The Goddesses

The Witches Magick for July 10 – Goddess Rite

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Goddess Rite

On the Full Moon, Gather three candles; one white, one red, and one black. Light each, while invoking each aspect of the Goddess.

White is for the Maiden.

May you plant your seeds

Of joy and new beginnings within my life.

Red is for the Mother.

May you grant me gifts

Of creative ideas and the strength

To bring them to completion.

Black is for the Crone, the Wise One.

May you give me wisdom to

Understand the magickal mysteries

Of Death and Rebirth.

Gaze into each of the flames and then say this when you are ready:

 

Maiden, Mother, Crone,

Ancient, Strong and True.

Grant me thy beauty,

Lend me thy courage,

Awaken my power within.

By the Great Goddess,

So mote it be.

Allow the candles to burn themselves out.

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Living Life As The Witch – How Does Your God/dess reveal themselves to us?

Gothic Comments
  

How Do Gods and Goddesses Reveal Themselves? 

The answer depends on the person asking the question. If you tend to be a visual person, you might see a vision that you associate with a particular god or goddess. Isis, for instance, might send an image of winged arms or appear as a great bird. If your auditory sense is strong, you may hear a deity speak to you. Brigid might invite you to stir her cauldron or Yemaya’s song might penetrate your dreams. Apollo may make his presence known via the scent of bay leaf, one of his sacred plants. Suffice it to say that the Divine knows how to connect with each person through a medium that he or she will understand.

Frequently, deities communicate with humans through dreams. While sleeping, you’re more receptive to symbols and signs than you are in your ordinary waking state. Gods and goddesses may slip you messages while you’re meditating, too. Perhaps you may receive insights while you’re engaged in mundane tasks, such as putting on makeup or washing dishes—when your mind is only partly focused on the familiar activity, allowing room for spiritual discourse to take place.

Pay attention to signs. To American Indians, the appearance of an animal or bird may be a signal from a divine being who has assumed the creature’s form in order to convey information. Listen to your intuition, too—hunches can be messages from a higher source.

 

 

 

References:

The Everything Wicca & Witchcraft Book

2nd Edition

Author of this fabulous book Skye Alexander

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She’s Been Waiting

Goddess Comments & Graphics
She’s been waiting
She’s been waiting, waiting.
She’s been waiting so long.
She’s been waiting for her children
To remember, to return.

Blessed be, and blessed are,
The lovers of the lady.
Blessed be, and blessed are,
The mother, maiden, crone.
Blessed be, and blessed are,
The ones who dance together.
Blessed be, and blessed are,
The ones who dance alone.

She’s been waiting, waiting.
She’s been waiting so long.
She’s been waiting for her children
To remember, to return.

Blessed be, and blessed are,
The ones who work in silence.
Blessed be, and blessed are,
The ones who shout and scream.
Blessed be, and blessed are,
The movers and the changes.
Blessed be, and blessed are,
The dreamers and the dream.

She’s been waiting, waiting.
She’s been waiting so long.
She’s been waiting for her children
To remember, to return.

- Paula Walowitz

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From The Goddess Poem

Moon & Witch Comments & Graphics
          FROM THE GODDESS
By Lady Selene

As the moonlight shines from up above
The Goddess sends down all Her love
To all creatures great and small
She shows no favorites, just loves us all
In our hearts she doth instill
An harm ye none, do as thou will
So any time you’re feeling down
Take the time to look around
You’ll be surprised at what you see
And she created it all for you and me.

Blessed Be

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DESCENT OF THE GODDESS

DESCENT OF THE GODDESS
Copyright 1993 Durwydd Mac Tara

(With special thanks to G. B. Gardner, Freydis Vasa, Julia Phillips, and Pyrocanthus Basileus)

In ancient times, our Lord, the Horned One, was (as he still is) the Controller, the Comforter. But men know him as the dread Lord of Shadows, lonely, stern, and just.

But our Lady the Goddess oft grieved deeply for the fate of her creations as they aged and died. She would solve all mysteries, even the mystery of death, and so journeyed to the underworld.

The Guardian of the Portals challenged her: ‘Strip off thy garments, lay aside thy jewels; for naught may you bring with you into this our land, for it is written that your True Self is the only fitting adornment for those in the realms of Death.’

So she laid down her garments and her jewels, and was bound, as all living must be who seek to enter the realms of Death, the Mighty One.

Such was her beauty that Death himself knelt, and laid his sword and crown at her feet, and kissed her feet, saying: ‘Blessed be thy feet that have brought thee in these ways. Abide with me; but let me place my cold hand on thy heart.’

And she replied: ‘Why do you cause all things that I love, and take delight in, to fade and die?’

‘Lady,’ replied Death, ‘it is age and fate, against which I am helpless. Age causes all things to wither; but when men die at the end of time, I give them rest and peace and strength, so that they may return. But you, you are lovely. Return not, abide with me.’

And she replied, ‘Nay, I love thee not and I am needed in the world of the living.’

Again Death knelt, and kissed her knees, saying: ‘Blessed be thy knees that kneel before the Altar. Abide with me; let me place my cold hand on thy heart.’

And she replied, ‘Nay, I love thee not and I am needed in the world of the living.’

Death (still kneeling), kissed her on the womb, saying: ‘Blessed be thy organs of generation, without which none of us would be. Abide with me; let me place my cold hand on thy heart.’

And she replied, ‘Nay though I feel the beginnings of love for thee, I must return to those I fully love in the world of creation.’

Death then stood, and kissed her on the breast, saying: Blessed be thy breast, formed in strength and beauty. Abide with me; let me place my cold hand on thy heart.’

And she replied, ‘Nay though I feel love for thee, I must not abandon those I am responsible for, in the world of creation. I cannot do this thing, better you would return with me.’

‘Lady,’ replied Death, It cannot be so. If I were to leave my realm, and abandon those who seek their comfort and rest with me, then the Wheel would no longer turn. Age and weakness would overtake those whom you love, and they would have nowhere to find rest, and peace, and reunion with those who have gone before. As age and debility overtook your creations, there would quickly be no room for the new, only the withered, the tired, and the stagnant.’ He then kissed her lips, saying: ‘Blessed be thy lips, which shall utter the Holy Names. Abide with me; let me place my cold hand on thy heart.’ And she replied, Let us BOTH lay our hands, each unto the heart of the other, thereby claiming and uniting each unto the other. In this way may I rule my kingdom of birth, creation, and life; yet share with you your kingdom of death, rejuvenation, and rest. United in Perfect Love and Perfect Trust, that the Universe may be whole and the Wheel turn smoothly.

Death replied, ‘This is indeed WISDOM, So Mote it Be!’ They embraced, thus pledging their eternal love.

And he taught her all his mysteries, and gave her the necklace which is the circle of rebirth. And she taught him her mystery of the sacred cup which is the cauldron of rebirth.

They loved, and were one; for there be three great mysteries in the life of mankind, and magic controls them all. To fulfill love, you must return again at the same time and at the same place as the loved ones; and you must meet, and know, and remember, and love them again.

But to be reborn, you must die, and be made ready for a new body. And to die, you must be born; and without love, you may not be born. And our Goddess is ever inclined to love, and mirth, and happiness; and guards and cherishes her hidden children in life, and in death she teaches the way to her communion; and even in this world she teaches them the mystery of the Magic Circle, which is placed between the worlds of men and of the Gods.

And thus we are taught of the beginnings of the wheel of the year wherein the Lord and the Lady share their rulership of the year, each offering and sharing a balance to the other, and the basis of that sharing.

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THE CRONE

THE CRONE

The Crone is the final aspect of the Goddess. The Crone is most often depicted as a Grandmother, a SageWoman, or a Midwife. She is the keeper of Occult Knowledge, the Mysteries and the Queen of the Underworld. It is through the Crone that knowledge of magick, the Dark, and other secrets of the ages are passed down.

The Crone is, in some ways, a Triple Goddess herself. She has lived through the tender, sensual age of Maidenhood, suffered the birth pains of Motherhood, and now carries with her the memories of these passages into her old age. But though she has experienced these events, these are not the things she represents, and therefore she is not revered for these traits. Nevertheless, having endured these experiences makes her the wise woman that she is, and enables her to guide us through the dark.

Her role as Midwife is both symbolic as well as actual. Traditionally, it is always the older women of the tribe who facilitate the birth of children, most likely because they themselves had gone through, but also because the role of midwife was a sacred position, and thus suitable for an older tribeswoman. Certainly the Crone fulfills this aspect in that she is the midwife to the Queen of Heaven when she gives birth to the Oak King at Yule.

But symbolically she is the midwife in our lives as well, guiding us from one phase of life to the next. If you see progression from one phase of life to the next and can see it as a rebirth process, then envision the Crone as the aspect of the goddess that guides you through that time. Transition is very difficult, and for most people it is a time of darkness. It is a time where we have to rely on our intuition, because we are unfamiliar with the territory. But according to the myths and ancient lore, we receive our intuition from the Crone. It is she who guides us, and it is she who facilitates our birth.

The Crone Goddess is often times the least seen, because she does represent death, and with death comes fear: fear of the unknown, fear of losing our loved ones, and fear of being alone. But we must remember that with death always comes rebirth. The Crone always brings with her promises of the Maiden, and the cycle never ends.

The Mother aspect of the Goddess is discussed as being a Warrior Goddess, but the Crone can be a Warrior Goddess as well. Where the Mother Goddess is the blood of battle, the War Cry incarnate, the fighting Amazon, the Crone is the Strategy, the ability to see what cannot be seen. She is the seer, the General. The Crone Goddess does not don the face of the warrior to shed blood, but she will provide the courage to walk through the dark, the ability to seek and destroy the enemy, whether the enemy is actual, or internal.

In many respects, the Crone Goddess is the aspect of the Goddess that is most called upon to conquer inner demons. This is due to the fact that as the keeper of mysteries, the Crone is also the Keeper of the Underworld. With her help, we are able to travel into the Underworld and fight whatever demons haunt us. Likewise, once we are ready to be reborn, she again acts as the midwife and guides us once again into the light.

Crone Goddesses of Note include:
Hecate, Kali, Cerridwyn, Badb, Cailleach, Macha, and the Morrigan

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THE MOTHER

THE MOTHER

The aspect of the Mother Goddess is probably the most widely known and most widely envisioned in most cultures. Because the Earth nourishes and replenishes us, most goddess cultures did pay reverence to the Earth as the Mother, and therefore the Goddesses that are most prominent and about whom stories are most prolific are the goddesses that are the representation of the Mother.

She is, in virtually every aspect, a divine or celestial representation of our
earthly mothers. Everyone has an earthly mother, or at least did at one point, so we readily understand the relationship between mother and child. The mother is the protector, the care-giver, the kisser of wounds, and the disciplinarian.

The Divine Mother is no different.

Many of the most ancient goddess figures that archeology has uncovered are goddesses depicted as round, pregnant women. They feature large breasts and full, meaty hips. Some archeologists (patriarchal, close minded fellows, to be sure) have written these goddess figures off as nothing more than prehistoric “porn” figures. However, the generally accepted opinion is that these figures, found in such places as France, modern day Turkey, and Egypt, are actually representations of a mother goddess. There is some speculation that perhaps these figures are not goddesses at all, but rather figures used in fertility rites to enable women to conceive children. This too is a possibility, but when combined with other information that we have (such as other evidence of prehistoric goddess worship, and the fact that the connection between sex and pregnancy was not made until much later than the dates associated with these figures) leads most scholars to believe that these statues are indeed goddess representations.

Although the depiction of the Mother Goddess as a pregnant woman is prominent, she is certainly not always seen that way. The Mother aspect may be seen with small child in tow (most often a boy, who later becomes her consort, as is discussed in the section on the Maiden). This aspect of the Mother Goddess plays on the care-giving, sweet, loving aspect of the Goddess. However, do not be fooled into thinking that the Goddess as Mother is a pussy cat. She can also be a warrior.

Like earthly mothers, the Goddess is fiercely protective of her children, and in order to provide that protection she will often don the face of the warrior. The Warrior Goddess most probably gained popularity among people who had begun to adopt a more patriarchal (or at least patrifocal) structure. It might be presumptuous to say that matrifocal cultures were not particularly warlike, but it is safe to say that patriarchal cultures were more so. In either case, the warrior Goddess did become popular. In this aspect she is Amazon, fierce and strong, and able to take on any man to protect what needs protection.

Just as the maiden is represented by the season of Spring, the Mother aspect is present in Summer. By summer, berries and fruits are ripe, ready for the plucking. Vegetable gardens are mature and harvest is close at hand. The sun is high in the sky, and even though the sun is typically seen as a Male Deity, some cultures did associate the sun with the Goddess, (most notably the early Egyptian culture) and thus the high sun of summer was associated with the Mother, who was also seen as the pinnacle of the cycle of life.

In western traditions, the Goddess remains pregnant until the Winter Solstice, at which time she gives birth to a sun god of some kind. (Note the adaptation of the Christian church …Christmas, anyone?) The Catholic Goddess Mary also falls into the category of the Mother Goddess, because she does give birth to King at Solstice. (At least this is how the Christians celebrate the holiday, even though biblical scholars suggest Jesus was very likely born during a warm month)

Mary is a curiosity though, because she is a Dual Goddess, and not a Triple Goddess as most multifaceted Goddesses are. She is a maiden because she remains a virgin (and though not all maidens are virgins, all virgin goddesses are maidens), and yet because she gives birth, she is also a Mother. However, there is no reference in the Catholic tradition of Mary as an older woman. Therefore, Mary’s development ended with her at the Mother phase.

Mother Goddesses of Note include:
Demeter, Isis, Cerridwyn, Kali, Gaia, Oceana, Brigit, Nuit, Hera, Selene, Anu, Dana, Arianrhod, and Epona

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THE MAIDEN

THE MAIDEN

 

The Maiden is the first aspect of the Goddess, presented to us as a young woman, blossoming into womanhood, exploring her sexuality and learning of her beauty. She is most often depicted as a teenaged girl or a woman in her very early twenties.

Unlike the images of young women in many patrifocal religions, the Maiden is not necessarily depicted as a virgin in most Goddess traditions. In Catholicism, Mary is depicted not only as a virgin maiden, but continues to be a virgin throughout the duration of her lifetime, regardless of the fact that she was married and gave birth to a child. This has more to do with the taint patrifocal religions assign female sexuality than anything else. But because women’s sexuality is not denigrated in Goddess traditions, there is no need to associate virginity with the Maiden Goddess.

In fact, the Maiden Goddess is seen as a particularly sexual being. Because she has just bloomed into her womanly form, she is particularly interested in her body and what it can do. She is interested in her beauty, and she learns to manipulate the affections of other’s based upon her feminine wiles.

Some might take offense at my use of the word manipulate in the preceding sentence, but in fact, that is what sexuality is about, both on the part of the male and the female. Flirtation, courting and other manners of getting the attentions of the opposite sex is certainly a form of manipulation. It is not manipulation with malicious intent, to be sure, but when you attempt to curb the attitudes or thoughts of others through your own appearance or behavior, this is a form of manipulation, and by no means negative.

Because the Maiden is associated with the first blossoming of womanhood, adulthood and sexuality, she is associated with the Springtime. Just as her body develops breasts and she becomes sexually capable, so too does the Earth mimic her development. Flowers bloom, the Earth awakens from the deep sleep of winter and begins to procreate again. Animals lie with one another, flowers are pollinated. Spring is a time for new beginnings. It is the counterpart to the winter of Death.

Just as Spring is the counter to Winter, so too is the Maiden the counter to the Crone. The Crone is the embodiment of death, and subsequently rebirth, and it is through the aspect of the Maiden that the Crone is able to pass from this world and be reborn. As the young Goddess delves into her sexuality, and eventually becomes pregnant, the Elder Goddess may pass away and give her life that the Maiden may become Mother, and one day, Crone. The cycle is never ending.

The Maiden takes the Green Man (Horned Lord, many other names in many other cultures) as her consort. In some cultures, the Green Man may be her brother or even her son. At first glance, the courtship between the Maiden and the Sun God seems ripe with incest, because he is always somehow related to her. But if you read the myths associated with the Mother Goddess and how it came to pass that she became pregnant, you will usually find that she became pregnant by her husband, who has to give his life for one reason or another, and she agrees to bring him back into he world as the child in her womb. In essence, she gives birth to her husband, rather than taking her son as her lover. This is even true in the Catholic goddess vision: Jesus was the son of God, but he was also God. Because this idea is confusing and can lead to ideas of incest much like I discussed above, the Christian church left Mary a virgin, thus bypassing the whole sexual encounter, and thus the issue of incest altogether.

Maiden Goddess of Note include:
Diana, Persephone, Kore, Bleudowedd, Artemis, Ariadne, Hestia,
Athena, Aphrodite, Minerva, and Venus.

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