The Goddesses

Deity of the Day for Aug. 28th is Nut, The Egyptian Goddess

Deity of the Day

 Nut

The Egyptian Goddess

 

Nut or Neuth; also spelled Nuit or Newet) was the goddess of the sky in the Ennead of Egyptian mythology. She was seen as a star-covered nude woman arching over the earth, or as a cow.

Nut is a daughter of Shu and Tefnut. She is Geb’s wife as well as sister. She has four or five children: Osiris, Set, Isis, Nephthys, and sometimes Horus. Her name is translated to mean ‘sky’ and she is considered one of the oldest deities among the Egyptian pantheon, with her origin being found on the creation story of Heliopolis. She was originally the goddess of the nighttime sky, but eventually became referred to as simply the sky goddess. Her headdress was the hieroglyphic of part of her name, a pot, which may also symbolize the uterus. Mostly depicted in nude human form, Nut was also sometimes depicted in the form of a cow whose great body formed the sky and heavens, a sycamore tree, or as a giant sow, suckling many piglets (representing the stars).

A sacred symbol of Nut was the ladder, used by Osiris to enter her heavenly skies. This ladder-symbol was called maqet and was placed in tombs to protect the deceased, and to invoke the aid of the deity of the dead. Nut and her brother, Geb, may be considered enigmas in the world of mythology. In direct contrast to most other mythologies which usually develop a sky father associated with an Earth mother (or Mother Nature), she personified the sky and he the Earth.

Nut appears in the creation myth of Heliopolis which involves several goddesses who play important roles: Tefnut (Tefenet) is a personification of moisture, who mated with Shu (Air) and then gave birth to Sky as the goddess Nut, who mated with her brother Earth, as Geb. From the union of Geb and Nut came, among others, the most popular of Egyptian goddesses, Isis, the mother of Horus, whose story is central to that of her brother-husband, the resurrection god Osiris. Osiris is killed by his brother Seth and scattered over the Earth in 14 pieces which Isis gathers up and puts back together. Osiris then climbs a ladder into his mother Nut for safety and eventually becomes king of the dead.

A huge cult developed about Osiris that lasted well into Roman times. Isis was her husband’s queen in the underworld and the theological basis for the role of the queen on earth. It can be said that she was a version of the great goddess Hathor. Like Hathor she not only had death and rebirth associations, but was the protector of children and the goddess of childbirth.

Nut was the goddess of the sky and all heavenly bodies, a symbol of protecting the dead when they enter the after life. According to the Egyptians, during the day, the heavenly bodies—such as the sun and moon—would make their way across her body. Then, at dusk, they would be swallowed, pass through her belly during the night, and be reborn at dawn.

Nut is also the barrier separating the forces of chaos from the ordered cosmos in the world. She was pictured as a woman arched on her toes and fingertips over the earth; her body portrayed as a star-filled sky. Nut’s fingers and toes were believed to touch the four cardinal points or directions of north, south, east, and west.

Because of her role in saving Osiris, Nut was seen as a friend and protector of the dead, who appealed to her as a child appeals to its mother: “O my Mother Nut, stretch Yourself over me, that I may be placed among the imperishable stars which are in You, and that I may not die.” Nut was thought to draw the dead into her star-filled sky, and refresh them with food and wine: “I am Nut, and I have come so that I may enfold and protect you from all things evil.”

She was often painted on the inside lid of the sarcophagus, protecting the deceased. The vault of tombs often were painted dark blue with many stars as a representation of Nut. The Book of the Dead says, “Hail, thou Sycamore Tree of the Goddess Nut! Give me of the water and of the air which is in thee. I embrace that throne which is in Unu, and I keep guard over the Egg of Nekek-ur. It flourisheth, and I flourish; it liveth, and I live; it snuffeth the air, and I snuff the air, I the Osiris Ani, whose word is truth, in peace.”

 

Source:
Wikipedia

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Deity of the Day for August 26th is Athena

Deity of the Day

Athena

The Greek Goddess

Areas of Influence: Athena Goddess of war and wisdom

Unlike the war God Ares, she was not known for her brutality and bullying behavior. She was more of a strategist and a diplomat and was called upon to mediate in several disputes and wars amongst the Gods.

This Greek Goddess was also associated with domestic crafts.

In Greek mythology she taught Prometheus architecture, astrology, mathematics, medicine and navigation. She is credited with the invention of spinning, weaving, the plough and rake.

She is the Patron Goddess of the city of Athens where her most famous statue is situated in the Parthenon.

Athena assisted many of the Greek heroes in their quests including Perseus, Hercules and Jason.

Goddess Athena’s Family: This Goddess had a very unusual birth as she sprung fully grown from the head of her father, Zeus. Her pregnant mother, Metis a nymph, was swallowed whole by her father. This was because like his father before him he feared that his position would be usurped by one of his children.

Athena the Greek Goddess was Zeus’s favorite child, he entrusted her with his shield the Aegis.

She had lots of half brothers and sister’s including: Aphrodite, Apollo, Ares, Artemis, Hephaaestus, Hebe, Hermes, Persephone, the Fates, the Graces, the Muses, Tityus. The number would be even greater if I included all of the children from her father’s affairs with mortals.

She herself never married. There are several myths where Athena defends her virginity when she receives unwelcome male attention. This is why the temple dedicated to her is called the Parthenon as the word means temple of the virgin in Greek.

Despite being a virgin she had a child named Erichthonius. He was born after a failed rape attempt when his father’s seed fell upon the fertile earth.

Strengths: Rational, intelligent, a powerful defender and arbitrator.

Weaknesses: Too ruled by her head and out of touch with her emotions and femine side. Unapproachable and lacking in compassion.

Roman Equivalent: Minerva

Athena’s Symbols

The Archetypal female Warrior, she is usually depicted wearing a helmet and a goat skin breastplate known as the aegis. On the breastplate she mounted the terrifying head of the Goddess Medusa.

This Greek Goddess was referred to as the Goddess with bright eyes. Some scholars suggest that this supports the theory that in earlier times she was also a storm and lightening Goddess. For pictures of Athena please follow this link

Sacred animals: Snakes form part of her famous statue.

Sacred birds: The owl is linked with Athena the Greek Goddess as it represents wisdom and watchfulness.

Mulberry, oak and olive trees.

Athena The Greek Goddess’s Archetypes

The Warrior:

This Archetype represents physical strength, and the ability to protect and fight for your rights and those of of others.

The shadow side of the Warrior reflects the need to win at all costs, abandoning ethical principals to prove your supremacy.

The Greek Goddess main Archetype is that of the female Warrior. This is illustrated by her role of patron and defender of Athens. She also became involved in the war against the giants and the siege of Troy.

The Teacher/ Inventor:

The Teacher and Inventor communicates knowledge, experience and wisdom.

In it’s shadow aspect, the Teacher may manipulate and mislead their students by indoctrinating them with negative beliefs and destructive behaviours.

In Greek mythology this Goddess is the protector and advisor of the heroes Hercules, Perseus and Ulysses.

As an Inventor this Goddess teaches mankind how to spin and weave, however it is in this role that we see her need to control her “students” and she will not allow anyone to surpass her accomplishments.

 

How to Work With These Archetypes.

The Warrior:

If you are drawn to work with this Goddess you may require her Warrior spirit to help you to stand up for your rights and set firm personnal boundaries. This Goddess can be a great stereotype to work with if you want to take control in your life, and wish to no longer play the role of the victim.

You may also wish to call upon this Goddess to champion the cause of others.

Conversely this Goddess may appeal to you if you have a very strong sense of self and are proud of the victories you have achieved. The shadow side of this Goddess may be asking you to reflect honestly on the cost of these victories. Have they been at the expense of others or your principles?

The Teacher/ Inventor:

This Archetype may suggest a love of passing on wisdom and learning to others.

This Goddess wise counsel can also be called upon to help you see a way through any present difficulties or to help you to master a new skill.

The shadow aspect of this stereotype is also a reminder that whenever we find ourselves in a teaching or mentoring role we must aim to be a positive role model, encouraging others to reach their full potential.

 

Source:
Goddess-Guide.com

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Deity of the Day for Aug. 25th – The Fates

Deity of the Day

 

The Fates

 

The Fates were three female deities who shaped people’s lives. In particular, they determined how long a man or woman would live. Although a number of cultures held the notion of three goddesses who influenced human destiny, the Fates were most closely identified with Greek mythology.

The Greek image of the Fates developed over time. The poet Homer * , credited with composing the Iliad and the Odyssey, spoke of Fate as a single force, perhaps simply the will of the gods. Another poet, Hesiod * , portrayed the Fates as three old women. They were called the Keres, which means “those who cut off,” or the Moirai, “those who allot.” They may have originated as goddesses who were present at the birth of each child to determine the course of the child’s future life.

deity god or goddess destiny future or fate of an individual or thing

allot to assign a portion or share

The parentage of the Fates is something of a mystery. Hesiod described them as daughters of Nyx, or night, but he also said that they were the children of Zeus, the chief of the gods, and Themis, the goddess of justice. The Fates had power over Zeus and the gods, and many ancient authors, including the Roman poet Virgil * , stressed that even the king of the gods had to accept the decisions of the Fates. Occasionally, however, fate could be manipulated. One myth says that Apollo * tricked the Fates into letting his friend Admetus live beyond his assigned lifetime. Apollo got the Fates drunk, and they agreed to accept the death of a substitute in place of Admetus.

Hesiod called the Fates Clotho (“the spinner”), Lachesis (“the allotter”), and Atropos (“the unavoidable”). In time, the name Clotho, with its reference to spinning thread, became the basis for images of the three Fates as controlling the thread of each person’s life. Clotho spun the thread, Lachesis measured it out, and Átropos cut it with a pair of shears to end the life span. Literary and artistic works often portray the Fates performing these tasks.

manipulate to influence or control in a clever or underhanded way

The Romans called the Fates Parcae, “those who bring forth the child.” Their names were Nona, Decuma, and Morta. Nona and Decuma were originally goddesses of childbirth, but the Romans adopted the Greek concept of the three weavers of Fate and in Greek mythology, the Fates were three goddesses who shaped people’s lives. They determined how long a man or woman would live.

added a third goddess to complete the triad. In addition, they sometimes referred to fate or destiny as a single goddess known as Fortuna.

triad group of three

A triad of goddesses linked with human destiny appears in various forms in mythology In addition to the Moirai, the Greeks recognized a triad of goddesses called the Horae, who were associated with the goddess Aphrodite

 

* . Their names were Eunomia (Order), Dike (Destiny), and Irene (Peace.) The Norse * called their three Fates the Norns: Urth, the past; Verthandi, the present; and Skuld, the future. Sometimes the Norns were referred to as the Weird Sisters, from the Norse word wyrd, meaning “fate.” The Celts * had a triad of war goddesses, collectively known as the Morrigan, who determined the fate of soldiers in battle. The image of a triple goddess may be linked to very ancient worship of a moon goddess in three forms: a maiden (the new moon), a mature woman (the full moon), and a crone (the old moon).
Source:

Myths Encyclopedia

 

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Deity of the Day for Aug. 20th – Idunn The Norse Goddess

Deity of the Day

Idunn

The Norse Goddess

 

Areas of Influence: Idunn is the Norse Goddess of youth and springtime.

Her name means she who renews and has several alternative spellings including: Indun, Iduna and Idhunna.

She was one of the lesser known Aesir Goddesses who lived in Asgard.

She is the keeper of the magical apples that give the Gods immortality.

When Loki arranges for the giant Thiassi to abduct her all the Gods and Goddesses start to age and weaken.

Loki is summoned by the angry Gods and is told to rescue her. He borrows Freya’s falcon cloak and flies to the giants house. Luckily the Giant is out fishing so Loki transforms Idun into a nut, attempting to fly her home quickly before the giant discovers her missing.

The Giant returns home early and changes into an eagleso he can give chase. The Eagle is faster than a falcon and the giant begins to gain on Loki. Odin sees them in the distance and instructs the Gods to light a fire once Loki has safely flown overhead. The Eagle is unable to stop and his wings burst into flames.

Origins and Genealogy: She is married to Bragi the God of poetry. I have not included her parentage as the information is incomplete and contradictory.

Strengths: Generous and youthful.

Weaknesses: Naivety, too trusting.

Symbolism: Shown as a beautiful maiden.

Sacred Animal/Bird/Plant: Apples which she carries in a basket.

Idunn’s Archetype

The Maiden:

The Maiden Archetype represents purity and the innocence of childhood, where the soul’s dreams, magic and make believe still prevail.

It is also an aspect of the Triple Goddess, together with the Mother and the Crone they represents the cycles of the moon and the different stages of a woman’s life.

Shadow Maiden is very self centered all, her dreams and energy is expended on achieving her own personal needs and goals.

Idunn is a Maiden Goddess as she is the Goddess of youth and the springtime.

How To Work With This Archetype

The Maiden:

The Maiden is one of your Archetypes if you are life still in touch with your childhood intuition and fantasies and have used these to fulfill your dreams. Hence you can still have the Maiden Archetype at any time of life.

The Maiden reminds you to look after the magical child that lies within us all.

Shadow Maiden asks you to look at whether your dreams and aspirations are selfish and take no account of the needs of others.

 

Source:
Goddess-Guide.com

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The Goddess Creed

Celtic & British Isles Graphics

The Goddess Creed

I believe in Goddess the Mother All Mighty

Creatrix of the heavens and earth

And in all women

Who were conceived of Her love

Born of our sacred mothers

Suffered under patriarchy

Were crucified, died, and were buried

We descended into the underworld

The third day we arose again

We integrated with our new selves

And we now sit with Goddess our Mother

And we judge no one

I believe in the Holy Mother

The maiden, mother, crone

Forgiveness toward others

The celebration of the body

And everlasting renewal of life

So Mote It Be


(c) 2008 Danu Gray Wolf

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Deity of the Day for July 30th is Nephthys

Deity of the Day

Nephthys

Goddess of Death, Service, Lamentation and Nighttime

Nephthys ((/ˈnɛpθɨs/ or /ˈnɛfθɨs/) or Nebthet/ˈnɛbˌθɛt/ (Arabic: نيفتيس Nyftys) is a member of the Great Ennead of Heliopolis in Egyptian mythology, a daughter of Nut and Geb. Nephthys was typically paired with her sister Isis in funerary rites because of their role as protectors of the mummy and the god Osiris and as the sister-wife of Set.

Nephthys is the Greek form of an epithet (transliterated as Nebet-het, and Nebt-het, from Egyptian hieroglyphs).The origin of the goddess Nephthys is unclear but the literal translation of her name is usually given as “Lady of the House,” which has caused some to mistakenly identify her with the notion of a “housewife,” or as the primary lady who ruled a domestic household. This is a pervasive error repeated in many commentaries concerning this deity. Her name means quite specifically, “Lady of the [Temple] Enclosure” which associates her with the role of priestess.

This title, which may be more of an epithet describing her function than a given name, probably indicates the association of Nephthys with one particular temple or some specific aspect of the Egyptian temple ritual. Along with her sister Isis, Nephthys represented the temple pylon or trapezoidal tower gateway entrance to the temple which also displayed the flagstaff. This entrance way symbolised the horizon or akhet.

At the time of the Fifth Dynasty Pyramid Texts, Nephthys appears as a goddess of the Heliopolitan Ennead. She is the sister of Isis and companion of the war-like deity, Set. As sister of Isis and especially Osiris, Nephthys is a protective goddess who symbolizes the death experience, just as Isis represented the (re-)birth experience.

Nephthys was known in some ancient Egyptian temple theologies and cosmologies as the “Useful Goddess” or the “Excellent Goddess”. These late Ancient Egyptian temple texts describe a goddess who represented divine assistance and protective guardianship.

Nephthys is regarded as the mother of the funerary-deity Anubis (Inpu) in some myths. Alternatively Anubis appears as the son of Bastet or Isis.

As the primary “nursing mother” of the incarnate Pharaonic-god, Horus, Nephthys also was considered to be the nurse of the reigning Pharaoh himself. Though other goddesses could assume this role, Nephthys was most usually portrayed in this function. In contrast Nephthys is sometimes featured as a rather ferocious and dangerous divinity, capable of incinerating the enemies of the Pharaoh with her fiery breath.

New Kingdom Ramesside Pharaohs, in particular, were enamored of Mother Nephthys, as is attested in various stelae and a wealth of inscriptions at Karnak and Luxor, where Nephthys was a member of that great city’s Ennead and her altars were present in the massive complex.

Nephthys was typically paired with her sister Isis in funerary rites because of their role as protectors of the mummy and the god Osiris and as the sister-wife of Seth.

Less well understood than her sister Isis, Nephthys was no less important in Egyptian Religion as confirmed by the work of E. Hornung, along with the work of several noted scholars.

“Ascend and descend; descend with Nephthys, sink into darkness with the Night-bark. Ascend and descend; ascend with Isis, rise with the Day-bark.”

Pyramid Text Utterance 222 line 210.

In the funerary role, Nephthys often was depicted as a kite, or as a woman with falcon wings, usually outstretched as a symbol of protection. Nephthys’s association with the kite or the Egyptian hawk (and its piercing, mournful cries) evidently reminded the ancients of the lamentations usually offered for the dead by wailing women. In this capacity, it is easy to see how Nephthys could be associated with death and putrefaction in the Pyramid Texts. She was, almost without fail, depicted as crowned by the hieroglyphics signifying her name, which were a combination of signs for the sacred temple enclosure (hwt), along with the sign for neb, or mistress (Lady), on top of the enclosure sign

Nephthys was clearly viewed as a morbid-but-crucial force of heavenly transition, i.e., the Pharaoh becomes strong for his journey to the afterlife through the intervention of Isis and Nephthys. The same divine power could be applied later to all of the dead, who were advised to consider Nephthys a necessary companion. According to the Pyramid Texts, Nephthys, along with Isis, was a force before whom demons trembled in fear, and whose magical spells were necessary for navigating the various levels of Duat, as the region of the afterlife was termed.

It should here be noted that Nephthys was not necessarily viewed as the polar opposite of Isis, but rather as a different reflection of the same reality: eternal life in transition. Thus, Nephthys was also seen in the Pyramid Texts as a supportive cosmic force occupying the night-bark on the journey of Ra, the majestic sun god, particularly when he entered Duat at the transitional time of dusk, or twilight. Isis was Ra’s companion at the coming of dawn.

Nephthys plays an important role in the Osirian myth-cycle.

It is Nephthys who assists Isis in gathering and mourning the dismembered portions of the body of Osiris, after his murder by the envious Set. Nephthys also serves as the nursemaid and watchful guardian of the infant Horus. The Pyramid Texts refer to Isis as the “birth-mother” and to Nephthys as the “nursing-mother” of Horus. Nephthys was attested as one of the four “Great Chiefs” ruling in the Osirian cult-center of Busiris, in the Delta and she appears to have occupied an honorary position at the holy city of Abydos. No cult is attested for her there, though she certainly figured as a goddess of great importance in the annual rites conducted, wherein two chosen females or priestesses played the roles of Isis and Nephthys and performed the elaborate ‘Lamentations of Isis and Nephthys’. There, at Abydos, Nephthys joined Isis as a mourner in the shrine known as the Osireion. These “Festival Songs of Isis and Nephthys” were ritual elements of many such Osirian rites in major ancient Egyptian cult-centers.

As a mortuary goddess (along with Isis, Neith, and Serqet), Nephthys was one of the protectresses of the Canopic jars of the Hapi. Hapi, one of the Sons of Horus, guarded the embalmed lungs. Thus we find Nephthys endowed with the epithet, “Nephthys of the Bed of Life,” in direct reference to her regenerative priorities on the embalming table. In the city of Memphis, Nephthys was duly honored with the title “Queen of the Embalmer’s Shop,” and there associated with the jackal-headed god Anubis as patron.

Nephthys was also considered a festive deity whose rites could mandate the liberal consumption of beer. In various reliefs at Edfu, Dendera, and Behbeit, Nephthys is depicted receiving lavish beer-offerings from the Pharaoh, which she would “return”, using her power as a beer-goddess “that [the pharaoh] may have joy with no hangover.” Elsewhere at Edfu, for example, Nephthys is a goddess who gives the Pharaoh power to see “that which is hidden by moonlight.” This fits well with more general textual themes that consider Nephthys to be a goddess whose unique domain was darkness, or the perilous edges of the desert.

Nephthys could also appear as one of the goddesses who assists at childbirth. One ancient Egyptian myth preserved in the Papyrus Westcar recounts the story of Isis, Nephthys, Meskhenet, and Heqet as traveling dancers in disguise, assisting the wife of a priest of Amun-Re as she prepares to bring forth sons who are destined for fame and fortune.

Nephthys’s healing skills and status as direct counterpart of Isis, steeped, as her sister in “words of power,” are evidenced by the abundance of faience amulets carved in her likeness, and by her presence in a variety of magical papyri that sought to summon her famously altruistic qualities to the aid of mortals.

 

Source:
Wikipedia

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Deity of the Day for July 28th is Blodeuwedd

Deity of the Day

 

Blodeuwedd

Blodeuwedd (pronounced Blow-day-yoo-eth) is the Welsh Goddess of Flowers.

Mythology:-
After Lleu’s mother, Arianrhod declared that he would never have a mortal wife, his two magician companions, Gwydion and Math began to work their magick. They formed a magickal, divine wife named Blodeuwedd for him out of 9 flowers. She was expected to of course marry him and be a loyal wife and though he loved her, she never loved him.
For three nights Lleu had left Blodeuwedd in charge of their… home and in that time a nobelman in need of a rest from his huntng activity took shelter there. His name was Gronw the Strong and the two fell in love.
Desperate to be free of her husband and marry her hunter love the two plotted to kill Lleu. After failed attempts Blodeuwedd tricked Lleu into revealing how he could be killed (only when special conditions were met was this possible).
After a year and a day of preparing for the right conditions Gronw made his attack on Lleu and wounded him; he did not manage to kill the God. Gwydion took defence of his foster-son and allowed Lleu to escape to heal. He killed Gronw and punished Blodeuwedd by turning her into an owl.

Spiritual Information:- Blodeuwedd is a Maiden Goddess yet this does not permit her to never having enjoyed the love of a man. She is independant in her body and choices, despite the bounds of an unwilling marriage. Even though she seems to be under the rule of man, by her creation, marriage, and punishment, she was there before Gwydion and Math invoked her. Her lovemaking with the Hunter and her connection to flowers ma…kes her the walking feminine spirit of the land. She is the embodiment of the Goddess in her many guises as shown by her multi-faceted personality.
She compliments Lleu in that he is the Light Eagle God of the Day, and she is the Dark Owl of the Night. She is mated to the God of the Light side of the year and the God of the Dark side of the year, mirroring the wheel of the year and the battle of the solstices; her double faces or light and dark reflect the Goddesses role in this.
She is the Maiden in her independance, youth, beauty and strength; the mother in her sexuality, love and lust; the crone in her cunning, death and the night owl.
In some cases Gronw the Strong can be seen as a manifestation of the Horned Hunter God Cernunnos and so it would be fitting to Couple Blodeuwedd with both he and Lleu.

Correspondences:-
* Owls
* Flowers
* Bright colours and Dark colours.
* Green
* Maiden Mother Crone

Offerings:-
* Flowers
* Floral Incense
* Bean, broom, burdock, meadowsweet, primrose, nettle, hawthorn, oak, and chestnut (flowers)

Festivals:-
* Celebrate and worship Blodeuwedd in any of her stages of maiden mother crone, at Imbolc, Beltane or Samhain. She can also be thought of at the solstices as her two men battle over her.

 

Source:

Goddess Spirals

 

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Deity of the Day for July 19th is Themis The Greek Goddess

Deity of the Day

Themis

The Greek Goddess

TYPE: Areas of Influence: Themis the Greek Goddess was one of the ancient Titans. She was the Greek Goddess of divine justice, order and customs. In this role she sat in judgment of the recently deceased and decided whether they were sent to Tartarus or the Elysian Fields. This role is very similar to that of the earlier Egyptian Goddess Ma’at

She was the Goddess who called the Gods to assemble before Zeus and kept order during their lavish banquets.

Themis the Greek goddess also advised her husband on the principles of divine law and the rules of fate.

This Goddess also had the ability to foresee the future and was in charge of the Oracle of Delphi before she handed it over to Apollo.

Origins and Genealogy: This Deity was the daughter of Gaia and Ouranus, she had six brothers: Cronus, Oceanus, Hyperion, Lapetus, Cruis and Coeus and several sisters including Tethys, Theia, Pheobe and Mnemosyne.

With Zeus she had several children: Eunomia (order), Dike (justice), Eirene (peace) and the Moirai (the Fates). She is also considered by some to be the mother of Prometheus.

Strengths: Balancing and just able to predict the future.

Weaknesses: Very exacting in her standards.

Themis’s Symbolism

Themis is often shown blind folded holding the scales of justice.

Roman Equivalent of Themis: Lustitia

Themis’s Archetypes

The Judge:

The Judge’s role is to balance justice with compassion. Ensuring a distribution of power that provides realistic and fair boundaries that encourage people to take responsibility for their actions.

Shadow Judge misuses his power to enforce rules over others by manipulating laws. They are over critical and very judgmental of others, the sort of tyrant that makes you feel you are tip toeing round on eggshells trying not to draw their wrath.

This is an obvious choice of Archetype for Themis the Greek Goddess as she is Goddess of Justice.

The Visionary:

The Visionary is able to track probable outcomes for the future and able to envisage a better way of living for all mankind. They are clear channels for spirit communication.

Shadow Visionary sells their prophetic abilities to the highest bidder. They may even manipulate what they have seen to make it more palatable for their audience. The other shadow Visionary is so absorbed in their dreams that they are unable to function in the everyday world.

As keeper of the Oracle of Delphi Themis the Greek Goddess fits this Archetypal role. It is she that prophecies that Zeus will like his father before him be overthrown by one of his children.

 

How To Work With these Archetypes

The Judge:

The Judge is one of your Archetypes if you work in roles where you are often called upon to mediate between different sides. You may also have high standards and ideals which you encourage others to adopt.

This Archetype is an excellent one to work with if you are facing any legal proceedings or other situations in your life where you want justice to be done.

This Goddess should only be invoked if you wish to work with the universal laws of harmony and justice. If you are trying to enforce your own standards or seek revenge for perceived wrong doings you will be working with the Shadow aspect of the judge.

The Visionary:

You may be drawn to the Visionary if you possess psychic or visionary abilities yourself. The shadow aspect of this Archetype reminds you to use your gifts wisely and to remember to stay grounded in this reality.

You may also seek out this Archetype if you are at a cross roads in your life and are unsure what path to take. Work with this Goddess and look for the signs/symbols which will point you in the right direction. Remember that the path she indicates is the one for your highest good.

 

Source:
Goddess-Guide.com

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