Posts Tagged With: Wheel of the Year

Can You Think Like A Witch?

Author:   T.L.   

There has always been a strong connection between Witches and Fairies known to all students who study Fairy lore. Several Pagan traditions have come to choose the term Fairy (or Faerie or Faery or Feri) as a result of Fairy mythology and scholarly research regarding Fairies in the past. In the late 1990’s, the year before her death, my 90-year-old paternal aunt, Nina Sutter, told me that our ancestors who lived in Mecosta County, Michigan, were Fairies. She also told me that “those people all stuck together” and that they were “like the Indians.” Because of what she told me and other family memorabilia I have, I believe it is possible that Wicca is a survival religion associated with Fairies. At the time my aunt spoke to me, I do not think she knew what a Fairy might be—just that this was something she was told and something that she sensed was important. I knew nothing about Wicca at that time, and I did not know what a Fairy was either. Several years went by before I figured it out what she was talking about.

My paternal great-grandmother, Alta Isadore Gould (born in 1851) published a book of story-length Civil War poems in 1894. The Veteran’s Bride And Other Poems was very popular for its day, going through five editions (and six printings) in four years. Gould integrates Wiccan symbolism in various ways within her published stories that are best understood within the context of their underlying themes, that include the myths of the Wheel of the Year, the myth of the Dying God, the Missing Cauldron of Cerridwen, and Hestia of the Hearth. When I realized that my great-grandmother’s book was about Wicca, I finally was able to figure out what it meant to have ancestors who were Fairies.

Gould’s metaphors are enhanced by hidden Wiccan symbols within each of her nine engravings. My aunt showed me one of those symbols—an “athame” hidden as a spire at the top of an arch in one of the engravings—except that she called it a “knife.” I do not think she knew the purpose of the “knife, ” just as she did not know the significance of “Fairy.” The knife was just something she had been shown and something she sensed was important. My aunt showed me the knife, just like her mother showed her the knife, just like her mother showed her the knife. This transfer of knowledge from my great-grandmother, to my grandmother, to my aunt, to me, shows that the knife was consciously positioned as a spire in Gould’s engravings and its presence is not just a matter of interpretation.

It is the culmination of Gould’s writing, her engravings, and other memorabilia I have regarding her life that makes me believe all of what my aunt said was true. My aunt was an honest woman, a Methodist, who would have had no motive for aligning the family with Paganism. The fact that she embraced these sparse memories in her old age, and wanted to share what little she knew with me before she died, shows she harbored warm feelings regarding this facet of our family’s history, and speaks positively of Wicca.

Obviously, I do not know what it means to have ancestors who say they were Fairies. More importantly, I do not know what being Fairies meant to them. It is possible that Alta Gould’s own ancestors, just like founders of Pagan traditions today, chose the term Fairy to describe themselves and created their own Witch-religion as a sort of secret society that encompassed all aspects of their lives. Theoretically, if there were multiple pockets of people similar to Gould’s group scattered throughout America, Canada, and Europe, perhaps something like this is the Witch-religion that Gerald Gardner ultimately was exposed to.

One good thing about social media is that participants do not have to yield to some higher authority in order to have their stories told. Currently, experts in Wicca claim there is no hard evidence that Wicca existed before Gerald Gardner–but it is hard to visualize what the hard evidence they seek might be. Although I do not have a stone tablet of Wiccan runes spelling out its history, or an ancient, crumbling Wiccan charter retrieved from a locked vault, the limited evidence that I do have is very real. It involves interpretation of texts, symbols, photos, and memorabilia, and is the closest and best thing to hard evidence of a Witch-religion prior to Gardner that, I believe, exists to date. One might critically say that my interpretation of these texts, symbols, objects, and memorabilia are just one of many. But the truth is, not all interpretations are equal. Some interpretations are better than others—and my interpretations are good, solid, and apparent. Interpreting texts, objects, and family histories has long been a tried, true, and accepted way of learning about the past and of doing research.

Even the work Ronald Hutton engages in involves interpretation. There is not (and never will be) a long buried stone tablet affirming that Wiccan imagery comes from the Romantic poets. Even though he will never find “hard” evidence to support his thesis, his research nevertheless is interesting. I know that I am not Ronald Hutton—far from it. But, on the other hand, Ronald Hutton’s aunt did not tell him that his ancestors were Fairies, and his great-grandmother did not write a book with an interwoven Wiccan subtext.

The biggest problem with my research is that first someone has to actually read it. I have written a book (Remembering A Faery Tradition: A Case Of Wicca In Nineteenth-Century America) . I am not a professional academic, but I did the best that I could to write about my discoveries and place them within an interesting context. I am sure my book has many faults, but my main message is very tangible. Also, I have made a web site that discusses much of my research and includes a chapter from my book. It is not a professional web site, but it serves a function. I have items and photos and letters that someone else, beside myself, would have to look at. Finally, and most importantly, someone else besides myself would have to read my great-grandmother’s book, front to back, perhaps several times, with a critical eye. If you understand how poetry is written and how metaphor is used, and if you are Wiccan, and if you are able to think like a Witch (surviving within a Christian culture) , you should be able to understand her poetry.

Social media allows me to put all of this “out there” whether anyone ever looks at it or not in current time. Perhaps someday new information will come out that will cause some other researcher to want to look at my research, and then my research might either provide a lead or confirm another finding. Perhaps there are other people, like myself, whose ancestors described themselves as Fairies, who will recognize some of the things that I talk about in my research, and then go public with their information also. Even though it seems that there is not even a small audience interested in the history of Wicca in America—for myself it has been exhilarating, thought-provoking, and a whole lot of fun.