Where Gods Dwell – Creating Altars and Shrines

Where Gods Dwell

Creating Altars and Shrines

by Amanda Silvers

An altar is, customarily, an area set aside for meditation or worship, or for working magick. A shrine is ordinarily an altar, specifically dedicated to a particular energy or deity. What is the purpose of an altar or shrine, besides creating a special place for your ritual or worship to take place? There are many answers, and I offer this as a guide for beginners and more experienced people as well.

When you transform a physical area or location to focus on a divine spirit, it is then possible for that spirit to manifest in the material world. Whether it is a god or goddess, an elemental or one of the fey, it has a space and energy to create from. The idea is to cause this to be a special and sacred place of honor and adoration of the deity or spirit, so put plenty of desire and effort into your creation.

To build an altar or shrine, begin on the correct day and hour for your chosen purpose. You may determine the day and hour by looking it up in a table of correspondences, in one of Scott Cunningham’s books or in The Spiral Dance. Start fashioning a place by contemplating how much space you have to devote, where you might like it, how accessible the area is to you and how secluded it is. Importantly, if you do not wish people to ask a bazillion questions, situate your shrines where they will be private. When you think about the purpose of the altar or shrine, the deity will help guide you where best to build it; just follow your feeling or instinct.

Next, clean the space, both physically and energetically. Do a clearing or banishing with water, incense or whatever you usually use, and at the same time clean the area well. Wipe it down and take away anything that was there before. (If you wish to replace an item on the altar, cleanse and bless it first.) Once you have accomplished this, purify and bless each item for the altar and place it in its correct position. Each piece is like an ingredient in a dish; it adds to the final product. There is a distinctive energy that is produced by an altar once it is blessed, and you will come to enjoy sharing the energy there.

If what you want to create is a shrine, say a prayer of dedication to the specific deity, and with your intention and desire affect the space to be sacred to that deity. Also, as you bring in each item you may anoint and dedicate them one by one, for more power, or you may wait until the whole shrine is set up and dedicate it at the end, as a whole. Chant, sing, play appropriate background music, burn incense, do whatever helps you be in the energy of the deity you wish to venerate. Put as much energy into anointing, placing and praying over the items as you can to make the shrine very powerful indeed.

Once you have accomplished this, it’s time to invoke the deity and ask that deity to lend his or her presence and power to your shrine. Be respectful, be sincere, be reverent, but do not forget that the gods do have a sense of humor. So do not be totally surprised if something unusual happens. When you are finished, spend some time communing with your chosen deity, and hearken to the small (or not so small) voice that will speak to you.

You might try creating small altars or shrines around your house and yard. Even the workplace can become an area of worship if you are discreet and use your symbology wisely.

I have a main altar that contains my ritual working tools, a couple statues of the god and goddess I traditionally work with, offerings and some other magickal items that are special to me. I create other shrines depending on what energies I am currently working with. I have had in the past and know several people who have a shrine blessed to each god or goddess they work with. A shrine can be a nice focus for bringing in more of the energy of a specific deity.

It’s a valuable idea to keep a journal of your communications with the gods, so that over time you can look back and see how you have grown and changed in your approach. Be conscientious; keep your altars and shrines clean and well-organized (unless they’re to Eris!). Spend time engaged at your shrines every day, and you will come to have a very close relationship with the gods. Raise energy for them, and offer gifts…. remember the gods and they will remember you!

Items that you might want to place on your altar or shrine

For a working altar, you will want a number of magickal tools including, but not limited to:

  • Athamé (sacred to the God)
  • Bell (air)
  • Bowl of water (water)
  • Candles (fire)
  • Cauldron (earth)
  • Chalice (Goddess)
  • Incense burner and incense (air)
  • Oil lamp (fire)
  • Representations of the God and Goddess
  • Rocks or crystals (earth)
  • Salt (earth)
  • Shells (water)
  • Wand (air)

For a shrine, you will want:

  • Representations of the deity; these may be pictures, statues or other things that represent the god or goddess in question to you
  • Altar cloth
  • Anointing oil
  • Athamé
  • Bells
  • Candles
  • Crystals
  • Earth
  • Feathers
  • Flowers (alive or dead)
  • Fruit
  • Herbs or greens
  • Incense and burner (the fire of consumption)
  • Meat or animal parts
  • Metal
  • Money
  • Oil lamp (the fire of illumination)
  • Poetry
  • Salt or sand
  • Shells
  • Stones
  • Wand
  • Water
  • Wine
  • Other offerings as appropriate

The suggestions following, regarding shrines to specific deities, will aid you in starting shrines, but use your personal preferences and the colors and items associated with your particular deities.

For Aphrodite, I recommend a rose-colored altar cloth, rose quartz, a statue or picture of a beautiful woman or sexually explicit photos, some Aphrodite incense, red candles, shells, pink or red flowers, water and a condom or two. Her colors are rose, red, orange, white and pink.

For Pan, think green! Provide a green or brown altar cloth. Pinecones, greenery, wildflowers, phallic-shaped stones, statues or pictures of the god, goats or a beautiful man are good, as well as animal skins (especially goatskins), Pan incense, green or brown candles, earth, mushrooms and phalluses (dildos). His  colors are brown, tan, forest green, leaf green and teal blue.

For Hecate, remember she is the goddess of magick and witches as well as the goddess of death and transformation (destruction). For her, I have a black altar cloth, a crystal ball, Tarot cards, crystals, dead and living flowers, animal skulls and bones, Hecate oil and incense, black candles, an oil lamp and a threefold statue of Hecate. She likes her devotees to write poetry and songs to her, and she is somewhat jealous. Her color is black.

Oh, It Is A Glorious Tuesday! Wishing You A Very Blessed Day, My Friends!

 

The Law of the Power

The Power shall not be used to bring harm, to injure or
control others. But if the need rises, the Power shall be
used to protect your life or the lives of others.

The Power is used only as need dictates.

The Power can be used for your own gain, as long as by
doing so you harm none.

It is unwise to accept money for use of the Power, for it
quickly controls its taker. Be not as those of other
religions.

Use not the Power for prideful gain, for such cheapens
the mysteries of Wicca and magick.

Ever remember that the Power is the sacred gift of the
Goddess and God, and should never be misused or abused.

And this is the law of the Power.

The Law

We are of the Old Ways, among those who walk with the
Goddess and God and receive Their love.

Keep the Sabbats and Esbats to the best of your
abilities, for to do otherwise is to lessen your connection
with the Goddess and God.

Harm none. This, the oldest law, is not open to
interpretation or change.

Shed not blood in ritual; the Goddess and God need not
blood to be duly worshipped.

Those of our ways are kind to all creatures, for hurtful
thoughts are quiet draining and aren’t worth the loss of
energy.

Misery is self-created; so, too, is joy, so create joy and
disdain misery and unhappiness. And this is within your
power. So harm not.

Teach only what you know, to the best of your ability, to
those students who you choose, but teach not to those
who would use your instructions for destruction or
control. Also, teach not to boost pride, forever
remember: She who teaches out of love shall be enfolded
in the arms of the Goddess and God.

Ever remember that if you would be of our way, keep the
law close to your heart, for it is the nature of the Wicca
to keep the Law.

If ever the need arises, any law may be changed or
discarded, and new laws written to replace them, so long
as the new laws don’t break the oldest law of all: Harm
None.

Blessings of the Goddess and God on us all.

Reference:

The Law & The Law Of Power, Author Scott Cunningham

More Tuesday Comments

Gemstone of the Day for August 14 is Jade

JADE (TREMOLITE)
SCIENTIFIC INFORMATION: Tremolite is a calcium, magnesium and iron silicate. When the iron content is high, it is called actinolite. The chemistry is Ca2(mg,Fe)5Si8O22(OH)2. The streak is colorless, although the mineral itself can range in color from white to dark grey, yellowish, pink to lilac. We commonly tend to think of “jade” as green, but as you can see, it is actually available in many colors. The hardness is between 5 and 6.
ENVIRONMENT: Tremolite is a product of metamorphism and occurs with calcite and grossular in hornfels of contact metamorphic rocks and with talc in serpentinites of hydrothermal metamorphic rocks.
OCCURRENCE: There are many localities where fine tremolite specimens may be obtained. Crystals of up to 3″ in length occur in marble at Haliburton and Wilberforce, Haliburton Co., Ontario and granular masses of pink tremolite (hexagonite) at De Kalb, St. Lawerence Co., New York. White and greenish crystals occur in calcite at Canaan, Litchfield Co., Connecticut.
GEMSTONE DATA: The Amphibole mineral nephrite, which consists of combined tremolite and actinolite, is dense, compact, tough.  Semitransparent to translucent varieties of nephrite are called [jade.] Nephrite jade colors are white, all shades of green, gray, grayish (with tinge of blue, red, or green), brown, and lavender. Value increases with transparency, intensity and evenness of color, and freedom from flaws. Jade is fashioned into beads, earrings, and cabochons for rings and brooches, or carved into ornamental or religious objects. Nephrite jade comes from Alaska, British Columbia, Wyoming, China and Siberia.
NAME: Tremolite is from the occurrence in Val Tremolo in the Swiss Alps. The word ‘jade’ is derived from the Spanish [pietra d’ijada] which means ‘colic stone’. In China, where jade has been venerated for thousands of years, over a hundred different names are in use for different color varieties.
LEGEND and LORE: Jade ornaments and implements of great antiquity have been discovered both in those parts of the world in which the mineral is found and in places far distant from these. It is the ‘greenstone’ so highly esteemed by the Maoris of New Zealand who carved it into pendants, sometimes representing their hero Tiki, and into chieftains’ war clubs.  It has been carved in Central America for well over a thousand years and the ancient Mayas prized it above gold. In ancient China a prospective bride would present her betrothed a jade butterfly to seal their engagement. Likewise the bridegroom would give his sweetheart a gift of jade before their wedding.
MAGICAL PROPERTIES: Jade is considered one of the most important symbols of purity and serenity. It is also revered as an ancient symbol of love. The Maoris regard Jade as a stone that brings luck, especially specimens that are dark olive-green in color. The ancient Chinese felt that Jade helps to inspire the mind to make quick and precise decisions. The ancient trader would often hold this gem in the palm of his right hand while he engaged in business transactions. Carved into a scarab, Jade is said to bring its owner a long and prosperous life. It is also said that wearing Jade while gardening will improve the health of the plants. Similarly, small pieces of Jade can be buried along the perimeter for this purpose. It is worn for protection during defensive magical workings.
HEALING: Jade has been called “colic stone”, “spleen stone” and “stone of the loins”. It is said that by tying jade to the arm, stones in the kidneys can be expelled. The ancient Greeks used this mineral for healing ailments of the eyes. Wearing Jade helps the body to heal itself while working on the underlying, nonphysical problems which cause the disease in the first place.
PERSONAL EXPERIENCE: I use Jade as a Heart Chakra stone, for those that feel threatened or frightened. I’ve also used it to control swelling of various glands in the face and neck, by placing it directly over the gland. Before I had a piece of Malachite, I used it on my broken arm. It seemed to help the break heal. It was NOT successful on the damage done to the nerves and tendons in my wrist, however. The Malachite worked better.
——-bibliography——-
1. Scientific, Environment, Occurrence and Name are from (or paraphrased from) “The Audubon Society Field Guide to North American Rocks and Minerals”.
2. Additional information about the Name and Legends and Lore are from “Gemstones” by E. H. Rutland.
3. Legends and Lore, Magical Properties are from “Cunningham’s Encyclopedia of Crystal, Gem & Metal Magic”, by Scott Cunningham.
4. Some of the healing information may come from “Color and Crystals, A Journey Through the Chakras” by Joy Gardner.
5. Personal Experience is from MY personal experience, journals and notebooks, by Tandika Star.


Jade wards off infantile disease if placed around the neck and not removed. It is placed in the mouth of a corpse to protect the soul. Necromancers used it to raise the soul. Jade bracelets are worn to promote a long life and as a charm to prevent eye infection. It is considered to be the concentrated essence of love. It makes a good healing talisman for the kidneys, urinary and digestive problems.
To Ritualists, it embodies the five cardinal virtues of the pentacle.
– Spirit Justice – Earth Charity – Water Courage – Fire Modesty – Air Wisdom –
It also makes a good gambling talisman, especially for racing.
Compiled by Lady Hathor – The Silver Circle – Toronto, Ont.


JADE:    Strengthens  heart,  kidneys,  immune  system. Helps cleanse blood.  Increases longevity and fertility. Aids eye disorders and female problems.  Powerful  emotional balancer.  Radiates divine,   unconditional   love. Clarity,  modesty, courage, justice, wisdom. Peaceful and nurturing.  Dispels negativity.  Healing affinity will correspond to particular color of stone.
By Legion of Light

VESUVIANITE

VESUVIANITE (IDOCRASE)

SCIENTIFIC INFORMATION: Vesuvianite is composed of calcium, magnesium
and aluminum silicate, often with some beryllium and fluorine. The
chemistry is Ca10Mg2Al4(SiO4)5(Si2)7)2(OH)4. Specimens range from brown
and green to a rare yellow or blue. The hardness is 6-1/2.

ENVIRONMENT: Vesuvianite forms by igneous and metamorphic processes. It
commonly is metamorphic and occurs with grossular, wollastonite, and
calcite in hornfels of contact metamorphic rocks; with chromite and
magnetite in serpentinite of hydrothermal metamorphic rocks; and with
wollastonite, andradite, and diopside in carbonatites.

OCCURENCE: Gem-quality Vesuvianite has been obtained from a pegmatite in
marble near Sixteen Island Lake, Laurel, Argenteuil Co., Quebec, and
beautiful micromount cyrstals of purplish-pink color occur in massive
Vesuvianite at the Montral chrome pit at Black Lake, Megantic Co.,
Quebec. The blue variety called [cyprine] has been obtained at Franklin,
Sussex Co., New Jersey. Fine crystals up to 1-1/2 inches across occur in
pale-blue calcite at Scratch Gravel, near Helena, Lewis and Clark Co.,
Montana, and spectacular material of similar nature occurs at quarries
near Riverside, California. Beautiful pale-green massive Vesuvianite
([californite]) occurs in California at Pulga, Butte Co.,
and near Happy Camp, Siskiyou Co., and crude yellow prismatic crystals
occur with grossular at Xalostoc, Morelos, and Lake Jaco, Chihuahua,
Mexico.

GEMSTONE INFORMATION: Translucent gray to green or nearly colorless
Vesuvianite with green streaks is called [californite], and is often
sold as “California Jade.” Californite is fashioned into cabochons.
Principal sources are the USSR, Italy, Canada and California.

NAME: The name “Vesuvianite” is from the original locality at Mt.
Vesuvius, Italy. The alternate name, “idocrase,” comes from the Greek
[eidos,] “form”, and [krasis,] “mixture,” because Vesuvianite may appear
to combine the crystal forms of several other minerals.

LEGEND and LORE: None found.

MAGICAL PROPERTIES: Dolfyn associates this stone with Passion, enthus-
iasm, warmth and devotion.

HEALING: No specific information found, other than what Dolfyn states.

PERSONAL EXPERIENCE: None. I do not have a specimen of Vesuvianite.

——-bibliography——-
1. Scientific, Environment, Occurence and Name are from (or paraphrased
from)”The Audubon Society field Guide to North American Rocks and
Minerals”.
2. Other scientific information may be from “Simon & Schuester’s Guide
to Gems and Precious Stones”.
3. Precious and semi-precious gemstone information may come from
“Gemstones” by E. H. Rutland.
4. Other precious and semi-precious gemstone information may come from
“Gem Cutting”, sec. ed., by John Sinkankas.
5. Basic Legends, Lore and Magical Properties are from “Cunningham’s
Encyclopedia of Crystal, Gem & Metal Magic”, by Scott Cunningham.
6. Some magical and healing information from “Crystal Wisdom, Spiritual
Properties of Crystals and Gemstones” by Dolfyn.
7. More legends and lore may come from “Stone Power” by Dorothee L.
Mella.
8. Healing information is from “The Women’s Book of Healing”, by Diane
Stein.
9. Additional healing information may be from “The Occult and Curative
Powers of Precious Stones” by William T. Fernie, M.D.
10. Personal Experience is from MY personal experience, journals and
notebooks.

OPAL

OPAL

SCIENTIFIC INFORMATION: Opal is hydrous silica, often with some iron and
aluminum. Its chemistry is SiO2.nH2O; amount of water varies up to 10
percent. It ranges in color from White, yellow, red, pink, brown to
gray, blue and even colorless. It is most easily recognized by its rich
internal play of colors (opalescence). Its hardness ranges from 5-1/2 to
6-1/2. It is vitreous and pearly. The streak is white. It is not found
in crystal form, rather is is usually massive, botryoidal, reniform,
stalactitic, and/or earthy.

ENVIRONMENT: Opal is a low-temperature mineral and usually develops in
a wide variety of rocks as cavity and fracture fillings. It requently
develops as amygdules in basalt and rhyolite of volcanic rock and
replaces the cells in wood and the shells of clams.
2625

OCCURENCE: Common opal is widespread and can be readily obtained at many
places, but localities for precious opal are rare and seem to localized
in W United States and Mexico. Magnificent examples of opalized wood can
be found in Idaho, Nevada, Oregon, Utah, and Washington, and lively
green fluorescing opal (hyalite) occurs in seams in pegmatites in New
England and North Carolina and in cavities in basalt near Klamath Falls,
Oregon. Beautiful precious opal, as a replacement in wood, has been
obtained in Virgin Valley, Humboldt Co., Nevada.  Excellent fire and
precious opal occur in laval flows in N Mexico. Nevada, Australia, and
Honduras are sources for black opal; Australia and Czechoslovakia
for white opal; Mexico and SW United States for fire opal.

GEMSTONE INFORMATION: Black, dark blue, dark green opal with dark gray
body color and fine play of colors is called [black opal;] opal with
white or light body color and fine play of color is called [white opal;]
and transparent to translucent opal with body color ranging from
orange-yellow to red and a play of colors is called [fire opal.] Play of
colors depends upon interference of light and is not dependent upon body
color. Black opal is the most highly prized, and fire opal is the most
valued of the orange and red varieties. Most opal is fashioned into
cabochons, but some fire opals are faceted.

NAME: The word is from the Sanskrit [upala,] meaning “precious stone.”

LEGEND and LORE: Opal is a birthstone for October.

“October’s child is born for woe,
And life’s vicissitudes must know;
But lay an  Opal on her breast,
And hope will lull those foes to rest.” (5)

Opals have traditionally been considered “lucky” stones…but only for
those born in the month of October. It has been considered bad luck to
wear them if you were born in any other month.

MAGICAL PROPERTIES: Opal is considered to be able to confer the gift of
invisibility on its wearer. To accomplish this, Cunningham says “The gem
was wrapped in a fresh bay leaf and carried for this purpose.” He also
says, “Opals are also worn to bring out inner beauty. A beauty spell:
Place a round mirror on the altar or behind it so that you can see your
face within it while kneeling.  Place two green candles on eithe side of
the mirror. Light the candles. Empower an opal with your need for beauty
— while holding the stone, gaze into your reflection. With the scalpel
of your visualization, mold and form your face (and your body) to the
form you desire. Then, carry or wear the opal and dedicate
yourself to improving your appearance.” (2)

HEALING: Opals contain all the colors of the other stones, thus, it
could be used in place of any of them. (They are akin to quartz
crystals, in this aspect.) Generally speaking, Opal is used more
frequently for healing the spirit, rather than the physical body.

PERSONAL EXPERIENCE: Opals are probably my favorite stone. This may be
partially due to the fact that they are my birthstone, and I have been
surrounded by them all of my life. For me, they are protective and
invigorating. I normally use them during Journeying, and when doing
“readings” for other…anything where I am using altered states of
consciousness. I find that they help me to understand the symbols of my
2626

visions in a way that makes them meaningful for others.

——-bibliography——-

1. Scientific, Environment, Occurance and Name are from (or paraphrased
from) “The Audobon Society Field Guide to North American Rocks and
Minerals”.

2. Legends and Lore, Magical Properties are from “Cunningham’s En-
cyclopedia of Crystal, Gem & Metal Magic”, by Scott Cunningham.

3. Some of the healing information may come from “Color and Crystals, A
Journey Through the Chakras” by Joy Gardner.

4. Personal Experience is from MY personal experience, journals and
notebooks, by <grin> Tandika Star.

5. Birthday poem from “The Occult and Curative Powers of Precious
Stones” by William T. Fernie, M.D.

MOONSTONE

MOONSTONE

SCIENTIFIC INFORMATION: Moonstone is one variation of Orthoclase. It
owes its beautiful silvery to bluish sheen (‘adularescence’ or ‘schil-
ler’) to its composition of extremely thin plates of orthoclase and
albite. The thinner these plates are, the bluer is the sheen. There are
also moonstones consisting mainly of albite. These are less translucent,
but they can occur in a variety of colours: grey, blue, green, brown,
yellow and white. There are also moonstone cat’s-eyes. The chemical
composition is KAlSi3O8 and the hardness is 7. The streak is white.

ENVIRONMENT: The potash feldspars are important rock-forming minerals in
plutonic, volcanic, and metamorphic rocks. Adularia and sanidine are
found usually in volcanic rocks.

OCCURENCE: The main countries of origin are Ceylon, southern India (the
district near Kangayam), Tanzia and Malagasy which, together with Burma,
produces some of the finest stones with a deep blue schiller. White
adularia crystals up to 2.5 cm (1″) across have been found in gold-bear-
ing quartz veins at Bodie, Mono Co., California, and in the silver mines
of the Silver City district, Owhyee Co., Idaho.

GEMSTONE INFORMATION: Moonstone is always cut into cabochons, to display
the cat’s-eye, or schiller.

NAME: Adularia (another name for Moonstone) comes from the locality in
Switzerland, the Adula Mts.

LEGEND and LORE: This stone has always been revered because of its lunar
attraction. It was believed that the shiller in the stone would follow
the cycles of the moon. (Becoming greatest when the moon was full.) In
addition, it has always been considered a “feminine, or Goddess” stone.

MAGICAL PROPERTIES: Meditation with moonstone calls into consciousness
the three-form moon phase goddesses, Diana/Selene/Hecate, the waxing,
Full and waning Moon. These are woman as goddess in her ages and
contradictions, Maiden/Mother/Crone. Cunningham favors this stone for
spells involving love. In addition he has a longish essay on using it
for a “diet” stone.

HEALING: Because of it’s feminine nature, Moonstone has long been
considered a “womans healing stone”. It is used traditionally for
healing/balancing of female organs and hormones.

PERSONAL EXPERIENCE: I use Moonstone at the Transpersonal Point, for
connection to the Goddess and Universal Feminine Energy. This is the
connection to dreams and dreaming, feminine “intuition”, and “cycles”.
There are cycles of time, seasons, the moon, stars, etc. I also use/give
2623

this stone for those clients who are having difficulty being in tune
with the feminine side of their nature.  (Everyone has a masculine and
a feminine side.)

NOTES: In the past, this stone has also been called “Cylon Opal”.

——-bibliography——-

1. Scientific, Environment, Occurence and Name are from (or paraphrased
from) “The Audobon Society Field Guide to North American Rocks and
Minerals”.

2. Precious and semi-precious gemstone information may come from
“Gemstones” by E. H. Rutland.

3. Other Precious and semi-precious gemstone information may come from
“Gem Cutting”, sec. ed., by John Sinkankas.

4. Legends and Lore, Magical Properties are from “Cunningham’s En-
cyclopedia of Crystal, Gem & Metal Magic”, by Scott Cunningham.

5. Some of the healing information may come from “Color and Crystals, A
Journey Through the Chakras” by Joy Gardner.

6. Some of the healing information may come from “A Journey Through the
Chakras” by Joy Gardner.

7. Personal Experience is from MY personal experience, journals and
notebooks, by <grin> Tandika Star.

8. Birthstone poem from “The Occult and Curative Powers of Precious
Stones” by William T. Fernie, M.D.

MALACHITE

MALACHITE

SCIENTIFIC INFORMATION: Malachite is a basic copper carbonate. It’s
chemistry is Cu2CO3(OH)2. It ranges in color from emerald green thru
grass green to shades of silky pale green. The streak is light green.
It’s hardness is 3-1/2 to 4.  Crystals are rare. Most gem specimens
display distinctive concentric colorbanding; (alternating dark green and
light green bands.)

ENVIRONMENT: Malachite is a secondary copper mineral and develops in the
zone of alteration in massive, lode, and disseminated hydrothermal
replacement deposits.  Associated minerals are azurite, limonite, and
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chalcopyrite.

OCCURENCE: The copper mines at Bisbee, Chochise Co., Arizona, are famous
for their fine specimens of massive malachite and pseudomorphs of
malachite after azurite. Mines at Morenci in Greenlee Co., and at Globe
in Gila Co., Arizona, have yielded beautiful malachite specimens, of
which some consist of alternating layers of green malachite and blue
azurite. Fine malachite has also come from copper mines in California,
Nevada, Utah, Pennsylvania, and Tennessee.

NAME: The name is from the Greek [moloche], “mallow,” an illusion to the
mineral’s leaf-green color. Malachite is used as an ore of copper and as
a gemstone.

LEGEND and LORE: It is said that if malachite is worn, it will break
into pieces to warn the wearer of danger.

MAGICAL PROPERTIES: Used to direct power towards magical goals.
Protective, especially towards children. According to Cunningham, “Small
pieces of malachite placed in each corner of a business building or a
small piece placed in the cash register draws customers. Worn during
business meetings or trade shows, it increases your ability to obtain
good deals and sales. It is the salesperson’s stone.” (2)

HEALING: If the malachite is of the blue-green variety, it can be
associated with the Sacral Center, or Splenic Chakra (Svadisthana).
Here, it’s energy branches to the left, to the spleen. (It is intended
in this position for those who are celebate.) In addition, if it is
grass-green, it can be used at the Lumbar/Solar Plexis Center. “When the
malachite is placed at the solar plexus and a piece of green jade is
placed at the heart center and a double-terminated quartz crystal is
placed between them, people may remember events that have been blocked
for years. They may cry or scream. As these buried emotions are brought
to the surface and released, a great weight is lifted and they soon feel
renewed.” (3)

PERSONAL EXPERIENCE: I am very careful about using Malachite. It has
been my experience that the emotions that it releases can be very
powerful, to the point of overwhelming some people. On the other hand,
if the individual is ready to deal with them (in a “growth” period) it
may work out just fine. You could “balance” the emotional content with
a pink stone (such as rose quartz) to cut down some on the intensity.

A few years ago, I broke my arm. To do so, I damaged the muscles and
nerves in my wrist. I was in a lot of pain, and was searching for what
I could do to help the situation. During a journey, I saw malachite, so
I found a malachite heart which I held in the palm of the broken arm
while meditating. I got a lot of relief from it. Now, if the wrist acts
up, I use the heart, taped over the wrist area when I go to bed at
night. It seems to help quite a bit. I now recommend malachite for
nerve/muscle damage with some success. (4)

——-bibliography——-

1. Scientific, Environment, Occurance and Name are from (or paraphrased
from) “The Audobon Society Field Guide to North American Rocks and
Minerals”.

2622

2. Legends and Lore, Magical Properties are from “Cunningham’s En-
cyclopedia of Crystal, Gem & Metal Magic”, by Scott Cunningham.

3. Some of the healing information may come from “Color and Crystals, A
Journey Through the Chakras” by Joy Gardner.

4. Personal Experience is from MY personal experience, journals and
notebooks, by <grin> Tandika Star.

It’s Friday, My Friends! The Weekend Is Almost Here, Yahoo!

 The Weekend

Another week of work is done,
And I am, oh, so tired,
I really need to rest my weary bones.
I leave the job at half past five,
I can’t wait for the weekend,
But there’s more work to do when I get home.

There’s lawns to cut and trash to dump,
There’s painting and there’s fixing,
There’s bills to pay and shopping at some store.
And when I think that all is done,
And I can finally rest,
I’m sure that I will find there’s plenty more.

Now I can’t wait ’til Monday morn,
When I go back to work,
To start the day with coffee with my friends,
Then work until it seems as if
The week goes on forever,

And once again I’m waiting for it to end.

 by David Ronald Bruce Pekrul

 

Gem of the Day for June 14 – LAZURITE (LAPIS LAZULI)

LAZURITE (LAPIS LAZULI)

 
SCIENTIFIC INFORMATION: Lazurite is a silicate of sodium calcium and aluminum, with some sulfur. It is a member of the sodalite group. It’s chemistry is (Na, Ca)8(Al,Si)12O24(S,SO)4. The color ranges in shades of blue from violet blue and azure blue thru greenish-blue. Lazurite is distinguished from sodalite by its deeper color and fine grain. It is also softer and lighter in weight than lazulite. It is dull to greasy and the streak is pale blue. The hardness ranges between 5 and 5-1/2.

 
ENVIRONMENT: Crystals are rare. It is usually granular, compact, massive. It forms in association with pyrite, calcite, and diopside in hornfels of contact metamorphic rocks. The opaque, vivid blue, light blue, greenish-blue, or violet-blue stone, consisting largely of lazurite but with appreciable amounts of calcite, diopside, and pyrite, is a rock called [lapis lazuli.] The stone is usually veined or spotted. Its value depends largely upon excellence and uniformity of color and absence of pyrite, although some purchasers prefer lapis with pyrite.

 
OCCURRENCE: Lazurite is a rare mineral in North America, but it does occur on Italian Mt. in the Sawatch Mts. of Colorado; on Ontario Peak in the San Gabriel Mts., Los Angeles Co., and in Cascade Canyon in the San Bernardino Mts., San Bernardino Co., California. The finest lapis lazuli has come from Badakshan in Afghanistan, and less valuable material has come from Russia and Chile.

 
NAME:  The name is from the Arabic [lazaward], “heaven,” which was also applied to sky-blue lapis lazuli.

 
LEGEND and LORE: Lapis Lazuli was a favorite stone of the ancient Egyptians. In the past Lazurite has been burned and ground to form the pigment “ultramarine.” It was consider an aid to childbirth, and has long been associated with altered states of consciousness and trance work. Lapis is sometimes designated as a birthstone for December, although turquoise is most common.

 
MAGICAL PROPERTIES: To quote Cunningham: “This stone is used in rituals designed to attract spiritual love. Take an untumbled piece of lapis with a sharp edge.  Empower the stone and a pink candle with your need for love. Then, using the lapis lazuli, carve a heart onto the candle. Place the stone near the candleholder and burn the candle while visualizing a love coming into your life.” Actually, the most important magical aspect of lapis is it’s ability to strengthen psychic awareness. Cunningham says “Despite its somewhat high price, lapis lazuli is one stone every stone magician should own and utilize.”(2)

 
HEALING: This stone is used at the Ajina, the Brow Chakra. It’s related gland is the pituitary. The pituitary gland is also referred to as the “master gland” because it regulates all of the others. This location is also the center for the eyes, ears, nose and brain.

——-bibliography——-
1. Scientific, Environment, Occurrence and Name are from (or paraphrased from) “The Audobon Society Field Guide to North American Rocks and Minerals”.
2. Legends and Lore, Magical Properties are from “Cunningham’s En- cyclopedia of Crystal, Gem & Metal Magic”, by Scott Cunningham.
3. Some of the healing information may come from “Color and Crystals, A Journey Through the Chakras” by Joy Gardner.

Scrying Using the Black Mirror

Seeing Into Darkness

by Katlyn Breene

The following excerpt comes from a book-length work on scrying and magick mirrors. Katlyn, a scrying expert, also runs Mermade Magickal Arts, manufacturing black scrying mirrors in Las Vegas, Nevada.

The black scrying mirror, or magick mirror, is a powerful psychic tool. It can bring the user hidden knowledge and clairvoyant ability and can act as a portal to other planes of existence. History shows its use in many of the traditional mystery schools and oracular temples. Today the serious student of magickal arts can rediscover the ancient rites of the magick mirror, for these techniques are again coming to light.

Scrying can be defined as the mantic art of gazing into or upon a crystal or dark mirror, allowing the physical eyes to relax, thus letting the inner psychic eyes begin to open and receive desired visions or information. The use of the black mirror is one of the best methods of achieving the state of mind required for entering trance and for scrying work. It not only acts as a focal point for visualization but can become a doorway into the astral plane. It allows communication with higher realms and the subconscious and access to Akashic records. The traditional crystal ball is also a wonderful tool, but it is more difficult to scry with and is extremely expensive. The mirror is a more efficient way to begin to learn to scry and journey in other realms. However, all techniques in this article may be used with a crystal ball as well as the black scrying mirror.

Consider the reality of the Akashic records, in which all ideas, actions, influences and vibrations are stored. The practiced scryer has the ability to “read” these records and focus on this vast source of timeless knowledge with the aid of the mirror and a strongly directed imagination. Guides from the world of spirit often lead the scryer in astral travel and mental journeying through the black mirror or crystal sphere. Scrying develops one’s clairvoyant abilities and is especially helpful in strengthening the third eye.

The preparation and construction of the mirror is extremely important. The black scrying mirror must be created with the highest magickal standards and traditions. At the full moon, specially cut glass disks are cleansed and magnetized. They are then anointed with a powerful herbal fluid condenser to attract and hold energy, vital force and any charge given them. A tincture of gold and moonstone is then applied to the surface, and they are ritually blessed under the light of the full moon. They remain for a night and a day within a circle of protection. The black coating is then applied to seal in the energy, and a felt backing is put on to protect the mirror and absorb later applications of fluid condenser. The mirror stand is carved rosewood, ebony or teak.

Ways in which the black mirror can be used

  • To contact spirit guides
  • To access knowledge
  • For healing and self improvement
  • As a magickal transmitter and receiver
  • For divining the past, present and future
  • As a portal to the astral plane
  • For shamanic journeying
  • For ritual invocation and evocation
  • To improve visualization skills

Preparing to work with the black scrying mirror

  • Always keep the surface very clean using alcohol and a soft cloth.
  • Never use it for anything but its intended magickal purpose.
  • Do not let others look into its surface, except in ritual context. Keep it stored in a silk bag when not in use.
  • Frequently recharge the mirror with vital force and fluid condenser, as explained following.
  • Practice the visual exercises described following until mastered.
  • Keep the working area clean and free from any disturbance.
  • Generally, scry using the mirror at night, preferably during the full or new moon, depending on the operation. The mirror can be used at any time, but tends to work better at these points.
  • When indoors, light two votive candles, one on each side of the mirror. Use white or colored candles appropriate to the work: blue for healing, purple for psychic work, orange for communication, and so on. (For more suggestions on candle colors, see any standard table of correspondences, for example in Scott Cunningham’s books or The Spiral Dance).
  • Burn a lunar or psychic blend incense before working with the mirror.
  • Place the mirror on a wooden table or altar with a clean cloth beneath it and be seated on a wooden chair in front of it, or if you prefer, assume a comfortable asana on the floor with the mirror before you.
  • Extinguish all light sources except the candles and/or moonlight.
  • Allow nothing to reflect in the mirror’s surface. It should appear as a dark tunnel or window.
  • Before starting, always create a sacred space to work in. Cast a circle of protection or visualize the area surrounded by white light and protection from false or misleading influences – call your guides and guardians to protect the working.
  • Keep a journal to record your experiences.

The rite of scrying

First, clearly decide what you seek or are trying to accomplish in the working and prepare appropriately. Then prepare the work area carefully as suggested previously.

Once you are ready, close your eyes and begin to relax; feel every part of your body releasing, relieved of all tension. Visualize your circle of protection and know you are safe and in control of all that happens within it. Begin to breath rhythmically and fully; try a count of four in, hold four, release four, four in, hold four, release four and so on. Feel yourself entering a light trance surrounded by sacred space, removed from time and the material world. Silently call your guides or guardians of the work, invoking the Goddess or calling angelic presences, spirit guides, watchtowers, astral guardians or whatever you prefer. Reaffirm your desire and the purpose of the work.

Now open your physical eyes and gaze into the mirror; remain relaxed and do not hesitate to blink when necessary. Relax the focus of your eyes but remain alert. After a while, the surface of the mirror will begin to change and fade; a dark mist will appear.

Your inner eyes will now open, and the journey into the mirror begins. Remember that the inner eye sees inside the mind, through the magickal imagination. Most people when scrying do not see the images appear with the physical eyes on the mirror’s surface but see within the mirror and in the mind’s eye. The mirror acts as a focal point, a gateway within.

When you have completed your journey or work you set out to do, begin the return to your body and ordinary senses. Breath fully and deeply, and remain still until you feel you have completely returned. Now close your eyes and remember all you saw and felt during the scrying or journey. Review your entire experience mentally.

Write it all down immediately in a journal kept for this purpose.

To begin to see

This is a very important exercise to master if you are new to scrying or are having trouble receiving images. It will aid your “visual imagination,” which allows your psychic and physical eyes to see clearly together. It gives clairvoyant strength.

Sit before your mirror and begin to imagine objects on its surface, one after another. You should try to see these images clearly in the mirror with your eyes open, just as if they were there in reality. Try simple shapes or colors first. Hold onto the image of each shape, object or color one minute before dissolving it and going on to the next. For example, use a red triangle, a yellow square, a blue circle and silver crescent; see them appear in the mirror using your firm imagination. For best results, do this exercise every day for 15 minutes until it is mastered.

This exercise is well worth the effort; it gives magickal discipline and strengthens the inner eye so visions can come with clarity and ease.

Charging the mirror with light

To charge and empower the mirror with light force is a simple but powerful process. It should be done frequently, especially just before using the mirror, so as to ensure you see correct visions, connect with positive energy and do not experience interference.

First, you must imagine that white light is collecting inside your body, being channeled down from the crown chakra. The body becomes a vessel filled with light. Remember to breathe fully, deeply and rhythmically. Now stand in front of the mirror and direct the palms of your hands toward one another. Imagine that the internal light is now moving into your hands, forming a ball of condensed white light between them. See and feel this clearly in your imagination. When ready, begin to project this ball of light into the surface of the mirror, purifying and enlivening the mirror, filling it with magickal force. See the light “soak” into the mirror. This process needs to be repeated until the mirror feels “full.”

This process can also be used to give a special or programmed charge to the mirror. Follow the steps preceding and create the ball of light between your hands, then mentally project your desire into the light before projecting the light into the mirror. This technique can be used for healing works and self-improvement. You can also charge the light with a specific color or vibration – whatever can be felt or imagined can be put into the mirror to aid the magickal energy. The empowering exercise can be used for other magickal operations as well, such as charging other magickal tools and the giving of healing light to another person. All it takes is a strong desire and powerful imagination.

Locking the charge into the mirror is accomplished by willpower. When the light has been absorbed into the mirror, state in your mind and with all the faith you can muster that the charge will remain as long as you require it. To release or remove a special charge, simply reverse the procedure, pulling the light out of the mirror into the space between your hands. Then disperse the energy into the atmosphere through the imagination. Do not draw it back into the body – see it return to the universe.

Creation and use of the fluid condenser

A fluid condenser is an infusion of herbs with tinctures, essences and gold added. It serves to hold the mirror’s magickal charge and attract elemental force. The condenser can be used not only on mirrors but also on all other ritual tools you want to charge for ceremonial use. The use of certain herbs, stones and metals in small quantities attracts etheric energy of a like kind. These fluids can be made individually to represent each of the elements or to enhance a particular work. I recommend making a universal fluid condenser that will work for all purposes, having all elements represented along with tincture of gold, representing solar and God energy, and essence of moonstone, representing lunar and Goddess energy.

The fluid is applied to recharge the mirror and to draw magickal symbols upon it for use in ritual. When the mirror is not in use, it is wise to anoint its surface with the fluid before putting it away. The fluid can be cleaned off with alcohol or distilled water later.

To make the fluid, you must first gather the herbs you need. They can be fresh or dried, but the more life force they contain, the better. The list of herbs following includes some suggestions, but you need not use all the herbs to make a good condenser. Use the ones you can find of good quality.

Once gathered, the herbs are placed in a pot with distilled water or rainwater. There should be about an ounce of each herb and enough water in the pot to cover the contents completely. Bring this mixture to a boil, and then turn down the flame and let it simmer for an hour with the pot lid on. When this is done, let the mixture cool and strain it through a muslin cloth. Put the liquid back into the pot and simmer without the lid until only a quarter of the original amount is left. When this is cool, add the gold tincture, about 13 drops to each pint of liquid. Then add the essence of moonstone. If gold tincture and essence of moonstone are not available, gold chloride or gold salts can be used and whole moonstones and crystals added to the mixture as a vibrational additive. Gold tincture can also be made at home with fairly good results.

To make gold tincture, take a pure piece of gold and holding it with a pair of pliers heat it over a flame until red hot. The red-hot gold is then dunked into a container of about half a quart of distilled water or rainwater. The heat and rapid cooling causes gold molecules to remain in the liquid. This process should be repeated nine times in the same water. Be careful of the rising steam, and try not to get the hot pliers into the water!

When you have combined all the fluid condenser ingredients together in a sterilized glass container, then add an equal amount of wood or isopropyl alcohol to act as a preservative. Store the condenser in an air-tight glass container in a dark place, and it will last for years.

For a very powerful and personalized condenser, add a few drops of your own blood to the mixture. Quartz crystals can be left in the fluid while it is stored to keep it clear.

Herbs for the fluid condenser

  • For the water element: elder flowers, water lily, orris root, white rose, willow, cucumber seeds, jasmine
  • For the fire element: red poppy, cinnamon bark, bay leaves, orange peel, rosemary, marigold, galangal, damiana, tobacco, nutmeg
  • For the earth element: oak, ivy, cypress, mugwort, vervain, patchouli herb, wheat, primrose
  • For the air element: mistletoe, acacia, clover, pine, sage, lavender, verbena
  • For spirit: gold, blood, crystal
  • For healing: juniper, thyme, mandrake, tansy, elder, coriander, lavender, life-everlasting, sage, cypress
  • For universal fluid condenser: chamomile, dittany of Crete, ivy, oak leaves, bay leaves, almonds, cypress, clover, grape leaves, rose petals, mugwort, jasmine, vervain, mandrake root

Incense for psychic work

The best incense to use when working with the mirror or any scrying device is lunar or psychic in nature, representing the sphere of Yesod. These types of blends may be purchased or created by yourself and must be burned on self-igniting charcoal disks. Here are some excellent recipes for fine-quality magickal incense to be used for the rites of scrying.

Lunar blend incense:

  • A base of white sandalwood powder
  • Orris root and myrrh in equal parts
  • Oil of jasmine and jasmine flowers
  • Oil of lotus and synthetic ambergris
  • A small pinch of refined camphor
  • Poppy and cucumber seeds

Blend together sandalwood, myrrh, and orris root, and crush them together into a powder. True refined camphor is hard to come by, but if you should have some available, add a pinch to the powdered base. Also add at this time the poppy and/or dried cucumber seeds. Put this mixture aside in an air-tight jar.

Next, blend the jasmine, ambergris and lotus oils together in equal parts. Coat the dried jasmine flowers with the blended oil and set them aside in an air-tight jar. Let these sit until the next full moon. On the evening of the full moon, mix together (in a silver or crystal bowl if possible) the oil-soaked flowers and the powder base with your hands, meditating as you mix on the beauty and wisdom of Mother Moon. Ask her to bless this incense with Her magick.

Scrying incense (psychic blend):

  • A base of mastic gum, myrrh, galangal powder and frankincense
  • Mugwort and wormwood herbs
  • Rose petals and lavender buds
  • Green cardamom pods and star anise
  • Bay leaves
  • Oils of mimosa and lotus, and dark musk

Blend together mastic, myrrh, galangal and frankincense in equal parts and grind to a powder base. Add a few cardamom and star anise seeds to the base and put aside in an air-tight jar. Now mix equal parts of ground mugwort, wormwood and bay, about half the amount used in the powder base. Coat this mixture with dark musk oil, and put it aside in a sealed jar. Mix the lavender and rose petals together, coat them with mimosa and lotus oil and put them aside in a sealed jar. Let the ingredients stand for nine days during the waxing of the moon.

Then blend all ingredients together by hand. As you mix, meditate upon your spirit guide and developing your psychic abilities. Know that when the incense is burned, your inner eyes will open and a link will be formed between you and world of spirit. (It is best to remove anise and cardamom seeds from the incense before burning; their scent will have been absorbed by the incense base.)

A Witch By Any Other Name (The Great Wicca vs. Witchcraft Debate)

Author: Mike Nichols

“A difference that makes no difference is not a difference.” –Ambassador Spock

It took more than twenty years before I first ran across the notion that Witchcraft and Wicca were not the same thing. I don’t remember where I first read it, but I do remember feeling bemused at such an assertion, and assumed the author had failed to do adequate research into the origins of the word “witch”. I also assumed I’d heard the last of it. I assumed wrong!

Over the years, I’ve seen this sentiment turning up more and more, in conversations, in online discussions and websites, and even in published works on Witchcraft. It is often stated with such conviction that one might conclude it is the very least one needs to know on the subject. The author is usually at pains to convey the distinction that Wicca designates a religion, whereas Witchcraft is merely the practice of magic. In recent years, I have come across three further amplifications: The first is that some groups identify themselves as practicing Wicca exclusively, as a religious or spiritual path. As such, they do not hold with the more “debased” practice of Witchcraft or other magic! The second is that some groups claim that Witchcraft predates Wicca (which they apparently believe was invented by Gerald Gardner) and is therefore more “authentic”. The third is that only practitioners who are in a lineal descent from Gardner or one of his covens may use the word Wicca to describe their tradition. All others would have to default to the word Witchcraft for their praxis.

Needless to say (or is it?), this so-called “distinction” between Witchcraft and Wicca came as a huge surprise, and a bit of a shock, to those of us who embarked upon this path back in the 1960s and ’70s. Although the term Wicca was known (as the origin of the word Witch), it was seldom used. We were Witches, pure and simple. And we practiced Witchcraft, or sometimes “the Craft”, or (based on a popular but incorrect etymology) “the Craft of the Wise”, or “the Old Religion”. But nobody practiced “Wicca”. Even Gardnerians called themselves Witches, typically modified by others to Gardnerian Witches. On the rare occasion when the word Wicca did come up, it was used interchangeably with Witchcraft. Most often, it was when someone was trying to dodge the issue. Potential father-in-law: “So what is this weird cult my daughter says you’re into?” Boyfriend (blood draining from face): “Uhhhhh….. OH! I think you must mean Wicca? yeah, that’s it… Say, how about those Dodgers?”

The attempt to make a distinction between the spiritual, devotional, or celebrational side of our religion, and the more utilitarian use of ritual and ceremony to effect desired changes in our world, would never have occurred to us. One of the principle tenets of Witchcraft is that the spiritual and material sides of life interpenetrate one another and cannot be meaningfully separated. To attempt to do so is to encourage the sort of Neo-Platonic dualism that has bedeviled our Western society for centuries and led to, among other things, the demonizing of sex and the body, and disdain for our environment. In fact, any attempt to separate Wicca from Witchcraft, the religious practice from the magical practice, is not only historically misguided, but politically dangerous. It plays us directly into the hands of our detractors. But I am getting ahead of myself.

The first question to tackle is where this idea came from. It clearly wasn’t there in the 1960s. Nor can it be found in the writings of the 1970s. In fact, an unambiguous reference to this idea does not occur until the late1980s! So the first thing to realize is that this notion is of far more recent vintage than most people would believe. Books about Witchcraft (such as Sybil Leek’s Diary of a Witch, in which she speaks of Witchcraft as a religion) began to be published frequently from the 1960s onward, yet they used the word Wicca quite sparingly. In fact, the first popular book to use the word Wicca in the title did not appear until 1988! This was Scott Cunningham’s Wicca: A Guide for the Solitary Practitioner. Had this title appeared in bookstores in the ’60s or ’70s, the most likely reaction, even from Witches themselves, would have been “Huh?!” They would have recognized the word, but would have wondered why such an obscure term should have been preferred to a common one. Not coincidentally, Scott Cunningham was among the first writers to claim there is a difference between Wicca and Witchcraft.

But is there really a difference? In point of fact, “wicca” and “witch” are the same word. This cannot be overstated because few people today believe it. Nonetheless, it is true. Wicca is simply the earlier form of the word witch. Proof of this can easily be found in the twenty-volume Oxford English Dictionary. The O.E.D. (as it is known by scholars) is the highest court of appeals for questions of etymology. “Witch” comes from the Saxon word “wicca”. That is a noun with a masculine ending, and (hold on to your pointy hats!) it should properly be pronounced “witch’-ah”, not “wick’-ah”! In the Saxon tongue, nouns had either masculine or feminine endings, depending on their referents. The feminine form was “wicce”, properly pronounced “witch’-eh”. Note the same word was applied to both males and females (no ‘warlocks’ here!), with only the ending changed. As the word evolved into modern English, the gender ending was dropped, leaving us with a word that is pronounced “witch”, and ultimately spelled that way.

When you consider that the Saxon “cc” was pronounced “tch”, it becomes easier to understand how the modern word “witch” is derived from the Old English “wicca”, and how, ultimately, they are the same word. To say that they are different words, with a different provenance, and different meanings, is to ignore these simple facts. While we’re at it, here’s one more surprise: the word “wiccan”, although typically used by modern Witches to modify a noun (“This is a Wiccan ceremony.”), is not an adjective. It’s a plural noun. One wicca, two wiccan. That’s the masculine plural ending, obviously. The feminine plural form would be “wiccen” (rhymes with bitchin’). 😉 Although in modern English, the “s” or “es” plural ending is the most common, the “an” or “en” plural is not unknown, the most obvious example being child > children.

So how is it that Wicca came to be seen as distinct and separate from Witch, in both provenance and meaning? One might speculate that Gerald Gardner himself played a role. Not only did Gardner revive and popularize the craft of the witch, he also revived and popularized the older Saxon form of the word, wicca. In doing so, however, he spelled it with only one “c”, rendering it as “wica” in his writings. This tended to undermine the correct “tch” pronunciation of the original “wicca”, and thus to obscure its obvious connection with the word “witch”. Further, it may have encouraged the now common pronunciation of “wicca” as “wick’-ah”, an entirely new critter in our English lexicon. This criticism of Gardner’s spelling may actually be too harsh considering “wicca” dates to a time before dictionaries or standardized orthography were invented.

Incidentally, there are some authors today who are so convinced that Gardner invented modern Wicca, or Witchcraft (as opposed to simply reviving it), that they also mistakenly believe that he invented the word “wicca” itself! (Even more amusing, an article on a well-known Wiccan website recently claimed that Selena Fox invented the word Wicca in the 1960s!) Again, anyone who takes the trouble to do a modicum of research will discover the antiquity of the word. According to the O.E.D. (and as noted by Doreen Valiente), the oldest extant appearance of the word “wicca” can be found in the Law Codes of Alfred the Great, circa 890 C.E. Alfred was a Christian and zealous about converting everyone under his rule to his faith. Those who followed the pre-Christian “superstitious” practices of their Pagan ancestors were called Wiccan, whether they were Alfred’s own countrymen, or the Celtic people in the areas Alfred was conquering. What did the Celts themselves call these people, in 890? Not Wiccan, because that was the Saxon word for it. Very probably, they used some form of the modern word “druid”. That being the case, we have a scenario dating back over a thousand years, where the word “Witch” was applied to people who called themselves “Druid”. This is one reason I have always believed that Druidism is one of the tributaries (and a large one!) of modern Witchcraft. (This will no doubt give hissy-fits to all those authors who have written Wicca-Isn’t-Celtic articles.)

So now the question becomes, did the word Wicca become totally extinct at some time before Gardner resurrected it? The answer will come as a shock to many. It may have been “extinct” in the sense of being replaced by “witch” in common usage, but it continued to be known in its earlier form, “wicca”, even before Gardner came onto the scene. One quick and obvious proof of this is that J.R.R. Tolkien, author of The Lord of the Rings trilogy, used the word “wicca” when drafting his earliest manuscript of The Two Towers. We know this because Tolkien’s son Christopher has meticulously documented his father’s creative process throughout twelve volumes of analysis. In volume seven, “The Treason of Isengard”, Ch. XX, “The Riders of Rohan”, Christopher mentions, in a passing footnote, that Tolkien uses the word “wicca” apparently to identify the characters Gandalf and Saruman, who were otherwise called “wizards” throughout the trilogy. The word “wicca” is written in the margin next to the scene discussing the identity of a mysterious old bearded man wondering Rohan. Tolkien was writing this draft in 1942, ten years before Gardner published his first treatise on Wica. So it is impossible for Gardner to have influenced Tolkien’s use of the term. Nor did Tolkien influence Gardner, since this marginalia was unpublished. These were totally independent uses of the same word by different authors working in different fields, with Tolkien giving the more common spelling a full decade before Gardner.

Therefore, if Wicca is merely an earlier form of the word Witch, and still extant in the decades before Gardner, it seems highly unlikely that Wicca and Witchcraft mean two different things. Of course, to make them perfectly parallel, one should give the latter the fuller Saxon form, Wicce-cræft. But what did the word Wicca actually mean? How does one define it? Before traveling too far down that road, it will be necessary to dismiss a couple of pop etymologies that have gained favor in recent decades. The first is that “wicca” is the origin of our modern words “wisdom” and “wise”. Hence, Wicce-cræft is the “Craft of the Wise”. This is a lovely concept, and one embraced by many practicing Witches today who call their religion “the Craft of the Wise”, or simply “the Craft” for short. Sadly, this etymology is no longer supportable. Still, it is easy to see how the confusion arose, since the two concepts touch each other at many historical points. It was a common practice for many centuries to refer to the village herbalist or midwife as either a “witch” or a “wise woman”. As Reginald Scott says in his Discoverie of Witchcraft (published in 1584), “At this day it is indifferent to say in the English tongue, ‘she is a witch,’ or ‘she is a wise woman.'” We also know that the male equivalent of such a person was often termed a “wizard” (remember Tolkien’s wizards, also designated “wicca”), and wizard is etymologically connected to the words “wisdom” and “wise”. Finally, it will be recalled that King Alfred applied the word “wiccan” to people who very probably referred to themselves by a variant of the word “Druid”, which has been translated as “oak wisdom” or “oak wise”. So the connection between “witch” and “wisdom”, if not linguistic, is a long-standing and stubborn one.

A slightly more recent attempt at the etymology of “wicca” relates it to an ancient word that meant “to twist or bend”. Supporters of this theory “explained” it by saying that Witches are people who “twist or bend” reality ˆ a reference to their magical workings. The only thing that seems twisted or bent about this explanation is that it is strained almost to the breaking point. So if “wicca” doesn’t mean either “twisted” or “wisdom” (or Twisted Wisdom ˆ which would be a great name for a Pagan rock band), what does it mean? My own inclination is to follow the lead of historian Jeffrey Burton Russell and trace the word wicca back to its ultimate origin in the Indo-European root word, *weik2. Linguists now believe that *weik2 had a meaning that was about halfway between our modern concepts of “religion” and “magic”. It might best be explained by drawing a Venn diagram of two overlapping circles, one labeled “religion” and one labeled “magic”. *Weik2 would apply to the area where the two circles overlap. And this meaning is just what one would logically expect. (Interestingly, the only other word in any modern Indic language that is also traced back to weik2 is the word “Veda”, a word used to designate Hindu sacred scriptures, once again underscoring its connection to religious tradition.)

So then, is Wicce-cræft or Witchcraft a religion? Is someone designated as Wicca or Witch a follower of that religion? The short answer is that it all depends on what you mean by “religion”. Scholars of comparative religion will already know where I’m going with this. In our Western culture, we tend to think of religion in very narrow terms. We suppose it always comes with certain trappings and structures, and that it remains highly consistent over time. We might assume a religion must have specific beliefs, that it has sacred scriptures, that it has a recognizable clergy, that it has some connection to a God or Gods, that is has a specific set of rituals, that is has a hierarchy of followers, or that it champions a certain set of moral precepts. Surprisingly, as travelers to the Orient have discovered, many of the world’s great religions break one or more of these rules. All the more so do the hundreds of smaller, tribal, and aboriginal religions break them. Some of these religions are little more than a loose collection of rituals and devotions that change dramatically over time. They are not the large-scale, well-funded, organized religions typical of the West. Rather, they might best be described as “folk religions”. It is in this sense that Witchcraft is a religion. And always has been. And always will be.

No, of course Witches don’t practice their rituals the same way their Pagan ancestors did two thousand years ago. Neither do Christians still gather in catacombs to hold their agapes. But that doesn’t mean they aren’t followers of Christianity. Any more than Witches aren‚t followers of their own ancient religion. Of course Witches didn’t call their religion “Witchcraft” two thousand years ago. Neither did Christians call theirs “Christianity”. They didn’t even speak the same language! Any more than Witches did! Nor did they worship the same Gods! The Jewish religion once had many Gods (and Goddesses! ˆ see the work of Raphael Patai) and, according to archeological evidence, kept them well into Roman times, long after the monotheistic reforms were supposed to have taken place. (There’s something you won’t hear from your local Rabbi!) Early Christians had many Gods and Goddesses, too, as anyone familiar with the Nag Hammadi Library knows only too well. Yes, I’m speaking of “Gnostic” Christians, but remember they probably outnumbered the proto-orthodox Christians by the second century and, as recent archeological discoveries have shown, spread as far as the British Isles! What eventually became “normative” Christianity had to be painfully hammered out at Nicea and similar Church councils over the centuries. Most religions, including Christianity, have gone through just as many changes down the centuries as Witchcraft has, and yet we don’t doubt their continuity. Why should Witchcraft be held to a different standard?

When Christianity and Witchcraft first began to clash, Christianity certainly regarded Witchcraft as a competing religion. In the “Canon Episcopi”, a part of official Church doctrine, which may date back to the fourth century, Witches were accused of following the Goddess Diana. It wasn’t until later that the Church shifted its stance and began accusing Witches of devil-worship, instead. Although Margaret Murray is the scholar usually credited with the thesis that European Witchcraft was the remnants of the old, pre-Christian Pagan faith, she was by no means the first to suggest this. That honor should probably go to German linguist and folklorist Jacob Grimm (yep, that Jacob Grimm, of Grimm’s Fairy Tales fame). However discredited some of Murray’s ideas may have become, to jettison her core thesis (and Grimm’s) may be throwing the baby out with the bath. Modern historian Carlo Ginzburg, in his exploration of the “Benandanti” in sixteenth and seventeenth century Italy, has unearthed much well-documented evidence of the survival of ancient European Pagan spiritual practices well into the Christian era. Since this material has been widely accepted even by skeptics, could it also throw new light on that pivotal 1899 publication by Charles Godfrey Leland, Aradia, or The Gospel of the Witches, which examines the survival of Witchcraft practices in Tuscany? If one defines “religion” in the broad sense used by scholars of comparative religion, it seems clear that Witchcraft does indeed meet the criteria. But Witchcraft is even more than that.

It is also the practice (or the “craft”) of magic. As we have seen, “wicca” may have come from a word that mixes elements of religion and magic in equal parts. Why is this so important? Because it underscores the idea that religion and magic are not mutually exclusive, that they can exist side by side harmoniously: that religious people can use magic to improve their lot, and that people who use magic can be spiritual, religious, “good” people. Academics had long tried to drive a wedge between religion and magic. This can be traced back to the pioneering work of Sir James Frazer and The Golden Bough. Although modern occultists may honor him for codifying the “laws” of magic, he had another agenda. Like most social scientists of his day, he was overwhelmed by Darwinian thinking and began applying evolutionary theory to everything, even to areas where it didn’t fit. Consequently, magic, in Frazer’s view, was nothing more than a debased precursor to “true” religion. As he saw it, the evolution went something like this: Mankind started with a flawed version of cause and effect, called sympathetic and contagious magic. Then, as he evolved, he became animistic, invoking the spirits that inhabit every river, tree, and rock. Then, as he became still more enlightened, he became polytheistic, believing in many Gods and Goddesses, each with different functions. Finally, as man evolved into the paragon of reason that he is today (sic!), he became monotheistic, realizing there could be only One True God.

Granted, this model was quickly dismantled, at least in academic circles. Theodore Gastor, professor of comparative religion, took Frazer to task for this idea, in his preface to a newer critical edition of Frazer’s The Golden Bough. Gastor rightly points out that even the most “primitive” magician does not typically perform magic without invoking a God or Goddess. And in even the most “sophisticated” monotheistic religions, there is still a goodly amount of magic, although it may be re-christened as “liturgy” and “prayer”. (In the West, the Catholic Mass is the parade example of magic as liturgy.) In fact, Gastor goes on to posit that religion and magic are inescapably found together throughout all cultures of the world, throughout all periods of history. Although academics have accepted this revision, non-specialists have been slower to catch on, and the Frazerian model still holds sway for many. It especially appeals to those “sophisticated” monotheists who believe they have already attained the zenith of theological ideals, and that the practice of magic could not possibly have a place in it. Apparently, there are even some new “Wiccan” groups that buy into this, seeing themselves as religious only, and holding themselves above such practices as magic.

To sum up, it seems that the current drive to separate Wicca from Witchcraft, to say that one refers to religion while the other refers to magic, is full of “Frazerian residue”. It appeals to those who are uncomfortable with the thought that religion and magic can happily co-exist. (I suspect that it appeals mainly to Witches who are recent converts from monotheistic creeds, yet have ported a certain amount of their previous belief system into their new faith.) Yet both historically and linguistically, it can be shown that Witch and Wicca are the same word, and that they both mean the same thing, a combination of religion and magic. I am perfectly aware, however, of something that linguists call the “etymological fallacy”, i.e. that a word means its etymology. We all know that the meaning of words can change over time. Maybe this has already happened to the word Wicca. Maybe too many people have too often repeated the newborn platitude, “Wicca and Witchcraft are not the same thing.” Perhaps it is already too late to turn the tide of opinion. Nonetheless, supporting this view would be a catastrophic mistake for a religion like ours. And more to the point, it could be politically dangerous.

It wasn’t long ago that Witches were sometimes arrested for the “crime” of “fortune telling”, e.g. for reading Tarot cards, etc. In many such cases, Witches were able to mount a successful defense by arguing that such magical practices were part of their religion. However, I can envision a scenario in the not-too-distant future where the prosecutor will counter with, “That’s not true! Her religion may be Wicca, but she was merely practicing Witchcraft!” In a culture like ours, in which all magic is seen as suspect by the increasingly political majority religion, it is perilous to allow a dark line to be drawn between religion and magic. Words like Witch and Wicca present us with a unique opportunity to erase that line. These words are the linguistic equivalent of a petri dish in which the cultures of religion and magic have been allowed to mix in equal proportions. I believe it is important for us to champion this unique mix of beliefs. When I first embraced Witchcraft as my path, I knew I was embracing both a religion and a practice of magic. Therefore, I will continue to proclaim that I am a Witch, and I am Wiccan, for it means the same thing. It is my religion, and it is my craft. It is my life.


Footnotes:
Most Recent Text Revision: February 25, 2006 c.e.

Proofing and editing courtesy of Acorn Guild Press.

LEPIDOLITE

LEPIDOLITE

SCIENTIFIC INFORMATION: Lepidolite a potassium, lithium, aluminum
fluorsilicate mica. Its chemistry is complex: K(Li,Al)3(Si,Al)4O10-
(F,OH)2. It is pink, lilac, yellowish, grayish white or a combination of
all of these. The streak is colorless. It is one of the softer stones,
with a hardness of 2-1/2 to 3.

ENVIRONMENT: Lepidolite is confined to granite pegmatites, where it
occurs either as fine-granular masses near the core of the pegmatite or
as stubby or tabular crystals in cavities. It is commonly associated
with microcline, quartz, and tourmaline.
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OCCURENCE: Large fine masses of lepidolite have been mined at the
Stewart Pegmatite at Pala, and superb sharp crystals have been obtained
from the Little Three Pegmatite near Ramona, both in San Diego Co.,
California. It has also been mined in substantial amounts in several New
England states and in the Black Hills of South Dakota.

NAME: The name comes from the Greek [lepidos], meaning ‘scale’, in
allusion to the scaly aggregates in which the mineral commonly occurs.

……………………………………………………………………..
2620

LEGEND and LORE: Lepidolite is a stone that could certainly be con-
sidered “new age” in the sense that it is just now coming into recogni-
tion by healers and magicians. There is no “past lore” on this stone, to
the best of my knowledge.  Part of this may be due to the fact, that it
is native to the United States.

MAGICAL PROPERTIES: “This stone soothes anger, hatred or any other
negative emotion. To quiet the entire house, place lepidolite stones in
a circle around a pink candle.” (2)

HEALING: Lepidolite is also know as the “Dream Stone”. It will protect
the individual from nightmares, especially those caused by stress or an
upset in personal relationships. It can be used in the same types of
circumstances as Kunzite, namely for manic depression or schizophrenia.

NOTES: Lepidolite has been used as a source of lithium. The above
description of the appearance of this stone may be deceiving, as I found
Cunningham’s to be, also. All of the specimens of this stone that I have
seen so far have been grey to a pale lavendar grey with “sparkles” of
the lithium mica embedded in it. The heart-shaped cabuchon that I have
also has very distinctive crystals of rubellite (pink tourmaline) and
veins of white running through it. I was originally looking for a MUCH
brighter lavendar stone. It is unusual, also, to find specimens that are
cut and polished. Usually the stone is too “crumbly” to take a good
polish. However, it is equally handsome in rough form.

                      ——-bibliography——-

1. Scientific, Environment, Occurence and Name are from (or paraphrased
from) “The Audobon Society Field Guide to North American Rocks and
Minerals”.

2. Legends and Lore, Magical Properties are from “Cunningham’s En-
cyclopedia of Crystal, Gem & Metal Magic”, by Scott Cunningham.

LAZURITE (LAPIS LAZULI)

LAZURITE (LAPIS LAZULI)

SCIENTIFIC INFORMATION: Lazurite is a silicate of sodium calcium and
aluminum, with some sulfur. It is a member of the sodalite group. It’s
chemistry is (Na, Ca)8(Al,Si)12O24(S,SO)4. The color ranges in shades of
blue from violet blue and azure blue thru greenish-blue. Lazurite is
distinguished from sodalite by its deeper color and fine grain. It is
also softer and lighter in weight than lazulite. It is dull to greasy
and the streak is pale blue. The hardness ranges between 5 and 5-1/2.

ENVIRONMENT: Crystals are rare. It is usually granular, compact,
massive. It forms in association with pyrite, calcite, and diopside in
hornfels of contact metamorphic rocks. The opaque, vivid blue, light
blue, greenish-blue, or violet-blue stone, consisting largely of
lazurite but with appreciable amounts of calcite, diopside, and pyrite,
is a rock called [lapis lazuli.] The stone is usually veined or spotted.
Its value depends largely upon excellence and uniformity of color and
absence of pyrite, although some purchasers prefer lapis with pyrite.

OCCURRENCE: Lazurite is a rare mineral in North America, but it does
occur on Italian Mt. in the Sawatch Mts. of Colorado; on Ontario Peak in
the San Gabriel Mts., Los Angeles Co., and in Cascade Canyon in the San
Bernardino Mts., San Bernardino Co., California. The finest lapis lazuli
has come from Badakshan in Afghanistan, and less valuable material has
come from Russia and Chile.

NAME:  The name is from the Arabic [lazaward], “heaven,” which was also
applied to sky-blue lapis lazuli.
2618

LEGEND and LORE: Lapis Lazuli was a favorite stone of the ancient
Egyptians. In the past Lazurite has been burned and ground to form the
pigment “ultramarine.” It was consider an aid to childbirth, and has
long been associated with altered states of consciousness and trance
work. Lapis is sometimes designated as a birthstone for December,
although turquoise is most common.

MAGICAL PROPERTIES: To quote Cunningham: “This stone is used in rituals
designed to attract spiritual love. Take an untumbled piece of lapis
with a sharp edge.  Empower the stone and a pink candle with your need
for love. Then, using the lapis lazuli, carve a heart onto the candle.
Place the stone near the candleholder and burn the candle while
visualizing a love coming into your life.” Actually, the most important
magical aspect of lapis is it’s ability to strengthen psychic awareness.
Cunningham says “Despite its somewhat high price, lapis lazuli is one
stone every stone magician should own and utilize.”(2)

HEALING: This stone is used at the Ajina, the Brow Chakra. It’s related
gland is the pituitary. The pituitary gland is also referred to as the
“master gland” because it regulates all of the others. This location is
also the center for the eyes, ears, nose and brain.

                      ——-bibliography——-

1. Scientific, Environment, Occurrence and Name are from (or paraphrased
from) “The Audobon Society Field Guide to North American Rocks and
Minerals”.

2. Legends and Lore, Magical Properties are from “Cunningham’s En-
cyclopedia of Crystal, Gem & Metal Magic”, by Scott Cunningham.

3. Some of the healing information may come from “Color and Crystals, A
Journey Through the Chakras” by Joy Gardner.

GARNET (GROSSULAR)

GARNET (GROSSULAR)

SCIENTIFIC INFORMATION:  Grossular Garnets are from a group of very
closely related calcium silicates. The Chemistry for the Grossular
variety is Ca3Al2Si3O12. These Garnets range in color from yellow, pink
and brown through white and colorless. The hardness ranges between 6-1/2
and 7-1/2.

ENVIRONMENT: Grossular occurs with wollastonite, calcite, and vesuviani-
te in hornfels of contact metamorphic rocks.

OCCURENCE: Being the commonest of all garnets, it is found in a variety
of locations. Fine colorless crystals up to 1/2″ across occur in
Gatineau and Magantic Cos., Quebec, fine lusterous pale brown crystals
up to 3″ across were found near Minot, Androscoggin Co., Main, and
beautiful white and pick crystals up to 4″ across have been found near
Xalostoc, Morelos, Mexico.

GEMSTONE INFORMATION: Grossular also has the typical crystal form of
garnets, occuring in isolated crystals which are often complete, in the
shape of a rhombic dodecahedron, sometimes combined with a trapezo-
hedron. They vary from transparent to semiopaque. The typical color is
light (gooseberry) yellowish green; but they can be a strong to bluish
green, honey yellow or pinkish yellow, or even colorless. When transpar-
ent, the crystals have good luster.  Like other garnets, they have no
cleavage. The greenish to yellowish varieties are used as gems.
Grossular is not a rare mineral. The types used as gems mainly come from
the gem gravels of Sri Lanka (honey yellow variety); the the United
States, Canada, Mexico, Madagascar, Kenya. The green variety of
grossular garnet, discovered a few decades ago and found mainly in
Kenya, near the Tsavo National Park, is also known as Tsavorite (or
Tsavolite) It is a light, verdant, or dark green, similar to the color
of the better green tourmalines and sometimes, it is said, even
comparable to African emerald. It has good luster. These gems, which are
usually given a round or pear-shaped mixed cut, or occasionally a
brilliant cut, are generally small, rarely exceeding one carat and never
more than a few carats.

NAME: Grossular is from the New Latin [grosssularia,] “gooseberry,”
because some Grossular crystals are pale green like the fruit.

LEGEND and LORE: I do not find anything referring specifically to yellow
or green garnets in my sources.

MAGICAL PROPERTIES: While deep red garnets focus on “Will” and orange–
red garnets focus on “Desire”, yellow garnets are focused on Personal
Power and Personality. In addition they are (because of their color)
associated with athletic prowess and Oriental philosophies.

HEALING: Being linked to the Solar Plexus Chakra, yellow garnets are
energizing. They can be used for the digestive organs, the diaphram (and
the breath) and eyesight. Green garnets center their healing on the
Heart Chakra.

NOTES: Garnets are used in industry as an abrasive.

                      ——-bibliography——-

1. Scientific, Environment, Occurence and Name are from (or paraphrased
from) “The Audubon Society field Guide to North American Rocks and
Minerals”.

2. Other scientific information may be from “Simon & Schuester’s Guide
to Gems and Precious Stones”.

3. Precious and semi-precious gemstone information may come from
“Gemstones” by E. H. Rutland.

4. Other precious and semi-precious gemstone information may come from
“Gem Cutting”, sec. ed., by John Sinkankas.

5. Basic Legends, Lore and Magical Properties are from “Cunningham’s
Encyclopedia of Crystal, Gem & Metal Magic”, by Scott Cunningham.

6. Other Magical and Healing information may come from “ccrystal Wisdom,
Spiritual Properties of Crystals and Gemstones” by Dolfyn.

7. More legends and lore may come from “Stone Power” by Dorothee L.
Mella.

8. Healing information is from “The Women’s Book of Healing”, by Diane
Stein.

9. Additional healing information may be from “The Occult and Curative
Powers
of Precious Stones” by William T. Fernie, M.D.

GARNET (SPESSARTINE)

GARNET (SPESSARTINE)

SCIENTIFIC INFORMATION:  Spessartine Garnets are from a group of very
closely related aluminum silicates. The Chemistry for the Spessartine
variety is Mn3Al2Si3O12. These Garnets range in color from brownish red
to hyacinth-red.  The hardness ranges between 6-1/2 and 7-1/2.

ENVIRONMENT: Spessartine occurs with albite and muscovite in granite
pegmatites and with quartz and riebeckite in blue schist or regional
metamorphic rocks..

OCCURENCE: Large corroded crystals of Spessartine have come from the
Rutherford No. 2 Mine, Amelia, Amelia Co., Virginia; crystals up to 1″
in diameter have been found in several pegmatites in the Ramona
District, San Diego Co., California; sharp, dark-red, well-formed
crystals occur in cavities in rhyolite near Ely, White Pine C., Nevada;
and brilliant crystals of Spessartine have been found with topaz at Ruby
Mt., near Nathrop, Chaffee Co., Colorado. Gem material comes from the
gem gravels of Sri Lanka and Burma. It is also found in Brazil and
Madagascar.

GEMSTONE INFORMATION: The gem variety of Spessartine Garnet is uncommon.
It tends to be midway between spessartine and almandine in composition.
The “aurora red”, orange-red or orange-pink color is typical. It has
good transparency and considerable luster. It is normally given a mixed,
round, or oval cut. The weight does not normally exceed a few carats.
Gems of about 10 carats are extremely rare and usually of an atypical,
rather dark, unattactive color.

NAME: Spessartine is named after an occurrence in the spessart district,
Bavaria, Germany.

LEGEND and LORE: In the 13th century garnets were thought to repel
insect stings. A magical treatise, “The Book of Wings”, dating from the
thirteenth century says “The well-formed image of a lion, if engraved on
a garnet, will protect and preserve honors and health, cures the wearer
of all diseases, brings him honors, and guards him from all perils in
traveling.”

MAGICAL PROPERTIES: Spessartine is normally considered to be red-orange
to orange-pink. Thus it links the “will” with the “desire”. It is a good
stone to use when casting a spell for your “heart’s desire”, especially
if it is of the orange-pink” variety.
HEALING: The orange garnets are linked to the root and the belly chakra.
They are beneficial in instances of infertility, dealing with reproduc-
tive organs. Mentally, it inspires confidence in personal creativity and
self-worth.

                      ——-bibliography——-

1. Scientific, Environment, Occurence and Name are from (or paraphrased
from) “The Audubon Society field Guide to North American Rocks and
Minerals”.

2. Other scientific information may be from “Simon & Schuester’s Guide
to Gems and Precious Stones”.

3. Precious and semi-precious gemstone information may come from
“Gemstones” by E. H. Rutland.

4. Other precious and semi-precious gemstone information may come from
“Gem Cutting”, sec. ed., by John Sinkankas.

5. Basic Legends, Lore and Magical Properties are from “Cunningham’s
Encyclopedia of Crystal, Gem & Metal Magic”, by Scott Cunningham.

6. Other Magical and Healing information may come from “ccrystal Wisdom,
Spiritual Properties of Crystals and Gemstones” by Dolfyn.

7. More legends and lore may come from “Stone Power” by Dorothee L.
Mella.

8. Healing information is from “The Women’s Book of Healing”, by Diane
Stein.

9. Additional healing information may be from “The Occult and Curative
Powers of Precious Stones” by William T. Fernie, M.D.

GARNET (ALMANDINE)

GARNET (ALMANDINE)

SCIENTIFIC INFORMATION:  Almandine Garnets are from a group of very
closely related aluminum silicates. The Chemistry for the Almandine
variety is Fe2/3+Al2Si3O12. These Garnets range in color from deep red
to brown and brownish black. The hardness ranges between 6-1/2 and
7-1/2.

ENVIRONMENT: Almandine occurs in diorite of plutonic rocks, and with
andalusite, hornblende, and biotite in hornfels and schist of contact
and regional metamorphic rocks.

OCCURENCE: Well-formed crystals of Almandine have come from Wrangell, SE
Alaska; from Emerald Creek, Benewah Co., Idaho; and from Michigamme,
Michigan.  Gemstone quality material is obtained in large quantities
from Sri Lanka and India, where it is also cut; other sources are Burma,
Brazil, Madagascar, Tanzania, and Australia.

GEMSTONE INFORMATION: Most red garnets come under the name Almandine,
even when their composition is midway between that of Pyrope and
Almandine and similar, in many cases, to that of Rhodolite. The reason
for this is the similarity in their color and absorption spectrum
characteristics. Almandine has a brilliant luster, but its transparency
is frequently marred, even in very clear stones, by excessive depth of
color. The cabochon cut is widely used, often being given a strongly
convex shape and sometimes a concave base, in an effort to lighten
the color by reducing the thickness. Rose cuts have also been used,
particularly in the past. Nowdays, when the material is quite transpare-
nt, faceted cuts are used as well, and sometimes square or rectangular
step cuts.  Gems of several carats are not uncommon. Faceted or even
barely rounded pieces of Almandine, pierced as necklace beads, were very
common in the recent past, but are now considered old-fashioned.

NAME: The name Almandine comes from [carbunculus alabandicus,] after the
city of Alabanda in Asia Minor, where gems were traded at the time of
Pliny theElder.

LEGEND and LORE: All red Garnet has long been associated with love,
passion, sensuality and sexuality. Garnet is considered a birthstone for
those born in January:

“By her in January born
No gem save Garnets should be worn;
They will ensure her constancy,
True friendship, and fidelity.”

MAGICAL PROPERTIES: The darker Garnets are associated with the Will and
the Source of Life Incarnate. This is who and what we are in this
lifetime. This stone is worn for protective purposes, and is thought to
drive off demons and phantoms.

HEALING: Almandine Garnets are used to heal skin conditions associated
with poor circulation. They improve vigor, strength and endurance.

                      ——-bibliography——-
1. Scientific, Environment, Occurence and Name are from (or paraphrased
from) “The Audubon Society field Guide to North American Rocks and
Minerals”.
2. Other scientific information may be from “Simon & Schuester’s Guide
to Gems and Precious Stones”.
3. Precious and semi-precious gemstone information may come from
“Gemstones” by E. H. Rutland.
4. Other precious and semi-precious gemstone information may come from
“Gem Cutting”, sec. ed., by John Sinkankas.
5. Basic Legends, Lore and Magical Properties are from “Cunningham’s
Encyclopedia of Crystal, Gem & Metal Magic”, by Scott Cunningham.
6. Other Magical and Healing information may come from “ccrystal Wisdom,
Spiritual Properties of Crystals and Gemstones” by Dolfyn.
7. More legends and lore may come from “Stone Power” by Dorothee L.
Mella.
8. Healing information is from “The Women’s Book of Healing”, by Diane
Stein.
9. Additional healing information may be from “The Occult and Curative
Powers of Precious Stones” by William T. Fernie, M.D.

GARNET (PYROPE)

GARNET (PYROPE)

SCIENTIFIC INFORMATION: Pyrope Garnets are from a group of very closely
related aluminum silicates. The Chemistry for the Pyrope variety is
Mg3Al2Si3O12. These Garnets range in color from deep red to reddish
black and on rare occasions from purple and rose to pale purplish red
(sometimes called [rhodolite].) The hardness ranges between 6-1/2 and
7-1/2.

ENVIRONMENT: Pyrope occurs with olivine and hypersthene in peridotite of
plutonic rocks.

OCCURENCE: Pyrope Garnets occur in peridotite in Kentucky, Arkansas,
Arizona, New Mexico, and Utah. In the latter half of the nineteenth
century, most Pyrope came from Bohemia, where it is still found today.
The main sources nowadays, however, are South Africa, Zimbabwe,
Tanzania, the United States, Mexico, Brazil, Argentina, and Australia.

GEMSTONE INFORMATION: The garnet species with red or purple varieties,
including Pyrope are considered gemstones. Usually bright red, Pyrope
can be a much less attractive brick or dark red. It can be perfectly
transparent, but this feature is less visible in dark specimens. It is
either made into fairly convex cabochons, or faceted, with an oval or
round mixed cut or, more rarely, a step cut. The faceted gems have good
luster, rather less obvious in cabochons. The most valuable types are,
of course, the transparent ones with the brightest red color. Pyrope is
relatively common, although less so than almandine. Very large stones,
up to several hundred carats have been found; but these are rare and are
found in museums and famous collections.

NAME: The name comes from the Greek [pyropos,] meaning “fiery.” The name
“Garnet” comes from the Latin [granatus,] meaning “seed-like”.

LEGEND and LORE: Pyrope Garnet has long been associated with love,
passion, sensuality and sexuality. Some Asiatic tribes used red garnets
as bullets for sling bows because they pierced their victims quickly,
and could not be seen well in the body when they mingled with the blood.
2612

Throughout the ages, Pyrope has been used as a curative for all types of
ailments dealing with blood.

MAGICAL PROPERTIES: Pyrope is directly linked with the Will. As such, it
is a strong stone for the Magician and Shaman. It is associated with
Fire and Mars, Strength and Protection. It will help the practitioner
tap into extra energy for ritualistic purposes.

HEALING: While all Garnets are associated with the Root Chakra, Pyrope
is particularly symbolic. It is used for healing when the subject
involved has “lost the will to live”, since it is directly related to
the desire to live and achieve in this lifetime. This stone warms and
aids blood circulation, rouses sexuality and heals the reproductive
system and the heart.

PERSONAL EXPERIENCE: If you are already a strong willed individual or
have a fiery temper that you need to learn to control, I suggest that
you work with the Alamandine Garnets, rather than the Pyropes. This is
a good stone to use for treating depression. Very often, when I’ve
“worked” on an individual who has suffered a heart attack, I find that
the individual is rather severely depressed (which I think is a side
effect of the medication) and has lost the will to continue in this
lifetime. I’ve found that fiery red Pyrope Garnets are a great help in
this situation.

ADDITIONAL NOTES: The Latin name [carbunculus,] (small coal or ember),
is attributed to all red transparent stones. It is more often applied to
Pyropes when they are formed into cabochons than any other stone.

——-bibliography——-
1. Scientific, Environment, Occurence and Name are from (or paraphrased
from) “The Audubon Society field Guide to North American Rocks and
Minerals”.
2. Other scientific information may be from “Simon & Schuester’s Guide
to Gems and Precious Stones”.
3. Precious and semi-precious gemstone information may come from
“Gemstones” by E. H. Rutland.
4. Other precious and semi-precious gemstone information may come from
“Gem Cutting”, sec. ed., by John Sinkankas.
5. Basic Legends, Lore and Magical Properties are from “Cunningham’s
Encyclopedia of Crystal, Gem & Metal Magic”, by Scott Cunningham.
6. Other Magical and Healing information may come from “ccrystal Wisdom,
Spiritual Properties of Crystals and Gemstones” by Dolfyn.
7. More legends and lore may come from “Stone Power” by Dorothee L.
Mella.
8. Healing information is from “The Women’s Book of Healing”, by Diane
Stein.
9. Additional healing information may be from “The Occult and Curative
Powers of Precious Stones” by William T. Fernie, M.D.

EMERALD

EMERALD

SCIENTIFIC INFORMATION:Emerald is a type of Beryl, Beryllium aluminum
silicate, frequently with some sodium, lithium and cesium.It’s chemistry
is Be3Al2Si6O18. Beryls range in color from Bright green (emerald),
blue, greenish blue (aquamarine), yellow (golden beryl), red, pink
(morganite) to white. The streak is colorless. It’s hardness is 7-1/2 to
8. The crystals are Hexagonal and they are common. Fine emeralds have
velvety body appearance; their value lies in their even distribution of
color. Inclusions are common in emerald, but other stones of this group
are usually most valuable when free of flaws.

ENVIRONMENT: Beryl develops in pegmatites and certain metamorphic rocks.
It occurs with quartz, microcline, and muscovite in pegmatites, and with
quartz, muscovite, and almandine in schist of regional metamorphic
rocks.

OCCURENCE: Best emerald comes from Colombia.(NOTE: it is not necessary
to spend thousands of dollars for a tiny chip of emerald to add to your
healing/ magical collection. If you look around in rock shops, you may
be able to come across some “less than perfect” stones that aren’t
faceted. I’ve found 4 of them, slightly larger than my fingernail and
they were about $3.00 each.)

NAME: The name is from the Greek [beryllos] indicating any green
gemstone.

LEGEND and LORE: Emerald is considered a birthstone for the month of
May.

    “Who first beholds the light of day,
    In spring’s sweet flowery month of May,
    And wears an Emerald all her life,
    Shall be a loved, and happy wife.” (4)

MAGICAL PROPERTIES: “If you wish to bring a love into your life, buy an
emerald and charge it with your magical need through your visualization,
perhaps while placing it near a green candle. After this ritual, wear or
carry the emerald somewhere near your heart. Do this in such a way that
it cannot be seen by others. When you meet a future love, you’ll know it
wasn’t the visible jewel that attracted him or her.” (3) The Greeks
associated this stone with the Goddess Venus. It has come to represent,
for many people, the security of love.  Emerald, like allmost all of the
green stones, is also advantageous for business/money ventures.

HEALING: Emerald is said to aid perception and inner clarity. Because of
this, they are also associated with healing diseases of the eye, and
problems affecting eyesight. It was believed that emeralds could
counteract poisons and cure disentary.

……………………………………………………………………..

1. Scientific, Environment, Occurance and Name are from (or paraphrased
from) “The Audobon Society Field Guide to North American Rocks and
Minerals”.

2. Legends and Lore, Magical Properties are from “Cunningham’s En-
cyclopedia of Crystal, Gem & Metal Magic”, by Scott Cunningham.

3. Some of the healing information may come from “Color and Crystals, A
Journey Through the Chakras” by Joy Gardner. Other sources may be “Stone
Power” by Dorothee L. Mella.

4. Birthstone poem from “The Occult and Curative Powers of Precious
Stones” by William T. Fernie, M.D.

Money Simmering Potpourri

Money Simmering Potpourri

 
If money is a problem rather than a pleasure, when you’re faced with unexpected financial obligations, when the money you earn doesn’t seem to come in fast enough, brew up one of these and set money-attracting energies into motion.
 
2 cinnamon sticks, broken into pieces
4 tablespoons whole cardamom seeds
2 tablespoons whole cloves
1 teaspoon ground nutmeg (or two whole nutmegs)
1 teaspoon ground ginger
 
With your fingers, mix these ingredients in a small bowl, while visualizing increased prosperity. As you mix them, say these or similar words:
 
Money simmer in the air;
money simmer everywhere!
 
To use, simmer according to the instructions above.
 
Spell Crafts
Creating Magical Objects
Scott Cunningham
& David Harrington
ISBN 0-87542-185-7

Coral

CORAL

SCIENTIFIC INFORMATION: CaCo3, or calcium carbonate in the form of
calcite, is the main constituent of calcareous corals; minor con-
stituents are MgCo3, or magnesium carbonate and proteinaceous organic
substances, which act as binding agents. At 2.5 to 4, the hardness is
slightly higher than that of calcite. The skeletons of corals vary in
color: from bright to dark red, slightly orange-red, pink and white.

ENVIRONMENT: In all cases, coral consists of the branching skeletons of
animals which live in colonies planted on the seabed at depths varying
from tens to hundreds of meters. They are typical of warmish to very
warm seas.

OCCURENCE: The most famous of these organisms is Corallium rubrum, which
lives in the waters of the Mediterranean and, despite its name,provides
not only red, but orange, pink, and white coral. Similar to this are
Corallium elatius, C. japonicum, and C. secundum, which maily live off
the coasts of Japan, China, Indochina, the Philippines, and other
archipelagos of the Indian and Pacific Oceans. Coral colonies occupy
large areas especially in the Pacific, but also near the coast of South
Africa, in the Red Sea, and to the east of Australia.  These latter
colonies, however, consist of madrepore, which has little in common with
the corals used as ornaments.

GEMSTONE INFORMATION: Most of the coral used since antiquity as an
ornamental material comes from the calcareous skeletons of colonies of
marine organisms of the phylum Cnidaria, order Corgonacea, genus
Corallium. Corals take a good polish. They also have a certain degree of
elasticity and can be heated and bent into bangles. Thin brancehes were
and still are polished, pierced, and threaded, unaltered, into neck-
laces. Larger pieces are cut into spherical or faceted necklace beads,
pear shapes for pendant jewelry, or cabochons. It is also used for
carved pieces and small figurines, in both oriental and western
art styles. The most highly prized varities of coral are those that are
a uniform, strong bright red.

NAME: The name is derived from the Latin [corallium,] related to the
Greek [korallion].

LEGEND and LORE: The oldest known findings of red coral date from the
Mesopotamian civilization, i.e. from about 3000 BC. For centuries, this
was the coral par excellence, and at the time of Pliny the Elder it was
apparently much appreciated in India, even more than in Europe.Red coral
has traditionally been used as a protection from the “evil eye” and as
a cure for sterility.  One of the Greek names for Coral was Gorgeia,
from the tradition that blood dripped from the Head of Medea, which
Perseus had deposited on some branches near the sea-shore; which blood,
becoming hard, was taken by the Sea Nymps, and planted in the sea. (8)

MAGICAL PROPERTIES: Coral is associated with Venus, Isis and Water. It
has been used as a form of protective magic for children for hundreds of
years.  Cunningham recommends it as a luck-attractor for living
areas.Sailors use it as a protection from bad weather while at sea.
Red-orange coral is one of the four element gemstones of the Pueblo
Indians. It is one of the four colors used for the directions in the
Hopi/Zuni Road of Life. Coral is considered a representative of the warm
energy of the Sun, and the southern direction.

HEALING: Coral’s healing properties are mostly associated with Women,
young children and the elderly. For women it is said to increase
fertility and regulate menstration. For young children, it is recom-
mended to ease teething and to prevent epilepsy. For the elderly, it is
used as a cure for arthritis.

                      ——-bibliography——-

1. Scientific, Environment, Occurence and Name are from (or paraphrased
from) “Simon & Schuster’s Guide to Gems and Precious Stones”.

2. Precious and semi-precious gemstone information may come from
“Gemstones” by E. H. Rutland.

3. Other Precious and semi-precious gemstone information may come from
“Gem Cutting”, sec. ed., by John Sinkankas.

4. Legends and Lore, Magical Properties are from “Cunningham’s En-
cyclopedia of Crystal, Gem & Metal Magic”, by Scott Cunningham.

5. Some of the healing information may come from “Color and Crystals, A
Journey Through the Chakras” by Joy Gardner.

6. Some of the healing information may come from “A Journey Through the
Chakras” by Joy Gardner.

7. Some occult lore is from “The Occult and Curative Powers of Precious
Stones” by William T. Fernie, M.D.