I feel t is important to remember Lady Abyss as we count down the days until Beltane so I decided to repost an article by her from 2017.
Fertility Deities of Beltane
Beltane is a time of great fertility — for the earth itself, for animals, and of course for people as well. This season has been celebrated by cultures going back thousands of years, in a variety of ways, but nearly all shared the fertility aspect. Typically, this is a Sabbat to celebrate gods of the hunt or of the forest, and goddesses of passion and motherhood, as well as agricultural deities. Here are a list of gods and goddesses that can be honored as part of your tradition’s Beltane rituals.
Artemis (Greek): The moon goddess Artemis was associated with the hunt and was seen as a goddess of forests and hillsides. This pastoral connection made her a part of spring celebrations in later periods.
Bes (Egyptian): Worshiped in later dynasties, Bes was a household protection god, and watched over mothers and young children. He and his wife, Beset, were paired up in rituals to cure problems with infertility.
Bacchus (Roman): Considered the equivalent of Greek god Dionysus, Bacchus was the party god — grapes, wine, and general debauchery were his domain. In March each year, Roman women could attend secret ceremonies called the bacchanalia, and he is associated with sexual free-for-alls and fertility.
Cernunnos (Celtic): Cernunnos is a horned god found in Celtic mythology. He is connected with male animals, particularly the stag in rut, and this has led him to be associated with fertility and vegetation. Depictions of Cernunnos are found in many parts of the British Isles and western Europe. He is often portrayed with a beard and wild, shaggy hair — he is, after all, the lord of the forest.
Flora (Roman): This goddess of spring and flowers had her own festival, Floralia, which was celebrated every year between April 28 to May 3. Romans dressed in bright robes and floral wreaths, and attended theater performances and outdoor shows. Offerings of milk and honey were made to the goddess.
Hera (Greek): This goddess of marriage was the equivalent of the Roman Juno, and took it upon herself to bestow good tidings to new brides. A maiden about to marry could make offerings to Hera, in the hopes that she would bless the marriage with fertility. In her earliest forms, she appears to have been a nature goddess, who presides over wildlife and nurses the young animals which she holds in her arms.
Kokopelli (Hopi): This flute-playing, dancing spring god carries unborn children upon his own back, and then passes them out to fertile women. In the Hopi culture, he is part of rites that relate to marriage and childbearing, as well as the reproductive abilities of animals. Often portrayed with rams and stags, symbolic of his fertility, Kokopelli occasionally is seen with his consort, Kokopelmana.
Pan (Greek): This agricultural god watched over shepherds and their flocks. He was a rustic sort of god, spending lots of time roaming the woods and pastures, hunting and playing music on his flute. Pan is typically portrayed as having the hindquarters and horns of a goat, similar to a faun. Because of his connection to fields and the forest, he is often honored as a spring fertility god.
Priapus (Greek): This fairly minor rural god has one giant claim to fame — his permanently erect and enormous phallus. The son of Aphrodite by Dionysus (or possibly Zeus, depending on the source), Priapus was mostly worshiped in homes rather than in an organized cult. Despite his constant lust, most stories portray him as sexually frustrated, or even impotent. However, in agricultural areas he was still regarded as a god of fertility, and at one point he was considered a protective god, who threatened sexual violence against anyone — male or female — who transgressed the boundaries he guarded.
Sheela-na-Gig (Celtic): Although the Sheela-na-Gig is technically the name applied to the carvings of women with exaggerated vulvae that have been found in Ireland and England, there’s a theory that the carvings are representative of a lost pre-Christian goddess. Typically, the Sheela-na-Gig adorns buildings in areas of Ireland that were part of the Anglo-Norman conquests in the 12th century. She is shown as a homely woman with a giant yoni, which is spread wide to accept the seed of the male. Folkloric evidence indicates that the figures are theory that the figures were part of a fertility rite, similar to “birthing stones”, which were used to bring on conception.
Xochiquetzal (Aztec): This fertility goddess was associated with spring, and represented not only flowers but the fruits of life and abundance. She was also the patron goddess of prostitutes and craftsmen.
by Patti Wigington
Published on ThoughtCo