The Witch’s Tools

Spring Is Here, Considering Making Your Own Staff or Wand?

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Since Spring has finally arrived you might be considering making yourself a new wand or staff. When Spring arrives everyone’s to-do list grows instantly. We figured one of those items on the to-do list might involve making you new Craft tools.

You will see we have provided you with a brief history on wand and staff making. The important information I would take away from the article is about the types of woods and their properties. If you don’t already knows these, take time to print them out or write them down. This list of woods and their correspondences will come in handy for the future

 

From the Ancient Egyptians to the Druids, Moses to Shamans, wands and staffs have always been a favorite tool of spell casters. Energy (or Magic/ Magick, if you prefer) flows naturally everywhere; a wand or staff simply helps to channel that energy for a desired purpose. Truly, energy can be channeled through anything except insulators such as some crystals and glass, which would, in most cases be used to store energy, not transfer it.

Wands and staffs aren’t really much different, save that one is larger than the other and may be used as a good weapon. They are often both carved from the same kinds of trees (with the consent of the tree of course) and with pretty much the same purpose. They are both largely ceremonious, unless you intend to lob around a huge staff or hide a wand in your robes on a daily basis.

Following is a list of some popular trees used for the carving of wands and staffs:

Hazel Tree (Corylus avellana) Grants wisdom, virtue and inspiration.

Willow Tree (Salix alba, Salix candida, Salix herbacea, Salix planifolia)Powerful intuition, mystery and grace.

Elm (Ulmus americana, Ulmus glabra, Ulmus procera, Ulmus minor) Tree Nobility, memory, secret knowledge and resilience.

Ash (Fraxinus excelsior, Fraxinus americana, Fraxinus nigra, Fraxinus ornus) Power and magnitude, possesses curative properties.

Beech (Fagus orientalis, Fagus japonica, Fagus grandifolia) Beauty, strength, communication.

Birch (Betula aetniensis, Betula pendula, Betula pubescens, Betula occidentalis, Betula lenta) Protects against death and malevolent fires.

Cedar (Cedrus libani, Cedrus brevifolia, Cypressus lucitania) Healing, cleansing and protection against malevolent forces.

Chestnut (Castanea sativa, Castanea crenata, Castanea ashei) Fertility, longevity, abundance and invigoration.

Hornbeam (Carpinus betulus, Carpinus orientalis, Carpinus japonica) Straightforwardness, strength, determination and loyalty.

Maple (Acer saccharum, Acer negundo, Acer platanoides) Success, wealth and prosperity.

Oak (Quercus montana, Quercus rubra, Quercus alba, Quercus nigra) Power, endurance, nobility, energy and strength.

Olive (Olea europaea) Peace, victory,purification and fruitfulness.

Poplar (Populus alba, Populus tremula, Populus ilicifolia, Populus nigra) Elegance, courage and wit.

Rowan (Sorbus Americana, Sorbus cashmiriana) Dignity, friendliness, and self-control.

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Categories: Articles, Daily Posts, The Witch's Tools, Working With Nature's Gifts | Tags: , , , , , , , | 3 Comments

Magickal Tidbits

Witchy Cat Graphics & Comments

The broom has long been associated with magic, probably due to its shape, use in purification rites and kinship with magical wands and staffs. The common household tool is so sacred that, in some parts of the world, broom deities exist.

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Besom Chant

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Besom Chant

“Besom, besom long and lithe
Made from ash and willow withe
Tied with thongs of willow bark
In running stream at moonset dark.
With a pentagram indighted
As the ritual fire is lighted;
Sweep ye circle, deosil,
Sweep out evil, sweep out ill,
Make the round of the ground
Where we do the Lady’s will.

Besom, besom, Lady’s broom
Sweep out darkness, sweep out doom
Rid ye Lady’s hallowed ground
Of demons, imps and Hell’s red hound;
Then set ye down on Her green earth
By running stream or Mistress’ hearth,
‘Till called once more on Sabbath night
To cleans once more the dancing site.”

———-
-I understand that this chant was written by Lady Tamara of the WCC.
(However, I have no evidence for this except hearsay, and the fact that
the WCC appears to use it, so I may be wrong.)
-I don’t have a published source for it – but it’s one of those things that
every Witch in town seems to have a copy of.
-There is absolutely NO reason to think of it as traditional Gardnerian or
Alexandrian. However, it’s an example of the kind of thing that finds its
way into a lot of BOSs, regardless of tradition. There appears to be no
equivalent to this in the “standard” BOS, and some people feel a need for
it, so a lot of people have added this chant to their BOS.

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I is for Dragon’s Blood Ink

I

 

 

Dragon Blood Ink

 

Items You Will Need:

1 part of powdered Dragon’s Blood Resin

12 – 15 parts of Alcohol

1 part of Arabic Gum

A few drops of essential oil of Cinnamon or Myrrh

Make all your resin a powder and add the ground Arabic Gum. Then add the alcohol just a little bit every time, till all the powder is dissolved completely. This might take some time.

Filter through a strainer on which you have attached a piece of cloth (clean piece of cloth, a cloth you will not need again).

Store the ink in a bottle and inscribe on it the name of the ink. Keep on your altar ready to be used.

Best time to make this ink is during the Waxing Moon.

Categories: Articles, Daily Posts, Pagan Craft Making, Ritual Working, Spellcrafting, The Witch's Tools | Tags: , , , , , , , | Leave a comment

W is for Wand

W

Wand

The wand is a tool that is long associated with magic and Witchcraft. It is primarily used in rituals and spells to channel and direct energy. It can be used much in the way an athame (ritual knife) is used. However, a wand may be safer in houses where there are small children, and can be brought and waved anywhere without fear that local authorities will confiscate it or arrest you. While you can spend a great deal of money at your local occult shop on a delicate crystal wand etched with obscure, unknown symbols, it is not necessary. In fact, some Witches would say it is not recommended. There is a strong belief that creating your altar tools  yourself imbues them with your own personal energies, making them more powerful  for your use than any store-bought item.

Wands have been made of many materials. I have seen some amazing wands crafted of various metals, crystals, and even of bone. But this article will focus on wood, by far the most common material for wand crafting, past and present. This is partly for practical reasons, as wood is sturdy, inexpensive, widely available, easy to work  with and beautiful. But there are magical reasons for using wood as well. Wood is an excellent conductor of energy, and, coming from nature, holds power all on its own.

Different trees are associated with different magical uses. When choosing the type of wood for your wand, you may wish to take into consideration the following correspondences between magical intent and type of wood:

ALL PURPOSE: oak, hazel, rowan.

BANISHING: birch, elder, juniper.

DIVINATION: cherry, fig, orange, pomegranate, willow.

FERTILITY: hawthorn, olive.

HEALING: apple, blackberry, cedar, eucalyptus, sandalwood, willow.

LOVE: apple, cherry, elm, willow.

PROSPERITY: blackberry, maple, pine.

PROTECTION: poplar, ash, elder, elm.

If you feel you will be using your wand for more than one type of spell or ritual, try using an all-purpose wood, or choosing a wood that falls into more than one category. Many Witches have several wands, each used for a different purpose, crafted from different kinds of wood. If there is a particular tree you feel a connection with, such as one that you spent much of your childhood sitting in, consider using a branch from that tree. The special bond you have forged with the tree will only lend to the wood’s power for any use.

There are several different beliefs floating around on the right way to obtain wood for a wand. Some people believe that a wand is only good if it is cut from a live tree rather than taken from “dead wood.” The thought is that the energy from a living tree will add to the wand’s power. If you are going to do this, it is best to ask the tree’s permission (a simple meditation under the tree should instill you with a strong feeling of the tree’s willingness). Leave an offering at the base of the tree, such as a coin or crystal. Another practical consideration you should make is to find out when the best time of year is to prune the particular tree you are cutting from so you will not damage the tree.

Some argue that once you take wood, it is physically dead anyway, so there is no need to impose upon a living tree for its wood. These people feel that the wood retains the tree’s power whether taken directly from the tree, or from the ground. In fact, it might even be considered better energy to take from the ground because the wood will lack any trauma that cutting may inflict. If this way of thinking makes more sense to you, obtain a wand by looking for a fallen branch. You can also, through meditation, ask a specific tree or group of trees to drop a branch for you to use, and then keep checking back in the area for the tree’s gift to you. Be sure to leave an offering in return.

Another way to obtain wood for a wand is to simply go to a hardware or craft store and purchase a dowel. The wood still comes from a tree and retains its energies, and is ready for you to begin working with it. While some purists may shun this idea, others of a more practical mind set see nothing wrong with it.

Since there is no rule or consensus on the best way to obtain the wood for your wand, you will need to trust your own instincts. However you obtain your wood, you will want to take a few things into consideration. First, make sure the wood you are using is healthy, and not rotted, soggy, or soft in any areas. Also ensure that it is not infested with insects. Second, you will want to find wood that is relatively straight. Make sure the wood section you are choosing feels good in your grip, well balanced, and that the length is satisfactory. A wand that is too long can be awkward and may cause you to knock things over as you are waving it around. A good length is from the crook of your elbow to the tip of your middle finger. Another option is to cut it to measure 13 inches; the number 13 is sacred to the Goddess as it represents the 13 lunar cycles in the year.

Once you have chosen your wood and cut it down to size, you are ready to begin your handy work. If the wood was from nature you should strip it of its bark and any leaves or twigs coming from it. You may wish to get some sand paper  to smooth the wood. If it is very rough, start with a heavy grade sandpaper until you have all of the nubs and edges smooth, then go over it with a fine grade.

How you decorate your wand will be entirely up to you. Some people choose to leave the wand completely in its natural state. Or, you can leave it partially natural, but add a few embellishments. One option is simply carving magical symbols or runes into the wand. Another option is to do the same using a wood-burning tool. You can also use leather or silk cords to tie feathers to a wand, wrap animal skins around the handle, or affix it with small gems and crystals using a hot glue gun. Another addition you can make to your wand is wrapping it with copper wiring, easily obtained at a hardware store. Copper is a highly conductive metal that will give the wand that extra “zap.”

If leaving your wand in a natural state, or partially natural state, you should oil it from time to time. This practice will keep the wood from getting too dry or brittle, and protect it from humidity. The best oil to use is mineral oil. You can give it a kick and empower the mineral oil with a few drops of essential oils before rubbing it onto the wand with a soft cloth or paper towel. When it comes to how often you should oil your wand, a good rule of thumb to follow is: once a day for a week, once a week for a month, once a month for a year, and once or twice a year after that.

Another option for decorating a wand is to paint it with craft paints. If you are handy with paint you can create a beautifully decorative, colorful wand. However, if painting the wand, don’t rub the mineral oil on it. The paint itself will seal the wood, and the rubbing could damage your handiwork.

While it is not necessary, it is common for people to add a special tip to a wand. This can be something such as a pinecone, acorn, or, more commonly, a crystal. Whatever you choose, you might want to take into  what purposes the wand will be for. If you are creating a wand out of pine to use specifically for empowering prosperity charms, you may want to choose a pinecone. If your wand is made of willow and will be used to draw loving energies into your life, you may want to consider a dried rose or rose quartz crystal. I find that for all-purpose wands the best tip is a clear, terminated quartz crystal. These easy to obtain stones can be used for any intent, and are like energy amplifiers. They are both projective (project energy) and receptive (receive energy), and the terminated (pointed) tip really helps to focus the energy.

To affix any item to your wand tip, you have several options. The first is to simply use masking tape, though most people are not satisfied with the appearance, or of using such an unnatural material. Another option (my personal favorite) is to wrap a piece of fabric or animal skin smeared with some glue so that it is half on the item and half on the wand. I have not had good results using glue alone without the skin or fabric, as it doesn’t hold well and repeated  leave you with a clumped-up tip full of glue. The final option is to use the copper wiring and simply wrap and loop it around the tip and then around the wand until it holds.

One thing to keep in mind at all times when you are crafting your wand is the positive magic and rituals for which it will be used. As you work on in, feel the energies of the wood mingling with your own power that you are pouring into it, and it will serve you well for years to come. You will find that your hand-crafted wand is more personal and more powerful for your own use than anything money could buy.

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Making A Moon Altar

Making A Moon Altar

 

1.   Outdoors, use a rock or a table and on it either set a silver tray or make a circle with white stones, shells or clear glass nuggets. Thirteen stones for the 13 moons is most symbolic unless you are superstitious, in which case use nine (for the three by three of the triple moon goddess).

2.   Set the stone circle anticlockwise if following moon lore or keep to the normal clockwise direction if you prefer.

3.   If you are using an indoor altar, place a white or natural beeswax candle at the four main direction points. If you decide to work outdoors,  you can use small, glass enclosed white night lights that will not blow out in the wind or you can rely on the moonlight.

4.  In the center of the altar place a dish of moon water (in beach rituals you can collect sea water, the water ruled by the moon).

5.   Circle this bowl with moonstones of white shells (13 or nine), creating an inner circle.

6.   Position a moon incense to the right of the dish of water as you face west, still within the moonstone inner circle.

7.   You will also need a metal or ceramic oil burner with a night light underneath it to the left of the water bowl with the middle circle as you face west.

8.   You can enclose just the bowl in a third even smaller circle of three small white stones, shells or moonstones, thus giving one circle for each phase of the moon.

9.  The bowl of water will act as the medium for raising the power.

10.  If you have a willow wand (or a pointed twig willow twig), lay this directly in front of the bowl with the tip facing west (outside the innermost circle if you make one).

 

Categories: Magickal Boosters, The Sun, The Moon, etc., The Witch's Tools, Working With Nature's Gifts | Tags: , , , , , , , | Leave a comment

The Pentagram (A Poem)

The Pentagram

I invoke Ancient Powers of The Star
The Powers of Five
The Spiral Powers
The Powers of Earth
I invoke the Ancient Powers of Life
Star in the Circle
In the Iron Circle
Quaint, ancient symbol
So ancient, primordial and timeless
Dark symbol of life
On planets bearing life
Deep in DNA
Deeply branded in the Heart of our Earth
Touchstone of Wisdom
Of Ancient Knowledge, NOW,
Living in the stars
I call out through the Circled Iron Star
For my Star Power
Out through the Galaxies
Claiming Dark Powers

Similodon

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Mystical Pentagram

Mystical Pentagram

Brightstarr, Kathexis

The Mystical Pentagram is a technique which will enhance psychic self-awareness. Practiced on a daily basis it will produce surprising individual results. One of the features of this technique is that it encourages personal development by allowing each entity to discover a personal mantra which corresponds to the five elements.

To begin, you will need a table of correspondences such as “777″ by Aleister Crowley. Look up the names of the gods and goddesses which correspond to the air element. Pick a name which when chanted ‘feels’ right for you. For example, Nu is the Egyptian lord of the firmament and corresponds to air. If I were inclined towards egyptian deities, I would chant the name Nu for several minutes to see what effect transpired. If I felt relaxed, comfortable, and generally positive I would inwardly know that this name would be in tune with my inner self. Proceed to find correspondences for fire, water, and earth in  the same manner and finally for spirit since it is the aggregate of the four common elements.

Once you have found a personal mantra or a chant consisting of five names, vowel sounds, etc. You are ready to proceed with the practical application of the Mystical Pentagram.

Assume your favorite meditation position, relax and begin to breathe in a rhythmic pattern; ie. inhale count one, two, three, four, exhale count one, two, three, four and so on. Continue to breathe in such a manner for about five minutes so that a definite rhythm is firmly established.

Visualize the five psychic centers. Memorize their positions so that you become familiar with the positions.

Next visualize a brilliant white light forming a circle above your head in the spirit center. Mentally draw a white light pentagram within the circle of light. This should be an invoking pentagram.

If your mind should begin to wander, gently bring it back and vocally vibrate the mantra you have chosen for the spirit center. Let your mind dwell on this center and intone your mantra several times for at least five minutes.

Next see a shaft of white light radiate down through your skull stopping at your throat near the adam’s apple. See a circle of white light begin to form and pulsate. Mentally draw an invoking pentagram within the circle of light and vocally vibrate your chosen mantra for the air center. Continue to stimulate this center for at least five minutes.

Now see a shaft of white light radiate down through your torso stopping at your fire center. This is located just above the navel. See a brilliant white light begin to pulsate at this center and draw an invoking pentagram within the circle of light. As your mind begins to wander gently guide it back to he image of the glowing white pentagram. Here vibrate your chosen fire mantra. Once this center is stimulated the sensation is unmistakable. A mild tingling or vibration of the solar-plexus area is physically experienced. Continue to dwell on this center for at least five minutes.

See the shaft of white light push down to the water center which is located in the groin area. Here, too, a brilliant circle of white light should be visualized. Again draw an invoking pentagram within the circle of light. Intone the mantra for the water center and repeat the sound several times for the next five minutes.

Having arrived thus far, see the shaft of white light radiate down through your legs stopping at the bottom of your feet which is the earth center. Form a brilliant, white, pulsating circle of light and draw an invoking pentagram within the circle. Intone your earth mantra and vocally vibrate the sound several times during the next five minutes.

When all of the energy centers have been stimulated, direct the light energy from the spirit center to the earth center. As you exhale see the light travel from the top of your head down through your body to the bottom of your feet. As you inhale see the energy travel from your feet up through your body up to the top of your head, the spirit center. These circulations should be persisted for at least seven complete circuits. See the energy cleanse and vitalize every part of your being and expand your awareness to cosmic consciousness. As you continue to repeat this technique each day you will begin to see and feel a change in your psychic awareness and a marked improvement in your health.

Don’t become discouraged if you don’t achieve results immediately. This technique produces very positive effects but they are cumulative in nature. Be gentle with your inner self however you must also be persistent and keep the communication open. It is also a good idea to perform this exercise at the same time each day in order to allow your body cycles incorporate the energy flow in a natural order.

Suggested reading:

The Art of True Healing — Israel Regardie

Energy Ecstasy — Bernard Gunther

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