able scientists, when hauling themselves up the last few gruelling yards of the slope of Knowledge, come exhausted to a green and fertile place – and find that theologians and spiritual leaders have already been sitting there for centuries!

Sensible magical workers do not expect scientific laws to disappear, for the apple to rise from the ground and a fix itself back to the branch. They work within our reality perception, as it is at present, concentrating for the most part on changes within their own consciousness. Magic works in the direction of belief, not intent. It is what you believe that will materialize, not what you want and, if you don’t really believe that something will come into your life, all the spells and rituals in the world are most unlikely to have any effect. However, there is an exception to this and it arises with the unconscious mind. Symbols are powerful things, and despite conscious disbelief, if the inner you, your Younger Self, is convinced, you never know ….

Spells are a way of ‘spelling out’ what you want. You can achieve little or nothing in life without knowing what you want, defining it, being exact about it. Spells focus intent. Magical ritual alters consciousness, making change possible. The shift takes place, the call goes out. The results come back, sometimes quickly, sometimes slowly, and often in ways we do not immediately recognize, but come back they do.

Spells and Rituals: A Beginners Guide To Spells And Rituals
Gabby Benson

Let’s Talk Witch – What is the Purpose of Rituals?

Memorial Day CommentsWhat is the Purpose of Rituals?

Ritual can be heard as the dull and boring, or it can have a ring of magic, secrecy and power. The main purpose of ritual in the ceremonial sense is to effect a change of consciousness in those participating. Ritual gets behind the conscious mind to deeper levels. Ritual is important at times of life’s passage, such as birth, coming of age, marriage and death. At these times certain predetermined rites and activities can help a person to enter a new state of being, to celebrate that new state, to enter it wholeheartedly in full and deep appreciation of what it means, and to feel this is understood and supported by others in the community.

The only rite of passage that we come close to ‘doing’ in a proper, ceremonial fashion in our culture is marriage. This is because the romance of the situation appeals to us and it is a magnificent excuse for a large and expensive party! Even so, much remains unacknowledged in the marriage ceremony, such as the demanding nature of the bond, the radical change in commitment and, today, the very alive possibility of divorce! Gypsy weddings, where blood is mingled and the broomstick jumped, mark the rawer aspect of the union and its sexual and fertile connotations, where the old vows made ‘for a year and a day’ were rather more realistic in terms of human inconstancy. ‘

Virtually no rituals exist in our culture for young girls reaching the menarche, or boys becoming young men. It is this age group that gives society the most trouble. Adolescent rebellion is accepted, even regarded as a sign of psychological health. However, in more ‘primitive’ societies it is relatively unknown, as the young take their places with honour, beside their elders. For death, despite funeral arrangements, we have inadequate systems, that do not give room to the bereaved to grieve fully and move on, nor accord to the dying person the means to ease their passage into the next stage of existence. For all these immense changes in life, we are hungry for the right ritual.

Spells and Rituals: A Beginners Guide To Spells And Rituals
Gabby Benson

New Moon Rituals

New Moon Rituals

A Portal of Change

Rituals are a way to mark turning points in your life. They can be used to symbolically welcome changes in your life. They can be simple rituals or elaborate ones. The most important thing is your full presence in the moment.

The new Moon is a magical time of beginnings, when you can recharge goals, or set new ones.

Rituals bring meaning to our lives by “charging” an intention with power. We’re always setting intentions, and this is a way to do it in a more conscious way.

There is power in coming up with visions for your life, and keeping them in your sights as they come into being. But even as you fully commit to those visions, stay flexible, since new doors may open that you didn’t expect. At the new Moon, goals and wishes take root, as you reach out for spiritual wisdom, draw on unseen allies and open the door to magical change. You might get what you ask for, or something even better that you can’t imagine yet.

It’s important to come up with a ritual that has meaning for you, instead of trying to follow any set guidelines (unless you’re part of an established ritual group). You’re the one that knows your personal story best, and what to lift out of that narrative, what will infuse your ritual with power. Here are some general guidelines to shape your rituals using the unique symbols and totems from your life.

Gathering your Sacred Supplies Your altar is where you collect your sacred objects — pictures, found objects and the like. Using herbs with healing or symbolic properties adds to your ritual.

Stones and crystals are another powerful ally. Candles are magical, and in its form contains all four of the elements. A small journal on hand allows you to keep a record of your intentions.

Preparing for the Ritual This is the most important part of ritual, since your commitment is the key. Take a ritual bath with sea salt to clear your field of any negative energies. Sage is an herb used by the Native Americans to clear a space, and make it sacred for ritual. It’s available in most health food stores these days, and easiest to use in its wand form. Light the end and blow on it until there is a smoldering glow. Use it around your own body, and in the space of your ritual. Clear your mind with meditation, using music or just quieting down in your cleared, sacred area.

Grounding This is something that’s important anytime, for staying connected to earth energy. Signs that you’re not grounded are mania, nervousness, racing thoughts and the like. Too often we forget to feel the earth under our feet. I’ve mentioned Starhawk a few times on the site, and her tree grounding excercise is one of my own daily rituals. In a nutshell, it’s visualizing the roots going down into the Earth, through the layers, into the core, and then drawing that energy back up through your feet again. It moves through each chakra, coming out the top and down around you. Try this or another variation of grounding before you set new Moon intentions.

Your New Moon Wishes After you’ve cleared a sacred space and settled your energy, you’re ready to set your intentions. Make a list of what you’d like to draw into your life, and Dream Big! The new Moon is a moment to conjure what seems out of reach, and creating the vision is the first step to making it a reality. But these are not just words on paper. As you write them down as intentions, you are committing to doing your part to make them real. Some call it co-creating, since you’re opening to universal energies to set dreams in motion.

Dreams of the Soul Your intentions come from the longings that keep coming up. In the days leading up to the new Moon, give some thought to those longings, and see what images, dreams and streams of thought come up. Use symbolic associations to go along with your intentions. Weave in the element for the new Moon, and think about the houses and planets that are affected by it. For an earth new Moon, for example, you might plant seeds that represent your intention. Rituals are a way to work with universal energies, and draw attention to the particular life lessons, or arena (house, planet, etc) that it illuminates for you.

Symbolic Acts Here’s where you get to be creative. If your intentions are to write a book, or broadcast your ideas out to the world, tie them to a helium balloon and send them off. Write them on a stick and offer it to the fire. To open to love, put lavender and a rose quartz in a small pouch, along with the qualities you’re seeking. If you’re inspired, add a symbolic act to your intention-setting ritual.

Keep them Alive A big part of success with new Moon intentions is what comes after. Find ways to keep them in the front of your awareness. Put them in a visible spot, or keep them in your wallet. Make notes in your journal about your progress. At the full Moon , find ways to take action on those intentions, and celebrate any signs of change.

 

Author: Astrology Expert

Article Found On & Owned By About.com

Beltane

Introduction

Beltane

Find this year’s date in the multifaith calendar

Ritual burning of a straw manBeltane is a Celtic word which means ‘fires of Bel’ (Bel was a Celtic deity). It is a fire festival that celebrates of the coming of summer and the fertility of the coming year.

Celtic festivals often tied in with the needs of the community. In spring time, at the beginning of the farming calendar, everybody would be hoping for a fruitful year for their families and fields.

Beltane rituals would often include courting: for example, young men and women collecting blossoms in the woods and lighting fires in the evening. These rituals would often lead to matches and marriages, either immediately in the coming summer or autumn.

Other festivities involved fire which was thought to cleanse, purify and increase fertility. Cattle were often passed between two fires and the properties of the flame and the smoke were seen to ensure the fertility of the herd.

Today Pagans believe that at Beltane the God (to whom the Goddess gave birth at the Winter Solstice) achieves the strength and maturity to court and become lover to the Goddess. So although what happens in the fields has lost its significance for most Pagans today, the creation of fertility is still an important issue.

Emma Restall Orr, a modern day Druid, speaks of the ‘fertility of our personal creativity’. (Spirits of the Sacred Grove, pub. Thorsons, 1998, pg.110). She is referring to the need for active and creative lives. We need fertile minds for our work, our families and our interests.

Fire is still the most important element of most Beltane celebrations and there are many traditions associated with it. It is seen to have purifying qualities which cleanse and revitalise. People leap over the Beltane fire to bring good fortune, fertility (of mind, body and spirit) and happiness through the coming year.

Although Beltane is the most overtly sexual festival, Pagans rarely use sex in their rituals although rituals often imply sex and fertility. The tradition of dancing round the maypole contains sexual imagary and is still very popular with modern Pagans.

The largest Beltane celebrations in the UK are held in Edinburgh. Fires are lit at night and festivities carry on until dawn. All around the UK fires are lit and private celebrations are held amongst covens and groves (groups of Pagans) to mark the start of the summer.

Top

Edinburgh traditions

Beltane in Edinburgh

Performer in white costume and bright white makeup with a blue-painted Blue Man in the foregroundWhite Woman performer ©Every year on 30th April on Calton Hill in Edinburgh thousands of people come together for a huge celebration to mark the coming of summer. The evening begins with a procession to the top of the hill led by people dressed as the May Queen and the Green Man (ancient God and Goddess figures representing fertility and growth).

The May Queen crowns the Green Man, in a ritual similar to that carried out by Wiccan Pagans (who follow a structured set of rituals). The winter ends when the Green Man’s winter costume is taken from him and he is revealed in his spring costume. A wild dance takes place and the Green Man and the May Queen are married.

The main element of any Beltane celebration is fire. On Calton Hill torchbearers carry purifying flames and fire arches are used to represent the gateways between the earthly world and the spirit world.

Most of the imagery used in the costumes and rituals comes from the Celts and from Scottish folklore. Other influences come from indeginous people world wide. For instance, the symbol of Ogun, the Yoruba god of iron, can be seen on the faces of some of the performers, and the Geisha traditions of Japan are evident in the dress of the White Women (assistants of the May Queen). Due to the ecclectic nature of the celebrations, Edinburgh’s Beltane is not recognised as a religious ritual by many practising Pagans.

Fire archFire arch ©

  • The blue paint of the Blue Men refers to the woad used by Celtic warriors.
  • The May Queen’s male consort is the Green Man, sometimes called the May King, Jack-in-the-Green, Robin Hood or the woodland faery Puck.
  • The Red Men represent mischief makers, Pan-like figures who live for the moment without a care in the world or inhibitions.
  • The White Woman and her handmaidens protect the May Queen and attend to her later in the evening. They are the order and discipline in the face of the Red Men’s chaos.
  • Torch Bearers are an important, trusted group. Dressed from head to foot in black, with blacked out faces, their hair covered, they are protected from fire and other elements.

From: http://www.bbc.co.uk/religion/religions/paganism/holydays/beltane_1.shtml

The Great Rite for Covens

The Great Rite

Janet and Stewart Farrar


Symbolic

Preparation: the chalice should be filled with wine. A veil of at least a yard square is needed preferably of a Goddess color such as blue, green, silver, or white.

The Coven, except for the High Priestess and High Priest, arrange themselves around the perimeter of the circle, man and woman alternately as far as possible, facing the center.

The High Priestess and High Priest stand facing each other in the center of the circle, she with her back to the altar, he with his back to the South.

The High Priest kneels before the High Priestess and gives her the Five Fold Kiss; that is, he kisses her on both feet, both knees, womb, both breasts, and the lips, starting with the right of each pair. he says, as he does this:

“Blessed be thy feet, that have brought thee in these ways.
Blessed be thy knees, that shall kneel at the sacred altar.
Blessed be thy womb, without which we would not be.
Blessed be thy breasts, formed in beauty.
Blessed be thy lips, that shall utter the Sacred Names.”

For the kiss on the lips, they embrace, length to length, with their feet touching each others. When he reaches the womb, she spreads her arms wide, and the same after the kiss on the lips.

The High Priestess then lays herself down, face upwards, with her arms and legs outstretched to form the Pentagram.

The High Priest fetches the veil and spreads it over the High Priestess’s body, covering her from breasts to knees. He then kneels facing her, with his knees between her feet.

The High Priest calls a woman witch by name, to bring his athame from the altar. The woman does so and stands with the athame in her hands, about a yard to the West of the High Priestess’s hips and facing her.

The High Priest calls a male witch by name, to bring the chalice of wine from the altar. He does so and stands with the chalice in his hands, about a yard to the East of the High Priestess’s hips and facing her.

The High Priest delivers the invocation:

“Assist me to erect the ancient altar, at which in days past all worshipped;
The altar of all things.
For in old time, Woman was the altar.
Thus was the altar made and placed,
And the sacred place was the point within the center of the Circle.
As we have of old been taught that the point within the center is the origin of all things,
Therefore should we adore it;
Therefore whom we adore we also invoke.
O Circle of Stars,
Whereof our father is but the younger brother,
Marvel beyond imagination, soul of infinite space,
Before whom time is ashamed, the mind bewildered, and the understanding dark,
Not unto thee may we attain unless thine image be love.
Therefore by seed and stem, root and bud,
And leaf and flower and fruit do we invoke thee,
O Queen of Space, O Jewel of Light,
Continuous on of the heavens;
Let it be ever thus
That men speak not of thee as One, but as None;
And let them not speak of thee at all, since thou art continuous.
For thou art the point within the Circle, which we adore;
The point of life, without which we would not be.
And in this way truly are erected the holy twin pillars;
In beauty and strength were they erected
To the wonder and glory of all men.”

The High Priest removes the veil from the High Priestess’s body, and hands it to the woman witch, from whom he takes his athame.

The High Priestess rises and kneels facing the High Priest, and takes the chalice from the man witch. (Note that both of these handings-over are done without the customary ritual kiss. The High Priest continues the invocation:

“Altar of mysteries manifold,
The sacred Circle’s secret point
Thus do I sign thee as of old,
With kisses of my lips anoint.”

The High Priest kisses the High Priestess on the lips, and continues:

“Open for me the secret way,
The pathway of intelligence,
Beyond the gates of night and day,
Beyond the bounds of time and sense.
Behold the mystery aright
The five true points of fellowship”

The High Priestess holds up the chalice, and the High Priest lowers the point of his athame into the wine. Both use both of their hands for this. The High Priest continues:

“Here where Lance and Grail unite,
And feet, and knees, and breast, and lip.”

The High Priest hands his athame to the woman witch and then places both his hands round those of the High Priestess as she holds the chalice. He kisses her, and she sips the wine; she kisses him, and he sips the wine. Both of them keep their hands around the chalice while they do this.

The High Priest then takes the chalice from the High Priestess, and they both rise to their feet.

The High Priest hands the chalice to a woman witch with a kiss, and she sips. She gives it to a man with a kiss. The chalice is passed around the Coven, man to woman, with a kiss each time, until the entire Coven has sipped the wine. The chalice can be refilled and any one can drink from it without repeating the ritual once the chalice has gone around once.

To consecrate the cakes, the woman picks up her athame, and the man, kneeling before her, holds up the dish. the woman draws the Invoking Pentacle of Earth in the air above the plate while the man says:

“O Queen most secret, bless this food into our bodies;
bestowing health, wealth, strength, joy and peace,
and that fulfillment of love that is perfect happiness.”

The woman lays down her athame and passes the cakes to the man with a kiss, he passes them back with a kiss and they are passed around the Coven the same way the wine was. Be sure to save some of the wine and some cake for an offering to the Earth and the Little Folk. After the meeting, leave the offering outside of the house if working indoors, or behind in the woods or field, when you leave if you are working outdoors.

Farrar, Janet and Stewart; “Eight Sabbats For Witches”; Robert Hale 1983
Transcribed onto computer file by Seastrider

Actual

Preparation: the chalice should be filled with wine. A veil of at least a yard square is needed preferably of a Goddess color such as blue, green, silver, or white.

The Coven, except for the High Priestess and High Priest, arrange themselves around the perimeter of the circle, man and woman alternately as far as possible, facing the center.

The High Priestess and High Priest stand facing each other in the center of the circle, she with her back to the altar, he with his back to the South.

The High Priest kneels before the High Priestess and gives her the Five Fold Kiss; that is, he kisses her on both feet, both knees, womb, both breasts, and the lips, starting with the right of each pair. he says, as he does this:

“Blessed be thy feet, that have brought thee in these ways.
Blessed be thy knees, that shall kneel at the sacred altar.
Blessed be thy womb, without which we would not be.
Blessed be thy breasts, formed in beauty.
Blessed be thy lips, that shall utter the Sacred Names.”

For the kiss on the lips, they embrace, length-to-length, with their feet touching each others. When he reaches the womb, she spreads her arms wide, and the same after the kiss on the lips.

The High Priestess then lays herself down, face upwards, with her arms and legs outstretched to form the Pentagram.

The High Priest fetches the veil and spreads it over the High Priestess’s body, covering her from breasts to knees. He then kneels facing her, with his knees between her feet.

The High Priest delivers the invocation:

“Assist me to erect the ancient altar, at which in days past all worshipped;
The altar of all things.
For in old time, Woman was the altar.
Thus was the altar made and placed,
And the sacred place was the point within the center of the Circle.
As we have of old been taught that the point within the center is the origin of all things,
Therefore should we adore it;
Therefore whom we adore we also invoke.
O Circle of Stars,
Whereof our father is but the younger brother,
Marvel beyond imagination, soul of infinite space,
Before whom time is ashamed, the mind bewildered, and the understanding dark,
Not unto thee may we attain unless thine image be love.
Therefore by seed and stem, root and bud,
And leaf and flower and fruit do we invoke thee,
O Queen of Space, O Jewel of Light,
Continuous on of the heavens;
Let it be ever thus
That men speak not of thee as One, but as None;
And let them not speak of thee at all, since thou art continuous.
For thou art the point within the Circle, which we adore;
The point of life, without which we would not be.
And in this way truly are erected the holy twin pillars;
In beauty and strength were they erected
To the wonder and glory of all men.”

The Maiden fetches her athame from the altar and ritually opens a gate way in the Circle. The Coven file through and leave the room. The Maiden is the last one through and reseals the Circle. The High Priest removes the veil from the High Priestess’s body.

The High Priestess rises and kneels facing the High Priest. The High Priest continues the invocation:

“Altar of mysteries manifold,
The sacred Circle’s secret point
Thus do I sign thee as of old,
With kisses of my lips anoint.”

The High Priest kisses the High Priestess on the lips, and continues:

“Open for me the secret way,
The pathway of intelligence,
Beyond the gates of night and day,
Beyond the bounds of time and sense.
Behold the mystery aright
The five true points of fellowship”
“Here where Lance and Grail unite,
And feet, and knees, and breast, and lip.”

The High Priest and High Priestess now have intercourse. This is a private matter between them and none of the Coven can question them about it. When they are done, one of them ritually opens the Circle and calls the rest of the Coven. When they are back in the Circle, it is again sealed. The wine is now consecrated.

A male witch kneels in front of the altar before a female witch. He holds up a chalice of wine and she holds her athame point down and lowers the athame into the wine. The man says:

“As the athame is to the male, so the cup is to the female; and conjoined, they become one in truth.”

The woman lays down her athame on the altar and kisses the man who remains kneeling and she accepts the chalice from him. She sips the wine, kisses him again and he sips, rises, and gives it to another woman with a kiss. The chalice is passed around the Coven, man to woman, with a kiss each time, until the entire Coven has sipped the wine. The chalice can be refilled and any one can drink from it without repeating the ritual once the chalice has gone around once.

To consecrate the cakes, the woman picks up her athame, and the man, kneeling before her, holds up the dish. The woman draws the Invoking Pentacle of Earth in the air above the plate while the man says:

“O Queen most secret, bless this food into our bodies; bestowing health, wealth, strength, joy and peace, and that fulfillment of love that is perfect happiness.”

The woman lays down her athame and passes the cakes to the man with a kiss, he passes them back with a kiss and they are passed around the Coven the same way the wine was. Be sure to save some of the wine and some cake for an offering to the Earth and the Little Folk. After the meeting, leave the offering outside of the house if working indoors, or behind in the woods or field, when you leave if you are working outdoors.

Farrar, Janet and Stewart; “Eight Sabbats For Witches”; Robert Hale 1983
Transcribed to computer file by Seastrider.

Celtic Remembrance Ritual

Samhain Remembrance Ritual


Do not stand at my grave and weep
I am not there, I do not sleep

I am a thousand winds that blow,
I am the softly falling snow
I am the gentle showers of rain,
I am the fields of ripening grain

I am in the morning hush,
I am in the graceful rush,
Of beautiful birds in circling flight
I am in the starshine of the night

I am in the flowers that bloom
I am in a quiet room
I am in the birds that sing
I am in each lovely thing

Do not stand at my grave and cry,
I am not there, I do not die.

~ by Mary E. Frye 1932

This world is not conclusion;
A sequel stands beyond,
Invisible, as music,
But positive, as sound.
It beckons and it baffles;
Philosophies don’t know,
And through a riddle, at the last,
Sagacity must go.
To guess it puzzles scholars;
To gain it, men have shown
Contempt of generations,
And crucifixion known.

Emily Dickinson

~ Emily Dickinson

Samhain Ritual

By Dorothy Morrison

This ritual was written at a time when I did not have a qualified Priest in my group. However, it may easily be adapted for those groups in which the Priestess and Priest work together. It may be just as easily adapted to solitary work.

Place an apple and pomegranate upon the altar. There should also be a “planted” pot of earth for each participant – these may be arranged on the altar as well, if there is ample space. Instruments of divination may be placed within the Circle perimeter for use during the ritual if you wish. Arrange the altar as usual and decorate with Autumn leaves, pumpkins, etc.

The Circle is cast and purified the Circle in the usual manner. Dancing around the Circle in a shuffle step (deosil), all chant three times:

The Moon is bright, the Crone is old
The body lifeless – the bones so cold
We all live and pay our dues
To die in ones and threes and twos.

Death, dance and play the harp
Piercing silence in the dark
The Woman’s old with withered limbs
Death beckons Her to dance with Him

As She accepts the Dance of Death
The Earth is cooled by ghostly breath
To lie in dormancy once more
To have Her strength and life restored

Go to the Western Quarter and draw an invoking pentagram with the athame to open the gate. Then evoke the dead by saying:

All ye spirits who walk this night –
Hearken! Hearken to my call!
I bid you in our Circle join!
Enter! Enter – one and all!

Come ye, spirits of the dead:
Be ye spirit of plant or pet
Or human being who still roams!
Into this Circle you are let!

Speak to us of things unknown!
Lend your energies to this rite!
To speed your journey, we have joined
On this sacred Samhain night!

All ye spirits who walk this night –
Hearken! Hearken to my call!
I bid you in our Circle join!
Enter! Enter – one and all!

Bestow blessings upon the dead, saying:

Oh Mighty Pan of the Summerlands:
Guardian of the beloved dead
We pour forth love on those you keep
Safely, in your peaceful stead
We bless those who have walked the path
That someday, we as well, shall rove
We offer peace unto their souls
While resting in your arms, below

Now is the time for divination (Ouija Board, pendulum, cards, etc.) and communication with those who have gone on before us. Allow plenty of time for this. [Note: I have found that it is helpful to have a tape recorder handy within the Circle for recording any communications that may be “channeled” during this time. Some people disagree with this suggestion, saying that the metal of this electronic device causes scattered energies in the Circle; however, if the recorder has been cleansed and purified as the rest of the ritual tools, the problem seems to be resolved.]

When the divinatory processes are completed, the Priestess goes to the Western Quarter and draw the banishing pentagram, saying:

Blessings be upon thee, oh wondrous Spirits of the
Summerlands. We humbly thank thee for your presence in our
Circle and honor you in celebration this sacred night. We
beseech thee, oh Pan, keeper of the sacred dead, embrace
once again those souls within your keep and hold tightly
to your breast those which have been lost and wandering.
Grant them safe passage to the Summerland, where they may
rest peacefully in your strength until they are refreshed
and reborn again in perfect love. We bid thee all a fond
farewell. So mote it be!

The gate is now closed.

The Priestess goes to the altar and hold up the pomegranate, saying:

Behold the pomegranate, fruit of Life…

The athame is plunged into the pomegranate, splitting it open to display the seeds. She says:

Whose seeds lie in the dormancy of Death!

The Priestess eats one of the seeds, saying:

I Taste the seeds of Death.

The pomegranate is then passed hand to hand through the participants of the ritual, each eating a seed and saying to the next person:

“Taste the seeds of Death.”

The Priestess then holds up the apple, saying:

Behold the apple: fruit of wisdom, fruit of Death…

She then cuts the apple crosswise, saying:

Whose symbolism rewards us with life eternal!

She holds up the apple, displaying the inner pentagram, and says:

Behold the five-fold star – the promise of rebirth!

Consecrate the fruit and wine. Each person then tastes of the apple and sips the wine, saying to the next person:

Taste the fruit of rebirth and sip from the cup of wine of Life.

After libation, the Priestess presents each member of the group with a small pot of earth, planted with three seeds [preferably rue or lavender]. She briefly explains to the group that this is the season of the seed – it is a time of dormancy, but also a time of re-generation for growth. Further, as the seed rests in the earth, they should also take time to rest and re-evaluate their lives, metaphorically planting only those values which will enrich and enhance the growth within the Divine Self. She then instructs them to name the seeds within their pots with three values they wish to incorporate into their lives, knowing that as the seeds sprout with new life, their lives will be new, as well.

After the presentation, all join hands and hold them skyward.

PRIESTESS:

Thus is the Circle of Rebirth.
All pass from this life through the great god, Pan
But through My love you are all reborn
In the cycles of nature – through the Cosmic Plan.

In living we die – in dying we live
The fruit is first seed, yet seed comes from the fruit
In the mystery of life and death and rebirth
The Circle turns ever, and I am its root.

ALL RESPOND:

The Sun conceived in Darkness, cold
In the Shadow of Death, a Life unfolds
A shred of Light begins to burn
From Death comes Life – the Circle turns.

Dismiss Quarters and Dissolve Circle.

PRIESTESS:

The rite is ended.

ALL:

Merry meet and merry part and merry meet again!

Outdoor libation to the Lord and Lady, and the spirits of the dead.

A Samhain Ritual

by Joann Keesey

Even though in Irish, sam means summer, Samhain (pronounced sah’-wen)is the festival of November eve and the beginning of the dark half of the year for the Celts. In the Coligny calendar, a series of engraved bronze plates unearthed in France in 1897, the year begins with a month marked”SAM” and a festival known as Samonios or “summer’s end.”Alwyn and Brinley Rees comment in Celtic Heritage that this arrangement harmonizes with Caesar’s testimony concerning the precedence of night over day. “The Gauls, he says called themselves sons of the god of night and defined ‘the division of every season, not by the number of days, but of nights…”

The ritual outlined below makes use of the symbolism of apples quite extensively,along with honoring the ancestors, which was a common Celtic practice at the commencement of winter. If apples are not available, nuts can be used. Keeping with a Celtic theme, hazel nuts or filberts, for the divinatory aspects would be a good choice.

This ritual was designed for public use and, as such, has a few caveats.The format is extremely simple but the preparations are fairly extensive. In our case, the person chosen to be the apple woman was from another coven. We talked quite extensively about how I envisioned the role and what she would bring to it, and she was given a small but working sickle to meditate on for a week beforehand. That sickle also formed part of her ritual attire and was worn on a cord around her waist. She had a deep basket which held about 25 apples. We had 22 participants. The apple cores were gathered up afterwards and used for garden compost. Alternatively, the seeds could be planted by someone or the apples eaten completely. For a smaller group,it could also be feasible to carve a small sigil on the apple before it’s eaten.

The second caveat has to do with the one non-Celtic element in this ritual.The second chant is a Yoruban ancestor chant from a South Carolina village that has worked extensively to recreate an African village compound in this country. It is not a chant to be used lightly. It does call the ancestors. There should be a trance medium or one who is used to working with ancestor spirits present. For those who are new to the topic or have not yet realized that you can work with ancestors other than your own, I would advise the substitution of another chant. Finally, for those who have recently lost friends or family, this chant may bring the fresh feelings of grief to the fore, and both the apple-woman and the presiding priestess as well as any other elders present should be prepared to deal with these appropriately.

The meditation, the ground of being, and the first ancestor chant are the work of Erynn Laurie from Seattle, who has a wonderful Celtic Internet list called nemeton-l. For those with Internet or e-mail access, you can subscribe by sending a message to majordomo@io.com which simply says in the body of the message “subscribe” and your e-mail address. Erynn also has a fine book out called A Circle of Stones: Journeys and Meditations for Modern Celts.

I would be happy to hear about peoples’ use of this ritual and will answer any questions. Write care of the Obsidianpost office box to Joann Keesey.

The apple is considered feminine, ruled by the planet Venus. Its element is water, and it is associated with the following deities: Venus, Dionysus, Olwen, Apollo, Hera, Athena, Diana, Zeus, Aphrodite, and Iduna. The powers of the apple are love, healing, garden magic and immortality. Folk names for the apple retain these associations; for example, Fruit of the Gods,Fruit of the Underworld, Silver Branch, and Tree of Love. Halloween apple games descended from Celtic feasts of Samhain at the end of October. If you bobbed for apples and got one, the luck of the year would accompany you. If you managed only water, then the prospects were not so bright. Iduna(1) guards her apples well,and only the worthy will emerge victorious. Throughout the Indo-European culture complex, apples represented the Goddess’s sacred heart of immortality,displaying the pentagram when cut across.

Hey ho for Hallow E’en
A’ the witches tae be seen
Some in black and some in green
Hey ho for Hallow E’en.

In the Celtic countries, this was the time when ghosts and spirits of the dead came back to their former homes looking for warmth and food. The harvest had been gathered in, the cattle bedded down in their winter stalls. Families could hardly deny the shades of relatives the welcome they gave their cattle.On Samhain Eve, a fire would be built up and a table set with food to welcome them. Sometimes there was even a dumb supper with the company of those who had gone before. Throughout Gaul and Britain, fires were kindled on the hilltops to serve as a guide to those well disposed and a warning to deter those bent on mischief. Hundreds of years after Samhain had been replaced by All Hallows’ Eve, people were still building up the fire and setting the table for a feast, then leaving the house unlocked and departing for church. The custom only died out when not only the food was gone, but also the silver and other family heirlooms. Italians and Latin Americans still make an elaborate celebration, often having picnics in the cemeteries.

Apple rust, and cinnamon rust,
And cloves like rusty nails,
Turn my head to an iron box
And my ribs to rusty rails.

Long a symbol of life and fertility, nuts were an indispensable part of the holiday feast. In some parts of the British Isles, Hallows was known as Nutcrack Night. Nuts were divinatory, especially as far as romance was concerned. For each couple, a pair of nuts would be placed near the fire or on a hot shovel. In Wales, if both “pop and fly” simultaneously,the couple will marry, but if they explode at different times, they will part. In Scotland and Northern England, the nuts should burn quietly together.If they spring apart, so will the couple, but in the South the rhyme has it:

If he loves me, pop and fly!
If he hates me, lie and die.

Samhain Ritual

Items needed:
4 quarter candles
altar decorations
stone, feather, water
large basket with apples or nuts
cakes and wine (good non-alcoholic choice here is apple cider)
container to dispose of apple cores

Cast the Circle

East, South, West, North! Let the people gather forth!
Air, Fire, Water, Earth! Sacred circle now sees birth!

Call the Quarters

EAST: (Lights Eastern candle)
Let there be a light kindled from the spirit.
Blessed be this Eastern Gate and blessed be the element of Air.

SOUTH: (Lights Southern candle)
Let there be a light increasing and illuminating the South.
Blessed be this Southern Gate and blessed be the element of Fire.

WEST: (Lights Western candle)
Let there be a light radiating in the West.
Blessed be this Western Gate and blessed be the Element of Water.

NORTH: (Lights Northern candle)
Let there be a light reflecting in the North.
Blessed be this Northern Gate and blessed be the Element of Earth.

Casters: Let these powers be as one.

All: So mote it be.

Meditation

Stand quietly and relax with your hands resting at your sides. Clear your mind and concentrate on your breathing. Breathe in and out slowly and follow along with this meditation.

Take three breaths. On the fourth, raise the hands from the sides to the heart, palm over palm.

We are at the center of the World.

Exhale, move to one knee with palms on the ground before you.

We stand firmly upon the Land.

Inhale and rise to your feet, moving the hands behind at hip height, palms up, cupping. Exhale and move the hands in an arc until they meet in front.

The sea always surrounds us.

Inhale and move hands to the sides, spread the fingers wide, palms forward.Exhale and raise the arms, bringing the hands together above the head, thumb and forefinger meeting to create a triangle.

The sky spreads itself above us.

Inhale and lower hands to heart again.

We are at the center of the Three Realms.

Exhale and lower hands to the sides.

Ground of Being

Take stone and raise it above the head, lower it to touch the ground.

May Talamh Naomh (2)support us.

Set stone back. Take water and tip some salt into it. Swirl water three times clockwise. Walk three times clockwise around group.

May Farraighe Siorai (3)surround us.

Place water back and take feather. With the feather, describe an arc from east to west over the group.

May Speir Eigriochta (4)watch over us.

Honoring of the Ancestors

After pouring the libation, the Priest/ess says:

Let us make offerings to the ancestors and land spirits. Meditate upon our debt to them, for without them we would not exist.

All chant (in one-note chant):

Here I stand on sacred land
The sky is over my head
All around me the endless sea
We honor the Mighty Dead.

Priest/ess then says:

Beginning with [name of person in circle] and continuing deosil around the circle, when you are ready go to the Apple woman and receive your offering of immortality after you have remembered those who have gone before.

All chant:

Wole wa, egun gun, wole wa (three times)
Oh, ohh… wole wa. (5)
(Continue entire chant until all have visited the Apple woman)

The fruit is eaten, and the Priest/ess then says:

As we have eaten of the fruit of life, so our ancestors live in our fruitful memories of them.

Apple cores are collected and disposed of in the manner chosen.

Cakes and Wine

Dismissal of the Ancestors

All chant:

Dobayo, egun gun, dobayo (three times)
Oh…ohh Dobayo!

Dismissal of the Quarters

NORTH: By the power of the stone at Midnight, I transform, send forth and remain at Peace.

WEST: By the power of the setting sun and rising moon at Twilight,I transform, send forth and remain at Peace.

SOUTH: By the power of the radiant Sun at Noon, I transform, send forth, and remain at Peace.

EAST: By the power of the rising sun and morning star at Dawn, I transform, send forth and remain at Peace.

Priest/ess: Let these powers be as none.

All: So mote it be.

Opening of Circle and Closing

North, West, South, and East! All have eaten of the Feast!
Earth, Water, Fire, and Air! Circle is open with joy and care!

The circle is open…

JOANN KEESEY has been a witch for ten years. She belongs to a small working coven that specializes in British and Celtic folklore.

FOOTNOTES:

1. The goddess Induna lives in Asgard and possesses magical apples which the Gods eat and, as a result, never grow old.(Return to text)

2. Pronounced “Talav Noom.” (Return to text)

3. Pronounced “Farrah Sheer.”(Return to text)

4. Pronounced “Spear Eg-greesh.” (Return to text)

Further reading:
McNeill, F. Marian, The Silver Bough, Volume Three, a Calendar of Scottish National Festivals, Hallowe’en to Yule, (Glasgow: William Maclellan,240 Hope Street, Glasgow, 1959).
Rees, Alwyn and Brinley, Celtic Heritage, Ancient Tradition in Irelandand Wales, (London: Thames and Hudson, 1961).

Deities of Love and Marriage

Deities of Love and Marriage

Throughout history, nearly all cultures have had gods and goddesses associated with love and marriage. Although a few are male — Eros and Cupid come to mind — most are female, because the institution of marriage has long been viewed as the domain of women. If you’re doing a working relating to love, or if you wish to honor a particular deity as part of a marriage ceremony, these are some of the gods and goddesses associated with the very human emotion of love.

Aphrodite (Greek)

Aphrodite was the Greek goddess of love and sexuality, a job she took very seriously. She was married to Hephaistos, but also had a multitude of lovers — one of her favorites was the warrior god Ares. A festival was held regularly to honor Aphrodite, appropriately called the Aphrodisiac. At her temple in Corinth, revelers often paid tribute to Aphrodite by having rambunctious sex with her priestesses. The temple was later destroyed by the Romans, and not rebuilt, but fertility rites appear to have continued in the area. Like many Greek gods, Aphrodite spent a lot of time meddling in the lives of humans — particularly their love lives — and was instrumental in the cause of the Trojan War.

Cupid (Roman)

In ancient Rome, Cupid was the incarnation of Eros, the god of lust and desire. Eventually, though, he evolved into the image we have today of a chubby cherub, flitting about zapping people with his arrows. In particular, he enjoyed matching people up with odd partners, and this eventually ended up being his own undoing, when he fell in love with Psyche. Cupid was the son of Venus, the Roman goddess of love. He typically is seen on Valentine’s Day cards and decorations, and is invoked as a god of pure love and innocence — a far cry from his original form.

Eros (Greek)

Although not specifically a god of love, Eros is often invoked as a god of lust and passion. This son of Aphrodite was a Greek god of lust and primal sexual desire. In fact, the word erotic comes from his name. He is personified in all kinds of love and lust — heterosexual and homosexual — and was worshipped at the center of a fertility cult that honored both Eros and Aphrodite together. During the classical Roman period, Eros evolved into Cupid, and became portrayed as the chubby cherub that still remains as a popular image today. He is typically shown blindfolded — because, after all, love is blind — and carrying a bow, with which he shot arrows at his intended targets.

Frigga (Norse)

Frigga was the wife of the all-powerful Odin, and was considered a goddess of fertility and marriage within the Norse pantheon. Frigga is the only one besides Odin who is allowed to sit on his throne, Hlidskjalf, and she is known in some Norse tales as the Queen of Heaven. Today, many modern Norse Pagans honor Frigga as a goddess of both marriage and prophecy.

Hathor (Egyptian)

As the wife of the Sun God, Ra, Hathor is known in Egyptian legend as the patroness of wives. In most classical depictions, she is portrayed either as a cow goddess, or with a cow nearby — it is her role as mother that is most often seen. However, in later periods, she was associated with fertility, love and passion.

Hera (Greek)

Hera was the Greek goddess of marriage, and as the wife of Zeus, Hera was the queen of all wives! Although Hera fell in love with Zeus (her brother) immediately, he isn’t often faithful to her, so Hera spends a lot of time fighting off her husband’s numerous lovers. Hera is centered around the hearth and home, and focuses on family relationships.

 

Juno (Roman)

In ancient Rome, Juno was the goddess who watched over women and marriage. Although Juno’s festival, the Matronalia, was actually celebrated in March, the month of June was named for her. It’s a month for weddings and handfastings, so she is often honored at Litha, the time of the summer solstice. During the Matronalia, women received gifts from their husbands and daughters, and gave their female slaves the day off work.

Parvati (Hindu)

Parvati was the consort of the Hindu god Shiva, and is known as a goddess of love and devotion. She is one of many forms of Shakti, the all-powerful female force in the universe. Her union with Shiva taught him to embrace pleasure, and so in addition to being a destroyer god, Shiva is also a patron of the arts and dance. Parvati is an example of a female entity who has a profound effect on the male in her life, for without her, Shiva would not have been complete.

Venus (Roman)

The Roman equivalent of Aphrodite, Venus was a goddess of love and beauty. Originally, she was associated with gardens and fruitfulness, but later took on all the aspects of Aphrodite from the Greek traditions. Similar to Aphrodite, Venus took a number of lovers, both mortal and divine. Venus is nearly always portrayed as young and lovely. The statue Aphrodite of Milos, better known as the Venus de Milo, depicts the goddess as classically beautiful, with womanly curves and a knowing smile.

Vesta (Roman)

Although Vesta was actually a goddess of virginity, she was honored by Roman women along with Juno. Vesta’s status as a virgin represented the purity and honor of Roman women at the time of their marriage, and so it was important to keep her in high regard. In addition to her role as virgin-in-chief, however, Vesta is also a guardian of the hearth and domesticity. Her eternal flame burned in many Roman villages. Her festival, the Vestalia, was celebrated each year in June.

 

Jumping the Broom: Besom Weddings

Jumping the Broom: Besom Weddings

Along with the popularity of handfasting ceremonies, there has been a resurgence in interest among Pagans and Wiccans in the idea of a “besom wedding”. This is a ceremony also referred to as “jumping the broom”. Although typically this is seen as a ceremony derived from the slave culture of the American south, there is also evidence that besom weddings took place in some parts of the British Isles.

In some areas of Wales, a couple could be married by placing a birch broom at an angle across the doorway. The groom jumped over it first, followed by his bride. If neither of them knocked it out of place, the wedding was a go. If the broom fell down, it was considered that the marriage was doomed to failure, and the whole thing was called off. If the couple decided they were unhappy within the first year of marriage, they could divorce by jumping back out the door, over the broom. More information on this can be found in T. Gwynn Jones’ 1930 publication, Welsh Folklore.

During the early days of the American south, when slavery was still a legal institution, slaves were not legally allowed to marry one another. Instead, a ceremony was held where the couple would jump over a broom in front of witnesses, either together or separately. No one is really sure where the tradition originated. Danita Rountree Green, author of Broom Jumping: A Celebration of Love, suggests the practice came from Ghana, but she also says there’s no hard proof of the custom existing there.

Once African-Americans were legally allowed to marry in the United States, the tradition of broom-jumping virtually disappeared — after all, it was no longer needed. However, there has been a resurgence in popularity, due in no small part to the miniseries Roots.

Some gay and lesbian couples have adopted the symbolic broom-jumping today, since they are not legally able to marry in many places.

The late scholar and folklorist Alan Dundes makes the argument that the tradition of jumping a broom originated among England’s Rom, or gypsy, population. Dundes also points out that the broom is highly symbolic, saying, “the symbolic significance of the ritual to be the ‘stepping over’ as a metaphor for sexual intercourse. If a woman’s jumping over a broomstick produces a child, one could reasonably assume that the broomstick has phallic properties*.”

* “Jumping the Broom”: A Further Consideration of the Origins of an African American Wedding Custom, by C. W. Sullivan III, The Journal of American Folklore

 

Author:

Article found on & owned by About.com