The Witches Magickal Guide for Wednesday, October 31, Samhain

“Smoke hangs like haze over harvested fields
The gold of stubble, the brown of turned earth
And you walk under the red light of fall
The scent of fallen apples, the dust of threshed grain
The sharp, gentle chill of fall.
Here as we move into the shadows of autumn
The night that brings the morning of spring
Come to us, Lord of Harvest
Teach us to be thankful for the gifts you bring us
The bounty of your sacrifice
The warmth and the light of friends gathered around the bounty of the earth.
Dionysus, Osiris, Cernunnos, Dumuzi, Frey,
Lord of the grain,
Welcome!”

–   Autumn Equinox Celebration

 

Today is Wednesday, October 31

 

Wednesday is the day of the Teutonic deity known as Wodin or Odin, an aspect of the Allfather, god of knowledge, wisdom, enlightenment and combat, the parallel of Hermes, the planet Mercury.

Deity: Woden

 

Zodiac Sign: Gemini & Virgo

 

Planet: Mercury

 

Tree: Ash

 

Herb: Cinquefoil

 

Stone: Emerald & Sardonyx

 

Animal: Raven & Cat

 

Element: Air

 

Color: Red & Blue

 

Number: 6

 

Rune: Odal(O)

 

Celtic Tree Month of Ngetal(Reed) – October 28 – November 24

 

Runic Half-Month of Hagal(constraint) – October 28 – November 12

 

Goddess of the Month of Cailleach/Samhain – October 31 – November 27

 

Source

The Pagan Book of Days
Nigel Pennick

 

 

The Pagan Book of Days for Wednesday, October 31st

The feast of Samhain marks the onset of a darker, more introspective time of year, when access to the otherworld is easier than usual. The festival is also known as Halloween, when witches ride abroad:

Hey ho for Hallowe’en,
When all the witches are to be seen;
Some in black and some in green,
Hey ho for Halloween!

Source

The Pagan Book of Days
Nigel Pennick

 

The Goddess Book of Days for Wednesday, October 31

Wiccan Sabbat, Samhain, November Eve, All Saints Eve, Hallows, Hallows Eve, Hallowmas, Halloween, Witches New Year, Celtic New Year. Day of the connection between life and death, when the veil between the worlds is thinnest. In Ireland, the Assembly of Tara; in Egypt, the fourth day of the Isia of Isis and Osiris. Goddesses are Hecate, Inanna, Erishkegal, Tara, Isis, Cerridwen, Hel, Holde, Mother Holle, Sedna, Eurydice, Kali, Nephthys, Oya, Carlin, Vanadis, Freya, Old Woman, Samia, the Fares, the Morrigan, the Noms, the Erinyes or Furies, and the Witches.

Goddesses Associated With Wednesday, The Day of Wodin

Isis, Demeter, Ceres, Spider Woman, Bona Dea, Oya, Devi-Kali, Hella, Rhiannon, Coatlique, Maman Brigette

Source

The Goddess Book of Days
Diane Stein

 

On Tuesday, October 31st, We Celebrate the Goddess of the Month, Cailleach

Cailleach, the Ruler of Winter

The goddess known as Cailleach in Scotland and parts of Ireland is the embodiment of the dark mother, the harvest goddess, the hag or crone entity. She appears in the late fall, as the earth is dying, and is known as a bringer of storms. She is typically portrayed as a one-eyed old woman with bad teeth and matted hair. Mythologist Joseph Campbell says that in Scotland, she is known as Cailleach Bheur, while along the Irish coast she appears as Cailleach Beare.

Her name is varied, depending on the county and region in which she appears.

According to The Etymological Dictionary Of Scottish-Gaelic the word cailleach itself means “veiled one” or “old woman”. In some stories, she appears to a hero as a hideous old woman, and when he is kind to her, she turns into a lovely young woman who rewards him for his good deeds. In other stories, she turns into a giant gray boulder at the end of winter, and remains this way until Beltane, when she springs back to life.

Shee-Eire, a website dedicated to Irish folklore and legend, says, “The Cailleach Beara is ever-renewing and passes through many lifetimes going from old age to youth in a cyclic fashion. She is reputed to have had at least fifty foster children during her ‘lives’. Her grandchildren and great-grandchildren formed the tribes of Kerry and it’s surroundings. The Book of Lecan (c.1400 a.d.) claims that the Cailleach Beara was the goddess of the Corcu Duibne people from the Kerry region.

In Scotland the Cailleach Bheur serves a similar purpose as the personification of Winter; she has a blue face, and is born old at Samhain … but grows ever younger over time until she is a beautiful maiden at Bealtaine.”

Cailleach rules the dark half of the year, while her young and fresh counterpart, Brighid or Bride, is the queen of the summer months.

She is sometimes portrayed riding on the back of a speeding wolf, bearing a hammer or a wand made of human flesh.

Interestingly, even though Cailleach is typically depicted as a destroyer goddess, she is also known for her ability to create new life. With her magical hammer, she is said to have created mountain ranges, lochs, and cairns all over Scotland. She is also known as a protector of wild animals, in particular, the deer and the wolf, according to the Carmina Gadelica.

Blogger and artist Thalia Took says, “The Caillagh ny Groamagh (“Gloomy Old Woman”, also called the Caillagh ny Gueshag, “Old Woman of the Spells”) of the Isle of Man is a winter and storm spirit whose actions on the 1st of February are said to foretell the year’s weather–if it is a nice day, She will come out into the sun, which brings bad luck for the year. The Cailleach Uragaig, of the Isle of Colonsay in Scotland, is also a winter spirit who holds a young woman captive, away from her lover.”

In some Irish counties, Cailleach is a goddess of sovereignty, who offers kings the ability to rule their lands. In this aspect, she is similar to the Morrighan, another destroyer goddess of Celtic myth.

If you’d like to honor the Cailleach as the year grows cold and dark, author Patricia Telesco recommends, in her book 365 Goddess: A Daily Guide to the Magic and Inspiration of the Goddess, trying the following on a cold wintery day: “Since this Goddess is one of cold honesty, wear something blue today to encourage personal reserve, control, and truth with yourself throughout the day…

In the morning, cover your altar or a table with a yellow cloth (maybe a napkin or placemat) to represent the sun. Place a blue candle in a central location on the table, along with a bowl of snow to represent Cailleach Bheur and winter. As the candle burns with the light of the sun, the wax shrinks and this Goddess’s snows melt, giving away once more to the power of warmth and light. Keep the remnant was and re-melt it for any spells in which you need a cooler head. Pour the water from the snow outside to rejoin the Goddess.”

Author

Patti Wigington
Published on ThoughtCo

 

The Magick of Samhain

Magickal & Spiritual Aspects:

Banishing
Divination
Past-Life Recall
Spiritual contact/Séances
Meditation

Associated Deities:

All death, dying, and underworld Gods

Hecate, Lilith, Hel… All Crone Goddesses

Festivals, Observances, and Ritual:

Sacred Feasts

Costume parties

Trick or treats

Storytelling

Canning, preserving, drying herbs, and foods from the last harvests

Bon or Balefires

Foods:

Baked items like bread, desserts, cookies, etc.
Apple
Pomegranates
Corn
Pumpkins
Preserved/Canned/Dried Foods

Plants, Spices & Herbs

Mugwort
Gourds
Sage
Allspice
Cinnamon
Catnip
Anise

Favorite Décor/Decorations:

Pumpkins & Gourds
Corn stalks
Dried fruit, herbs, and plants
Colorful leaves
Skulls
Candles
Handmade brooms
The Cauldron
Besom
Masks
Mums

Source

The Kitchen Witch

 

Samhain Correspondences

Other Names:
celtic ~ Summer’s End, pronounced “sow” (rhymes with now) “en” (Ireland), sow-een (Wales) – “mh” in the middle is a “w” sound – Greater Sabbat(High Holiday) – Fire Festival Oct 31-Nov 1(North Hemisphere) – Apr 30-May 1 – The Great Sabbat, Samhiunn, Samana, Samhuin, Sam-fuin, Samonios, Halloween, Hallomas, All Hallows Eve, All Saints/All Souls Day(Catholic), Day of the Dead (Mexican), Witches New Year, Trinoux Samonia, Celtic/ Druid New Year, Shadowfest (Strega), Martinmas or Old Hallowmas (Scotttish/Celtic) Lá Samhna (Modern Irish), Festival of the Dead, Feile Moingfinne (Snow Goddess), Hallowtide (Scottish Gaelis Dictionary), Feast of All Souls, Nos Galen-gae-of Night of the Winter Calends (Welsh), La Houney or Hollantide Day, Sauin or Souney ( Manx), oidhche na h-aimiléise-the night of mischief or confusion(Ireland), Oidhche Shamna (Scotland)

Rituals:
End of summer, honoring of the dead,scrying, divination, last harvest, meat harvest

Incense:
Copal, sandalwood, mastic resin, benzoin, sweetgrass, wormwood, mugwort, sage, myrrh or patchouli

Tools:
Besom, cauldron, tarot, obsidian ball, pendulum, runes, oghams, Ouija boards, black cauldron or bowl filled with black ink or water, or magick mirror

Stones/Gems:
Black obsidian, jasper, carnelian, onyx, smoky quartz, jet, bloodstone

Colors:
Black, orange, red

Symbols & Decorations:
Apples, autumn flowers, acorns, bat, black cat, bones, corn stalks, colored leaves, crows, death/dying, divination and the tools associated with it, ghosts, gourds, Indian corn, jack-o-lantern, nuts , oak leaves, pomegranates, pumpkins, scarecrows, scythes, waning moon

Foods:
Apples, apple dishes, cider, meat (traditionally this is the meat harvest) especially pork, mulled cider with spices, nuts-representing resurrection and rebirth, nuts, pomegranates, potatoes, pumpkins, pumpkin bread, pumpkin pie, roasted pumpkin seeds, roasted pumpkin seeds, squash.

Goddesses:
The Crone, Hecate(Greek), Cerridwen(Welsh-Scottish), Arianrhod(Welsh), Caillech (Irish-Scottish), Baba Yaga (Russian), Al-Ilat(persian), Bast (Egyptian), Persephone (Greek), Hel(Norse), Kali(Hindu), all Death & Otherworld Goddesses

Gods:
Horned Hunter(European), Cernnunos(Greco-Celtic), Osiris(Egyptian), Hades (Greek), Gwynn ap Nudd (British), Anubis(Egyptian), Coyote Brother (Native American), Loki (Norse), Dis (Roman), Arawn (Welsh), acrificial/Dying/Aging
Gods, Death and Otherworld Gods

Herbs and Flowers:
Almond, apple leaf , autumn joy sedum, bay leaf, calendula, Cinnamon, Cloves cosmos, garlic, ginger , hazelnut, hemlock cones, mandrake root, marigold, mums, mugwort (to aid in divination), mullein seeds, nettle, passionflower, pine needles, pumpkin seeds, rosemary (for remembrance of our ancestors), rue, sage, sunflower petals and seeds, tarragon, wild ginseng, wormwood

Animals:
Stag, cat, bat, owl, jackal, elephant, ram, scorpion, heron, crow, robin

Mythical Beings:
Pooka, goblin,medusa, beansidhe, harpies

Essence:
Magick, plenty; knowledge, the night, death & rebirth, success, protection; rest, new beginning; ancestors; lifting of the veil, mundane laws in abeyance, return, change

Dynamics/Meaning:
Death & transformation, Wiccan new year,wisdom of the Crone, end of summer, honoring, thinning of the veil between worlds, death of the year, time outside of time, night of the Wild Hunt, begin new projects, end old projects

Work:
Sex magick, release of bad habits, banishing, fairy magick, divination of any kind, candle magick, astral projection, past life work, dark moon mysteries, mirror spells (reflection), casting protection , inner work, propitiation, clearing obstacles, uncrossing, inspiration, workings of transition or culmination, manifesting transformation,creative visualization, contacting those who have departed this plane

Purpose:
Honoring the dead, especially departed ancestors, knowing we will not be forgotten; clear knowledge of our path; guidance, protection, celebrating reincarnation

Rituals/Magicks:
Foreseeing future, honoring/consulting ancestors, releasing the old, power, understanding death and rebirth, entering the underworld, divination, dance of the dead, fire calling, past life recall

Customs:
Ancestor altar, costumes, divination, carving jack-o-lanterns, spirit plate, the Feast of the Dead, feasting, paying debts, fairs, drying winter herbs, masks, bonfires, apple games, tricks, washing clothes

Element:
Water

Gender:
Male

Threshold:
Midnight

 

“I am the daughter of the Ancient Mother,
I am the child
of the Mother of the World.
I am your daughter
O Ancient Mother,
I am your child
O Mother of the World.
O Inanna! O Inanna!
O Inanna!
It is you who teaches us
to die, be reborn and rise again.
Die, be reborn, and rise!
Herstory/Lore
Queen of Heaven and Earth.”

– Inanna: Journey to the Dark Center

 

Samhain / Halloween

An excerpt from Tlachtga: Celtic Fire Festival by John Gilroy.

The Festival of Samhain marked the end of the Celtic year and the beginning of the new one and as such can be seen to the equivalent of New Year’s Eve. We have seen how the Celts believed that night preceded day and so the festivities took place on the Eve of Samhain. There is no doubt that that this festival was the most important of the four Celtic Festivals. Samhain was a crucial time of year, loaded with symbolic significance for the pre-Christian Irish. The celebrations at Tlachtga may have had their origins in a fertility rite on the hill but it gathered to itself a corpus of other beliefs which crystallised at the great Fire Festival.

 

The perceptible, and apparent, decline in the strength of the sun at this time of year was a source of anxiety for early man and the lighting of the Winter Fires here symbolised mans attempt to assist the sun on its journey across the skies. Fire is the earthly counterpart of the sun and is a powerful and appropriate symbol to express mans helplessness in the face of the overwhelming sense of the decay of nature as the winter sets in.

 

Now the sun has descended into the realm of the underworld, the forces of the underworld were in the ascendency. The lord of the underworld, unfettered from the control of the sun, now walked the earth and with him travelled all those other creatures from the abode of the dead. Ghosts, fairies and a host of other non-descript creatures went with him. The Lord of the Dead in Celtic mythology can be identified as Donn.

 

Mythology tells us that when the invaders of Ireland known as the Miliseans landed at the Boyne, they made their way to Tara. Once there, they were advised by the Druids that they should return to their ships and sail off the shore to the length of nine waves. When they were on the sea a great storm arose which scattered their fleet. The commander of one of the ships was Donn. His ship was broken to pieces in the storm and he himself drowned along with twenty four of his comrades. He was buried on the Skellig Islands off the coast of Kerry.

 

He is the first of the new wave of invaders to meet his death in Ireland and, as such, he became elevated to the status of god of the dead. The place of his burial became known as Tech Donn – The house of Donn, and soon became identified with with the otherworld. The Celts were fascinated with tracing their ancestry back as far as they could and often they identified their earliest ancestors with the gods of their peoples. Hence, a belief arose that when they died they went to the house of their ancestor, the god of the otherworld.

 

It is interesting to note that the abode of Donn, on the Skellig Islands, is just a few miles from the traditional home of Mog Ruith at Valentia Island. As well as being geographical neighbours, both are closely associated with Samhain, when it can be said that Mog Ruith as sungod sojourns at the realm of the underworld, the abode of Donn.

 

Donn is seen as a retiring god who prefers the isolation of the bleak Skelligs and remains aloof from the other gods. His name means “brown” and he is associated with the shadowy realm of the dead. O’hOgain tells us that a ninth century text attributes a highly significant quotation to him “To me, to my house, you shall come after your death”

 

Many other sources say that the dead assemble at his house and describe deceased people travelling to and from here. Fishermen in the area were wont to hear strange boats passing to the island at night and the names of those who disembarked were called out. Later Christian writers claimed that the souls of the damned lingered at his house before departing for hell. Not surprisingly, aspects of his personage have been adapted by Christian writers in their portrayal of the devil.

 

Samhain being the feast of the dead can now be clearly seen as incorporating the cult of Donn into its celebrations but how they did so remains uncertain. The Fires were in all likelihood lit in honour of the sungod – here manifesting as Mog Ruith, but certain other of the trappings are clearly associated with the Lord of the Dead. The idea that Samhain is a juncture between the two halves of the year saw it acquiring the unique status of being suspended in time – it did not belong to the old year not the new. It could be said that time stood still on this night and the implications of this were immense. During this night the natural order of life was thrown into chaos and the earthly world of the living became hopelessly entangled with the world of the dead. But the world of the dead was itself a complicated place, peopled not only by the spirits of the departed, but also with a host of gods, fairies and other creatures of uncertain nature.

 

The unwary traveller, caught away from home on this night, could expect to encounter any one or many of these creatures and it was always advisable to stay indoors. Ghosts were everywhere and may or may not have been harmful to the living. It is interesting to note that the manuscripts tells us that all fires in the country must be extinguished on this night and could only be relit from the great flames from Tlachtga. This, of course, is not to taken literally but symbolised the brief and temporary ascendency of the powers of darkness at this time of year.

 

During this period all the world was in darkness and the dead were abroad. When the fire at Tlachtga was lit, it gave the signal that all was well and all other fires could now be relit. The fires at Talchtga were the public celebration of the victory of light, while the relighting of the household fire marked the domestic celebration of the feast. Now the spirits of dead ancestors could be welcomed back into the home with safety and posed no threat to the household. This theme is repeated constantly in Irish literature. MacCollugh tells us that the cult of the dead culminated at the family health. Very often the spirits of ancestors sought warmth around the fireside on this night. Fires were left lighting in the grate to warm the spirits and food was left out for them. Even though the ancestral ghosts were benign, it was still a good idea to avoid them by going to bed early.

 

However, the ghosts may not have been entirely benign. They needed some sort of appeasement in the form of ritual offerings on this night. So long as the offering was forthcoming the ghosts were happy and benevolent, but if the offering was withheld another side of the ghosts features were presented. Bad luck would descend on the household and all would not be well the coming year. Some vestiges of this tradition may survived in the modern Halloween custom of “trick or treat”. Children, dressed as ghosts and witches, invite the household to make a donation or face the consequences. The ‘treat’ may represent the ritual offering while the ‘trick’, nowadays a harmless prank, may have in antiquity, represented the malevolent consequences of inadequately appeasing the ancestral ghost on this night.

 

But it was not just time that was dislocated at Samhain. Just as the festival stands on the boundary between Summer and Winter, all other boundaries were in danger at this time. The boundaries between a mans land and his neighbours were a dangerous place to be on this night. Ghosts were to be found along these points and a style between adjacent land was a place of particular dread and best avoided. Bridges and crossroads were also likely places to encounter ghosts. Naturally enough, burial places were avoided on all nights but particularly on this night. Every sort of a ghost was to be seen here and the dead mingled freely with the living.

 

The practice of divination – telling the future, was an important part of everyday life for the Celts and it is certain that this art formed a central part of the festivities occurred at Tlachtga at Samhain. Vestiges of this can be seen today at Halloween are familiar with the practice of going to the church at midnight on Halloween and standing in the porch. The courageous observer will see the spirits of those who will die in the coming year if he watches closely, but runs the risk of meeting himself. Similarity, girls watching in a mirror on this night will see the image of the man they will marry but also run the risk of seeing the devil.

 

Those brave enough to go to a grave yard at midnight and walk three times around the graves will be offered a glimpse the future but again run the risk of meeting the devil. This latter example is interesting as it preserves the three time sunwise turn so important to the Celts in the ritual. The possibility of meeting the devil may represent the well known Christian attempt to associate the pagan god of the dead with the devil of Christian belief. This being the case, Donn the Lord of the Dead, left his island home on this night and travelled freely throughout the country. Whether he carried off souls is unclear, but it is likely that he did. The ritual offerings on the Winter Fires may have been an attempt to appease him until, such time in history, he was replaced on the arrival of Christianity by the devil.

 

The early Irish manuscripts are littered with references to the magical significance of Samhain. It marked the end of the fighting and hunting season for the warrior troop known as the Fianna. At Samhain they retreated into winter camp, quartering themselves on the general population until the return of Summer at Beltainne. Fionn MacCumhail chose Samhain as the time to present himself before the court at Tara for the first time, while it was also at Samhain that the god Lugh made his dramatic entrance to the same court. The Connaught queen, Meave, waited until Samhain before setting out on the great Cattle Raid of Cooley.

 

Fionn MacCumhail, Lugh and Cuchulainn – Meave’s opponent, are the three great figures of Irish mythology and it is interesting to note how Samhain is the time chosen by the writers to introduce their arrival on the scene. The Battle of Mag Tuired (supposedly in County Mayo) was fought at Samhain. It seems that when the early writers wish to impart a magical quality to the events they are depicting, they choose the Festival of Samhain for the occasion. There remains little doubt that Samhain held a central place in the imagination of the Celts, where the festivities associated with several local gods became entangled, over the course of perhaps a thousand years, with the feast of the god of the dead. Remnants of these celebrations have come down to us in our own celebrations of Halloween.

 

Samhain Lore and Traditions

October 31 — Samhain Eve

Also known as: November Eve, Feast of the Dead, Feast of Apples, Hallows and All Hallows Eve.

Possibly the biggest festival of the Witches’ year, Samhain is a time to remember those who have passed on, celebrate the Summers end and prepare for Winter months ahead. The Sun God and earth fall into slumber, as the nights lengthen and winter begins.

Samhain, (pronounced SOW-in, SAH-vin, or SAM-hayne) means “End of Summer”, and is the third and final Harvest. The dark winter half of the year commences on this Sabbat.

Various other names for this Greater Sabbat are Third Harvest, Samana, Day of the Dead, Old Hallowmas (Scottish/Celtic), Vigil of Saman, Shadowfest (Strega), and Samhuinn. Also known as All Hallow’s Eve, (that day actually falls on November 7th), and Martinmas (that is celebrated November 11th), Samhain is now generally considered the Witch’s New Year.

It is generally celebrated on October 31st, but some traditions prefer November 1st.It is one of the two “spirit-nights” each year, the other being Beltane. It is a magical interval when the mundane laws of time and space are temporarily suspended, and the Thin Veil between the worlds is lifted. Communicating with ancestors and departed loved ones is easy at this time, for they journey through this world on their way to the Summerlands.

It is a time to study the Dark Mysteries and honor the Dark Mother and the Dark Father, symbolized by the Crone and her aged Consort. Tradition also teaches that the aid of spirits and guides from the other world was easily enlisted at this time, so in the increasing moonlight of longer nights, many used this time to hone their psychic and divinatory skills, especially with regard to love and marriage.

Originally known as the “Feast of the Dead” this sabbat was celebrated in Celtic countries by leaving food offerings on altars and doorsteps for the “wandering dead”.Today a lot of practitioners still carry out that tradition. Single candles were lit and left in a window to help guide the spirits of ancestors and loved ones home. Extra chairs were set to the table and around the hearth for the unseen guest. Apples were buried along roadsides and paths for spirits who were lost or had no descendants to provide for them. Turnips were hollowed out and carved to look like protective spirits, for this was a night of magic and chaos.

The Wee Folke became very active, pulling pranks on unsuspecting humans. Traveling after dark was was not advised. People dressed in white (like ghosts), wore disguises made of straw, or dressed as the opposite gender in order to fool the Nature spirits.

The Christian religion has adopted this day as All Saints Day, or All Hallows Day, celebrating the eve as All Hallows Eve, or Halloween. The superstition and misconception linked to this celebration by the early church, led people to take some unusual precautions to protect themselves. They adopted the tradition of dressing in frightening costumes or disguises, and displaying scary looking Jack-O-Lanterns to help protect them from spirits they considered to be evil. In the British Isles, the young people would disguise themselves with hideous masks and walk through the village, lighting their way with lanterns made from carved turnips.

This was also the time that the cattle and other livestock were slaughtered for eating in the ensuing winter months. Any crops still in the field on Samhain were considered taboo, and left as offerings to the Nature spirits. Bonfires were built, (originally called bone-fires, for after feasting, the bones were thrown in the fire as offerings for healthy and plentiful livestock in the New Year) and stones were marked with peoples names. Then they were thrown into the fire, to be retrieved in the morning. The condition of the retrieved stone foretold of that person’s fortune in the coming year. Hearth fires were also lit from the village bonfire to ensure unity, and the ashes were spread over the harvested fields to protect and bless the land.

Symbolism of Samhain:
Third Harvest, the Dark Mysteries, Rebirth through Death.

Symbols of Samhain:
Gourds, Apples, Black Cats, Jack-O-Lanterns, Besoms.

Herbs of Samhain:
Mugwort, Allspice, Broom, Catnip, Deadly Nightshade, Mandrake, Oak leaves, Sage and Straw.

Foods of Samhain:
Turnips, Apples, Gourds, Nuts, Mulled Wines, Beef, Pork, Poultry.

Incense of Samhain:
Heliotrope, Mint, Nutmeg.

Colors of Samhain:
Black, Orange, White, Silver, Gold.

Stones of Samhain:
All Black Stones, preferably jet or obsidian.

Traditional Foods:
Apples, Pears, Pomegranates, All Grains, Pumpkin-pie, Hazelnuts, Cakes for the dead, Corn, Cranberry muffins and breads, Ale, Cider, Herbal teas (especially Mugwort) and Meat unless vegetarian and then tofu will do.

Herbs:
Calendula, Cosmos, Chrysanthemum, Wormwood, Hazel, Thistle.

Incense:
Mint, Heliotrope, Nutmeg, Sage or Floral’s.

Woods and Herbs Burned:
Apple, Heliotrope, Mint, Nutmeg, Sage.

Sacred Gemstone:
Aquamarine.

For further information on rites and rituals to celebrate the sabbats, we reccommend:

Pagan Holidays and Earth Magic by Kardia Zoe

However you choose to celebrate Samhain, be adventurous and investigate some of the older traditions. There is a large amount of interesting and sometimes comical lore surrounding this date. As an aside, it’s OK. to dress up as Witches’, Goblins and have fun with the more nonsense aspects of this holiday. It is good however to set aside some time to learn the true meaning behind this date and follow those observances as our ancestors did.

Blessed Be!

Source

The Celtic Connection. Wicca, Pagan and Goddess Information Pages

 

The Witches Almanac for Wednesday, October 31

Halloween • Samhain

Waning Moon

 

Fourth Quarter 12: 40 pm

 

Moon Sign: Leo

 

Incense: Honeysuckle

 

Color: Brown

 

“Your tombstone stands among the rest;
neglected and alone

The name and date are chiseled out
on polished, marbled stone
It reaches out to all who care
It is too late to mourn
You did not know that I’d exist
You died and I was born.
Yet each of us are cells of you
in flesh, in blood, in bone.
Our blood contracts and beats a pulse
entirely not our own.
Dear Ancestor, the place you filled
one hundred years ago
Spreads out among the ones you left
who would have loved you so.
I wonder if you lived and loved,
I wonder if you knew
That someday I would find this spot,
and come to visit you.”

– Dear Ancestor

 

“Originally the “Feast of the Dead” was celebrated in Celtic countries by leaving food offerings on altars and doorsteps for the “wandering dead”. Today a lot of practitioners still carry out that tradition. Single candles were lit and left in a window to help guide the spirits of ancestors and loved ones home. Extra chairs were set to the table and around the hearth for the unseen guest. Apples were buried along roadsides and paths for spirits who were lost or had no descendants to provide for them. Turnips were hollowed out and carved to look like protective spirits, for this was a night of magic and chaos. The Wee Folke became very active, pulling pranks on unsuspecting humans. Traveling after dark was was not advised. People dressed in white (like ghosts), wore disguises made of straw, or dressed as the opposite gender in order to fool the Nature spirits. This was the time that the cattle and other livestock were slaughtered for eating in the ensuing winter months. Any crops still in the field on Samhain were considered taboo, and left as offerings to the Nature spirits. Bonfires were built, (originally called bone-fires, for after feasting, the bones were thrown in the fire as offerings for healthy and plentiful livestock in the New Year) and stones were marked with peoples names. Then they were thrown into the fire, to be retrieved in the morning. The condition of the retrieved stone foretold of that person’s fortune in the coming year. Hearth fires were also lit from the village bonfire to ensure unity, and the ashes were spread over the harvested fields to protect and bless the land.”

– Samhain Lore by Akasha

 

Samhain Cemetery Visit

Honoring the Dead in the Midst of Life

Start by cleaning up headstones. Pluck or trim any overgrown grass or weeds from around the gravesite or sites. To clean a headstone, you should be sure to check with the cemetery operators (if you can find them) about any cleaning policies. In general, a good guideline is that if a headstone is made of marble, limestone or or sandstone, you can use water (bring a couple of gallon jugs along) and a SOFT nylon bristle brush.

For older headstones, which may crumble from age when you clean them, water alone may be your best bet. A headstone that is cracked or damaged shouldn’t be cleaned at all, at the risk of causing more damage. Do the best you can with what you’ve got – but for more detail on how conservationists suggest you clean an old stone, read here: Association for Gravestone Studies.

If you’d like to make a grave rubbing of a headstone, read here: How to Make a Grave Rubbing. Keep in mind that you should always follow the rules of the cemetery. Remember that while doing a rubbing usually doesn’t cause damage to headstones, particularly newer ones, there are certain precautions that should be taken. If a stone is worn or crumbling, pass on it. Rubbing an already-damaged stone can cause it to flake and chip to the point where it’s irreparable. Instead, choose stones which are in good condition – the best results come from either polished granite stones or solid slate markers. If there’s any doubt about the condition of the stone, don’t use it for a rubbing.

Ancestor Altar

Many people like to have an ancestor altar in their homes during the Samhain season, but you can set one up at the cemetery as well. It can be as simple as a few candles, a photo, and some flowers, or more complex. If the grave is an older cemetery, you may want to bring a small flat object to use as an altar – bed trays work well for this – so as not to damage the headstone. Be sure to check with the cemetery for guidelines, if you choose to leave your altar in place after you’ve left. If you do take it with you when you go, be careful to pick up any stray bits and pieces that may have scattered around. Don’t leave a mess behind.

Flowers and colorful ribbons are also a popular addition to headstones during this season – if you have wreaths, feel free to add those as well. In Mexico, another offering is travel items – razors, a bowl of water, and soap are a great addition, because your deceased loved ones can use these items to clean up after their journey.

For more about how different cultures venerate their ancestors, read here: Ancestor Worship. The concept of ancestor worship is not a new one for many Pagans today. Ancient cultures often venerated those who came before them, and even now, in our contemporary society, it’s not uncommon at all to find celebrations that honor the ancestors in a variety of different ways.

Sugar Skulls and Candy Coffins

You can make a batch of Sugar Skulls, which are confectionaries traditionally made at Day of the Dead celebrations. If you’re not sure about how to make them – or don’t feel confident in your own candy-making skills – check at your local Hispanic marketa – they almost always have them in stock in the fall. Another popular item is the candy or chocolate coffin – again, if you aren’t able to make them, an alternative is to use small boxes made of cardstock or lightweight cardboard to create coffins, and fill them with candy, trinkets, and tiny skeletons.
Cemetery Supper

For many people who celebrate Day of the Dead, a huge part of the day involves a meal. You can pack up a picnic supper, and visit your family at the cemetery while you eat. Some ideas you might try:

Bring loaves of sweet, dessert breads, which are traditional in many cultures, as a Samhain offering.
If you know a particular family member really loved a favorite dish, include that as part of your picnic supper.
Be sure to bring an extra plate for each of your beloved dead – they are with you in spirit, and should be offered a seat at the table (or picnic blanket).
You can either make your picnic formal and serious, like the Dumb Supper, or joyous and fun – it’s up to you.
Consider singing songs – if you have drums or a guitar, bring them along, and after you’ve eaten, sing your family’s favorite tunes to serenade your ancestors. If you know the traditional folk songs of your family’s culture, this is a great time to share them – and if you don’t know them, now is a good time to learn and pass on the traditions.

 

Saying Farewell… For Now

Finally, before you leave, be sure to say a last farewell to your ancestors, thanking them for joining you, and letting them know you will honor them all year long. If your celebrations have spilled over onto other gravesites, you may want to leave a small offering of thanks for those residents as well – broken pieces of bread are a good symbolic offering. Spend a day visiting with those who came before you, remember them well, and let them know that someday, you will see them again.

Author

Patti Wigington
Published on ThoughtCo

 

Samhain Ritual to Honor the Forgotten Dead

As Samhain rolls around and the veil grows thin each year, many people in the Pagan community take the opportunity to hold rituals honoring the dead. This may take the form of setting up an altar to honor the ancestors, or to hold a vigil for those who have crossed over in the past year. In general, we’re pretty good about remembering those who have touched us, whether they were family of the blood or of the spirit.

However, there’s one group that is typically overlooked at this time of year. It’s the people who passed through the veil with no one to mourn them, no one to remember their names, no loved ones left behind to sing their names with honor.

Think of the people out there, not just in your community, but around the country who are buried with no headstone, because there was no one to pay for a marker. Consider the old woman in a nursing home or care center, who died with no children or nieces and nephews to bid her farewell in the final moments. What about the homeless veteran who used to panhandle on your city’s streets, who one day just stopped showing up at the corner, and is now buried in an unmarked plot with dozens of others just like him? How about the children who are lost, for whatever reasons, in our world, and die alone, whether by violence or neglect or illness? What about those who were once remembered, but now their gravestones lie untended and ignored?

These are the people that this ritual honors. These are the ones whose spirits we honor, even when we do not know their names. This ritual can be performed by a solitary practitioner or a group. Keep in mind that while you can perform this rite as a standalone ritual, it also works well being incorporated in at the end of your other Samhain rituals.

You will need a collection of candles in colors and sizes of your choice – each will represent a group of forgotten people. If there’s someone specific you know of, who died alone, choose a candle to represent that person as well. For this sample ritual, we’ll use a candle for men, one for women, and another for children, but you can group people in any way that works for you.

If your tradition requires you to cast a circle, do so now. Even if your tradition doesn’t require it, it’s a good idea to have designated sacred space of some sort for this ritual, because you’re going to be inviting the dead to stand outside and watch you. You can do a simple delineation of the circle with string, birdseed, salt, or other markers. Another alternative is to simply create sacred space around the participants. Or, you can do a full-on circle casting like this one: How to Cast a Circle

Decorate your altar as you normally would for Samhain, and include the collection of unlit candles in a prominent position. Safety tip: put the smaller ones at the front, and the taller ones behind them, so there’s less chance of you setting your own sleeve on fire as you light them.

Particularly if you’re doing this during the Samhain season, there’s a lot of activity crossing back and forth over the veil, so it’s a good idea to take a moment to meditate and get grounded before you begin.

When you’re ready to start, say:

Now is the season of Samhain. It is the season of our ancestors, of our glorious dead, of those who have fallen and crossed over the veil from this world to the next. This is a time for us to honor them and pay tribute.
Tonight, in the darkness, under this starry sky, we remember those who were forgotten. Tonight we memorialize you, the unknown, the unloved, the unwanted of our world. Whoever you may have been in life, tonight, now, in death, you are ours as you watch from the other side, at least for a little while.

Light the first candle, representing the group of your choice. Again, for purposes of this ritual, we’ll assign this candle to the women:

Women who were lost to us, how did you pass? Were you old and alone, crossing over with no one but your own ghosts to keep you company? Were you young and healthy, taken from us unexpectedly, your crossing as much a surprise to you as to anyone else? Does your body lie in a cold office somewhere, waiting to be claimed? Or do you lie under the stars tonight, in a field or a forest where you’ll never be seen? Forgotten women, your spirits are with us tonight, watching us from outside the circle. We remember you, and want you to know you are honored. You are remembered.

Light the second candle, for the second group you are honoring:

Men who were lost to us, how did you pass? Did you die in a strange place, far from your family and friends, lost to everyone but your own demons? Were you in the prime of your life, or creeping along against the ravages of old age, watching as disease and neglect took their toll upon you? Are you buried in an unmarked plot in a potter’s field somewhere, or do you lie under these glorious stars tonight? Forgotten men, your spirits are with us tonight, watching us from outside the circle. We remember you, and want you to know you are honored. You are remembered.

Light the next candle, for additional groups you may be honoring:

Sweet children, crossed over from this world to the next. Your lives were far too short, for whatever reason, and you left us before you grew. On the other side, perhaps there is a mother to hold you when you need to feel loved, a father to comfort you when you are afraid, a big brother or sister to guide you on your journey. Wherever you may lie, and whether you were big or very, very small, your spirits are with us tonight, watching us from outside the circle. We remember you, and want you to know you are honored. You are remembered.
All of you, women, men, children… you may have crossed over unnoticed when you left this world, but for now, you are remembered. You are unforgotten. You are honored by us this night of Samhain, and if it helps you along your journey, then so may it be. Know that this night, you are with us in memory and spirit. Know that you are no longer the lost and unreachable dead.

Take a moment to meditate on what you have just said. See if you can feel the presence of the lost ones as you stand at your altar. You may notice a distinct shift in the energy you’re feeling, and that’s normal. It’s also why this next part of the ritual is very important: you’ve invited them to watch you, and now you need to send them on their way.

Spirits, guests from the place beyond, it is time. We have honored you and celebrated your names, though we may not have known you in life. Now is the time for you to move on. Go back to the places from which you came, to the places in which you belong as one of our beloved dead. Go back, knowing that this night, you were honored and remembered. Go back across the veil, and remain in that world. You will not be forgotten again, and we will honor you with our memories. Farewell, rest easy, and may the coming parts of your journey be worthy of you.

Take a few minutes to get yourself centered. End the ritual in whichever way you normally do, breaking down the sacred space. Extinguish the candles, and offer a quick final blessing of farewell to each group as the smoke drifts away into the night.

Author

Patti Wigington
Published on ThoughtCo

 

Ritual To Celebrate the Cycle of Life and Death

 

Samhain is a time like no other, in that we can watch as the earth literally dies for the season. Leaves fall from the trees, the crops have gone brown, and the land once more becomes a desolate place. However, at Samhain, when we take the time to remember the dead, we can take time to contemplate this endless cycle of life, death, and eventual rebirth.

For this ritual, you’ll want to decorate your altar with symbols of life and death.

You’ll want to have on hand a white candle and a black one, as well as black, red, and white ribbon in equal lengths (one set for each participant). Finally, you’ll need a few sprigs of rosemary.

Perform this rite outside if at all possible. If you normally cast a circle, do so now. Say:

Samhain is here, and it is a time of transitions.
The winter approaches, and the summer dies.
This is the time of the Dark Mother,
a time of death and of dying.
This is the night of our ancestors
and of the Ancient Ones.

Place the rosemary on the altar. If you are doing this as a group ceremony, pass it around the circle before placing on the altar. Say:

Rosemary is for remembrance,
and tonight we remember those who have
lived and died before us,
those who have crossed through the veil,
those who are no longer with us.
We will remember.

Turn to the north, and say:

The north is a place of cold,
and the earth is silent and dark.
Spirits of the earth, we welcome you,
knowing you will envelope us in death.

Turn to face the east, and say:

The east is a land of new beginnings,
the place where breath begins.
Spirits of air, we call upon you,
knowing you will be with us as we depart life.

Face south, saying:

The south is a land of sunlight and fire,
and your flames guide us through the cycles of life.
Spirits of fire, we welcome you,
knowing you will transform us in death.

Finally, turn to face the west, and say:

The west is a place of underground rivers,
and the sea is a never-ending, rolling tide.
Spirits of water, we welcome you,
knowing you will carry us
through the ebbs and flows of our life.

Light the black candle, saying:

The Wheel of the Year turns once more,
and we cycle into darkness.

Next, light the white candle, and say:

At the end of that darkness comes light.
And when it arrives, we will celebrate once more.

Each person takes a set of ribbons — one white, one black, and one red. Say:

White for life, black for death,
red for rebirth.
We bind these strands together
remembering those we have lost.

Each person should then braid or knot their three ribbons together. As you do so, focus on the memories of those you have lost in your life.

While everyone is braiding or knotting, say:

Please join me in chanting as you work your energy and love into your cords:

As the corn will come from grain,
All that dies will rise again.
As the seeds grow from the earth,
We celebrate life, death and rebirth.

Finally, ask everyone to take their knotted ribbons home with them and place them on their personal altar if they have one. That way, they can be reminded of their loved ones each time they pass by.

Note: Rosemary is used in this rite because although it seems to go dormant over the winter, if you keep it in a pot you’ll get new growth in the spring. If there’s another plant you’d rather use, feel free.

Author

Patti Wigington
Published on ThoughtCo

 

General Preparations for Samhain, Halloween, All Hallows Eve, Day of the Dead

 

1. This is a time for remembering the Ancestors, honoring deceased members of your family, and remembering the cherished dead. Gather together a few pictures of your ancestors and place them on or near your home altar. Set out some offerings of food, drink or valuables to honor the dead. Visit and clean the gravesites of those who have passed away. Say some prayers for the souls of those who have passed into the Otherworld. Talk with your ancestors and bring them up to date about what has happened since they died on the earthly plane.

2. Samhain is the time when the veils to the Otherworlds are lifted. It is an excellent time for the practice of divination, scrying, fortune telling, or reading the future. My first choice for divination is a Tarot deck. I prefer using the Voyager Tarot by James Wanless or the Thoth Tarot by Aleister Crowley. There are many techniques and methods used for fortune telling or divination. My notes about using the Tarot are online.

3. Read about Samhain, Halloween, Day of the Dead. Add notes and links to books, magazines, and webpages on the subject. See my bibliography and links above. Update my Months webpages on October and November. Visit your local public library or college library for books, media and magazines on the subject.

4. Add some appropriate Samhain, Halloween, October songs, chants, prayers, invocations, or poems to your Neo-Pagan Craft Journal, Book of Shadows, Ritual Handbook, etc.. Write in your personal journal. Many keep a Neo-Pagan notebook, journal or log as part of their experimental and experiential work.

5. If children playing “Trick or Treat” from house to house is customary in your neighborhood, then get ready for the event. Dress in a costume or mask. Host a Halloween party. Decorate your home with Jack-0-Lanterns, skeletons, and spooky looking decorations.

6. Bury offerings in the ground such as apples, pomegranates, nuts, or valuables. Dig holes for the November planting of trees and shrubs in Zone 9. Participate in a underground sweat lodge ceremony. Explore a cave. Going into the ground, burial, entering the underworld, submersion in the earth or deep waters, spirit beings rising from graves, leaves decaying into soil, etc., are all part of Samhain Lore.

7. Working and meditating in the garden is an important facet of my spiritual path. I live in Red Bluff, California, USDA Zone 9, Northern Hemisphere. My late October gardening chores might be quite different from yours, depending upon where you live. We plant new trees and shrubs at this time of year. Fertilize garden for setting over the winter. Remove dead and dying plants from the garden. Turn compost pile. Time for planting seeds for the winter garden. Fertilize to boost growth. Recover sheds. Put tools up from rain. Reconnect in some way to the earth and the autumn season outdoors.

8. Thoroughly clean, dust, tidy up, refreshen, improve, and add appropriate seasonal decorations to your home altar. This should normally be clean and tidy, however an extra cleaning before the Samhain celebration is a way to express your reverence, create a visible reminder of your thoughts and devotional practices, and to offer hospitality to the nature spirits, ancestors, and Shining Ones. If you don’t have a home altar, read some books and webpages about setting one up in your home or garden, and then establish one this holiday season.

9. Stay at home. Eliminate long driving trips. Do you really need to “Go” anywhere? Do you really need to fly by airplane to another country? Explore your backyard, neighborhood, local community, nearby city, county wide area, regional area within 150 miles. Visit a local “sacred site.” For us, for example, this could be Mt. Shasta, the headwaters spring of the Sacramento River in Mt. Shasta City, the Sacramento River at Woodson Bridge Park, or a beautiful church or college or park. Take a long walk.

 

“The Wheel rolls more, and Autumn returns.
Cooler the rain; the Sun lower burns.
The coloring leaves presage the Year:
All things move into harvest’s sphere.
I vow to savor fruits first picked;
nor into grief shall I be tricked.
I vow to offer what once I spurned,
and face the Turning reassured.

– Asleen O’Gaea, Celebrating the Seasons of Life

 

Celebrating Legends, Folklore & Other Spirituality 365 Days A Year For October 31

 

Samhain (pronounced sow-in) marks the end of the agricultural cultural season and the beginning of Winter. For the Celts, who inhabited the British Isles more than 1,000 years ago, Samhain was the beginning of the year and the cycle of seasons. sons. It was a time when they turned to their Gods, seeking to understand the turning of the cycle of life and death. For the Celtic people, Samhain was a time when the gates between this world and the next were open. It was a time of communion ion with the spirits who were believed to roam free on this night. It was a time of divination, when the ancestors were contacted for warnings and guidance through the dark Winter months.

In medieval Ireland, Samhain was the major festival that marked the opening of Winter; it was sometimes spelled Samain or Samuin, although still pronounced the same. It was believed that Samhain was a time of unusual supernatural power, when all manner of fairies, goblins, and monsters roamed the earth. It was unfavorable to walk about on this night, lest one might stumble onto an open fairy mound and fall victim to the fairy’s enchantment.

Samhain was also a time of truce with no fighting, violence, lence, or divorce allowed. Hence, it was a time of marriage. Accounts were closed, debts collected, contracts made, and servants hired. Magickally, Samhain is a time of reflection, ending things that are not producing results, and releasing negative thoughts. Samhain is the perfect time to make a talisman man for self control and protection of the family and home.

 

Magickal Activity for October 31, Samhain

Protection Charm

You will need:

One tsp. each of patchouli, sandalwood, and clove

An incense brazier

One self-igniting charcoal

A small white stone inscribed with a protective sigil of your choice

Place a piece of charcoal in your brazier and light it. Mix the herbs together, and sprinkle them over the glowing coal. As the mixture begins to burn, pass the stone through the smoke as you chant:

Within this stone, I pass my

plight. Banished forever,

From this night.

Immediately take the stone to the nearest body of moving water. Toss the stone in and walk away.

 

“The symbolism of this Sabbat is that of The Third (and final) Harvest, it marks the end of Summer, the beginning of Winter. It is a time marked by death when the Dead are honored – a time to celebrate and “study” the Dark Mysteries. “Samhain” means “End of Summer”. Its historical origin is The Feast of the Dead in Celtic lands. It is believed that on this night, the veil Between the Worlds is at its thinnest point, making this an excellent time to communicate with the Other Side.   Symbols for representing this Sabbat may include Jack-O-Lanterns, Balefires, Masks, The Besom (Magickal Broom), The Cauldron, and the Waning Moon. Altar decorations might include small jack-o-lanterns, foods from the harvest, and photographs of your loved ones who have departed from this world.   Appropriate Deities for Samhain include all Crone Goddesses, and the Dying God or the “Dead” God.  Samhain Goddesses include Hecate, Hel, Inanna, Macha, Mari, Psyche, Ishtar, Lilith, The Morrigu/Morrigan, Rhiannon, and Cerridwen. Key actions to keep in mind during this time in the Wheel of the Year include return, change, reflection, endings and beginnings, and honoring the Dead. Other meanings behind this Sabbat celebration include the Wisdom of the Crone, the Death of the God, and the Celebration of Reincarnation.”

–   Samhain Lore

 

“The Wheel rolls more, and Autumn returns.
Cooler the rain; the Sun lower burns.
The coloring leaves presage the Year:
All things move into harvest’s sphere.
I vow to savor fruits first picked;
nor into grief shall I be tricked.
I vow to offer what once I spurned,
and face the Turning reassured.

– Asleen O’Gaea, Celebrating the Seasons of Life: Beltane to Mabon

Call ye now and be reborn …

SAMHAIN
“Come now together. Join hands and share with us the understanding of death and rebirth; be as a tree which spreads its roots in the earth, and its branches to the heavens, standing witness to eternal transformation. For death is not a wall against which all thought and all consciousness must cease, but a door, a door to new life, to wonder, and to enchantment. …Be still now and look within, with closed eyes. Feel…feel. Feel the earth beneath your feet , feel the roots of your being re-connect with the earth, with the Mother. And as you do, your mind relaxes, your body relaxes, with each breath you take. Breathe deeply, gently, and imagine to yourself a leaf, full of life, as it fades and transforms, to fall and float gently downward, into a flowing stream. In your mind’s eye of imagination, see it float effortlessly, down and down the stream of life….See it reach the sea, the vastness of infinity. See it sink gently beneath the waves, gradually releasing its form to become one with the infinite. Whence it came, thence it returns, to feed and nourish new forms, new life, new consciousness, Thus the cycle continues eternal, no thing truly lost, all things truly one. …And now, open your eyes; feel the warmth, the love and the light of those around you. Let us now begin the ancient rite. Call ye now the powers of the Lord and the Lady, invoke the Force with ourselves and know that that which can be desired can be manifested. Call ye now and be reborn …”

–  Two Samhain Rituals, Compost Coveners, 1980

Your Banishing Flame (Samhain)

Your Banishing Flame

 

As we say goodbye to the Celtic year, this is a good time to release things that have been holding you back. This is a fire festival and the strength and renewal ability of fire can be used to release the old habits and move forward into the new. Take time beforehand to consider what is holding you back and needs to be changed. Take a square piece of paper, and in black ink, write down exactly what needs to be changed/let go of i.e. I need to stop smoking. Turn over the paper and on the other side in green pen, the changes you need to grow, as if they have already happened i.e. my debts have been reduced/ paid due to stopping smoking etc. When your list of changes is done, place a bay leaf (kitchen) or a fallen oak leaf in the centre of the paper, then make 2 equal folds enclosing the black writing and leaf inside, then fold again twice more the other way to result in a small package. Place in a blank envelope and seal. Whether using a bonfire, the shop fire or the flame of your Samhain candle, you must burn this letter safely to seal the deal on the night of Samhain. As the paper begins to burn, watch it and say…

            Negative patterns be gone I say, and now you burn, let them stay away

            Open the door to changes great, transform my life as is my fate,

             Expand my horizons, my life, my soul, as positive changes are now my goal.

 

Repeat till it burns out completely and finish with “So mote it be”

Now you can go into the Celtic new year knowing changes are on the way. It is done

 

Source

Green Witch

Spell for Samhain to Ward of Bad Luck

Spell for Samhain to Ward of Bad Luck

 

There are a lot of people out there who believe they are having “a run of bad luck” and they say things run in 3’s. So here is what we are going to do. Because this is the start of the next wheel, forwarned is forarmed.

 

Take 3 shiny pennies, 3 pieces of cloth in a favourite colour and 3 bits of string/ribbon. Sit in front of your Samhain fire with protection incense burning and wrap each penny in a piece of cloth and tie with string saying:

“In luck I trust, in luck I believe, with this cloth, good luck I weave”.

 

Hold each pouch in the incense smoke and then place 2 safely on your altar/sacred space/magick box and hang the other over your front door.

 

Any time you feel there is a run of “bad luck”, you take this pouch out into a field/countryside/beach and bury it, saying

 

“Bad luck has come but not to stay, I bury it now to turn it away”.

 

Return home and hang a new one in its place. It is turned and we are done.

 

Source

Green Witch

Remembering Those Who Have Gone (Samhain)

Remembering Those Who Have Gone

Items needed:

1 natural candle and 1 blue candle

1 stone/pebble amethyst or quartz for every person you would like to remember on this night

1 goblet red wine (or more if you have a lot of people to remember!!)

 

Cast your circle or sacred space, ensuring you have a comfortable area to sit within your circle as you could be there some time. Light the two candles in the west of your circle forming a doorway by which spirit can enter should they choose to do so. Now, take one crystal in your hand, close your eyes and remember the good things about that person – those things that made you smile, laugh or cry. Then, when you have remembered the things you wanted to, simply state something like “If you are able, please come and sit with me…name….” then lay down the stone with the candles. Lift your glass and toast them and take a drink. Continue until all the people you wanted to think about had been remembered.

You may get the feeling that one is present, a few or all if you are lucky, in which case it will be a crowded circle. However, it is lovely to sit and remember and let them come should they want to. This is what Samhain is for and why the children dress as ghosts and ghouls. When you have sat for enough time and all is done (you can also do your divination within the circle as it would definitely be a powerful reading), then simply pick up each crystal individually, stating something like “…name…, thank you for your time, and I bid you hale and farewell.” and when all have been thanked, then close down your circle and keep those special crystals on your altar.

 

Source

The Green Witch

Samhain Ritual: 31 October

Samhain Ritual: 31 October

 


Materials: one cauldron, filled with water

CRONE This should be an older female.

OLD KING This should be a person chosen by lottery, or by whoever is acting as Crone. It can be enacted by the HP if needed.

BARD/GREEN MAN If the coven has no Bard available, then a Green Man should be chosen by lottery, or by whoever is acting as Maiden. It can be enacted by the HP, if needed.

The place of ritual should be set up, away from the gathered participants. This is not something that people should miss, so make sure that potty break is taken care of before the circle is cast.

HPS

Go we now to the sacred place
And stand within the sacred space
Turn your minds to sacred things
And dance with me unto the ring!

HP and HPS lead the coven to the place of ritual by a spiral dance, ending in a circle around the altar. The cauldron should be at the south. The Old King dances at the end of the line.

HPS

Come we forth, with the Spiral Dance
Within the Lady’s radiance
To mark the turning of the year
The door to Winter now is here.

Earth and Water, Fire and Air
I invoke the Goddess there!
This night we are Between the Worlds
To celebrate the year unfurled!

HP

Earth and Water, Fire and Sky
I invoke the God on high
This night we are Between the Worlds
To celebrate the year unfurled!

The corners shall be called thusly, that all may hear, but shall not be called until the HPS reaches that corner on her circumnabulation.

EAST

O Guardians of the Eastern Tower,
Airy ones of healing power
I do summon, stir and call you
See these rites and guard this circle!

Come to us and heed our call!
By the Power that made us all;
By the Power that blesses Thee
Come to us; and Blessed Be!

SOUTH

Oh fiery ones of Southern Power
Thus I invite you to this tower
I do summon, stir and call you
See these rites and guard this circle!

Come to us and heed our call!
By the Power that made us all;
By the Power that blesses Thee:
Come to us; and Blessed Be!

WEST

Western ones of water’s flow
Help to guard us here below
I do summon, stir and call you
See these rites and guard this circle!

Come to us and heed our call!
By the Power that made us all;
By the Power that blesses Thee:
Come to us; and Blessed Be!

NORTH

Earthen ones of Northern fame
Bless and guard our Power’s fane
I do summon, stir and call you

See these rites and guard this circle!
Come to us and heed our call!
By the Power that made us all;
By the Power that blesses Thee:
Come to us; and Blessed Be!

The HPS shall move to each corner, and say, following each corner’s crying as she moves to the next:

HPS

So I cast and consecrate
This Circle of the small and great:
By Fin and Feather, Leaf and Tree,
By Rock and Earth, by Land and Sea,
By Fire and Water, Earth and Air,
By the Lord, and Lady Fair!
By Love and Joy and Work and Play,
All things harmful cast away!
By lightning’s flash, and rain’s soft fall,
By the Power that made us all;
By the Power that blesses Thee:
(Cast the Circle: Blessed be!)

On her return to the first corner she shall change the last line above, and say:

The Circle’s cast; and Blessed Be!

The callers of the corners shall return their tools to the altar, and then shall join the circle at their corners.

Here begins the Samhain Mystery:

OLD KING

Thus I invoke the Lady White
To come to us this sacred night.
By Fin and Feather, Leaf and Tree,
I shall show you a Mystery!

Bard/Green Man and Maiden join hands, facing each other. The Maiden speaks to the Bard/Green Man:

MAIDEN

Lord of Life, hail Land-Master!
God of grain that grows and dies
Rising reborn, full of richness;
Fallow fields shall yet be fertile –
Spring sap runs as stirs your manhood
Bless barren earth, bear fruit again!

The Bard/Green Man speaks to Maiden:

BARD/GREEN MAN

Snow-shoes striding, hail swift Huntress!
Wild one, free and willful Goddess
Bow and blade you bear beside you,
Finding food to fend off hunger –
Winter will not leave us wanting;
Give good hunting, grant us skill.

The Old King moves to the West. The Crone moves to the North.

HP

Cunning and art he did not lack
But aye her whistle would fetch him back!

OLD KING

Yet I shall go into a trout.
With sorrow and sighing and mickle doubt
And show thee many a merry game
Ere that I be fetch-ed hame!

CRONE

Trout, take heed of an otter lank
Will harry thee close from bank to bank
For here come I in the Lady’s Name
All but for to fetch thee hame!

The Old King moves to the South. The Crone moves to the West.

HP

Cunning and art he did not lack
But aye her whistle would fetch him back!

OLD KING

Yet I shall go into a bee
With mickle fear and dread of thee
And flit to hive in the Lady’s Name
Ere that I be fetch-ed hame!

CRONE

Bee, take heed of a red, red cock
Will harry thee close through door and lock
For here come I in the Lady’s Name
All but for to fetch thee hame!

The Old King moves to the East. The Crone moves to the South.

HP

Cunning and art he did not lack
But aye her whistle would fetch him back!

OLD KING

Oh, I shall go into a hare
with sorrow, sighing and mickle care
And I shall go in the Lady’s Name
Aye, until I be fetch-ed hame!

CRONE

Hare, take heed of a swift greyhound
Will harry thee all these fields around
For here come I in the Lady’s Name
All but for to fetch thee hame!

The Old King moves to the North. The Crone moves to the East.

HP

Cunning and art he did not lack
But aye her whistle would fetch him back!

OLD KING

Yet I shall go into a mouse
And haste me unto the Miller’s House
There in his corn to have good game
Ere that I be fetch-ed hame!

CRONE

Mouse, take heed of a white she-cat
That never was balked of mouse nor rat
For here come I in the Lady’s Name
And -thus- it is I fetch thee hame!

Crone walks to Old King and takes his hand. He falls as if dead.

HPS

Cunning and art he did not lack
But aye Her Song has fetched Him back!

Summer’s gone, the Lady reigns
And Winter has returned again!

Maiden wets her hands with water from the Cauldron, and sprinkles it on the Old King, who comes to life again.

OLD KING

Cunning and art I do not lack
But aye Her Cauldron will bring me back!

The Crone and Old King shall join hands, facing each other, and say:

Note: These Norse style verses were taken from a file I got (I think) from Paul Seymour. Don’t know who author is.

CRONE

One-eye, Wanderer, God of wisdom,
Hunt-lord, hail, who leads the hosting!
Nine nights hanging, knowledge gaining,
Cloaked at crossroads, council hidden.
Now the night, your time, is near us –
Right roads send us on, Rune-winner.

OLD KING

Every age your eyes have witnessed;
Cauldron-Keeper, hail wise Crone!
Rede in riddles is your ration –
Wyrd-weaver at the World-tree’s root.
Eldest ancient, all-knowing one,
Speak unto us, send us vision!

Here the HPS should say:

HPS

We remember our dead; our loved ones gone to the Summerland before us. Give them peace and joy.

ALL

Blessed be!

READER

Never again the Burning Times! Let us remember our dead, good and bad, innocent and guilty:

HPS

Let them have peace.

ALL

Blessed be!

Here ends the Samhain Mystery.

A normal cone-of-power may be raised, for growth and healing:

HPS

In a ring we all shall stand
Pass the Power, hand to hand.

HP

As the season turns again
Power flows from friend to friend

HPS

Pass the Power, hand to hand
Bless the Lady, bless the Land

HP

Bless the Lord, and bless the Skies
Bless the Power that never dies!

The above four verses should be repeated three times, or as many times as needed, and the HPS shall then say:

HPS

By Fin and Feather, Leaf and Tree:
Let the Power flow out and free!

All should release, at this point.

Any needed coven business may be transacted here.

The Circle is opened:

HPS

Thus I release the East and West
Thanks to them from Host to Guest
Thus I release the South and North
With “Blessed Be’ I send them forth!
The Circle’s open, dance we so
Out and homeward we shall go.
Earth and Water, Air and Fire
Celebrated our desire.
We think of those in Summerland
Who dance together, hand in hand.
By Fin and Feather, Leaf and Tree,
Our circle’s done; and Blessed Be!

COVEN

Blessed Be!

All spiral dance out from the Circle, led by HP and HPS.

 

 

The White Bard, Author

Published on Pagan Library

Samhain Ritual

Samhain Ritual


This ritual was written at a time when I did not have a qualified Priest in my group. However, it may easily be adapted for those groups in which the Priestess and Priest work together. It may be just as easily adapted to solitary work.

Place an apple and pomegranate upon the altar. There should also be a “planted” pot of earth for each participant – these may be arranged on the altar as well, if there is ample space. Instruments of divination may be placed within the Circle perimeter for use during the ritual if you wish. Arrange the altar as usual and decorate with Autumn leaves, pumpkins, etc.

The Circle is cast and purified the Circle in the usual manner. Dancing around the Circle in a shuffle step (deosil), all chant three times:

The Moon is bright, the Crone is old
The body lifeless – the bones so cold
We all live and pay our dues
To die in ones and threes and twos.

Death, dance and play the harp
Piercing silence in the dark
The Woman’s old with withered limbs
Death beckons Her to dance with Him

As She accepts the Dance of Death
The Earth is cooled by ghostly breath
To lie in dormancy once more
To have Her strength and life restored

Go to the Western Quarter and draw an invoking pentagram with the athame to open the gate. Then evoke the dead by saying:

All ye spirits who walk this night –
Hearken! Hearken to my call!
I bid you in our Circle join!
Enter! Enter – one and all!

Come ye, spirits of the dead:
Be ye spirit of plant or pet
Or human being who still roams!
Into this Circle you are let!

Speak to us of things unknown!
Lend your energies to this rite!
To speed your journey, we have joined
On this sacred Samhain night!

All ye spirits who walk this night –
Hearken! Hearken to my call!
I bid you in our Circle join!
Enter! Enter – one and all!

Bestow blessings upon the dead, saying:

Oh Mighty Pan of the Summerlands:
Guardian of the beloved dead
We pour forth love on those you keep
Safely, in your peaceful stead
We bless those who have walked the path
That someday, we as well, shall rove
We offer peace unto their souls
While resting in your arms, below

Now is the time for divination (Ouija Board, pendulum, cards, etc.) and communication with those who have gone on before us. Allow plenty of time for this. [Note: I have found that it is helpful to have a tape recorder handy within the Circle for recording any communications that may be “channeled” during this time. Some people disagree with this suggestion, saying that the metal of this electronic device causes scattered energies in the Circle; however, if the recorder has been cleansed and purified as the rest of the ritual tools, the problem seems to be resolved.]

When the divinatory processes are completed, the Priestess goes to the Western Quarter and draw the banishing pentagram, saying:

Blessings be upon thee, oh wondrous Spirits of the
Summerlands. We humbly thank thee for your presence in our
Circle and honor you in celebration this sacred night. We
beseech thee, oh Pan, keeper of the sacred dead, embrace
once again those souls within your keep and hold tightly
to your breast those which have been lost and wandering.
Grant them safe passage to the Summerland, where they may
rest peacefully in your strength until they are refreshed
and reborn again in perfect love. We bid thee all a fond
farewell. So mote it be!

The gate is now closed.

The Priestess goes to the altar and hold up the pomegranate, saying:

Behold the pomegranate, fruit of Life…

The athame is plunged into the pomegranate, splitting it open to display the seeds. She says:

Whose seeds lie in the dormancy of Death!

The Priestess eats one of the seeds, saying:

I Taste the seeds of Death.

The pomegranate is then passed hand to hand through the participants of the ritual, each eating a seed and saying to the next person:

“Taste the seeds of Death.”

The Priestess then holds up the apple, saying:

Behold the apple: fruit of wisdom, fruit of Death…

She then cuts the apple crosswise, saying:

Whose symbolism rewards us with life eternal!

She holds up the apple, displaying the inner pentagram, and says:

Behold the five-fold star – the promise of rebirth!

Consecrate the fruit and wine. Each person then tastes of the apple and sips the wine, saying to the next person:

Taste the fruit of rebirth and sip from the cup of wine of Life.

After libation, the Priestess presents each member of the group with a small pot of earth, planted with three seeds [preferably rue or lavender]. She briefly explains to the group that this is the season of the seed – it is a time of dormancy, but also a time of re-generation for growth. Further, as the seed rests in the earth, they should also take time to rest and re-evaluate their lives, metaphorically planting only those values which will enrich and enhance the growth within the Divine Self. She then instructs them to name the seeds within their pots with three values they wish to incorporate into their lives, knowing that as the seeds sprout with new life, their lives will be new, as well.

After the presentation, all join hands and hold them skyward.

PRIESTESS:

Thus is the Circle of Rebirth.
All pass from this life through the great god, Pan
But through My love you are all reborn
In the cycles of nature – through the Cosmic Plan.

In living we die – in dying we live
The fruit is first seed, yet seed comes from the fruit
In the mystery of life and death and rebirth
The Circle turns ever, and I am its root.

ALL RESPOND:

The Sun conceived in Darkness, cold
In the Shadow of Death, a Life unfolds
A shred of Light begins to burn
From Death comes Life – the Circle turns.

Dismiss Quarters and Dissolve Circle.

PRIESTESS:

The rite is ended.

ALL:

Merry meet and merry part and merry meet again!

Outdoor libation to the Lord and Lady, and the spirits of the dead.

 

Dorothy Morrison, Author

Published on Pagan Library

Jack-O-Lantern Warding Spell (Samhain)

Jack-O-Lantern Warding Spell

 

If you feel you are being plagued by some malevolent spirit or energy, try this during the Samhain season to protect your home and send it away.

You Will Need:

  • Pumpkin
  • Pumpkin carving tools
  • Black votive candles
  • Clove oil
  • Black pepper
  • Garlic cloves
  1. Hollow and carve your pumpkin into a jack-o-lantern the normal way. This is no time for cutesy pictures or artsy expressions. Just carve your basic scary face into it.
  2. In meditation, talk to your jack-o-lantern. Give him a name. Tell him his purpose—to ward off evil, fend off baneful magic, or banish unwanted spirits.
  3. Anoint your votive candle with clove oil, building energy as you rub it in. Empower it with your desire by simply visualizing your desire going down your arms, through your hands, into the candle. You might chant as you do this. This is the energy-raising part of the spell, so really focus on your goal and let it build.
  4. Place the candle inside your jack-o-lantern. Drop some garlic cloves and a few pinches of black pepper around it for good measure.
  5. Put your jack-o-lantern outside your door. Light the candle to release the energy. Let it burn out.
  6. For maximum effect, do this three nights in a row (putting in a newly anointed candle each night).

 

 

About The Author

Sage has been a witch for 25 years. She enjoys writing informative articles to teach others the craft of the wise.

Published on Exemplore

Samhain Spirit-Banishing Incense

Spirit-Banishing Incense

Burn this if you are worried that baneful spirits are bothering you during this season when the veil is thin, or to follow up after burning Spirit Drawing Incense to ensure spirits return from whence they came.

3 parts Frankincense

2 parts sage

1 parts ground angelica root

1 part St. John’s Wort

1 part bay

IF you feel a particularly malevolent spirit is about, you may add one part fumitory, or a pinch of garlic powder (just a pinch—it’s strong!)

If your frankincense is not already thoroughly ground, let it air-dry overnight, then grind it in your mortar and pestle going counter-clockwise while focusing on banishing. After the frankincense is ground, add the other ingredients, one at time, to incorporate and blend them.

Burn to rid the area of unwanted spirits. If burning indoors, open all the windows.

 

About The Author

Sage has been a witch for 25 years. She enjoys writing informative articles to teach others the craft of the wise.

Published on Exemplore

 

Samhain Spirit-Drawing Incense

Spirit-Drawing Incense

This is a great incense if you are seeking to commune with spirits this season.

CAUTION: Make sure you are really ready to draw spirits before burning it.

1 part sandalwood powder

1 part ground wormwood

1 part lavender

Ground and blend in your mortar and pestle and then sprinkle on lighted incense coals. You can also throw a handful onto a burning fire, such as in your fireplace or an outdoor balefire. You can burn it to draw your ancestors, while using a divination tool, during meditation/trance work, or before sleep to promote contact during dreams.

 

About the Author

Sage has been a witch for 25 years. She enjoys writing informative articles to teach others the craft of the wise.

Published on Exemplore

 

Samhain Goddesses – Hel – Norse

Hel

 

In the Poetic EddaProse Edda, and Heimskringla, Hel is referred to as a daughter of Loki. In the Prose Edda book Gylfaginning, Hel is described as having been appointed by the god Odin as ruler of the realm of Niflheim. In the same source, her appearance is described as half blue and half flesh-colored and further as having a gloomy, downcast appearance. The Prose Edda details that Hel rules over vast mansions with many servants in her underworld realm and plays a key role in the attempted resurrection of the god Baldr.

Scholarly theories have been proposed about Hel’s potential connections to figures appearing in the 11th-century Old English Gospel of Nicodemus and Old Norse Bartholomeus saga postola, that she may have been considered a goddess with potential Indo-European parallels in Bhavani, Kali, and Mahakali or that Hel may have become a being only as a late personification of the location of the same name.

Domain

The gods had abducted Hel and her brothers from Angrboda’s hall. They cast her in the underworld, into which she distributes those who are sent to her; the wicked and those who died of sickness or old age. Her hall in Helheim is called Eljudnir, Home of the Dead. Her manservant is Ganglati and her maidservant is Ganglot (which both can be translated as “tardy”). She has a knife called “Famine”, a plate called “Hunger”, a bed called “Disease”, and bed curtains called “Misfortune”.

Etymology

The Old Norse feminine proper noun Hel is identical to the name of the location over which she rules, Old Norse Hel. The word has cognates in all branches of the Germanic languages, including Old English hell (and thus Modern English hell), Old Frisian helle, Old Saxon hellia, Old High German hella, and Gothic halja. All forms ultimately derive from the reconstructed Proto-Germanic feminine noun *xaljō or *haljō (‘concealed place, the underworld’). In turn, the Proto-Germanic form derives from the o-grade form of the Proto-Indo-European root *kel-, *kol-: ‘to cover, conceal, save’.

The term is etymologically related to Modern English hall and therefore also Valhalla, an afterlife ‘hall of the slain’ in Norse Mythology. Hall and its numerous Germanic cognates derive from Proto-Germanic *hallō ‘covered place, hall’, from Proto-Indo-European *kol-.

Related early Germanic terms and concepts include Proto-Germanic *xalja-rūnō(n), a feminine compound noun, and *xalja-wītjan, a neutral compound noun. This form is reconstructed from the Latinized Gothic plural noun *haliurunnae (attested by Jordanes; according to philologist Vladimir Orel, meaning ‘witches’), Old English helle-rúne (‘sorceress, necromancer’, according to Orel), and Old High German helli-rūna ‘magic’. The compound is composed of two elements: *xaljō (*haljō) and *rūnō, the Proto-Germanic precursor to Modern English rune. The second element in the Gothic haliurunnae may however instead be an agent noun from the verb rinnan (“to run, go”), which would make its literal meaning “one who travels to the netherworld”.)

Proto-Germanic *xalja-wītjan (or *halja-wītjan) is reconstructed from Old Norse hel-víti ‘hell’, Old English helle-wíte ‘hell-torment, hell’, Old Saxon helli-wīti ‘hell’, and the Middle High German feminine noun helle-wīze. The compound is a compound of *xaljō (discussed above) and *wītjan (reconstructed from forms such as Old English witt ‘right mind, wits’, Old Saxon gewit ‘understanding’, and Gothic un-witi ‘foolishness, understanding’).

Attestations

Poetic Edda

The Poetic Edda, compiled in the 13th century from earlier traditional sources, features various poems that mention Hel. In the Poetic Edda poem Völuspá, Hel’s realm is referred to as the “Halls of Hel.” In stanza 31 of Grímnismál, Hel is listed as living beneath one of three roots growing from the world tree Yggdrasil. In Fáfnismál, the hero Sigurd stands before the mortally wounded body of the dragon Fáfnir, and states that Fáfnir lies in pieces, where “Hel can take” him. In Atlamál, the phrases “Hel has half of us” and “sent off to Hel” are used in reference to death, though it could be a reference to the location and not the being, if not both. In stanza 4 of Baldrs draumar, Odin rides towards the “high hall of Hel.”

Hel may also be alluded to in Hamðismál. Death is periphrased as “joy of the troll-woman” (or “ogress”) and ostensibly it is Hel being referred to as the troll-woman or the ogre (flagð), although it may otherwise be some unspecified dís. The Poetic Edda also mentions that travelers to Hel must pass by her guardian hound Garmr.

Prose Edda

Hel is referred to in the Prose Edda, written in the 13th century by Snorri Sturluson. In chapter 34 of the book Gylfaginning, Hel is listed by High as one of the three children of Loki and Angrboða; the wolf Fenrir, the serpent Jörmungandr, and Hel. High continues that, once the gods found that these three children are being brought up in the land of Jötunheimr, and when the gods “traced prophecies that from these siblings great mischief and disaster would arise for them” then the gods expected a lot of trouble from the three children, partially due to the nature of the mother of the children, yet worse so due to the nature of their father.

High says that Odin sent the gods to gather the children and bring them to him. Upon their arrival, Odin threw Jörmungandr into “that deep sea that lies round all lands,” Odin threw Hel into Niflheim, and bestowed upon her authority over nine worlds, in that she must “administer board and lodging to those sent to her, and that is those who die of sickness or old age.” High details that in this realm Hel has “great Mansions” with extremely high walls and immense gates, a hall called Éljúðnir, a dish called “Hunger,” a knife called “Famine,” the servant Ganglati (Old Norse “lazy walker”), the serving-maid Ganglöt (also “lazy walker”), the entrance threshold “Stumbling-block,” the bed “Sick-bed,” and the curtains “Gleaming-bale.” High describes Hel as “half black and half flesh-coloured,” adding that this makes her easily recognizable, and furthermore that Hel is “rather downcast and fierce-looking.”

In chapter 49, High describes the events surrounding the death of the god Baldr. The goddess Frigg asks who among the Æsir will earn “all her love and favour” by riding to Hel, the location, to try to find Baldr, and offer Hel herself a ransom. The god Hermóðr volunteers and sets off upon the eight-legged horse Sleipnir to Hel. Hermóðr arrives in Hel’s hall, finds his brother Baldr there, and stays the night. The next morning, Hermóðr begs Hel to allow Baldr to ride home with him, and tells her about the great weeping the Æsir have done upon Baldr’s death. Hel says the love people have for Baldr that Hermóðr has claimed must be tested, stating:

“If all things in the world, alive or dead, weep for him, then he will be allowed to return to the Æsir. If anyone speaks against him or refuses to cry, then he will remain with Hel.”

Later in the chapter, after the female jötunn Þökk refuses to weep for the dead Baldr, she responds in verse, ending with “let Hel hold what she has.” In chapter 51, High describes the events of Ragnarök, and details that when Loki arrives at the field Vígríðr “all of Hel’s people” will arrive with him.

In chapter 5 of the Prose Edda book Skáldskaparmál, Hel is mentioned in a kenning for Baldr (“Hel’s companion”). In chapter 16, “Hel’s […] relative or father” is given as a kenning for Loki. In chapter 50, Hel is referenced (“to join the company of the quite monstrous wolf’s sister”) in the skaldic poem Ragnarsdrápa.

Heimskringla

In the Heimskringla book Ynglinga saga, written in the 13th century by Snorri Sturluson, Hel is referred to, though never by name. In chapter 17, the king Dyggvi dies of sickness. A poem from the 9th-century Ynglingatal that forms the basis of Ynglinga saga is then quoted that describes Hel’s taking of Dyggvi:

I doubt not
but Dyggvi’s corpse
Hel does hold
to whore with him;
for Ulf’s sib
a scion of kings
by right should
caress in death:
to love lured
Loki’s sister
Yngvi’s heir
o’er all Sweden.

In chapter 45, a section from Ynglingatal is given which refers to Hel as “howes’-warder” (meaning “guardian of the graves”) and as taking King Halfdan Hvitbeinn from life. In chapter 46, King Eystein Halfdansson dies by being knocked overboard by a sail yard. A section from Ynglingatal follows, describing that Eystein “fared to” Hel (referred to as “Býleistr’s-brother’s-daughter”). In chapter 47, the deceased Eystein’s son King Halfdan dies of an illness, and the excerpt provided in the chapter describes his fate thereafter, a portion of which references Hel:

Loki’s child
from life summoned
to her thing
the third liege-lord,
when Halfdan
of Holtar farm
left the life
allotted to him.

In a stanza from Ynglingatal recorded in chapter 72 of the Heimskringla book Saga of Harald Sigurdsson, “given to Hel” is again used as a phrase to referring to death.

Egils saga

The Icelanders’ saga Egils saga contains the poem Sonatorrek. The saga attributes the poem to 10th century skald Egill Skallagrímsson, and writes that it was composed by Egill after the death of his son Gunnar. The final stanza of the poem contains a mention of Hel, though not by name:

Now my course is tough:
Death, close sister
of Odin’s enemy
stands on the ness:
with resolution
and without remorse
I will gladly
await my own.

Gesta Danorum

In the account of Baldr’s death in Saxo Grammaticus’ early 13th century work Gesta Danorum, the dying Baldr has a dream visitation from Proserpina (here translated as “the goddess of death”):

The following night the goddess of death appeared to him in a dream standing at his side, and declared that in three days time she would clasp him in her arms. It was no idle vision, for after three days the acute pain of his injury brought his end.

Scholars have assumed that Saxo used Proserpina as a goddess equivalent to the Norse Hel.

 

Source

Mythology Wikia

 

Samhain Goddesses – The Morrigan – Celtic

The Morrígan

The Morrígan or Mórrígan, also known as Morrígu, is a figure from Irish mythology. The name is Mór-Ríoghain in Modern Irish. It has been translated as “great queen”, “phantom queen” or “queen of phantoms”.

The Morrígan is mainly associated with war and fate, especially with foretelling doom, death or victory in battle. In this role she often appears as a crow, the badb. She incites warriors to battle and can help bring about victory over their enemies. The Morrígan encourages warriors to do brave deeds, strikes fear into their enemies, and is portrayed washing the bloodstained clothes of those fated to die. She also has some connection with sovereignty, the land and livestock. In modern times she is often called a “war goddess” and has also been seen as a manifestation of the earth- and sovereignty-goddess, chiefly representing the goddess’s role as guardian of the territory and its people.

The Morrígan is often described as a trio of individuals, all sisters, called ‘the three Morrígna’.  Membership of the triad varies; sometimes it is given as Badb, Macha and Nemain while elsewhere it is given as Badb, Macha and Anand (the latter is given as another name for the Morrígan). It is believed that these were all names for the same goddess. The three Morrígna are also named as sisters of the three land goddesses Ériu, Banba and Fódla. The Morrígan is said to be the wife of The Dagda, while Badb and Nemain are said to be the wives of Neit.

She is associated with the banshee of later folklore.

Etymology

There is some disagreement over the meaning of the Morrígan’s name. Mor may derive from an Indo-European root connoting terror or monstrousness, cognate with the Old English maere (which survives in the modern English word “nightmare”) and the Scandinavian mara and the Old East Slavic “mara” (“nightmare”); while rígan translates as ‘queen’. This can be reconstructed in the Proto-Celtic language as *Moro-rīganī-s.   Accordingly, Morrígan is often translated as “Phantom Queen”. This is the derivation generally favoured in current scholarship.

In the Middle Irish period the name is often spelled Mórrígan with a lengthening diacritic over the o, seemingly intended to mean “Great Queen” (Old Irish mór, ‘great’; this would derive from a hypothetical Proto-Celtic *Māra Rīganī-s). Whitley Stokes believed this latter spelling was due to a false etymology popular at the time. There have also been attempts by modern writers to link the Morrígan with the Welsh literary figure Morgan le Fay from the Matter of Britain, in whose name mor may derive from Welsh word for “sea”, but the names are derived from different cultures and branches of the Celtic linguistic tree.

Sources

Glosses and glossaries

The earliest sources for the Morrígan are glosses in Latin manuscripts, and glossaries (collections of glosses). In a 9th century manuscript containing the Vulgate version of the Book of Isaiah, the word Lamia is used to translate the Hebrew Lilith. A gloss explains this as “a monster in female form, that is, a morrígan“. Cormac’s Glossary (also 9th century), and a gloss in the later manuscript H.3.18, both explain the plural word gudemain (“spectres”) with the plural form morrígna. The 8th century O’Mulconry’s Glossary says that Macha is one of the three morrígna.

Ulster Cycle

The Morrígan’s earliest narrative appearances, in which she is depicted as an individual, are in stories of the Ulster Cycle, where she has an ambiguous relationship with the hero Cú Chulainn. In Táin Bó Regamna (The Cattle Raid of Regamain), Cúchulainn encounters the Morrígan, but does not recognise her, as she drives a heifer from his territory. In response to this perceived challenge, and his ignorance of her role as a sovereignty figure, he insults her. But before he can attack her she becomes a black bird on a nearby branch. Cúchulainn now knows who she is, and tells her that had he known before, they would not have parted in enmity. She notes that whatever he had done would have brought him ill luck. To his response that she cannot harm him, she delivers a series of warnings, foretelling a coming battle in which he will be killed. She tells him, “it is at the guarding of thy death that I am; and I shall be.”

In the Táin Bó Cúailnge queen Medb of Connacht launches an invasion of Ulster to steal the bull Donn Cuailnge; the Morrígan, like Alecto of the Greek Furies, appears to the bull in the form of a crow and warns him to flee. Cúchulainn defends Ulster by fighting a series of single combats at fords against Medb’s champions. In between combats the Morrígan appears to him as a young woman and offers him her love, and her aid in the battle, but he rejects her offer. In response she intervenes in his next combat, first in the form of an eel who trips him, then as a wolf who stampedes cattle across the ford, and finally as a white, red-eared heifer leading the stampede, just as she had warned in their previous encounter. However Cúchulainn wounds her in each form and defeats his opponent despite her interference. Later she appears to him as an old woman bearing the same three wounds that her animal forms sustained, milking a cow. She gives Cúchulainn three drinks of milk. He blesses her with each drink, and her wounds are healed. He regrets blessing her for the three drinks of milk which is apparent in the exchange between the Morrígan and Cúchulainn, “She gave him milk from the third teat, and her leg was healed. ‘You told me once,’ she said,’that you would never heal me.’ ‘Had I known it was you,’ said Cúchulainn, ‘I never would have.'” As the armies gather for the final battle, she prophesies the bloodshed to come.

In one version of Cúchulainn’s death-tale, as Cúchulainn rides to meet his enemies, he encounters the Morrígan as a hag washing his bloody armour in a ford, an omen of his death. Later in the story, mortally wounded, Cúchulainn ties himself to a standing stone with his own entrails so he can die upright, and it is only when a crow lands on his shoulder that his enemies believe he is dead.

Mythological Cycle

The Morrígan also appears in texts of the Mythological Cycle. In the 12th century pseudohistorical compilation Lebor Gabála Érenn she is listed among the Tuatha Dé Danannas one of the daughters of Ernmas, granddaughter of Nuada.

The first three daughters of Ernmas are given as Ériu, Banba, and Fódla. Their names are synonyms for Ireland, and they were married to Mac Cuill, Mac Cécht, and Mac Gréine, the last three Tuatha Dé Danann kings of Ireland. Associated with the land and kingship, they probably represent a triple goddess of sovereignty. Next come Ernmas’s other three daughters: Badb, Macha, and the Morrígan. A quatrain describes the three as wealthy, “springs of craftiness” and “sources of bitter fighting”. The Morrígu’s name is also said to be Anand, and she had three sons, Glon, Gaim, and Coscar. According to Geoffrey Keating‘s 17th century History of Ireland, Ériu, Banba, and Fódla worshipped Badb, Macha, and the Morrígan respectively.

The Morrígan also appears in Cath Maige Tuired “Battle of Mag Tuired”. On Samhain, she keeps a tryst with the Dagda before the battle against the Fomorians. When he meets her she is washing herself, standing with one foot on either side of the river Unius. In some sources she is believed to have created the river. After they have sex, the Morrígan promises to summon the magicians of Ireland to cast spells on behalf of the Tuatha Dé, and to destroy Indech, the Fomorian king, taking from him “the blood of his heart and the kidneys of his valour”. Later, we are told, she would bring two handfuls of his blood and deposit them in the same river (however, we are also told later in the text that Indech was killed by Ogma).

As battle is about to be joined, the Tuatha Dé leader, Lug, asks each what power they bring to the battle. The Morrígan’s reply is difficult to interpret, but involves pursuing, destroying and subduing. When she comes to the battlefield she chants a poem, and immediately the battle breaks and the Fomorians are driven into the sea. After the battle she chants another poem celebrating the victory and prophesying the end of the world.

In another story she lures away the bull of a woman named Odras. Odras then follows the Morrígan to the Otherworld, via the cave of Cruachan. When Odras falls asleep, the Morrígan turns her into a pool of water that fed into the Shannon River.

Nature and role

The Morrígan is often considered a triple goddess, but this triple nature is ambiguous and inconsistent. These triple appearances are partially due to the Celtic significance of threeness.[1] Sometimes she appears as one of three sisters, the daughters of Ernmas: Morrígan, Badb and Macha. Sometimes the trinity consists of Badb, Macha and Anand, collectively known as the Morrígna. Occasionally Nemain or Fea appear in the various combinations. However, the Morrígan can also appear alone, and her name is sometimes used interchangeably with Badb.

The Morrígan is mainly associated with war and fate, and is often interpreted as a “war goddess”. W. M. Hennessy’s “The Ancient Irish Goddess of War”, written in 1870, was influential in establishing this interpretation. Her role often involves premonitions of a particular warrior’s violent death, suggesting a link with the banshee of later folklore. This connection is further noted by Patricia Lysaght: “In certain areas of Ireland this supernatural being is, in addition to the name banshee, also called the badhb“. Her role was to not only be a symbol of imminent death, but to also influence the outcome of war. Most often she did this by appearing as a crow flying overhead and would either inspire fear or courage in the hearts of the warriors. In some cases, she is written to have appeared in visions to those who are destined to die in battle by washing their bloody armor. In this specific role, she is also given the role of foretelling imminent death with a particular emphasis on the individual. There are also a few rare accounts where she would join in the battle itself as a warrior and show her favouritism in a more direct manner.

The Morrígan is also associated with the land and animals, particularly livestock. Máire Herbert argues that “war per se is not a primary aspect of the role of the goddess”. Herbert suggests that “her activities have a tutelary character. She oversees the land, its stock and its society. Her shape-shifting is an expression of her affinity with the whole living universe”. Patricia Lysaght notes that Cath Maige Tuired depicts the Morrígan as “a protectress of her people’s interests” and it associates her with both war and fertility. According to Prionsias Mac Cana, the goddess in Ireland is “primarily concerned with the prosperity of the land: its fertility, its animal life, and (when it is conceived as a political unit) its security against external forces”.[10] Likewise, Maria Tymoczko writes “The welfare and fertility of a people depend on their security against external aggression” and notes that “Warlike action can thus have a protective aspect”.[5] It is therefore suggested that the Morrígan is a manifestation of the earth- and sovereignty-goddess, chiefly representing the goddess’s role as guardian of the territory and its people. She can be interpreted as providing political or military aid, or protection to the king—acting as a goddess of sovereignty, not necessarily of war.

It has also been suggested that she was closely linked to the fianna and that these groups may have been in some way dedicated to her. These were “bands of youthful warrior-hunters, living on the borders of civilized society and indulging in lawless activities for a time before inheriting property and taking their places as members of settled, landed communities”. If true, her worship may have resembled that of Perchta groups in Germanic areas.

There is a burnt mound site in County Tipperary known as Fulacht na Mór Ríoghna (‘cooking pit of the Mórrígan’). The fulachtaí sites are found in wild areas, and usually associated with outsiders such as the fianna, as well as with the hunting of deer. There may be a link with the three mythical hags who cook the meal of dogflesh that brings the hero Cúchulainn to his doom. The Dá Chich na Morrigna (‘two breasts of the Mórrígan’), a pair of hills in County Meath, suggest to some a role as a tutelary goddess, comparable to Anu, who has her own hills, Dá Chích Anann (‘the breasts of Anu’) in County Kerry. Other goddesses known to have similar hills are Áine and Grian of County Limerick who, in addition to a tutelary function, also have solar attributes.

Arthurian legend

There have been attempts by some modern authors of fiction to link Morgan le Fay with the Morrígan. Morgan first appears in Geoffrey of Monmouth‘s Vita Merlini “The Life of Merlin” in the 12th century. In these Arthurian legends, such as Sir Gawain and the Green Knight, Morgan is portrayed as an evil hag whose actions set into motion a bloody trail of events that lead the hero into numerous instances of danger. Morgan is also depicted as a seductress, much like the older legends of the goddess and has numerous sexual encounters with Merlin. The character is frequently depicted of wielding power over others to achieve her own purposes, allowing those actions to play out over time, to either the benefit or detriment of other characters.

However, while the creators of the literary character of Morgan may have been somewhat inspired by the much older tales of the goddess, the relationship ends there. Scholars such as Rosalind Clark hold that the names are unrelated, the Welsh “Morgan” (Wales being the source of the Matter of Britain) being derived from root words associated with the sea, while the Irish “Morrígan” has its roots either in a word for “terror” or a word for “greatness”.

 

 

Source

Wikipedia

A Magickal Rite for Mabon: Honor the Dark Mother


Mabon Comments & Graphics

A Magickal Rite for Mabon

Honor the Dark Mother at Mabon

Demeter and Persephone are strongly connected to the time of the Autumn Equinox. When Hades abducted Persephone, it set in motion a chain of events that eventually led to the earth falling into darkness each winter. This is the time of the Dark Mother, the Crone aspect of the triple goddess. The goddess is bearing this time not a basket of flowers, but a sickle and scythe. She is prepared to reap what has been sown.

The earth dies a little each day, and we must embrace this slow descent into dark before we can truly appreciate the light that will return in a few months.

This ritual welcomes the archetype of the Dark Mother, and celebrates that aspect of the Goddess which we may not always find comforting or appealing, but which we must always be willing to acknowledge. Decorate your altar with symbols of Demeter and her daughter — flowers in red and yellow for Demeter, purple or black for Persephone, stalks of wheat, Indian corn, sickles, baskets. Have a candle on hand to represent each of them — harvest colors for Demeter, black for Persephone. You’ll also need a chalice of wine, or grape juice if you prefer, and a pomegranate.

If you normally cast a circle, or call the quarters, do so now. Turn to the altar, and light the Persephone candle. Say:

The land is beginning to die, and the soil grows cold.
The fertile womb of the earth has gone barren.
As Persephone descended into the Underworld,
So the earth continues its descent into night.
As Demeter mourns the loss of her daughter,
So we mourn the days drawing shorter.
The winter will soon be here.

Light the Demeter candle, and say:

In her anger and sorrow, Demeter roamed the earth,
And the crops died, and life withered and the soil went dormant.
In grief, she traveled looking for her lost child,
Leaving darkness behind in her wake.
We feel the mother’s pain, and our hearts break for her,
As she searches for the child she gave birth to.
We welcome the darkness, in her honor.

Break open the pomegranate (it’s a good idea to have a bowl to catch the drippings), and take out six seeds. Place them on the altar. Say:

Six months of light, and six months of dark.
The earth goes to sleep, and later wakes again.
O dark mother, we honor you this night,
And dance in your shadows.
We embrace that which is the darkness,
And celebrate the life of the Crone. Blessings to the dark goddess on this night, and every other.

As the wine is replaced upon the altar, hold your arms out in the Goddess position, and take a moment to reflect on the darker aspects of the human experience. Think of all the goddesses who evoke the night, and call out:

Demeter, Inanna, Kali, Tiamet, Hecate, Nemesis, Morrighan.
Bringers of destruction and darkness,
I embrace you tonight.
Without rage, we cannot feel love,
Without pain, we cannot feel happiness,
Without the night, there is no day,
Without death, there is no life.
Great goddesses of the night, I thank you.

Take a few moments to meditate on the darker aspects of your own soul. Is there a pain you’ve been longing to get rid of? Is there anger and frustration that you’ve been unable to move past? Is there someone who’s hurt you, but you haven’t told them how you feel? Now is the time to take this energy and turn it to your own purposes. Take any pain inside you, and reverse it so that it becomes a positive experience. If you’re not suffering from anything hurtful, count your blessings, and reflect on a time in your life when you weren’t so fortunate.

When you are ready, end the ritual.

By Patti Wigington,Paganism/Wicca Expert
Article found on & owned by ThoughtCo

A Behind The Scenes Look At Mabon

autumn art

A Behind The Scenes Look At Mabon

This is the Autumn Equinox (also known as Mabon, Foghar, Alban Elfed, Harvest Home, 2nd Harvest, Fruit Harvest, Wine Harvest), when day and night, light and day are equal. It is the feast at the height of the harvest, when nearly all has been gathered in. This would have been a time of markets, festivals, processions and general gaiety. It is also known as a feast of the healer and the feast of the release of prisoners, for this is the time of year for setting aside old disputes, grudges and quarrels. Like the Spring Equinox it is a time of balance, a time to discard unwanted habits and traits and to take on new.

The Fall Equinox is our harvest celebration. Twin to the Spring Equinox, it’s a time, again, of balance between dark and light. But now we are moving from light into darkness, from warmth into cold. We gather in the harvest of summer and prepare for the winter ahead.

Everything in nature is constant giving to and receiving from everything else. The oxygen we breathe in is exhaled by the trees, and they take in the carbon dioxide we breathe out. Bees sip nectar from the flowers and in return carry their pollen to other blossoms so that the plants can make seeds. Nothing exists separately from the whole.

When we receive a gift, we give thanks. Sooner or later, we tr to give something back to the person who gave it to us – or perhaps pass the gift onto someone else. That’s part of keeping the balance. At this time of year when we are gathering in the gifts of the Goddess, the fruit, nuts, grain, and vegetables that are ripe, we also try to give something back, to make offerings and express our thanks. The Fall Equinox is our Thanksgiving. In fact, the Thanksgiving that we celebrate in the United States came from the old European Harvest Home, the special customs and rituals done when the last sheaf of grain was gathered in.

In ancient Greece, the Fall Equinox was the time when the mysteries of Demeter and Persephone were celebrated.

Mabon was not an actual ancient Pagan festival in date or name. In fact, there is actually very little evidence it was ever celebrated. In fact, Mabon came into practice in the 1970′ s. Adian Kelly is said to have created this holiday as part of a religious study project. The term Litha is also attributed to Kelly. The use of the term Mabon is more prevalent in American than in Britain.

The Magical Circle Newsletter: Mabon
Collen Criswell