Deity of the Day for February 16 is Maia, Greek Goddess of Spring

Deity of the Day

Maia

Goddess of Spring represented the forces of growth and the return of the warm rays of the sun

 

Maia in ancient Greek religion, is one of the Pleiades and the mother of Hermes.

Maia is the daughter of Atlas and Pleione the Oceanid, and is the eldest of the seven Pleiades. They were born on Mount Cyllene in Arcadia, and are sometimes called mountain nymphs, oreads; Simonides of Ceos sang of “mountain Maia” (Maiados oureias) “of the lovely black eyes.” Because they were daughters of Atlas, they were also called the Atlantides.

Mother of Hermes
According to the Homeric Hymn to Hermes, Zeus in the dead of night secretly begot Hermes upon Maia, who avoided the company of the gods, in a cave of Cyllene. After giving birth to the baby, Maia wrapped him in blankets and went to sleep. The rapidly maturing infant Hermes crawled away to Thessaly, where by night-fall of his first day he stole some of his half-brother Apollo’s cattle and invented the lyre from a tortoise shell. Maia refused to believe Apollo when he claimed Hermes was the thief and Zeus then sided with Apollo. Finally, Apollo exchanged the cattle for the lyre, which became one of his identifying attributes.

As nurturer
Maia also raised the infant Arcas, the child of Callisto with Zeus. Wronged by the love affair, Zeus’ wife Hera in a jealous rage had transformed Callisto into a bear. Arcas is the eponym of Arcadia, where Maia was born. The story of Callisto and Arcas, like that of the Pleiades, is an aition for a stellar formation, the constellations Ursa Major and Ursa Minor, the Great and Little Bear.

Her name is related to μαῖα (maia), an honorific term for older women related to μήτηρ (mētēr) ‘mother’. Maia also means “midwife” in Greek.

Roman Maia
In ancient Roman religion and myth, Maia embodied the concept of growth,[11] as her name was thought to be related to the comparative adjective maius, maior, “larger, greater.” Originally, she may have been a homonym independent of the Greek Maia, whose myths she absorbed through the Hellenization of Latin literature and culture.

In an archaic Roman prayer, Maia appears as an attribute of Vulcan, in an invocational list of male deities paired with female abstractions representing some aspect of their functionality. She was explicitly identified with Earth (Terra, the Roman counterpart of Gaia) and the Good Goddess (Bona Dea) in at least one tradition. Her identity became theologically intertwined also with the goddesses Fauna, Magna Mater (“Great Goddess”, referring to the Roman form of Cybele but also a cult title for Maia), Ops, Juno, and Carna, as discussed at some length by the late antiquarian writer Macrobius. This treatment was probably influenced by the 1st-century BC scholar Varro, who tended to resolve a great number of goddesses into one original “Terra.” The association with Juno, whose Etruscan counterpart was Uni, is suggested again by the inscription Uni Mae on the Piacenza Liver.

The month of May (Latin Maius) was supposedly named for Maia, though ancient etymologists also connected it to the maiores, “ancestors,” again from the adjective maius, maior, meaning those who are “greater” in terms of generational precedence. On the first day of May, the Lares Praestites were honored as protectors of the city, and the flamen of Vulcan sacrificed a pregnant sow to Maia, a customary offering to an earth goddess that reiterates the link between Vulcan and Maia in the archaic prayer formula. In Roman myth, Mercury (Hermes), the son of Maia, was the father of the twin Lares, a genealogy that sheds light on the collocation of ceremonies on the May Kalends. On May 15, the Ides, Mercury was honored as a patron of merchants and increaser of profit (through an etymological connection with merx, merces, “goods, merchandise”), another possible connection with Maia his mother as a goddess who promoted growth.

Source:
Wikipedia

Deities Associated with Tuesday – The Morrighan, Celtic Goddess of War and Sovereignty

Beautiful Blessings

The Morrighan, Celtic Goddess of War and Sovereignty

In Celtic mythology, the Morrighan is known as a goddess of battle and war. However, there’s a bit more to her than this. Also referred to as Morrígu, Morríghan, or Mor-Ríoghain, she is called the “washer at the ford,” because if a warrior saw her washing his armor in the stream, it meant he was to die that day. She is the goddess who determines whether or not you walk off the field of battle, or are carried off upon your shield.

In later Irish folklore, this role would be delegated to the bain sidhe, who foresaw the death of members of a specific family or clan.

The Morrighan often appears in the form of a crow or raven, or is seen accompanied by a group of them. In the stories of the Ulster cycle, she is shown as a cow and a wolf as well. The connection with these two animals suggest that in some areas, she may have been connected to fertility and land.

In some legends, the Morrighan is considered a triune, or triple goddess, but there are a lot of inconsistencies to this. She often appears as a sister to the Badb and Macha.

In some Neopagan traditions, she is portrayed in her role as destroyer, representing the Crone aspect of the Maiden/Mother/Crone cycle, but this seems to be incorrect when one looks at her original Irish history. Some scholars point out that war specifically is not a primary aspect of the Morrighan, and that her connection to cattle presents her as a goddess of sovereignty. The theory is that she can be seen as a deity who guides or protects a king.

In modern literature, there has been some linking of the Morrighan to the character of Morgan Le Fay in the Arthurian legend. It appears, though, that this is more fanciful thinking than anything else. Although Morgan le Fay appears in the Vita Merlini in the twelfth century, a narrative of the life of Merlin by Geoffrey of Monmouth, it’s unlikely that there’s a connection to the Morrighan. Scholars point out that the name “Morgan” is Welsh, and derived from root words connected to the sea. “Morrighan” is Irish, and is rooted in words that are associated with “terror” or “greatness.” In other words, the names sound similar, but the relationship ends there.

Author
Patti Wigington, Paganism/Wicca Expert
Article published on & owned by About.com

Deities Associated With Friday – Aphrodite, Greek Goddess of Love

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Deities Associated With Friday – Aphrodite, Greek Goddess of Love

Aphrodite was the Greek goddess of love and sexuality. According to legend, she was born fully formed from the white sea form that arose when the god Uranus was castrated. She came ashore on the island of Cyprus, and later was married off by Zeus to Hephaistos, the deformed craftsman of Olympus. Despite being married to Hephaistos, Aphrodite took her job as a goddess of sexuality seriously, and had a multitude of lovers, but one of her favorites was the warrior god Ares.

At one point, Helios, the sun god, caught Ares and Aphrodite romping around, and told Hephaistos what he had seen. Hephaistos caught the two of them in a net, and invited all the other gods and goddesses to laugh at their shame… but they had none whatsoever. In fact, Aphrodite and Ares had a good laugh about the whole thing, and didn’t particularly care what anyone thought. In the end, Ares ended up paying Hephaistos a fine for his inconvenience, and the whole matter was dropped.

At one point, Aphrodite had a fling with Adonis, the young hunter god. He was killed by a wild boar one day, and some tales indicate that the boar might have been a jealous Ares in disguise.

Aphrodite had several sons, including Priapus, Eros, and Hermaphroditus.

In many myths and legends, Aphrodite is portrayed as self-absorbed and cranky. It would seem that like many of the other Greek gods, she spent a lot of time meddling in the affairs of mortals, mostly for her own amusement. She was instrumental in the cause of the Trojan War; Aphrodite offered Helen of Sparta to Paris, the prince of Troy, and then when he saw Helen for the first time, Aphrodite made sure he was inflamed with lust, thus leading to Helen’s abduction and a decade of war.

A festival was held regularly to honor Aphrodite, appropriately called the Aphrodisia. At her temple in Corinth, revelers often paid tribute to Aphrodite by having rambunctious sex with her priestesses. The temple was later destroyed by the Romans, and not rebuilt, but fertility rites appear to have continued in the area.

In addition to her association with the sea and shells, Aphrodite is connected with dolphins and swans, apples and pomegranates, and roses.

 

Author

Patti Wigington, Paganism/Wicca Expert
Article published on & owned by About.com

Deity of the Day for January 21 is Isis, Egyptian Goddess

Deity of the Day

Isis

Mother Goddess of Ancient Egypt

 

Mistress of Magic:

Isis (called “Aset” by the Egyptians), a daughter of Nut and Geb, is known in Ancient Egyptian mythology as a goddess of magic. Wife and sister of Osiris, Isis was originally considered a funerary goddess. After her resurrection via magic of Osiris, who had been killed by his brother Set, Isis was considered “more powerful than a thousand soldiers” and “the clever-tongued one whose speech never fails.” She is sometimes invoked as an assistant in magical rituals in some traditions of contemporary Wicca.

Her worship is also a focus of some Kemetic reconstructionist groups.

The Love of Isis and Osiris:

Isis and her brother, Osiris, were recognized as husband and wife. Isis loved Osiris, but their brother Set (or Seth) was jealous of Osiris, and planned to kill him. Set tricked Osiris and murdered him, and Isis was highly distraught. She found Osiris’ body within a great tree, which was used by the Pharoah in his palace. She brought Osiris back to life, and the two of them concieved Horus.

Depiction of Isis in Art and Literature:

Because Isis’ name means, literally, “throne” in the Ancient Egyptian language, she is usually represented with a throne as a depiction of her power.

She is often shown holding a lotus as well. After Isis was assimilated with Hathor, she was sometimes depicted with the twin horns of a cow on her head, with a solar disc between them.

Beyond Egypt’s Borders:

Isis was at the center of a cult that spread far beyond Egypt’s boundaries. The Romans were aware of the cult’s existence, but it was frowned upon by many of the ruling class. The emporer Augustus (Octavian) decreed that worship of Isis was forbidden as part of his attempt to return Rome to Roman gods.

For some Roman worshippers, Isis was absorbed into the cult of Cybele, which held bloody rites in honor of their mother goddess. The cult of Isis moved as far afield as ancient Greece, and was known as a mystery tradition among the Hellenes until it was banned by Christianity around the sixth century c.e.

Goddess of Fertility and Motherhood:

In addition to being the fertile wife of Osiris, Isis is honored for her role as the mother of Horus, one of Egypt’s most powerful gods. She was also the divine mother of every pharaoh of Egypt, and ultimately of Egypt itself. She assimilated with Hathor, another goddess of fertility, and is often depicted nursing her son Horus.

There is a wide belief that this image served as inspiration for the classic Christian portrait of the Madonna and Child.

Goddess of Magic:

After Ra created all things, Isis tricked him by creating a serpent which ambushed Ra on his daily journey across the heavens. The serpent bit Ra, who was powerless to undo the poison. Isis announced that she could heal Ra from the poison and destroy the serpent, but would only do so if Ra revealed his True Name as payment. By learning his True Name, Isis was able to gain power over Ra.

Goddess of Death and Rebirth:

After Set murdered and dismembered Osiris, Isis used her magic and power to bring her husband back to life. The realms of life and death are often associated with both Isis and her faithful sister Nephthys, who are depicted together on coffins and funerary texts. They are usually shown in their human form, with the addition of the wings that they used to shelter and protect Osiris.

Isis for a Modern Age:

Isis and Gardnerian Wicca

The Order of the Golden Dawn, founded by William Robert Woodman, William Wynn Westcott, and Samuel Liddell MacGregor Mathers, recognized Isis as a powerful triple goddess. Later, she was passed down to modern Wicca when it was founded by Gerald Gardner.

Kemetic Wicca is a variation of Gardnerian Wicca that follows an Egyptian pantheon. Some Kemetic groupsfocus on the trinity of Isis, Orsiris and Horus and utilize prayers and spells found the ancient Egyptian Book of the Dead.

Other Isiac Traditions

A number of contemporary Pagan traditions have adopted Isis as their patron Goddess and she is often found at the heart of Dianic Wiccan groups and other female-centered covens. Although modern Wiccan worship does not follow the same structure as the ancient Egyptian ceremonies that were once used to honor Isis, today’s Isiac covens incorporate Egyptian lore and mythology into a Wiccan framework, bringing the knowledge and worship of Isis into a contemporary setting.

In addition to these widely recognized traditions, there are countless eclectic Wiccan groups throughout the world that have selected Isis as their deity. Because of the strength and power displayed by Isis, spiritual paths that honor her are popular among many Pagans and Wiccans who are seeking alternatives to traditional patriarchal religious structures. Worship of Isis has seen a resurgence as part of the “Goddess-oriented” spirituality that has become a notable part of the New Age movement.

 

Author

Paganism/Wicca Expert

Article published on & owned by About.com

Deity of the Day for January 16th is Morrigan

Deity of the Day

Morrigan

 

Areas of Influence: The Goddess Morrigan represented the circle of life, she was associated with both birth and death.

 Her name means great queen or phantom queen. It is spelt in several different ways including Morrigu, Morgane, Morrighan and Morgan le Fay in the Arthurian legends.

She is one of the triple Goddesses, her different aspects are represented by Anu (the fertility maiden), Badh (the boiling mother cauldron) and either Macha (the death crone) or Nemain.

Morrigan is also a water Goddess, ruling over rivers and lakes. In one myth she appears as an old washer woman at the ford and offering her love to Cu Chulainne. He failed to recognize Morrigan on this occasion and on several others. Enraged she threated to hinder him in battle, when he is killed as a result of this she appears on his shoulder as a crow.

This Goddess also grants monarchs the power of sovereignty.

Origins and Genealogy: I can find no mention of her parentage but in some myths she was said to be the consort of Dadga

Morrigan was also one of the Tuatha de Danann (The tribe of the Goddess Danu). She protected her people by blowing a fog over the land, the lack of visibility discouraged invading armies.

Strengths: Fearsome and strong.

Weaknesses: She is vindictive, killing the person she loves when he fails to recognize her.

Goddess Morrigan’s Symbolism

As a symbol of death the Goddess Morrigan is linked with the festival of Samhain.

Sacred Bird: Crows and ravens.

Sacred Plants: Mugwort, yew and willow.

Morrigan’s Archetypes

The Celtic Goddess Morrigan has several powerful archetypes.

Shape-Shifter:

The Shape Shifter has the ability to change her physical appearance. They are also able to adapt easily to different environments by altering there behavior.

Shadow Shape shifter is fickle, lacking conviction and constantly reinventing themselves, like politicians trying to appeal to more people.

Morrigan is a bird Goddess who shape-shifts into the form of a hooded crow and a washer woman at the ford.

The Crone:

The Crone represents the wise old woman whose child bearing days are behind her. Other associations with this Archetype include: compassion, transformation, healing and bawdiness death and endings. She is the respected older woman or grand-parent at the heart of family who enjoys life and sharing her experience.

Unfortunately the word Crone or Hag often has negative connotations as many wise woman and midwives were persecuted as witches in the middle ages.

Shadow Crone is the bitter, old woman who has failed to learn from her life. She blames all her failings and unhappiness on a society that no longer respects the elders. As a result she becomes increasingly isolated and fearful.

The Warrior:

Warrior represents physical strength, and the ability to protect and fight for your rights and those of of others.

Whilst the shadow side of the Warrior reflects the need to win at all costs, abandoning ethical principals to prove your supremacy.

As the battle Goddess she appeared on the battlefield in the form of a crow and returned later to feed on the dead.

How to Work With This Archetype

The Shape-Shifter: A useful Goddess Archetype to have if you need to be flexible or perform lots of different roles.

The shadow side asks whether your chameleon like tendencies reflect a deep insecurity and inability to commit to any particular path.

The Crone: This maybe one of your Archetypes if you have gained wisdom, learning from your mistakes and showing a willingness to adapt to changing circumstances.

You are experiencing the Crone’s shadow if you have become rigid in your beliefs and have become stuck in a rut having lost all ability to let those areas of your life go that no longer serve you.

The Warrior:

If you are drawn to work with this Goddess you may require her Warrior spirit to help you to stand up for your rights and set firm personnal boundaries. This Goddess can be a great stereotype to work with if you want to take control in your life, and wish to no longer play the role of the victim.

You may also wish to call upon this Goddess to champion the cause of others.

Conversely this Goddess may appeal to you if you have a very strong sense of self and are proud of the victories you have achieved. The shadow side of this Goddess may be asking you to reflect honestly on the cost of these victories. Have they been at the expense of others or your principles?

 

Goddess-Guide.com

Deity of the Day for January 16th is Artemis

Deity of the Day

 

Artemis

Greek Goddess of the Hunt, Forests and Hills, the Moon, Archery

Artemis is known as the goddess of the hunt and is one of the most respected of all the ancient Greek deities. It is thought that her name, and even the goddess herself, may even be pre-Greek. She was the daughter of Zeus, king of the gods, and the Titaness Leto and she has a twin brother, the god Apollo.

Not only was Artemis the goddess of the hunt, she was also known as the goddess of wild animals, wilderness, childbirth and virginity. Also, she was protector of young children and was know to bring and relieve disease in women. In literature and art she was depicted as a huntress carrying a bow and arrow.

Artemis was a virgin and drew the attention and interest of many gods and men. However, it was only her hunting companion, Orion, that won her heart. It is believed that Orion was accidentally killed either by Artemis herself or by Gaia, the primordial goddess of the earth.

In one version of the stories of Adonis – who was a late addition to Greek mythology during the Hellenistic period – Artemis sent a wild boar to kill Adonis after he continued to boast that he was a far greater hunter than her.

Facts about Artemis

  • Artemis was daughter of Zeus and Leto and twin sister of Apollo.
  • According to one source, Artemis was born a day before Apollo. She then served as a guardian to him, which provided a context for her desire to protect and nurture.
  • She was primarily a virgin huntress, goddess of wildlife and patroness of hunters.
  • The bear was sacred to her.
  • She guarded her virginity carefully. Actaeon and Orion tried to dishonor or rape her, but anyone who threatened her purity met with a violent end.
  • She was an important goddess in the lives of women, especially when it came to marriage and young creatures.
  • When one of her nymphs was seduced by Zeus, Artemis transformed her into a bear and then killed her.
  • She was sometimes associated with the goddess of the moon.
  • Artemis acted out in anger whenever her wishes were disobeyed, especially if anyone transgressed against the animals that were sacred to her.
  • She punished Agamemnon, for example, when he killed a stag in her sacred grove.
  • Artemis appealed to Zeus to grant her eternal virginity.
  • Apollo and Artemis teamed up to kill the children of Niobe. Niobe bragged that she had birthed more children than Leto (the mother of Apollo and Artemis). The twins then hunted her children and killed them with their bows and arrows.
  • Artemis was worshipped widely in Greece but only as a secondary deity.
  • A temple built in her honor became one of the “Seven Wonders of the Ancient World.”
  • At least two festivals were celebrated in her honor of Artemis: Brauronia and the festival of Artemis Orthia.
  • Homer referred to her as a mistress of wild animals.
  • Artemis spent most of her time roaming the forests with her nymphs. She was described as both hunting animals and protecting them.
  • She armed herself with a bow and arrows made by Hephaestus and Cyclops.
  • In art, Artemis is often accompanied by a stag or hunting dog.
  • She is the protector of chastity and a nurturer of the young.

 

Source:
Artemis: http://greekgodsandgoddesses.net – Greek Gods & Goddesses, September 19, 2014

Deity of the Day for January 16th is Hecate, Goddess of the Witches

Deity of the Day

Hecate

 

Hecate, Greek goddess of the three paths, guardian of the household, protector of everything newly born, and the goddess of witchcraft — once a widely revered and influential goddess,  the reputation of Hecate has been tarnished over the centuries. In current times, she is usually depicted as a “hag” or old witch stirring the cauldron.

But nothing could be further from the image of Hecate’s original glory.

A beautiful and powerful goddess in her own right, the Greek goddess Hecate was the only one of the ancient Titans who Zeus allowed to retain their authority once the Olympians seized control. Zeus shared with Hecate, and only her, the awesome power of giving humanity anything she wished (or withholding it if she pleased).

Usually classified as a “moon goddess”,  her kingdoms were actually three-fold . . . the earth, sea, and sky. Having the power to create or withhold storms undoubtedly played a role in making her the goddess who was the protector of shepherds and sailors.

A lover of solitude, the Greek goddess Hecate was, like her cousin Artemis, a “virgin” goddess, unwilling to sacrifice her independent nature for the sake of marriage. Walking the roads at night or visiting cemeteries during the dark phase of the moon, the goddess Hecate was described as shining or luminous.

In other legends she is invisible, perhaps only glimpsed as a light, a “will-o-the-wisp”.  Perhaps it was this luminous quality that marked Hecate as a “moon goddess”, for she seemed quite at home on the earth.

Some scholars believe it is also was because her mother was Asteria (the Titan goddess of the Shining Light or “Star”) or perhaps it was because she sensibly always carried a torch on her journeys.

Like Artemis, Hecate was usually depicted with her sacred dogs, although Hecate and even her animals, were sometimes said to have three heads and that they could see in all directions. Although usually depicted as a beautiful woman having three human heads, some images are fearsome indeed (one with a snake’s head, one with a horse’s, and the third a boar’s head).

This farsightedness, the ability to see in several directions at once (even the past, present, and future) featured largely in her most famous myth, the abduction of Persephone.  For it was the goddess Hecate who “saw” and told the frantic Demeter what had become of her daughter.

The goddess Hecate continued to play an important role in the life of Persephone, becoming her confidante when she was in the Underworld. Hades, thankful for their friendship, was more than hospitable, honoring Hecate as a prominent and permanent guest in the spirit world. Surely this had the effect of enhancing her reputation as a spirit of black magic with the power to conjure up dreams, prophecies, and phantoms.

Hecate’s ability to see into the Underworld, the “otherworld” of the sleeping and the dead, made her comfortable and tolerant in the company of those most would shun out of fear or misunderstanding.

In her role as ‘Queen of the Night’, sometimes traveling with a following of  “ghosts” and other social outcasts, she was both honored and feared as the protectress of the oppressed and of those who lived “on the edge”.  In Rome many of the priests in her sacred groves were former slaves who had been released to work in her service.

The goddess Hecate was often accompanied on her travels by an owl, a symbol of wisdom. Not really known as a goddess of wisdom, per se, Hecate is nevertheless recognized for a special type of knowledge and is considered to be the goddess of trivia.

Hecate’s farsightedness and attention to detail, combined with her extraordinary interest in that which most of us discount as irrelevant or arcane, gave her tremendous powers.

She knew what the rest of us did not.

Not surprisingly, the people thought it best to give the goddess Hecate (and any friends that might be accompanying her) a lot of honor and a fairly wide berth. When darkness descended they wisely retired to the fireside for supper, but put the leftovers outside as an offering to Hecate and her hounds.

That the homeless and destitute were often the actual beneficiaries hardly mattered…after all, they were under Hecate’s protection.

In a similar fashion, food was often left at the crossroads to honor Hecate, especially at junctions where three roads converged –what we often call a “Y-intersection”.

Frequently a pole was erected at the intersection and three masks would be hung from it to pay homage to Hecate and to request her guidance in helping to choose the right direction.

Three-faced masks also adorned the entrances of many homes, honoring the goddess Hecate who could, of course, wield her influence over “the spirits that traveled the earth” to keep them  from entering the household.

It is hardly surprising that a woman who needed to make a trip alone at night would say a brief prayer to Hecate to seek her protection. The goddess Hecate, like her cousin Artemis, was known as a protector of women, especially during childbirth.

Not only was Hecate called upon to ease the pains and progress of a woman’s labor, but especially to protect and restore the health and growth of a child.

Similarly, Hecate played a role that, in contemporary times, we would describe as “hospice nurse”, helping the elderly make a smooth and painless passage into the next life and staying with them, if need be, in the otherworld to help prepare them for their eventual return to the earth in their next life.

Familiar with the process of death and dying as well as that of new birth and new life, the goddess Hecate was wise in all of earth’s mysteries.

The Greek goddess Hecate reminds us of the importance of change, helping us to release the past, especially those things that are hindering our growth,  and to accept change and transitions. She sometimes asks us to let go of what is familiar, safe, and secure and to travel to the scary places of the soul.

New beginnings, whether spiritual or mundane, aren’t always easy. But Hecate is there to support and show you the way.

She loans her farsightedness for you to see what lies deeply forgotten or even hidden, and helps you make a choice and find your path. Oft times she shines her torch to guide you while you are in dreams or meditation.

Hecate teaches us to be just and to be tolerant of those who are different or less fortunate, yet she is hardly a “bleeding heart”, for Hecate dispenses justice “blindly” and equally.

Whether the Greek goddess Hecate visits us in waking hours or only while we sleep, she can lead us to see things differently (ourselves included) and help us find greater understanding of our selves and others.

Although her name may mean “The Distant One”, Hecate is always close at hand in times of need, helping us to release the old, familiar ways and find our way through new beginnings.

 

 

Source:

Goddess Gift

 

Deity of the Day for January 15th is Feronia

Deity of the Day

Feronia

In ancient Roman religion, Feronia was a goddess associated with wildlife, fertility, health and abundance. She was especially honored among plebeians and freedmen. Her festival, the Feroniae, was November 13, Ides of November, during the Ludi Plebeii (“Plebeian Games”), in conjunction with Fortuna Primigenia; both were goddesses ofPraeneste.

Origins and functions

Varro places Feronia in his list of Sabine gods who had altars in Rome. Inscriptions to Feronia are found mostly in central Italy. She was among the deities that Sabinemoneyers placed on their coins to honor their heritage. She may have been introduced into Roman religious practice when Manius Curius Dentatus conquered Sabinum in the early 3rd century BC.

Many versions of Feronia’s cult have been supposed, and it is not quite clear that she was only one goddess or had only one function in ancient times. Some Latins believed Feronia to be a harvest goddess, and honoured her with the harvest firstfruits in order to secure a good harvest the following year.

Feronia also served as a goddess of travellers, fire, and waters.

In Vergil’s Aeneid, troops from Feronia’s grove fight on the side of Turnus against Aeneas. The Arcadian king Evander recalls how in his youth he killed a son of Feronia, Erulus, who like Geryon had a triple body and a triple soul; Evander thus had to kill him thrice. Erulus, whom Vergil identifies as king at Praeneste, is otherwise unknown in literature.

Georges Dumézil considers Feronia to be a goddess of wilderness, of untamed nature and her vital forces, but honoured because she offers man the opportunity to put those forces to good use in acquiring nurture, health and fertility. She fecundates and heals, therefore despite her being worshipped only in the wild she receive the firstfruits of the harvest, because she permits men to domesticate the wild forces of vegetation, favouring the transformation of that which is uncouth into that which is cultivated.

Thence her shrines were all located in the wild, far from human settlements. Two stories about her sanctuary of Terracina highlight the character of Feronia as goddess of the wilderness. Servius writes that when a fire destroyed her wood and the locals were about moving the statues to another location, the burnt wood turned green all of a sudden. Pliny states that all attempts at building towers in times of war between Terracina and the sanctuary of Feronia have been abandoned because all are without exception destroyed by lightningbolts. The goddess thus refused any continuity and linkage with the nearby town.

Her lucus at Capena was a place where everybody was allowed to come for worship and trade, attracting people from different nations, Sabines, Latins, Etruscans and other even from farther away, providing everybody with a neutral territory in which peace must not be perturbed.

Dumézil compares her to Vedic god Rudra: he is similar to Feronia in that he represents that which has not yet been transformed by civilization, he is the god of the rude, of the jungle, at one time dangerous and uniquely useful, healer thanks to the herbs of his reign, protector of the freed slaves and of the outcast.

Feronia though has only the positive or useful function of putting the forces of wild nature at the service of man. Her name reveals she is one of the Roman and Italic goddesses whose name is formed by a derivate terminating with the suffix -ona, -onia of a noun denoting a difficult or dangerous state or condition: the deity is a sovereign of that danger only to help man to best avoid damage or get the greatest advantage, such as Angerona for the angusti dies near the winter solstice. Her name is to be derived from a Sabine adjective corresponding to Latin fĕrus but with a long vowel, such as the cognate words in every Indoeuropean language (e.g. Greek θήρ, θήριον). Fĕrus means “not cultivated, untamed” (Thesaurus Linguae Latinae), “of the field, wood, untamed, not mitigated by any cultivation (Forcellini Totius Latinatis Lexicon) which fits the environment of the sanctuaries of Feronia and is very close to rudis, rude, root of the name of Vedic god Rudrá as well.

Festus’s entry on the picus Feronius of Trebula Mutuesca testifies the goddess had also prophetic qualities among the Sabines, as did the picus martius of Tiora Matiena ascribed to the Aborigines.

Cult sites

Feronia had a temple at the base of Mt. Soracte which was near Capena. The Lucus Feroniae, or “grove of Feronia” (Fiano Romano) was the site of an annual festival in her honour, which was in the nature of a trade fair. The place, in the territory of Capena in southwestern Etruria, was plundered of its gold and silver by Hannibal’s retreating troops in 211 BCE, when he turned aside from the Via Salaria to visit the sanctuary; later it became an Augustan colonia. Its status as a colony is recorded in a single inscription, copied in a manuscript of the rule of the Farfa Abbey as colonia Iulia Felix Lucoferonensis.

Another important site was near Anxur (Terracina, southern Latium), in a wood three Roman miles from the town, where Servius recorded a joint cult of “the boy Jupiter” (puer Iuppiter) under the name of Anxyrus and “Juno the Virgin” (Iuno virgo), whom he identifies as Feronia. According to another tradition, slaves who had just been freed might go to the shrine at Terracina and receive upon their shaved heads the pileus, a hat that symbolized their liberty.

Her temple in the Campus Martius, in what is now Largo di Torre Argentina, was probably located in a grove as well according to an inscription found on the site. It was established before 217 BCE. It may have been dedicated by Curtius Dentatus following his victory over the Sabines. His building program also included the Anio Vetus, a major new aqueduct, and a number of fountains near the temple. Feronia’s cults at Aquileia and Terracina were near springs that were used in her rites. The Augustan poet Horace speaks of the water (lympha) of Feronia, in which “we bathe our face and hands.”

The Feralia on February 21 is a festival of Jupiter Feretrius, not Feronia.

Freedmen and Libertas

Varro identified Feronia with Libertas, the goddess who personified Liberty. According to Servius, Feronia was a tutelary goddess of freedmen (dea libertorum).A stone at the Terracina shrine was inscribed “let deserving slaves sit down so that they may stand up free.” Livy notes that in 217 BC freedwomen collected money as a gift for Feronia. Some sources state that slaves were set free at her temple near Terracina.

 

Source:
Wikipedia

Roman Pantheon

Roman Pantheon

ANGERONA Goddess of secrecy. Angerone is portrayed with her mouth bound
and sealed, her finger raised to her mouth in a gesture of warning. The
ancients thought names powerful; the commonly known name of an
individual or a community was often not the real name at all, the real
name being a closely guard secret. Very probably the cult of Angerona
guarded the secret name of the city of Rome. Little else is known of
her.

ATTIS A god of vegetation, similar to Tammuz and Adonis. Imported
together with his mother Cybele from Persia. Driven mad by the deranged
love of his mother, Attis castrated himself under a pine tree. Attis’
priests were eunuchs.

BELLONA War goddess. Bellona’s priests were recruited from the
gladiators, and emissaries were received at her temple

CYBELE An Asian goddess adopted by the Greeks and Romans. A healer,
mistress of fertility and untamed nature, a protector in war. Cybele is
always accompanied by two lions. Cybele granted immortality to those who
worshipped her. Cybele’s priests danced wildly and mutilated themselves.
Her festivals, held at the beginning of spring, were occasions for wild
orgies.

FAUNA Goddess of fertility. Fauna’s festival, which seems to have been
quite an orgy, was open only to women, being strictly forbidden to men.

FAUNUS God of crops and herds. An oracle. Faunus’ temple, the Lupercal,
was supposed to have been the site where the she-wolf suckled Romulus
and Remus. Goats and dogs were sacrificed at his festival, the
Lupercalia, and priests dressed in newly skinned goat hides whipped
women who wished to become pregnant with whips made of goatskin.

FEBRUUS The Etruscan god of the underworld, later associated with Dis
Pater, the Latin equivalent of Hades. The month of the dead, February,
is named after him.

FIDES God of faithfulness.

FLORA Goddess of flowers and blooming plants. Usually shown with a
wreath of flowers in her hair. A favorite deity of courtesans, Flora’s
festivals were held in April and May.

FORTUNA Goddess of fate and chance. Fortuna’s statue was kept veiled,
because she was ashamed of the capriciousness of her favors. Fortuna is
represented by the sphere, the ship’s rudder, the cornucopia, and the
wheel. To this day, wheels of fortune can be found in casinos, and the
wheel on the tenth card of the Major Arcana is Fortuna.

GENIUS A guardian who protects both individuals and homes.

JANUS Guardian of entrances and exits, the opener of all things who
looks inward as well as outward, custodian of the universe. Janus’
two-faced image was usually displayed over doorways and gates. Janus
signifies both past and future wisdom. Janus is the god of beginnings,
so the first month of each year, the first day of each month, and the
first hour of each day are dedicated to him. Janus was the first god to
be mentioned in prayers, even before Jupiter.

LAR God of the house, a cheerful and beautiful youth.

MARS God of farming, war and springtime. Like the typical Roman citizen,
Mars was first a farmer and then a soldier. The wolf, the oak and the
woodpecker are sacred to Mars. Often identified with the Greek god Ares,
but the differences are more important than the similarities. For one
thing, the Romans liked Mars.

MITHRAS The god who dies and rises again, god of vegetation, the sun
god, the Savior who who redeems mankind from evil. A Roman version of a
Persian god. Especially popular among soldiers, Mithras was widely
worshipped throughout the Roman empire and gave Christianity a run for
its money. Mithras’ cult served a number of purposes and its
organization was highly complex. A temple of Mithras served as a social
club, a place of worship, a dramatic society, a magical society, an
officers’ club, and much more. The worshippers of Mithras conducted
elaborate ceremonies to which no woman was admitted. The worship of
Mithras emphasized correct behavior in this world, which was the only
way to win the favor of the god in the next. There were different
degrees of initiation into the cult, each degree having its own name:
the Crow, the Secret, the Soldier, the Lion, the Fathers and many more
on up to the King of Kings, which was open only to those of royal blood.
Initiates were placed under a grating upon which a bull had been
slaughtered and were drenched in its blood, signifying the emergence
from death to rebirth. Ceremonies generally took place in caverns or
rooms made up to look like caverns, and involved the wild beating of
drums, anointings with honey, the unveiling of hidden statues, and the
use of hallucenogenic drugs.

OPS Goddess of the harvest. Identified with the Greek goddess RHEA.

QUIRINIAS A mystery. Originally a war god of the Sabines, later a state
god of the Romans. One of the highest gods of ancient Rome, every bit as
important as Mars or Jupiter, yet almost nothing is known today of
Quirinias or his worship.

TELLUS MATER An ancient earth goddess. Pregnant cows were sacrificed on
her festival, April 15. Tellus is one of the very oldest gods, dating
back to the time before the Roman religion was formalized.

VESTA “The Shining One.” Goddess of domestic life and the hearth.
Worshipped privately in the home and publicly in Vesta’s temple. In the
home, Vesta lived near the hearth and was offered food and drink at
every meal. The Vestal Virgins served her, and (apart from mothers who
were allowed to bring offerings during festivals) were the only ones
allowed to enter her temple. The Vestal Virgins, chosen only from the
nobility, tended a sacred fire which was the symbol of the hearth of the
nation. A strict vow of chastity was imposed on the Virgins, and a
Virgin caught breaking the vow was walled up alive. In more than a
thousand years, only twenty women were so punished.

Egyptian Pantheon

Egyptian Pantheon

AMMON Also AMON; AMUN; AMEN “Hidden.” King of the gods of Egypt. Patron
of the Pharoahs. Originally a god of fertility, a local deity of
Memphis. Ammon became linked with the sun god Ra through the royal
family, becoming Ammon-Ra.

ANUBIS The jackal-headed god. Anubis can foresee a mortal’s destiny and
is associated with magic and divination. Anubis supervises the weighing
of the soul when the departed are brought to the hall of the dead.

ASTARTE The Assyro-Babylonian goddess Ishtar, inducted into the Egyptian
pantheon and made a daughter of Ammon-Ra. Sometimes identified (or
confused, which is the same thing) with Isis.

ATUM The first of the gods, the self-created. By sheer will, Atum formed
himself out of the stagnant waters of Nun. Atum was bisexual and was
sometimes called “the great He-She.” The Egyptians had two cosmogonies,
one taught by the priests at Heliopolis and the other by the priests at
Memphis. The priests at Memphis taught that Nun and Atum, together with
Atum’s children Shu and Tefnut, were aspects or forms of Ptah.

BAST Also BASTET. The cat-headed goddess, a local deity of the delta.
The kindly goddess of joy, music and dancing. Cats were sacred to Bast
as a symbol of animal passion. Bast’s devotees celebrated their lady
with processions of flower-laden barges and orgiastic ceremonies. Her
festivals were licentious and quite popular.

HATHOR A sky goddess, sometimes represented as a woman with cow’s horns
between which hangs a solar disc, sometimes portrayed as a cow. Hathor
concerns herself with beauty, love and marriage, and watches over women
giving birth. Mother and wife of Ra. Hathor is also a goddess of death
and offers comfort to the newly dead as they pass into the afterworld.

HORUS The falcon-headed god. A complex deity with many aspects. Some of
them are: Horus the Elder, a sky god whose eyes are the sun and the
moon, continually at war with Set, the god of evil; Horus of the
Horizon, symbolized by the rising and setting sun; Horus the Child,
whose frequent depictions as a baby at the breast of his mother Isis
influenced Christian images of the Madonna and the Christ child; Horus,
son of Isis, avenger of Osiris. There were many others.

ISIS Wife and sister of Osiris (the ancients had nothing against a
little divine incest). The ideal wife and mother. Generally a goddess of
the home and person rather than of the temple and the priest. After the
twenty sixth dynasty, Isis is increasingly portrayed as a nursing
mother, and her cult eventually spread throughout the Roman empire.

MAAT Goddess of truth and justice. Her symbol is the feather.

MIN A god of fertility and sexual potency. An ancient god of
pre-dynastic origins. His symbol is the thunderbolt. As orgiastic
festivials were held in his honor, Min was quite a popular god.

NUN God of the primal waters. Nun was a mass of stagnant water which
filled all the universe.

OSIRIS At first the god of corn; later the god of the dead. Osiris
brought civilization to the Egyptians, teaching them the uses of corn
and wine, weaving, sculpture, religion, music and law. Set slew Osiris
and dismembered th body; but Osiris’ consort, Isis, reassembled the body
and brought Osiris back to life. Osiris then retired to the underworld.
Osiris is the god of the Nile which rises and falls every year; the god
of corn and the vine, which flourish, die, and flourish once more; and
the god of the rising and setting sun.

PTAH The artificer. The creator god. According to the priests of
Memphis, the fount of all creation. God of artisans and artists,
designers, builders, architects, masons, metal workers. Ptah’s consort
is Sekhmut, goddess of war.

RA God of the sun; sometimes identified or considered synonomous with
Atum. Ra created man from his tears. At one time Ra became so digusted
with men that he orderd Hathor to kill them all. This Hathor did with
such zeal that Ra took pity on men and ordered Hathor to stop. Crazed
with blood, Hathor ignored the order, and Ra resorted to chicanery to
save humankind. Ra mixed beer with pomegranate juice and left pots of
the concoction about the battlefield. Thinking the mixture was blood,
Hathor drank it greedily and got too swacked to carry out her mission.

SEKHMUT Goddess of war and battles, consort of Ptah. Hathor took
Sekhmut’s shape when she made war on men. Sekhmut is usually portrayed
as a woman with the head of a lionness, sometimes brandishing a knife in
an upraised hand.

SET Red of hair and eyes, pale of skin, Set is the god of evil, of
drought, of destruction, thunder and storm. Set tore himself from his
mother’s womb in his hurry to be born. Every month Set attacks and
devours the moon, the sanctuary of Osiris and the gathering place of the
souls of the recently dead.

THOTH “Thrice Greatest.” God of wisdom, music, magic, medicine,
astronomy, geometry, surveying, art and and writing. Historian, scribe
and judge. Thoth’s priests claimed Thoth was the Demi-Urge who created
everything from sound. It was said that Thoth wrote books in which he
set forth a fabulous knowldege of magic and incantation, and then
concealed them in a crypt.

Norse Pantheon

Norse Pantheon

AEGIR “Alebrewer.” So called because Aegir loves to give feasts for the
gods. God of the sea. Saxon pirates gave to Aegir a tenth of their
captives, who were thrown into the sea.

ANGRBODA The giantess who mated with Loki to create Hel, Fenrir and the
Midgard Serpent.

BALDER A hero god, the god who dies and rises again. Fair skinned, fair
haired, wise and merciful, beloved of all. Loke tricked Hoder into
killing Balder, who had to be rescued from the underworld. According to
the epic poem VOLUSKA, Balder will come to rule again after Ragnarok.

BRAGI God of poetry and eloquence, husband of Iduun. It is Bragi’s duty
to prepare Valhalla for new arrivals.

DONAR German god of thunder, forerunner of Thor. His symbol is the
swastika. Oak trees are sacred to Donar, as they are to Jove.

FENRIR Also FENRIS WOLF A monstrous wolf conceived by Loki. Fenrir was
raised in Asgard, the home of the gods, until he became so immense and
feroucious that only the god Tyr was brave enough to feed him. Tyr bound
Fenrir until the day of Ragnarok, when Fenrir will break loose to slay
Odin.

FORSETI God of justice, the great arbiter, the god who “stills all
strife.” Forseti dwells in a hall of gold and silver called Giltnir.

FREYR “The god of the world,” son of Njord, husband of Freyja. God of
fertility, sunlight and rain, peace, joy and contentment. Freyr was
worshipped with human sacrifices and a kind of religious play in which
men dressed as women mimed and danced to the sound of chimes and bells.
Freyr had some association with the horse cult as well, and horses
sacred to his service were kpet near his shrines. Freyr and his
sister/wife FREYJA were of the Vanir, a family or race of gods which
originally competed with the Aesir and later became allies. The Vanir
may have been the gods of an earlier Scandinavian race who were adopted
into the pantheon of later conquerors.

FREYJA Goddess of magic and death, goddess of sex, daughter of Njord, a
shape-shifter who often took the form of a falcon. When her husband Od
disappeared, Freyja wept golden tears. Donning a magical garment, Freyja
could fly long distances. Patroness of seithr, a practice in which a
sorceress would enter a trance to foretell the future. The women who
practiced siethr, who were know as Volva, wandered freely about the
country casting spells and foretelling the future. Freyja’s worshippers
involved orgiastic rites which horrified and outraged the Christians.
Half of all those slain in battle belonged to Freyja, the other half
belonging to Odin.

FRIGG Wife of Odin, mother of Balder, queen of Asgard. A fertility
goddess.

HEIMDALL The god who guards the Bifrost Bridge which is the entrance to
Asgard. Heimdall can see for immense distances, and his ear is so
sensitive that he can hear the grass grow. On the day of Ragnarok,
Heimdall will blow the great horn Gjallarhorn, and in the ensuing battle
he will slay Loki.

HEL Goddess of death. Daughter of Loki. Ruler of Niflheim, the land of
mists. Heroic souls go to Valhalla. Those who die of disease or old age
come to Niflheim. Surrounded by high walls and strong gates, Niflheim is
impregnable; not even Balder could return from there without Hel’s
permission.

HERMOD A hero god. Hermod rode through the gates of Niflheim to rescue
Balder and found Balder seated on the right hand of Hel. Hel agreed to
release Balder on condition that all living things weep for him.

HODER Little is known about Hoder, other than that he is blind. Loki
tricked Hoder into killing Balder with a sprig of mistletoe. Hoder will
join Balder in the new world which will come into being when the present
one is destroyed.

IDUNN Wife of Bragi, keeper of the golden apples of eternal youth. The
giant Thiazzi kidnapped her with the aid of Loki.

LOKI A trickster. Sly, deceitful, a master thief, not to be trusted.
Nevertheless, Loki is charming, witty, quite capable, and possessed of a
sardonic sense of humor which he aims at himself no less often than at
others. A shape shifter who can change into almost any animal form. Loki
was involved in many of the gods’ adventures, usually because one of his
tricks had made some kind of a mess.

MIDGARD SERPENT The great snake which lies in the ocean and encircles
the world, its tail in its mouth. On the day of Ragnarok, the world will
disappear under the ocean’s waters when the Midgard Serpent rises from
the sea. Thor will kill the Midgard Serpent but will be killed by the
Serpent’s poision.

MIMIR The guardian of a spring of wisdom at the root of Yggdrasill, the
world tree which connects the lower and higher worlds and is the source
of all life. Odin gave an eye to drink from that spring.

NERTHUS An earth mother worshipped by the German tribe of the Suebi. Her
sacred grove stood on an island in the North Sea.

NJORD The chief of the Vanir, who warred with the Aesir. Lord of the
winds and of the sea, giver of wealth. Particularly revered on the west
coast of Sweden. In pagan days, oaths in law courts were sworn in his
name. Njord may be a masculine form of Nerthus

ODIN Also OTHINN; WODEN; WOTAN A god of strife and war, magic and death.
The chief of the Aesir who lives in his hall Valaskjal in Sagard from
which he can look out over all the worlds. In his hall Valhalla,
valkyries (female war spirits) serve heros who have fallen in battle and
will aid the god in the great battle of Ragnarok. On Odin’s shoulders
perch two ravens, Hugin (“Thought”) and Munin (“Memory”) who can fly
about all the worlds to bring Odin knowledge. Odin often aids great
heros but is quite fickle and can turn against a man for any reason or
none. Tales of Odin’s treachery are not merely Christian propaganda.
Odin’s worshippers themselves could be quite sharp-tongued about Odin’s
unfaithfulness. Odin’s worship involved human sacrifices, who were
generally hung from trees or gallows.

RAGNAROK “Destruction of the powerful ones.” The Twilight of the Gods.
The time of fire and ice. The great battle at the end of time between
the gods and the Frost Giants in which the world will be destroyed and
made anew. Ragnarok will be preceded by three winters of bitter wars
followed by the Fimbulvetr, a winter so cold that the usn will give no
heat. Then the forces of evil will gather and make war on the gods.

THOR God of thunder. Huge, red-bearded, red-eyed, powerful. His weapon
is the magic hammer Mjollnir, which is augmented by a magic belt which
doubles Thor’s strength, and iron gloves with which Thor grips Mjollnir.
In some ways Odin’s rival, Thor is the god of law and order, the
champion of the people. Unlike Odin, Thor will keep faith. Oaths were
sworn in Thor’s name, which no sane man would ever do with Odin. When
Christianity came to Iceland, the other gods surrendered meekly, but
Thor fought to the bitter end. The Hammer is Thor’s sacred sign and is
the most common image in Nordic art. The worship of Thor survived well
into the Christian age; little silver hammers were often made in the
smith’s shop along with crosses and crucifixes.

TIWAZ The one-handed sky god and war god of the early Germanic peoples.
Tiwaz was worshipped with human sacrifices conducted in the deep forest.
Tiwaz is god of law and justice, and oaths were sworn in his name. His
functions were later taken over by Odin and Thor, though unlike Odin
Tiwaz is completely without deceit and guile. Tiwaz is also known as
Irmin, and his sacred pillar Irminsul symbollically held the universe
together.

TYR God of battle, the only god with the strength and courage to bind
Fenris. Warriors marked their swords with a T to gain the god’s
protection. Tyr was originally was Tiwaz, retained in a later pantheon
but overshadowed by Odin and Thor.

WELAND Also VOLUNDR; WIELAND; WAYLAND God of smiths and metal workers.
Son of the giant Wade. Weland has much in common with smith gods such as
Govannon and Hephaistos, which comes as no surprise. Technology and
metalworking spread slowly in the ancient world, usually on a person to
person basis, and highly skilled metalsmiths and other technical workers
formed a virtual international brotherhood similar to the Masons.

Celtic Pantheon

Celtic Pantheon

 

ANGUS OF THE BRUGH Also OENGUS OF THE BRUIG God of youth, son of the
Dagda. In Ireland, Angus is the counterpart of Cupid. Angus’ kisses turn into singing birds, and the music he plays irresistibly draws all who hear.

ARIANRHOD “Silver Wheel,” “High Fruitful Mother.” One of the Three Virgins of Britain, her palace is Caer Arianrhod, the Celtic name for the Aurora Borealis.

BADB A goddess of war. One of a triad of war goddesses known collectively as the Morrigan. Bird shaped and crimson mouthed, Badb uses her magic to decide battles. Badb lusts after men and is often seen at fords washing the armor and weapons of men about to die in combat.

BRIGHID also BRIGIT. Goddess of healing and craftsmanship, especially metalwork. Also a patron of learning and poetry. In Wales she is Cerridwen, who possesses the cauldron of knowledge and inspiration. The Celts so loved Brighid that they could not abandon her even when they became Christians, and so made Brighid a Christian saint.

CERRIDWEN also HEN WEN; in Wales, BRIGHID “White Grain,” “Old White One.”
Corn goddess. Mother of Taliesen, greatest and wisest of all the bards, and therefore a patron of poets. The “white goddess” of Robert Graves. Cerridwen lives among the stars in the land of Caer Sidi. Caridwen is connected with wolves, and some claim her cult dates to the Neolithic era.

CERNUNNOS Horned god of virility. Cernunnos wears the torc (neck-ring)
and is ever in the company of a ram-headed serpent and a stag. Extremely
popular among the Celts, the Druids encouraged the worship of Cernunnos,
attempting to replace the plethora of local deities and spirits with a
national religion. The Celts were so enamored of Cernunnos that his cult
was a serious obstacle to the spread of Christianity.

DAGDA Earth and father god. Dagda possesses a bottomless cauldron of
plenty and rules the seasons with the music of his harp. With his mighty
club Dagda can slay nine men with a single blow, and with its small end
he can bring them back to life. On the day of the New Year, Dagda mates
with the raven goddess of the Morrigan who while making love straddles a
river with one foot on each bank. A slightly comical figure.

DANU Mother goddess, an aspect of the Great Mother. Another of a triad
of war goddesses known collectively as the Morrigan. Connected with the
moon goddess Aine of Knockaine, who protects crops and cattle. Most
importantly, the mother of the Tuatha de’ Danann, the tribe of the gods.

DIAN CECHT A healer. At the second battle of Moytura, Dian Cecht
murdered his own son whose skill in healing endangered his father’s
reputation. The Judgments of Dian Cecht, an ancient Irish legal tract,
lays down the obligations to the ill and injured. An agressor must pay
for curing anyone he has injured, and the severity of any wound, even
the smallest, is measured in grains of corn.

DIS PATER Originally a god of death and the underworld, later the cheif
god of the Gauls. The Gauls believed, as their Druids taught, that Dis
Pater is the ancestor of all the Gauls.

DONN Irish counterpart to Dis Pater. Donn sends storms and wrecks ships,
but he protects crops and cattle as well. Donn’s descendents come to his
island after death.

EPONA Horse goddess. Usually portrayed as riding a mare, sometimes with
a foal. Roman legionaires, deeply impressed with Celtic horsemanship,
took up the worship of Epona themselves and eventually imported her cult
to Rome itself.

ESUS A god of the Gauls “whose shrines make men shudder,” according to a
Roman poet. Human sacrifices to Esus were hanged and run through with a
sword. For unknown reasons, Esus is usually portrayed as a woodcutter.

GOVANNON The smith god. The weapons Govannon makes are unfailing in
their aim and deadliness, the armor unfailing in its protection. Also a
healer. Those who attend the feast of Govannon and drink of the god’s
sacred cup need no longer fear old age and infirmity.

LUG also LUGH, LLEU A sun god and a hero god, young, strong, radiant
with hair of gold, master of all arts, skills and crafts. One day Lug
arrived at the court of the Dagda and demanded to be admitted to the
company of the gods. The gatekeeper asked him what he could do. For
every skill or art Lug named, the gatekeeper replied that there was
already one among the company who had mastered it. Lug at last pointed
out that they had no one who had mastered them all, and so gained a
place among the deities, eventually leading them to victory in the
second battle of Moytura against the Formorian invaders. (The Formorians
were a race of monsters who challenged the gods for supremacy in the
first and second battles of Moytura.) The Romans identified Lug with
Mercury. The most popular and widely worshipped of the Celtic gods,
Lug’s name in its various forms was taken by the cities of Lyons,
Loudun, Laon, Leon, Lieden, Leignitz, Carlisle and Vienna.

MACHA “Crow.” The third of the triad of war goddesses known as the
Morrigan, Macha feeds on the heads of slain enemies. Macha often
dominates her male lovers through cunning or simple brute strength.

MEDB “Drunk Woman.” A goddess of war, not one of the Morrigan. Where the
Morrigan use magic, Medb wields a weapon herself. The sight of Medb
blinds enemies, and she runs faster than the fastest horse. A bawdy
girl, Medb needs thirty men a day to satisfy her sexual appetite.

MORRIGAN, THE also MORRIGU MORRIGAN A war goddess, forerunner of the
Arthurian Morgan La Fey. Like Odin, fickle and unfaithful, not to be
trusted. A hag with a demonic laugh, the Morrigan appears as a grotesque
apparition to men about to die in battle. Her name is also used for a
triad of war goddesses, who are often thought of as different aspects of
the Morrigan.

NEMAIN “Panic.” A war goddess.

NUADHU also NUD, NODENS, LUD. “Nuadhu of the silver arm.” God of healing
and water; his name suggests “wealth-bringer” and “cloud-maker.” At the
first battle of Moytura, Nuadhu lost an arm, and Dian Cecht replaced it
with a new one made out of silver. Because of this, Nuadhu was obliged
to turn leadership of the Tuatha de’ Dannan over to Lug. People came to
be healed at Nuadhu’s temple at Lydney, and small votive limbs made of
silver have been found there.

OGMIOS also OGMA “Sun Face.” A hero god like Hercules, a god of
eloquence, language, genius. Generally portrayed as an old man dressed
in a lion skin. From his tongue hang fine gold chains attached to the
ears of his eager followers.

SUCELLUS Guardian of forests, patron of agriculture. His consort is
Nantosvelta, whose name suggests brooks and streams. Sometimes
considered synonymous with Cernunnos or Daghda.

TUATHA DE’ DANANN The divine tribes and people descended from the
goddess Danu. Skilled in druidry and magic, the Tuatha de’ Danann
possess four talismans of great power: the stone of Fal which shrieked
under the true heir to the throne; the spear of Lug which made victory
certain; the sword of Nuadhu which slays all enemies; and the ever full
cauldron of Daghda from which no man ever goes away hungry.

Deity of the Day for Friday, January 8th is Eirene, The Greek Peace Goddess

Deity of the Day

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Eirene

The Greek Peace Goddess

 

Areas of Influence: Eirene was the Greek peace Goddess. She is also the patroness of wealth and prosperity, this is because in times of peace people have the opportunity to plough the fields and make and sell, goods and services. War only breeds famine and destruction.

Her name can also be spelt Irene and Irini

She was one of the three Horae who are the maintainers of law and order that a stable society depends upon. They were also the Goddesses of the seasons and the natural divisions of time. In the lliad the Horae are also described as the guardians of the gates to Olympus.

Origins and Genealogy: She was the daughter of Zeus and Themis. She had two sisters Eunomia (order) and Dike (Justice) who were other two members of the Horae.

Strengths: A peacemaker.

Weaknesses: As a personification of peace and wealth she has no other distinctive personality traits.

Symbolism: Often shown as a young woman holding an olive branch or Hermes’s staff. She wore ears of corn that represented wealth and prosperity. In one statue by Kephisodotos she is shown holding the infant Ploutus (Wealth).

Sacred Animal/Bird/Plant: Corn and the olive tree.

Roman Equivalent: Pax.

Eirene’s Archetype

The Diplomat/Peacemaker

The Diplomat Archetype is able to mediate between different groups, as they are able to quickly assess the situation, understanding both sides point of view. Helping them to find a middle ground upon which they can both agree.

The Shadow Diplomat manipulates both sides to achieve their own personal agenda.

This is the most fitting Archetype for the Greek Peace Goddess as it is through successful diplomacy that conflicts can be resolved and wars averted.

How To Work With This Archetype

The Diplomat/Peacemaker

To have the Diplomat as one of you main archetypes you do not have to be a diplomat by profession. However you must have a life-long commitment to resolving disputes and bringing people together. This can often occur within families where one member of the family is constantly trying to keep the peace and the family together.

Check you are not stepping into this Archetype’s shadow by asking yourself if it is you who will benefit most from the outcome you are steering the different sides towards?

 

Source:
Goddess-guide.com

Deity of the Day for January 3rd is Branwen, Celtic Goddess

Deity of the Day

Branwen

Branwen

Branwen, Daughter of Llŷr is a major character in the Second Branch of the Mabinogi, which is sometimes called the Mabinogi of Branwen after her. Branwen is a daughter of Llŷr and Penarddun. She is married to the King of Ireland, but the marriage does not bring peace.

Her story

The story opens with Branwen’s brother Bendigeidfran (Brân the Blessed), King of Britain, sitting on a rock by the sea at Harlech and seeing the vessels of Matholwch King of Ireland approaching. Matholwch has come to ask for the hand of Bendigeidfran’s sister Branwen in marriage. Bendigeidfran agrees to this, and a feast is held to celebrate the betrothal. While the feast is going on, Efnisien, a half-brother of Branwen and Bendigeidgfran, arrives and asks why there are celebrations. On being told, he is furious that his half sister has been given in marriage without his consent, and vents his spleen by mutilating Matholwch’s horses. Matholwch is deeply offended, but conciliated by Bendigeidfran who gives him a magical cauldron which can bring the dead to life; he does not know that when the dead are brought back, they will be mute.

When Matholwch returns to Ireland with his new bride, he consults with his nobles about the occurrences in the Isle of the Mighty. They are outraged and believe that Matholwch was not compensated enough for the mutilation of his horses. In order to redeem his honor, Matholwch banishes Branwen to work in the kitchens. Branwen is treated cruelly by her husband Matholwch as punishment for Efnisien’s mutilation of the horses, though not before she gives birth to an heir, Gwern. She tames a starling and sends it across the Irish Sea with a message to her brother and Bendigeidfran brings a force from Wales to Ireland to rescue her. Some swineherds see the giant Bendigeidfrân wading the sea and report this to Matholwch, who retreats beyond a river and destroys the bridges. However, Bendigeidfran lays himself down over the river to serve as a bridge for his men, uttering the gnomic words, “A fo ben, bid bont” (‘He would be a leader, let him be a bridge”). Matholwch, fearing war, tries to reconcile with Bendigeidfran by building a house big enough for him to fit into in order to do him honour. Matholwch agrees to give the kingdom to Gwern, his son by Branwen, to pacify Bendigeidfran. The Irish lords do not like the idea, and many hide themselves in flour bags tied to the pillars of the huge newly built house to attack the Welsh. Efnisien, checking out the house prior to the arrival of Bendigeidfran and his men, guesses what is happening and kills the hidden men by squeezing their heads. At the subsequent feast to celebrate Gwern’s investiture as King of Ireland, Efnisien in an unprovoked moment of rage throws his nephew Gwern into the fire.

War against Ireland

In the ensuing war, all the Irish are killed save for five pregnant women that lived in Wales who repopulate the island, while only seven of the Welsh survive to return home with Branwen, taking with them the severed head of Bendigeidfran. On landing in Wales at Aber Alaw in Anglesey Branwen dies of grief that so much destruction had been caused on her account, crying “Oi, a fab Duw! Gwae fi o’m genedigaeth. Da o ddwy ynys a ddiffeithwyd o’m hachos i” (‘Oh Son of God, woe to me that I was born! Two fair islands have been laid waste because of me!’). She was buried beside the river Alaw.

Bendigeidfran had commanded his men to cut off his head and to “bear it even unto the White Mount, in London, and bury it there, with the face towards France.” And so for seven years his men spent feasting in Harlech, accompanied by three singing birds and Bendigeidfran’s head. After the seven years they go to Gwales in Penfro, where they remain for fourscore (80) years. Eventually they go to London and bury the head of Bendigeidfran in the White Mount. Legend said that as long as the head was there, no invasion would come over the sea to Britain.

Branwen’s Grave

At Llanddeusant, Anglesey on the banks of the Alaw can be found the cairn called Bedd Branwen, her supposed grave. Now in ruins, it still has one standing stone. It was dug up in 1800, and again in the 1960s by Frances Lynch, who found several urns with human ashes. It is believed that if the story of Branwen is based on real events, these must have taken place during the Bedd Branwen Period of Bronze Age British history.

 

Source:
Wikipedia