Making Room for all Genders in Paganism

Making Room for all Genders in Paganism

Author: Maggi Setti

In this age of women’s liberation, we still find a deep wound surrounding gender differences in our culture. How is gender expressed differently in the pagan community? Is there still a use for gender specific ritual spaces? Many of these questions are ongoing with many answers, but it is high time that we see these issues with new eyes as we approach a second generation of Pagan feminists, both male, female, and spectrum of gender identification in between.

At a public class I taught a couple weeks ago on developing energetic and psychic skills, I was surprised that that there was an equal number of male and female attendants. For Wicca, this is a rarity, as you will find the vast majority of Wiccans are women. The easy explanation for this is that women are more hurt by the patriarchal approach of mainstream religions and need the feminine divine more acutely than men.

In a personal conversation, a male Wiccan offered the idea that there are more women than men interested and involved in spirituality and religion in general. He used the example that most church functions, other than the priesthood itself, are run by women and often women are dragging their husbands to church rather than the men being self-motivated in attending. I think that if this premise is true, that women as a group are more spiritually focused than men in mainstream religions as well as Pagan denominations. We can infer that this phenomenon comes from at least two influences as follows.

1. Men are discouraged from being in touch with their soft emotions. It’s hard to be in touch with the greater picture and how one fits in to that greater whole, and at the same time, this suppresses much of one’s internal reality as well.
2. Much of adherence to the Christian religion, as it is currently expressed, depends on guilt and fear. There is more room for men to assert themselves, their ideas, opinions and what they want on other people in their lives. While this may be lopsided, it also allows for a greater development on one’s power and ego especially for men as a group more so than women. Women are more likely to struggle with fear and guilt, and feeling powerless, are therefore more susceptible to the disempowerment and subversion of the religions tenants.

Both of my points above would support that it is not the nature of women or men that make women more spiritually focused, but another example of how our culture is unhealthy and imbalanced. Unfortunately how the pagan community during the past 40 years has approached this is by creating overblown false egos for women and small-scale fiefdoms that breed infighting, confusion, and mistrust. I saw this in Sunday school as a kid, in the choir in high school, and still see it.

Women’s empowerment and healing the gap between the genders is not about the segregation of the sexes anymore though. It’s about building healthy egos, empowerment, self-esteem and ending the war of the sexes. Women’s only spaces were intended to be safe havens in which women felt supported rather than competing with other women. These spaces were meant as healing spaces to use ritual as a forum to connect with the feminine divine within each woman there, as well as the feminine divine of the group, the culture, and the Great Goddess Herself. Therefore these spaces are not about reliving the pain and hurt of what has been wrong with the system, but to encourage alchemical change within individuals so that they can build new paradigms of how they approach and express gender, but power, sexuality, self-expression, and self-worth.

All of this is about self-love and acceptance. Not acceptance that makes excuses for maladaptive behavior that is permissive our faults, but rather an acceptance to be gentle with ourselves so that we can motivate change, growth, and healing. “I love my body as uniquely my own. I am not flawed. I am as I should be.” Affirmations such as these help to let go of the cultural myth of the perfect feminine, youthful woman that does not exist.

Please note that I am referencing cultural expectations. Our culture oversimplifies definitions of qualities into white and black categories. If you can’t label someone, force him or her to go into a category until you are comfortable that you have him or her pegged. Much of the path of the witch embraces the grays of twilight and dawn and the myriad of shades of gray within continuum of many things. Where we fall on the continuum for many things including how we express gender, sexuality, our relationships, our connection to the Gods, will be different for all of us.

As Pagans we embrace our differences and still are able to work together, to manifest a new humanity. We need to be very cognizant of embracing each individual’s true expression of himself or herself: whether it be the gender labels they use for themselves in this case, or other expressions of self.

We can’t just look at women though. Women are not the only ones that have suffered from the imbalance of this “war of the sexes.” At Fall Frolic in Milford PA, I’ll be teaching a women’s empowerment class and leading a women’s only ritual. I’ve suggested to the organizers of Fall Frolic that we also run a men’s ritual at the same time. In fact, these rituals can do real magick upon the higher planes to interact in a spiritually fertilizing and polarizing way in order to heal the gender schism of the group mind of humanity. In my opinion, this magickal healing is the next step for building bridges for healthy intragender relationships.

How do we interest men in a way that retains their sense of strength, self-worth, respect, and power? How do we incorporate men into a religion that includes sparkly purple fairy glitter and witch Barbie? (Not my personal taste, but still an active stereotype) . How do we rebuild the archetype of the warrior for both men and women, working, fighting for a cause, and protecting their tribe?

I hope that there are Pagan men interested and willing to forge the way for answering these questions. We need all genders working together and creating new ways of relating to one another so that we can create a balanced future for our religion, our children, and our culture.

Just a Dream?

Just a Dream?

Author: Lady Sindy Aine

I went to bed like any other night; troubles had been weighing heavy on me the past few days and I sometimes can’t rest my mind enough to sleep. I asked the Goddess Aradia to help me on my journey. I felt a warm tingling encompass me and I felt at ease enough to drift off to sleep. I want to share with you just a small glimpse of the journey that followed.

I find myself sitting in a picturesque garden lush with green plants and sensuous flowers heavily scented rich in color and allure. Stone pathways with smooth detailed statues and strangely shaped sculptures. Each are filled with complicated rhymes and puzzles connected to them that allows each one to come to life if I am able to conjure up the answers, every one of them needs to be opened in a specific order it is all part of the puzzle.

I first start with a statue of the Goddess Aradia after several acts of respect I tried to bring life to her, then with a simple kiss on her foot she comes to life. So joyous to be in her presence her green eyes sparkled she was divine. She held me in her embrace a feeling of safety and home filled me. I felt I had been in the presence of a mother figure and I her child.

She began to spin in a circle laughing and full of life she relieves me from all my hurt and pain, allowing me to let go, to truly let go. All the feelings inside of me, anything that was holding me down were lifted with one touch from her hand. My beloved Goddess gives me strength to face all of my fears with no fear. My body feels weightless in her company and my mind open and free able to start fresh and new anything is possible. Her face grew solemn as she steps away from me.

Sadly, I leave her as she directs me to my next challenge. With great respect and gratitude I move on, to a very unusual sculpture in this spectacular garden. Made up of three large round tapered objects with the middle one being the largest, a red darkened brown with horizontal ridges carved into the heaviest section at the middle of this. Smaller versions lie at the top and the bottom. A finished piece much like a lid of some sort sat upon the very top.

With a simple spin to each of these objects much like a prayer wheel, life inside of me was ignited Secrets flowed into me about life and its answers I have long awaited. Having had a life changing experience I took a moment to absorb it all.

Rising to my feet I continue to a fountain large as a lake. The water shimmers and rings from the splashing fountain, all visions are obscured and all knowing is absent until I am able to see through it all. The colors not looking like anything, but everything all at once. Then I see and feel. I know that with just one sip from this sacred water of life I will begin a journey into my very essence. Cold to the touch this crisp water clear of any flavor begins to flow into me. I feel it warm inside of me and vibrate to all parts of my body, knowing all that is important in my life and all that is not.

Focused on and what needs to be done and what needs to be let go I fear the separation of these things will be difficult. I begin to feel the cold spray from the fountain’s water caressing my skin as a way to awaken me the fountain and its lake are alive to me and I struggle to pull myself away and continue my voyage.

Now to another figure, that of an elderly man, whose aura vibrates in vivid color. There is just an enormous amount of energy flowing from him you can hear a faint humming sound that I believe is resonating from this man and amplified by a boulder he is resting upon. As I make my way towards this man in the middle of this deeply wooded pathway I am humbled by his presence.

He stands before me; his white hair is long, wavy and thick tied back at the base of his neck. His arms reach out to me as his heavy brown robe falls in folds around his body. I look into his deep brown eyes; they are welcoming and full of wisdom.

I follow this path with him side by side. I am drawn to his eyes I could not turn away even if I wanted too. He speaks to me without words. I feel everything he is conveying to me and I give myself to him quite willingly with one last embrace of safety, warmth and belonging I knew this is where I wish to be forever but I also know I cannot stay here.

Finally, off in the distance I observed a path undisturbed for many years, quiet and still. I see a beautiful woman in a flowing silver gown as she makes her way effortlessly through the brush and fallen limbs of the old oak trees standing in much majesty throughout this forest on the edge of such a beautiful park. She beckons me to follow her, I feel hesitant, she seems so distant and unworldly I gazed into her eyes with some fear of what I would see.

However, her eyes gleamed an ice blue she reached out her hand and it was soft and supple she was so beautiful I allowed myself to be washed away in her and I followed her. She was not like anyone or thing I have ever encountered, she glowed just simply glowed. She had almost a gravitational pull I couldn’t break free no matter how unsure I was or scared even. I felt this was a test, a test of facing the unknown. The feeling as if the blessed Goddess Diana herself was giving me her blessings with every step, was imprinted on my very being.

This was a divine destination, a voyage where I have encountered every element, and my most valued and treasured Gods and blessed Goddesses. I have been waiting for this moment for a lifetime. My destination was shown to me. After several moments of trial and error, learning the rhymes and puzzles to this path and having figured out the pattern and order. I have found this journey most enlightening and successful.

Now on to my next path obviously one less traveled. I am excited to move through this world and onto the next with great certainty that I have chosen well. I have accomplished much within myself. Whether this was just a very healing dream or something a bit more I woke having a much better grasp and knowledge of why I am here. With this gracious gift bestowed to me I will never suffer again. I am most grateful to not have to worry about such things I have spent so many years doing that. Now I can focus on what needs to be done without much effort of why things need to be done.

I am filled with enlightenment that will flow throughout my blood like the warmth of a running river. I dream of Magick that has not been thought of for many, many years I feel it deep within myself.

My message to you is simply to allow yourself to open your mind and just touch the energy that will lead you too, on your own wondrous journey.

Goddess of the Day for May 20 is The Morrigu

Goddess of the Day

The Morrigu / Morrigan / Morgaine / Morganna

(Irish, British)
Celtic Goddess of Water and Magic. Supreme War Goddess, Shape-shifter. Reigned over the battlefields, helping with her magic but did not join in the battles.  She is the Crone aspect of the Goddess. Great Mother; Moon Goddess; Queen of the fairies. In her dark aspect, her symbol is then the raven or crow.  She is the Goddess of war, fate, death; she went fully armed & carried two spears. Goddess of rivers, lakes & fresh water. Patroness of priestesses & witches. Revenge, night, magic, prophecy. A Triple Goddess made of three largely autonomous Goddesses. Their names vary, but they are usually called Macha, Badb and Nemain. Morgan was said to be married to Merlin, and it was from him she learned her magic. She was also doubled with The Lady of the Lake.

Deity of the Day for April 24 is Yemaya

Deity of the Day

Yemaya

Mother Water, Star of the Sea, Yemaya is the protector of women. Her healing powers are carried in the great waters, her energy powerful during the ebb and flow of life challenges.

MANTRA

  • · Nourishment

GEMSTONES

  • · Lapis lazuli, aquamarine, turquoise (light blue stones), pearl, coral, mother-of-pearl (ocean-sourced)

ESSENTIAL OILS

  • · Goddess-ence Ishtar* blend for the crown chakra

AFFIRMATIONS

  • · I voice my needs
  • · Freedom is a birthright I enjoy
  • · I release my anger, I embrace joy
  • · Others recognise my needs and honour them
  • · I connect with my needs, and let them be known
  • · My body is a temple, and oh what a temple it is!
  • · My body is a pleasure, a temple and a treasure

Her Story

West African, Brazilian and Afro-Caribbean goddess Yemaya is Mother Water, orisha of the oceans. She represents mother love and the affairs of women – fertility, children, birthing, the home and family. She is the merciful goddess of creation and protector of women during conception and childbirth, and of children during their childhood. She is the deep ocean of comfort for those in need.

African deities (orishas) are usually represented by flowing, swirling images of colour and movement, depicting the elemental energies rather than an anthropomorphised image. Yemaya’s energy is depicted with sky blue, white and silver swirling colour. In other images, she is a mermaid or a beautiful woman.

Yemaya brings forth and protects life through all the highs and lows, even during the worst atrocities that can be suffered. She reminds women to take time out for themselves, to nurture their own needs and to respect their deserved position in life.

Her Modern Energy

If Yemaya is speaking to you today, ask yourself, who or what is it that is taking all your time and energy? Whose problems are you trying to fix at the expense of your own vital energy? And why are you trying to fix them? (For approval?) Yemaya does not ask that you conquer your problems nor dominate the source of your problems, but instead to learn how to dance with the ebb and flow of the inevitability of the life cycle.

Yemaya gives you permission to pamper yourself, and for one week at least, to retire from being the “fixer”, the “nurturer”, the “servant”. The world will not end if you withdraw to take care of yourself for a while.

Reconnect With Your Inner Yemaya

Spend some time this week building a shrine to Yemaya, with ocean-sourced items (especially the conch shell), crystal and silver objects, and symbols to represent the moon and stars.

On a Saturday, enjoy watermelon and brew your own raspberry leaf tea (this will take around two weeks to prepare).

Raspberry leaf tea: Tie organically grown raspberry leaves in a bunch and hang in a warm, dark area until dry. Strip the leaves, crumble them into your favourite tea-pot or cauldron, and brew Yemaya’s tea. Take your time to drink this – cancel appointments and other demands for your time, and let yourself truly, purely, “be” in the moment!

Alternatively, on a full moon, invoke Yemaya’s energy by “drawing down the moon”. Here is a suggestion that is in Ffiona Morgan’s book, “Goddess Spirituality”. This ritual can be done as a private ritual with yourself, preferably outside under the full moon. (If it is not possible to go outside, you can sit or stand facing a window in view of the moon, with the moon’s rays shining in on you.)

Start by chanting ‘Ma’, ‘Yemaya’, or ‘Luna’ for five or ten minutes, to raise energy for the drawing down. Then place your hands with palms facing the moon, index fingers and thumbs touching, forming the sacred triangle, or sign of the yoni. Spread your fingers as wide as possible, so they are receptors for moon energy. After you chant to raise power, focus all your energy and vision on Mother Moon and draw her energy down into your body. Move your hands, if desired, back and forth, from arms-outstretched position to your heart and back again. After a few minutes of holding your hands up to the moon, you can feel them tingle. This is magical energy. This can take 15-20 minutes, but you may take more or less time, there are no rules. Here are some songs and chants to the moon:

“Yemaya, O Lo Do, Agua Lo Do Mi O”
(repeat over and over again)
“Moon, Moon, Moon on my mind, think I’ll fly”
(repeat over and over again)
Simple Shower Ritual

First, gather your shower and ritual tools. You will need a bar of soap (pick one that is special to you because of the scent or whatever), a big, fluffy white towel, 3 white votives or pillars and your favourite incense. Pick a soothing CD to put on.

Next, arrange the candles, put on the CD and light the incense. Hang your towel nearby. Take 5 deep breaths, centre, and ground yourself before beginning.

Take the soap and carve a pentagram on both sides of the soap. Ask for the sense and presence of the Goddess. Hold the bar in the air and say these words:

O Mother Goddess,

Bless this soap that you have seen
Soap to make me pure and clean.
Clear away all dirt and grime
Protect my body all the time.

Blessed be.

Place it in the soap holder.

Lastly, take each candle and carve a pentacle or protective rune on its side. Grab all three candles in your hands and repeat these words:

Candles that I light this day,
Keep all evil thoughts away.
As the water washes me,
Burn out all negativity. Blessed be.

Kiss each candle then light it. Now you are ready for your shower.

As the water runs over you visualise all your stress, sadness and worries rinsing away, the bubbles cleaning off dirt and leaving your skin glowing with a radiant white glow all around you. This will keep you feeling strong and protected all through the day. Thank the Goddess for her presence and put all tools away for next time.

Road Opener Hecate

Hecate  presides over three-way crossroads. Hecate truly controls all roads:  not only does she control avenues of opportunity, she also guards the frontier between the realms of the living and the dead, and the various planes perceptible only with psychic vision.

Hecate’s color is black. She only accepts petitions after dark, the only illumination permitted being torchlight. The last day of every month belongs to her, as do the days of the Dark Moon. These are the best times to request her favor.

Altar Setup

Altar Setup

I’m a big supporter of Keep It Simple. Altar setups that are overflowing with magical goodies seem to collect a ton of dust, and dust is a magnet for negativity. If you’re a busy person , with friends staying over, siblings or children running through your room, and the cat jumping on and off your altar surface at will, collecting a bunch of stuff to set on your altar may not be such a good idea. If you are in college, especially in a dorm room, there’s no telling what might happen to your magical items. We tend to form an attachment to our magical tools, and a missing wand or cauldron can send anyone into a tizzy. If a magical tool of yours could decide to “walk off,” don’t despair. If it’s gone, it’s suppose to be gone. Sometimes magical things leave us for a good reason. Perhaps something better is coming your way.

In the last few years, the idea of having a personal altar has gained popularity outside of the Craft environment. However, often what people are calling “altars” are actually shrines dedicated to a deity or a particular energy the person would like to bring into the home. The altar, for a Crafter, is a working magical surface, where a shrine is more of representation of your spirituality and a place for daily, weekly or monthly offerings. In some Craft traditions the shrine is called the high altar, and the separate, working surface is called the low altar. Where prayers and petitions are given at the high altar, the messy work (such as grinding herbs, working with wax or spell work that required you to make and then put together a particular object) is done on the low altar.

A basic altar setup requires only the four elements. The beginning Craft altar adds a statue of deity; two illuminator candles (one for the God and one for the Goddess); a flat centerpiece for focus (usually a geometric symbol: pentacle, hexagram, lunar crescent, the zodiac ring, and so on); the wand; and if your family environment supports it, the athame.

If you have more space and plenty of privacy, you may wish to use the traditional altar setup use by most Wiccan practitioners when they first learn about the tools of the Craft of the Wise.

Goddess of the Day for 4/1 is My Lady Morrigan

Goddess of the Day

The Morrigu / Morrigan / Morgaine / Morganna (Irish, British)
Celtic Goddess of Water and Magic. Supreme War Goddess, Shape-shifter. Reigned over the battlefields, helping with her magic but did not join in the battles.  She is the Crone aspect of the Goddess. Great Mother; Moon Goddess; Queen of the fairies. In her dark aspect, her symbol is then the raven or crow.  She is the Goddess of war, fate, death; she went fully armed & carried two spears. Goddess of rivers, lakes & fresh water. Patroness of priestesses & witches. Revenge, night, magic, prophecy. A Triple Goddess made of three largely autonomous Goddesses. Their names vary, but they are usually called Macha, Badb and Nemain. Morgan was said to be married to Merlin, and it was from him she learned her magic. She was also doubled with The Lady of the Lake.

Who is Hecate? Insight into the Goddess of the Witches

Who is Hecate? Insight into the Goddess of the Witches

Author: Helena Domenic

Who is it that we think of when we think of the Goddess Hecate? Is she the Goddesses to whom the three Wyrd sisters in MacBeth cry to? Is she a fearsome creature who aids in cursing as in Medea? From Appolonius Rhodius we get this description:

“…. Hearing from the utmost depths, the dread Goddess approached … all entwined with fearsome serpents and leaves of oak, amidst a shimmering blaze of torchlight, while all around her chthonic hounds bayed shrilly, all the meadows trembled at her footfall and the nymphs of the marshland and river cried aloud.”

A review of all the literature surrounding Hecate yields very conflicting images of Hecate. Early sources from as early as the seventh century BCE present a very different Hecate then the one described by Appolonius Rhodius. In Pre-Classical Greece, she was portrayed as a young woman in a long robe holding burning torches. Later, we find the triple formed statues – three female figures back to back. These statues were found at temple entryways and crossroads – facing three different ways so she could see in all directions.

Evidence from nearly every century can be found that presents a much gentler image of Hecate – a beneficent Deity who guarded gateways, acted as Divine Attendant to Persephone, one who presided over birth and death as well as personal interaction between humans and deities. In the Chaldean Oracles, Hecate is viewed as being synonymous with Soul and considered the Savior of humanity as she acted as intermediary between humanity and the Divine in the crossover point between life and death.

The earliest references to Hecate can be found in Hesiod’s Theogony>/I> where she shares special honors with Zeus and in Homer’s Hymn to Demeter where she hears Persephone’s abduction from her cave and assists Demeter and Persephone both.

Somehow through time, Hecate has received a very unfair bad rap. One thing that can be said for Greek cosmology is that if a Deity presided over a particular area – say birth and death – then they presided over all aspects – positive and negative – of that area. If a Goddess could heal, then it followed that she could also curse. All of the attributes associated with Hecate evolved through time from the Pre-Classical era into the late Classical era, and now she has been adopted once again by modern Neo-Pagans.

One theory of Hecate’s origin places her in Karia – actually in the hinterlands of Asia Minor and the homelands of Hesiod’s family. One theory of Hecate’s preeminence alongside Zeus in the Theogony is that Hesiod created her importance and prominence for personal reasons. (Although from the research I’ve done, I disagree with this) . Hesiod actually only mentions Hecate once – perhaps there may have been no special attachment to Her, and he only placed her in the Theogony to acknowledge his own origins.

The Theogony was not written until the 8th century BCE – knowledge and worship of Hecate was not prevalent until the 6th century BCE. Looking closely at all the evidence – both literary and archeological – presents us with a very complex Goddess of incredible depth.

As I’ve noted, there is a great deal of debate over Hecate’s true nature, from her nation of origin to her genealogy. In Hesiod’s Theogony, she is, among other things, the daughter of the Titans Asteria and Perses; she is honored by Zeus above all others; is invoked at every sacrifice; and bears the title of “Kourotrophos” – nurse to all living beings. This version of Hecate does not bear great resemblance to later versions of her – and the absence of better known traits such as torch bearing and guardianship of the crossroads – have led some scholars to believe Hesiod fabricated the whole thing for his own ends (i.e., bringing favor and honor to his hometown Karian Goddess) . Bacchylides has her as daughter of Asteria and Zeus, Euripides says she is a daughter of Leto, and Thessalian legend has it she is the daughter of Admetus and a mortal woman.

In the Chaldean oracles, Hecate has many interesting attributes that are only now being fully explored by Classical Scholars. According to Sarah Iles Johnston, “She ensouled the Cosmos and the individual men within it, forming the connective boundary between man and god as could lead eventually to the individual soul’s release. She was celestial and potentially beneficent, rather than chthonic and threatening.”

What makes Hecate so interesting are these changing attributions – whether in reference to her origins or her magickal aspects – she changed as different regions and groups adopted her worship. No Greek clan or tribe ever claimed descent from Hecate, which makes good the case she originated outside of Greece.

As mentioned before, it is likely Hecate came from Karia in southwest Asia Minor, and she was incorporated into Greek mythology around the 6th century BCE. Hecate has also been connected with the Egyptian frog goddess Heqit. In pre-dynastic Egypt, the matriarch and wise woman of the tribe was called the “Heq” which echoes the attribution of Hecate to childbirth later on. An Asian name which may have been confused with Hecate is Hekabe – the wife of King Priam of Troy.

Aristophanes and Euripides have both connected her with Hecate. Perhaps more likely is a connection to a Goddess named Hepat. Hepat was a major Goddess of the Hurrians, a Bronze Age people of eastern Asia Minor who would have had contact with the Karians.

Hecate’s name also has several possible meanings. Among them ‘She who works her will’ is most commonly accepted, but also the ‘far off one’ or ‘far darting one’ are also suggested. She has had a variety of titles attached to her name which seem to extend its meaning:

Antaia: to whom one makes supplication.

Propylaia: Guardian of Gateways – Aischylos writes of ‘Lady Hecate, the one before the doors.’ Aristophanes refers to “just as a Hekataion is everywhere before doors.”

In this form, the boundary serves three purposes: 1) to establish a boundary and to protect inside from outside; 2) helping travelers setting out or returning; and 3) to watch over the actual transition that the entrance entails.

Apotropaios: Averter of Evil

Kleidouchos: Key holder (Is she the Key Master? Oops, sorry for the tacky Ghost Busters reference) .

Kourotrophos: Nurse, possibly referring to a nurse of child rearing, not necessarily involved in childbirth. Many Goddesses who bore this title were specifically associated with a city. Hecate is the oldest known Kourotrophos, which is where the association ‘Nurse of all living things’ comes in. There is also a possible connection with this title to marriage, as Hecate presided over transitions, and marriage most definitely is a transition.

Goddess of Roads: protector of travelers at crossroads where her statues were erected.
Goddess of Transitions: Hecate helps people cross difficult boundaries of all sorts, where the significance or risk lies in the crossing.

In the Theogony, she is the intermediary link between the mortal and immortal world during sacrifices. Hecate is present at Persephone’s abduction and leads her back from the Underworld. She is also associated with young women who fail to make the transition to womanhood.

Hecate Propolos: Guide and companion. In the Hymn to Demeter, Hecate becomes Persephone’s Guide. She appears in this role on a number of artworks and vases, usually bearing torches. She may also have served an initiatory role in coming of age rituals for women.

Hecate Phosphoros: Light Bringer, Torch Bearer.

Hecate as Moon Goddess: She was sometimes paired with Helios, a Sun God, and her torches show the way at night.

Hecate Soteira: Hecate as Savior of both the Cosmos and the individual souls within it. This will be examined in more detail a little later.

Another derivation of Hecate’s name, “Most Shining One” can be seen in depictions of her as a young beautiful Goddess who carries torches and wears a head dress of stars. She has been associated with both Helios and Apollo – and Apollo sometimes bears the epithet Apollo Hekatos.

Although the Olympians adopted Hecate after defeating the Titans, she never lived among them. They dwelt in Olympus. She, on the other hand, was considered a chthonic deity – that is, of the earth. In the Theogony, Zeus gives her dominion over Heaven, Earth, and Sea, and with Zeus, she had the ability to grant or withhold gifts to humanity. Interestingly, in the Demeter/Persephone myth cycle, Hecate is always the Maiden, Persephone the Wife or Mother, and Demeter the Crone. This is just one example of Hecate’s function as a Triple Goddess. There is evidence that point to her being honored in the Rites of Eleusis – possibly in her aspect as Guide or Nurse.

Hecate’s best-known role in Greek myth is in Homer’s Hymn to Demeter. After Persephone is abducted by Hades, Hecate reveals the truth to Demeter, and together they try to rescue Persephone. Home says of Hecate, “Hecate, with the bright headband, who heard from her cave.” Once Persephone’s fate is determined, it is Hecate who acts as her guide between the worlds. This is very much a different image from the one that later developed.

In the fifth century BCE, we begin to see a new, frightening side to Hecate. She is associated with restless, violent spirits, with sacrifices of dogs and offerings of food left at the Crossroads at the Full Moon. Now she is Hecate Chthonia. Chthonic means “of the Earth” as opposed to the Olympian Gods who lived on Mount Olympus. In this aspect, we see the use of low altars on which offerings are made into the earth as opposed to the air; also the sacrifice of whole animals. Chthonic deities would have been associated with fertility, childbirth, crops, fate and death.

Another later aspect is Hecate Enodia, Hecate at the Crossroads. How did Hecate begin to be associated with the darker aspects? It is possible that there so many images of young, maidenly Goddesses that some artists felt compelled to depict her in a different way – hence the three Hecates back to back, which we see in the Hekataion statues. It was also not unusual for Greek Gods and Goddesses to have many inconsistent qualities.

The stories of Medea may have propagated a negative image of Hecate. In Euripides’ version of the tale, Medea was a priestess of Hecate – she had helped Jason get the Golden Fleece and was subsequently dumped for someone younger. She kills their children in revenge. A misogynistic concept around witches and women was built up around these stories, and around Hecate.

Another story associated with Hecate is that of Iphigenia – a young woman sacrificed by her step-father, Agamemnon at the outset of the Trojan War. Young women who died before their time were associated with Hecate, and Iphigenia is said to have been transformed into Hecate by Artemis. Hecate governs the souls of these young women who die before their time.

An epitaph from the Roman era reads, “I lie here, the Goddess Hekate, as you see. Formerly I was mortal; now I am immortal and ageless. Julia, daughter of Nikias, a great hearted man.” Perhaps because of her association with dead young women, Hecate became associated with the restless, angry dead.

As an aside, Greek mythology can be confusing in that deities can be both Chthonic and Olympian. Hecate is actually both, as are Hermes, Demeter, Zeus, and Gaia. She hears Persephone’s abduction from her cave, after all.

In later Classical times, Hecate became associated with a practice known as curse tablets. These were lead tablets inscribed with curses, which were to be taken by the dead souls to deities such as Hecate and Hermes. Most of these tablets are associated with Hermes, but Hecate is also called upon by some of them. Interestingly, her name never appears alone on these tablets – it is always in association with Hermes.

The rise of thought involving Hecate as a Savior figure came during a time when philosophy and religion were finding more common ground than previously, and Neo-Platonists became involved in discussions of theurgy, philosophy and magic. In her identification of the Platonic Cosmic Soul, some scholars have interpreted Her presence in the Chaldean Oracles as an omnipotent Goddess.

Hecate as Cosmic Soul comprised what the Platonic philosophers called the “Sensible World” – the world of the Gods and the Cosmos – and the “Intelligible World” – the world of humanity, and as such was able to cross both boundaries at will. It was thought that the Cosmic Soul generated the physical Cosmos. (Although stated explicitly in any literature I have come across, this aspect of Hecate does suggest a Creatrix of some sort at the very least) . This ability of Hecate to cross easily between the world of the Gods and the world of humanity does connect well to her earlier association with crossroads.

Platonic thought placed the Moon at the crossroads of life and death – that is, when humans died, they were thought to enter the Moon as an intermediary place before going on to their ultimate destination – either re-birth or joining with the godhead. Chaldean thought placed Hecate as being on or in the Moon as part of that intermediary process – she was called the Mistress of the Moon. Again, in this particular connection between Hecate and the Moon, we see her association as mediary between humanity and divinity. Plato saw the Moon as Hecate’s “lot” – that is – the place in the Universe most suited to her. The Moon’s role in Platonic thought was to receive and nurture and then send forth souls.

Hecate was also connected to the race known as “Daemones” – not demons as we know them today, but a golden race somewhere between the Divine and humanity that watched over humans. Traditionally, daemons were understood to be the souls of humans who had not had proper burials, and as such, wandered between the worlds – an attribute they shared with Hecate. These souls were assigned the task of watching over the recently dead and guiding them to their proper resting places. These souls, along with Hecate, could either aid the ascent, or force the descent of the recently departed.

Another interesting component to Hecate’s worship during this time was the use of the “Hecate top, ” or iynx wheel. This instrument was used in magic to aid the working at hand. A Hecate top was actually more like a bullroarer, and the sound it made while being operated was considered crucial to the success of the operation.

Iynges might also be found hanging from the ceiling around a king’s throne to symbolize man’s separation and subordination to the gods, as well as the division of the universe into human and divine portions. The revolutions of the iynges represent the turnings of Hecate herself – the whirling and sounds of an iynx serve to symbolize and strengthen the sympathetic magic invoked by the theurgist.

Hecate was involved in three major mysteries: at Eleusis, Samothrace, and Aiginia. By their nature, little has been revealed of what went on in the mysteries, but given the role in the story of Demeter and Persephone, Hecate may have been a guide to Initiates. At Eleusis, thick nails were driven into the ground or altar, piercing through a piece of parchment rolled into a flattened tub, on which was written the name of someone to be cursed – most commonly politicians. Hecate was to be invoked as the parchment was ritually burnt. Hecate had a great deal more associated with her then curses, however. There were a variety of animals that were sacred to her.

The animal most commonly associated with Hecate was the dog. In the later Hellenistic and Roman works, Hecate’s approach is heralded by the barking of dogs. Dogs have a bad reputation in Greek mythology – they were considered polluted and impure, symbols of shameless behavior. There may have been an old belief that souls of the unburied dead could appear as dogs. Dogs were sacrificed to Hecate in purification rituals. A female dog would be sacrificed to aid in childbirth, in the belief that dogs gave birth with ease. The image of these sacrificed dogs may explain the later picture of ghostly dogs accompanying Hecate.

The image of dog as guardian – a much more positive association – echoes Hecate’s role as guardian. Plutarch wrote that dogs as well as Hecate were credited with excellent night vision. Aischylos and Plutarch both wrote about dogs barking to frighten intruders, but how they were loving and loyal to those they protected.

There were also herbs attributed to Hecate. Aconite (also known as Hecateis, Monkshood, or Wolfsbane) was a highly poisonous plant that was sacred to Hecate. According to myth, the plant sprang up where drops of saliva from Cerberos fell to earth when Hercules dragged the dog beast from the Underworld.

Hecate appears as a daughter of Zeus and Hera in later myths. Hecate was sent to the Underworld after incurring the wrath of Hera for stealing a pot of rouge for Europa, one of Zeus’ lovers. Hecate fled to earth and hid in the house of a woman who had just given birth. In late Classical Greece, childbirth was impure, so Cabiri plunged Hecate into the Underworld River Acheron to cleanse her. From then on, Hecate remained in the Underworld. There may be connections between the red rouge in this myth and the red henna used by worshippers to stain their hands and feet.

In the Aeneid, Aeneas travels to the Underworld with the Sibyl of Cumae. It was Hecate who originally took Sibyl there and showed her all the punishments of Tartarus. Hecate gave Sibyl the power to control the Avernus Wood, the passageway to the entrance of the Underworld. To allow passage for Aeneas, Sibyl sacrificed four black bullocks to Hecate, who then allowed Sibyl and Aeneas passage through the entrance and across the Styx.

In the fourth book of the Aeneid, Hecate is invoked by Dido. Aeneas had left her heart broken, so she called upon Hecate to curse the Trojans before she flung herself on her dagger. Her curse was effective; not only did the Trojans wander around for many years, when they finally reached Rome, Aeneas was killed in the fighting.

Athenians were especially respectful towards Hecate and she was often invoked in midnight rituals. Her worshippers gathered at crossroads at the New Moon to share Hecate suppers and then placed leftovers outdoors as offerings. Honey, black female lambs and dogs were sacrificed to her.

The yew, cypress, hazel, black poplar and willow are all sacred to Hecate. The leaves of the black poplar are dark on one side, and light on the other, symbolizing the boundary between the worlds. The yew has long been associated with the Underworld. It is the longest living creature in Europe and naturally resurrects itself – as the central trunk dies, a new tree grows within the rotting core.

As can be seen from ancient writings and modern scholarship, Hecate is a many-faceted Goddess indeed. She is much more than the dark, dreaded “Goddess of the Witches” that we see in some television accounts of Wicca, and indeed, she may be older than the Greco-Roman origins she is usually attributed with.

However modern media may choose to paint Her, She is indeed a true “Goddess of the Witches”, a complex and interesting Goddess with many stories and rituals yet to be told and created.

 


Footnotes:
SOURCES:
Johnston, S. I. (1990) . Hekate Soteira: A Study of Hekate’s Roles in the Chaldean Oracles and Related Literature. Atlanta: GA: Scholars Press.

Von Rudolf, R. (1999) . Hekate: In Ancient Greek Religion. Victoria, B.C: Horned Owl Publishing.
 

Today Is: Moon Day

Today Is: Moon Day 

 
Energy: Female Ruler: The Moon – Rules emotions, protection, healing, and women’s mysteries – Use for magick involving the subconscious, healing, emotions, love, spirituality, healing wounds, children, small animals, women’s mysteries, the female side of men, mothers, sisters, female partners, wives, instincts
Today’s Magickal Influences: Agriculture, Domestic, Long Life, Medicine, Travels, Visions, Theft
Today’s Goddesses: Luna, Selene, Diana, Re, Gaelach, Ida, Artemis [Whom The Greeks Associated With Bast], The Witches, Yemaya, Erzulie, Bast
Incense: Myrtle
Perfumes: White Poppy, White Rose, Wallflower
Color of The Day:   Silver, Grey, White
Colors for Tomorrow: Red
Lucky Sign:  Monday Is The Lucky Day For The Sign of Cancer
Candle: White
Cooking on Monday will improve magics for creativity, insight, maternal nature, and goddess-related efforts. ~Quote from Magickal Martha

The Goddess Companion

The Goddess Companion

 

The law of the season becomes
the law of religion. According to that law,
the day born of this night is sacred. 
for on this day offerings are made
that dedicate all ships to me.
As this day dawns, the storms of winter
lose their strength. The surging waves
grow calm. The sea is a highway once again.
Go through this day with a mind not clouded
by worry over the past or fear of futures
that have not yet come to be.
~The Goddess Isis, speaking in Apuleius’ The Golden Ass
 
Although Isis was originally an Egyptian Goddess, her worship spread to Rome during imperial times. There she was honored as the Goddess of the sea, Stella Maris, Each year at this time, all the boats that would ply the waters during the summer were blessed in lavish festivals. The Goddess was invoked to keep the sea-farers safe and to bring the goods they sought safely back to port.
 
We too are sailors, navigating the oceans of our lives, often buffeted by storms and gales. We leave the safe harbour of our homes each day to travel in search of the goods we need to survive. Yet we have no seasonal festivals that bless our voyages. Taking time to ask for the kindness and protection of the Goddess as we move through the day is a small ritual, but one that can sustain us as we travel.

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By Patricia Monaghan